Alba Molina, Silvia Pérez Cruz — Quizás
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Calasparra dévoile les cartels de sa Féria du Riz 2023, féria de novilladas !
L’empresa Chipé Production représentée par Pedro Pérez “Chicote” a dévoilé les cartels de la Féria du Riz 2023 de Calasparra. La célèbre féria de novilladas espagnole se déroulera du 3 au 8 septembre avec 6 novilladas.
Grande variété d’encastes puisque puisque sur 6 novilladas, ont retrouve 5 encastes différents.
Les novilleros Lalo de Maria, Clemente Jaume et Tristan Barroso seront les deux…
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spanish surnames : a masterlist
below the cut you’ll find a list containing # 150 spanish surnames sorted alphabetically . these are some of my personal favorites so please enjoy and consider giving this post a like / reblog if you found it useful !
acevedo
águila
aguirre
almada
alonso
ángeles
aragón
araiza
arias
arjona
armas
arriaga
atenas
augusto
ávila
ayala
báez
barrera
bautista
beltrán
blanco
bolívar
bonilla
bracho
cabrera
camacho
cardoza
carrera
casillas
castañeda
castillo
cervantes
claudio
cortés
costa
cuervo
dávalos
dávila
de aguilar
de alba
de carvajal
de la vega
de lucena
de narváez
de peralta
del río
escobar
escobedo
espino
espinosa
estrada
farías
fernandino
ferrera
fierro
galindo
gamboa
gavilán
garza
granada
granados
grijalba
guardado
guerrero
heredia
herrera
hurtado
ibáñez
ibarra
jiménez
jaramillo
lafuente
leal
león
leyva
lima
lira
lombardo
lozano
luna
maldonado
maltés
marciel
miranda
molina
montano
montenegro
montoya
moralo
naranjo
navarro
nieto
noriega
novo
obregón
olivero
olmeda
olmos
orozco
osuna
ortega
ortiz
palomar
paz
pedrosa
peralta
perdomo
pineda
prado
reyes
reynoso
rivas
rivera
robles
rocha
rodríguez
rojas
romero
román
rubio
salinas
salvador
sandoval
santángel
santiago
serrano
solano
solar
soto
sáez
toro
ureña
uriarte
uribe
usaga
uveda
valdiva
valencia
valentín
valenzuela
vargas
vega
velarde
ventura
vidal
vivero
zambrano
zamora
zelaya
zepeda
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Antonio Rodríguez Beltrán, attributed (Spanish, 1636-1691)
María Luisa de Toledo e indígena, 1670
Museo Nacional del Prado
Doña María Luisa de Toledo y Carreto, Marquesa de Melgar de Fernamental, was the only daughter of Don Antonio Sebastián de Toledo Molina y Salazar, II Marquis de la Mancera and Viceroy of New Spain -between 1664 and 1673-, and of his first woman, D. Leonor de Carreto. And, therefore, she was also the granddaughter of another viceroy, in this case of Peru, D. Pedro de Toledo y Leiva, who held that position between 1639 and 1648. And also, she was the sister-in-law of a third viceroy, D. Gaspar de la Cerda y Sandoval, Count of Galve, her husband's brother, who held office in New Spain between 1688 and 1696. She was a great-great-granddaughter of the first Duke of Alba de Tormes, one of the leading noble houses in Spain, and her husband was the son of the Dukes of Pastrana and the Infantado, another of the main noble families. So, in her person, María Luisa combined an entire noble inheritance linked to some of the great Spanish aristocratic families and to the main positions in the American viceroyalties. She lived part of her childhood and adolescence in the city of Mexico, where, around 1670, she must have made this portrait of her. She returned to Spain, together with her father, in 1674.
She married Joseph de Silva, linking in this way with one of the most powerful houses in the Peninsula, which held the dukedoms of Pastrana, Infantado and Lerma among many other titles, although all of them were part of the inheritance of the eldest son, for which reason None of the consorts had, at the time of the marriage, a noble title. The title enjoyed by María Luisa and her husband, Marquises of Melgar de Fernamental, was granted as a marriage dowry by the Queen herself, Mariana of Austria, in the name of King Carlos II.
