#adventures in analysis

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[yujateaandpi]

Oughh it’s 2:00 AM and I’m having Thoughts and Emotions about Marceline the Vampire Queen. Like— she’s a punk bisexual and cool as heck but she’s also a terribly sad immortal with mom issues and double dad issues BUT BUT ALL of her parental figures gave her unconditional love so strong that it fundamentally saved the human race. Marceline saved the humans who hated her because her demon dad passed on the legacy that helped her grow powerful and her mom sang her lullabies and her adopted father clung to every shred of his breaking mind to protect her childhood. She was so loved! She was so loved! And that love never went away it stayed inside her even when all three of her parents hurt her so badly that the pain stuck for a thousand years. And all of the ways they hurt her were BECAUSE they loved her, so Marceline never learned to differentiate what it meant to love someone and hurt someone. So she hurts the people she wants to protect, she’s rough with the people she wants gentleness from, she abandons the people she wants by her side. And so much of the show is her collapsing and falling apart because she can’t figure out why why her relationships are all so broken. And then little by little she gets closure with each chapter of trauma— with her demon father, with her mother’s memory, with dear Simon— which then allows her to finally be at peace with herself and accept love— pure as it is— and give it back.

[emmabirb8]

I've been thinking about this for days now and man, Stanley Pines had a raw fucking deal.

He was doomed for a life of turmoil from the start. Not only did he suffer emotional (and implied physical) abuse from his father from childhood, he was kicked out of his own home at 17 for a legitimate mistake that he never intended to affect his brother's future. He struggled on the streets for ten years feeling like he'd lost his best friend when he and Ford stopped talking during that time, AND THEN received a metaphorical slap in the face when he found out that Ford did not in fact call him out to Gravity Falls to reconcile -- he only wanted a way to protect his research.

THEN, after rightfully getting his feelings hurt and reacting in anger to Ford making clear what his intentions really were, he lost his brother, the one person he'd felt closest to throughout his life, through the portal. He was left with only a third of the required information to reactivate the portal just for the chance to get Ford back -- it was never guaranteed that Ford would even be alive, let alone be able to be located and returned to his home dimension.

But Stanley fucking Pines is no quitter. He stayed focused and worked his ass off learning concepts he had absolutely no education or experience in, all the while blaming himself and hating himself and pushing through the worst kind of heartache every goddamn day for 30 years for that chance. (And honestly, God bless Mabel for betting it all on her Grunkle and allowing him that chance when the time finally came.) And it fucking worked. Just like that, he got his brother back. All that hard work and grief was worth it.

And then he was greeted with an angry outburst and a punch to the face.

This man went through hell and back for his brother, and he was met with a knee-jerk reaction and confirmation that Stanford still seemingly resented him for his past mistakes. Like, I understand Ford's perspective and where he was coming from at the time, but damn it, Stan did NOT deserve that.

He didn't end up getting a proper hug from his brother either until after Bill had been defeated, and by that time, he didn't even know who Stanford was because, once again, he sacrificed everything to save his family. (He was under the impression that his memories would be lost forever and STILL chose to do it).

I am positively beside myself over this man. And this doesn't even touch on the things he did for people outside his family. (Like, he could have easily holed himself up in the shack alone during Weirdmaggedon, but instead, he took in anyone who needed shelter, offered his food supply, and provided a safe place, I'M SORRY BUT FORD WOULD NEVERRRR)

Stanley Pines deserved better. Stanley Pines deserves the whole entire WORLD. He has the biggest heart out of ANYONE and Ford is damn lucky to have him as his brother.

STANLEY PINES MY BELOVED AAAAOOOOOUUUUGGHHHHH

[shyjusticewarrior]

Jason in mainline comics

Nightwing Annual 2021

Task Force Z

Jason in Wayne Family Adventures

[saphstories]

Now I might be stating the obvious here but...

Ya think the reason Shadow is so offended by Sonic calling him a Faker is because it's the one thing Shadow is most afraid of? That slim chance that he isn't...real? That he's artificial...a fake?

