#all i need is the motivation and the dream

[qqueenofhades]

I love your essays; they are fascinating. Thank you for sharing your perspective! I have a follow up question, if you have the time or energy: in your last, you said, “It's a blueprint for a tiny group of extreme right-wing theocrats and fascists to get their way regardless of what the broader public says about it…”. Who ARE the tiny group of extreme right wing theocrats and fascists? Is it the politicians whom we see all over the news, like Vance and Boebert ands Haley and DeSantis? Or are they puppets whose strings are being pulled by donors behind the scenes, like…I don’t know, the Koch brothers and the Uleins (sp?)? I feel like whoever it is must have mind boggling amounts of money, to overcome the sheer number of people who don’t think like that, even people nominally republican who believe in traditional low taxes and small government, but are not completely bananapants. Or maybe that’s why they tagged trump, bc no one before him was willing to act like enough of an outright gangster to seriously move the needle…? How much more rich than disgustingly rich do they need to be?

Perhaps surprisingly, it's fairly easy to identify the Hall of Shame who are busily trying to end American democracy, not least because they have become increasingly open about it. Their motives are diverse but all terrible. The quick rundown is as follows:

First, the alt-right billionaires club such as Peter Thiel, Elon Musk, Harlan Crow, and Leonard Leo (the last two are some of the chief funnelers of dark money to SCOTUS; Crow is Clarence Thomas's sugar daddy). They have reasons ranging from grandiose delusions about "remaking" the world in their preferred image (not at all terrifying) to attaching themselves to fascist politics in order to defeat workers' rights and labor unions, who they view as a threat to their mega-wealth. Thiel is the primary sponsor of JD Vance and the alt-right cryptobros clubs that draw the young right-wing white men who also primarily form the membership of neo-Nazi and white nationalist groups. They want to end democracy in order to punish women, minorities, LGBTQ+ people, and anyone else who Nazis always hate. Crow and Leo have lavishly funded the corrupt SCOTUS in order to influence their preferred right-wing rulings, and there are undoubtedly more who we don't even know about. This is just the tip of the iceberg and I have no doubt that it's far, far worse than anything that has been publicly reported.

Next are the extremist right-wing interest groups that have cohered around and advocated for Project 2025, which is basically just the conservative-extremist wet dream put in one place and written down. They include the Heritage Foundation (the primary Project 2025 author) the Federalist Society and the John Birch Society of right-wing judges and policymakers, and Opus Dei, the secretive Catholic right-wing influence group who are straight out of a Dan Brown novel but are in fact some of the most consequential and powerful players in MAGA World. Their name means "work of God" in Latin, which is very much what they see themselves as doing, and their reach in DC is vast, particularly in the far-right evangelical and fundamentalist Christian groups that have attached themselves to Trump as a vehicle to push through their regressive-reactionary social and cultural politics, especially on abortion, women's rights, LGBTQ+ rights, and other things that they view as "unholy." These are the diehard true believers who really, truly think that it's better for the US to be a fascist theocracy espousing "Right and Moral" religious views than a flawed, pluralist, and secular democracy. Hard Yikes.

Thirdly we have the useful idiots, such as Vance, Ron DeSantis, Boebert, Greene, basically pick-a-Republican-politician-here, who are pursuing fascist politics out of careerism, opportunism, some amount of genuine belief, and exploiting the age-old fissures of American racism, nativism, xenophobia, and other original sins that have dogged the country since its founding. Of course, Trump himself is chief among these useful idiots, because he's completely willing to end American democracy and install himself as Dictator-for-Life if it exempts him from having to face the consequences for all the crimes he did last time (and frankly, his entire life, which is now catching up with him). I don't think Trump has an actual consistent or coherent policy bone in his body; witness how quickly he was willing to flip-flop on the Florida abortion issue depending on what he thought was useful (and then after the backlash he received from his base). He's a malignant narcissistic sociopath who is incapable of complex reasoning and long-term planning. His only and overriding interest is himself, he will do absolutely whatever he has to in order to save himself, and as long as he has his death grip on the GOP, everyone who wants to succeed in the party or even have a future in it has to slavishly kiss Don Corleone Trump's ring. That is why many lifelong Republicans have been breaking ranks to say they will vote for Harris, because "being a Republican's" one and only qualification is now "being utterly loyal to Trump." That's it.

These are all actors based more or less in the US, but we also can't forget the fact that basically the entire Republican Party is in deep, deep hock to Vladimir Putin and other foreign autocrats (but most especially and dangerously Putin). We just had the DOJ indictment of MAGA influencers who were taking Russian black cash by the bucketload in order to spread damaging lies about Biden/Harris and pump for Trump, and this is consistent with Russia's pattern of extensive interference in American elections going back to at least 2016. It is hard to overstate how much Putin hankers to end American democracy for many reasons. He is a former KGB agent trained in the black-and-white us-and-them logic of the Cold War where the US was the USSR's archenemy, his constant mourning for the USSR's collapse has been well documented, and it would be the absolute defining and singular achievement of all of post-imperial Russian history for Putin to effectively end American democracy with a second Trump term.

