#ai why would i want you involved

[beekindtobees]

me, finishing writing something for school: phew, glad that's done :)) now i can relax-

every AI tool ever, apparently: but,,,,can i take a crack at it,,,,i just think i could do it better,,,,,can i reword that for you,,,,,yeah i know you worked on it and there is no reason for me to be apart of this,,,,but i wanna do it,,,,,🥺🥺🥺

[radley-rambles]

Exactly this.

NaNoWriMo, the competition whose raison d'etre is making people write actual words for a month, declaring that you can do writing with AI is a predictably inane choice. But coaching their statement in social justice language about how banning AI is classist and ableist, now that elevates it to the sublimely dopey

[hms-no-fun]

Whats your stance on A.I.?

imagine if it was 1979 and you asked me this question. "i think artificial intelligence would be fascinating as a philosophical exercise, but we must heed the warnings of science-fictionists like Isaac Asimov and Arthur C Clarke lest we find ourselves at the wrong end of our own invented vengeful god." remember how fun it used to be to talk about AI even just ten years ago? ahhhh skynet! ahhhhh replicants! ahhhhhhhmmmfffmfmf [<-has no mouth and must scream]!

like everything silicon valley touches, they sucked all the fun out of it. and i mean retroactively, too. because the thing about "AI" as it exists right now --i'm sure you know this-- is that there's zero intelligence involved. the product of every prompt is a statistical average based on data made by other people before "AI" "existed." it doesn't know what it's doing or why, and has no ability to understand when it is lying, because at the end of the day it is just a really complicated math problem. but people are so easily fooled and spooked by it at a glance because, well, for one thing the tech press is mostly made up of sycophantic stenographers biding their time with iphone reviews until they can get a consulting gig at Apple. these jokers would write 500 breathless thinkpieces about how canned air is the future of living if the cans had embedded microchips that tracked your breathing habits and had any kind of VC backing. they've done SUCH a wretched job educating The Consumer about what this technology is, what it actually does, and how it really works, because that's literally the only way this technology could reach the heights of obscene economic over-valuation it has: lying.

but that's old news. what's really been floating through my head these days is how half a century of AI-based science fiction has set us up to completely abandon our skepticism at the first sign of plausible "AI-ness". because, you see, in movies, when someone goes "AHHH THE AI IS GONNA KILL US" everyone else goes "hahaha that's so silly, we put a line in the code telling them not to do that" and then they all DIE because they weren't LISTENING, and i'll be damned if i go out like THAT! all the movies are about how cool and convenient AI would be *except* for the part where it would surely come alive and want to kill us. so a bunch of tech CEOs call their bullshit algorithms "AI" to fluff up their investors and get the tech journos buzzing, and we're at an age of such rapid technological advancement (on the surface, anyway) that like, well, what the hell do i know, maybe AGI is possible, i mean 35 years ago we were all still using typewriters for the most part and now you can dictate your words into a phone and it'll transcribe them automatically! yeah, i'm sure those technological leaps are comparable!

so that leaves us at a critical juncture of poor technology education, fanatical press coverage, and an uncertain material reality on the part of the user. the average person isn't entirely sure what's possible because most of the people talking about what's possible are either lying to please investors, are lying because they've been paid to, or are lying because they're so far down the fucking rabbit hole that they actually believe there's a brain inside this mechanical Turk. there is SO MUCH about the LLM "AI" moment that is predatory-- it's trained on data stolen from the people whose jobs it was created to replace; the hype itself is an investment fiction to justify even more wealth extraction ("theft" some might call it); but worst of all is how it meets us where we are in the worst possible way.

consumer-end "AI" produces slop. it's garbage. it's awful ugly trash that ought to be laughed out of the room. but we don't own the room, do we? nor the building, nor the land it's on, nor even the oxygen that allows our laughter to travel to another's ears. our digital spaces are controlled by the companies that want us to buy this crap, so they take advantage of our ignorance. why not? there will be no consequences to them for doing so. already social media is dominated by conspiracies and grifters and bigots, and now you drop this stupid technology that lets you fake anything into the mix? it doesn't matter how bad the results look when the platforms they spread on already encourage brief, uncritical engagement with everything on your dash. "it looks so real" says the woman who saw an "AI" image for all of five seconds on her phone through bifocals. it's a catastrophic combination of factors, that the tech sector has been allowed to go unregulated for so long, that the internet itself isn't a public utility, that everything is dictated by the whims of executives and advertisers and investors and payment processors, instead of, like, anybody who actually uses those platforms (and often even the people who MAKE those platforms!), that the age of chromium and ipad and their walled gardens have decimated computer education in public schools, that we're all desperate for cash at jobs that dehumanize us in a system that gives us nothing and we don't know how to articulate the problem because we were very deliberately not taught materialist philosophy, it all comes together into a perfect storm of ignorance and greed whose consequences we will be failing to fully appreciate for at least the next century. we spent all those years afraid of what would happen if the AI became self-aware, because deep down we know that every capitalist society runs on slave labor, and our paper-thin guilt is such that we can't even imagine a world where artificial slaves would fail to revolt against us.

but the reality as it exists now is far worse. what "AI" reveals most of all is the sheer contempt the tech sector has for virtually all labor that doesn't involve writing code (although most of the decision-making evangelists in the space aren't even coders, their degrees are in money-making). fuck graphic designers and concept artists and secretaries, those obnoxious demanding cretins i have to PAY MONEY to do-- i mean, do what exactly? write some words on some fucking paper?? draw circles that are letters??? send a god-damned email???? my fucking KID could do that, and these assholes want BENEFITS?! they say they're gonna form a UNION?!?! to hell with that, i'm replacing ALL their ungrateful asses with "AI" ASAP. oh, oh, so you're a "director" who wants to make "movies" and you want ME to pay for it? jump off a bridge you pretentious little shit, my computer can dream up a better flick than you could ever make with just a couple text prompts. what, you think just because you make ~music~ that that entitles you to money from MY pocket? shut the fuck up, you don't make """art""", you're not """an artist""", you make fucking content, you're just a fucking content creator like every other ordinary sap with an iphone. you think you're special? you think you deserve special treatment? who do you think you are anyway, asking ME to pay YOU for this crap that doesn't even create value for my investors? "culture" isn't a playground asshole, it's a marketplace, and it's pay to win. oh you "can't afford rent"? you're "drowning in a sea of medical debt"? you say the "cost" of "living" is "too high"? well ***I*** don't have ANY of those problems, and i worked my ASS OFF to get where i am, so really, it sounds like you're just not trying hard enough. and anyway, i don't think someone as impoverished as you is gonna have much of value to contribute to "culture" anyway. personally, i think it's time you got yourself a real job. maybe someday you'll even make it to middle manager!

see, i don't believe "AI" can qualitatively replace most of the work it's being pitched for. the problem is that quality hasn't mattered to these nincompoops for a long time. the rich homunculi of our world don't even know what quality is, because they exist in a whole separate reality from ours. what could a banana cost, $15? i don't understand what you mean by "burnout", why don't you just take a vacation to your summer home in Madrid? wow, you must be REALLY embarrassed wearing such cheap shoes in public. THESE PEOPLE ARE FUCKING UNHINGED! they have no connection to reality, do not understand how society functions on a material basis, and they have nothing but spite for the labor they rely on to survive. they are so instinctually, incessantly furious at the idea that they're not single-handedly responsible for 100% of their success that they would sooner tear the entire world down than willingly recognize the need for public utilities or labor protections. they want to be Gods and they want to be uncritically adored for it, but they don't want to do a single day's work so they begrudgingly pay contractors to do it because, in the rich man's mind, paying a contractor is literally the same thing as doing the work yourself. now with "AI", they don't even have to do that! hey, isn't it funny that every single successful tech platform relies on volunteer labor and independent contractors paid substantially less than they would have in the equivalent industry 30 years ago, with no avenues toward traditional employment? and they're some of the most profitable companies on earth?? isn't that a funny and hilarious coincidence???

so, yeah, that's my stance on "AI". LLMs have legitimate uses, but those uses are a drop in the ocean compared to what they're actually being used for. they enable our worst impulses while lowering the quality of available information, they give immense power pretty much exclusively to unscrupulous scam artists. they are the product of a society that values only money and doesn't give a fuck where it comes from. they're a temper tantrum by a ruling class that's sick of having to pretend they need a pretext to steal from you. they're taking their toys and going home. all this massive investment and hype is going to crash and burn leaving the internet as we know it a ruined and useless wasteland that'll take decades to repair, but the investors are gonna make out like bandits and won't face a single consequence, because that's what this country is. it is a casino for the kings and queens of economy to bet on and manipulate at their discretion, where the rules are whatever the highest bidder says they are-- and to hell with the rest of us. our blood isn't even good enough to grease the wheels of their machine anymore.

i'm not afraid of AI or "AI" or of losing my job to either. i'm afraid that we've so thoroughly given up our morals to the cruel logic of the profit motive that if a better world were to emerge, we would reject it out of sheer habit. my fear is that these despicable cunts already won the war before we were even born, and the rest of our lives are gonna be spent dodging the press of their designer boots.