The dwarf woman who accompanies her would come from the Chichimeca area, due to the tattoos that adorn her. She has been represented wearing a long and straight huipil, which is superimposed over a green skirt or dress whose lower part protrudes from the previous one. The huipil has been arranged "a la española", that is to say, it seems to be cinched at the waist and has wide added sleeves and a bottom edge with an ova-shaped lace band. The presence of this small indigenous woman was highlighting the uniqueness and exoticism, and therefore the power and prestige of her family. The color of the complexion, the tattoo and even the type of clothing that the little woman wears reveal her connection with American places and the access that the protagonist of the canvas exhibited in relation to some networks of circulation of transoceanic goods and products.
New Spain (modern day Mexico) came to be called Mexico in 1821, after the Mexican War of Independence. The viceroyalty was dissolved and the Mexican Empire was established.
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El beso de la mujer araña - Manuel Puig
El beso de la mujer araña es una novela del escritor argentino Manuel Puig, publicada en 1976 por la editorial Seix Barral de Barcelona. Basada en una parte de la vida de Luis González de Alba, preso político por el movimiento estudiantil de 1968. Las coincidencias se pueden encontrar en el libro Otros días, otros años, de la editorial Planeta, solo que Puig cambió la sexualidad de los protagonistas. El libro relata la historia de dos personas presas que conviven en la misma celda, una es un preso político y la otra una disidente sexual definida como «loca» y autopercibida como mujer (registrada por el Estado como hombre). Fue incluida en la lista de las 100 mejores novelas en español del siglo XX del periódico español El Mundo.
Lee más sobre esta novela en Wikipedia.
Kiss of the Spider Woman - Manuel Puig
Kiss of the Spider Woman is a 1976 novel by Argentine writer Manuel Puig. It depicts the daily conversations between two cellmates in an Argentine prison, Molina and Valentín, and the intimate bond they form in the process. It is generally considered Puig's most successful work. The novel's form is unusual in that there is no traditional narrative voice. It is written in large part as dialogue, without any indication of who is speaking, except for a dash (-) to show a change of speaker. There are also significant portions of stream-of-consciousness writing. What is not written as dialogue or stream-of-consciousness is written as meta-fictional government documentation. The conversations between the characters, when not focused on the moment at hand, are recountings of films that Molina has seen, which act as a form of escape from their environment. Thus there are a main plot, several subplots, and five additional stories that comprise the novel.
Read more about this novel on Wikipedia.
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Reading List - Lista para Leer
Aves sin nido Clorinda Matto de Turner
Dom Casmurro Joaquim Maria Machado de Assis
Ariel José Enrique Rodó
El Moto Joaquin Garcia Monge
La amada inmóvil Amado Nervo
Desolación Gabriela Mistral
La señorita Etcétera Arqueles Vela
La vorágine José Eustasio Rivera
Doña Bárbara Rómulo Gallegos
Cuentos de Amor, de Locura y de Muerte Horacio Quiroga
Other selected works
Isabel Allende, “Dos palabras”
Anónimo, “Romance de la pérdida de Alhama”
Anónimo, Lazarillo de Tormes (Prólogo; Tratados 1, 2, 3, 7)
Gustavo Adolfo Bécquer, Rima LIII (“Volverán las oscuras golondrinas”)
Jorge Luis Borges, “Borges y yo”
Jorge Luis Borges, “El Sur”
Julia de Burgos, “A Julia de Burgos”
