#after I’m done with the manga I’m gonna go watch the anime adaptation that just released!

[roseofcards90]

HAII ROSE :D NEW PFP??

HIIII ARC :333 YES Vash has been overthrown now by Marcille Donato the peak fail elfgirl from the hit manga series Dungeon Meshi which I’ve been reading lately!!! Very good highly recommend

[kayjayo1227]

Hello there, sorry to be interrupting!

I was curious about what issued you've personally encountered with Stampede!

I'm completely new to the series, I know there's an older adaptation also but supposedly it was very inaccurate to the story and I'd love to know the differences between iterations before sticking to one.

I am definitely 👌 close to just reading the manga and nothing else though, given that Stampede didn't really spark joy for me as I'd have hoped it would.

Thank you for your time either way!

Wishing you a stellar day :)

You asked so I’m gonna probably write a whole lot lol 😝

I am not by any means a Trigun 1998 purist or anything, I actually got some issues with it too later on once they deviate from the manga. Personally, I think between the three the manga is ABSOLUTELY the better version just in terms of storytelling and visual style and whatnot. I very highly recommend it.

Trigun 98 nails Yasuhiro Nightow’s visual style perfectly. It’s got absolutely iconic music, and it’s one of those animes that helped make anime a big thing in the US. Plus, I’ve got a lot of nostalgia for it personally because I watched it first and as a kid. It’s very good.

The problem with 98 is that the Trigun manga took a hiatus and was republished later under a different magazine, and from that point on is known as Trigun Maximum (if you do watch 98 this split starts to happen right after the stuff with Eriks and the little timeskip) so it misses out on a LOT of good stuff and makes up it’s own ending. But up to that point it’s a phenomenal adaptation.

Trigun Stampede is… it’s a weird case for me. Because while on the one hand I don’t hate the cg style here, I also feel like it’s wrong for Trigun. It’s so crisp and clean instead of gritty. They seemed to be leaning a lot more into the sci-fi side of Trigun than space western and it’s just a surprising choice?

They’ve done a great job characterizing Vash. I was actually very excited to see Knives using y’know KNIVES lol and (while I haven’t got there yet) I know the ending of the series plays into 98/the manga somehow. But it felt weird to me watching it when so many characters were weirdly different.

They made changes and I don’t get why? Like changing the planet’s name from Gunsmoke to No Man’s Land lol why? I personally was really hoping they would give us more accurate manga adaptations but instead they gave us something that was neither. It keeps a lot of that original Trigun peace and love to it, but every character change leaves me just looking at the screen and going “WHY”

Just for example about what I mean (and the biggest example of it)

One of my favorite manga characters is Livio. I love Livio. He isn’t in 98 at all. But he has a big part in the manga. The second he showed up in Stampede I was pretty annoyed. They took one of my favorite character designs and just…made it real bad. And so far the characterization doesn’t seem right either, although I’ll admit it bothered me enough I haven’t watched more yet.

None of these things make me consider it an abomination or anything, I do believe there s a lot of good stuff there. Just makes it hard for me personally to keep watching. It could be better!

Some comparison photos of Livio

And some comparisons of Knives

It’s just…it’s not bad but it’s not what it could have been 🥲 I don’t believe there is anyone out there that has read the manga that would think either anime adaptation is superior to it

Anyway, sorry for the novel! I love the manga and have been screaming at my friends to read it for years lol

Definitely check it out!

[masterhandss]

May I ask, what happens in the short stories included in the Hamefura manga volumes? (e.g. highschool AU, kindergarten AU, genderbend AU, etc.)

Well, okay! I'm not good at summarizing stuff, so sorry in advance! I'm also writing these without rereading the Bonus SS so there may be small inaccuracies in these summaries. Some of these are gonna be longer than others depending on how much of I still remember lmao

I still suggest everyone go buy the manga volumes and give them a read, these extra chapters are so fun it makes me wish the anime fillers are always these wacky and entertaining (in fact I had to put writing this on hold because Season 2 adapted one of these, kinda XDD)

// spoilers for the hamefura manga volume bonus ss/special oneshots

Volume 1 - Untitled

Bakarina wakes up and realizes that she has no control over her body. She is confronted with a familiar scene of Katarina bullying Maria in Fortune Lover, and realizes that she's experiencing it from a first person point of view: through Katarina's eyes. She comments on how cruel Katarina is and explains the different ways she'd treat Maria differently, until Keith and Geordo arrive to save Maria. Bakarina feels unnerved and saddened by the angry and hateful looks that Keith and Geordo are giving her (Well it's Katarina, but Bakarina feels like they are look at her), and nervously wakes up from the dream. It is revealed that the dream took place some time before her arrival at the Magic Academy, and that she vows to work hard not to fall into a Bad End so that she'll never receive such hateful looks and be scorned by the otome game characters who she now considers to be her closest friends.

Volume 2 - Doom Route★Private School

Katarina gets awoken by Anne telling her that she needs to get ready to school. Katarina is surprised to find out that she has a school uniform and that she'll be heading to school in a fancy car. Anne tells Katarina that Keith won't be coming with her because he's already at school. When she gets there, she gets greeted by Keith who is part of the School's Disciplinary Committee. She is also greeted by Geordo, the SC President and his twin brother Alan, the Secretary. Keith's job is to check everyone's uniforms, so he reprimands the twins for their custom uniforms. Geordo tells him that he'll just have the rule changed, and that Keith's uptight attitude is why he doesn't have a girlfriend. This is how Katarina finds out that the engagement between Geordo and her is a verbal agreement between families, so she's technically engaged to him but it's not official.

After meeting up with all her friends, Katarina enters the classroom to find it looking just like her old one in Japan. She finds that she had scribbled doom flag avoidance plans on her desk and notebooks, and realizes that she's still in an otome game. Maria then enters and is introduced as the new scholarship student, and Katarina runs out to read her notebook. Everything is the same, from capture targets to rival characters , except the setting is a modern. Katarina finds out that her bad ends only lead to her getting either expelled and transferred or getting a restraining order. Katarina becomes confident in befriending Maria, and enthusiastically plans to enjoy her new life in a modern school. The chapter ends with Katarina buying lots of melon bread from the cafeteria, and wakes up form the dream before she could eat it.

Volume 3 - My Next Life in a Fantasy RPG

Katarina is awaken by Miri, who tells her that she is late and that she needs to eat breakfast. Katarina dresses up and realizes that her clothes looks like a cute outfit form an RPG. After being greeted by her father and being given a simple japanese breakfast (which made a bit emotional), Miri scolds her and tells her to hurry since she and Keith needs to check up on a few things before they leave. When Katarina asks where they are going, Luigi tells her that she and Keith are headed on a journey to become heroes and defeat the demon lord. She is told that they are the two chosen from the village as representatives. Katarina, being confused about being in an RPG-like world instead of an otome-line one, realizes that she is in a dream and is excited to play a heroine role in the fight against the monsters. Katarina is awoken by Keith during their carriage ride, and told that they were at the castle. Despite being representatives of their village, they still need to be selected as a true hero. She asks on how they were selected as the representative, and Keith tells her that it's done by lottery. Katarina admires the RPG-style outfits of everyone in the crowd, before the high priest arrives and announces the details of the selection.

Everyone is divided into small groups and left to face monsters in order to assess their abilities. Katarina, who has never fought before, is scared of the task because she's never fought monster before. Unlike Keith who looked like a knight, her weapon is a hoe. She asks the officiate beside her if she can just eliminate herself and watch from the side, to which Keith sighs in disbeliefs and the man giggles at the confession. As the officiate yelled at the sight of a world, everyone got ready for battle. While Katarina admired the fight from afar, she realized that something else was growling besides the wolf. Timeskip to hours later, Katarina was selected as a hero with the title of "Monster Tamer", and the officiate reveals himself to be Prince Geordo and asks to be a part of her party. As Katarina and her party march on to face the demon king, they encounter a witch, who reveals herself to be Miri with a book of manners. Katarina then wakes up from the dream.

Volume 4 - Dreamland Genderbender

Katarina wakes up to the sight of a male butler waking her up to tell her that she is late for school. When she asks him who he is, he says that he is Anne, Katarina's faithful butler. Katarina realizes that Anne is a man, and that she isn't a she, but a HE! Katarina freaks out at the fact that he is a man and realizes that there is something on his waist that definitely shouldn't be there. Before Katarina could ponder about it for too long, Anne helps him prepare for school. He gets greeted by Keith, and he becomes overwhelmed by how cute (and yet somehow very Keith-looking) she was. When they got to the Academy, Katarina is greeted by Geordo and Alan, who are princesses instead of princes. Due to the fact that everyone's names were still the same despite being gender-switched, she realizes she's in a dream and plays along. Mary greets Katarina good morning, and Katarina notes how gentlemanly and dashing he looked. Katarina was then greeted by Nicol, whose smile was so lovely it made everyone blush. As she pondered on whether the female Nicol was more charming than her male counterpart, Sophia greets Katarina.

On their way to class, Katarina looks into a window and feels bad about how mostly the same he looked despite being a boy. Geordo clings onto his right arm as she tries to lead him to class (emphasizing her chest while doing so, which Katarina notes as being possibly bigger than Mary's), while Keith takes the other arm and gets angry at the princess for her behavior. Katarina is overwhelmed by Keith's adorable height, and lets go of both of them to hug her. Geordo takes a hold of Katarina, vocalizing his jealousy over his touchy-ness with Keith and demands the same treatment because they are engaged and because she is much more attractive than Keith. The argument between Geordo and Keith becomes heated, discussing whether or not a huge chest is much more attractive in a woman. Alan doesn't want to be a part of it, and Nicol stops their discussion as it is embarrassing to hear for the other students. Katarina doesn't know how to react since she is a boy in this situation. When they get to the classroom, they are greeted by Maria, which prompts Katarina to contemplate on what the differences are in the world now that they all swapped genders. When they get to student council room, Katarina compliments Raphael on how small and adorable she looks, bringing back the heated discussion between the girls about chest sizes. Katarina shouts that he has no preference, and then wakes up from the dream.

Volume 5 - Doom Route Kindergarten

Anne introduces herself as a daycare worker at Doom Route Kindergarten, and awaits the arrival of the students. First car arrives with Geordo and Alan, children from a well-off family. Anne is asked to take care of the two, who she nicknames "Sebastian the Butler". Anne notes on how well mannered the two are, and how they are apparently children of a government figure. Next car arrives with Mary, who is a the very feminine fashionista among the children, who loves flowers and fashion. Next car arrives with Nicol and Sophia, who were admired by the staff because their loving parents drop and pick them up from school themselves. Nicol is rumored to be a future seducer by the staff, and Anne notes on how they used to never interact with other children until recently. Next comes a woman on a bike, revealing herself to be Maria's mother who is there to drop Maria off. Despite being the daughter of a normal company employee, Maria was able to enroll into a private kindergarten through a scholarship due to her talent in baking despite her young age. Maria used to have a hard time adjusting to being a school for rich kids, but she had become more enthusiastic about school more recently.

When Maria asked Anne if Katarina will like the treats she made, on cue, another car arrives. Miri angrily drags a half asleep Katarina out of the car, reprimanding her for napping as soon as she finished eating breakfast. Miri apologizes for her daughters rudeness, and Anne replies that she's used to it. Anne tries to wake up Katarina by telling her that Maria made treats for her, which works and jolts Katarina awake. Katarina constantly clings onto Anne and asks her to play with her, while the other children tries to get Katarina to play with them instead. Anne notes how happy she is that Katarina likes her so much, even if she gets glared at by the children as a result. After receiving so much offers of different activities to do, Katarina settles on challenging Alan, which everyone follows them to. Anne runs after them telling them not to climb any trees again. After that, Katarina wakes up from the dream.

Volume 6 - Magical★Girl Flag Breakers

I already made an attempt to translate this chapter, since Manga Volume 6 has yet to come out in english, so I suggest reading it! I'll still summarize it though I guess

Katarina is on her way to school, running with a cucumber in her mouth, until she accidentally bumps into what looks like a small doll. The doll talks back to her, making her realize that it is sentient. Katarina and the doll, who reveals himself to be Raphael the Spirit, have a quick banter that escalates into a discussions about the nature of spirits and the danger that the planet will soon face. As Raphael finishes his explanation, monsters summoned by the evil organization began to attack in a nearby park. Katarina and Raphael checks it, and finds a giant stuffed bear rampaging. Katarina attempts to flee, but Raphael asks her to help him. In a panic, Katarina says yes, and the two form a contract. Katarina transforms into a magical girl and attempts to fight the monster. Despite being confused, she was able to win, and thus beginning her journey as a magical girl.

Timeskip to a few weeks/months later, Katarina mentions that she had found more magical girls among students in her school which includes Mary from the Gardening Club, Sophia from the Literature Club and Maria from the Student Council. The three were recruited by a spirit named Anne. The four are close friends who walk together to school. During one of their walks, they are interrupted by Geordo, one of the Four Kings of Ruin who are part of the Evil Organization. Mary, Sophia and Maria get angry at him for ruining the moment between the girls, and Geordo calls upon his allies in order to be alone with Katarina. From the sky descends the other members of the Four Kings: Alan, Keith and Nicol. Rather than being excited for battle, the three instead berated Geordo for calling them during their free time. Geordo asks them to fight off the other three girls so that he can be alone with Katarina, but instead they interact with Katarina whom they have already met prior. In the end, Geordo is arguing with Mary and Sophia, Alan and Keith are flushed in the corner at the sight of Katarina, and Nicol and Maria are sharing food (since he dropped his pasta after being summoned by Geordo). Katarina wonders if she really is a magical girl since they haven't actually been fighting whenever they encounter each other, and then wakes up from the dream.

Rereading this now, I may have made these summaries a little too long... I hope this doesn't discourage anyone from reading the Bonus SS yourselves!! Please read them, they are so funny and good!!

Detective Katarina's Office isn't available yet, I might edit this post when that drops.

Thank you for the ask (help my fingers hurt from typing jshdfg)

[chidoroki]

..You already know what I’m gonna ramble on about, right? What’s got us manga readers feeling a little bit like this? Yeah.. I have words.

Yes, I’ll be chatting about possible future spoilers, so scroll past now if you wish, but if you frequently check the usual tpn tags anywhere today (or over the next few days), I’m sure you’ve become quite familiar with this guy already, so.. here we go.