This is for the simple reason that Trump is utterly in thrall to Putin and will do whatever he asks, whether it's cutting off aid to Ukraine and forcing them to accept annexation by Russia, pulling America out of NATO and letting Putin set his invasion sights on Poland and the Baltic states, and anything else. That is genuinely terrifying but very likely if Trump was re-elected, aside from the end of American democracy and the worldwide ramifications it would have to empower fascist authoritarians everywhere. Putin is trying to achieve this through a combination of good old-fashioned Soviet-style dezinformatsiya, paying off MAGA influencers, putting the entire resources of the Russian state into defaming Harris-Walz, and recruiting useful idiots like his asset Jill Stein, who has extensive Russian ties and only pops up every four years for idiot leftists to spoil their vote and ruin Democratic electoral prospects. So. Again. Hard yikes.

So that's the quick rundown of the people who are vested in Trump and Project 2025's success and why, and as you can see, while they're all different, they're all terrible. But yes: that really is a very, very small group of people, relatively speaking. And a vote for anyone except Kamala Harris and Tim Walz is a vote to empower them and also to ensure that you will never have the chance to vote again, due to living in an authoritarian fascist regime. Choose wisely.

[zaynes-nieve]

Zayne Confirmed Lore

Anything confirmed by the developers, including any accounts or information within the game! (I will update you as the game continues, and I appreciate any info I can get from you all as well!!!!)

Tender Moments | Memoria | Bond | Devs/Offical | Main Story | Annecdotes

Basic Info:

Zayne's Birthday is September 5th | About Him

Other Names: Rei (JP), Lee Seeoen (KR) and Li Shen (CN)

Zayne's Constellation sign is a Virgo (like me)| About Him

Zayne is 6'1 | About Him

Zayne's age is 27 | About Him

Zayne is the Chief Cardiac Surgeon at Akso Hospital | About Him

Zayne's evol is Ice | About Him

Daily Life:

Zayne is a workaholic and he likes it | Gentle Twilight/About Him

He is good at snowboarding! | Everlasting Snowdrop/About Him

He knows how to peel an apple in one go | Spring Remnants/About Him

He is good at drawing (those anatomical diagrams, ftw!!!) | Suprise Encounter/About Him

He has a sweet tooth (like me) | Nostalgic Sweetness/About Him

He gets toothaches (unlike me) | Nostalgic Sweetness/About Him

He is a terrible patient (Strict against others, indulgent to his own whims) | Nostalgic Sweetness/About Him

Zayne is a teetotaler (a person who never drinks alcohol) | Drunken Intimacy/About Him

He is good at pool but is a strict teacher | Exclusive Tutorial/About Him

His Parents are also Doctors and work with Doctors without Borders overseas | Eternal Attachment/About Him

He sends them a message on his birthday each year, telling them he is just fine! | Eternal Attachment/About Him

Zayne has a hard time controlling his Evol | Main Story 4-10/Never Ending Winter ch.4

Starcatcher Awardee (2046) | Main Story 4-5

Linde Award Winner (Year 2046) | Main Story 4-5 / Never Ending Winter ch.10? Last chapter mention

His patients all are obedient (terrified) of him | A Pure White Heart ch. 3

Dr. Zayne and Dawnbreaker see eachother in their dreams | Gonna be pulling from a lot of things so give me a moment for this one 😭 (Never Ending Winter Ch.1,Ch.2,Ch.4) (Ngl Dawnbreaker Might Need his own section....or Page)

His Past:

Zayne was one smart cookie and skipped several years! But because he was so young and his classmates were not. He had a hard time making friends | Delicacy/About Him

When he was in medical school, he visited a barbeque stall a lot | Delicacy/About Him

He has a good tolerance for pain😭and he gets injured a lot, leaving many scars | Medical Rescue/About Him

Dr. Zayne was in the 35th Cohort of the Skyhaven Medcial School in an PHD Program | Never Ending Winter ch.1

He was an intern under Dr. William (took him under his wing) | Never Ending Winter ch.1

It's implied he had to kill William after those black crystals seemed to be turning Dr.William into a Wanderer (Do we consider this confirmed enough?) | Never Ending Winter ch. 6

His Likes:

He really hates carrots!!! | A Frozen Promise/About Him

He visits medical museums to relax, or he will go look out at the river | Heart Within Reach/About Him

Our Story 💙❄️☃️

He gave us a little snow seal when we were children (we thought it was a snowball) | A Frozen Promise/About Him

After seeing our name on the volunteer list to the Frontlines. He follows us | Hidden Motive/Insta Acc.

He is our Primary Doctor!!! (we're not gonna talk about the ethics of this LMFAO) | Main Story 1-8/About Him

Zayne said he melted an "old" popsicle (our popsicles in this time) for us when we were kids | Nostalgic Sweetness/About Him

Our Grandmother left us a letter with Zayne and he seems to know more than he is letting on | Main Story 4-7 (I'll double check this one)

Dawnbreaker

(Work in Progress)

Pls look at Zayne's third annecdote, the newest five star (the free sept 30th one), The Birthday one and like the a million tumblr posts cause this likely won't be finished anytime soon

pls hit me up with any more information and where it's from!!