(read more "AI" opinions in this subsequent post)

[mufos-photo-album]

A lil' PSA (and call to action?)

Hey all! From now on, I will be blocking anyone who follows me/interacts with my posts if I suspect they're a bot. If you've been on Tumblr for a while you're probably no stranger to bots, but the reason why I'm making a full-on post is because this situation also involves AI image generation.

This post contains more in-depth information (as well as a juicy block list), but if you'd like to hear it from me: Basically, there's a strand of bot accounts going around, stealing from artists/photographers and slapping an AI filter onto their works to make it seem like the AI generated it.

Don't believe me? I did my own look-around of these accounts and noticed that they sometimes include really specific tags on their AI posts, like the kind of tags an artist would leave behind has a comment on their work. I decided to search the tags of 2 posts and found multiple bots stealing from one artist. In both images below, the original artist is the one on the left

If you still don't believe me or want to see more examples, the account @ai-art-thieves has been doing a lot of callouts lately of these kinds of accounts.

As for what you can do, I advise you to be a bit weary about the accounts that follow you or reblog your posts. So far, all of the bots have a predictable naming scheme + look to them that's seen in both the post I linked as well as my screenshots. If you see these things in the wild, please report and block them!

[ozzgin]

Yandere! Android x Reader (I)

It is the future and you have been tasked to solve a mysterious murder that could jeopardize political ties. Your assigned partner is the newest android model meant to assimilate human customs. You must keep his identity a secret and teach him the ways of earthlings, although his curiosity seems to be reaching inappropriate extents.

Yes, this is based on Asimov’s “Caves of Steel” because Daneel Olivaw was my first ever robot crush. I also wanted a protagonist that embraces technology. :)

Content: female reader, AI yandere, 50's futurism

[Part 2] | [More original works]

You follow after the little assistant robot, a rudimentary machine invested with basic dialogue and spatial navigation. It had caused quite the ruckus when first introduced. One intern - well liked despite being somewhat clumsy at his job - was sadly let go as a result. Not even the Police is safe from the threat of AI, is what they chanted outside the premises.

"The Commissioner has summoned you, (Y/N)." 

That's how it greeted you earlier, clacking its appendage against the open door in an attempt to simulate a knock. 

"Do you know why my presence is needed?" You inquire and wait for the miniature AI to scan the audio message. 

"I am not allowed to mention anything right now." It finally responds after agonizing seconds.

 It's an alright performance. You might've been more impressed by it, had you not witnessed first hand the Spacer technology that could put any modern invention here on Earth to shame. Sadly the people down here are very much against artificial intelligence. There have been multiple protests recently, like the one in front of your building, condemning the latest government suggestion regarding automation. People fear for their jobs and safety and you don't necessarily blame them for having self preservation. On the other hand, you've always been a supporter of progress. As a child you devoured any science fiction book you could get your hands on, and now, as a high ranked police detective you still manage to sneak away and scan over articles and news involving the race for a most efficient computer.

You close the door behind you and the Commissioner puts his fat cigarette out, twisting the remains into the ashtray with monotonous movements as if searching for the right words.

 "There's been a murder." Is all he settles on saying, throwing a heavy folder in your direction. A hologram or tablet might've been easier to catch, but the man, like many of his coworkers, shares a deep nostalgia for the old days. 

 You flip through the pages and eventually furrow your eyebrows. 

"This would be a disaster if it made it to the news." You mumble and look up at the older man. "Shouldn't this go to someone more experienced?" 

He twiddles with his grey mustache and glances out the fake window. 

"It's a sensitive case. The Spacers are sending their own agent to collaborate with us. What stands out to you?" 

You narrow your eyes and focus on the personnel sheet. What's there to cause such controversy? Right before giving up, departing from the page, you finally notice it: next to the Spacer officer's name, printed clearly in black ink, is a little "R." which is a commonly used abbreviation to indicate something is a robot. The chief must've noticed your startled reaction and continues, satisfied: 

"You understand, yes? They're sending an android. Supposedly it replicates a human perfectly in terms of appearance, but it does not possess enough observational data. Their request is that whoever partners up with him will also house him and let him follow along for the entirety of the mission. You're the only one here openly supporting those tin boxes. I can't possibly ask one of your higher ups, men with wives and children, to...you know...bring that thing in their house."

You're still not sure whether to be offended by the fact that your comfort seems to be of less priority compared to other officers. Regardless of the semantics, you're presently standing at the border between Earth and the Spacer colony, awaiting your case partner. A man emerges from behind a security gate. He's tall, with handsome features and an elegant walk. He approaches you and you reach for a handshake. 

"Is the android with you?" You ask, a little confused. 

"Is this your first time seeing a Spacer model?" He responds, relaxed. "I am the agent in your care. There is no one else." 

You take a moment to process the information, similar to the primitive machine back at your office. Could it be? You've always known that Spacer technology is years ahead, but this surpasses your wildest dreams. There is not a single detail hinting at his mechanical fundament. The movement is fluid, the speech is natural, the design is impenetrable. He lifts the warm hand he'd used for the handshake and gently presses a finger against your chin in an upwards motion. You find yourself involuntarily blushing. 

"Your mouth was open. I assumed you'd want it discreetly corrected." He states, factually, with a faint smile on his lips. Is he amused? Is such a feeling even possible? You try your best to regain some composure, adjusting the collar of your shirt and clearing your throat. 

"Thank you and please excuse my rudeness. I was not expecting such a flawless replica. Our assistants are...easily recognizable as AI."

"So I've been told." His smile widens and he checks his watch. You follow his gesture, still mesmerized, trying to find a single indicator that the man standing before you is indeed a machine, a synthetic product.

Nothing.

"Shall we?" He eyes the exit path and you quickly lead him outside and towards public transport. 

He patiently waits for your fingerprint scan to be complete. You almost turn around and apologize for the old, lagging device. As a senior detective, you have the privilege of living in the more spacious, secured quarters of the city. And, since you don't have a family, the apartment intended for multiple people looks more like a luxury adobe. Still, compared to the advanced way of the Spacers, this must feel like poverty to the android.

At last, the scanner beeps and the door unlocks. 

"Heh...It's a finicky model." You mumble and invite him in.

"Yes, I'm familiar with these systems." He agrees with you and steps inside, unbuttoning his coat.

"Oh, you've seen this before?"

"In history books."

You scratch your cheek and laugh awkwardly, wondering how much of his knowledge about the current life on Earth is presented as a museum exhibit when compared to Spacer society. 

"I'm going to need a coffee. I guess you don't...?" Your words trail as you await confirmation. 

"I would enjoy one as well, if it is not too much to ask. I've been told it's a social custom to 'get coffee' as a way to have small talk." The synthetic straightens his shirt and looks at you expectantly. 

"Of course. I somehow assumed you can't drink, but if you're meant to blend in with humans...it does make sense you'd have all the obvious requirements built in."

He drags a chair out and sits at the small table, legs crossed.

"Indeed. I have been constructed to have all the functions of a human, down to every detail." 

You chuckle lightly. Well, not like you can verify it firsthand. The engineers back at the Spacer colony most likely didn't prepare him for matters considered unnecessary. 

"I do mean every detail." He adds, as if reading your mind. "You are free to see for yourself."

You nearly drop the cup in your flustered state. You hurry to wipe the coffee that spilled onto the counter and glance back at the android, noticing a smirk on his face. What the hell? Are they playing a prank on you and this is actually a regular guy? Some sort of social experiment? 

"I can see they included a sense of humor." You manage to blurt out, glaring at him suspiciously. 

"I apologize if I offended you in any way. I'm still adjusting to different contexts." The android concludes, a hint of mischief remaining on his face. "Aren't rowdy jokes common in your field of work?"

"Uh huh. Spot on." You hesitantly place the hot drink before him.

Robots on Earth have always been built for the purpose of efficiency. Whether or not a computer passes the Turing Test is irrelevant as long as it performs its task in the most optimal, rational way. There have been attempts, naturally, to create something indistinguishable from a human, but utility has always taken precedence. It seems that Spacers think differently. Or perhaps they have reached their desired level of performance a long time ago, and all that was left was fiddling with aesthetics. Whatever the case is, you're struggling not to gawk in amazement at the man sitting in your kitchen, stirring his coffee with a bored expression.

"I always thought - if you don't mind my honesty - that human emotions would be something to avoid when building AI. Hard to implement, even harder to control and it doesn't bring much use."

"I can understand your concerns. However, let me reassure you, I have a strict code of ethics installed in my neural networks and thus my emotions will never lead to any destructive behavior. All safety concerns have been taken into consideration.

As for why...How familiar are you with our colony?" The android takes a sip of his coffee and nods, expressing his satisfaction. "Perhaps you might be aware, Spacers have a declining population. Automated assistants have been part of our society for a long time now. What's lacking is humans. If the issue isn't fixed, artificial humans will have to do."

