#adult world amy

[newwavesylviaplath]

i feel like all girlbloggers can be categorized by emma roberts characters. you're either amy from adult world, madison montgomery, or april from palo alto.

i mean, except for me cuz i'm totally noelle from it's kind of a funny story.

[taintedarabesque]

me core

[deadgirl-violet]

Amy and alex adult world

[cold-violet]

As the days died early, she longed escape from her cage.

[finnwolfhrvdicons]

• madison montgomery icons/gifs

like/share if saving :)

[lagomorphprincess]

rat billings is literally my idol

[the-music-keeper]

Objective #15 is done and I have my groceries! My delivery guy forgot my sparkling water, which I'm not thrilled about, but what can you do?

[esckeyes]

Sneak peek at "The Cartographers" by Amy Zhang, the author of "Falling Into Place" and "This Is Where The World Ends."

[saintsenara]

Riddle’s extremely fearful and aggressive reaction to Dumbledore when he thinks he’s a doctor (and the fact that he assumes this at all and believes he is being lied to) has some pretty dark implications (which of course no one follows up on). Do you have thoughts?

thank you very much for the ask, anon!

and yes - this has occurred to me too... which means that my thoughts come with a trigger warning for the sexual abuse of a child, and are under the cut.

the relevant scene in canon is, of course, this:

“I am Professor Dumbledore.” “Professor?” repeated Riddle. He looked wary. “Is that like doctor? What are you here for? Did she get you in to have a look at me?”  He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling.  “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!”  He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school - your new school, if you would like to come.”  Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious.  “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course - well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!”

the surface-level reading of this scene - which is clearly what the text wants us to go for - is that riddle thinks he's about to be institutionalised for being "mad" - and, specifically, that he thinks that what dumbledore has been told is his "madness" is actually his magic.

[he is also clearly meant to be read as panicking a little bit that he's fucked around torturing his fellow children and is now about to find out...]

that riddle accepts he's a wizard so easily - and that he is so reassured by dumbledore agreeing that he's not mad - is something the text wants us to read as sinister. him immediately describing himself as "special" is set up as a precursor to the adult voldemort's delusions of grandeur - which the entire arc of the series, ending in his death as an ordinary man, is designed to undermine.

but i've always disliked this reading. the eleven-year-old riddle - a magical child raised around non-magical people - is objectively correct to describe his powers as "special" [in that they make him identifiably different from the crowd] within the context in which he lives. the word choice is nowhere near as deep as dumbledore decides - he's clearly known since he was very young that he's a wizard, but he didn't have the precise language to describe this fundamental part of himself until dumbledore offered it; prior to that, "special" is a perfectly reasonable alternative term.

and, in always knowing that he's a wizard, he also knows that he doesn't have a mental illness - but he must also know that this is something it's near impossible for him to prove.

in the real world, if i spoke to a patient who told me:

“I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

then i would be correct to describe them as experiencing psychosis. and i might - depending on their other symptoms - have reasonable cause to admit them [voluntarily or not] for psychiatric treatment.

riddle is - of course - demonstrably not psychotic. but it's not unreasonable that mrs cole would assume he is - the world she lives in, as a muggle [even if she's a religious one], is one in which people do not possess the ability to move objects or control animals with their minds, and if one of her charges is convinced that he can, then she's justified in seeking medical intervention.

[that psychiatric treatment in the 1930s can be described without exaggeration as inhumane is another matter...]

which is to say, i think we can easily suppose that mrs cole has - prior to dumbledore's arrival - succeeded in having riddle "looked at", and that the idea that he's mentally ill and should be committed to an asylum has been mentioned before. i think most of us would be instinctively [and angrily] wary of doctors if this happened to us, regardless of how nice the doctors in question were.

and maybe that's all there is to it.

and maybe it isn't...

in the doylist text, the eleven-year-old riddle's personality is the way it is because he's the villain of the series. where harry is preternaturally capable, even as a child, of all the things the series defines as admirable - above all, enduring difficulty without complaint - riddle is preternaturally incapable of them. he's meant to come across as unambiguously sinister - and the fact that the text repeatedly emphasises that he has control over his unpleasant traits invites us to view him as someone who is acting with full agency. that he lives in an orphanage is a trope which the text uses, like a campy horror film might, predominately to underscore how creepy he is - and the text, in keeping with its general lack of interest in states and their institutions, never really prompts us to interrogate the impact of his childhood upon the course his life takes.