[clairdelunelove]

itadori "wear what you want because I can fight" yuuji

he's not a violent person. well, most would claim he isn't. people tend to put him on a pedestal of fairness and morality due to his typical charm. the magnetism of his broad grins and upbeat compliments. always the comedic relief when situations escalated, and feelings were far from composed. and he'd agree that they weren't that far off with their assumptions. he views every individual as a holder of wills and dreams. the desire to strive for the value of life is enough motivation for him. he's a firm believer of sacrificing himself for the greater good– a selflessness that most couldn't fathom.

but by a rare stroke of luck, when the two of you began dating, yuuji noticed a drastic change in the perception he had of himself. he could be jealous. and in hindsight, it sounds silly because of course, there's nothing wrong with your partner being a bit insecure. it's human nature and happens to the best of us. but yuuji didn't lack self-esteem. no, he was just protective over you. guarded, vigilant, and careful about everything that involved you in some shape or form. and perhaps the inkling of keeping you all to himself has run through his mind more than once. these strong sentiments scared him, initially; rattled him enough to where he would ponder if it was normal. guilt was the typical consequence he dealt with and often confided in his mentors about it. conversed with them by using his large, expressive eyes and knitted brows. and when they hummed that his emotions were valid, well, it was like putting a soothing balm over an injury. he was as good as new.

so it isn't surprising when his nose crinkles at the abominable sight before him. he leaves for a minute, literally, to pick up the syrupy milkshake the two of you ordered beforehand. it's filled with candied toppings, a concoction that made your mouth drop in awe and caused him to immediately buy it to make you happy. and there's a bounce in his step when he waltzes over to your table. he's in pure bliss. just euphoric due to the fact that the both of you could spend the day together and it's been a dream come true. he'd taken you to the bowling alley, gotten some impressive strikes, and even snuck in a couple affectionate kisses. it's the equivalent of the cheesy romcoms that he watches when he misses you.

until it isn't.

because there's a guy chatting you up in yuuji's absence and okay, yuuji takes a deep breath and reasons that it's not a crime to talk to you while he's away. but cut him some slack, y'know. he almost feels bad when you catch his stare and a wave of relief washes over your features. emphasis on almost, however. his mouth twitches in response, plastering on a half-smile as he gets closer, until he has the misfortune of hearing what the stranger was adamantly uttering to you.

"you don't have to be coy, 'course you're dressing like that to get attention," the guy pointedly gestures to your outfit with a smirk, "you got mine, for sure."

and yuuji sees red. an intense burst of emotion that licks up into flames of animosity that drive him to the brink. it's instantaneous. scarily so, when yuuji's calloused hand seizes the stranger's before he can sleazily reach to pet at your clothes. because how dare this stranger feel the need to say that. yuuji recognizes the telltale sign of your brows drawing together, your self-confidence diminishing the more this situation goes on. so he snaps.

"what'd you just say to my girl, asshole?"

he doesn't even recognize the gruff, harsh voice that leaves his chapped lips. there's a huff of alarm from the sheer power of his grip on the stranger's wrist and you swear you hear an unnerving crack. you let out a distressed gasp. the blushy haired male doesn't verbalize the same sentiment, though. just blankly stares up through his brows, an ominous and haunting intent in his actions. and yuuji's a completely different person now. you note a muscle in his jaw that twitches. gone is your sweet, doting boyfriend. he's placed by a man with innate concentration and murderous intent to protect your honor– to defend you. the contrast is startling.

"she can wear whatever she wants, whenever she wants," yuuji moves to grasp onto the front of the stranger's shirt and forewarns him with a couple shakes, each word emphasized with the movement, "'cause she's with me."

and the blushy haired male rattles the other grown man like he was nothing. just a speck of dust that happened to get in yuuji's way. a nuisance that he'll willingly dispose of. naturally, the stranger is reduced to trembling and cowering in fear. the sleeves of yuuji's sweater are rolled up to showcase his solid forearms and rippling veins that are only more apparent in how tense he is. hysterical excuses leave the other male's mouth; mentions of who- or rather what- you were dating. how this wasn't right-minded or moral for him to be acting this way. this was just supposed to be a light-hearted 'joke.' but yuuji's not interested in listening. he casts a rather neutral glance to him, the kind where his brows drop in conviction. locked onto his prey and stopping any means of escape. his golden eyes are as sharp as daggers. a manifestation of the stranger's night terrors and much more. there's hostility evident in how yuuji shoves him to get lost and, as quick as the stranger appeared, he vanishes.

and after the whole ordeal, yuuji's busy scratching the back of his neck. the image of modesty and faultlessness being captured by how he tilts his head to the side while he watches the stranger retreat.

he even has the audacity to mumble an innocent, "gee. what was that guy's deal?" like the pink-haired male wasn't just playing violent mind games with him or how he wasn't just the sole embodiment of the harbinger of hell itself. all as an effort to protect you.

your heart skips. breathless, as you're engulfed in warmth that exposes your deepest desires. and you think that yuuji knows; well, with how he leans to press a tender kiss onto your forehead and eagerly takes your hand in his. how his casual display of strength melts you into a puddle. but when you're left flustered, heart pounding and mind racing, you realize that you're the one that's struck speechless on how effortlessly attractive he is. but it dawns on you that this is just how yuuji innately is. after all, he vowed to be yours; in every aspect there is. his commitment to you is unmatched. and it's the utter devotion that yuuji unveils to you in times like this that your love for him only grows with each passing day.

[starcurtain]

I love your post so much I love how everything is backed by evidence. I wanted to ask for your opinions on ratio and aventurine's relationship (relationship in general, not necessarily in a romantic sense).

