Henry Ossawa Tanner (1859-1937)
"The Young Sabot Maker" (1895)
Oil on canvas
Located in the Nelson-Atkins Museum of Art, Kansas City, Missouri, United States
The painting depicts an older man proudly watching a boy push with his weight against the crossbar handle of an auger to carve a sabot, or wooden shoe.
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#WorldLionDay fashion 🦁:
Sandal Pair: Lions
Asante, Ghana, 20th c.
Leather, W 9 x L 15 in. (22.9 x 37.5 cm)
The Metropolitan Museum of Art, New York 1999.47.104a,b
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ive mentioned before my like. fascination and incomprehensible attachment to mysterious ambiguously brown man characters in schlocky fantasy romance media marketed towards women and a lot of it is from like, a like. nearly anthropological standpoint as someone heavily interested in orientalism in narrative media from a visual culture and art historical point of view and a part of it is also from being mixed race and ambiguous IRL LOL BUT there is one other angle i havent really touched on thats on my mind a lot. you know that bit we all go through where someone reads something like mediocre and it sticks in their mind more than something well written? the "I COULD FIX THISSSS" curse..... im like this with ambiguously brown characters. holds loosely (LOOSELY) south asian coded love interest from some romance comic #8997485344534984875943 tenderly in my hands..... my brother i know you weren't written with this depth but i know the truth. i know about your complexities as you navigate this fantasy europe as a racialized man. i know your truth
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cowgirl boots by nabeeha mohamed, 2023, cement & enamel, 130 × 96 × 28 centimeters
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