Miguel de Cervantes, Don Quijote (Primera parte, capítulos 1–5, 8 y 9; Segunda parte, capítulo 74)
Julio Cortázar, “La noche boca arriba”
Hernán Cortés, “Segunda carta de relación” (selecciones)
Sor Juana Inés de la Cruz, “Hombres necios que acusáis”
Rubén Darío, “A Roosevelt”
Don Juan Manuel, Conde Lucanor, Exemplo XXXV (“De lo que aconteció a un mozo que casó con una mujer muy fuerte y muy brava”)
Osvaldo Dragún, El hombre que se convirtió en perro
Carlos Fuentes, “Chac Mool”
Federico García Lorca, La casa de Bernarda Alba
Federico García Lorca, “Prendimiento de Antoñito el Camborio en el camino de Sevilla”
Gabriel García Márquez, “El ahogado más hermoso del mundo”
Gabriel García Márquez, “La siesta del martes”
Garcilaso de la Vega, Soneto XXIII (“En tanto que de rosa y azucena”)
Luis de Góngora, Soneto CLXVI (“Mientras por competir con tu cabello”)
Nicolás Guillén, “Balada de los dos abuelos”
José María Heredia, “En una tempestad”
Miguel León-Portilla, Visión de los vencidos (dos secciones: “Los presagios, según los informantes de Sahagún” y “Se ha perdido el pueblo mexica”)
Antonio Machado, “He andado muchos caminos”
José Martí, “Nuestra América”
Rosa Montero, “Como la vida misma”
Nancy Morejón, “Mujer negra”
Pablo Neruda, “Walking around”
Emilia Pardo Bazán, “Las medias rojas”
Francisco de Quevedo, Salmo XVII (“Miré los muros de la patria mía”)
Horacio Quiroga, “El hijo”
Tomás Rivera, . . . y no se lo tragó la tierra (dos capítulos: “... y no se lo tragó la tierra” y “La noche buena”)
Juan Rulfo, “No oyes ladrar los perros”
Alfonsina Storni, “Peso ancestral”
Tirso de Molina, El burlador de Sevilla y convidado de piedra
Sabine Ulibarrí, “Mi caballo mago”
Miguel de Unamuno, San Manuel Bueno, mártir
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All the books, poems and plays I studied for my undergrad degree
NB. I wasn't a literature major, or even a Hispanic Literature or French Literature major. These books just parts of units that I did for my degree. I studied all the works here in their original language i.e. in Spanish or French, so their English translations might be more well known.
Huis clos by Jean-Paul Sartre
Candide by Voltaire
L'école des femmes by Molière
La casa de Bernada Alba by Federico García Lorca
Le Voyeur by Alain Robbe-Grillet
En attendant Godot by Samuel Beckett
El burlador de Sevilla by Tirso de Molina
Don Juan Tenorio by José Zorrilla
El solitario en octubre by Emilio Carballido
La fiesta del chivo by Mario Vargas Llosa
El laberinto de la soledad by Octavio Paz
Selected poems and works by Charles Baudelaire, Paul Verlaine, Gabriela Mistral, NourBese Philip, Gustavo Adolfo Bécquer, Jorge Luis Borges, and Gabriel García Márquez
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Perseguição de Ortega reduz número de padres em diocese
O ditador da Nicarágua, Daniel Ortega, durante a cúpula da Aliança Bolivariana para os Povos da Nossa América (Alba), em Caracas, em abril| Foto: EFE/Miguel Gutiérrez
A advogada e pesquisadora Martha Patricia Molina, que investiga a perseguição da ditadura de Daniel Ortega à Igreja Católica na Nicarágua, relatou que a Diocese de Matagalpa (norte), uma das maiores do país e que antes tinha 71…
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Johnny Truelove likes to see himself as tough. He’s the son of an underworld figure and a drug dealer. Johnny also likes to get tough when things don’t go his way. When Jake Mazursky fails to pay up for Johnny, things get worse for the Mazursky family, as Johnny and his ‘gang’ kidnap Jake’s 15 year old brother and holds him hostage. Problem now is what to do with ‘stolen boy?’
Credits: TheMovieDb.