My mind keeps goes back to Aventurine and "Aventurine"'s conversation about Ratio's fake betrayal part of the plan and Aventurine says "Or maybe he wasn't acting at all?". I just keep thinking about how even though Ratio did exactly what he was supposed to do to help the plan succeed, Aventurine can't help but doubt the motives of the person that he's working with even when he does exactly what will benefit his plan. I've just been thinking that maybe it's another part of Aventurine where he can't completely trust anyone. I've seen a lot of post where people state that they had a great deal of trust in each other and that's why the plan succeeded but ignore what that line means for how Aventurine might've felt about it.

And then on Ratio's side of this, I do think he cares about Aventurine's well being but only does what he can to help him because if he tried to force Aventurine to be better, to treat himself better, it wouldn't really change Aventurine's mind on his self if it's for someone else's sake instead of his own. The little flavor text of Ratio's sticker in 2.3 mentioned how he's "just doing what a supporting character should do." which is, supporting the main character I'd think. Ratio does genuinely care for humanity so I can't think the only reason he sticks around Aventurine is "because he makes an interesting conversation partner than most."

I just can't stop thinking about how they're undoubtedly connected for another reason besides just their work, and I am just so curious about what the writers have in mind for their cooperation in the future. sorry for my trash heap ✌️ if this is too incomprehensible I understand not answering it

Okay, the full answer to this ask is over here in a separate post, since I thought it might stretch people's dashes a bit if I didn't, BUT before we get to that, there is one little thing I wanted to say and don't have room for in the other post:

You mention: Aventurine says "Or maybe he wasn't acting at all?" I just keep thinking about how even though Ratio did exactly what he was supposed to do to help the plan succeed, Aventurine can't help but doubt the motives of the person that he's working with even when he does exactly what will benefit his plan.

And while I agree that Aventurine has TRUST ISSUES stamped on his forehead, I also think that a lot of people kind of gloss over one major aspect of the scenes between Aventure and "Future" Aventurine, which is that:

Aventurine spends most of those scenes convinced he's actually talking to a manifestation of Sunday's power.

Aventurine starts off suggesting the "Future" Aventurine is a dream or psychotic hallucination.

He rejects the idea that "Future" Aventurine is actually himself at all, and asserts that this "Future" figure is a "newborn of the Harmony's power." He even has a throwaway line asking if he's about to become an Emanator of the Harmony himself. (And the Ena-Gaiathra fans rejoiced.)

Normally I would say that's all there is to this, Aventurine just not wanting to accept this ghostly version of himself and the harsh truths it keeps bringing to light.

But, throughout the entire lead up to the end of 2.1, we get weird moments where the "Future" Aventurine asks for information it should already have. A lot of these are passed off as "Well, I just want to hear you say it yourself!" but... if it's truly Aventurine himself and knows all there is to know about him, why does it need to hear the info from the real Aventurine?

Why do we continually get exchanges that strongly call into question what the "Future" Aventurine even knows?

And:

Later:

(Shouldn't it have already known?)

Repeatedly, the "Future" Aventurine says things that imply it is still learning about the real Aventurine:

Even up their very last scene together, the "Future" Aventurine was constantly pressing the real Aventurine to reveal every detail of his plan:

"Future" Aventurine goes through the cornerstone shuffle, guesses at Ratio's involvement, pushes Aventurine to reveal the broken Aventurine cornerstone, asks what tactics Aventurine intends to use to win his gamble, how the IPC fits into all of this, and finally comes to the realization that Aventurine plans to use Acheron to create "death."

We could go very deep with this and suggest all these weird "Did you or did you not know this information? Are you really me or not?" exchanges are just meant to show Aventurine's doubting nature, that his mind is a mess and that he doesn't, even at his deepest, understand himself, but I don't think the devs did this accidentally. We're being given plausible deniability on purpose.

At the very least, we players are supposed to ask ourselves: Could it be that this really is the Harmony and not Aventurine himself?

Until the very last scene, when "Future" Aventurine completely changes his tune to gentle empathy, real Aventurine is definitely convinced that he's still talking to a manifestation of Sunday's power.

Right after the line about Ratio's betrayal supposedly being real or not, Aventurine is still saying:

Or, an even clearer indicator that real Aventurine was convinced he was talking to Sunday's manipulations: The "Future" Aventurine is listed as ??? in the dialogue option all the way to the very end, when Aventurine at last accepts that he may be speaking to himself, and the name card finally changes to "Aventurine."

So, what to make of this line then:

Personally, I think there's enough dubiousness to the whole situation to suggest that we can't really take this line at face value.

Is Aventurine genuinely doubting Ratio here... or, convinced that he's still talking to the Harmony, is Aventurine scrambling to try to keep the last details of their plan out of Sunday's reach?

If after this line he's still telling "Future" Aventurine to stop stealing information from his mind, can we really expect him to be speaking truth here?

Throughout all of these scenes with "Future" Aventurine, real Aventurine continually refuses to reveal new details about his plot, forcing "Future" Aventurine to fill in the gaps. It's clear from other lines throughout the theme park scenes that Aventurine is intentionally avoiding giving away any specifics that the "Future" doesn't already know:

So to me, even though I agree that Aventurine has been made into a distrustful person by his traumatic experiences and I think he does doubt the sincerity of everyone around him...

I don't necessarily think this one line about Ratio should be held up as an example of that deep doubt.