[this is despite the fact that voldemort's reliving of the night he killed the potters in deathly hallows is an incredibly accurate depiction of ptsd...]

but it's also the case that the eleven-year-old riddle's behaviour and personality fits a pattern we might expect to see in a child who is being abused, sexually or otherwise:

he's aggressive, he has a hair-trigger temper, and he becomes distressed even by behaviour - such as dumbledore speaking mildly and calmly - which would not ordinarily be expected to provoke such a reaction.

his broader emotional state is fractious. his mood changes sharply, he seems to feel emotions very profoundly, he struggles to control his emotional response to things, he's extremely easily irritated, he's attention-seeking - and he particularly seeks negative attention, and he's very highly-strung. his admission in deathly hallows that he feels calm before he kills - or before he otherwise eradicates a threat or a problem - comes with the flip-side that he's someone who appears, when things aren't going well or he finds himself in a situation which he can't control, to become quite anxious. which is a trauma response.

he's extremely isolated. the text presents the fact that he has no friends as a deliberate choice - "lord voldemort has never had a friend, nor do i believe that he has ever wanted one" - and his relationship with everyone else he ever meets, including his fellow orphans, is defined by the text as exclusively involving him controlling, manipulating, and punishing them. or: he is always the more powerful person in the pairing. but this need for control can be read as self-protective just as easily as it can be read as sinister. there are hints in canon that riddle is not just some malevolent force in the orphanage preying on mild-mannered innocents. for example, billy stubbs, the owner of the rabbit he kills, is targeted by riddle as revenge: “Billy Stubbs’s rabbit... well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it? [...] But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before." on the rare occasions billy turns up in fics, he's usually - i find - written very like neville - sweet and guileless and a bit pathetic. but the alternative reading - especially when we take into account that riddle attacks the rabbit rather than billy himself - is that billy is someone he would be afraid to physically confront. indeed, it's striking that voldemort - at all stages of his life - is described as being quite physically fragile. not only is he very thin, but he's always cold and his heartbeat is described several times in canon as irregular. i think this is supposed to be a comment on the physical changes he undergoes the more horcruxes he makes - although the idea that the soul would affect the heart doesn't actually align with how the series understands the soul to relate to the body - but it can also be interpreted perfectly legitimately as something he was experiencing prior to splitting his soul. i am committed to the headcanon that riddle was quite a sickly child - and that this is one of the things which drives his fear of death - and i'm also committed to the idea that his obsession with magic is because the enormity of his magical power makes up for his physical lack. he can defeat - and humiliate and frighten and remove the threat of - billy or dennis [or even an adult man?] with magic. without it, if they were to physically overpower him, then he wouldn't be able to throw them off.

he is extremely nervous about being alone in a room with dumbledore - someone he doesn't know, and who he assumes is connected to a profession [and, maybe, who knows any other doctors he's been previously made to see...] of which he is frightened.

he doesn't trust or confide in anyone - which, as a child, means particularly that he doesn't trust or confide in adults in positions of responsibility. he's clearly uneasy with the idea of finding himself in the subordinate position in an adult-child relationship when dumbledore offers to take him shopping for school supplies - potentially because he's worried that dumbledore will try and dictate or restrict what he's allowed to buy unless he behaves in a certain way... and i am always very struck that dumbledore says in half-blood prince: "He was very guarded with me; he felt, I am sure, that in the thrill of discovering his true identity he had told me a little too much. He was careful never to reveal as much again." this is presented in the text as evidence that dumbledore is the only person of whom voldemort is afraid - by which the text means that voldemort acknowledges that dumbledore knows that an ordinary man, mortal and unimpressive, lurks behind the mask of unassailable power he has created for himself; and which the text thinks is a good thing. but we can also read it as a self-protective act on riddle's part. in his excitement, he offers dumbledore information [that he is known to be a liar, that he is in trouble a lot, that mrs cole dislikes him and is disinclined to believe anything he says] which would give dumbledore - or anyone in a similar position of power and presumed respectability - cover to abuse him, safe in the knowledge that he would be unlikely to be believed if he reported it.

