#alec/eliot/parker

[ageofthegeekdotcon]

[danburys]

The Nigerian Job (1.01) The First Contact Job (5.03)

[aardvaark]

[erodingsinner]

Leverage x Onion headline

[listen-to-the-inner-walrus]

I love the Leverage episodes where they're truly just psychologically tormenting a guy.

Like obviously they first establish that the guy is a terrible guy who does terrible guy things. And we really do need the terrible guy to be doing a lot of terrible guy things because this is kinda an ethical nightmare, but don't worry, they are reliably doing a lot of terrible guy things.

But then it is just like "hey, let's convince this guy that he's made first contact with aliens and also that aliens are trying to kill him" or "hey, let's make this guy believe he's contracted a deadly disease and is going to die in quarantine because medical staff are abandoning him" or "hey, let's first try to persuade this journalist that the government is secretly creating Guantanamo Bay 2: Underground Boogaloo in your backyards and when she doesn't run with that story, let's then make her think that oops the government accidentally leaked some kind of bioweapon into the waterways and now water is gonna kill you instead."

[scattered-winter]

more memes

[leveragecentral]

every leverage dynamic ⮎ alec hardison & eliot spencer & parker

you scared? you're damn right. i'm not. i got the best thief and the smartest guy i know chasing this guy.

[sseanettles]

rewatching leverage and god i forgot how much i missed watching these people gaslight, gatekeep, girlboss evil capitalists for five very not straight seasons

[dont-read-this-im-dead]

You know what I love about The Order 23 Job?

It's not the absolutely INSANE way Nate catches the bad guy, no. Though, being able to give a guy a nosebleed with the power of your mind is pretty hot.

No, what I LOVE about this episode is that Eliot is surrounded by cute nurses and he doesn't care. He doesn't care about the con. He doesn't care about the job. He sees a little boy with a broken arm, showing signs of abuse, and he gets tunnel vision.

I love it when Eliot threatens the boys father, takes his actual freaking driver's license! I love when Eliot tries to empower the boy to speak up for himself, AND, when he learns that the boy can't trust ANY of the cops in town, Eliot takes the matter to the US Marshals.

He literally tells a freaking marshal that a little boy is in trouble and living with his abuser, and that his abuser is on friendly terms with the cops in town, and will he please help him out?

I love that the marshal takes the matter seriously. Instead of being like, "well, that's not my jurisdiction," he takes care of it. He personally goes to the boy's house and tells him, "let's talk. You'll be okay." He personally removes the boy from the presence of his abuser WHILE the abuser is watching!

I love that Eliot is outside the house watching them, instead of just passing the message along and letting the marshal take care of it. He goes to the house and watches, makes sure--until the very last second--that that little boy is safe. He makes sure that that little boy will never have to be afraid of his father again.

And if this episode isn't enough to get you to fall in love with Eliot Spencer, then you're a monster.

[scotchiegirl]

It boggles my mind thinking about how good Eliot is at reading body language. I mean, just remembering that post about the moment in Nigerian Job where Eliot knocks Hardison's legs out of the way but steps gracefully over Parker's legs and how that was telegraphing "I'm safe to be around" to both of them in their own body languages, and there's a similar moment in The Tap-Out Job right before Eliot shows his knowledge of boxing by having Parker and Hardison spar while he coaches them:

Eliot: Let me show you something. (slapping Hardison on the shoulder) Hardison, come here.

Eliot: (guides Parker into position with a hand to the waist) Can I borrow you for a second?

I mean this is exactly the same thing. Hardison he can tussle with and frequently does to show he can pull his punches (both verbally and physically) but Parker hasn't reached play-fighting stage just yet so he's still gentle side first with her. They've obviously progressed to a level of closeness where Eliot feels comfortable guiding Parker, teaching her, and also feels comfortable that she'll go along with his demonstration, but he still asks. It's the kind of perfunctory ask where you're sure the answer is yes, but it's still an ask. It's just a beautiful little moment and I love it.

[danburys]

12 days of leverage christmas — day 06 humor

the ot3 + the Banter

[aardvaark]

everyones fave thieves

[chronicowboy]

plugging my own review because i have never been nor will i ever be normal about leverage season 5, episode 9: the rundown job

[littlesmartart]

DRAWTOBER #10 - don't let the madness change us by stardustandswimmingpools

“Parker,” Eliot hisses at the ceiling vent, “what the fuck?" Aw, shit. “Aw, shit.” Hardison grimaces, rubbing his head. In the…excitement of the night, he completely forgot about Parker. “Parker, why are you in the ceiling?” There's a long pause. “I don't understand the question,” Parker says.

this is essentially relationship negotiation: the fic, but it's also a lot more fun and cute and lovely than that sounds! Hardison and Eliot have a conversation trying to figure out what spending time together in the bedroom means for them, and uh. also Parker is there. in the ceiling. because of course she is.

[ghostlyarchaeologist]

Leverage S03E09 The Three-Card Monte Job.

[leveragecentral]

But worst of all, he completely forgot that I gave him that same button camera for Christmas three years ago.

Leverage - 1x13 The Second David Job