[hyperfixationjunkie]

Do you ever think about how Varian must of felt in Nothing Left to Lose, when he lost his father, lost his mind, lost his freedom and a year of his life before redeeming himself, and Cassandra calls it a ‘game’? Like if he had just tried harder, he would have won? That he wouldn’t have had to suffer at all if he was just better?

I think that hurt more than the rocks did.

[incorrectbatfam]

WFA spoilers ahead

Content warning for discussion of mental illness

Can I take a moment to appreciate how they showcased Jason's PTSD in the latest ep? This isn't the first time but I feel like this round struck much closer.

Although this is the website where people are open about mental illness, there's still a reluctance to address the "loud" or "frightening" or "angry" or "messy" side of it. Stuff like bipolar, schizophrenia, addiction, PTSD. It's why I'm extremely hesitant to talk about my own problems even under anonymity.

Conversely, there are mainline comics (and other media) that use this category of mental illness as an excuse for characters to go all-out in their aggression. Even if not intentional, it perpetuates the idea that a trigger will always send the person spiraling until either the worst happens or someone steps in as the "hero." It's basically sending the message to people like me that we're a ticking time bomb.

Then there's WFA. Jason's not fully present during his episode. It leads him into a dangerous situation while at the same time he's unable to grasp things like pain. The adrenaline and the overwhelming sense of fear drives him into fight mode. He gets tunnel vision while he's beating up the bar patrons to try and find the Joker. Without getting into details, I've been in Jason's shoes. I've found myself in risky places doing things I'd later regret. All because of the disconnect from reality that makes me believe what I'm doing is necessary. Not even justified, just necessary. Almost like a survival instinct.

And what's so important is that Jason isn't a villain and Dick isn't a savior. Dick reaffirms Jason's trauma and guides him through tangible steps rather than giving broad sweeping advice. Of course there's no one-size-fits-all coping method, but the biggest thing is having somebody in your corner who sees you beyond this bad episode. Sometimes I have that, sometimes I don't. WFA won't show it since it's all about family, but the times I didn't have someone were exponentially scarier.

At the same time, there are consequences that a simple grounding exercise can't remedy—Jason got hurt, he hurt others, and his appearance at Noonan's definitely put him on someone's radar if not the Joker. And they're just as real as his feelings and (hopefully) he's gonna be held accountable. Because that's how it goes in real life. Something sets me off, I screw up, I get bailed out, and once I come down from it I have to fix the mess I made.

Maybe I'm just reading too much into a fan comic. But I know that if a few panels can resonate so closely with me, then it's worth talking about because someone, somewhere is also feeling the same way.

[paragonrobits]

i was thinking about how Simon Petrikov in the advanced stage of his transformation by the crown by the time he met Marcelien would objectively look pretty damn scary; his skin is a shade of blue and so cold that a normal human would have died by that point, his mouth is a mess of razor sharp fangs, his beard is somehow prehensile (and most likely the hairs move more like... tendrils than hairs), his hands probably look more like long claws, his eyes are likely a dead shade of white...

He LOOKS scary. And this probably contributed to his loneliness BEFORE the great mushroom war. This is all the more a contrast against his genteel, silly demeanor and his role as a caring father figure.

But you know who else probably would have looked really scary at the time in a mundane context?

Marceline herself.

Her skin is an inhuman shade of gray-blue. Her hair, judging by the different between her own hair and that of the human Marshall Lee, probably does not have a normal human texture or appearance; perhaps something more like soft quills than actual hair. Her ears are pointed almost more exaggeratedly even than other characters with similar features. She has obvious fangs, even as a child?

Imagine a survivor, hearing a child in the ruins, and she turns to see you and you don't think its human at all. It's gray. It's got fangs, and pointed ears swiveling around like a bat, it looks like some horrible little demon or gremlin, and its seen you-

And its just a scared child, alone in the world, but our hypothetical survivor doesn't know that. So they run.

Simon didn't.

And as weird as he might look, Marceline didn't look any weirder, and it might have been the first time she saw someone that looked like her, and wasn't afraid of her either.

