#add Jazz

[fanficmaniatic]

OKEY so the trailer happened. Use me as the "Get Little Nas X/ Janelle Monae to voice Jazz in the sequel"

[messymerr]

Drew this because it was on my mind and i think it fits. A means to practice more on drawing bots eh, references are so important

Bonus :

I made Bee's speech a mix of the OG Comic and a clip of the Movie. Here's the reference

[emacrow]

Alfred's day off came as he went for a visit that cause suspicious in the batfam.

Alfred was looking rather energetic and enthusiastic as he was fixing himself up in the mirror, cleaning any lint and dust on his casual clothes.

The batfam has been noticing he is getting more excited that he even made everyone's favorite lunch in record time as today was one of alfred rarest day off.

Tim on the other hand is thinking that alfred might be dating someone, because he saw alfred bring light blue letters that had a soft jasmine smell.

Bruce believes Tim finally lost his marble because when does alfred had the time to date around.?

Until Dick mentioned that even old people get lonely and tend to matchmake in the form of letters like the good old days..

Which right now the batfam and Bruce leading them are currently spying on Alfred far enough where they think he wouldn't noticed them stalk- observating him.

Alfred was picking up a couple of presents, one that had plants, another had old Techno theme, one with birds, a fire theme one and a space theme present that he loaded his car with along with a stuffie bear.

Steph thinks that he could be visiting relatives at that point..?

While Bruce was remaining quiet with a calculating glint in his eyes.

They follow alfred all the ways to the one of the barely remaining clean parks, where a another young man sat with a orange hair little girl in a light greenish blue dress, a sleeping baby girl in a bassinet on a picnic blanket with a purple clock theme pattern, as he watches 4 toddlers playing and squealing around a oddly colored puppy.

Two toddlers look like a bait-adoptable bait even if both has stripes of white in their hair and one had red eyes, one toddler had blonde hair with the tips being black with purple eyes and a lightest greenish skin tone, and the remaining toddler was Egyptian African American looking with how he playing with a odd toy phone that look Egyptian theme before being dragged along to play by the green dog snatching his toy phone.

Alfred brought the presents along sitting down with the now seemingly much older man..

Jason seemed to noticed that nobody else is noticing that that guy holding the clock like staff is literally shifting from young, to adolescent, to young adult, and elderly man beside himself when he voiced his concerns.

They weren't close enough to hear what the two were saying, but the little girl with the orange hair was speaking mostly before looking up with tearful green teal eyes at alfred who went to comfort the girl.

[raynewolferune]

Meta Jazz, the Arkham Intern Therapist Pt1

Update 5/16/2024: Congrats guys, gals, and others! You have planted the seeds and they have grown. Today I wrote another 46 pages on this story (the first section was only 9 pages ya'll). I'm working on splitting it up into smaller sections so I can post it now because tumblr said no to doing it as one piece. I'll be using the tag #Meta Jazz Arkham Intern Therapist if you want to follow it.

Original Note: I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside.  As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie  shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..."  Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it -  and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

[corkinavoid]

DPxDC Multiverse Police

I've seen the idea that GIW is actually SCP foundation somewhere, and lately, I've been thinking a lot about Fenton Happy Ending, so I bring you this. Behold, GIW/SCP, Team Phantom, and Fentons are working all together, and the whole wide multiverse fears them.

So, a giant green Lazarus Pit that looks more like a vortex than an actual Pit randomly opens in, say, Ohio. Because I heard a lot of weird shit happens in Ohio. The world is worried, JL gets sent there, but they are not exactly sure of what to do with it. Nothing comes out of it, and, well, no one is volunteering to just jump inside it - Batman made everyone read his files on Lazarus Waters, and they are reasonably wary.

But then a thing appears literally out of thin air on top of it. It looks like a spaceship, kind of, but more sci-fi than what real spaceships look like. And before anyone says anything, a large green - Lazarus green - dome appears, effectively covering both the ship and the Pit and cutting the heroes off.

The heroes are Confused (tm). And worried. And no one has an idea of what the fuck is going on, for all they know it could be some kind of yet another alien invasion.

Then, two figures on the hoverboards - one read and one teal - come out of the ship, flying over the Pit. They are followed by drones, and they all look like they are... scanning the Pit? A few more people, wearing black visors and shiny white suits that look like they are packed with all kinds of tech, slide down on the ropes straight inside the Pit. It sure looks like they are very familiar with it and have a good idea of what they are doing, working as a team.