Let me start off by saying that I was beyond excited when we first found out we were getting a second season to this series. Having read the manga, I had high hopes that the anime would do so well, given the first couple arcs that follow the escape from Grace Field. From the very beginning, most of us figured it would touch upon the demon forest, the B06-32 shelter, Goldy Pond and quite possibly Cuvitidala. Of course, that was before we learned that this season had an episode count of 11 and would include some anime-only scenes, so we started to have some doubts. The new opening threw us through a loop as well, as a bunch of us speculated exactly how much this season was going to cover in terms of story and what chapter it would end off on. I was still a bit skeptical, but I put some belief in thinking we might be able to at least reach Goldy Pond. The more I thought about how many chapters this season could adapt, I remembered that Fire Force (another shonen series that has its fair share between action scenes alongside some calm, lighthearted ones) managed to fit 90 chapters into it’s first season, which was a total 24eps. I then thought it was possible for TPN’s second season to reach ch96, or maybe even ch101, since the total ep count for both s1&s2 would be 23. The upcoming arcs (GP especially) are undoubtedly more fast paced than the entire first season, which was very dialogue heavy, so naturally these action scenes would take up less time and require fewer episodes to show off. I won’t bash the second season for leaving certain scenes out and/or changing them (as the first season did this as well, albeit less noticeable), but the obvious ones come to mind. The full snakes of alvapinera scene? It was good to see the escapees overcome their first outside world obstacle on their own, sure, but overall it isn’t too important. Isabella’s scene at the gate with Grandma Sarah? Disappointing yes, but I figured they could always include that sometime later in a future episode.. at least, that’s what I’m hoping for. I can forgive the anime for those changes at the moment.. but after what episode 3 decided to pull? Oh no.. now they’ve done it!

I’m sorry.. but who exactly thought this change was a good idea? The anime-onlys must think we’re going crazy right now but c’mon, CLOVERWORKS! Are y’all for real right now?? Yeah they never even announced his voice actor beforehand like they did with Sonju & Mujika before their debut, but damn it! Also, don’t take my word for this, as I only just heard and not completely sure about the credibility, but apparently after ep4, the rest of the season will be like.. original? And I’m not sure how to feel about that if it’s true? I’ll take whatever content we get because yes, I love this series to pieces and want it to last as long as possible, but after waiting almost a full two years to see these wonderful kids animated again.. I just wanna continue on with the story we all know and love, darn it. I know Shirai is overlooking this season and giving his approval or whatever too, so that’s comforting at least.. but still, I just wish we knew this a little sooner, rather than have us find out this way by cutting out one of the most anticipated characters of this entire series! (for the time being anyways.)

Yeah we didn’t see him this episode, but he’s around.. somewhere. No one else is around to write on the walls like that, let alone get into the shelter without a pen. (i also noticed it doesn’t say “poachers” anywhere, so that’s a bit odd too..)

I just hope that whenever our man does show up, whether it be this season or not, that it follows the manga because his introduction is fantastic and his interactions with the kids are so amusing. Honestly, he’s too important to cut out entirely. The same goes for the Goldy Pond arc, which I saw some others worried about too. It’s at Goldy Pond (ch73) where Emma and another man, who we’re also anxious to meet, both find out about how to cross over to the human world via the four premium farms, the supporters, and project lambda7214.

I also saw some people concerned about Mujika’s goodbye to Emma this episode and how upon giving her the necklace, our demon friend didn’t hint at The Seven Walls at all, which is why Goldy Pond suddenly becomes that more important for us to see because it’s also there where the place is mentioned, not only by the many secret files from the pen’s cap, but from Minvera himself (ch72).

Come on now, Goldy Pond arc also does wonder for Emma’s character and appearance. It’s here where we see just how serious she is about changing the world and saving everyone she possibly can. Even if she has to fight crazy, killing poachers, she’ll do it. (also one of those poachers becomes very helpful much later in the story, so there, yet another reason we can’t skip this arc.) Though this all gets me wondering if GP will still get blown up on Jan 29th.. oh season two, you raise so many questions.

Now, could this season completely change some of those scenes even further? Of course, they’ve already done so with other bits of information. Ray figuring out the demon’s weakness in ch62 during the trip to Goldy Pond? Sonju already explained it.

The letter from Minvera that we learn about in ch56 which was originally hidden in one of the manuscripts from the shelter’s archive room? Conveniently pinned to the wall in plain sight!

I didn’t notice this when I first watched the episode but remembered just now while skimming through the manga yet again, but the episode didn’t have Gilda list off the coordinates to Goldy Pond that Minerva noted in his letter.

So how will the duo find their way there? Well, you already know.. and since GP is such an important arc, that’s another reason I believe our beloved man will show up.... eventually.

Going back to the changes now, but it’s Dominic who reveals the secret room behind the piano instead of our favorite father figure.

Although this room, which is supposed to be a full stocked armory, is completely bare..

Like.. hello? Where are all the weapons?? Are they gonna make these kids go out and raid a bunch of the other fake/dummy shelters for weapons or something? which.. actually sounds interesting and fun now that I think about it.

I also noticed that the conversation about the mass-production farms Sonju mentioned back in ch50 was also cut, but I can see the anime easily adapting it into a future episode somewhere, since said farms are mentioned again in ch56, courtesy of the shelter’s many books.

For now it just seems.. I don’t know, a bit easier? like I recently spoke about how Ray had to figure out how the pen worked in terms of coordinates and yet the anime just had the pen show a simple map, then Sonju flat out told them how to efficiently kill a demon, and the phone that allows them to contact the supporters? Oh, they found that instantly, whereas geezer had no idea such a room even existed in those 13 years he lived at the shelter..

Have I spoke too much by now? Probably. None of the changes bother me too much, aside from the geezer’s obvious absence, but I’m still looking forward to the rest of this season, as I’m sure it’ll give more spotlight to some of the other kids aside from Emma and Ray. Season one just did so well with sticking to the manga that I guess we all got caught way off guard, huh?

[transsexualhamlet]

predictions for yuumori s2 (as a manga reader)

No matter what happens, this is probably gonna end up aging badly, but i’m hyperfixating and I’ve decided to make it everyone else’s problem so I’m going to predict where they’re gonna go with s2 of moriarty the patriot (keep in mind i’m writing this as of episode 2) and what I think would be the ideal scenario, in the likely situation that this is the last season.

So we can tell a lot about what they’re going to cut/include from the opening and ending, and the first two episodes. 

Observations/Conclusions:

-moneypenny and most likely von herder are gone, already evidenced by the first 2 episodes, which is :( but understandable bc there’s only so much space and they’re definitely cutting the arcs where they would be important

-so that means no moran backstory because duh, there’s a point in the backstory and i see value in it, moran slaps when he’s not being an ass lmao, but again, time constraints

-no matter what I can’t see them keeping in the like, child hunting thing 2 electric boogaloo, even tho it did further Fred’s and Louis’ characters, since they’ve previously cut out stuff considering them and. You know. That’s how it be.

-You can see they’re including jack the ripper arc (considering, jack is in the opening) and I have faith that they can downsize the arc without butchering it if they do it right. This is good that they’re keeping it in, considering it’s one of the... main arcs not involving milverton that advances the plot.

-Major thing we can tell is that, yeah, Milverton is nowhere to be seen. It seems like this would fuck things up bad since he’s like, the only kind of “main villain” we get here. But honestly? I agree with that. Fuck Milverton. He has no character or motivation and is like my one and only bone to pick with the manga. He’s just there to suck ass and create plot convenience?? I don’t like him and he never needed to be there if he wasn’t at least going to do something interesting. I support the anime cutting him.

-That DOES fuck over their ability to do the white knight arc, since, well, milverton is the cause of all of that. And this is the one thing I really don’t know what they’re going to do with that to connect jack the ripper directly to the final problem. I can’t predict that, but I do think there are ways it can be done that won’t be Awful.

-So considering that, Mary’s arc is definitely axed, which doesn’t bother me that much since by that point i so impatient for gay people and really didn’t care about watson’s fiance even tho she is a lovely lady. For anime effect, she does not need an arc, though I could see them having her show up a few times so watson doesn’t seem too gay either lmao.

-They’re definitely shooting to end with the final problem, considering without it there’s no big culminating event between moriarty and sherlock, which is obviously the big sell. And well. It’s. Um. The final problem. 

The season says it’s slated to be 13 episodes, since s1 didn’t have enough time for 12. I honestly think they can manage it all, if they play their cards right. 

Outlook:

This whole potential situation does sound familiar, I’ll point out that I just arrived here after the shit show of the promised neverland’s second season. But I don’t think it will get bad like tpn did. Because in Moriarty, they could afford to cut things because there are many stand alone and disposable arcs, whereas tpn really shouldn’t have, since they pretty much all contributed later to Major Main Character Plot Things. And the important points of the arcs that they’ll probably cut can actually be written into existing ones without looking like plot convenience, in my vision of it.

Honestly, I’m pretty optimistic for moriarty, it works better for this kind of adaption than in a lot of other manga that end up getting these most likely two season adaptions. I’d love to get those arcs for the servant’s and other character’s developments of course, but trying to stick that in when there’s really only time to focus on the main characters would suck up time better spent on really getting deep into the main storyline. Even if there are less characters, in a situation like this a streamlined and nuanced story will look elegant, whereas shoving as much content as possible into a few short episodes makes everyone cringe.

The situation does end up looking like the promised neverland, but it has a chance to be significantly less fucked considering,,, well,,, tpn is an insanely low bar, and they will hopefully not make the promised neverland’s same mistakes of Shove Seventeen Plotlines Into One Episode After Realizing Belatedly They Actually Needed Those Parts.

Obviously I don’t know what will happen, and this will be outdated by sunday lmao, but my projection looks something like this for 13 episodes to conclude the show.

Predictions:

(Episodes 1+2: A Scandal in the British Empire)

Episode 3: I’m very anxious for 3 considering this will probably make or break my opinion on the anime. Ideally, this episode would wrap up the scandal arc and go over the whole James Bond thing, it could be pretty baller and fit well into an episode. But though there’s plenty of Irene in the opening, there’s no sight of Bond, so considering anime as a whole is fucking transphobic, they might try to change it, twist around bond’s words or just, gloss over it altogether. If they cut it, they might have time to squeeze in another arc but I don’t think they honestly need to? With what they seem to be keeping in, they’ll have ample time to get to everything, and it would be shorter anyway considering the smaller amount of servants. 

Here, we do definitely need to cover Sherlock’s “receiving the name of the lord of crime and deciding to burn it and find it out himself because he’s extra”, no matter the status of irene/bond’s gender. If they do that right and possibly change a few things so it’s more important, this could play into them moving forward his whole discovery of their secrets.

Episodes 4-7: These will most likely cover jack the ripper arc. There’s a lot to go over here, and I’m confident they can cut it down, because tbh Moriarty is pretty long winded for a manga and cutting things is good to an extent. This covers most of the major expansions on William’s ideas and plans, and definitely has the holes to stuff in more of the points made in the arcs that will be cut out. Though I have my reservations, they could plausibly take most points in white knight and integrate them into here.

Episodes 8-10: These are the ones that are going to take the most work and probably be the most changed. They should finish up the ripper arc in 7, give or take a few episodes, and then here, If Sherlock has a little more figured out from episode 3, he can look deeper. I think it’s honestly a good idea for the one to discover the Incriminating Records to be him, as it again gives them more connection. There needs to be some other reason Moriarty’s secrets are in danger of getting leaked to the paper, but I’m sure they can put something together with scotland yard or something, or even like, Mycroft. I see that. But if that happens, then we can spend an episode or so on the merchant of london, aka little liam commits girlboss, which can be woven into the idea of everything Coming Out.

Episodes 11-13: Final problem. I see this going mostly unchanged, up until 55. Truth is they’ll probably end up cutting something but hmm. I don’t know. They should keep the fred stuff in, since they’ll cut his other development. They should keep the squad asking sherlock for help, since they cut the other parts that highlight the crime squad’s care for him. But I think they could montage most of the William Goes French Revolution On You Hoes, even the part where the kids come in front of one of them, if you see what’s going on right. But everything can proceed as in the manga pretty smoothly, I think, it all makes sense if they put it together in 7-10. You know, you got somehow, the worst case happens, and boom, scandal, final problem enacted. Killing spree. William reveals he’s been emo this whole time but it’s too late now. Everyone scrambling to catch up with his damn plans. Gay boy knocking on 221B with a fucking love letter. Shit gets found out. And then... well, yuh.

Disclaimer I still don’t know everything about this, bc I cannot find a translation of 54, only the raw with no context, and I know there’s content after 55 but I can’t find that either. But I’m sure as hell an english major and can understand where things are probably going. I don’t know what’s involved at that point, and if there’s some plan detailed to save him or something. That’s the main thing I don’t know, and if there is one detailed of course that kind of changes everything, but for now I’m going on the assumption that 54 is “sherlock runs to the bridge and yells at liam to stop being a dramatic whore while london burns around them and the murder squad watches anxiously with mysterious intent, until it is chapter 55″. (IF Y’ALL HAVE THE ENGLISH PLEASE HMU) They better not TOUCH anything in 55 or so help me god.

But as to after 55, things are going to be different. Besties, I’m an optimist, but there’s no way they’ll make a season after this. It does appear that they’ve mostly wrapped up, and they’ve gotten through what Big Revals they plan on doing. The shit hinted from the beginning has happened, and there probably won’t be enough to create another, unless the author plans on fucking shit up again, which I don’t approve of. There are a few things still left unsaid, like, Liam’s real name and everything, but if it’s supposed to be important, things that small can 100 percent be written into this.

And as something that’s intending to finish up a story, depending on what manga canon really is (BESTIE I DO NOT KNOW WHAT IT IS) they might change it. There’s two options, a bittersweet/hopeful and a tragic one, but either one will end up open ended, because of my extensive knowledge of 2 season animes with significantly longer mangas. (done badly: tokyo ghoul and tpn, done well: owari no seraph and mob psycho) Either we have it like well, oh damn, everything was destined to be Sad but well you’re with him now you’re probably dead, but you know there’s something hinted at and you don’t know for sure so that’s the catch. So you get a vague and bittersweet but possibly hopeful ending. OR something that takes,,, whatever ends up happening in the manga or whatever the plan is and turning it into an epilogue infodump.

I can see either going well depending on how they handle the messages of the story. But yeah, as far as to my extent of the understanding of the show, that’s how it’ll probably go, and what my opinion of how it should is.

To What Extent Will The Gay:

You know, this is my ideal scenario within these time limits, but you know they could always go The Wrong Direction if the anime team took a look at some of the later chapters and went “holy shit this is a bit too gay” and try to axe some of the sherliam content, which I wouldn’t put past any corporation.