I think there's enough suspicion cast on the "Future" Aventurine and its possible connections to the power of the Harmony that many of the things Aventurine says to it might actually be attempts to mislead and distract, so that he can carry his final gamble through without Family intervention.

And I think looking at this line about Ratio from that mindset also introduces an entirely different possibility many people seem to overlook:

Is it out of character for Aventurine to make sure the only person sacrificed in his gambles is himself?

If Aventurine really thought he was talking to a manifestation of Sunday's power, could it be that saying "Maybe Ratio wasn't acting! Maybe he really did betray me!"... wasn't doubt, but an attempt to protect his co-conspirator? To shift the blame away from Ratio and spare him from the fallout if their plan ultimately went awry? To make himself the Family's only target?

I'M JUST SAYIN'!!

Anyway, totally go read the rest of the actual answer about Aventurine and Ratio's relationship now~! It's all posted!

[maybe-boys-do-love]

Aof Noppharnach writes some my favorite openings I've seen across all genres. They open like musicals and fairytales. He writes these beautiful monologues that set everything up while romantic scores roll out and the camera floats across the settings. For real, watch the fluid camera work in any of his openings; it's one of the way he snags you. I just swoon.

Look at the opening lines of He's Coming to Me: "It was as simple as that. My heart stopped beating and I died. I have the same dream every time. You must be wondering how a ghost can dream." Call me Ishmael, who!?

And like, the way after the title sequence of Dark Blue Kiss, though, that the music and camera instill a magical fondness on the main characters as it establishes them in their natural habitats--swimming at pool, tutoring at Sun's cafe, etc.--with partial shots that reveal their confident faces in quick and steady succession!? Like, oh yes, all my old Kiss Me Again friends are glowing and tryna make the best of it all.

1000 Stars monologue about second lives in video games might be cheesy except we're cutting between a slick moneyed boy at a roulette table, an earnest girl on a bus, and a group of rangers scouting the forest in pitch black, and wondering who's about to die as mentioned in the voice-over and why are these randos living worlds apart being braided together like this!?!?

And then Moonlight Chicken is just *chef's kiss* using a post-Covid news segment to invite us into a struggling Pattaya neighborhood. And we hear about the economic hardships, the intentions of joy, the Chinese lanterns hanging outside, and see shots of the staff and late-night customers in bright warm light. Then we cut away to people watching the clip at a much dimmer version of the diner as business gets underway. Complaints and arguments and interruptions all occurring within A SINGLE SHOT until Jim walks out onto the street as the music just fully swells, and I'm passed out from the CINEMA of it all!!!!

The comparison I jump to quickest is the opening of Disney's Beauty and the Beast as we are told through stained-glass images the tale of the castle's enchantment and then toured about the small-minded town and its inhabitants as they gossip about Belle. By the end of the two sequences we have learned about every main character and their motivations with a smooth, inviting flow across the physical space and conversations. I honestly wonder if Aof studied the Disney Renaissance openings (majorly influence by another gay visionary, Howard Ashman)?

When it's an Aof script, you just know the viewer within the first fifteen minutes has everything they need to be prepared and excited for the ride they're about to take. Tone and Rhythm: established. Setting: explored, Characters: I already love them more than life itself.

[herbofgraceandpeace]

Re: Flavian’s outburst to Christopher about how he (Christopher) has been an unfeeling, stuck-up brat—Flavian’s not exactly right or wrong here. I think Jones is demonstrating that Christopher is so caught up in his (very real) powerlessness to control his situation, he doesn’t realize that he DOES have the power to really and truly hurt others. He’s so caught up in his own misery that he (selfishly) forgets that others might be miserable too.

This is part of growing up! Christopher hasn’t really been taught empathy, and he hasn’t really had it modeled for him either, outside of Tacroy caring for him, but that doesn’t excuse his behavior. He’s so focused on how the people at the castle aren’t caring for his conscious wants that he entirely ignores the ways they ARE intentionally and deliberately attempting to care for him (I think at least a little classism privilege is at play in him ignoring the maids—he’s only ever known his parents’ mistreatment of servants, but presumably he should have been paying attention to how the castle folk treat the maids differently)

However, I think the adults at Chrestomanci Castle are guilty of the exact same kind of blindness and self-focus as Christopher. They HAVEN’T been meeting his needs emotionally (which has led to their inability to physically protect him either), and whatever their intentions throughout his stay, they did not try to get to know or understand Christopher as a person at his arrival, and they’re paying for that first impression. He’s a CHILD. a child from an unloving and neglectful home, who’s just been ripped away from his friends and his home at school, a child’s just DIED for the second time, and he’s a child with hopes and dreams and self-will, all of which have just been casually, thoughtlessly stripped from him. The castle folk are so focused on their OWN need of a successor for Gabriel that they treat Christopher as an object to be formed to meet their needs instead of a person with needs of his own. They’re so focused on their search for the Wraith and the hell he’s wreaking on others that they miss the very real hell they’re imposing on Christopher. All of their attempts at care are based solely on their perception of what he SHOULD need and want because! They never! Ask him! What he needs or wants!!!!!