[jerreeeeeee]

can we talk about how tesseralia makes tres horny boys who they are and parallels them in story and song beautifully. magnus coaching a group of kids and encouraging them and telling them they can win when all the odds seem against them vs hoisting angus on his shoulders and telling him to let the world know they won. taako’s first profound experience of the bonds formed through cooking vs developing the power to fight the embodiment of despair and apathy through cooking a meal with somebody. merle’s first meeting with his greatest enemy who’s completely ideologically opposed to his commitment to love and joy vs his last moment with his old friend john appreciating the beauty of the world together

[champion-of-love]

alice has to go home. that's part of the story. that's the happily ever after. alistair knows this. knows it from his grandfather who went through it. knows it from his mother who did the same. knows it in his bones. that one day's going to be the day he leaves wonderland, for good.

bunny knows this too. knows that as soon as he follows her down that rabbit hole for the last time, the clock is going to start ticking for when he has to leave. so she steps back. tries to stop herself from spending all her time with him. from laughing at his jokes. from loving him. because she doesn't know if she can survive the heartbreak when it's time for him to leave.

the cheshire cat knows this as well. that it's supposed to happen. that it's because of destiny. that it's all bullshit. it's this anger that floods her senses and pushes her to steal that damned storybook of legends. the book that they signed on legacy day. the book that sealed their destiny. the book that stole alice from her.

so she sends ever after into a topsy turvy with a little curse. so what. maybe it's boredom. maybe it's pettiness. maybe it's sending a postcard to an old flame up above asking remember me?

cheshire remembers when she saw little alistair, the spitting image of his mother, for the first time in wonderland. the mad hatter was accompanying him, of course, as his mom couldn't. kitty asked if she could go meet him, but cheshire didn't react at first. her feet were glued onto the floor as buried memories came bubbling to the top.

her love had come back to haunt her.

[artist-issues]

They did a really good job with Shadow in this game.

They got him back to who he was in the first game he appeared in—while adding in how his experiences since his time as a naive test-subject have changed him.

I missed the Redeemed Shadow from the Final Story of SA2. That version of him, those moments where he’s decided very quickly who he is, “I must destroy all the evil the Professor has created!” Or “How are you doing, Sonic?” Or “I’ll take care of this, while you run to get the Chaos Emeralds!”

All the lighthearted confidence in who he is now and what he has to do—all the concern for his comrades who just a second ago he was claiming to be so much better than—all the humility of ‘you get the Emeralds, I’ll hold ‘em off’ and ‘maybe you’re the Ultimate Life Form, Sonic’—I loved that snippet of Shadow we got to see.

Then he falls and “dies,” and from that point on I got treated to angsty I-Don’t-Know-Who-I-Am Shadow. Closely followed by Grimly-Passive-Agressively-Duty-Bound Shadow.

No more humbly completing a mission for the good of others. Very little demonstrative concern for others. No more compliments to comrades. Made me sad.

But you know what, it made sense. Because even though he’s learned that he’s supposed to be living for others, he doesn’t get to have his family. So that’s sad. He essentially has to live for people he doesn’t feel close to. Add on top of that the Dark Side, the fact that a sadistic race of monsters is in his blood, and of course he’d be bitter.

But in this game Maria speaks directly to Shadow who’s been through all that. All that garbage with the Black Arms, all that garbage with almost destroying the world himself out of revenge—Maria talks to that Shadow and reminds him of who he is.

So now he has anger and he has reason to be detached, and bitter…but he’s also been reminded to choose not to be detached and bitter.

That’s a much more fleshed-out character than I thought SEGA would develop him into, after everything

[nineinchclawz]

Rereading Battle Tendency and I'm shocked by how little the fandom discusses the family dynamics. Speedwagon and Erina have different parenting styles, and that has a huge impact on shaping who Joseph is. Joseph was raised to be a little shithead!

Open to read more! 👇

From the very beginning of BT, it's established that Joseph's attitude is VERY different from Jonathan's. We're shown a flashback of Joseph's childhood.

When I first watched jjba, this scene surprised me. Joseph acts so aloof!! But now that I'm rereading it, I think Speedwagon told Joseph not to get involved beforehand. Or, as one of my followers on Bluesky mentioned, Joseph may have been acting like a brat in order to draw the robbers' attention away from Speedwagon.