he doesn't appear to feel safe in the orphanage and he's frequently absent from it - by his own admission, he spends a huge amount of time wandering around london on his own, which may even involve him staying away for several days at a time. nobody appears to notice or care about this.

he's very independent - which the text again presents as evidence of his deliberate self-isolation and rejection of the bonds of love and friendship - and his independence is unusual for a child his age [i.e. that he is capable of doing all his own shopping for school].

his knowledge of violence - i.e. how he designs the trip to the cave to be maximally psychologically devastating for dennis and amy and devoid of repercussions for himself - is also more advanced and methodical than would be expected in a child of his age. again, the text uses this to emphasise how inextricable the child-voldemort is from his adult self - and also, to some extent, to underscore the intellectual brilliance [his magic is also more advanced than is normal for a child] which his narrative archetype [the exceptional villain who is defeated by the everyman hero] requires. but we can also read it as evidence of his own victimisation. a common sign that a child is being sexually abused is that they display a knowledge of sexual behaviour which is more advanced than is reasonable for a child of their age - for example, knowing in detail how a sex act is performed, or fluently using sexual slang which they have no chance of knowing either from age-appropriate settings like school-based sex education or conversations with a parent or trusted adult, or from the sort of enthusiastic hoarding of rude words and phrases all children enjoy as they grow up. riddle's precise, clinical knowledge of how to manipulate, frighten, torture, and control can be seen as something similar. if he can - at eleven or younger - methodically break down another child until they're "never quite right" again, then this is because he's learned how to from someone.

he keeps secrets. and he also goes out of his way to extract them. his grooming of ginny in chamber of secrets - he manipulates her into confiding things she wants to keep to herself, promises he won't tell anyone, and then uses the threat that he will to get her to do his bidding - is an absolutely textbook example of how abusers use the idea of secrecy to control their victims. it doesn't make his abuse of ginny any less inexcusable if we assume he learns this from being on the other side of things.

dumbledore understands his little cache of objects as trophies he's taken from victims - and the text takes the view that dumbledore is correct in this assessment. that hoarding trophies is something widely associated with serial killers means that this is yet another thing which underlines how creepy - and how like his adult self - the child-voldemort is. but it's also the case that the adult - and teenage - voldemort places a lot of emphasis on gift-giving as part of his control over other people. the two most obvious examples in canon are wormtail being given his shiny hand as a reward for helping voldemort get his body back, and slughorn being buttered up with crystallised pineapple before voldemort asks him about horcruxes. the text thinks this is sinister - and one of the reasons it does this is because gift-giving is a grooming tactic. the text also clearly thinks this isn't behaviour voldemort has learned from the other side. and yet a common sign that a child is being abused is if they have possessions it doesn't make sense for them to own [i.e. a child from a low-income background who is suddenly decked in designer clothes] and which they can't or won't explain how they came by. riddle's cache isn't luxurious - although he's so poor that a yoyo or a mouth organ probably is a luxury to him - but there's also nothing in canon which precludes the objects being presents, rather than stolen goods. if the spell dumbledore uses to make the box rattle is caused by a statement which is both relatively ambiguous and dependent on dumbledore's subjective personal morality - is there anything in this room he's acquired through nefarious means? - then the spell would still work as it does in canon if riddle was an abuse victim given the objects as "rewards". dumbledore's tendency to locate right and wrong in the individual and dumbledore's belief that good people should steadfastly endure misery means he can be written entirely canon-coherently as someone who would think a victim who appeared to collude in their own abuse - such as a victim who "offered" a sexual act because their abuser promised them something if they did - was behaving consensually, manipulatively, and nefariously. and it's worth noting that when riddle doesn't know what dumbledore has done to make the box rattle, he is "unnerved". when he realises dumbledore thinks he's stolen the objects - and that he has no interest in forcing him to admit this aloud - he is "unabashed". perhaps because he's just received proof that an experience he doesn't want to talk about is still secret...

on the other hand, the objects could indeed be stolen - because petty criminality and anti-social behaviour, especially in pre-teen children, is also a sign of abuse.