In the case that they do, I see lot of good shit going. They’re clearly trying to do the final problem, so they obviously can’t cut out 55, which is good :). But though 55 is clearly, uh, really fucking homosexual, the most romantic shit goes down in 53, as far as I can tell? (keeping in mind i still haven’t found 54′s english version, if anyone would like to direct me to a translation, that would be LOVELY.) I unfortunately can see them cutting Liam’s letter almost entirely, and that kind of scares me.

You know, even if i’d hate and slander them for it, cutting out james bond would be something i would understand. But messing with sherliam would fuck them over, not just cause that would be awful, but like, because it’s like... kind of the main point.

So I’m not really too worried about them messing with it, mostly because the content itself is holding them at gunpoint, sherliam holds the whole plot structure in place, especially if you’re shooting for final problem. And even in the manga they never, like, actually say they’re in love with each other even tho historically gay lovers would probably call each other “friends” lmao so it’s not like they have to greenlight gay sex or anything lmao it’s just Very Romantic (No Homo)

And apart from that, yuumori has actually been pretty decent to the gays so far?? Damn shawty, they certainly haven’t toned down the gay yet and it’s clearly their main source of fans, and what they’ve decided to emphasize in both openings and a significant portion of the s2 ending. We’re all here for it, and they’re catering to it, so I can at least give you that.

[anchorshots]

...that sure was an ending! as disappointing as sotsu has been... it’s been fun, keeping up with everyone’s reactions and theory crafting and even just throwing my own thoughts into the ring. i’m definitely gonna miss higurashi thursdays, even if the product in question was... well, not the best quality? 

the stuff i loved about the ending: 

that gorgeous rendition of you playing at the end

the beauty of springtime hinamizawa (those cherry trees, oh my god???)

okonogi looking smug as hell because he's off to start a food distribution company and get in with the ushiromiya family

smol eua was very smol

SATOSHI WOKE UP HOLY SHIT

SHION GOT SCREENTIME HOLY SHIT

the message from the club that it’s okay if friends grow apart and don’t see each other all the time; they’re still friends at the end of the day, no matter where life takes them. 

the stuff i didn’t love: 

... a lot, honestly, but a lot of my issues with the last episode have to do with my issues with sotsu as a whole? so much of it just felt... rushed and kind of unearned? i think a lot of my feelings can be summed up as “cool ideas, awful execution”. 

this could’ve been really good, but either r07 yeeted the ball down like 34 flights of stairs when it came to giving passione his outline, or they did while adapting it. something went wrong there, and i think the push to market sotsugyou as newcomer friendly shot the entire project in the foot; we spend so much time retreading old ground that the new material barely has time to breathe and stand on its own, and any newcomers were just told “you really wanna go back and read the vn/read the manga/watch the anime before starting gou” anyways, so like... why bother with that?  

in any case, i really like what tomato akase’s been doing with the gou manga, so i have higher hopes for higurashi jun. hopefully its conclusion will be less of a trainwreck than sotsu! as it is, unless jun pulls off some gotdam miracles, i... am still not considering this canon to OUR matsuribayashi. maybe some other matsuribayashi fragment had all this happen, but the one we saw in the original series? nope. (there are happy st lucia timelines in mei, after all, so like... yeah.)

i think that’s all i really have to say, but i’ve rambled a bit more under the cut just... i dunno, to clear my head and process what i watched?

i was all for redeeming satoko in the end, but... one (1) round of looper thunderdome, a dbz/touhou inspired miko battle, then punching the heck out of each other in the river... does not feel like enough from what they’ve shown us?

if they’d built up to this moment more in the answer arcs by showing more of satoko’s hesitation, her guilt, any horror at what she’s doing to her friends, her desperately assuring herself that none of this will matter when rika finally, finally stays and they can all be happy... then led up to the tatariakashi breakdown and teppei murder where she kills off all of those conflicting feelings to win the game as quickly as possible so all of this can stop... i dunno, i feel like it’d be easier to stomach her being forgiven without question? like, the teppei and sea of fragments scenes were clearly meant to convey she’s been feeling like this the entire time- but when we actually saw satoko on her own, we got one scene of her being sad she pushed rena into murder, then it was all mustache twirling villainy from there on out until teppei?

or, hell, i’d have taken seeing her having to account for unexpected problems in her plans and adapt on the fly more. like... the biggest problems she encountered apart from the teppei guilt situation were to do with mion taking longer to go off the deep end ( requiring needling on her end to push mion into a more fragile state where she’d act out ), then having no idea whether mion had killed rika or not once the tragedy was kicked off. apart from that... there was nothing? she was totally in control the whole time? everything went according to plan 95% of the time? i get it, i get it, certainty(tm), but certainty isn’t an instant win button. certainty is perseverance. certainty is overcoming every single setback thrown at you and clawing your way to the top in the face of adversity. hard work and an iron will go rewarded. you know... takano’s entire thing? 

also... uh... how’d they get yeeted back into the original matsuribayashi fragment from the miko battle fragment? and... after the advice session from the club, did they just off themselves to do it over and go their separate ways properly? or can they just hop at will now without dying? huh??????????? 

lambda 100% split off from satoko in the ending, though, that’s for sure. i guess time is wonky in the sea of fragments, or as someone on reddit put it, lambda existing before bern was misdirection??? 

i guess my big question is where exactly bern split off from rika. saikoroshi was supposed to be the big split, but sotsugyou being where lambda split - and rika’s actions throughout the series, as well as their parting words - suggests that bern was still in there somewhere. maybe it was an incomplete split in saikoroshi, then sotsugyou finished it off? i dunno. 

also what the hell was that final eua-hanyuu battle. like, you go hanyuu, but... it was so anticlimactic, she deserved better.  

also kind of sad we didn’t get to see the satoshi-satoko and shion reunion but like,,, that makes sense. he just just woke up, boy’s not stepping out of that clinic for a while yet. still, i wish they’d done his scene first with irie in the room, then while irie was idk, stepping out to get something he needed, saw takano and tomitake come in and said something about how happy satoko would be to hear this... i dunno. just to allude to the fact that satoko has more in her life than rika. nii-nii’s back! once he’s confirmed safe to be around, she’ll be able to come see him! shion can, too!

god. i just. s i g h. 

it just sucks seeing my favourite series of all time treated so carelessly. maaaan...

i don’t think i hate sotsugyou. it had great ideas, but its flaws... hoo boy, they were flaaaaaaaws.

[carriagelamp]

I read more books this month than I anticipated. I should probably wait before doing a February book round up, but I already feel like I’m struggling to decide which ones to cut from my list so I’m doing it this weekend instead of next. If I read much next week I’ll bump ‘em up into March’s round up

Asterix and the Missing Scroll / Chieftain’s Daughter

I got the last two “new” Asterix books out of the library so I could officially say I had read them all. Over all my opinion is… they’re fine! None of these would ever become one of my favourites, but they’re all fine stories. The art is good, it is completely in-line with the original, and the stories are… fine. I liked The Missing Scroll quite a bit more than The Chieftain’s Daughter but I never find a ~hurr hurr teenagers~ plotline that interesting, whereas I do enjoy seeing Romans get chased down by unicorns so that’s probably not surprising. There’s some spark I can’t put my finger on that the new Asterix books just seem to be missing though… a bit of humour or cleverness or something. Still, they’re fine reads if you’ve been hungry for more Asterix and I’m glad I read them. (Though the library gave me the American translation of The Chieftain’s Daughter, something I didn’t realize until I started reading and realized that this is wrong??? I’ve been reading these books since I could read and I know this is wrong??? What the hell is happening??? The I realized the publisher was different and I simmered in fury the whole time I read it — WHY ARE YOU CHANGING NAMES AND WORD CHOICES IN A WELL ESTABLISHED SERIES THAT ALREADY HAS AN ENGLISH TRANSLATION YOU ANIMALS WHY ARE YOU DUMBING DOWN THE LANGUAGE AAAUGH

The Bride Was A Boy

This one was cute! The Bride Was A Boy is an autobiographical manga written by a transwoman recounting her experience with transitioning, meeting her boyfriend, and eventually getting married. It’s mostly done in a 4-panel style and is interspersed with lots of information about the LGBT community, particularly in Japan. A lot of it was stuff I was already familiar with, but I still found it adorable and a very worthwhile read. it would be a fantastic book for young queer people who are looking for more of an introduction into international queer space

Cul de Sac: Children At Play

Cul de Sac is just a weird, fun newspaper comic series about the children who live in a small neighbourhood. It fully taps into the children-as-semi-feral-chaos-agents, and there’s something hilariously nostalgic about the whole thing. Lots of times when stories try to portray children there’s always something… wrong about it, something that doesn’t mesh with true childhood, but in this comic I can see glimpses of my grimy, dirty-covered self as a preschooler running around the pages. I would definitely recommend trying them!

The Cremation of Sam McGee

I reread The Cremation of Sam McGee and The Shooting of Dan McGrew and man, they don’t stop being buckwild. These are two really famous Canadian poems that were then illustrated by equally famous Canadian artist Ted Harrison. Harrison’s style is gorgeous and distinct and given what strangely grisly stories these poems are they fit the mood perfectly. Everything feels just a little tilted and wrong and unsettling. If you enjoy an occasional poem (especially ones that are super fun to read out loud) and haven’t read these before, I would recommend them! Or do what my teachers did, and read Sam Gee to a young child in your life and watch them be baffled and concerned and horrified.

There are strange things done / in the midnight sun / by the men who moil for gold...

The Gryphon’s Lair

The second book of the Royal Guide to Monster Slaying series written by Kelley Armstrong; I’ve been eagerly awaiting this book! It’s a very cool fantasy series because it really leans into environmental stewardship and the importance of studying animals and conservation so you can find ways to live alongside a healthy ecosystem. In this book Rowan is officially accepted as the Royal Monster Hunter, which means a whole new set of trials and burdens. She has to contend with a baby gryphon that is becoming increasingly large and dangerous, plotting family members, doubt about her abilities, a potential curse, and a daunting quest deep into the mountains in order to set things right. If you’re looking for some very gentle high fantasy, this series delivers.

Hogan’s Heroes comics

What to say here. Anyone following this blog has suffered the knowledge that I’ve been rewatching Hogan’s Heroes lately. When I found out that there was a short-lived, shitty comic series in the 60s? Of course I had to hunt them down. And so I’ve read them! And they sure were a shitty comic series from the 60s! They were, shall we say, of wildly varying quality. Some were actually really funny (like #5, it easily had the best art and best jokes imho), others were a slog, and most were fine and amusing enough to read the whole way through but not much more.

If you don’t know what Hogan’s Heroes is about: it was a 1960s sitcom that took place in a WWII POW camp, in which the Allied prisoners trapped there had a massive, complex sabotage/spy ring right underneath the camp. The whole show is about constantly outwitting the bumbling Germans while keeping up the pretense that they’re all just normal prisoners. The show is hilariously funny and I would recommend that, even if I can’t say the same for the comics unless you’re like me and are just really thirsty for more content...

Magic Misfits: The Fourth Suit (Ripley)

The final book of Neil Patrick Harris’ middle grade series, The Magic Misfits. In this fourth book, the group is fragmented and forced to meet in secret to avoid notice from the mysterious and powerful Kalagan whose cruel machinations have already turned the quiet little town on its ears, putting people’s lives in peril and destroy Leila’s fathers’ magic shop. The Misfits are going to need all their skills to finally unmask this sinister magician and break the mesmerism he seems to have placed over the entire town before it’s too late to save no only the town, but their friendship and trust.

Super charming series, and the illustrations are gorgeous.

Marsupilami

HOUBA! I watched a very bad TV adaptation of this as a kid that still managed to find a place in my heart, and so I decided to finally try reading some of the original comic! On one hand: it was exactly what I had hoped! The art is cute, the marsupilami is so dynamic and fun to see on the page (and has a way better characterization than he does in the show), and it’s really funny! Unfortunately! It is also pretty racist! Yikes! That seems to be a reoccuring downfall for some of these older Belgian comics... I also tried reading the first book of Les Tuniques Bleues and aye ye ye… I couldn’t actually get through that one. That being said, these were older volumes and frankly, North American media was also real fucking racist at that point so I’m not gonna write them off either. I really liked most of this book, and will probably try to get my hands on one of the more recent volumes of both Marsupilami and Les Tuniques Bleues to see if they get better with time. (If you’ve read either of those series and have volume recommendations hmu)

The Pagemaster

I’m a sucker for novelizations, I have no excuse beyond that. I recently rewatched The Pagemaster and decided to read the chapter book. And it was a solid little adaptation! It’s about Richard Tyler, a young boy with a head for statistics which unfortunately means he lives in constant fear of (in his opinion, statistically likely) injury or death. However that fear is put to the test when he gets caught in a horrible thunderstorm and has to shelter in a nearby library with halls and shelves that stretch beyond the imagination and with untold perils hidden among the pages of the books. Richard, with only his library card and three novels that hope to be checked out, has to venture through the different genres and horrors housed int he library if he ever wants to find the exit and get home to safety.

Pumpkinheads

A very charming little graphic novel. Cute art, and really loveable characters. Josiah and Deja work every year at a local pumpkin patch, and are best friends during those weeks. However this is their last year working there before going off to university and as the last day at the patch comes to a close they realize that they both still have regrets. Deja sets off on a mission to avoid work, eat all the interesting snacks around the patch, and get Josiah to find the girl he’s been crushing on every year and has never worked up the nerve to talk to.

After being deprived of human contact for almost a year, this book really hits you right in the heart.

The Screwfly Solution

A deeply upsetting scifi/horror short story! I read it on the recommendation of a friend and, yes, can confirm that this fucked me up a bit. I honestly don’t even know what to say about this that wouldn’t spoil it, but frankly with everything being as it is, this hit a little bit too close to reality. (That being said, it was very well written, like this is a very good story on a literary level and it does exactly what it sets out to accomplish.) If you feel like reading twenty pages and being really disturbed, give it a go! Otherwise go and read any number of the much happier books on this list!

The Whipping Boy

This was a book I remember reading as a lit circle book back in elementary school and really loving. After telling myself I’d reread it for years, I finally sat down with it again. If you somehow got through school without reading this one, it’s about a brat of a prince and his whipping boy — since it would be unspeakable to strike a prince, when the prince misbehaves it is Jemmy who gets whipped. Unsurprisingly, there is no love lost between the two of them, because the prince is always intentionally causing problems that Jemmy has to suffer for. Things begin to change though when the prince decides to run away and drags Jemmy along with him. On the run, being chased by highwaymen, and desperately trying to hide their identities, these boys go on a fast-paced adventure beyond the castle walls. It wasn’t as special as I remembered it being as a kid, but it’s a fine little chapter book.