Film Cast:
Johnny Truelove: Emile Hirsch
Sonny Truelove: Bruce Willis
Julie Beckley: Amanda Seyfried
Frankie Ballenbacher: Justin Timberlake
Elvis Schmidt: Shawn Hatosy
Jake Mazursky: Ben Foster
Cosmo Gadabeeti: Harry Dean Stanton
Interviewer (as Matt Barry): Matthew Barry
Tiko “TKO” Martinez: Fernando Vargas
Pick Giaimo: Vincent Kartheiser
Bobby “911”: Alex Solowitz
P.J. Truelove: Alec Vigil
Adrian Jones: Frank Cassavetes
Neighborhood Girl on Couch: Nicole Dubos
Dance Bitch Girl: Regina Rice
Party Girl: Laura Nativo
Alma: Amber Heard
Zack Mazursky: Anton Yelchin
Butch Mazursky: David Thornton
Olivia Mazursky: Sharon Stone
Angela Holden: Olivia Wilde
Wanda Haynes: Heather Wahlquist
Abby: Shera Danese
Dale Dierker (as Nancy DeMayo): Nancy De Mayo
Jonna Kirshner: Xan Cassavetes
Susan Hartunian: Dominique Swain
Sabrina Pope: Charity Shea
Buzz Fecske: Lukas Haas
Bartender (as Heather-Elizabeth Parkhurst): Heather Elizabeth Parkhurst
Employee: Jesse Erwin
Peter Johansson: Paul Johansson
Latino Youth (as Danny Abeckaser): Danny A. Abeckaser
Latino Youth (as James A. Molina): James Molina
Chucky Mota: Chuck Pacheco
Gay “Lumpy” Yeager: Frank Peluso
Klemash: Joshua Alba
Juergen Ballenbacher: Chris Kinkade
Keith Stratten: Christopher Marquette
Tiffany Hartunian: Alex Kingston
Bob Nolder: Bobby Cooper
Delores Stratten (as Stephanie Fowler): Stephanie A. Fowler
Elaine Holden (as Janet Jones Gretzky): Janet Jones
Douglas Holden: Alan Thicke
Salesman: Rick Salomon
Leigh Fecske: Adrianna Belan
Detective Tom Finnegan: Holt McCallany
Lu: Shirley Kurata
Santa Fe Kid (uncredited): Mario Ardila, Jr.
John Kirschner (uncredited): Matt Borlenghi
Bar Patron (uncredited): Curt Clendenin
Party Girl (uncredited): Angela Meryl
Bar Girl (uncredited): Bernadette Pérez
Undercover Cop (uncredited): Emilio Roso
Reporter (uncredited): Kristen Williams
De Rosa: Greg Williams
Additional VO (uncredited): Devin Kamin
V.C.: Patrick Nguyen
Bathroom Party Girl: Natasha Elliott
Dale Dierker’s Dog (uncredited): Sadie
Film Crew:
Producer: Sidney Kimmel
Producer: Chuck Pacheco
Director: Nick Cassavetes
Art Direction: Alan Petherick
Co-Producer: Nancy Green-Keyes
Production Design: Dominic Watkins
Original Music Composer: Aaron Zigman
Music Supervisor: Spring Aspers
Costume Design: Sara Jane Slotnick
Director of Photography: Robert Fraisse
Music Editor: Angie Rubin
Set Decoration: Fainche MacCarthy
Casting: Matthew Barry
Executive Producer: Jan Korbelin
Still Photographer: Darren Michaels
Executive Producer: Andreas Schmid
Editor: Alan Heim
Associate Producer: Michael Mehas
Executive Producer: Robert Geringer
Executive Producer: Marina Grasic
Executive Producer: Andreas Grosch
Executive Producer: Steve Markoff
Script Supervisor: Jeanne Byrd
Executive Producer: Avram Butch Kaplan
Stunts: J.J. Perry
Movie Reviews:
J4stringthang: OK Timberlake fans and haters alike, Calm Down! Largely regarded as “you know, that movie with Timberlake in it.” Alpha Dog was enjoyable. And Timberlake did a great job. He is definitely all grown up now. A strong supporting cast of Sharon Stone and Bruce Willis sure didn’t hurt. I loved how the cast worked so good together. They were very believable. The movie did a great job of showing us just how crazy and out of control a simple misunderstanding can get. Hopeful Hollywood does force Ben Foster down our throat! Small doses please! NOTE: Alpha Dog has a lot of language in it.
DoryDarko: Going into this film, I had no idea what it was about, only that it was based on a true story. And the more I think about this fact, the truth behind it all, the more it saddens me.
The story that unfolded before my eyes...
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VENGEANCE OF THE ZOMBIES (1973, LA REBELIÓN DE LAS MUERTAS) – Episode 218 – Decades Of Horror 1970s
“In the name of Baron Samedi, in the name of the five ministers of the kingdom of Ife, and through the intercession of the Black Lords of the mountain, I order you, Gloria Irving, I order you to arise and obey me. Obey me!” The kingdom of Ife? Join your faithful Grue Crew – Doc Rotten, Bill Mulligan, Chad Hunt, and Jeff Mohr – as they check out their fourth Paul Naschy film – this one sans his frequent character, Waldemar Daninsky – Vengeance of the Zombies (1973, La rebelión de las muertas).