he can be extremely obsequious - when dumbledore tells him to watch how he speaks he becomes "unrecognisably polite", he ruthlessly flatters slughorn, and he is cringingly deferential to hepzibah smith. the text understands this as evidence that his apparent charm is only superficial - another trait associated in the popular imagination with serial killers [and it's striking that so much about the young voldemort - handsome, charming, seemingly quiet and polite, true evil lurking underneath the mask - is exactly like the pop-culture persona which has been created for ted bundy...]. voldemort himself agrees that his charm is performative in chamber of secrets: “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted." but his obsequiousness is also a fawn response - a way of minimising a threat by attempting to please the person issuing it. he becomes "unrecognisably polite" - after all - in response to this: Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts - ” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ”  Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognisably polite voice, “I’m sorry, sir. I meant - please, Professor, could you show me - ?”  riddle could reasonably interpret what dumbledore says here as a threat to prevent him attending hogwarts - even though dumbledore evidently doesn't mean it in this way - and he switches to being fawning because this is something he really doesn't want to happen...

do i think that any of this is what the text was actually going for? no. and nor do i think that reading riddle as a victim of abuse excuses the violence which the adult voldemort goes on to perpetuate.

but i think it is a reading of his characterisation which is both canon-plausible and interesting - a strange, sickly child with a reputation for cruelty and dishonesty being abused by the respectable doctor who is constantly called in to treat his coughs and wheezes, who buys him little presents and charms him into telling him secrets, who then [to paraphrase the teenage voldemort] feeds him a few secrets of his own, safe in the knowledge that nobody will ever believe him if he tries to get help.

and i also think this a reading which is sincerely important.

a significant contributor to the prevalence of child abuse - no matter what exact form this abuse takes - is that we are culturally conditioned to imagine that both the abuser and the victim will look and behave in a certain way if the abuse is "real".

and this means, all too often, that we take child abuse more seriously when the victim is "sympathetic" - when they're from a stable home, and their family are respectable, and they do well in school, and they're polite and sweet, and they look innocent, and they behave perfectly appropriately for their age, and nobody would ever dare to say that they come across as older than they are, and they're white, and they don't have a history of lying, and they don't have a history of attention-seeking, and they don't have a criminal record, and they're not abusive themselves, and there's absolutely no way of suggesting that they colluded in their abuse, and the perpetrator was someone who looks like a child abuser.

someone who is creepy, low-status, ugly, unpopular. someone who everyone can tell is socially abnormal, someone who nobody would ever intentionally permit to be around their children. not someone who is charming, well-respected, attractive, rich, popular, trustworthy. not someone who has a loving family and a happy home. not someone we might be friends with.

but many perpetrators of child abuse are these second group of people. and many victims of child abuse are "unsympathetic", when their social positions and reputations are compared to their abusers' own.

they lie. they steal. they're attention-seeking. they're vindictive. they have trouble distinguishing between imagination and reality. they're violent. they're bullies. they hurt animals. they abuse other children. they take drugs. they're mentally-ill. they come from broken homes. they're in the care of the state. they're dirty. they're poor. they're odd. they're behind at school and badly-behaved in the classroom. they do things which allow their abuse to be dismissed as something they brought upon themselves - they speak or dress in certain ways, they pose provocatively in pictures and post them on the internet, they are known to be sexually active outside of the context of their abuse, they lie about being over the age of consent, they engage in sexual behaviour with an adult abuser in a way which appears [even though it isn't, and there's never a circumstance in which it will be] to be consensual or for their own personal gain, they are flattered by the attention they receive from someone who is important or attractive grooming them, they have complicated - and not always wholly negative - feelings towards their abusers.

and they are still - unequivocally - victims, and what happens to them is still - unequivocally - abuse.

tom riddle is an unsympathetic victim - not only of any potential abuse, but also of the horrors of his life which are explicit on the canon page: that he is raised in an orphanage; that he is grieving; that he knows nothing about his family; that he is thought to be mad.

the absence of any institutional response to his childhood experiences - dumbledore, by his own admission, discloses nothing about riddle to his fellow teachers - is a flaw repeated again and again in the worldbuilding of the harry potter series.

hogwarts - and the wizarding [and muggle] state more broadly - doesn't intervene in any case of neglect or abuse, from harry to snape to voldemort's own parents. the series' individualistic morality means that we aren't supposed to interrogate these collective failings. and the series' black-and-white view of good and evil - and its general belief that violence is fine if the person it happens to "deserves" it - means that it has no interest in examining the ways that poverty, isolation, and neglect are risk factors; that straightforwardly unpleasant people can still be victims; that victims can go on to become perpetrators without their victimhood ceasing to matter; and that the abuse of children usually takes place not in silence and secrecy, concealed in ways which make it fine for adults not to notice it and not to intervene, but in plain sight.

this is knowledge it never hurts to refresh. thinking about lord voldemort's childhood might be an usual way of doing so... but it is an effective one nonetheless...