One of the figures on the hoverboard, the one in a teal suit, notices the heroes on the other side of the green dome. She - because both of them look feminine enough - slows down and flies down to the ground, landing in front of Superman and taking off her helmet. It reveals a rather young, no older than twenty years old girl with fiery red hair tied in a bun, with eyes the same color as her suit. She smiles at them.

"Hi, you must be the Justice League?" She asks politely, and as Superman gives her a nod just out of surprise at her friendly attitude, she touches her ear, "Mom, this is DC sector universe. Pretty sure it's not a dimension we've been before, though." She turns back to Superman, "You don't recognize any of this, do you?"

Batman intervenes before Supes has the time to answer, "Who are you?"

The girl nods and taps her ear again, "Yeah, they definitely don't know us. So mark it as either an unfamiliar dimension or an unfamiliar timeline." Then she turns to Batman and smiles.

"You can call us interdimensional police. And since all the Batmans we ever encountered never believed us, I'm going to send you a copy of the files your other versions complied all together, so you can read and add more if you feel like it."

She touches her wrist computer, and, a few moments later, Batman's comm comes online with Oracle's voice:

"B, I'm getting a shit ton of files on... Multiverse Law Enforcement?.. out of nowhere. What's going on?"

Now, JL is baffled. Some of them - Flashes and Bats, for example - knew there was a whole wide multiverse going on, but to learn the multiverse has police? That's new.

Meanwhile, the redhead continues:

"The green thing behind me is a natural portal to the Infinite Realms, the dimension between dimensions. Which is really not what is supposed to be happening, so we are in the process of fixing it. It will take from ten minutes to a few hours, depending on what's on the other side, but the portal will be gone soon, and then I'll have to ask you some questions."

"Questions about what?" Asks Flash, and the girl waves her hand in the air.

"Oh, well, about the portals? If one so big is opening up, it means a few smaller ones had to exist in this dimension already. Our tech is not picking them up if they are smaller than a certain size, but you must have seen them before. I believe in the DC sector, you call them Lazarus Pits? We can take care of them later, too."

The second hoverboarder flies closer to them and revs her engine.

"Jazz, talk to them later, Tucker and Agents are done. Fentons are about to get Dannies down, so you need to either come up or leave the shield."

The girl - Jazz - looks surprised.

"Dan, too?"

"Yeah, it's the Toothy Jungle on the other side. They wanted to ask Ember, but, eh, what's her guitar gonna do to plants, even if they are sentient?" The red hoverboarder shrugs, and Jazz tilts her head, looking back to the heroes.

"I think I'll stay with them. You know it gets violent when Dan goes down, so people get antsy about us. I don't want to give the wrong impression."

The other girl huffs, but doesn't argue.

"Okay. Get out of the shield, then, and for Ancients sake, keep your comm open. Danny has an aneurysm every time you turn it off." With that, she flies away, back to the ship, and Jazz taps her hoverboard so it folds down into a hexagon shape no bigger than a backpack. Then, she steps through the shield, joining the JL on the other side of it.

"Are you not scared we might take you hostage?" Asks Wonder Woman just out of curiosity, and Jazz smiles pleasantly at her.

"Don't judge a girl by her looks. I don't want to brag, but I did fist fight Superman once and won."

----------

So basically, after Amity Park got sucked into Infinite Realms, the whole town just kind of collectively decided they like it there. And somehow they reached a happily ever after with both Danny's reveal to his parents and GIW, and then Clockwork showed up and was like, you guys want human food supply, running water and electricity, right? Well, I can do that, and so much more, you can be the ultimate perfect town. And for the price? You gonna go on adventures from time to time and fix the multiverse when shit hits the fan in various dimensions and universes. Doesn't that sound like fun?

And Amity Park, who's seen so much weird stuff over the years that it greatly affected their idea of common sense, goes yeah, that does sound fun! Let's go, people!

So here they are, appearing in different universes and doing damage control. They are, like, the superheroes for superheroes.

