#african opportunities
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#Seeing the dune part 2 american centric red carpet and as a devoted aficionado of the books and yk a moroccan person here are my 2 cents#Dune was one of the few Western works inspired by MENA culture that that felt genuine and respectful#But ofc despite the profound symbiosis with Middle Eastern and North African culture evident within the pages of the novels#the movie adaptation lack of substantive representation from these communities both in on-screen portrayals and within production roles was#very much disappointing in part 1 and i doubt there are any change now#While drawing inspiration from the Amazigh peoples of Algeria and Morocco#the film barely skims the surface of its MENA influences leaving substantial potential untapped#Herbert openly acknowledged the profound impact of Islam and MENA culture on his noveIs#from the metaphorical representation of Spice as oil#to the allegorical parallels drawn between the occupation of Arrakis and real-world MENA geopolitics#By marginalizing Arabs from the narrative fabric of Dune the essence of the story is being undermined particularly its anti-colonial core#the irony of this is kiIIing me because this was a direct resuIt of us impérialism on the middIe east#But the reality is that Dune is an American production tailored for an American audience so it makes sense for it to be what it is now#a big production running from its original essence#What adds to my disappointment is the fact that I liked Villeneuve's adaptation of Incendies and I had what you call foolish hope hfhg#Dune feIt Iike a squandered opportunity to authentically depict the cultural milieu that inspired it#Given the narrative's inherent anti-colonial themes#the omission of Arab and North African voices dilute its message if any of it is even left#without representation from Arabs and Amazigh people the cultural essence becomes another appropriated resource watered down to an aestheti#rather than serving as a critique of the destructive actions of colonialists seeking power and dominance#the narrative becomes susceptible to distortion and co-option by the very entities it was intended to condemn and hold accountable
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I want to hear a perspective from someone who is heavily involved in the African fashion industry about what Lewis doing. Some of y'all are in the mindset that you cannot criticize someone you support (you have gotta grow out of that) and it's not really giving me what I need to see.
#a lot of fluff no substance#my knowledge of mozambique is limited outside of it being a southeastern african country#this would be a great opportunity for me to find out more#you're not hurting the multi-millionaires feelings if you have questions about him engaging in african culture#that's what you're supposed to be doing#lewis hamilton
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Very nice that a bunch of the Soul Eater characters are white because that means it’s a free range to make them Black instead 🤭
#African Star….i can see it now#Soul Blacker Evans….Blasian Maka Alblack#Bliz and BlackPatty.#so many opportunities#vywatch#10.18.24#october 2024#year 2024
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#little pet peeve rant#ive got an extensive background in dance and seeing the memes about the breakdancers in the olympics sucks#like it takes so much training to do half of the things they do and to see it minimized to 'my dog in the yard' and 'give me a drink and i#can do that' is just like. come on.#like realistically it doesnt matter but it irks me just enough#its like the modern art 'i couldve done that' thing#and i think its only bothering me so much bc dance hasnt really had a place in the olympics#and seeing breakdancing getting this opportunity is just so cool#and breakdancing also has an extensive history in african american latino and other immigrant culture#so to see it mocked like that just stings enough to see all of that carelessness for the context around it
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Maybe because I was spoilt by other character creator games, but it really does suck having facial options for your Tav be white, white, pretty white, hot white, black, Asian. Maybe lucky having a second vague Asian face.
And some of the smaller species don't have black or Asian faces which. feels bad. I wanted to make my eldritch knight fight, who is a Vietnamese half orc, but they are masculine body type but there's no Asian face for half-orcs.
Even for the male gnomes and dwarves have only white faces for those species and I'm >:/ and it sucks because Larian can make extensive facial options (dragonborn has so many I adore them), but for the others there's not any.
Paired with the fact that most of the origin cast + sidekicks and NPCs that visit your camp or play a huge part in each origin char is white. The only very significant bipoc characters to any arc is Wyll (black), Duke Ravengard(black), Thaniel(he's Asian tho you can interpret him as being white)... and Cazador(Asian). Which the latter is yikes since he's an abuser (and alluded rapist).