Decades of Horror 1970s
Episode 218 – Vengeance of the Zombies (1973)
Join the Crew on the Gruesome Magazine YouTube channel!
Subscribe today! And click the alert to get notified of new content!
https://youtube.com/gruesomemagazine
Decades of Horror 1970s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of the podcast and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.
An Indian mystic uses magical chants to raise women from the dead, then sends them out to perform revenge killings for him.
Directed by: León Klimovsky
Writing Credits: Paul Naschy (story & screenplay) (credited as Jacinto Molina)
Selected Cast:
Paul Naschy as Krisna / Kantaka / Satán
Romy as Elvire Irving (credited as Rommy)
Mirta Miller as Kala
María Kosty as Elsie (credited as Maria Kosti)
Aurora de Alba as Olivia Mortimer
Luis Ciges as MacMurdo (credited as Louis Ciges)
Pierre Besari as Ti Zachary
Antonio Pica as Supt. Hawkins
Víctor Barrera as Dr. Lawrence Radcliffe (as Vic Winner)
Elsa Zabala as Susan
Montserrat Julió as Flora (as Monserrat Julió)
Ramón Lillo as Basehart (as Ramon Lillo)
Norma Kastel as Gloria Irving (as Norma Kastell)
Ingrid Rabel as Muerta
Asunción Molero as Muerta (as Asuncion Molero)
Fernando Sánchez Polack as Augusto (credited as Fernando Sanchez-Polak & Fernando S. Polack)
Alfonso de la Vega as Absalon
Are you ready for another Paul Naschy extravaganza? The Grue-Crew tackles the often overlooked Spanish horror film, Vengeance of the Zombies (1973), featuring Naschy in three roles: the East Indian mystic, Krisna; the scarred, evil twin, Kantanka; and, Satán! The film is filled to the brim with voodoo zombies rising from the grave to kill at the orders of a mysterious hooded figure. But, why, why, do these zombies smile so much?! While not entirely successful, the film deserves to be seen, preferably without the theatrical red warning flashes. Roger Ebert called it the “dog of the week” on Sneak Previews upon its 1980 release, but the Grue Crew thinks that label is undeserved. What do you, dear Grue Believers, think? Let us know in the comments below.
At the time of this writing, Vengeance of the Zombies (1973) is available to stream from the Classic Horror Movie Channel, Wicked Horror TV, and Tubi. The film is available from Scream Factory as a standard format Blu-ray as part of The Paul Naschy Collection along with Horror Rises from the Tomb (1973), Blue Eyes of the Broken Doll (1974), Human Beasts (1980), and Night of the Werewolf (1981).
Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Jeff, will be Who Can Kill a Child? (1976, ¿Quién puede matar a un niño?), directed by Narciso Ibáñez Serrador. The Grue Crew have been on the hunt for this scarce, cult classic for years. What will they think?
We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at
[email protected].
Check out this episode!