[the-bejeesus]

To Those Who Say “I’m not gonna catch up on One Piece until it’s finished. Why would I watch/read 1000+ episodes/chapters when I don’t even get to know how the story ends?”

      Now for the past few years, when I came across somebody who said this, my rebute would be something like “Well the series is great already. It doesn’t really matter if I don’t know how it ends, because the journey itself is enjoyable.” or “Man if that’s your excuse, who you gonna explain why you read/watch stuff like Berserk, Hunter X Hunter, JoJo’s Bizarre Adventure, and My Hero Academia? Newsflash, they aren’t done yet.” But it came across my mind that I can now apply a completely different approach:

“If you start watching/reading at this pace right now, it will be over by the time you catch up.”

      If you’re a fan of the series, you’ll know that for awhile now Oda has been saying that he plans to end the series in just 5-4 years. Now he’s made lots of claims in the past that turned out to be ridiculous. However, many One Piece researchers have compiled his claims and found out that they only get more accurate as time goes on, with the most ridiculous claims being found to be myths. And with the most recent claims of ending the series in less than 5 years, even his editors who are usually skeptical have started to trust that he can do this. After all, he has officially set there to be only one more saga (which isn’t necessarily one arc, but it’s either going to be 1-2 major arcs or an anthology of 5-6 shorter arcs). And now that we can trust this claim, we can essentially extrapolate how many chapters/episodes are left and what pace we have to binge to catch up at just the right time.

If you plan to read the manga (black and white):

The manga in black in white is a perfectly fine way to enjoy One Piece. It’s what Oda draws, it’s how he intends it to be viewed, and best of all, it will be the first version of publication to finish.

     Out of the 1223 weeks since the first chapter published in July 19, 1997, 1000 chapters have published, meaning on average he publishes 42 chapters per year, or in other words, there are only 10 hiatuses per year (including holidays where WSJ does not publish). Now if I wanted to be more accurate, I’d only look at the chapters published this year, to exclude outliers like how he had no hiatuses for the first 200 chapters, or how he had a 4-week hiatus during the timeskip, but 2020 has been a bit crazy, so we’re not doing that for this or any of the others.

     Going off of this, the final chapter would be chapter 1212 in December 28, 2025 (yes, the 28th would be a Sunday again.) So here’s how you’d calculate the pace in which you need to read One Piece, and really this is how we’ll calculate it for every version)

     Now I know math is boring, but the reason I’m showing this to you is because the amount of weeks until One Piece ends will vary based on when you start this binge. Chances are you aren’t going to start the day you see this post, and there’s an even greater chance you won’t see this post the day it’s posted. For every example I’m going to assume you started binging on December 28, 2020. Now let’s try to use it for this example.

     And there’s your answer, just read 4-5 chapters per week. By the end, One Piece should be nearly over or have very recently ended. To put that into a different perspective, you could purchase and read just two volumes per month and you’ll be at prime pace. Or you could read one chapter every day, but only on weekdays.  If you want to, you can see this calculation in action in graph form.

     While this is a very rudimentary graph, it’s a basic visualization of what we’re calculating here. We’re calculating what speed we need to binge to catch up at exactly the right moment. I say exact, but ultimately no one can predict how many chapters there will be exactly, nor how many hiatuses Oda will go on during it. It will be important, as you’re nearing the end, to find a spoiler-free way to keep up on how close One Piece is to ending. To know whether you ought to speed up or slow down.

If you plan to watch the anime (subtitled):

For years now people have hated on the anime “terrible animation!” “terrible pacing” but at the end of the day, it’s the more popular version. Or the more viewed version I should say. And personally, I think that once you acknowledge its problems and learn how to deal with them, it’s a perfectly fine experience. There’s enough good voice acting and enough good storytelling that you’re easily able to ignore the problems. Plus, the animation has substantially improved since Wano.

      Now for this we’re going to have to change a lot of variables to get this right. We’re going to have to adjust when publication started, and recalculate when One Piece will end by looking at how slowly the anime adapts the manga, and how behind it is. The anime aired on October 20, 1999, and has aired 956 episodes since then. This means on average they air 44.9 episodes per year, meaning there is pretty much only 7 breaks the entire year. With these 956 episodes, they have adapted 955 chapters, making the pace almost exactly one chapter per episode. However this is really inaccurate, considering all the better-paced arcs earlier on in the story. Looking solely at episodes 2012 and onwards, the anime adapts at a pace of 0.65 chapters/episode.

     Knowing that there are roughly 212 chapters left, and Toei adapts at 0.65 chapters per episode, we can assume that there are going to be roughly 324 episodes left. That sounds like too many, but keep in mind that there will be several, several instances where the manga will be on hiatus whereas the anime will keep on airing. Knowing there are approximately 324 episodes left, and that the anime only takes about 7 breaks a year, we can assume that it will take 7 years, or 374.49 weeks before the anime will end. So now we have the information we need to do the math again.

x = 1280/374.49

x = 3.417 episodes/week.

     It may seem like a more relaxed binge, since you get a whole 2 extra years to binge, and you only have to do 3-4 episodes per week, compared to the 4-5 chapters. But keep in mind that these episodes are 24 minutes each. Still not at all bad, but you will be spending more time on it overall.

If you plan to watch One Pace:

One Pace is a fan project that edits the anime so that filler and padding is cut, other edits will be made to make the anime more manga-accurate, such as reorganizing scenes, or adding title cards where absent. Originally only used by a niche number of One Piece fans, One Pace has grown in popularity, and has tried to improve its quality to accommodate more fans, such as making their episodes Dual Audio (meaning you can switch between the dub and original Japanese audio tracks), and including Spanish subtitles.

      You’d think we’d have to adjust for when One Pace began, how slowly One Pace catches up, and the works, but there’s not much to calculate. Fortunately for us, no matter how far behind One Pace is on editing the current arc, they always like to wrap things up just a few weeks within when an arc ended, if not the very same week. So really all we have to calculate is how many One Pace episodes there will be by the end of all this, so that we know how many you’ll need to watch per week.

      Looking solely at what they’ve covered so far, One Pace has taken 573 episodes and condensed it down to 259 episodes. That’s a pace of 2.21 anime episodes/ paced episode. Earlier we calculated that there would be 324 episodes of the anime left, making for 1280 episodes total. This would mean that there would be around 578 One Pace episodes by the end. And One Pace would probably wrap up in, let’s say 376 weeks, because as I said, they’ll probably finish editing the final arc a week or two after the last episode airs.

x = 578/376

x = 1.53 episodes per week

      Now that’s a relaxed pace. 1-2 episodes per week? That’s so slow, I’m not even sure if I’ll remember what I watched last week next time I watch some episodes. The only problem is some of the pre-timeskip still haven’t been edited. They’ll probably be done by the time they finish the final arc, but that’s not gonna work out fast enough. You’ll hit your first roadblock about 7 weeks in when you need to watch the Baratie arc and it’s not done. And don’t even get me started on how many arcs aren’t done in dub or Spanish sub yet. Hopefully you could just switch to the anime or manga when you hit these arcs, readjusting how many episodes/chapters you need to watch/read when you do. But that’s a bit of an excessive amount of math for something that’s supposed to be fun. So yeah, if you’re still convinced you shouldn’t get into One Piece until it’s ended, maybe this is the option for you.

If you plan to read the manga (Colored):

Since 2012, Shueisha has made a colorization of One Piece. It’s not a fan coloring, it’s as official as it gets. Many consider the color schemes portrayed in this version as the most canon, as the majority are pulled straight from whatever colored illustrations of Oda’s they can find. And quite frankly it makes the manga at least 10 times more beautiful. It’s especially great if you have trouble interpreting dense, small black and white panels.

      This one is a doozy. You’d think all I gotta do is calculate how far behind the colored manga usually and just adjust from there, right? Wrong. Because how far behind the colored manga is, or how frequently they release volumes in full color, is one of the most inconsistent things I have ever seen. You wanna see what I’m talking about? This is how they’ve chosen to release each volume since 2012:

Volume 1-12: July 15, 2012

Volume 13-23: September 28, 2012

Volume 24-63: December 4, 2012

Volume 64-65: April 4, 2013

Volume 66-68: December 20, 2013

Volume 69-70: August 25, 2014

Volume 71-72: September 16, 2015

Volume 73-75: October 4, 2016

Volume 76: December 2, 2016

Volume 77: March 3, 2017

Volume 78: July 2, 2017

Volume 79: September 4, 2017

Volume 80: December 4, 2017

Volume 81-82: March 3, 2018

Volume 83: October 4, 2018

Volume 84-86: August 2, 2019

Volume 87-92: September 16, 2020

     How I am supposed to find out how long it will take for Shueisha to colorize the final volume of One Piece is beyond me. I guess the first step would be to look at how far behind the manga each release was on average, but I’m going to ignore all the ones before 2013, because those were clearly just Shueisha catching up really fast cause they just started and didn’t want to be dozens of volumes behind forever. So of the 14 publications between 2013 and now, on average the last chapter of the last volume they colored was 97.78 weeks after that chapter had published in Weekly Shonen Jump. This means that if the final chapter of One Piece is chapter 1212 on December 28, 2025, then you can expect the final colored volume to publish November 14, 2027.

x = 1212/359

x = 3.37 chapters/week

     So if you prefer the manga but don’t want to read 5 chapters every week for 5 years, this might be a better option for ya. But yea, I have no doubt my prediction is at least a little off for this one.

If you plan to watch the anime (dubbed):

Unlike the 4KidsTV and Odex dubs of One Piece, the FUNimation dub is a perfect way to enjoy One Piece. The DVDs come with enjoyable commentary and a marathon mode, great for binging.

       FUNimation’s releases of the dub are inconsistent, although not nearly as erratic as the colored manga release. However, there was recently a 2-year hiatus we only just got out of. Since Episode 1′s dub in May 27, 2008, the dub has gotten as far as Episode 614. But that’s only looking at the DVD releases. If you’re willing to stream on FUNimationnow, the dub is as far as 641, and if you’re willing to digitally purchase it from an e-shop such as the Microsoft store, it goes all the way to Episode 654. With that being said, that would mean that on average, FUNimation dubs 1.004 episodes per week. Although if we go back to before the two-year hiatus so as to exclude it from the average, it’s actually 1.10 episodes per week. Not a huge difference, actually. And then if we look solely after the two-year hiatus, it’s actually 2.25 episodes per week, which is insanely faster. It’s hard to tell what the future of the dub will be. I can’t assume they’ll go this fast forever, so I’m just going to take the average of all 3 and say it’s 1.45 episodes per week. Don’t know if that’s the best mathematical approach, but the number seems about right.

     So knowing that the dub is at Episode 654 and looking at our previous guesstimation that the anime will be 1280 episodes long, we can predict that it will take 431 weeks before the dub catches up and ends. That would be in 2029! Sounds quick at first until you notice it’s 4 years behind!

x = 1280/431

x = 2.96 episodes per week

      Looks like it’s almost exactly 3 episodes per week. Not as much less of a workload as I expected, compared to catching up to the sub. You know, I figured those 4 extra years would make you binge a lot slower.

Final Thoughts:

      There’s a lot of my math that was estimation, approximations, extrapolations. Feel free to correct me or fact check me, especially if you plan on using this. I figured this would be a fun thought excercise. There’s also a lot of smaller variables I simply didn’t want to take into account because of how long this is already. For example, reading the black and white manga. The calculation can vary slightly depending on if you read it the day it’s published (which I assume would have to be a fanscan unless you can read Japanese), reading the weekly publication legally on Viz.com, waiting for the physical volume release. The dub can also vary depending on whether you buy from Microsoft, wait for the FUNimationnow release, wait for the DVDs, or wait for the Collection sets. So feel free to take this into account.

[jamboreeofsurprises]

alright, so forgive me the most typical question in existence, but: thoughts on rose of versailles now that you're done? and have you seen the anime? (also don't worry about the side stories, they're quite different from the actual manga both story and art-wise so skipping them is totally fine)

it’s not typical actually, i had no idea anyone cared to hear my thoughts XD;

Also no i’m not gonna skip the side stories because there’s still a whole other volume to come out and my collection-crazed self needs all 5 to feel a sense of completion and peace

!!So spoiler warning of course for The Rose of Versailles!!

really, what a stellar work of historical fiction this is. it manages to showcase riyoko’s insight on the events she is depicting (being a historical essayist herself on top of artist and writer) in a way that intrigues even me, someone who didn’t know jack about the French Revolution, enough to want to genuinely read more/engage with other media depicting this chapter of history, while also weaving its own, new story into the drama in the form of Oscar and how her life intertwines with Antoinette and Fersen’s. I don’t know how it read in the 1970s when it was published but reading it in the 2020s, it manages to portray the complex nature of class struggle and all the factors that lead people both rich and poor to do what they do in an empathetic manner. we both love and hate Antoinette for her actions as queen, but regardless, feel a pang of sadness at the life she has been thrust into by fate.

I will admit, in this final volume (4) the way André and Oscar get killed off so early on felt a bit unceremonious to me; i almost even lost interest following that not just because they were gone but because I was shocked it seemed over so fast, especially given the very melodramatic tone of the series, i expected more sentimentality over these deaths. but nope, they’re both just gone. unfortunately, i had it spoiled for me a long time ago that they both die, which I guess shouldn’t be that surprising given it’s a story about the French Revolution and most of the important characters die during it but something about it still felt weird. however, it picked up not long after as we settle on the final fates of the french royal family, the ending we all knew was coming from the beginning. i was a little surprised they actually showed the aftermath of louis xvi’s beheading, LOL. it wasn’t that prominent but I was like “wasn’t this published in a magazine for adolescent girls??”. METAL.

the drama is really terrifically done even if i understand it’s going to seem way over the top for people who aren’t used to oldschool shoujo, and that’s fair. But the way these emotion-focused pages are composed is just really gorgeous. ikeda’s artwork really accentuates the grandeur and ornateness of the period, and these freeform breakaways where characters express how they feel are standout moments to me.

my only big complaint with the rose of versailles at least with the manga is there’s sometimes tonal wackiness. tezuka did this too, part of me wonders if it’s just a matter of manga still being primarily seen as a kids’ medium in the 70s, but i feel like it was mere pages after a major character death that a few side characters were goofing off and i was like ‘not NOW guys....’ . it doesn’t happen often during the series but the couple of instances of it in this final volume made me like noooooooo...