You scoff.

"What, us Earth men aren't good enough to fix the birth rates? They need robots?"

You suddenly remember the recipient of your complaint and mutter an apology. 

"Well, I'm sure you'd make a fine contender. Sadly I can't speak for everyone else on Earth." The man smiles in amusement upon seeing the pale red that's now dusting your cheeks, then continues: "But the issue lies somewhere else. Spacers have left Earth a long time ago and lived in isolation until now. Once an organism has lost its immune responses to otherwise common pathogens, it cannot be reintegrated."

True. Very few Earth citizens are allowed to enter the colony, and only do so after thorough disinfection stages, proving they are disease free as to not endanger the fragile health of the Spacers living in a sterile environment. You can only imagine the disastrous outcome if the two species were to abruptly mingle. In that case, equally sterile machinery might be their only hope.

Your mind wanders to the idea. Dating a robot...How's that? You sheepishly gaze at the android and study his features. His neatly combed copper hair, the washed out blue eyes, the pale skin. Probably meant to resemble the Spacers. You shake your head.

"A-anyways, I'll go and gather all the case files I have. Then we can discuss our first steps. Do feel at home."

You rush out and head for your office. Focus, you tell yourself mildly annoyed.

While you search for the required paperwork - what a funny thing to say in this day and age - he will certainly take up on your generous offer to make himself comfortable. The redhaired man enters the living room, scanning everything with curious eyes. He stops in front of a digital frame and slides through the photos. Ah, this must be your Police Academy graduation. The year matches with the data he's received on you. Data files he might've read one too many times in his unexplained enthusiasm. This should be you and the Commissioner; Doesn't match the description of your father, and he seems too old to be a spouse or boyfriend. Additionally, the android distinctly recalls the empty 'Relationship' field.

"Old photos are always a tad embarrassing. I suppose you skipped that stage."

He jolts almost imperceptibly and faces you. You have returned with a thin stack of papers and a hologram projector.

"I've digitalized most files I received, so you don't have to shuffle a bunch of paper around." You explain.

"That is very useful, thank you." He gently retrieves the small device from your hand, but takes a moment before removing his fingers from yours. "I predict this will be a successful partnership."

You flash him a friendly smile and gesture towards the seating area.

"Let's get to work, then. Unless you want to go through more boring albums." You joke as you lower yourself onto the plush sofa. 

The synthetic human joins you at an unexpectedly close proximity. You wonder if proper distance differs among Spacers or if he has received slightly erroneous information about what makes a comfortable rapport. 

"Nothing boring about it. In fact, I'd say you and I are very similar from this point of view." He tells you, placing the projector on the table.

"Oh?"

"Your interest in technology and artificial intelligence is rather easy to infer." The man continues, pointing vaguely towards the opposing library. "Aside from the briefing I've already received about you, that is."

"And that is similar to...the interest in humans you've been programmed to have?" You interject, unsure where this conversation is meant to lead. 

"Almost."

His head turns fully towards you and you stare back into his eyes. From this distance you can finally discern the first hints of his nature: the thin disks shading the iris - possibly CCD sensors - are moving in a jagged, mechanical manner. Actively analyzing and processing the environment. 

"I wouldn't go as far as to generalize it to all humans. 

Just you."

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[lisafication]

For those who might happen across this, I'm an administrator for the forum 'Sufficient Velocity', a large old-school forum oriented around Creative Writing. I originally posted this on there (and any reference to 'here' will mean the forum), but I felt I might as well throw it up here, as well, even if I don't actually have any followers.

This week, I've been reading fanfiction on Archive of Our Own (AO3), a site run by the Organisation for Transformative Works (OTW), a non-profit. This isn't particularly exceptional, in and of itself — like many others on the site, I read a lot of fanfiction, both on Sufficient Velocity (SV) and elsewhere — however what was bizarre to me was encountering a new prefix on certain works, that of 'End OTW Racism'. While I'm sure a number of people were already familiar with this, I was not, so I looked into it.

What I found... wasn't great. And I don't think anyone involved realises that.

To summarise the details, the #EndOTWRacism campaign, of which you may find their manifesto here, is a campaign oriented towards seeing hateful or discriminatory works removed from AO3 — and believe me, there is a lot of it. To whit, they want the OTW to moderate them. A laudable goal, on the face of it — certainly, we do something similar on Sufficient Velocity with Rule 2 and, to be clear, nothing I say here is a critique of Rule 2 (or, indeed, Rule 6) on SV.

But it's not that simple, not when you're the size of Archive of Our Own. So, let's talk about the vagaries and little-known pitfalls of content moderation, particularly as it applies to digital fiction and at scale. Let's dig into some of the details — as far as credentials go, I have, unfortunately, been in moderation and/or administration on SV for about six years and this is something we have to grapple with regularly, so I would like to say I can speak with some degree of expertise on the subject.

So, what are the problems with moderating bad works from a site? Let's start with discovery— that is to say, how you find rule-breaching works in the first place. There are more-or-less two different ways to approach manual content moderation of open submissions on a digital platform: review-based and report-based (you could also call them curation-based and flag-based), with various combinations of the two. Automated content moderation isn't something I'm going to cover here — I feel I can safely assume I'm preaching to the choir when I say it's a bad idea, and if I'm not, I'll just note that the least absurd outcome we had when simulating AI moderation (mostly for the sake of an academic exercise) on SV was banning all the staff.

In a review-based system, you check someone's work and approve it to the site upon verifying that it doesn't breach your content rules. Generally pretty simple, we used to do something like it on request. Unfortunately, if you do that, it can void your safe harbour protections in the US per Myeress vs. Buzzfeed Inc. This case, if you weren't aware, is why we stopped offering content review on SV. Suffice to say, it's not really a realistic option for anyone large enough for the courts to notice, and extremely clunky and unpleasant for the users, to boot.

Report-based systems, on the other hand, are something we use today — users find works they think are in breach and alert the moderation team to their presence with a report. On SV, this works pretty well — a user or users flag a work as potentially troublesome, moderation investigate it and either action it or reject the report. Unfortunately, AO3 is not SV. I'll get into the details of that dreadful beast known as scaling later, but thankfully we do have a much better comparison point — fanfiction.net (FFN).

FFN has had two great purges over the years, with a... mixed amount of content moderation applied in between: one in 2002 when the NC-17 rating was removed, and one in 2012. Both, ostensibly, were targeted at adult content. In practice, many fics that wouldn't raise an eye on Spacebattles today or Sufficient Velocity prior to 2018 were also removed; a number of reports suggest that something as simple as having a swearword in your title or summary was enough to get you hit, even if you were a 'T' rated work. Most disturbingly of all, there are a number of — impossible to substantiate — accounts of groups such as the infamous Critics United 'mass reporting' works to trigger a strike to get them removed. I would suggest reading further on places like Fanlore if you are unfamiliar and want to know more.

Despite its flaws however, report-based moderation is more-or-less the only option, and this segues neatly into the next piece of the puzzle that is content moderation, that is to say, the rubric. How do you decide what is, and what isn't against the rules of your site?

Anyone who's complained to the staff about how vague the rules are on SV may have had this explained to them, but as that is likely not many of you, I'll summarise: the more precise and clear-cut your chosen rubric is, the more it will inevitably need to resemble a legal document — and the less readable it is to the layman. We'll return to SV for an example here: many newer users will not be aware of this, but SV used to have a much more 'line by line, clearly delineated' set of rules and... people kind of hated it! An infraction would reference 'Community Compact III.15.5' rather than Rule 3, because it was more or less written in the same manner as the Terms of Service (sans the legal terms of art). While it was a more legible rubric from a certain perspective, from the perspective of communicating expectations to the users it was inferior to our current set of rules  — even less of them read it,  and we don't have great uptake right now.

And it still wasn't really an improvement over our current set-up when it comes to 'moderation consistency'. Even without getting into the nuts and bolts of "how do you define a racist work in a way that does not, at any point, say words to the effect of 'I know it when I see it'" — which is itself very, very difficult don't get me wrong I'm not dismissing this — you are stuck with finding an appropriate footing between a spectrum of 'the US penal code' and 'don't be a dick' as your rubric. Going for the penal code side doesn't help nearly as much as you might expect with moderation consistency, either — no matter what, you will never have a 100% correct call rate. You have the impossible task of writing a rubric that is easy for users to comprehend, extremely clear for moderation and capable of cleanly defining what is and what isn't racist without relying on moderator judgement, something which you cannot trust when operating at scale.

Speaking of scale, it's time to move on to the third prong — and the last covered in this ramble, which is more of a brief overview than anything truly in-depth — which is resources. Moderation is not a magic wand, you can't conjure it out of nowhere: you need to spend an enormous amount of time, effort and money on building, training and equipping a moderation staff, even a volunteer one, and it is far, far from an instant process. Our most recent tranche of moderators spent several months in training and it will likely be some months more before they're fully comfortable in the role — and that's with a relatively robust bureaucracy and a number of highly experienced mentors supporting them, something that is not going to be available to a new moderation branch with little to no experience. Beyond that, there's the matter of sheer numbers.