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Vamos a ver si el MAL_NAZI_DO del cantante de METALLICA se fuma un PURO en el ESTADIO METROPOLITANO cuando venga en JULIO [12 y 14] ..puede que se lo APAGUE UNA TORMENTA DE VERDAD que haga el PUTO ESTADIO METROPOLITANO CONOCIDO ANTES COMO "WANDA" [=película UN PEZ LLAMADO WANDA] una PECERA=HARDWIRE TO SELF_DESTRUCT=PROGRAMADO PARA AUTODESTRUIRSE..me parece imposible estirar esto mas ante LOS ACONTECIMIENTOS APOCALIPTICOS QUE SE SUCEDEN pero yo lo único cierto que SE es que si esto NO ES UNA LOCURA DE CASUALIDADES..SOY CRISTO REY O EL ELEGIDO DE DIOS AL QUE SE LE AGOTA LA PACIENCIA
También se que ESTA HUMANIDAD ES ASQUEROSA Y QUE TODO EL MUNDO MIENTE como DIJO ALBA MOLINA [que se hizo el mismo tatuaje cuando era novia de mi vecino LEIVA de PEREZA posando desnudos en revista ROLLING STONES imitando a LENNON Y YOKO ONO..aunque sólo de ESPALDAS].. cuando publico EL BESO
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MIERCOLES 17 DE ABRIL 2024
10:00-10:30
Presentación
10:30-11:20 Geografías postsexuales Modera David Berná
-Álvaro Corral - Que me quiten el calzón. Algunas nociones sobre lo erótico de la indumentaria tradicional
-Alba Casas - Lobes Salvaxes. Cartografía de una resistencia queer en Galicia
11:20-12:10 Escenografía BDSM Modera Yera Moreno
-BajoRufián - Penetrar con los dientes: prácticas stone* y asex desde el BDSM
-Clara Moreno – Canción tortura para Mari (perfomance)
12:10-12:20 Descanso
12:20-13:10 Brujas y vampires Modera Ana Almar
-Juanmo Garcés C - Muerde más fuerte: La figura del vampire en la cultura pop como ejercicio morboso por parte de les autores
-María Molina - Escobas, dildos, pócimas y… susurros.
13:10 – 14:00
Itziar Ziga - Contra el eterno retorno puritano
14:00-15:00 Comida
15:00-16:00 TALLERES simultáneos
Taller1: Cartas para mi abuela que nunca supo (Camilo Mutis y Álvaro Benítez)
Taller2: Placer, oralidad y deseo: Una reflexión sobre la poesía y el sonido como dispositivos sexo-afectivos (María Ovelar, Sara Martínez y Celia Martínez)
Taller3: Bordando sexualidades: la lencería como segunda piel e intimismo textil (Colectivo Fibra)
16:10-16:55 Sexualidades itinerantes Modera Merce Sánchez
-Sílvia M. Limiñana - ¿Qué hace una asexual como yo en un sitio como este? Las post-sexualidades reclaman a las post-afectividades
-Violeta Assiego y Ainara Machain - ¿y ahora qué? Diálogos bolleros en torno al cáncer y la sexualidad
16:55-17:15 Descanso
17:15-18:00 Qué raro se ha puesto Disney Modera Alonso Almansa
-Ana Leirós - Deseo Y Representación: El Caso Del Fanfic Stony
-Ian Ramos - De Simba al fursona: el fandom furry y sus posibilidades
18:00-18:20
Yera Moreno / Botánicas -Herbarium to E.D.- Activación performativa en colaboración con Mujeres con Pluma, Melani Penna Tosso y BajoRufián.
18:20 Presentación de las obras.
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🖥#LaVozDelReinoAnimal
Viernes 12.01.2024 - 17hs.
Es #vegano y pagó por el rescate de una cabrita en Rawson.
Los peligros de comer carne.
¿Cómo te hiciste vegana? Con Alba Iglesias.
Primer estudio que demuestra que dos especies de algas comunes son una alternativa a las proteínas de origen animal.
Veterinaria Mirta Murature en "Palabras de Salud Animal": sistema nervioso parte 2. Desórdenes del equilibrio, síndrome vestibular periférico.
El Tucu en "Ti Diicho Changooo!!!": ¿serías vegano por un mes? #Veganuary en enero.
Flavia Molina en "Curiosidades del Reino Animal": el golpe de calor. ¿Qué hacemos?
Javi Nepo y los animalitos de "Aprendan Humanos": sobre los artistas que participan en la doma y folclore de Jesús María.
Festival de Doma y Folklore de Jesús María. #LaTorturaNoEsCultura
Abogada Cecilia Domínguez en "Trascendiendo el Derecho Animal": ¿es legal el Festival de Jesús María?
Contenido Informativo Socioambiental
Área Prensa
Regional #Córdoba
#ConcienciaSolidaria ONG
Transmisión: Facebook.com/VozReinoAnimal
#Veganismo #DerechoAnimal #RescateDeAnimales
#SantuariosProtectoresDeAnimales
La voz de los que no pueden hablar. La voz de los que no pueden expresarse en palabras.
@lavozdelreinoanimal
@concienciasolidariaong
@santuariosierradelcielo
#ConcienciaSolidariaONG
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I love Alba Molina!!!! She is so good.
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