Joseph snaps when the clothes Erina had given him get ruined. Joseph tells Speedwagon he'd do anything to protect them, as they're the only family he has.

From here on, Speedwagon is shown enabling Joseph's behavior. He's aware of Joseph's temper and bratty habits. But never once do we see Speedwagon scold or reprimand Joseph in any meaningful way, even when he's being reckless.

Speedwagon consistently responds in two ways. Giving Joseph a sideways glance or raising his voice...

"JoJo!" "JoJo..." "🥺" "😨"

In contrast to this... Erina is shown PHYSICALLY reprimanding Joseph when he steps out of line after he jokes about the implications of Speedwagon and Jonathan's relationship / Speedwagon and Erina's relationship (varies by translation)

However, Erina ALSO enables Joseph's behavior. But instead of Speedwagon's method of letting Joseph do whatever he wants, Erina guides Joseph on how to beat up a racist in public with STYLE. Joseph's sense of justice makes him wild & careless, so she teaches him how to stay in control while still doing the right thing.

Erina's background of an upper-class childhood, nursing career / teaching career, and her experience living as a woman in the 19th century shaped how she raised Joseph. Joseph inherited Erina's social intelligence, class, and kindness.

Speedwagon lived the majority of his life in the slums of London and was involved in organized crime. Speedwagon was also an oil tycoon. He's mastered the art of bartering. Joseph "inherited" Speedwagon's rebellious nature, street intelligence, and loyalty.

Joseph has a strong sense of justice, something ALL Joestars inherited from Jonathan.

But that sense of justice is what ultimately killed Jonathan and George. Erina and Speedwagon knew that Joseph was destined to get into trouble.

I believe that Erina and Speedwagon raised Joseph in such a way that he could survive the worst. And he did. Joseph is the only Joestar in the entire series that is shown to live into old age. He survived all that because of Erina and Speedwagon's love for him.

[yujateaandpi]

So imagine that you’re on a beach hanging with your brother and saving the world like always then suddenly there’s another version of you— and he just came out of nowhere and you live in a world filled with dangerous magical creatures so of course this must be some kind of shapeshifter trying to get the better of you. Of course, you attack it and he attacks you and both of you keep claiming to be the real version of you. Classic.

So you laugh it off and you ask your brother for help except he keeps saying that the other you is the real one. And the two of them are ganging up and attacking you so you have no choice but to turn around and go back home until this blows over cause let’s face it, your brother isn’t the sharpest tool in the shed and hasn’t always been the best judge of character on your adventures.

So you go home and everything’s just as you left it and it’s a bit of a relief honestly cause the incident on the beach freaked you out. Except your little sibling won’t stop screaming every time they see you. And you can’t taste your favorite foods. And your voice sounds different. And your sense of touch is off. Plus there was a period where you couldn’t hear or speak well on the beach, and all this is starting to accumulate and scare you. And you’re a kid.

So you freak out. You break furniture and you throw around your brother’s good breakfast syrup (cause you’re still angry about him turning against you) and when your brother comes home with the other version of you, still insisting that you’re the monster (which can’t possibly be true. It can’t.) you won’t look him in the eye no matter how angry he gets. But the other you is chill and wants to be your friend or something, which is fine but would be better if he would just give you your bed and your pajamas and your brother back.

So time passes and you begin to accept that you really are the monster after all, because you can’t really deny the fact that you don’t look quite the same. And that you don’t have a digestive tract. And that murder just seems a little more okay than it used to.

So you call yourself by a different name. But it’s still not fair, because before the beach you had a brother and a home and favorite foods and now you don’t have anything. Your brother is more chill now but he’s clearly uncomfortable with you and your little sibling is still scared of you and everybody you’re ever known thinks you’re a stranger. Meanwhile the other you is celebrated as a hero. He’s receiving the love you used to receive and on top of that he’s just better than you at everything. Which is unfair because he is you! And a part of you can’t really let go of the doubt— that maybe you’re the hero and he’s the monster. That maybe he doesn’t deserve all the things he’s taken from you.