#bg3 critical#baldurs gate 3 critical#i fucking hated cazador as being asian simply because in a sea of white having an significant antagonist be asian featured is 😬#it wouldn't be an issue if again... there were more bipoc npcs that were humanoid#like theres so many opportunities and also like the characyer we have doesnt speak except in a few moments#its just bums me out whenever i try to get motivation to do another playthru but i just dont feel it#i am struggling with playing origin wyll#also like the norm being white black and asian is frankly so irritating in general for all video games#theres like bipoc that arent white african american and east asian
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swear to god i'm on the verge of some kind of mental break
#is it a breakdown or a breakthrough#who knows!#my dad sent me a link to a volunteer opportunity in a south african wildlife reserve and i am caught somewhere between laughing and crying#because what the fuck
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What Happened When a Fearless Group of Mississippi Sharecroppers Founded Their Own City
Strike City was born after one small community left the plantation to live on their own terms
— September 11, 2023 | NOVA—BPS
A tin sign demarcated the boundary of Strike City just outside Leland, Mississippi. Photo by Charlie Steiner
In 1965 in the Mississippi Delta, things were not all that different than they had been 100 years earlier. Cotton was still King—and somebody needed to pick it. After the abolition of slavery, much of the labor for the region’s cotton economy was provided by Black sharecroppers, who were not technically enslaved, but operated in much the same way: working the fields of white plantation owners for essentially no profit. To make matters worse, by 1965, mechanized agriculture began to push sharecroppers out of what little employment they had. Many in the Delta had reached their breaking point.
In April of that year, following months of organizing, 45 local farm workers founded the Mississippi Freedom Labor Union. The MFLU’s platform included demands for a minimum wage, eight-hour workdays, medical coverage and an end to plantation work for children under the age of 16, whose educations were severely compromised by the sharecropping system. Within weeks of its founding, strikes under the MFLU banner began to spread across the Delta.
Five miles outside the small town of Leland, Mississippi, a group of Black Tenant Farmers led by John Henry Sylvester voted to go on strike. Sylvester, a tractor driver and mechanic at the A.L. Andrews Plantation, wanted fair treatment and prospects for a better future for his family. “I don’t want my children to grow up dumb like I did,” he told a reporter, with characteristic humility. In fact it was Sylvester’s organizational prowess and vision that gave the strikers direction and resolve. They would need both. The Andrews workers were immediately evicted from their homes. Undeterred, they moved their families to a local building owned by a Baptist Educational Association, but were eventually evicted there as well.
After two months of striking, and now facing homelessness for a second time, the strikers made a bold move. With just 13 donated tents, the strikers bought five acres of land from a local Black Farmer and decided that they would remain there, on strike, for as long as it took. Strike City was born. Frank Smith was a Student Nonviolent Coordinating Committee worker when he went to live with the strikers just outside Leland. “They wanted to stay within eyesight of the plantation,” said Smith, now Executive Director of the African American Civil War Memorial and Museum in Washington, D.C. “They were not scared.”
Life in Strike City was difficult. Not only did the strikers have to deal with one of Missississippi’s coldest winters in history, they also had to endure the periodic gunshots fired by white agitators over their tents at night. Yet the strikers were determined. “We ain’t going out of the state of Mississippi. We gonna stay right here, fighting for what is ours,” one of them told a documentary film team, who captured the strikers’ daily experience in a short film called “Strike City.” “We decided we wouldn’t run,” another assented. “If we run now, we always will be running.”
But the strikers knew that if their city was going to survive, they would need more resources. In an effort to secure federal grants from the federal government’s Office of Economic Opportunity, the strikers, led by Sylvester and Smith, journeyed all the way to Washington D.C. “We’re here because Washington seems to run on a different schedule,” Smith told congressmen, stressing the urgency of the situation and the group’s needs for funds. “We have to get started right away. When you live in a tent and people shoot at you at night and your kids can’t take a bath and your wife has no privacy, a month can be a long time, even a day…Kids can’t grow up in Strike City and have any kind of a chance.” In a symbolic demonstration of their plight, the strikers set up a row of tents across the street from the White House.