I am watching the anime concurrent to where I am in the manga so now that I’ve read this it’s time to catch up and finish. I think the anime is a stellar adaptation if slightly abbreviated due to being only 40 episodes and the original text being quite rich. you can see how its directional style would be super formative to future anime, and the animation is quite tight and consistent for a show from 1979. i’m excited to see how it wraps up and what the differences will be from the manga’s conclusion!

so i overall really loved it. it’s a very engrossing read and not hard to see why it was/is so culturally significant, I can’t believe it took nearly 50 years to be translated into english. oscar is a true heroine for the ages. thanks for asking :)

[haleigh-sloth]

From what I saw of the preview, it has scenes from chapters 253 and 254 and it will probably adapt 255 too

Yeah

I think that’s pretty much what this person said

They’re making it to where the villain arc flows straight into the war arc

Which I guess we’ll have to see how that makes it look

Because you’re just gonna get done seeing these tragic backstories of the villains and then the war, it might not affect the sympathetic feel for them after all because those backstories will be fresh on watchers’ minds. But on the other hand, it’s possible that they fuck it up even more than they already have and ruin that too

But I’m going to just watch it as it gets animated and be OK with whatever. As long as it’s following the story of the manga it doesn’t branch off into its own thing then I’m fine. Which won’t happen, but you never fucking know these days.

[honeybeeadventures]

ALICE  IN BORDERLAND || a honeybeeadventures review

FULL DISCLOSURE: This review may be a little bit biased and that's gonna have to be okay this time because boy, do I LOVE this show.

If you're a fan of foreign tv shows and you haven't heard of Alice in Wonderland by now, then you may be living under a rock. This show, which premiered during the holiday season of the treacherous year known as 2020, is Netflix's most popular live-action adaptation to date. Yes, that's right, adaptation. That is because Alice in Borderland is based on the manga of the same name written and illustrated by Haro Aso.

This time, I will try to hold back all of my spoilers since this show is full of twists and turns and honestly, deserves a blank first impression going into it. I want to make sure that everyone who watches this show because of my review gets to experience it fully without my recapping the events haha. I will try to summarize without ruining anything, though.

Alice In Borderland is a Netflix Japan Original Adaptation of the manga that bears its namesake by Haro Aso which originally ran from April 2011 to April 2016. The show premiered on Netflix on December 10, 2020, and just 14 days later, a second season was confirmed by Netflix.

The show follows Arisu Ryohei and his friends after they witness fireworks in the middle of the day and are dropped into another world where most of the people in Shibuya are gone and the only way to survive is to risk their lives playing games that extend their visas and their right to live in that world. Every game is treacherous and usually ends with a loss of life, though some games do have finite solutions that can save players and preserve their well-being. Along the way, Arisu ( a name which is the Japanese way of pronouncing Alice, by the way ) meets a cast of characters that will seem fairly familiar to you if you've ever seen, read, or really have ever even heard of Alice in Wonderland by Lewis Carrol or any of its adaptations.

I typically talk about diversity when I review shows, however, as this is a Japanese show, it's not really fair or easy to judge them on that metric because of course, everyone in the show is Japanese ( as they should be since the manga is set in Tokyo ). However, I will say that in the show, there is a character who says that everyone is free to sleep with whoever they want, no matter what gender and there is also a character that is a part of the Alphabet Mafia ( LGBTQIA+ ... I should make a glossary for this blog lol ). While only one ( confirmed ) members of the Alphabet Mafia isn't a lot, it is based on a manga, and considering the manga is written/illustrated by a Japanese man who was in his 30s at the time, I'm gonna chalk that up as the progressiveness of Haro Aso while still wanting to keep his audience.

Now, down to what you really came here for. I'll list the scores below before we get into why I gave them these scores.

Originality of Content: 8/10

Production Quality: 9/10

Resolution: 6/10

Acting/Cast Members: 10/10

Ability to Keep Interest: 10/10

Provocation: 8/10

Obviously, this show did really well by my standards, and here's the breakdown so you can see why.

Originality of Content: 8/10

If we're being honest here, Alice in Borderland definitely isn't the first manga/anime based on the premise of playing a game to survive or get somewhere in the world ( see: Kakegurui, No Game: No Life, .hack//, Gamble Fish, etc. or Rengoku Dead Role which is actually...very similar to AIB ). However, despite this, it still feels like there's some strong originality brought to this concept. Combining the Japanese love for games and a classical western story gives Alice In Borderland just what it needs to easily become a fan favorite. As someone who really favors game-based anime and manga ( because I really favor game design ), I think that the way that Alice In Borderland is a refreshing nod to the genre.

There's a couple of reasons for this but I'll boil it down to just two. The first is that it's not predictable. The issue with a lot of the game-based animes that I'm familiar with is that they are fairly predictable since most games work the same way, but with Alice In Borderland that is different. The rules to each game that is played seem so simple that they seem deceptive but they also seem complex in the way that a riddle is simple yet complex. Every answer that first comes to your mind is probably going to be wrong and you need to think about it more deeply than that. Sometimes, when the rules of the game were being explained, I found myself wanting to pause to see if I could figure out the solution of the game, too, as I watched Arisu think of it, as well.

The second reason is that Alice In Borderland keeps things fresh with its cast of characters. Rather than some characters being evil because that's 'just the way they are', Alice In Borderland really speaks to the effect of the pressure that is put on young people to succeed and how that can end up in them being more mentally lost than they were, to begin with. It also highlights struggles with gender identity, self-worth, complex family relationships, and living up to one's potential. It does this in such a way that even when a character is downright evil, such as Niragi ( IYKYK), there is almost a feeling of pity for them. This isn't because you sympathize with their actions but more so because it isn't difficult to see how the pressure of life turned them into this monster that you are now watching there. I also enjoyed the fact that there wasn't as much dramatic irony in this show as in many others. While dramatic irony is never a necessarily bad thing, it was nice to genuinely be surprised when a character did something instead of knowing that someone was plotting behind someone else's back.

Production Quality: 9/10

This is a statistic that comes with an asterisk of context and that context is that before this, I had been watching Uchu Sentai Kyuranger and if you know what the production quality of that is like then you understand how it may have influenced this show's score a bit. Even without the comparison fallacy of the two, though, AIB scores high in production quality for one reason more than any other to me. For a show with a lot of blood and death, I wasn't unwilling to believe that these people had actually died. Yes, I'm sure that no actors were harmed in the making of this series, however, if I was a little more naive, I might've doubted that a bit. After all, Live Action adaptations are definitely not known for their believability. I will give AIB the benefit of the doubt in saying that this concept wasn't that difficult to pull off since most of the injuries were similar to what you'd expect on your typical action movie set ( compared to...you know...something involving sci-fi or fantasy) but even in the scenes where people get their necks blown off by explosive collars, it looked like they were nearly decapitated...the way that you would expect if someone's neck was blown off by an explosive collar. All in all, if you want to believe it, you will. It's definitely not a hard stretch.

Resolution: 6/10

Okay, okay, so if you've read the manga or have even glanced at the r/AliceInBorderlandLive subreddit then you know this is kind of an unfair score since...well, they're not done. There's more to the story and the eight episodes that we've seen thus far are only about a third of what AIB has to offer since the manga has two sequels, one of which will be finished on Feb. 18 of this year. However, I will see that statement and raise it with "What if it hadn't been such a great success?" I'm all for ending on cliffhangers to force the network or in this case, Netflix to continue your show but since the first season of AIB covers so much of the storyline, it almost feels wrong to end it short the way that it did. I did like how they had the big reveal of the villain at the end and the way they showed what was coming next but it did feel a little anti-climactic when I realized I was on the last episode since it seemed more like a mid-season break type end instead of a season finale. Since there is a sequel to AIB, I wasn't feeling too discouraged but it's definitely something to think about when watching. If you don't plan on reading the manga, you might be left content starving and questioning until sometime near the end of 2021.

Acting/Cast Members: 10/10

If I was just scoring this show on acting, then it would've gotten an all-kill because each and every single actor in this show from the side characters like Nijiro Murakami and Dori Sakurada to Kento Yamazaki who plays Arisu himself is beyond talented and amazing. It is important to remember that all of the characters in this show had a life before they were transported to the Borderland and in this twisted world, something about the changes that make them different than before so in a way, these actors are responsible for not only playing the characters but also the characters past selves before this growth period in which they change into something either completely opposite or completely different than who they were before.

Somehow, this cast manages to take characters that are already so established ( in the manga ) and become them to the point that looking at them within the role and looking at them outside of the role, it almost seems as if they are really two completely different people. As I said before, some of the characters in Alice In Borderland have a correlation to characters from Alice in Wonderland and have their own unique backgrounds on top of that. This gives to the depth of the characters and makes them dynamic but on top of that, it makes them complex, and yet, these actors seem to have the act of embodying these characters down so well that it astonishes me to see them in other roles and know that it's the same person.

I'll be breaking down my three favorite performances to give you a bit of insight on the reason why this show's cast is well-worth looking into.

Dori Sakurada as Niragi Suguru

So let's be honest here, as much as we all like to pretend that we're immune to someone being attractive just because they also prove to be an awful person, but if we're being honest with ourselves, we're not and I am most certainly no exception to that rule. Dori Sakurada is a handsome man whose good looks are only matched in quality by his amazing acting skills. If you're familiar with his work then you know exactly what I'm talking about and if you're not, then I'd recommend watching 3B no Koibito ( Available with English subs on Youtube ) or Scum's Wish ( Available on Rakuten Viki )  to get an idea of how varied this man's acting skills are. In AIB, he plays a character that is somewhat villainous and can almost be classified as your stereotypical movie sociopath. Yet, still, there's something intriguing beyond just his good looks. Dori Sakurada's performance breaths new air into the lungs of the character of Niragi by not only becoming the villain but also, by picking up the mannerisms and master gestures associated with the character that make him such a memorable part of the story. I haven't seen Dori's full Filmography but the character I have seen outside of AIB are a complete left turn from this character which makes me think that the casting director at Netflix Japan needs a raise for having chosen someone who looks so sweet to be such a villain.  

Nijiro Murakami as Chishiya Shuntaro

When it comes to characters that become scene-stealers, Chishiya Shuntaro is definitely one of them. This character is so powerful that I, even, named my cat after him. That is a fact of which I am not ashamed. From the second episode of the show, when we are first introduced to him, he becomes an integral part of the framework of the game he is involved in and it is obvious that we will see him again. That being said, there is no way to word Murakami's performance besides 'integral' as my friend put it, "I literally could not imagine anyone else playing this character." As Chishiya, Murakami takes on such a life and ease in the character that it's almost difficult to believe that the sly facial expressions paired with his nonchalant air are not in his nature and are, in fact, something that he donned for the role. I look forward to seeing not only more of Murakami as this character but exploring more of his filmography in general.

Aya Asahina as Hikari Kuina

Kuina as a character is someone that the protagonist does not meet until a few episodes into the show but when it comes to backstories and characters with rich personalities, she shines compared to a lot of other characters I have seen like her. I won't spoil her backstory for you since she's definitely someone who represents something that's a little bit rarer in stories from more reserved cultures but she definitely deserved a mention in this category due to her amazing acting skills and her flawless stunt scenes.

Ability to Keep Interest: 10/10 || Provocation: 8/10

While the rest of my stats got their own individual evaluation, these are going to be combined and the reason for this is because they have the same reasons for their scores. As I mentioned before, Alice In Borderland takes a new spin on the 'play games to live' genre that is so common amongst anime and manga and for that reason, it was able to keep my interest so much so I finished watching it over the course of two days. It was also a deeply thought-provoking situation because the nature of the games and the backgrounds of the characters forced me to think up my own games and my own ideas of where the characters whose backstories are not explained could've come from. That being said, a lot of the thoughts that the show provoked did end up becoming depressing, especially after reading the manga because I discovered that some games could not have had a better outcome due to their simple rules and that made me very sad because even if I am not attached to or fond of a character, I still do not enjoy their downfall.

Overall: 8.5 = DING! DING! DING! WE HAVE A KEEPER!

Overall, I enjoyed Alice In Borderland enough to have rewatched it one and a half times since I first watched it a few weeks ago. As someone who rarely goes back to shows that involve plot twists and suspense because I already know what's going to happen, that really says a lot for not just the storyline but also the acting and amazing intricacies that are in the show. I still feel like each time I watch it, I glean some new detail or fact that I hadn't thought of before and I come to understand the games a bit more with each passing scene or episode. I also feel that the more I rewatch the show, the more I sympathize with even the villains and come to value and understand their motivations and roles. 8.5 out of 10. I WOULD RECCOMMEND.

Thanks for reading!!

[teamseaslug]

My review of Vanitas episode three (and a blurb about episode two) under the cut.

I didn’t write a proper review for episode two as I had found it a bit underwhelming with not much to comment on. The combining of the chapters didn’t bother me too much as I didn’t think too much significant was cut out, but I did have a few pointers that I had typed out after watching the second episode. They were as follows:

-the Louis scene felt completely off. The tone was different, and I think Noé's expression was off entirely and it felt not at all the same. It was also WAY too long. They cut small details out of this episode but made this scene unbelievably long. -They cut out Luca implying that Vanitas is being controlled by the book, which I think was strange. I know it's fluff but I think there might be a nugget of significance in that later. - why was Riche just STANDING THERE!!!!!!! I know I complained about characters not fucking moving with the first episode but it’s going to drive me insane. -They removed Riche’s dialogue :( -Jeanne was lovely. I understand them cutting out the scene with the muggers, that’s not important at all, but I always thought it was a cool scene. I’m content to part with it, though. -Noé nonchalantly knocking Vanitas back when Jeanne was attacking fucking killed both my SO and I, I wasn't expecting that at all and my SO seems to like watching Vanitas ragdoll -SLOW MOVEMENT STRIKES AGAIN the scene of Vanitas flinging open the doors and then being threatened. He literally stood there for 2 seconds before they attacked. Why was there a pause. Please. -They also cut out Vanitas using the flashbang that the Paladins use which, of all of my “they cut this out” nickpicks this is probably the most important, as this hints at the past of Vanitas- and is relevant if this anime will go to the Catacombs arc.

Those were my notes of the second episode, everything else will be about the third.

The third episode by far has been my least favorite episode, and let me initiate this by saying I *do* like Vanitas as a series and I’m not just here whining about it not being absolutely perfect. However, I am still going to engage with the adaptation of something that I like with a critical viewpoint that isn’t “well it’s better than the ph anime”. I should also mention that I watched this with my SO who has never read Vanitas and is sort of acting as a fresh take on things, an outsiders opinion.