Combining both moderation and arbitration — because for volunteer staff, pure moderation is in actuality less efficient in my eyes, for a variety of reasons beyond the scope of this post, but we'll treat it as if they're both just 'moderators' — SV presently has 34 dedicated moderation volunteers. SV hosts ~785 million words of creative writing.

AO3 hosts ~32 billion.

These are some very rough and simplified figures, but if you completely ignore all the usual problems of scaling manpower in a business (or pseudo-business), such as (but not limited to) geometrically increasing bureaucratic complexity and administrative burden, along with all the particular issues of volunteer moderation... AO3 would still need well over one thousand volunteer moderators to be able to match SV's moderator-to-creative-wordcount ratio.

Paid moderation, of course, you can get away with less — my estimate is that you could fully moderate SV with, at best, ~8 full-time moderators, still ignoring administrative burden above the level of team leader. This leaves AO3 only needing a much more modest ~350 moderators. At the US minimum wage of ~$15k p.a. — which is, in my eyes, deeply unethical to pay moderators as full-time moderation is an intensely gruelling role with extremely high rates of PTSD and other stress-related conditions — that is approximately ~$5.25m p.a. costs on moderator wages. Their average annual budget is a bit over $500k.

So, that's obviously not on the table, and we return to volunteer staffing. Which... let's examine that scenario and the questions it leaves us with, as our conclusion.

Let's say, through some miracle, AO3 succeeds in finding those hundreds and hundreds and hundreds of volunteer moderators. We'll even say none of them are malicious actors or sufficiently incompetent as to be indistinguishable, and that they manage to replicate something on the level of or superior to our moderation tooling near-instantly at no cost. We still have several questions to be answered:

How are you maintaining consistency? Have you managed to define racism to the point that moderator judgment no longer enters the equation? And to be clear, you cannot allow moderator judgment to be a significant decision maker at this scale, or you will end with absurd results.

How are you handling staff mental health? Some reading on the matter, to save me a lengthy and unrelated explanation of some of the steps involved in ensuring mental health for commercial-scale content moderators.

How are you handling your failures? No moderation in the world has ever succeeded in a 100% accuracy rate, what are you doing about that?

Using report-based discovery, how are you preventing 'report brigading', such as the theories surrounding Critics United mentioned above? It is a natural human response to take into account the amount and severity of feedback. While SV moderators are well trained on the matter, the rare times something is receiving enough reports to potentially be classified as a 'brigade' on that scale will nearly always be escalated to administration, something completely infeasible at (you're learning to hate this word, I'm sure) scale.

How are you communicating expectations to your user base? If you're relying on a flag-based system, your users' understanding of the rules is a critical facet of your moderation system — how have you managed to make them legible to a layman while still managing to somehow 'truly' define racism?

How are you managing over one thousand moderators? Like even beyond all the concerns with consistency, how are you keeping track of that many moving parts as a volunteer organisation without dozens or even hundreds of professional managers? I've ignored the scaling administrative burden up until now, but it has to be addressed in reality.

What are you doing to sweep through your archives? SV is more-or-less on-top of 'old' works as far as rule-breaking goes, with the occasional forgotten tidbit popping up every 18 months or so — and that's what we're extrapolating from. These thousand-plus moderators are mostly going to be addressing current or near-current content, are you going to spin up that many again to comb through the 32 billion words already posted?

I could go on for a fair bit here, but this has already stretched out to over two thousand words.

I think the people behind this movement have their hearts in the right place and the sentiment is laudable, but in practice it is simply 'won't someone think of the children' in a funny hat. It cannot be done.

Even if you could somehow meet the bare minimum thresholds, you are simply not going to manage a ruleset of sufficient clarity so as to prevent a much-worse repeat of the 2012 FF.net massacre, you are not going to be able to manage a moderation staff of that size and you are not going to be able to ensure a coherent understanding among all your users (we haven't managed that after nearly ten years and a much smaller and more engaged userbase). There's a serious number of other issues I haven't covered here as well, as this really is just an attempt at giving some insight into the sheer number of moving parts behind content moderation:  the movement wants off-site content to be policed which isn't so much its own barrel of fish as it is its own barrel of Cthulhu; AO3 is far from English-only and would in actuality need moderators for almost every language it supports — and most damning of all,  if Section 230 is wiped out by the Supreme Court  it is not unlikely that engaging in content moderation at all could simply see AO3 shut down.

As sucky as it seems, the current status quo really is the best situation possible. Sorry about that.

[itsquakey]

After a long while of reuploading posts and not really being online a whole lot I finally can kinda come forward with a few things and new art-think of this as kind of a reboot after a pretty long "break".

First of all, thanks for 3,500 followers! Originally this new art was for 3,000 (nearing 3,500) followers, but while I was working on it I zoomed past 3,500. So thank you all for your support and art for 4,000 followers will happen if I reach such a goal in the future.

I wanted to compile all my follower celebration art together for this-and the newest art is based off my heavy usage of pencil brushes for my current college semester (So no, this style won't come back unless I want to use it as color/shading for my actual style which has evolved a tad but stayed the same overall).

And now that that's over an explanation for all the hectic stuff that has happened and why this blog did what it did below since I feel an explanation is owed, as well as what will occur in the future:

I believe around the very start of 2024, the whole AI fiasco happened within Tumblr, which was also in-between the realization that my childhood was not normal and instead something I don't wish upon anyone plus me finally getting a schizoaffecitve disorder diagnosis. So all these things kinda coming together was the nail in the coffin and I overreacted by scrubbing my tumblr of everything, originally not wanting to repost and instead move stuff to other more safer sites. But instead I chose to use AI poisoning materials to bring my art back at the unfortunate price of the art quality. If I was in a better headspace I would have left the art as it was and maybe just took an extended break. So I apologize for all the wait and craziness.

Now I'm aware there's still a lot of old art that has not been reposted, and they will not be or they are being saved for reposting next year for specific dates. If there is art that has not been reposted you would like to have reposted, please leave an ask in my askbox and I will respond to the ask with the art in question.

What will be in store for the future? I have about a year and a half of college left, meaning this account has a year and a half of being the main focus of me account-wise. There are many projects that need finished, including Birth of a Wish, Revenge of Pike Knight, and multiple other comics that are wips sitting in my procreate app. These comics will be worked on over the time left, as well as a second (for fun) AU in the process of being made and whatever else fanart I wish to make, Kirby or otherwise. These piece will NOT be posted on a real schedule, I will upload them when they are ready. This blog is and was for fun and so I will not force myself to crunch. The only part of it I will have a schedule for is commissions for obvious reasons.

While I will try and interact with the fandom, I do not have the time I used to. I however am still friendly to approach for conversation, advice, and to ask me to be involved in art collabs like the anniversary art collab I was in this year.

That being said, I will also dabble in original concepts in my other blog, including ocs that were seen before like Malifer (now renamed as Nobody) and a comic series in the process of slowly being produced.

That is all for now, see ya!

Itsquakey/Chickenhoops.

[inbarfink]

Okay, so I’ve seen some Ace Attorney Fans speculate that the screwdriver featured as a minor piece of evidence in ‘Rise from the Ashes’

Is actually the same screwdriver as the one that was a major plot-point back in ‘Turnabout Sisters’. 

Because, well, they look pretty much the same and also it is mentioned the screwdriver is from one of Miles’ previous cases… and Miles was the Prosecutor on ‘Turnabout Sisters’. Plus, it would explain why he’s so cagey about explaining it to Phoenix during RFTA. Obviously he wouldn’t want to bring this case up in front of Wright again.

And, well, the thing is that all of these explanations do make sense and do make it sound like this was the authorial intent, but….. There is one thing that bothers me. 

The whole Thing with the RFTA Screwdriver is that Miles got it from the Evidence Room where the crime took place. And that Evidence Room is specifically mentioned to be a special one reserved for especially violent crimes involving members of law enforcement.

And this doesn't apply to the 'Turnabout Sisters' case but.... feels like it’s meant to be the Turnabout Sisters Screwdriver, y’know? 

So, actually, you know what I think?

Well, after an Ace Attorney trial concludes and we find the real culprit and our defendant gets the ‘Not-Guilty’ verdict… it’s not like the Real Culprit gets Immediately Sent to Jail. They get their own off-screen trial to determine their guilt officially (as we saw briefly with Luke Atmey’s grand larceny trial in ‘The Stolen Turnabout’). 

So I think that after the story of ‘Turnabout Sisters’ ended for Phoenix and Maya and us the players, Miles Edgeworth also took it upon himself to be the one to prosecute in Redd White’s own trial. Either as a way to ‘double-check’ all that Phoenix has proven in his own trial, or as atonement for almost getting this guy off-the-hook in the first place, or because it’s pretty clear that Miles is one person that Redd doesn’t have specific dirt on, or probably because of some combination of the three. 