[max-nico]

Sonic is feeling abnormally sentimental, everyone around him thinks it's warranted, but it doesn't stop the fact that he feels like he could burst into tears any moment. Gosh, he's just so proud. He essentially raised this kid from a toddler to almost an adult, because he's only sixteen, but still! That's his baby brother!

His baby brother who is doing an amazing job, giving his amazing speech, at this amazing venue. He's gotten tall, his tails are thick and bushy, and he looks so confident. Sonic knew he would see that day Tails could stand on his own, from the moment he took the little fox in, he knew.

And the kid looks all grown up in his brown suit, he's wearing pants and everything! If Sonic was a lesser hedgehog, he'd be a blubbering mess of tears right now. Watching his little buddy be presented with an incredibly prestigious scientific award, that Sonic doesn't fully understand in all honesty, has his heart squeezing in so many emotions he's getting overwhelmed. He's big enough to admit that there are bittersweet feelings tied up in all his big brother pride.

"Euhg, you reek of ego." Knuckles says, walking up to Sonic.

"Can you blame me? I raised that kid."

"Barely."

Sonic rolls his eyes, leaning against the stage walls. He's unperturbed by the echidna's rudeness. Some people never change. Though, if anyone should stay the same it's Knuckles, not that Sonic would ever tell him that.

"How'd you even get back here?"

"Your lowly guards are no match for a warrior." Knuckles puffs his chest out, like beating up poor unsuspecting security workers is a flex. "They could not stop me from congratulating Tails after his acceptance speech... Also, Amy's going to be late and she wanted me to make sure I give Tails a bouquet of flowers."

"And we all know how Amy gets about her flowers." The two say in sync, matching smiles on their faces.

Amy opened a flower shop a few years ago, a business that she and Vanilla are teaching Cream how to run. It's sweet, and her own opinion, what gift shows love better than a bouquet. Sonic would argue that a good chilli dog beats flowers any day, but Amy also says he has no taste, so truly, what does he know.

The two lapse into silence as they listen to Tails talk. He answers questions fluidly, with a charismatic ease you could only get from spending time with Sonic the Hedgehog. Even rude comments from the audience are taken in stride and spun in his favor. Geez, maybe Sonic should've taken those PR classes with Tails a few years ago, the kid is much smoother than him when it comes to the media.

It feels like no time at all as well as a hundred years have passed by the time closing statements are being given. The crowd has begun to get antsy as well, the energy shifting as the award ceremony comes to an end. Not without Tails giving a concluding speech obviously, because his little brother has officially cemented himself in history, and is very clearly the most important person here.

"And of course, I would like to thank my older brother, Sonic The Hedgehog!" Tails gestures to backstage, and the crowd goes wild at just the mention of Sonic's name. "I know right. The guy who's devoted his life to saving the world is the same guy who raised me, sometimes I still have a hard time believing it myself!" He chuckles. "That is, until I remember he's also the same guy who refused to eat vegetables until I was old enough to start hiding them in his chilli dogs."

The joke got the crowd to laugh, and Sonic promises that's the only reason why he doesn't go out there and set the record straight. Because first of all, he didn't refuse, he just never felt like making a second serving! Tails got his vegetables and that's what mattered! Some brother he is, lying on Sonic's name like that.

"I would like to thank the rest of my family as well! They're your heroes, but they're the ones who gave me the confidence to do anything even close to this! I don't know where I would be without them so I kinda think this award belongs to them too... Still going to my trophy shelf though, they can get their own."

There's another laugh from the crowd, and a little tear wiped from Knuckles' eye. Sonic isn't doing much better beside him, the hedgehog is holding it together as well as straw holds up a house. Hell, Sonic barely listens to the rest of the speech, too focused on keeping it together until his little brother comes off stage.

All too soon there's clapping and cheering from the crowd, and Tails is beelining towards them. The curtains are coming down, blocking the stage lights, and within moments the fox's mic is removed and his blazer is thrown to the floor. None of them have ever been much for the restriction of formal clothing, Tails being no exception.