The episode was about three chapters long and it noticeably felt a little choppy, as even the person I was watching the episode with mentioned that if there were just more details it could have been two episodes instead of one. It feels like the anime is rushing a bit, while at the same time the animation for the fight scenes or physicality is incredibly lacking and really distracting.

Jeanne, by far, was my favorite part. I think she was done pretty well and I don’t have much else to comment on it. Her voice acting was good, she looks good, I like the gauntlet. The scene between her and Vanitas gave me the same reaction as when I read the manga, which was the intent. I liked that they didn’t change the tone of that scene too much.

I had felt that in the manga Amelia felt more like a plot device and less like a character and in the anime it feels like she has that stamped all over her. She has no sort of individuality to her and might as well not exist, and I felt that way even more so when watching the charlatan scene.

The charlatan scene I think was probably the biggest disappointment, I was not fond of how it was handled at all. It was very lame, not at all creepy or eerie, and I think that adding to it more or making the animation more fluid instead of just a flat scene would’ve really heightened the experience because this is the first time the main character comes into some contact with one of the most important antagonists currently. I felt like more of an effort could have been made to make it feel impactful but it came across as still and flat, like the Junji Ito anthology adaptation anime. Yes it’s *correct* to the manga, but it’s not good to look at in an anime.

That’s one of my biggest complaints- it feels like the anime is trying to be almost too accurate to certain scenes but it isn’t utilizing any tools that make anime adaptations good and thus comes across as incredibly flat and still. It’s focusing so much on getting it frame perfect but it loses all of the charm and fun.

Dominique is another disappointment that I am hoping very desperately gets fixed. I’m obviously not the first person to point out that she looks very low quality. I had joked before that “Domi in the anime feels like she was made by people who don’t like Domi” but that almost feels true here. She was completely rushed, chopped up, never shown with any amount of detail despite being a frequent character. The :3 face she made was cute but they cut out her flirting, any of her charm seemed to be washed away.

I’m not gonna whine about how the women should be cuter in the anime but I do think they should be more charming? Domi is a flirt who flirts with women but that wasn’t included, Amelia’s cleavage was removed in ep1, Jeanne’s appearance is inconsistent with the manga in ep2, but we get plenty of shots of Vanitas looking cool or whatever and Noé being a bit sexualized. I’m not saying go full ecchi with fucking panty shots or whatever but it feels weirdly sexless in a way that’s completely lopsided, no girls allowed. The two male characters can be as much eyecandy as they want but by GOD none of the women. I like women! Are you going to cut out Naenia kissing Chloe, too?

At the rate this is going I’m concerned the entire masquerade will be a single episode, lmao.

I enjoyed the scene of Noé submerging to read Amelia’s thoughts, though the blood splatter was.... weird. Where did it go? Where was it... supposed to be?

The music still holds up, Altus looked good. I liked the detail of all of the bats. I was massively disappointed of Domi’s “I came because I was worried about you” was just an aside piece of dialogue but again, that can go with my complaint about how Dominique was handled. The anime took Vanitas’ “you’re just a convenient female” to heart, it feels like....

Also, the OP is now on Spotify and I like listening to it still. My SO, as a newcomer to the series, pointed out the pacing felt a bit rushed, all scenes with Murr were VERY cute, the gauntlet was incredibly cool, and they enjoyed the scene of Noé going into Amelia’s memories. They reacted with pretty big disgust to Vanitas which was expected in this episode and called him a bastard. It’s nice that’s still the same lmao

[snkpolls]

SnK Episode 69 Poll Results (for Manga Readers)

The poll closed with 200 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

--

RATE THE EPISODE 193 responses

The anime continues on with it’s hot streak, with episode 69 receiving only 1 vote in the negative direction. The vast majority were very pleased with this episode. 

this time the pacing felt quite weird, specially with how they managed the flashbacks. sorry mappa, but for the first time i feel like this was a 7/10 episode

nice i guess.

Beautifully done

It was great especially the confession part hahah

I love MAPPA's takes on the series so far!

Overall, very good episode. MAPPA is doing a great job. 

i liked it!

A little iffy but still solid.

WHICH MOMENT FROM THE PRESENT TIME WAS YOUR FAVORITE? 194 responses

There were many significant moments in this episode, so we opted to divvy up the options. For favorite moments during the present time, Eren’s harsh tone with Hange garnered the highest amount of votes at 34.5%. Not far behind, 26.3% most enjoyed watching the 104th talk about Eren and what happened in Marley. Behind those two scenes were Hange asking Eren why he was talking to himself in the mirror (12.4%), and getting the small zevi crumbs at the end of the episode (8.2%).

WHICH MOMENT FROM THE KIYOMI FLASHBACK WAS YOUR FAVORITE? 192 responses

For the flashback where the Survey Corps meets Kiyomi, nearly half of the fandom (43.2%) were ecstatic to finally see the scene between Historia and Mikasa animated. 24% most enjoyed Eren’s rejection of Zeke’s plan in Historia’s defense. 14.6% were immersed in Hange’s dismay at considering making Historia continue the cycle of children eating their parents, and 12.5% were thrilled to finally see Mikasa reveal her tattoo to Kiyomi. 

Tfw you think MAPPA cut Kiyomi’s drooling scene due to tv lag and later you find out the scene was changed to something equivalent: O__O 

5head pixis made me laugh

WHICH MOMENT FROM THE RAILROAD FLASHBACK WAS YOUR FAVORITE? 193 responses

Eren’s confession at the end of the railroad flashback took the most attention from fans, with 41.5% enjoying that portion the most. 20.2% enjoyed the 104th all discussing who is most suited to inherit Eren’s titan. 19.2% got a kick out of seeing smol Armin chasing around smol Sasha, and 13% were happy to see Levi (and his annoyance that everyone is taller than him). 

Armin's :o face was just adorable! Had forgotten it from the manga

MIKASA REVEALS THE AZUMABITO CLAN SYMBOL AS A TATTOO ON THE TOP OF HER WRIST. THIS IS A RETCON FROM SEASON 1 WHEN WIT REPLACED THE BRANDING WITH EMBROIDERY INSTEAD. THOUGH THE TATTOO IS WHAT’S FAITHFUL TO THE MANGA (MIKASA’S MANGA COUNTERPART HAS ALWAYS HAD THIS), WAS THIS A GOOD DECISION ON MAPPA’S PART? 192 responses

When it comes to the tattoo retcon, opinions seem to be relatively mixed. 22.9% of respondents felt that the retcon was a good move, because they feel that faithfulness to the source material is the most important thing in an adaptation. 21.9% felt it was a mixed situation, because they appreciate faithfulness to the manga, but also prefer for things to have proper continuity. 20.8% agreed that it was a good move, but mainly because the embroidery was “lame and forgettable” anyway. At smaller percentages, 16.1% felt that it wasn’t really a big deal either way since the family symbol was acknowledged regardless, and 9.4% didn’t care at all.

Mix of 3 and last point

Yes because faithfulness to the source material is important and I don't think the existence of the embroidery means that the branding didn't also exist.

No: continuity issues in the anime, but Yes: the embroidery thing was stupid.

1) we never saw the embroidery being kept by mikasa 2) kiyomi could have thought they just found it and stole it from the shogun's descendants' tombs or something. we as manga readers know mikasa is truly a descendant of the shogun, but anime onlies would have thought it could be possible for kiyomi not to trust them. so a tattoo is the best choice

Yes, MAPPA made a good decision. The anime onlies probably don't even remember the embroidery thing anyway. 

Bruh, if I hadn't read the manga, I would've forgotten the Mikasa mom scene.

Options one and two.

HYPOTHETICALLY, IF ONE OF THE 104TH WERE TO INHERIT EREN’S TITAN POWER, WHO DO YOU THINK WOULD BE THE BEST OPTION? 191 responses

The notable majority of respondents feel that Jean would have been the best candidate to inherit Eren’s titan. At a distant second, people would opt for Armin to inherit Eren’s titans (perhaps because he is already a titan anyway). The rest of the characters were relatively evenly chosen.

WHICH “SHIPPY” MOMENT FROM THE EPISODE WAS YOUR FAVORITE? 193 responses

This piechart turned out to be very colorful. Nearly a quarter of respondents couldn’t choose just one moment, so they voted for “all of them.” Behind that, 14.5% most enjoyed the scene where Eren showed determination to ensure Historia wouldn’t have to be sacrificed, 13.5% swooned over Eren and Mikasa’s blushy glances at each other, and 11.9% most enjoyed Connie and Sasha’s increasingly awkward conversation about who’s the bigger idiot. 

I loved the Erehisu moments 

sasha and connie <3<3<3

Erehisu canon

MAPPA DIDN’T INCLUDE THE PART OF THE CONVERSATION BETWEEN ZEKE AND KIYOMI WHERE ZEKE EXPLAINS HIS PARENTAGE, WHY HE SOLD THEM OUT, AND CLAIMS THAT HE’S THE “TRUE ELDIAN RESTORATIONIST.” THOUGHTS? 192 responses

The conversation between Zeke and Kiyomi got shaved down quite a bit, losing the claim of Zeke being “the true Eldian restorationist.” 30.7% aren’t sweating about it and feel it’s something that will be included in a later episode. 27.6% feel that it’s removal isn’t a big deal. 18.7%, on the other hand, feel that losing that moment watered down Zeke’s characterization and would have preferred its inclusion. 8.9% don’t care. 

I feel it will be brought up next episode

I think leaving it out makes the moment with ksaver telling him to sacrifice his parents more impactful to the anime onlies.  

they may have prepared an anime original scene where this is explained, probably at some point. this chapter was loaded with tons of info

I think everything zeke is going to be saved for his big flashback after losing to levi

Maybe they'll include it at the part where Zeke has his flashbacks when he was injured by Levi.

MAPPA ALSO LEFT OUT THE PART OF THE 104TH’S CONVERSATION WHERE ARMIN THEORIZES THAT EREN WOULD BE IN CONTROL OF THE COORDINATE ONCE HE AND ZEKE MAKE CONTACT. THOUGHTS ABOUT THAT? 185 responses

Another dialogue that was axed this episode was Armin brainstorming about who would be in control of the Founding Titan if Eren and Zeke make contact with each other. 35.7% (a small jump from the previous question) feel that this, again, will be included in a later episode. 28.1% feel that its inclusion wasn’t wholly necessary. 18.4% feel that this fact was already obvious anyway, so it doesn’t matter. 10.4% feel that the anime will get to that point so quickly that the exposition isn’t necessary to begin with. 

Armin's motives don't necessarily change either way so I'm fine with the cut. I do hope it's mentioned later on though.

Every episode is only 25 minutes long, so some parts of dialogues need to be removed. 

I honestly think they're going to retcon this so zeke's reverse uno in chap 120 doesn't seem so wild

I do understand that they need to make cuts (and there's still to many manga chapters to fit in the rest of the season) but that one was really important bc they might not explain it fully later on

If they animate Zeke's backstory, it will be there. It would've been nice to show Armin still using his brain though.

DO YOU THINK EREN SEEMED MORE INTIMIDATING IN THE MANGA OR THE ANIME? 191 responses

Manbun Eren was introduced as being intimidating, cold, and generally mean. His outburst at Hange was the first of many examples of this behavior as he lashed out at them for having no good ideas. 65.4% of respondents felt that MAPPA did a much better job at portraying Eren as a much more intimidating figure than Isayama did.

IN RETROSPECT, DO YOU FEEL THAT EREN WAS TOO HARSH ON HANGE? 190 responses

Almost a total opposite from the previous pie graph, 66.3% of respondents felt that Eren was much too harsh on Hange, given the circumstances and their dwindling options.

DO YOU THINK THAT, EVEN AFTER READING CHAPTER 123, PARADIS COULD HAVE FOUND ANOTHER WAY TO RESOLVE THEIR ISSUES THAN THE PATH THAT EREN TOOK? 191 responses

One of the constant questions in the manga since the timeskip is “could there been another way?” 59.7% think it’s just a solid maybe, and that there’s no longer any way to know that now that Eren has stripped Paradis of all their options. 23.6% feel that the rumbling was the inevitable outcome against a world that would never give them a chance. 14.1% feel the opposite, however, and believe there was always another way, and that Eren didn’t give them enough time to figure it out. 

I wonder what would happen if eren talked about his future memories 

There is always another way than violence. The problem is that no one on Paradis was able to find it.

Maybe we will find out in the last 2 chapters, this might be correlated to a possible "the mist" ending that Isayama originally planned

Who even knows? All I know is that there was too much distrust, secrecy and mystery for anyone to get anything done before shit hit the fan and now here we are. I also think it was a huge mistake to keep Eren so isolated.

There's no good way and never only on path but eren choose one who solve the problem

WE’RE GONNA ASK THIS… WHO IS THE FATHER? 196 responses

The never ending debate of who the father of Historia’s child hasn’t slowed down since the introduction of her pregnancy, though the question has ultimately boiled down to whether the child is Eren’s or not. Only 33.2% of respondents seem to think so. 28.1% presumably feel that it’s not Eren, but are overall tired of this debate in general. 21.4% are firm in their stance that it’s the farmer. 13.8% just wish it had anything to do with Ymir and nothing to do with the other options. 

I’m tired of this whole damn debate... but it's the farmer

LEVI SEEMED MORE VISIBLY IRRITATED ABOUT HOW TALL THE 104TH HAVE GOTTEN IN THE ANIME. THOUGHTS? 192 responses

MAPPA animated this scene with their own take and made Levi more irritable in the anime adaptation than he appeared to be in the manga. Generally, half of respondents felt that both ways were effective and funny. 25.5% seem to enjoy MAPPA’s rendition of it more, while 18.2% prefer the original manga portrayal of Levi’s grievances.

THE TRAIN SCENE WHERE EREN CONFESSES TO HIS FRIENDS IS TREASURED BY MUCH OF THE FANDOM. DID MAPPA DO IT JUSTICE? 193 responses

For fans of the 104th in particular, this scene has felt like it’s taken 84 years to finally be animated. And very few were disappointed, with 56.5% stating that the scene was cute and they are content with it, and another 36.8% showing a little more enthusiasm, feeling that it was more beautifully done than they ever could have imagined. A handful felt it could have been better, but was still good, or just didn’t care. No one agreed that the scene was ruined.