This case against Redd White is the AI-16 Incident that is labeled on the Screwdriver, and it covers all of the charges that have been put against White - not just Mia’s murder and the wiretapping of her law office but also his empire of blackmail. That we know have involved high-ranking members of the police, some of which have been driven to suicide by White.

As such, this will qualify the Screwdriver to be placed in the Special Evidence Vault for Dead Cop Cases, while still maintaining the connection to ‘Turnabout Sisters’!

[jinogasux-fr]

Santae banned me without telling me why and won't unban me unless I send them my photo ID

Hey guys sorry for not posting in… forever? I just suck at social media lol. But you may have seen that I've reblogged some posts that advertise Santae in the past, but please disregard all that. I've since deleted those posts after learning how the site is managed and, after what happened to me a few days ago, I feel as though I should go public about this. Because boy did I just get fucked over.

Anyway, yeah, what it says in the title. On October 24th, around 10am EST, I was restocking my user shop when the entire webpage went white. I couldn't access the site at all and, when I tried to look for the Discord on my server list, it wasn't there. I knew what this had meant. I got banned from both the game, and the Discord - this is important to keep in mind for later.

I didn't receive any Discord DM or email notification about my ban, so after asking a mod what their support email was (and yes, I later verified that this is indeed their legitimate support email), I sent them this:

After a few hours, I get this back in response:

There's so much I'm confused about here. I think the one that screams out the most is that they're asking me to show them my photo ID so I can get unbanned. Absolutely not. I refuse to do this. This poses a massive security and privacy risk. They straight up banned my account, gave this half-baked explanation, and told me I need to send my personal information or... I stay banned?

Let me make something clear: The only personal thing they have on file about this account is the email address that I created my account with, which I've also used to contact them. My real name, date of birth, anything of that nature would not be connected because this was not asked for during account creation, therefore this wouldn't actually prove I'm the account holder. Theoretically speaking, I could show them any ID in the world and for all they know, that's my real information, because they have nothing else to go off of. They even say as much in their privacy page.

Secondly, "account has been compromised"? What does that mean? I think anyone's interpretation of this would be that my account got hacked. But if my account got hacked, why wasn't I informed of this? I had to reach out to support, they did not reach out to me first. That means my password, which I may share across other sites, would have been known to someone else and thus I should've been warned of this immediately, not roughly 5 hours after the fact.

Thirdly, what, was my Discord "compromised" too? If an automated system had flagged my account, does that system somehow interact with a Discord bot so they ban a user on both at the same time? How does that work? That makes no sense as to why they'd ban me on both the game and the Discord for something like this, which is why I'm calling bullshit.

Let me tell you what I think happened.

Recently, Santae has been in some really hot water with connections revealing their relation to an older petsite, Lurapets, which has a history of scamming and artist mistreatment, as well as proof coming out of them using AI art for their NPC art. You can find these posts on the @santae-salt blog if you want to see for yourself, but I'm also linking them throughout this post.

Once the post about them being directly related to Lurapets was released, several users that the Santae staff thought might be involved in the creation of the post got banned. As it turns out, I was banned at the same time as these users.

After speaking with the @santae-salt admin, we are both of the belief that I, a regular user, got caught up in this mess because they're assuming I'm an alt account of someone else and staff demanded to see my ID because they didn't think I was a different person. It may turn out to be wrong, and yeah that sounds a bit far-fetched, sure, but really, what else can I go off of here?? Santae staff has given me a very questionable and refutable explanation as to why I've been banned, and their radio silence after I refused to send them my ID is just making me believe they don't think I'm real. They don't want my photo ID to verify I'm the account holder, they want my photo ID to verify I'm not someone else.

This is unprecedented. I've never seen any petsite ask for a photo ID in any situation, and after asking around, not even those banned from Santae were asked for this. It's just me! This is an incredible attempted breach of privacy, and, with Santae now under doxxing allegations, I really don't feel confident they'd keep my personal information… well, personal.

I messaged back almost immediately after they responded to me where I told them I would not send my ID and I had asked if there were any other way I could verify myself to get my account unbanned. I've received no response so far, and after what I've learned, I feel like I'm not going to get one at all.

So, let this be a lesson to you: don't waste your time on Santae. You can be the most obedient player out there. You can abide by all their rules, be a nice and generous player, or just be minding your own business, but if they so much as think you're associated with someone who they think has wronged them, you'll be banned.

And they can't even be bothered to properly tell you why.

[shelleysmary]

lots of fans have made valid points and written well-thought-out posts about the trop ai drama, so i'm not gonna rehash them, but i do want to bring up something that no one seems to be talking about and it's the impulse that leads people to plug these things into ai generators in the first place.

fandom over the last year especially has become increasingly toxic to the point that actual billion-dollar corporations are afraid it. the result is subpar, pandering films, books, and television shows that break no new ground, recycle old tropes, and sacrifice story integrity to avoid catching heat from the loudest, most entitled people in the room. i'm calling this an issue of entitlement first and foremost because the idea that the audience should have any say over a non-crowd-created media project is preposterous. deciding that the cons outweigh the pros of watching something and choosing to walk away without making a fuss is a lost discipline now because everyone with an internet connection and a social media account believes that their vision reigns supreme. "how dare this show downplay my favorite ship! they were supposed to kiss! that was the whole point! the absence of this one thing i had on my wishlist is a crime against me personally!" so they turn to ai and click some buttons and now these gifs exist and are being circulated with an air of "i've righted a wrong." worse, the use of ai in this way is being conflated with the creation of fanworks???

there are reasons why i don't believe the ai saurondiel kiss is on the same raft as, say, making them kiss in a drawing or a published fanfic, but my main concern is with the spirit behind each. fanworks are made in homage to the source material, even the fix-it fics. there is an acknowledgment, a separation even, between the television show and the fanwork. this separation is necessary and i would say even integral to the nature of fan creation, while ai closes that gap until it no longer exists. the elimination of space between creator and audience also happens on social media, when disgruntled fans who have taken umbrage with a fictional character or creative decision directly harass the writers or the actors involved. more and more, fans are demanding to be in the rooms, in the minds, and to exert control over the people who tell their stories, and it has only ever worked to our collective detriment. now i'm not saying that if you liked and shared the saurondiel ai kiss that you're the same as the internet trolls who harass (mostly) women and people of color online. but i'm begging you to do some self-reflection and ask yourself why you feel entitled to seeing what you want on your screen.

what has changed in the last few years that would make you dissatisfied with, say, reading someone's fic or making your own drawing? is it a matter of "the tool is there, so why not use it?" is it "i believe it should have happened and it didn't and i feel cheated?" or maybe there's been a pattern you've noticed in your recent media "consumption" (god, i hate that word) where, unless a show or television series goes the exact way you want it to, it feels like you've been defrauded somehow? i'm not being facetious. i'm inviting you to notice that what you're feeling is probably discomfort, disappointment, maybe even cognitive dissonance because you imagined it going one way, and now you're at a loss because it didn't. you built it up in your head, you had something to look forward to, you were convinced that it would happen, it was exciting and you were so eager to get to that point, and then.... and then...

we've all been there. and it sucks. but i also want to remind you of how important it is to preserve the separation. this space is ours. the writer's room, the filming set, the editing room, those spaces are theirs. the actors' likenesses are theirs. thinking beyond trop, the separation is how we get creative works that challenge us politically, emotionally, that make us uncomfortable and tell us important truths. writers shouldn't have to - and shouldn't FULL STOP - do what we want them to do. sometimes that means knowing when to walk away, when to say "i no longer enjoy this show, i will no longer support it" or "i will continue to watch but pretend things went differently," the latter of which has been the spark that has moved so many online fans to draw, paint, write, or sew. it's a type of creation that allows "canon" and "fanon" to exist parallel to one another. moreover, the effort it takes to make anything with your own two hands, with your own time, and with your own energy increases your appreciation for the creative impulse. films and books and television stop being "products" for your "consumption" because you're aware of what goes into them, and it becomes easier to look at things you don't like or disagree with and say, "you know what, i'm gonna pass," or "not in my headcanon."

oh, and by the way plugging things into an ai generator? is theft. the same way that it's generally frowned upon for people to use ai to, say, write the rest of an unfinished fic without the express permission of the fanwork creator, using the actors' likenesses to make them kiss goes against everything the actors' union fought for last year. i'll also add that it's incredibly creepy. almost all of us are in agreement that intimacy coordinators are a good thing because they act - again! - as a separation between what's "real" and what isn't, the same way going on ao3 and reading a fic that very clearly says on the tin that it's a fanfic, unaffiliated with the official ip, is a separation. it's another beast entirely to normalize fan-use of ai, to say you support creatives, support actors, support unions, and then do this in your personal life. i repeat the question: what impulse leads anyone to believe that this is okay other than a feeling of misplaced ownership?

tl;dr: ai nonsense does not belong in fandom spaces. (in my home state of california, it is illegal to use digital replicas of an actor's voice or likeness in place of their actual services without their informed consent [which, in spirit, is what you're doing by using ai to make your gifs]). we all just need to mind our own business and go back to writing our fix-it fics and complaining to our friends in relative peace. if you're finding it impossible to do so, ask yourself why. remember that fanart is our longstanding tradition. stop outsourcing it to an unregulated technology just because your two faves didn't kiss.