John Henry Sylvester, left, stands outside one of the tents strikers erected in Washington, D.C. in April 1966. Photo by Rowland Sherman
“It was a good, dramatic, in-your-face presentation,” Smith told American Experience, nearly 60 years after the strikers camped out. “It didn’t do much to shake anything out of the Congress of the United States or the President and his Cabinet. But it gave us a feeling that we’d done something to help ourselves.” The protestors returned home empty-handed. Nevertheless, the residents of Strike City had secured enough funds from a Chicago-based organization to begin the construction of permanent brick homes; and to provide local Black children with a literacy program, which was held in a wood-and-cinder-block community center they erected.
The long-term sustainability of Strike City, however, depended on the creation of a self-sufficient economy. Early on, Strike City residents had earned money by handcrafting nativity scenes, but this proved inadequate. Soon, Strike City residents were planning on constructing a brick factory that would provide employment and building material for the settlement’s expansion. But the $25,000 price tag of the project proved to be too much, and with no employment, many strikers began to drift away. Strike City never recovered.
Still, its direct impact was apparent when, in 1965, Mississippi schools reluctantly complied with the 1964 Civil Rights Act by offering a freedom-of-choice period in which children were purportedly allowed to register at any school of their choice. In reality, however, most Black parents were too afraid to send their children to all-white schools—except for the parents living at Strike City who had already radically declared their independence . Once Leland’s public schools were legally open to them, Strike City kids were the first ones to register. Their parents’ determination to give them a better life had already begun to pay dividends.
Smith recalled driving Strike City’s children to their first day of school in the fall of 1970. “I remember when I dropped them off, they jumped out and ran in, and I said, ‘They don't have a clue what they were getting themselves into.’ But you know kids are innocent and they’re always braver than we think they are. And they went in there like it was their schoolhouse. Like they belonged there like everybody else.”
#The Harvest | Integrating Mississippi's Schools | Article#NOVA | PBS#American 🇺🇸 Experience#Mississippi Delta#Cotton | King#Abolition | Slavery#Black Sharecroppers#Mechanized Agriculture#Mississippi Freedom Labor Union (MFLU)#Leland | Mississippi#Black Tenant Farmers#John Henry Sylvester | Truck Driver | Mechanic#A.L. Andrews Plantation#Fair Treatment | Prospects#Baptist Educational Association#Frank Smith | Student | Nonviolent Coordinating Committee#Strike City#Executive Director | African American | Civil War Memorial & Museum | Washington D.C.#Federal Government | Office of Economic Opportunity#Congress of the United States | The President | Cabinet#Brick Homes | Black Children | Literacy Program#Wood-and-Cinder-Block | Community Center
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What I love about science is that disagreements are not problems. They are opportunities for everyone to learn something
Derek Muller, YouTuber, creator of "Veritasium"
#Derek Muller#Youtubers#Scientists#Canadian people#South African people#Australian people#Love#Science#Disagreements#Problems#Opportunities#Learning#Learn#Quotes#Veritasium
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Money is the easiest thing in the world to make. My dad told me one day "If a person can become rich selling shit, a person can get rich selling anything, just never sell yourself." My dad had a third grader education but was one of the smartest people I have ever known.
You can start a business with no money, just doing graphic designs or becoming an affialte for large retailers, especially if I live in Africa, India and China along with a few other countries, people are doing this already and they are living well and not begging anyone for financial support.
I will use Ghana as an example because this is my home outside of America. No one living in America or Europe can compete with Ghana labor pricing just because Ghana's cost of living is low compared to these two countries.
I can do a logo design in less than two minutes without needing any experience in the old days of Adobe Design. Now with artificial intelligence there are no barriers in languages, design skills, gramma, punctuation, script writing or any other limitations that make graphic design business a major obstacle to overcome.