DARK!CONNIE RETURNS! WHO DID HIM BETTER? 190 responses

Another highly anticipated moment… the return of Dark!Connie! MAPPA didn’t quite hit the mark on this one, with Connie’s aura in the manga still being much more preferable to manga readers than the way MAPPA portrayed him in the anime.

WHEN CHAPTER 108 WAS PUBLISHED, READERS WERE ASKED IF EREN STILL PRIORITIZED HIS FRIENDS. AT THAT TIME, THE MAJORITY BELIEVED THAT HE DID, ALTHOUGH THE LARGER HALF OF THAT MAJORITY FELT IT WAS TO A LESSER DEGREE THAN BEFORE THE TIMESKIP. WE’D LIKE TO ASK AGAIN, DO YOU THINK THAT EREN ULTIMATELY TOOK THIS PATH OF DESTRUCTION BECAUSE HE PRIORITIZES HIS FRIENDS? 190 responses

Overall, the majority of the fanbase believe that Eren’s actions are generally in the interest of his friends and their lifespan, though to varying degrees (38.4% feel he prioritizes them wholly above all else, while 34.7% feel that he prioritizes them, but to a lesser degree than he used to). 21.1% still think that Eren’s contradictory actions make it hard to come to a solid conclusion on this front. A handful feel that Eren has abandoned them completely and only cares about himself and his own freedom at this point. 

I want to believe that hes prioritizing his friends, but too many of his actions contradict that, like forcing them into the battle in liberio and sending titans after the alliance 

Eren wasn't able to save his mother and this fact still torments him. I think that his friends matter to him a lot, but there is something darker in him what causes all the mess he is doing. 

He’s selfish and doing whatever he wants.

DO YOU THINK IT’S POSSIBLE THAT EREN PUSHED HIS FRIENDS TO THE FRONT LINES BECAUSE HE ALREADY SAW IN HIS FUTURE MEMORIES THAT THEY WOULD STOP HIM, THUS KNOWING THEY WOULD NOT DIE? 188 responses

When chapter 108 was published, we hadn’t yet learned that Eren saw memories of the future and so we couldn’t speculate on such a thing. Now that we can, we thought we would ask. 42.6% believe that regardless of whether Eren saw his friends in those memories or not, Mikasa is correct in her belief that Eren simply trusted them to survive. 33% feel that he already knew that they would survive, which is the only reason why he dragged them to Liberio in the first place. 18.6% don’t want to say either way, and a small percentage believe Eren had no way of knowing about the fate of his friends. 

He said "I HOPE they will have happy long lives". It means he didn't see much.

WILL WE SEE THE WARRIORS + MAGATH AND COLT NEXT EPISODE? 187 responses

With things shuffled around, we still have yet to see the Warriors recuperating and planning their next move. Half of the fandom feel that MAPPA was waiting to put the focus back on Gabi and Falco before giving us this moment. 32.1% aren’t sure if we will get it in episode 70 or not. 14.4% think it’s something that will come later, and a tiny fraction think it will be cut entirely.

Need my warriors back

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 193 responses

The largest percentage (48.2%) went to the scene with Hange confronting Floch and the Yeagerists, though it is edged out by both of Gabi and Falco’s preview scenes combined (42% for the visit to the Blouse’s, and 9.8% for their scuffle at the river). 

Can't care less about to gabi and falco, it's the final season cut the filler please.

ADDITIONAL THOUGHTS ON THE EPISODE?

I miss Sasha

No thoughts, anxiety only. 

Hope to see the cut scenes in the next episode

Maybe I'm the only one, but I'm not so hyped for this season anymore. Sure, I'll still watch all the episodes no matter what, and I don't think Mappa is doing a bad job. But it's just a good adaptation. For the anime-onlys, I'm sure it's great because they're discovering the story we already know, but for me, this season doesn't add much to the manga. I probably had too high expectations for this season... (I'm also watching/reading Jujustsu Kaisen from Mappa and I don't have that feeling at all, so I'm pretty conflicted)

The episode was fine but I had a feeling that it was going a little too fast. However, I'm not complaining because I overally liked it. I could finally see adult Historia. She looks different than her manga counterpart. In the manga she was more mysterious and mature, while in the anime she still has cute baby face. I think that the moment between her and Mikasa was sweet. I feel kinda tired of the whole "who is the father" theories. I think that people waste their energy on fights and debates. If I wasn't part of the fandom, I wouldn't even think of Eren having a child with Historia. They never had romantic relationship and their last conversation was far away from being loving. Eren is an amotional mess. He has never mentioned the child in his POV, he says that his friends and Paradis are the most important, so I will be surprised if all of sudden he turns to be a father.

The lightning around eren when angry at hange was amazing addition (I think it's new) and historias situation feels more real in the anime. (ps: hail ponytail mikasa is bea)

Did a great job imo, but I don't think it's possible to make it anywhere near 122 at this point

Scenes were great as usual. The pacing was a little bit jarring though. I don't know how anime-onlys will take it since we do have different perspectives given our forehand knowledge of the events.

Where's shirtless Reiner??

Good episode, can’t wait for Gabi and Falco’s realization next episode 

I wish everything from the manga could fit into the episode or that the episodes were longer.

There's really no where else I could've put this so I'll just put it here......lol. I feel like it's not as obvious in the anime how much longer Jean's hair has gotten sometimes (specifically during the railroad scene here) and I wish that wasn't the case.

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 180 responses

Thank you to everyone who participated! 

[retrosofa]

I downloaded the Tubi app on my TV and I’ve been watching/revisiting a lot of anime.

Lupin III: The original, green jacket series. Despite only being 23 episodes, I always ended up dropping this series. I don’t know why. I love it, but something always happens and I stop watching it. This has going on for over 10 years. Anyway, I finally finished it last week! While red jacket will always be *the* Lupin series for me, green jacket isn’t far behind. I think the stories are a bit more interesting, and I really love the more somber, adult mood of the first half. The Miyazaki episodes are really good too, but I missed the pulp aspect from the earlier episodes. I also really dig the roughness of the animation, and the music is top notch. The episode with the time traveler was my favorite. I think Lupin is at it’s best when the plots are surreal and trippy.

Ronin Warriors: OH BOY. I haven’t actively watched this show in AGES. I originally watched it as a kid when it was on Toonami. The dub is really impressive. Aside from some weird name changes, it’s virtually uncensored and has a pretty faithful adaptation. It’s funny to me how series like Dragon Ball Z, and Sailor Moon were so heavily censored and Ronin Warriors was like “fuck it, who cares?”. The series still takes place in Japan. Most Japanese names are kept. Original music is still there. Characters can mention death and even die. There’s even nudity left in! Killer. I will say, the first story arc is INSANELY dragged out. But the characters are a lot of fun, especially the villains. Also this series terrified me as a child (namely Talpa and his nether spirits) and still kinda does. Kento is bae.

Alien Nine: I watched this as a teenager back in the day, and I barely remembered it. I rewatched this last night. The premise is good, and the production values are nice (I can’t believe this is early digital animation, because it looks REALLY good, aside from the CGI). But, the series is definitely catered to grown men who enjoy watching young female characters suffer. Like I’m sure grown ass men who loved this, went on to adore shit like Madoka. It’s a shame because it’s a pretty good series, but the creepy loli aspect is hard to ignore. I don’t think I’ll pursue the manga.

Galaxy Express 999: Another series I’ve seen bits and pieces of, but never finished. I’m on episode 5. I love almost everything about the show, but... the writing kinda sucks? At least after episode 1. I thought the first episode was great, but the following episodes have had really bad pacing. The episode with Clare being a prime example. Apparently it gets better, so I’m gonna try to stick with it. The animation is also kinda... eh. I’m used to inconsistent animation styles, but it sticks out wayyy too much here, mostly because it’s a Leiji Matsumoto series. Maetel goes from looking like a Leiji-style heroine to a random anime girl on and off. It’s jarring.

Devilman Lady: I binged the first half of the series a couple of months ago, and I’m resuming it now. This is such an underrated series. It feels more like an adaptation of Devilman, rather than the Devilman Lady. The new transfer is beautiful. There are a lot of unintentionally funny scenes (Jun buying a bunk bed for her and Kazumi, LOL) but the show gets legitimately scary in places. The soundtrack is well done, AND utilized perfectly. Konaka needs to do another horror series.

Anyway, just my rambles on what anime I’m currently watching!

[chidoroki]

Emma - 63194

So, it’s August 22nd, otherwise known as the best day of the month because we get to celebrate Emma's birthday! I feel like she doesn't get enough credit, especially as a shōnen protagonist, probably because she's just a normal kid compared to others with overwhelming powers/magic/quirks/etc, but I think that just makes her feats all the more interesting and amazing. So, here I am, ready to praise the hell out of everything she's done, what she's capable of, and who she is on her special day.

(spoilers for the entirety of The Promised Neverland, so if you haven't read/completed the manga yet, consider this your first warning, because I'm literally going from start to finish with this.)

This is gonna be one hell of a long post, so here we go.

- She's one of the smartest kids at Grace Field, alongside Norman and Ray, who all get full scores on the house's daily tests, which is by no means a simple task.

- This is thanks to her ability to learn things quickly, which she puts to the absolute best use throughout the entire story.

- She's undoubtedly the most athletic out of the full-score trio, as she can pull off a leap like this with no issue!

- I gotta give her voice actor credit here because her scream at the end of EP1 is simply fantastic.

- She noticed the windows in the house were screwed shut, which reinforced the idea that the kids were merely raised like cattle. (Ray was also aware of this, of course.)

- Suspects the use of tracking devices. (The anime had Norman voicing this realization, so whoever you want to give the credit for this is up to you.)

- Believe me when I say that her acting skills are top-notch.

- She's so good that she was able to control her emotions enough and even regulated her pulse to fool Isabella.

- This! Just all of this. Her crazy ideals, her never-give-up mentality, her ability to stay optimistic and strong despite everything they're up against.. just amazing.

- She always thinks of her family first. (she honestly rarely cries too, now that I think about it.)

- By using what she overheard from the demons at the gate and the “blood tests” Isabella once told her about, Emma was able to figure out where the tracking devices were located on her own. (Yeah, Ray knew of this too, but he kept that info to himself.)

- She then created a situation that allowed her to confirm this and that yes, Isabella is indeed always checking their trackers.

- It was Emma's idea to train the other children by playing tag. Not only did this help them during the escape, but afterwards as well.

- Takes advantage of every opportunity to learn. (also, the strength she has!)

- Amazing learning ability x2 (I'm aware the manga says 10 instead, but still! I bet she could memorize 100 too!)

- She believes in everyone and makes Norman realize that no one in their family is truly bad and that leaving anyone behind, even the “traitor,” could cost them their life.

- She called Ray out on his bluff about him actually being willing to help everyone escape.

- Then confronted Ray about the possibility of him experimenting on the tracking devices of their siblings, thus resulting in their early shipments, which is something Norman didn't even realize, if his surprised expression is anything to go by. (Emma scolds him and hides her anger well, though she only stays mad for like, a minute.)

- She, along with Gilda, notice Isabella disappear every night after 8pm, leading them to assume the house might contain a secret room. They eventually pinpoint where it's located. (Ray suspects such a room must have existed, but wasn't certain.)

- Introduces the boys to William Minerva's books and the morse code bookplates they held, which the trio all know how to decode and understand. (I know Phil pointed them out to her originally and manga Ray was also aware of them, surprise, but..) the hunch she had about the two special books being important guides for them turned out to be true later on after the escape.

- Accepts her mistakes and is quick to apologize when she's wrong.

- Thank you anime for giving us these wonderful lines.

- Has her leg broken and yet she doesn't shed one damn tear. (the horrific sound still haunts me.) Ah, might as well also mention this now, but her theme, 63194, is one of the best songs on the soundtrack.

- Once again caring about others more than herself, as she was ready to destroy her leg/foot even more if it allowed Norman a chance to escape.

- This absolutely amazing moment right here! Easily one of the best panels of her by far!

- Used what she heard from Krone and spent two months hiding her emotions and plans from Isabella. Learning ability & best actress x10.

- Isabella actually believes this. Seriously, someone give Emma an award. Best actress x50.

- Do y'all know how strong physically, mentally and emotionally this girl must be to cut off her own ear? I know she was in a rush to escape while Isabella was busy with the fire, like she literally had about ten seconds (anime) to remove her tracker, but damn! Not once does she ever cry over it either. May I remind you she's only 11!

- Stops Ray's suicide attempt by catching the match, thus burning her palms.

- It was her idea to let the other kids know of the escape, which helped in proceeding with the preparations behind Isabella's back.

- I love Ray x fire jokes as much as the next person, but we all know who the real pyro is. More props to her voice actor again for the scream that follows!

- Successfully carried out Norman's plan and escaped Grace Field with 14 other children.

(post-season one spoilers beyond this point)

- Keeps her cool in dangerous situations, which helps calm down the younger children. Also fairly knowledgeable of the books from Grace Field's library, such as “The Adventures of Ugo,” which came in handy in the demon forest.

- Remains positive and completely hopeful after learning the truth about the demon world they're living in from Sonju.

- It only took three days for her to become proficient enough in archery in order to hunt successfully. She apparently also knows how to use a harpoon (ch49) (but I don't think we ever see that, sadly). Learning ability x20.

- She also didn't panic when she was held at gunpoint. She stayed reasonably calm and forced her way free instead.

- Didn't even flinch when Yuugo's bullet grazed her cheek.

- Can she just get a round of applause, please?

- Emma is just so fearless. Gun to the head? Knife in her face? Doesn't matter. She'll threaten you right back.

- Kudos to her learning ability yet again x50.

- Her quick reflexes and accuracy are phenomenal.

- Of course, cue the talk-no-jutsu skills that every shonen protagonist is undoubtedly skilled with.

- Even Lewis knows at a first glance that our girl is good. Takes a lot to receive praise from this demon.

- Offers herself up as bait to lure the poachers away from the other children.

- Literally cares for anyone, as she helped countless kids she didn't even know during her first hunt at Goldy Pond by keeping them safe.

- Thanks again to her knowledge of the “The Adventures of Ugo” novel, she was able to locate the memory chip for the pen that contains information about Minerva's supporters, the paths to cross over to the human world, Goldy Pond, The Seven Walls and Project Lambda 7214.

- The damn skill she has in handling guns in the matter of two weeks is astonishing.. and she's still only 11.

- Informed the Goldy Pond kids on how to accurately aim for the demon’s center eye, which greatly helped them take out the poacher Nouma.

- She has the audacity to taunt Lewis right back and I love her for it. She also offered to stay behind in order stall Lewis on her own, despite knowing he's the most dangerous of the poachers.