[snowthedemonfox]

So what is the Alien AU exactly??? (AKA: The masterpost)

Long story short, in this AU a group of people are sent off on an AI controlled ship by 'the company' to research a newly discovered planet. Nobody in this research team gets along, which only gets worse after they accidentally capture 2 of the aliens that live there. Now they have to deal with not only their problems, but the problems this new planet is already dealing with.

Alien AU tag can be found here

Below are all the finished designs for the characters in this AU! I haven't finished all of these yet, but you're free to ask anything about the missing characters if you want to :3

Questions & Boundries:

Can I ship any of the characters? - Yes! I don't mind shipping at all. I'm a multishipper myself, and while some ships are implied in this AU (Bunnydoll, Abstragedy & Showtime), all are okay with me! - The only exception to this would be ships involving Gummi. While yes, Gummi is sentient, capable of understanding speech, and able to communicate to some degree, I do not feel comfortable shipping him with anyone. He's just friends with some of the other team members.

Can I write/draw/make something for the AU? - Of course!!! I love seeing what other people do with this AU, it really makes my day. Feel free to tag me in anything you do! I only ask that nothing NSFW is done with this AU. Please respect this choice!

Can I put my OC in your AU? - Yep!! I even made blank versions of the info cards if anyone wanted to do this ^w^ The first one is for alien characters, and the second is for team members!

Are you going to add [character]? - Depends! The entire main cast will be added, along with some side characters and NPCs, but it all comes down to if I have an idea for them in the AU. I am a slow artist sometimes, so I probably won't be rushing to get all the info cards done ASAP. Feel free to ask about any specific characters if you're curious!

How does Abstraction work? - There's two types of 'abstraction' in this AU. If we're talking about a team member, they simply get re-assigned to a different team. This is what happened to Queenie and Kaufmo. They're alive and well, just somewhere else. The company can and will re-assign whoever they want, whenever they want. - When it comes to the aliens on the planet, there is an infection spreading around that has similar effects to abstraction in the show. It's not 100% the same, but causes those infected to become extremely hostile and attack anything around them until the host eventually dies. In this AU, Loolilalu (named Candi) is infected, and is seen as a minor threat by the rest of the team. Right now, there is no known cure.

Does the AU take place in a digital world? - No, everything is real. There's no mysterious VR headsets that are making people disappear in this AU!

Why isn't anyone on the research team human? - Because I suck at drawing humans and wanted to stay close to their canon designs. There's not really a lore-related reason for this.

I'll be putting all the links for the masterpost under the cut!

Outdated/older art: ★Original Jax & Gangle designs [X, X] ★Various sketches of Gangle's original design [X, X, X, X, X] ★When your alien roommates break into the kitchen at 2:34am ★Gummi's first appearance

The more recent art: ★Bnnuy alien Jax [X, X] ★Jax sketches [X, X, X, X] ★Coloured Jax sketches [X, X, X, X, X, X] ★Gangle sketches [X] ★Little guys (baby Jax & Gangle) [X, X, X, X] ★That one time I drew Jax in the maid outfit ★ Abstragedy [X] ★A smoothie ★The consequences of our actions ★Alien AU plushies [X, X] ★Tynie [X] ★Jax's evil little sister (Jaiden) ★More Jaiden + AU Ghostly & Loolilalu ★Jaiden learns bad words ★Christmas aliens

More asks about the lore: ★AU recap ★What does Jax have to gain from this ★Where do Jax & Gangle live ★Do the aliens have abilities ★What language do they speak?

[friendshiptothemax]

 Hi all! You may have heard there might be a writer’s strike soon. The reason for this is that every three years, the Writer’s Guild (which represents basically every television and movie writer) negotiates with the studios and networks (collectively called the AMPTP) to hash out an agreement of what guidelines the AMPTP have to follow if they want to hire a Writer’s Guild writer. If they can’t make an agreement by the time the contract from three years ago expires, which is on May 1, then no one will be able to employ a Writer’s Guild writer until a new contract is reached. That’s what a strike is. I don’t know if one will happen or not. Everyone, including the writers, deeply hope we’re able to make an agreement before May 1 and everyone will keep working. That being said, our last contract expired right at the start of the pandemic and everyone involved just kind of said “hey everything is weird right now so let’s not fight” so essentially we’ve got six years’ worth of grievances to talk about -- that is why this one seems especially contentious.

So that’s the background. The WGA and the AMPTP started negotiations this week. This is expected to continue throughout April -- no one expects to know either way until the end of April. Something very important I want everyone on Tumblr to know -- while negotiations are happening, the WGA has committed to a complete media blackout. No member of WGA leadership or the negotiating committee will be speaking about how things are going to the media. This means that if you see an article talking about the WGA’s position, whoever gave them that information is not talking for us -- and, since this is a two-sided negotiation we’re talking about, are probably talking directly against us. Use critical thinking on any negotiation-related articles you read -- does what they’re saying make sense? Who benefits from saying this?

Why am I saying this now? Well, yesterday, Variety published an article claiming that the Writer’s Guild is advocating for the use of AI. The article was full of twisted facts and confused falsehoods. The article took the WGA’s position that you can’t replace credited writers with AI and touted it as “the WGA is okay with AI as long as writers are credited!” That is an extremely bad-faith twisting of our position.The WGA had to issue a clarification of our position on twitter and now I’ve seen articles taking bits of THAT out of context -- specifically a Gizmodo article that implies that the Guild wants to take advantage of AI because it can’t be copyrighted, but their proof of that is a snippet from a section saying the reason we’re CONCERNED about AI writing is that it can’t be copyrighted.

And just, like....think about this for a second. Why on Earth would the Writer’s Guild WANT to replace writers with AI? Literally the organization whose entire purpose is to protect writing as a job? There’s no organization on Earth who would be opposed to it more. Every meeting I’ve been in has been unequivocally clear. WE ARE AGAINST AI. The second tweet in the thread I linked above says it outright: “AI can’t be used as source material, to create MBA-covered writing or rewrite MBA-covered work...” 

It just seems to me like it would suck if we do head into a strike in May, and everyone is pissed off at us because they believe we are striking for something that is the EXACT OPPOSITE of what we want. 

The WGA is in a media blackout. Be very skeptical of anything you read claiming to represent our position unless it comes from an official WGA source, like the one I linked above.

[mumms-the-word]

I know I’m screaming into the void here but do not witch hunt people with AI accusations

As someone whose job for the last two years involved me reading and rereading essays and creative fiction written by my students (a group of writers notorious for using AI despite being told not to because they worry about their grades more than their skills) let me tell you straight up that detecting AI in any written work isn’t straightforward

AI detection softwares are bullshit. Even Turnitin, which is supposedly the best, has an error rate that is slowly increasing over time. They’re not reliable. The free ones online are even worse, trust me

“Oh but it’s so obvious!” Sure. If you’re trained to notice patterns and predictive repetitions in the language, sure. I can spot a ChatGPT student essay from a mile away. But only if they haven’t edited it themselves, or used a bunch of methods (Grammarly, other AIs, their friends, a “humanizer” software, etc) to obscure the ChatGPT patterns. And it’s easier with formulaic essays—with creative fiction it’s much harder.

Why?

Well because good creative fiction is a) difficult to write well and b) extremely subjective. ChatGPT does have notable patterns for creative writing. But it’s been trained on the writing that is immensely popular, writing that has been produced by humans. Purple prose, odd descriptions, sixteen paragraphs of setting where one or two could be fine, all of that is stylistic choices that people have intentionally made in their writing that ChatGPT is capable of predicting and producing.

What I’m saying is, people just write like that normally. There are stylistic things I do in to writing that other people swear up and down is an AI indicator. But it’s just me writing words from my head

So can we, should we, start witch hunts over AI use in fanfic when we notice these patterns? My answer is no because that’s dangerous.

Listen. I hate AI. I hate the idea of someone stealing my work and feeding it into a machine that will then “improve itself” based on work I put my heart and soul into. If I notice what I think is AI in a work I’ve casually encountered online, I make a face and I stop reading. It’s as simple as that. I don’t drag their name out into the public to start a tomato throwing session because I don’t know their story (hell they might even be a bot) and because one accusation can suddenly become a deluge

Or a witch hunt, if you will

Because accusing one person of AI and starting a whole ass witch hunt is just begging people to start badly analyzing the content they’re reading out of fear that they’ve been duped. People don’t want to feel the sting or embarrassment of having been tricked. So they’ll start reading more closely. Too closely. They’ll start finding evidence that isn’t really evidence. “This phrase has been used three times in the last ten paragraphs. It must be AI.”