"Did I do good?" He asks. Sonic's heart clenches at how deep it's gotten. "Gosh, I was so nervous."

"You did very well." Knuckles scoops up Tails from behind, giving him a good noogie and messing up his tamed fur. "Couldn't have done it better myself."

The fox beams at the praise. For a moment, all Sonic can see is that little 8 year old smiling at him like he's the only good thing in the world. That same sweetly sharp grin, packed to the brim in naivety, but obvious intelligence below the surface. He's trying so hard not to get all mushy, Tails will make fun of him if he does. Hmm, he wonders where Tails gets that from.

"You did great, little brother! I told you that you could do it, and look, you got that fancy medal and everything just to prove it."

Tails flushes as Sonic pulls him in for a hug. He's a little taller than Sonic now, and the thought makes the hedgehog slightly nauseous... When did that happen?

"I dunno about little, I think you're more deserving of that title now!"

"As if!"

Now it's Sonic's turn to noogie the fox, much to his chagrin.

"You may be getting tall, but you'll always be my baby!" Sonic says obnoxiously.

"Ew, you're being so gross right now."

"C'mon keed, can't take a little affection from your big bro?"

"Not when you're acting like this, and stop calling me that, you weirdo!"

Sonic and Knuckles laugh at Tails playful disdain.

Hopefully he knows how proud they both are of him, Knuckles might beat it into the fox if he doesn't. Not even Sonic can save him from that fate.

Yeah I'm gonna participate in whumptober I said. WRONG !! WHOLESOME WEDNESDAY ATTACK 🌈🩷🫶🏾

I've had this fic in my drafts for ages, please take it away and treat it with care lol, it's been waiting so long for me to finish it

Also, someone give me an idea for a lil fic to write for Tails birthday !! I could just do the whumptober prompt but if anyone has any better ideas, I'm all ears !!

My askbox is always open !! Come yap to me !! Let's be friends !! @max-nicoxfandom is my general fandom blog if you're interested 🩷🩷

[donelywell]

If your taking requests, I liked to see your sonic and tails if they were closer to their actual animal size difference.

January 9 2024

Doodle Request #5!

You have no idea what you've done. This doodle request has made me spiral into making my own self indulgent au.

I've never more times in my life used 'cause I want to' as an excuse for something. This entire au is just self indulgent fluff. At first, I looked at the request and went 'oh, they probably don't realize how small hedgehogs are or how big baby foxes are.' and then I was like 'okay, but Mobian'. AND THEN I was like 'okay, but it'd be funny if Sonic was like- almost an adult in this drawing.' and it just spiraled into this. I want to make so many more doodles of this au FUCK.

So everything isn't set in stone yet, aside form their ages I think.

Amy is 19, she's studying to become a teacher. She works at a daycare.

Sonic is 22, he picks up odd jobs where ever he travels in his van.

Tails is 8, he also picks up odd jobs, but more mechanically centered ones (and way less jobs because Sonic will not allow the kit to overwork himself).

Knuckles is 23, he guards the Master Emerald still, but he also is a pro at arts and crafts (mostly pottery).

I know I wrote 'plane' in the doodles (if you can even read them, my handwriting is a nightmare there), but I was originally thinking van that Tails later modifies into a plane-van combo.

Do they have powers? Yes. Because I want them to. Are there magical gemstones? Yes. Because I want there to. Is Eggman trying to take over the world? Eh, I don't think so. I like chill vibes, plus how is Sonic gonna beat up a Motobug if he isn't even as tall as the tire? Why are they wearing clothes? Because I want them to! Why is everyone but Tails aged up? BECAUSE I WANT THEM TO (and it's funny to me).

Sonic and Tails live in a van (that he stole) and travel around. Sure, Sonic has super speed (he's not afraid of showing it off), but he just likes driving (he had to diy an entire system just so he could drive). Plus, it's fortunate that he stole that van, because carrying around supplies needed for a toddler already twice your size when you met them is definitely not light.