I'm probably going to write a part 2 to it, I want to show off Danny and Dan and Dani too. Halfas on the loose, JL is mildly concerned and kind of scared, and Jazz is just like yeah, that's just another regular Tuesday :)

I love Jazz being a badass, yes. Also, if you didn't get it, the other one on the hoverboard is Val, the drones are controlled by Tucker, and the people on the ropes are GIW agents.

| next -> |

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[ew-selfish-art]

Dp x dc AU: the watchtower gives out very strictly limited passes for visitors. They don’t need the world knowing that their HQ is in space after all, but sometimes family needed to visit.

Batman was the one to install the day pass system back when Dick was Robin- he needed the excuse to send Dick home to Alfred after a certain amount of time has passed and it just stuck. Unless you were a full time member, day passes were the best you got. Engineers and other supportive staff that weren’t members weren’t afforded day passes however- but Jazz is determined to be the one exception.

Jazz Fenton has been a psychologist for the JL for a year now (she just had a very productive performance review, thank you very much) and it’s been killing her to not tell Danny her office is in space. They do weekly dinners that he portals in for, and he knows that she takes a Zeta tube to work, but he’s technically not allowed to know that her office is a satellite. So, she sets a meeting with the man who started the system in the first place.

Batman is hard to read for most but she’s been his therapist for a while now, and she can tell he’s at least considering her request. Dinah couldn’t speak more kindly on Jazz and she’s been an asset to the JL in many ways since she was hired. Jazz’ arguments aren’t preposterous either- she’s submitted all of his identification papers, his background check, his job description and all of his friends names. She assured him that Danny will be able to keep a secret but when pressed she doesn’t reveal if he has any of his own.

Turns out, months of back and forth and negotiations were going be basically worthless- the second Danny got his little wrist band day pass, made it up via the zeta tube and got presented the view of Earth from the observation deck: he immediately transformed. Like zero caution, just went ghost and hyper fixated on the stars.

“You could have mentioned your Brother being Phantom. He’s been an ally to us for a while.” Batman grumbles in the way that only his family and she can tell through his deadpan.

“Yeah, I just thought that would’ve been a second visit conversation.”

[gilbirda]

Danny is the rightful Ghost King, but since he's not of age he needs a regent who is a) his species, b) his family, and c) an adult. The only adult haftas are Vlad or this Red Hood guy from Gotham that he's never heard of. Since Vlad is not going to happen looks like it's Red Hood, now how to make the guy count as family...

Jason has had a lot of weird shit happen to him over the years but a woman tracking him down as Red Hood to propose a temporary political marriage so he can be regent of a death dimension until her brother is old enough to rule in his own name is a new one for him. Of course he accepted. The only other option was apparently a creepy uncle figure. He's read enough romance to know a forced marriage of a woman to her creepy uncle never ends well. A forced marriage of a woman to a crime lord doesn't usually end much better, but he's ignoring that for now. He's going to woo and romance his spit fire of a wife with respect, spontaneous poetry, his damn good cooking, and by not being a Darcy. And he is going to rock not just this whole regent thing, but also and more importantly the mentoring her brother and his new ward on how to rule this dimension. Competence is always attractive. He runs a tight ship in his crime empire, surely running a dimension can't be that much harder.

He actually already has a plan on how he's going to handle the whole 'The USA declared war on the dimension he's regent of' thing. It's simple really he goes to the next family dinner and causes chaos. The faces everyone will make will be glorious when he drops that he's lord regent of a dimension, the USA is at war with his dimension, and it's such a shame that no one can meet Jason's wife or ward till there is a peace treaty. Then he just needs to sit back and watch the entertainment as his siblings realize he has forever won the position of favorite child by being the first married and first to give Bruce a grandkid. Also you know the chaos of Bruce willing to wage a one man war if necessary so he can meet his grandson. Jason figures it will take at most a month for the government to cave.

And like a cherry on top he's going to get on a medical treatment plan for the pit. Everything is looking great for him.

[obsessedwithstarwars]

Bruce: How was your class trip Damian?

Damian: It was quiet and productive Father.

Bruce: I’m glad to hear it. What was your favorite part?

Damian: I learned how to escape an Iron Maiden.

Bruce: …

Damian: …

Bruce: Explain please.

Damian: A boy Drake’s age taught me how to escape an Iron Maiden.

Bruce: How did he have that knowledge?

Damian: He claims his family has a dungeon full of medieval torture devices. I believe he may require further investigation.

[lonelyzarquon]

[ekat-fandom-blog]

Blurred Lines

Danny had two names on his wrist: William Joseph Batson and Klarion Bleak. Jazz had one name: Richard John Grayson. Dani had two: Damian al Ghul Wayne and Jonathan Samuel Kent. To bad their soulmates didn't have their names. Just a thick smudge where it should be.