So when he lovingly calls you his twin brother, you don’t know how to respond because he’s really a good guy (because YOU’RE a good guy!), and he has your face but you can’t help but hate him deeply, down to the dark depths within you. Those depths tell you to do many many things you would never have done before.

So you trick your other self and seal him in a tomb which feels so so good because you’ve finally gotten the better of him. And you tell him you’ll be back (but you won’t) and you change your voice and your skin so you look even more like him (more like you, this is you) and you start going back home so your brother will FINALLY give you a hug. But he escapes (and isn’t that infuriating cause he really did get the best of you after all) and, worst of all, he kills you. It doesn’t matter that it was an accident. It doesn’t matter that you were going to put your hands around his throat and squeeze and squeeze until he gave everything back. He grinds you to shreds like you were nothing.

So when you’re given a second chance— when a madman revives you and makes you a living weapon, you decide to let the world go to shit. So long as you’re better than your other self, so long as you’re strong enough to make him hurt, really hurt, nothing else matters. You look at him trying to save the world over and over (his voice has changed, he’s grown taller) and you ignore the pain of watching this better version of you who still believes all the things you used to believe before the stupid beach. Your other self tells you he shares the same torment, that you’re two sides of the same coin, but that’s not right because then why does he have everything you want? Why are you the only one who’s so achingly lonely?

And then. He gently walks with you down to your dark depths. And he helps you kill your demon. And you’re you again, finally, all that rage and desire stripped away, and you see that ah, you two really are the same after all. That there never was any monster (except for the demon) and there never was a hero either, you’re both only human. Then you die again. And when your other self cries over you, as you disappear for good, the only thing you ask him is to take you home. You haven’t been back in such a long time.

Anyways if you can imagine all that, then congrats, you know how it feels like to be Fern Adventuretime.

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[saturnniidae]

HTTYD 2 is ten years old today, it was my first exposure to the franchise and despite its many glaring flaws i can't help but love it and hold it so close to my heart.

This scene is a great example of why.

I love it so much. It's a heart-wrenchingly beautiful reminder that as good as he is, Hiccup is not some perfect hero. He is still just a person, a flawed human being who has cracked under the pressure of his circumstances and is barely given time to grieve his fathers' death.

(I adore scenes like this — It humanizes characters so much more, and just adds to that layer of perceived realism.)

And you can see the regret on his face as soon as he says it. But in that moment he doesn't do anything about it; he's still processing Stoick's death, and he only snaps out of it when he sees Toothless is under the Bewilderbeast's control again and Valka has to hold him back from attempting to go after him.

What he said and did to Toothless there was a momentary lapse in judgment fueled by grief. And later, as he breaks Toothless out of the Alpha's control, you can see he feels terrible about it. About how, even if it was brief, he pushed away his best friend. And he loves Toothless so much.

The way he talks to him literally breaks me every time I rewatch it.

"It wasn't your fault, you'd never hurt him, you'd never hurt me."

"Please, you... are my best friend, bud. My best friend."

And when Toothless comes back he just looks so elated to see Hiccup.

Though, Something that's even crazier to me is the fact all this takes place over less than a week. Once he gets toothless back and Drago is defeated, he is immediately made chief. And with the state berk is in, he is given presumably no time to properly mourn Stoick, or to fully adjust to the presence of his mother.

(though I feel his and Valka's relationship will never be what it could've been. He knows she chose not to come back, and that is a blow to their newly formed and fragile bond that, as much as they love each other, is not something she can ever fully make up for.)

But at least through everything, since the beginning, the one real constant he's had has been Toothless.

They're friendship was built off a mutual feeling of out-of-placeness, then unconditional trust and unwavering loyalty.

they love each other so much it makes me wanna throw up

[essycogany]

Justice For Amy Rose

My first long character analysis that isn't about Sonic and is very controversial. Let’s see how this ramble pile goes!

If you want to see a better structured analysis I’ll recommend this video. I’m basically saying the same stuff but with added-on clarifications.