[cold-violet]

Today is my first day of work and I'm kinda nervous to be honest. Being the new girl kinda sucks, but I'll be okay. Anyways wish me luck 🤞

[fort-cozy-mcblanket]

Now I'm over here crying because I love Amy so much and I also love ASOUE so much (seriously, I read the books 9 times each) and this would be so incredible but I know it's never going to happen. But this is the spinoff we deserve! 😭😭😭

Just found out that a super secret third “Big Bang Theory” spin-off show could be in the works. If it isn’t a Sheldon and Amy domestic dramady, then I don’t want it! I seriously could watch Sheldon Cooper’s entire life Truman Show style. 😭

[tomboymikayla]

What sucks about the Sonic franchise is that people only seem to like it when the franchise isn't being itself

Sonic Colors is liked by non Sonic Fans because it's kiddy and lighthearted and not dark and edgy like the 2000s games, which is considered cringe to them and the only time people "like" the 2000s games is when they're talking about those obnoxious Snapcube dubs which they's been spamming for 4 years now

New Fans also praise the current voice cast, which sucks because a majority them don't fit the characters

New Fans also praise how Ian Flynn writes the characters, which also sucks because Flynn's version of the characters don't act like the actual Sonic Characters, (Sonic considering himself as a hero, Tails being Jimmy Neutron, Amy chooses to keep her feelings for Sonic secret and having Tarot Cards be her whole personality, Shadow being an edgy dick, etc) but the New Fans keep insisting that the new versions are better

Also to this day, misconceptions about the franchise and 90s boomers who refuse to let go of the US Lore still persist:

His name is Eggman, not Robotnik

Sonic lives on Earth, not Mobius

Sonic is not obsessed with Chili Dogs

Amy is not a stalker

Sonic has never fucking said "Gotta Go Fast"

Shadow is not an edgelord

People thinking the cartoons and movies are canon

People thinking the Snapcube Dub is canon

Majority of the characters are teens (For some reason people think every Sonic character is a grown adult, even characters like Charmy and Tails)

Also a lot of people seem to forget that the franchise was niche/hated during the 2010s, people didn't give a flying fuck about Sonic and even if they did, they brought it up just to shit on it, it was especially worse when Forces and the Ugly Sonic design came out, everything about Sonic in the 2010s was mocking it, nonstop memes and people saying the franchise only works in 2D (What's worse is that Sonic Mania indirectly proved them right)/was never good, etc

Sonic hate is a lot less common nowadays due to the movies, (mocking Sonic 06 is still brought up to this day tho), however i feel like most of it is people pretending to like Sonic, majority of Sonic praise nowadays comes from the Movies or Frontiers's vocal tracks (because of Kellen Quinn), it also goes back to my previous point with people liking the mischaracterised versions of the characters better

The big two Sonic content coming out this year are Sonic x Shadow Generations and Sonic Movie 3, which has a lot of people hyped because of Shadow the Hedgehog, but it also goes back to my previous point of people pretending to like Sonic, Shadow was heavily disliked by critics and the general audience for being a "edgelord" and looking like a Deviantart OC, so why are people switching up now?

Also from a majority of reactions I've seen, they'll say shit like "Shadow has always been my favorite character" but they don't even know his backstory and when see Black Doom, Maria or Gerald, they go "Who is this!?" (Or make an obnoxious Snapcube joke), I've even seen people ask for Silver, who is a character who was more hated than Shadow and know less about, I doubt they even know he's from the future

All this shit makes me scared that by the time both of these come out, that I'm gonna have to gatekeep the fuck out of this franchise, which is something don't wanna have to do, I just wanna live in a world where the franchise isn't a laughing stock and people actually the franchise unironically

[sparkles-rule-4eva]

Why do you want the sonic character to be seen as kids so badly? /gen /nm

Because they ARE kids?

I have no issue with them being mature, saving the world, being the awesome characters they are, being serious when they need to be and stepping up simply because someone needs to.

But there is something so sweet and lovely when they do the little things that remind us of their age. Like Tails with his juice boxes amidst all his amazing tech. And Amy's silliness and enthusiasm amidst her powerhouse battle skills. And Sonic's playing video games and yelling "ECHOOO" into canyons because it sounds cool, amidst his street smart demeanor and heroic nature. I don't want them to be shown as kids in a derogatory way, a way that makes them dumber or incapable. I like it when they are shown as kids in ways that cannot be reconciled with an adult: the unfiltered joy, the shenanigans, the desires for hugs and affection, the times when they don't always do everything perfectly but they're still doing their best and it's endearing. They are oh so young, and they couldn't be more interesting because of it.