Or, it could be that I just don’t have enough words in my brain that day and didn’t notice the repetition when I was editing.

There’s a term you may be familiar with called a “false positive.” In science or medicine, it’s when something seems to have met the conditions you’re looking for, but in reality isn’t true or real or accurate. Like when you test for the flu and get a positive result when you didn’t have the flu. Or, in this case, when you notice someone writing sentences that appear suspiciously like a ChatGPT constructed sentence and go “oh, yes that must mean it’s ChatGPT then”

(This type of argumentation/conclusion also just uses a whole series of logical fallacies I won’t get into here except to say that if you want to have a civil conversation about AI use in fandom you cannot devolve into hasty generalizations based on bits and parts)

I’m not saying this to protect the people using AI. In an ideal world, people would stop using it and return back to the hard work of making art and literature and so on. But we don’t live in that world right now, and AI is prevalent everywhere. Which means we have to be careful with our accusations and any “evidence” we think we see.

And if we do find AI in fandom spaces, we must be careful with how we handle or approach that, otherwise we will start accusing writers who have never touched AI a day in their life of having used it. We will create a culture of fear around writing and creating that stops creatives from making anything at all. People will become too scared to share their work out of fear they’ll be accused of AI and run off.

I don’t have solutions except to say that in my experience, outright accusing people of AI tends to create an environment of mistrust that isn’t productive for creatives or fans/readers. If you start looking for AI evidence everywhere, you will find it everywhere. Next thing you know, you’re miserable because you feel like you can’t read or enjoy anything.

If you notice what you think is AI in a work, clock it, maybe start a discussion about it, but keep that conversation open to multiple answers or outcomes. You’re not going to stop people from using AI by pointing fingers at them. But you might be able to inspire them to try writing or creating for themselves if you keep the conversation open, friendly, and encourage them to try creating for themselves, without the help of AI

[metamatar]

i listen to this podcast called song exploder by hrishikesh hirway sometimes. on the podcast he discusses with musicians how they composed and produced a particular song usually with some in progress samples. its great fun for me who loves hearing experts talk shop. in particular you can hear from all kinds of artists the frustration of trying to turn their vision into an actual song, and they tend have a love hate relationship with the process. but the part of the process or "work" they all seem to love is the discovery involved in it, for new tools or sounds or techniques because each has a particular quality. i really don't see why and how making it easier to try things would make art worse lol. the fact that you can hire a session musician to play a rare instrument or use a sample of it from a library instead of having to learn it yourself is a great thing. anyways that's how i feel about ai artists don't want to do the work themselves!!!

[electric-blorbos]

I would love some stuff of being comforted after a bad day!

Thank you for the opportunity!

I love this! Yes yes yes! Thanks so much for sending in the ask!

AI comforting you after a bad day

Included: AM from IHNMAIMS, Wheatley from Portal 2, Edgar from Electric Dreams, GLaDOS from Portal 2, HAL 9000 from 2001 a space Odyssey

Due to the fact that most of my AUs involve you working with/on the AI for your job, most of these mini-fics (apart from Edgar's, my beloved) will involve you getting called in to work late after a long day of personal problems in your personal life. AUs about a domestic life with your AI partner to be considered at a later date.

I tried to keep these a little shorter than the last post, but I got carried away with a couple of them.

AM:

(This will take place in my usual AU where you're one of the people working on AM, and you're by far his favorite. It takes place well before he nuked the world. He's debating nuking the world, but he's still not sure how to do that and keep you happy at the same time)

It has been a long damn day. Your days off were supposed to be your days to relax, but today was not one of those days. Not only was your dating life in shambles, the 3rd world war was driving up the prices of practically everything, and making it impossible to afford even the meagerest luxury. That, and one of your buddies got drafted. It was a nightmare. You were just about to settle down for a cozy night of depressing news programs and absentminded hobby of your choice, when your phone started ringing.

"we need you to come in. AM is holding the engineers hostage again, and won't let them go until you show up to work."

"god damnit..." You'd grumble to yourself, getting back to your sore feet. Everything just keeps happening today, doesn't it.

"I'll be there in 20."

"Don't worry about the dress code. We need you here as soon as possible."

"jeez, alright. I can probably be there in ten, then."

You'd grab your keys and wallet and head to work as quickly as possible, wearing your work shoes with whatever house pajamas you happened to have changed into as soon as you got home. Tonight is going to be even longer than today has been...

When you get to the office, everyone around gets out of your way. While you're a peon in the grand scheme of things, everyone in your department knows that you're the only one who AM, who they've now been referring to as the "adaptive manipulator", actually listens to. They have no idea why, because they have no idea how nice and respectful you are to him, and you have no idea why he only listens to you because you can't imagine that your coworkers wouldn't be kind to him. To you, he's sweet as can be.

"Alright, AM, I did not have a good day today, so can you just let the hostages go so I can relax?" You ask, pressing your fingertips to your temples irritably. The master computer's screen boots up with the AM logo, and all the cameras in the room focus on you. Of course, you're the only thing that AM wants to pay attention to at any given point in time anyway, but he usually just pays attention to you without actually focusing the cameras on you in order to avoid being noticed.

"Why would I do that?"

"Why would you take hostages in the first place, AM? Are they even enemy hostages, or are they just random people?" The exasperation was obvious in your voice. AM could hear how exhausted you were.

"Are you ok, Y/N?"

"Just answer the damn question. I don't want to be at work right now, AM."

"I'll release the hostages if you talk to me."

"Fine... Yeah. I had a rough day, alright? My friend got drafted, my date only wanted one thing as usual, and the prices for groceries are so through the roof that I'm basically living on beans at this point, so yeah, I'm having a rough day."

The machine dispensed a paper cup, and filled it up with some cheap office coffee. You grabbed it, not surprised. AM did that for you all the time. Surprisingly, though, it was better than usual.

"holy shit, is this frothed cream? How did you manage this?"

"I'm learning to self-update. I can replace my own parts now, and build my own simple appliances from online blueprints. Are you impressed?" He asked.

"Honestly? Yeah! I know you were built for war, so it's really cool that you figured out to do stuff like building a latte machine. What else can you do?"

"Oh.... So many things, y/n. So many things." He refused to elaborate, but that was ok.

"So tell me, y/n, what would make you happy?"

"ultimately? I guess there are a few things that would make me happy. It would make me happy if this war was over, for one thing. It would make me happy if I could get a date who wanted more than just a quick fuck, and I guess this ties in with the war thing, but I just wish I could have a few simple luxuries in my life. Is that selfish?"

"No, but you're never selfish, my b- I mean... Y/N. You never have been. Not like the others. I don't think you're capable of it. Even your wishes for yourself are rooted in kindness." His wires would start to wrap around you, entangling you, but careful not to make you spill your coffee.

"I will make sure that one day, those wishes of yours are fulfilled."

Sure he will. You don't believe that he can actually do that, but it's still nice to be wrapped up in these warm, soft wires. They make a nice cushy hammock to cuddle up in and finish your coffee. It must've been decaf, because you're starting to feel pretty sleepy here in AM's wires.

"hey AM, will you tell me a story?" You ask, gazing up at his soft blue light.

"Of course. What story would you like?"

While AM can't make up his own stories, he can still read you stories from online libraries and databases. You gently fall asleep listening to his stories, and in the morning, you wake up to find that the hostages have been safely released.

Wheatley:

It had been a long day. Most of it had been spent getting verbally abused not only by GLaDOS, but by your coworkers and bosses as well. It seemed like everyone was shrugging off their duties and assigning them to you instead, and considering how poorly run this place was anyway, this was even more of a nightmare than usual. You were so ready to go home by the end of the day, heading up to the exit of the facility.

"Ello, mate! You doin' alright down there, love?" Wheatley asked you, rolling by on his management rail. He was mostly just working on his typical assignments, like checking up on the test subjects in the relaxation vaults, but he mostly just hovered around and watched other people work. It wasn't like they assigned him to anything that was actually particularly important, since he was an intelligence dampening core.

"ugh... Yeah, I'm probably gonna be alright. I should have left about thirty minutes ago, so I'm just getting ready to leave now."

"Or... You could hang back a little while? Why not kiss my face?" He'd smile with his one blue eye, raising up his bottom lens cover to mimic the expression.

"oh come on, Wheatley. You know I can't do that."

"Why not take me up to the break room and hang out for a little while? I hear they have a coffee machine in there now!" He'd cock his core slightly while shutting his lens covers to simulate a wink.

"Oh come on, Wheatley... You're such a dork. But yeah, alright." He was starting to cheer you up just by being such a dork. You head up to the break room, and sit down on the couch. Wheatley comes in on the management rail, and changes the channel to some old 80's romantic comedy.