No one has to agree with me but keep in mind I didn't grow up with this franchise, so my opinions are all over the place. A good thing is you don't have to worry about any biases from me. Now, onto my loveable pink hegie!

Amy is misunderstood to be written as this one note girl who’s only character trait is to love Sonic. People usually say she’s now strong, confident, a leader, capable, and is her own character and I agree. But she’s always had those good traits. Was Amy always well written? No! Do I think it could be a sign of her being inconsistent? Absolutely! Here’s just a few examples of her best moments in the past.

Sonic X’s best moments were whenever Amy genuinely wanted to help people or stand up for them. The episode where Amy gives Sonic a bracelet to make him feel protected is incredibly thoughtful. There were also times she led the group even though she wasn't supposed to. It's a flaw, not many people talk about, but it’s a part of her. It’s also a trait that is most shown in Sonic Boom and Prime. (From what little we saw of it) Also Team Rose exists, so she's always been a leader.

-In the Japanese version of the show Amy has a whole life goal that has nothing to do with Sonic. She wanted to own a restaurant someday.

Sonic Adventure has good moments too. Her reason for wanting to be with Sonic isn’t because “She wants to see his handsome face” but because she’s bored out of her mind. Then Amy helps a little Flikey despite the fact she would’ve been safer by not doing that. Amy’s interactions with Gamma impacted the robot to the point of him sacrificing himself to free a Bird he needed to stay alive. This shows how much dedication Amy has to doing the right thing even when she doesn't have to. To top it off she got what she wanted in the end. A not-so-boring day.

In Sonic Adventure 2 she jokes around about marrying Sonic and acts like she won’t tell him about Shadow but does it anyway. Then she breaks him out too. Can’t forget about her moment with Shadow. With her positivity and most emotionally mature moment. Amy basically saved the world by doing that. I know some say “Anyone else could’ve done that,” but everyone else was occupied and Amy had the most patience (mind you she’s been left behind constantly in this game lol) to have a talk with Shadow. No one else had the time (and debatably wouldn’t have took the time) to talk with him.

That one moment in Sonic Heroes wasn’t Amy’s best moment, but I don’t think it’s horrible for two reasons. One, Sonic doesn’t take her seriously (same as SA2) and tells her this.

Yeah, Sonic figured Amy was trying to annoy him. Two, she made sure to continue the search to find Chocola and Froggy and stayed with her team until they were found. Even when Amy wasn’t written the best, she stayed true to herself in some fashion.

Anyway, back to Amy’s other moments.

In Sonic 06 Amy quickly bonds with Silver until he turns against Sonic. The moment she says “If I had to choose between the world and Sonic, I would choose Sonic” was never meant to mean she loves one more than the other. It’s meant to be a sign of how much Amy trusted her friend. And don’t worry Sonic Adventure shows her standing up for Gamma in front of the main person she’d usually trust. Sonic is not immune to her protective nature. She’ll go against him if it means making the right choice. Amy’s devoted to Sonic, but she’s not a blind follower. Heck, she’s even encouraging towards Elise and wishes her luck on finding Sonic. Despite not knowing Elise was looking for him. Amy is the definition of encouragement and I wish people could learn to appreciate her moments of being a kind and honorable person for those she cares about.

Did I forget to mention she saved the world AGAIN by not letting Silver kill Sonic which caused him to question Mephiles?

-I really love how Amy is so friendly to most characters. She is just as energetic when she talks to Birdie, Shadow, Elise, Silver, and anyone she meets as she is when Sonic’s around. The girl’s a total extrovert. It could also explain her alleged abandonment issues. It definitely explains why she’s so pushy. Even the prospect of being alone makes her worried and there are so many examples of this it’s crazy!

Almost every moment in Unleashed is Amy’s best moment. In my opinion, she’s written the best in that game. Amy apologizes when she thinks Sonic in his Werehog form was someone else. Don’t even call him “ugly” or anything like that. Amy just leaves him be. Her compassion knows no bounds. She encourages Professor Pickles when he’s worried about the destruction of the earth and compliments Sonic at the same time. Amy even gives Sonic encouragement when he’s insecure about being a “monster.” Proving her love for him is (and never was) disingenuous or about a perception of him. Amy loves Sonic for Sonic. She even states this in her first appearance in IDW. This trait clearly wasn't made up on the spot.