In the United States a logo design can run you from $150-$800. If I lived in Ghana I could charge half of the cost and live well. To learn more message me anytime, I will be happy to do a Zoom call with you. Thanks Jay.
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finally started working on my golden record story again (to hopefully finish it and publish it in my school’s literary magazine thing) and the planet I picked to have my aliens be from got a name which is cool but also means now I have to go back and edit things to take the name and mythology of that culture into account instead of what I had before
#now to be clear I am ECSTATIC to have an opportunity to learn about African (maasai specifically) mythology#just a lil irritated I have to rework stuff. but ALSO this is like changing a couple words and doing some research#I have also decided to redo part of this story to make it more accurate to what they actually put on voyager and so that’ll be a way bigger#undertaking than the first part#really I just make my life so much harder than it needs to be#but I have opened this can of worms and will lie in it
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some of yall need to calm down with calling "socialism" "leftism" or "wokism" ANYTHING that your remotely dislike
#women bleach her hair blue??#that's the fault of lefTiSm!!!#a non White person starring in a popular show?#ThaTs wOkiSm!!#bestie just say you've been used to see White people dominating in media representation and therefore consider#the diversification of demographics as a 'threat' and go#reminder: medias aren't your friends#now that Netflix and globalization made possible for indians Chinese and Africans to watch those shows#you can be sure they won't miss an opportunity to pander to them to line their pockets with gold#lead markets aren't in white countries anymore but rather Asia and Africa#deal with it already#papi watch
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Fatherland – Black Creative Stars Accelerator
The Black Creative Stars is aimed at empowering young black people with the opportunity to Learn, Create, Distribute and Monetize afrocentric contents across the global digital entertainment landscape. We are committed to connecting young people passionate about the arts with mentorship and tools in understanding creativity, innovation and entrepreneurship.
#Black Creative Stars#young black people with the opportunity#Monetize afrocentric contents#connecting young people passionate#Black Creative Stars Accelerator#Fatherland#black people with the opportunity#global digital entertainment landscape#ultimate african experience#black young opportunity
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Are you looking for a publishing job?
Are you looking for a publishing job?
==== Are you looking for a publishing job? Have you got a degree in journalism, media, or publishing? Perhaps you are someone who loves to read and are looking for a job in the publishing industry. Regardless of your background, finding a publishing job can be a daunting task, but here is a guide to help you get started. 1. Get your resume ready: Before you start applying for any jobs in…
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#African-American#aspiring authors#black authors#black women#careers#contract work#Fiverr#freelance#Glassdoor#Indeed#job boards#jobs#Kindle Vella#LinkedIn#making connections#networking#networking opportunities#own voices#passive income#publishing#publishing careers#resume preparation#self-publishing#social media#tailor resume#trad publishing#Upwork#writing jobs
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Support Systems and Opportunities for Growth for Women Entrepreneurs in the Central African Republic
Women entrepreneurs in the Central African Republic (CAR) face numerous challenges in establishing and growing their businesses, including limited access to finance, cultural barriers, and infrastructural deficiencies. However, various support systems and emerging opportunities are helping them navigate these challenges and promote their growth. This article explores the key support systems…
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Premier Music Promo Services on the African Spirit Podcast
Since I started promoting Afro Music 22 tracks on the African Spirit Podcast, I’ve received numerous inquiries from artists about adding their tunes to our promo spots. So, I decided to open these services to additional music artists, brands, sponsors, etc. As such, I’m introducing our new exclusive music promotion packages designed to help aspiring African and Caribbean musicians elevate their…
#African music artists#Afro-Caribbean music#aspiring musicians#Caribbean musicians#cultural music#high-vibrational music#Instagram music promotion#music marketing#music promotion packages#music sponsorship opportunities#Pinterest promotion#podcast promo#promote your sound#spiritual growth music
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Vice President Kamala Harris on Monday unveiled her Oppurtunity Agenda for Black men on Monday. Learn more about her agenda.
#oppurtunity agenda for black men#kamala harris black men#kamala harris opportunity agenda for black men#african american
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