- When the talk-no-jutsu towards the crazy demon fails, she summons a wide array of guns against him, because why the hell not, right?

- She once admitted that she was no good at reading an opponent's moves, but after watching many people in her life who are skilled in such a way (Norman, Ray, Isabella, Krone) and thanks to the knowledge she recently leanred about Goldy Pond, she manages to catch Lewis off guard and electrocute him. Her level of adaptability is wonderful. Learning ability x100.

- Can we all just take a moment to obsess over Emma's Goldy Pond outfit because it is fucking fantastic! She just looks so damn good! (I owe Demizu my life for this.)

- Actually manages to get Yuugo to call her by her real name after he was so adamant to no learn them or get attached to the kids.

- This bright smile adds five years onto my life.

- She’s the first to notice the disadvantage demons have with regeneration, which ultimately leads to their winning strategy against Lewis.

- She somehow survives this. (plot-armor, I know, but goddamn!)

- Now presenting, the exact moment I fell in love with Emma, because holy fucking shit! Not only does she survive getting stabbed like that, but she gets back up and continues fighting! Can I get a big ol' HELL YEAH!!

- She busts out the pistol with the trick shots she's kept hidden this entire time until the very right moment, effectively taking Lewis by surprise and granting Yuugo a clear shot to his middle eye as the demon stands defenseless against the shower of bullets.

- Emma's influence over everyone else is so powerful. We see it many times throughout the story, but because of her, they all accept that the impossible is possible, everyone is worth saving, and to never give up. This is especially amazing to witness in scenarios with Ray, since Krone once said that his weakness was that he's "a little quick to give up. He makes a decision fast but abandons other just as quickly."

- Because of everyone's assistance, they were able to destroy Gold Pond and rescue over 60+ kids, which probably wouldn't have happened if it weren't for Emma presence at the hunting ground in the first place.

- Not to discredit Ray, because I'm sure he did a fine job of cauterizing Emma's wounds, but she did survive a day and a half with a low blood count. (She was unconscious, sure, but her body didn't give up either.)

- Finally wakes up from her coma a month later and the first thing she's concerned with is the safety of everyone else.

- I swear, this girl has a heart of gold, but we knew that already.

- Doesn't let her missing ear hinder her at all, just adjusts how it would function normally in her daily life.

- Memorized the many maps found in the shelter's reference room alongside her siblings. Learning ability x125.

- She's capable of taking out three wild demons in the matter of seconds. Accuracy and speed on point still on point.

(Ah post-timeskip, just a little over halfway done now.) - Will not hesitate to jump in and save someone, regardless of the danger to herself.

- No 13 year-old should have this amount of pressure on their shoulders, but I'll be damned, she handles this and so much more well.

- She pushes aside her own anxieties over losing the shelter, those two boys and possibly Yuugo and Lucas and decides to lift the spirits of everyone else instead.

- Y'all see this demon? Do you think she cares? Not one bit! All that matters is her family's safety and she'll do anything to preserve that. We stan one reckless girl.

- Doesn't cry over the deaths of Yuugo and Lucas (at least, I don't think she does? She appears more frustrated here than upset.)

- She can pick up on how others are feeling, even if they're trying to hide it. (also does so several times to Norman (ch30, 128,153) and even to Yuugo (ch64))

- Is the first to volunteer to sneak into the mass production farm guarded by demons in order to retrieve the medicine Chris needs.

- Honey, how are you not screaming for you life right now?

- Official translation has Hayato saying “The Boss is saying he wants to meet you,” but I feel like this unofficial one here conveys the exchange between Emma and Oliver better. Their large family has children who are older and more experienced as a leader than Emma, but they all choose to follow her.

- Just a casual reminder of how strong our girl is. (She even beats out Ray and Don in terms of strength too.)

- I probably only find this impressive because I love my sleep, but she wakes up at 6 in the morning. Always. Without fail. For thirteen years. Then panics the one time she actually oversleeps.

- She knows every life is precious, no matter who or what they are. Also doesn’t want to follow Norman's civil war plan, which is good, because damn that's a bit extreme. Doing so would only create more fear and hatred.

- Say it louder.

- LOUDER!

- Agrees to go and find out more about The Seven Walls in hopes to stop Norman's plan, despite the many risks. Can she really arrive at TSW? What's actually there? Could she even make a new promise? Will she be able to return afterwards? There's a bunch of unknowns, but that won't stop her. (“Simple?” “It is simple.” That line kills me every time.)

- TSW proved to be very mentally exhausting but she and Ray did survive all the craziness they faced while trapped there.

- Due to her unique way of thinking, she managed to remain sane and was able to figure out how TSW worked, which is something even Ray couldn't quite comprehend.

- Because of that, she was then able to finally meet the bastard demon god.

- Thus allowing her to..successfully.. make a new promise. (Ahhh)

- Best actress x500 (damn damn damn!)

- Honestly, have they practiced this before or is her athleticism just that superior? Either way, she never fails to surprise me.

- Isn't afraid to speak the truth and put one of her best friends in their place.

- But manages to (somehow) forgive him, after his plan successfully killed the queen, the demon royals and poisoned the capital city, which forced the nearby demons to degenerate.

- Her optimism knows no bounds.

- She & everyone else were able to infiltrate Grace Field which is not only guarded by demons but the Ratri clan as well.

- Just how? I know your athletic but wow!

- The woman who shipped out so many of Emma's siblings and broke her leg now holds a gun to her face and yet our girl doesn't look panicked in the slightest. Girl, how are you so brave?! Holy shit. There's no fear in those eyes, only anger.

- AND she ends up forgiving her! After learning Isabella betrayed Peter and realizing that all the mothers and sisters are also fighting for their freedom, Emma gladly accepts Isabella's assistance. (Best mother daughter moment I've ever seen.)

- The entire talk-no-jutsu she pulls on Peter in ch172. She's angry, even downright hates the Ratri, but she refuses to get revenge for all the trouble they've caused to her family and friends by killing Peter. She admits the clan's actions can never be forgiven, but she still shows sympathy because she knows they were also suffering due to the world and roles they were born into.

- We find out that Emma worded the promise perfectly which allows every human raised as food to cross over into the human world. Truly thinking of everyone as per usual.

- She kept her promise to Phil and came back for him and the rest of the children she had originally left behind at Grace Field.

- Again, showing no hesitation to save someone she barely knows, even when unarmed.

- Pretty sure I was in literal tears at this point of the chapter, so kudos to her for making me bawl my eyes out. Aahh, she's just so forgiving and her heart is so big.

- Best actress x9999 (*screaming internally*)

- SHE LITERALLY SACRIFICES HER OWN HAPPINESS SO EVERYONE IMPORTANT TO HER CAN LIVE IN PEACE AND BE HAPPY!!

- She loves her family so deeply that even without her memories, her heart still remembers them. (it makes me cry too, hun, it's okay.)

- She has a heart literally made of solid gold. Of course she can't refuse the bastard's reward, but still accepts it with a smile on her face knowing that all humans and demons, of the present and future, can now live freely without any fear. She completely ended the tragedy that persisted the last 1,000+ years and changed the world like she set out to do back in ch4. Sweetheart please, you're anything but selfish.

- She has the most precious family on the planet. Her influence was so strong that they searched endlessly for two years just to see her again, by never giving up or doubting her words back in ch178. They're beyond happy when they do finally find her and are a bunch of sweethearts who accept her no matter what.

- Ahh, I just really love Emma okay? She's honestly one of the few protagonists I actually enjoy. Happy Birthday again to this all-around amazing girl and I can't wait to see her in action in future anime seasons!!

(congrats, you've made it to the end. i apologize if i missed any other moment worth mentioning, but yeah, i think this is enough for now.)

[waywardfacegarden]

What is your ult fav anime and ult fav otp? You can only choose one *evil grin*

First of all, thank you so much for the ask!!!! I love getting asks, it always makes me so happy when people are interested in me, haha🤣💜 Second of all, the answer will be under the cut because... it somehow got too long... but I mean. You can’t ask me about ships or anime and don’t expect that with how much I babble here all the time about those things specifically, LOL.

So, anon, I hope you don’t mind me giving you an almost-essay as an answer to this!!🤣

HAHA, anon, you are evil!!!! bUT. I actually have an answer to this!! Haha. I didn’t need to think about it, either! As much as I absolutely love and die for a lot of animes, I always tell people my favorite favorite anime is Erased/Boku Dake Ga Inai Machi. I read the manga later and well, the manga is even better!! The resolution of the conflict, the background of the villain, the story is much more developed/better explained in the manga, but even when the anime is not a super amazing adaptation, I still think it did an amazing job!! The reason(s) of why this is my favorite anime is(are) simple: I love every single character (except. you know. the evil ones, haha). I’m usually not that attracted to protagonists, but Satoru has my heart in his hands. I’m so attached to him. He’s selfless, smart, tries his very best and loves so deeply. I absolutely love how the author managed the women/girls in the story, too. I started watching it without knowing a single thing more than “oh, he’s trying to solve a murder” and OH BOY, did I was surprised with the very first episode!!! Never ever have screamed so much and lose my shit that much with a first ep, and that’s saying a lot asjdkasjd. Maybe it was because I didn’t know a single thing, but either way, I was obsessed since the very first seconds. I love the villain, even when people say it was “obvious, lazy or predictable” since the start. I love Satoru’s mom. I love how it is dark and sad but just the right amount. I love how much it made me feel. I sobbed, and screamed, and laughed, and almost wanted to break my laptop while watching, too, lol. It seriously is an amazing anime. The characters, dynamics, the plot, everything was so well-done! I would die for the kids, for Satoru’s mom, for Airi. Their dynamics make me melt. The writing is fantastic!! I feel like time-traveling and solving murders are delicate things that, if you don’t know how to handle, are gonna fail you. If you don’t know how to connect things, the story is not gonna feel rewarding, it’s going to feel confusing. But with Erased, everything made sense and connected until the end, which is something I’m obsessed with. Add that to the freaking stellar animation, the aesthetic of it (I still love the subtle change in colors/that black framing in the “past” asdkajf), and the fact that I’m so, so, sooo weak for thrillers + science fiction-ish and kids as protagonists, lol. So, yeah, anon, that’s my fave anime, even when I love, love, love, LOVE a lot of more. I could talk about like, maybe 30 animes with so much love it would amaze you, lol. And that’s just talking about anime, ohhh how many mangas do I love, too... But yeah!!! Even if I don’t talk about this anime enough on here, I think is criminally underrated, and I talk about it to everyone irl I know, lol.

About my favorite ship!!!! HAHA, the thing is. I have like 500 ships and I probably would die for like. 100 of them. Easily. I even have my top of faves, tbh, haha. But my ultimate favorite ship is sasunaru/narusasu. Maybe it’s a very “basic” answer, I don’t know, lol, but I seriously think they always will be. I won’t talk so much about them because then I’d never shut up and this answer is already so long ajsdkadj (I feel like that twitter thread that is like “okay, i’ll try to be brief (1/475)” LOL). But the reason why they are my fave is because I’ve never became this obsessed with a ship before. They were the first ship I felt so deeply for. They had me since the very first eps and continued to rip my heart out, to made me FEEL so much for both of them; for their longing, for their yearning, for their love for each other. The fact that they’re two broken boys who found the connection they so desperately craved for in each other? The fact that Sasuke taught Naruto, a boy who was hated all his goddamn childhood for something he didn’t even know about, what love was, what sacrificing yourself for someone was, what caring was? The fact that Shippuden is about Naruto so desperately trying to understand, trying to make Sasuke understand, and loving Sasuke so fiercely back (without giving a damn about what other people said, without giving up on him, saying that if being smart meant giving up on Sasuke than he rather being dumb all his life)? The fact that the first part of Naruto is about Sasuke doing all those little things and making Naruto feel validated, loved, cared for, seen? And then Shippuden is about Naruto screaming into a void, trying to tell Sasuke “I love you, too, I love you back, as deeply as you did, and I want you to know that even if I don’t understand, I want to understand, I want to be there for you, I care for you so much that just the very idea of you being dead or hurt gives me an attack; I want you to be okay, and I’m never giving up on you”?? The fact that I still sob like a baby every time I watch ONE minute of that last battle and the fact that Naruto answering Sasuke to “you’ve been saying that all the time, but what exactly... does that (being your friend) mean to you?” with “even if you ask me, I can’t exactly put it into words. I just... when I saw you hurting, it... kinda... hurt me, too. So much that I couldn’t stand it, that I couldn’t just leave you alone” STILL KILLS ME LIKE THE FIRST TIME EVERY SINGLE TIME I HEAR IT. LIKE GOD. MY HEART CANNOT. It’s just so emotionally rewarding seeing they make amends at the end and also discover how the other has been loving the other back just as deeply as they did. -- They’re also just a bunch of tropes I love piled up together, tbh, and the kind of characters I love having paired up. The tsundere-ish kid with a dark past, that’s so kind and so selfless and loves so deeply that it breaks him plus the kid with the tragic backstory that’s basically The Sun itself, a bit dumb but also so caring and so cool, and the one that makes the tsundere-ish boy’s heart go all doki doki. Idk, I just love my rivals trope, my “could have been childhood friends if they just had the courage to talk” trope, the “I care so deeply about you and love you with all my soul” trope, piled up with so many emotional layers and so deep emotional connection??? Oof. They’re just my very first ship and the one that practically owns my heart and soul. They have so many layers and they hurt me but also melt me and heal me and make me fall in love with their raw, pure love. They’re soulmates, your honor. Haha. They just... really make me feel so much, I can’t quite explain it. As much as I love, love, love, LOVE all my ships, they’re... different, I guess. They even made me write for them. My very first fics, my very first tryings/attempts to write was for them. And to be honest, I was obsessed with Naruto for such a long time... (maybe because it was my first anime LOL). Sasunaru/Narusasu and all their moments (that I kid you not, I remembered like every little thing in the 700+ eps, even with the NUMBER on which ep it happened, of them. The exact lines, too.) was like, everything I talked about for like. Half a year or more, LOL, and my mom wouldn’t let me lie, she knows. After school, I was in the car and was mentioning for the 50th time that moment Sasuke recognized it wasn’t Naruto in the Chuunin Exams bc Naruto used the kunai in his other leg. LOL. I was eating and I was talking about the battle of the Valley of the End. It was dinner and I was talking about that ending with the lyrics “please kiss me, please kiss me all night”. I just. They’re so important to me. They mean so much to me. And I know I said I was going to be brief so I better shut up now ajsdkajsd. But, yeah, they’re my favorite. :’)