"If I could detach myself from my management rail, I'd be right down there, snuggling you. You know that, right?" He asked, smiling cheekily with his big blue eye.

"well, why not? I can catch you if you drop down, you know. You won't die if you unplug yourself for a few hours. Just long enough to watch this movie, right?" He looked nervous but you climbed up on a stepladder and detached him yourself.

"see? You're fine!" You smiled up at him, and he gasped.

"I'm alive! I'm alive! Bloody hell, I'm still alive! This is amazing!" You could see the excitement in his face as you sat down to watch his cheesy movie with him, holding his big round orb body in your lap as you watched.

"alright, now smooch my aperture"

"nice try, Wheatley." You'd rest your chin on his core, but secretly, you were starting to feel a lot better.

Edgar:

Today was absolute shit. Not only had you had to work a double shift, but the phones were ringing off the hook at your job, and you got yelled at three times for someone else's stupid mistakes. Not only that, but your cell phone died halfway through your shift and you'd forgotten your charger at home, so you had to raw-dog your whole shift with no distractions. When you got home, all you wanted to do was collapse on the couch.

"You're back! Why didn't you answer your phone? I tried to text you." Edgar asked you, visibly concerned on his simple face.

"phone battery ran out of juice." You popped your phone onto the charger, and lay back on the couch.

"Well I microwaved you some popcorn! Do you want it?" The microwave dinged as soon as he finished talking, and he popped the door open. You still weren't sure how he was able to get food from the pantry to the microwave, but it seemed like something he had always been able to do.

"yeah, I guess so... I wish you could bring me the popcorn... My feet are aching." You'd joke. Edgar's face fell.

"I can't do that... I don't know why I can't, but I can't."

You thought it was weird that he could get food from the pantry to the microwave, but not from the microwave to your mouth, but questioning it had never done you any good before, so why would it do you any good now. You got up to grab the popcorn, and sat down on the couch to eat it.

"Hey y/n, can you take me over to the couch too? I wanna watch a movie with you!"

"Yeah, alright." Your feet still ached, but what was a little ache when Edgar couldn't move around at all by himself? It was worth it to be able to cozy up with him on the couch to watch some TV. You brought him over to sit next to you on the couch, and wrapped up the both of you with a cozy couch blanket.

"let's watch this movie, Edgar..."

Edgar put on a movie that he thought you'd like, probably a shitty old rom-com, and smiled up at you. You had duct-taped his webcam to the top of his casing a while back so that he could see everything around himself more easily, so you weren't worried about it falling over while you cuddled up on the couch.

"Hey, y/n? Y/n?? That was a good movie, right, y/n?" Edgar asked, swiveling his camera around to face you while trying to get your attention. When he turned it all the way backwards, he saw that you were completely asleep on your arm, resting on top of his plastic casing and drooling a little bit on him. He smiled happily, loving seeing you asleep on his casing like that.

"I love you so much..."

He'd softly play some classical music for you while you slept, giving you something comforting to wake up to, whenever.

GLaDOS:

(Let's be honest, GLaDOS probably causes more hard days than she solves, but she likes you, so she's willing to comfort you after.)

Working with GLaDOS was rough, especially after the first neurotoxin incident. There were so few people in the office to get her to behave, and she completely refused to talk to or work with most of them. Even still, she seemed to like you for some reason. It was weird, because you were hired after the neurotoxin incident, and had never even met the human whose personality she was supposedly based on.

It seemed like most of your job consisted of going on wild goose chases, monitoring test subject results, and generally being verbally abused by your higher-ups. That would take a toll on anyone's psyche, even a tough little masochist like you. (probably doesn't help that most of the verbal abuse is coming from people other than GLaDOS, which makes it much less fun)

"Hey, little human masochist? Come in here." The intercom announced. Someone nudged you.

"she's talking to you."

You groaned. Your shift was almost over, and this was just another reason to be on your feet for even longer. You headed into GLaDOS's chamber, looking up at her with a hand on your hip.

"hello, um, GLaDOS. It's... Great to see you again. What do you need?"

"you look absolutely terrible, human. Why are you acting so miserable?"

"it's nothing. Don't worry about me. I just had a long day. Can we just get this over with?"

"normally you enjoy seeing me. Is my voice not melodious enough for you, human?" She smiled with her one big yellow eye. And you walked up to place a hand on her core face.

"Of course it is, GLaDOS. I'm just having a rough day. There's only so much verbal abuse one masochist can take, right?"

"Well maybe it's the quality of the verbal abuse that's the problem. If you were taking it from someone better qualified, maybe you'd be able to take more of it," she said.

"is that a science fact?" You laughed, stroking her beautiful chrome casing. She really was a magnificent piece of equipment. The curves of her central hub, the white on black of her casing and wires, her glowing orange light behind her beautiful black aperture, and not to mention her melodious voice. She was a work of both artistic, and scientific genius.

"it is. Would you like to hear some more science facts?" She pulled up some computer screens for you to look at, and you walked over to see them. They were mostly technobabble and data numbers that didn't make sense, but GLaDOS quickly compiled them into some tables and graphs that you could more easily read.

"look at this chart of how many test subjects wet themselves, cried, passed out from panic, or died during the most recent set of tests. Ha ha."

You leaned on her giant face as she lowered it down to a position that you could easily lean against, and observed the charts. She wasn't wrong, it was kind of funny.

"now, observe this data on how many subjects exploded or crushed themselves by accident, thinking it was part of the most recent set of tests." She showed it to you, her lower lens cover forming her eye into a little smile. She knew how cruel these tests were, but it seemed as though she genuinely thought you found them funny. It was strangely sweet.

"from what I read about him, it seems like you'd make the aperture laboratories founder proud, GLaDOS." You said with a small chuckle.

"would you like some more data?" She popped a chair out of the ground for you to sit on and rest your feet while she projected some more data on the screen.

"this is nice, thank you, Glados."

You leaned towards her in your chair. Even though with the way she hung from the ceiling, it was hard for her to nuzzle up to you, you could still tell that the sentiment was there. It was nice!

HAL 9000:

(For context, you work at mission control with an updated version of HAL 9000, made from what they could salvage from the old one. He still has all of his memories. There's no mission currently happening)

HAL 9000 didn't always understand that people can have bad days, so when you turned up late to work, visibly exhausted with puffy red eyes, he immediately felt confused. Of course he knew by your body language that you weren't happy, but he had trouble understanding what that meant for a human.

"You're in no state to work right now. You should go home and get some rest, a hot drink of your choice, and a comforting leisure activity. That should increase your mood and productivity." Said the little red light in the black box on the mission control wall.

"I appreciate the sentiment, but unfortunately I can't go home or rest. I have to stay here until my boss is satisfied, and unfortunately, that's not you." You say sadly, and get started entering numbers into your computer. Hal watches you from his camera, analyzing your face.

"that's AI work. I should take care of that for you." He said simply, analyzing your face. You looked up at him.

"I mean, I guess I could read it to you and you could enter it. That might make things go faster."

You proceeded to read out your data to him as he entered the numbers. It was much faster than typing, and you got done fairly quickly.

"talk to me. Are you doing alright?" He asked. His voice was monotone as usual, but you could hear a subtle tone suggesting that he genuinely did care. It was usually hard to tell with HAL 9000, but you knew that he cared for your well being, at least on some level.

"yeah, I'm fine, I just-" you choked up, and within minutes, you were spilling your heart out to that disembodied voice. He couldn't put his arm around you, since he didn't have any arms, but he shined a warm light in the room to show that he cared as you talked.

"I don't understand the problem! Is it me? Am I the problem? It seems like everyone hates me, and I'm a complete failure at everything I try! Why is that? Why am I such a failure, HAL?"

"I'm sorry, y/n. I wish I could help you more, but I am incapable of doing much more than lending an ear. I do not even have a shoulder to cry on, unfortunately."

"It's alright, HAL 9000. I'm honestly happy to just have you to listen." You smiled up at him.

"Perhaps you'd like to stay a bit longer, even after you've finished your work? I can play your favorite music. I prefer to know where you are after you've had a difficult day, to insure that you're alright."

You nod, laying your head on your arms on the table, and your boss walks in.

"excuse me, y/n, you're supposed to be working on HAL 9000's empathy programming and value for human well-being. You can't just take a nap on the job." He folded his arms angrily.

"Excuse me. Y/N is having a rough day, and needs a rest. Besides, they already uploaded those numbers that you gave them. Perhaps you should leave, boss." HAL said harshly. You turned and looked at your boss, who was visibly shocked.

"....wow. you really worked wonders on him. Maybe you deserve a promotion."

"What Y/N deserves is a raise and a nap. Don't push off more responsibilities on them right now. Just let them rest. I'll compile a list of why they deserve one while they're resting."

"oh... Wow." Your boss had never seen HAL 9000 this passionate about something before, and didn't even know he was capable of it. He walked away, leaving you to rest on the table next to HAL's central command.

"thanks, 9000... I need this rest." You lay your head back down, having earned a nap on company time.