By the way, has anyone noticed how much of a symbol of hope Amy is? Sonic IS truly an inspiration to her. Even Sonic Forces got that part of her character right.

Okay, so that was most of her good moments. Now what? Oh, yeah. Amy is not a stalker. She doesn’t constantly follow Sonic around when he’s not looking or something. That or calling her a “fan girl” implies she’s some random girl who likes Sonic.

Amy is and has always been friends with him. It’s also why she’s always so excited to see him. She even says “Long time no see” in Adventure. It’s a common saying for a reason. It shows how little these characters see each other and proves they mostly live independent lives.

Both Amy and Tails have followed Sonic in the old games too. Tails also finds Sonic all the time. You don’t hear anyone calling Tails a stalker. In Sonic X they and their friends all stay in the same house. This proves she’s not a stalker there either. Even if not always shown very well in the past, Sonic and Amy are best friends. I DO think the writers could’ve made their friendship clearer by having Sonic not act as uncomfortable around her, but that’s my opinion.

-Do you notice how in Boom, IDW, and other versions of Amy people commonly like are from material where Team Sonic includes her and treats her like she’s a part of the team? Instead of stories like in Sonic Riders Amy has to find Team Sonic or Sonic Heroes where she makes her own group. Or any monument in the past where she’s either left behind or has to say “I’m coming too” and joins her friends anyway despite being left. I don’t think her friends meant any harm (and it probably wasn’t the writer's intention) but how the characters, especially Sonic treated Amy seems to affect how the audience at the time thought of her.

Another reason I don't think the writers wanted people to hate Amy is that usually, Sonic is blunt. He’s not the “I’ll just spare your feelings” type. Sonic is an upfront and honest character. He’d call Amy out assertively if he needed to.

While I won’t say Amy was written perfectly, I’ll chalk it up to her being written like a child. You know, how some little kids are always honest about how they feel? Like the moment in Sonic Battle when she’s talking about raising Emerald with Sonic. Kids play pretend all the time. I’m not excusing her moments of threatening Cream or any other questionable moments like in Sonic Rush. Sonic Freeriders is the biggest example and by far her worst appearance.

I will defend Sonic Riders. Sonic launched Amy into the sky with Eggman. Sonic isn't perfect either. Her anger wasn’t agreeable but justifiable.

-Also all Sonic characters have bad characterizations. A huge example is Shadow, but we don't define him by those moments. Amy should be no different.

Amy is meant to be exaggerated and cartoony. You know, like when Sonic and Knuckles fight or clash with each other. Same for Shadow too. They always fight, but it’s how their dynamics work. It’s never made to be taken seriously.

All of this was to say, Amy is a great yet flawed character. But I want people to know she’s always been a kindhearted, girly, silly, selfless, adventurous, loyal, and fun character people praise her for in Boom, IDW, and Frontiers. I wouldn’t say she’s “gotten better” because that implies she was never good to begin with. I see it more as the writing became easier for people to understand. The constant hate from the past has truly tarnished her reputation even today. To the point where her best moments are ignored.

Even though her love for Sonic is the cartoony and genuine part of her personality, it’s not the only part. No, Amy doesn't have to be romantic but other female Sonic characters exist for that reason. Amy is also a wonderful representation of a strong and confident character who is traditionally feminine at the same time. A good example is her being a literal comfort character because she comforts and protects everyone she comes across. She'll kick your butt for messing with her friends then help you with your emotional issues afterward. She'd make a great therapist.

My favorite examples of Amy's characterization are Unleashed, TMOSTH, and the IDW Sonic Riders Arc. Those are the main examples of how she used to be commonly written. It’s just the little things you’ve gotta pay attention to. Thanks for reading my less-than-organized rambling. Again, you don't have to agree with me, but I enjoy chatting with you lovelies. Hope I at least gave a coherent answer as to why people always loved Amy Rose!

Stay Creative! 💜