What’s that post about how some people act like “if you don’t give me the respect I think I deserve as an authority figure, I won’t give you the respect you deserve as a person”? I think that’s basically how the otherwise decent and well-meaning adults of Chrestomanci Castle treat little Christopher Chant. Confident in their own virtue, they presume that of course this boy who doesn’t know them will trust them immediately. Confident in their work for the greater good, they are indifferent to the suffering of the individual before them. It’s clear that they care about him and his well-being, but without treating him like a real person at all, and it’s never more obvious than in the scene where Gabriel takes his spare life away. They are taking tangible, drastic steps to protect him because they are very worried on his behalf, but throughout the whole process they have no real knowledge of the horror and terror he is experiencing because they are too busy making choices for him to ask him why he’s making the choices he does (and again, Christopher doesn’t TRUST them. But they never empathize with him enough to realize that.) Another example is how Miss Rosalie and the others keep chasing Throgmorton away from Christopher when he’s laid up. They’re so focused on how uncomfortable Throgmorton makes them feel that they don’t care at all they’re isolating Christopher and depriving him of his only companionship.

But none of their bad conduct exonerates Christopher of Flavian’s charges of being rude and unfeeling towards them, even though Flavian is STILL presuming to know and understand Christopher’s motivations and choices despite being completely in the dark about them. The very personhood Christopher wants the others to acknowledge in him is the reason that Christopher is responsible for his own actions towards the castle folk.

And that’s the tea on human responsibility in The Lives of Christopher Chant. (thanks for coming to my ted talk)

[committingwarcr1mes]

mitski once said:

“i don't need the world to see that i've been the best i can be, but

i don't think i could stand to be where you don't see me”

and now i have to write this.

i really don’t get why people are so superficial about griffith, y’all like “nah, he always was evil vicious callous etc 🙄🙄🙄” and not even trying to look beneath, which is really discouraging because the eclipse arc made it very clear and showed everything in the most obvious way possible.

oh, remark: it’s only about berserk 1997.

so let’s start from afar. “griffith never cared of his people and friends, he easily betrayed them for batman costume 👻👻👻” like WTF?? he DID. he DID CARE. he sold himself to feed and equip his people, and it wasn’t like “he enjoyed f***ing that bearded guy ahshdjsa lmao 😂🤡🤡” (btw i don’t get this crap cause it seems like y’all are so obsessed with rape theme, but while feeling sorry for one victim you at the same time make fun of another. the hypocrisy of this fandom i can’t--). but return to what i’ve started. griffith always cared for his people; he never showed it and never admitted it even to himself, but he remembered everyone who died fighting for him, and i guess sometimes he really blamed himself for that — but again, never admitted it. those scenes weren’t given just for drama or something — these contradictions were always an important part of his character and determined his sight. failure would make victims meaningless. like people died for nothing.

another thing people don’t understand is that griffith never cared only about the power and the fact of becoming the king. people never strive to go on top just to go on top, all our actions are motivated by deeply personal reasons. so i think he really wanted people to follow him, believe in him, attach with his yearning. it always feels good when you see that people like you, need you, rely on you. that is what makes a leader a leader. of course you can say that it’s a selfish and vain wish, but aren’t all people selfish? you always set guts against griffith — so weren’t guts’ wishes and life stance selfish? i think it ridiculous to judge such things.

and now we get to the core — the need for love. love of thousands is pleasant, but in the end humans need something more than that. it’s lonely at the top, as they say. you still need someone to be close to, to trust and rely on. for griffith that “someone” was guts. “ wELL aCtUaLlY hE wAs NeVEr iN lOvE wiTH gUtS 🤓” oh STFU. you didn’t get the homosexual drama, but i did 🤭

and now i’m not going to speculate on was it healthy love or sElFiSh or tOxiC or pOsSeSiVe, i don’t care, you need to get that love can be twisted, sick, destructive, wrong, but it still LOVE. i agree that griffith did use guts for his own affairs, pulled in palace intrigues and etc, but it doesn’t change the fact that he had feelings for him that were able to confuse and mess him up.

“amongst the thousands of comrades... and the tens of thousands of enemies... there was only one man... you were the only one... who ever made me forget my dream” like WHY DO YOU THINK THIS NEEDED TO BE SAID??

their relationships deserve a separate paragraph actually so i won’t drive too deep. all we need to understand is that guts became too important to griffith and it was literally the end to everything he worked for during all those years.

so, guts decides to leave, nothing now can stops him. griffith is messed up and disordered, he’s crushed and isn't really aware of what he's doing. and it is a very good subtext here — he feels rejected, so he goes to charlotte who’s obviously in love with him and has sex with her. it’s a reckless impulse, a moment of weakness, and it leads to the only mistake that cost EVERYTHING. and then griffith is tortured, mutilated and losing even the possibility to talk.

retreat: i find quite interesting how easily he lost that fighting with guts. you can say “well it’s just because guts is stronger blah blah blah etc 🙄🙄🙄”, but i think it was probably about griffith’s subliminal unwillingness to hold someone who’s already decided to give up on him. however…

what is going on in griffith’s head during all these horrible events? guts. guts guts guts. logic chain is simple: he got here because of guts, he lost everything because of guts, guts is the reason for everything he has to pass through now. i’m not blaming guts, but it’s just how griffith was thinking there — which is not surprising, like imagine yourself going through this kind of torture while remembering whom have you been and what you were striving for. all can imagine, but not all can understand.

“and yet… here, in this empty, hollow world… one thing is clear in my mind. him alone… like lightning splitting through the darkness… he appears in my mind so vividly. over and over again like the waves of a tsunami… hatred… friendship… jealousy… frustration… helplessness… affection… sorrow… they all come together into a giant vortex… they pin my fading consciousness down so that it doesn’t slip away. the one who caused this… my confinement in this darkness… will now… become the only chance at survival. when did it happen? this man, whose life was once in my hands… when did i fall into his powerful clutches? and now… in my mind i see him radiating so brightly it pierces in my eyes. guts!” IN BLACK AND WHITE

and this was the moment when love started to turn into hatred; when the pain of abandonment is so strong that it destroys the rest of the feelings. no one made griffith go to charlotte and do what he did, and yet he was so messed up with guts’ leaving that he went and did it. and now he isn’t even able to talk, to walk and to hold anything with his hands. no more fighting, no more winning. no more way to fulfill his dream. all because of guts. and still, affection is living. that moment when guts & co came to save griffith and guts holding him, griffith stretches his arm to touch… or to choke him? guess we’ll never now. however, some kind of hope flared up in him again. guts came back, and probably it will get better…

but oh, it won’t. only worse.

moving on scene when griffith lays in carriage and hears guts and casca conversation on the outside. it’s a VERY important moment that many people overlook, but it is exactly what led to the eclipse events as they are. so, guts is going to leave again and offers casca to join him, casca refuses because she needs to take care of griffith, and when she said that guts decides to stay. with HER. for HER. not for griffith. the story repeats itself, and griffith is still not that significant for him.

and look what happens here. griffith’s people saw his injuries and knew that he can’t lead them any longer. one part of them is going to follow casca now, the other one — guts. they all gave up on him. so did guts. the last one, whose affection griffith desired the most. what is for casca… it is a pretty complicated moment, but a part of the problem here is feel of betrayal. you can think as you wish but i’m considering casca as more like a sister, a fellow, a loyal companion and an assistant to griffith, than a love interest. like yeah, he had a dream where he lives with her taking care of him in small nice house, but… i think it is a question of a habit. we saw two women in griffith’s life: casca and charlotte. charlotte could be a key to power, but i don’t think that griffith wanted to even remember her after the torture. casca, on the other hand, was the one who was near him for quite a long time. she cared for him, supported him. so if griffith needed to give up and live normal life like simple men do, he would choose casca as a partner just because there is now other woman. but at this moment casca took guts away from him. another betrayal. and of course, it starts the jealous.

after overhearing guts and casca’s conversation griffith gathering his strength and drives horses to… somewhere. i don’t think he was fully aware of what he was doing, most likely it was just an another reckless impulse, but he gets into a river and decides to 💀 himself. it was a peak of his despair, but accidentally the red behelit returns to him — and the eclipse starts.

no need to retell, just want to make clear two things: 1) why did griffith betrayed his friends for batman costume 👻👻👻 2) and why he raped casca

moment №1.

besides obviously outlined in the series “he built his way on corpses and he must go on with no regret blah blah blah ☝☝☝” there is a much more important element of disappointment. like yeah, griffith is definitely disappointed about people and affections by this point. he’s not a leader for his people anymore; if they still feel something for him, it’s more like a pity for the cripple. and of course — guts. affection that cost everything, the reason why he appeared in such a position.

so now he has a choice: to sacrifice something that only ruins and ruins and finally get what he dreamt of the entire life, or to choose things that once already destroyed him and live the rest of the life as a cripple even unable to speak. noble are those who chose the second option, but i absolutely and with no doubts understand griffith’s choice here.

so yeah, now griffith chooses the power over everything indeed. he chooses himself and only. good for him <3

moment №2.

the rape. and the reason why that sacrifice was so bloody and brutal. yeah, all the people who appeared there with griffith went through hell right before their death. i don’t think all these sufferings and such nightmares were needed, like just blood & flesh & bone would be enough to give a body to femto, and still it was as it was. why?

it was said that femto will be born on the ruins of griffith’s dream. THE RUINS. so i think there was ruins of his personality either. during the last year griffith survived dreadful torments, the physical pain he suffered is unimaginable, and the trauma that leaves after such horrible events is immense. and it’s not a rare thing when people who survived violence now want to bring that pain to others — to make others suffer like they have suffered. femto is a product of griffith’s worst angles of personality, of darkest things that lived in him. so yes, everyone had to anguish and die the most dire way possible.

same thing is with casca. griffith NEVER wanted to rape her, like WHY WOULD HE EVEN DO, but he was angry and jealous because guts chose her over him. femto soaked it and just did the worst thing possible to avenge. and THE CORE: femto did it in front of the guts, so HE could watch. it was never about casca. only about guts.

idk what to write in conclusion. griffguts completely devastated me. love is an evil thing. never do such 💋

[roscolate]

I’M LEGIT TEARING UP RIGHT NOW 🥹🥹🥹😭😭😭

MY BOIS ARE BACK THE MARIO AND LUIGI RPGS ARE BACK OMG I CAN’T BELIEVE THIS RN 😭😭😭

[orcelito]

Definitely gonna write a side thing for discacc and I am gonna post it alongside the next chapter (but as a separate fic in a series). Huzzah

[bleue-flora]

Why I think c!Dream is Autistic - Part 3

[Part 1] - [Part 2] - [Part 3]

Alright, you’re gonna want to probably go read part 1 and 2 first, promise they aren’t too long.

Done? Long time no see buddy. :) Good deal. Now finally, the last reason(s) I think Dream is autistic is because of how it fits narratively.

Who better to frame as the villain than someone who is already on the outside, who is already different, weird, a little off, not like everyone else, obsessive, abrasive, and already setting off subconscious red flags of not fitting the norm. There’s a quote that most have probably heard by Andrew Smith that says, “People fear what they don't understand and hate what they can't conquer.” And does that not say it all? Talk about history repeating itself, real history. This truth is the basis of many real wars. And if communicating and thinking differently weren’t enough to garner dislike, sucess and intelligence are another foundation of hate and as I said in part 1, while not true across the board, high IQ is one way they identify people with ASD (Autism Spectrum Disorder). So who better to frame as the villain than an autistic admin infamous for being one of the best Minecraft players.

Of course, I hear you ask - couldn’t you make the same argument for sociopaths/people with ASPD (Antisocial Personality Disorder) are they not also different than most people to garner inherent fear? The answer is: No, not really. Contrary to popular belief, people with ASPD are not the odd balls out but are more likely to be popular and well liked as they lie and manipulate others to get what they want. In other words, there is a more calculated persona/masking in both ASD and ASPD, but while ASD is just trying to fit in, people with ASPD often have an inherent entitlement to the things they want and are trying to gain power and stand above the crowd not in it. In addition, autistic people tend to be honest, to the point of inappropriate or rude because they are straight forward. In the dsmp, Dream’s default isn’t to lie in fact he tells a lot of truth before often being forced to change his answer [clip]. Unlike people with ASPD who lie because they enjoy the power it gives them and to get what they want.

There is of course empathy to be considered when comparing ASD and ASPD as perhaps the main difference between the two and I think there is a lot of evidence that Dream does have empathy. In fact, I think his moral compass is originally one of the strongest before the dsmp slowly wore away the edges. He returns items after wars, fixes creeper holes and destroyed property, helps people mine or gather materials, fights for the side of who was wronged first, constantly gives out food to feed people… etc. He does a lot of caring things he doesn’t have too. That give him no real advantage, but often even end up putting him in a sticky situation. I mean what better example do we need to prove he has empathy than him rebuilding Tubbo’s house [post]. There was no reason or manipulation or obligation to do that, he did it because he saw that Tubbo was upset. I mean I’ve said it before that we can’t truly prove whether someone does or doesn’t has empathy, but we can look at behavior and I’d argue that his less empathetic acts come much later on his arc and are not consistent across the board like they would be if he truly were a sociopath. Leaving us with the most obvious conclusion then that his logical mind that makes him look like he’s unempathetic and his masking must be because he’s autistic instead, which again aligns well with his high intelligence and obsessive development of skill.

Finally, and perhaps most notably, while a lot of times masking is associated with ADHD it is much more notable and important for an autistic person. Because we are not masking just to cover up our stimming or hyperactivity we are putting on a different face to blend in and be accepted and loved. We are shifting the very parts of ourselves to fit in a circle shaped hole when we’re squares. Which is a skill and habit I don’t find it hard to believe that Dream would use for his villain persona, especially since our (my) masks tend to change too based on environment, whether needing to fit into the family dynamic, student culture or professional world where the social rules change. Which is exactly what we see from Dream as his mask changes depending on who he’s with whether that be Tommy, a large audience, Wilbur, his friends, The Warden, Quackity, Badboyhalo, Techno… etc.

In other words, how fitting would it be if a character with the disorder infamous for masking had a literal mask. One that he literally had to take off to discovery who he was all along. What better example of the dsmp main theme of seeing things from other peoples point of view to gain understanding, than the extreme case of that. What better picture of communication issues than a disorder infamous for social struggle. Like not only does it fit so very well with Dream’s character, not only does it make sense with the symbolism of his mask, and the narrative, but it fits the overall arching dsmp story too, because by being autistic Dream is kind of like the ultimate version of the theme and for him to be a main front runner of the story just truly drives the point home in a beautiful and important manner.

[dwtpsychward]

[selfinflictedgunshotwound]

sorry for only saying this type of shit lately but i kinda wanna drive a car straight into a brick wall at the highest speed possible

[wordswhisperinthedark]

MEDALIST I AM HOLDING YOU SO TIGHTLY

[bunnihearted]

first day of classes :c </3

[pyrosomatic-metamorphosis]

as much as im celebrating the Full Realization that yes, qbbh is recovering rn (he's on such an upswing!!), i am fully expecting there to be a downswing, and im expecting it to hit HARD.

the other day bbh made a very interesting comment- paraphrased: "it's easier when you have no attachments."

in context, he was talking about the bagi-cellbit situation and the hardship of attachments starting to conflict because of gaining so many of them, and trying to figure out what to do about cellbit (especially in regards to the feds and the eggs)

but it just. it Felt a Little Off. like maybe. foreshadowing. because he has so, so many attachments, and they keep causing him pain. how long has it been since he's last seen skeppy. how long has it been since he's seen the eggs. forever. now cellbit... qbbh is full of So Much Love and it keeps hurting him and, while he has recently swung away from hurting himself because his loved ones would be upset by it, what if he just... swung a little too far. and has a brief period of trying to drop those attachments entirely

[whumpy-wyrms]

love being wide awake at 2am on a school night. good news is i’m almost done with tllr chapter 15