When the Fenton's were witch hunters, they got cursed. This curse made it difficult for their soulmate(s) to believe they are soulmates. It also impressed instinctual knowledge upon the Fenton's of who their soulmate was as soon as they saw them. It wasn't impossible to convince their soulmate(s), but it did require knowing all the loopholes in the curse. Unfortunately, the three youngest Fenton's weren't told about the curse.

Jazz had known as soon as his name was released to the public, that Bruce Wayne's first ward was her soulmate. And when she saw him later, she was even more certain.

She realized fairly early that there was going to be some pushback because of his social status. There were often articles about people falsely claiming to be his soulmate. She knew that people at school thought she was lying about being his soulmate too.

Then, she finally got the chance to meet him. Had everything prepared. Birth certificates, dated pictures of her soulmark, everything she could think of to prove that she was who she said she was. In the end it didn't matter. He didn't believe her. When she pushed, he showed her that he didn't have a name on his wrist. Just a weird smudge. He told her that there was probably a different person with the same name who had her name on their wrist. She had no choice but to accept what he said, even though she knew he was wrong.

Dani had a nagging feeling that she'd met her soulmates when she ran into Superboy and Robin for the first time. She wasn't going to confront them about it because it would be rude to ask them about their secret identities, but she'd suspected. Her suspicion was basically confirmed when Superboy told her his name.

What happened next hurt. She'd asked him if he'd realized they were soulmates the whole time, and he'd said he only had one whom he'd already met. When she asked if it was Damian, he freaked out. Then, Robin showed up equally freaked out, but hiding it better. Things escalated from there. To the point that she's now actively avoiding the two.

Danny was last to meet his soulmates out of the three. He'd been chasing after Amorpho when he bowled over Billy Batson and promised to buy him food after he caught Amorpho. Billy had been suspicious, but agreed. After they exchanged names, Danny immediately asked if Billy knew his soulmates. When Billy said no and then took off, Danny felt like he'd been rejected.

Then, he'd run into Klarion while he'd been enjoying creating some chaos in Amity (particularly annoying the mayor). Danny knew that Klarion was one of his soulmates. Even when Klarion was reluctant to accept it. He decided they needed to talk to his parents about whatever was going on.

That's when Jack and Maddie realized they'd never explained that their family was cursed.

(Klarion was furious. How dare someone attempt to keep his soulmate from him!)

[currentlylurking]

Thinking about... low stake Fenton Family headcanons. Those kind of things that have no wider world-context when it comes to fic ideas but really speak to their family dynamic.

Like, one of my favourites is that Danny doesn't avoid swearing because it's a kid's show from 2004; he avoids swearing because when he and Jazz were little, Maddie and Jack caught them repeating what what they'd heard from the lab. So they promised their children that if they could make it the next decade or so, until they got their drivers licenses, without swearing in front of them, Maddie and Jack would buy Jazz and Danny each their own car! They assumed the kids would forget before they had to follow through, but Jazz did not. And once she was sixteen, she traded the inability to swear for a car.

Danny can fly. He doesn't technically need to get his driver's license. But by this point he's committed, and won't swear at all - he doesn't want to risk slipping up in front of his parents, and losing his chance at a car!

Another one I really love is that up until he was about ten, Danny spent most of his time at the public pool. Maddie had him and Jazz in baby swim lessons, but Danny loved the water, so she kept him in it. And Danny was an amazing swimmer - he was incredibly fast and by the time he was seven, could dive well enough that there was barely a splash when he hit the water. Danny thrived in the water, and with some guidance, absolutely could have become an olympic level swimmer.

Unfortunately, when he was 10 or so, he mentioned to his parents that the chlorine in the pool hurt his eyes so Jack tried to replace the pool filter with an ecto-based one, which went very badly. And the family was banned from the public pool. They set up a blow-up pool in the backyard for Danny during the summer, but it wasn't the same.

Fortunately, he turned 14 and gained the ability to fly, so he doesn't miss it too much anymore, but Jack does still feel bad.

And of course, the last quality one - none of the Fenton family can cook. Maddie and Jack can bake extremely well, but baking and cooking are different. They like the experiment too much with their cooking, and even without ectoplasm, it usually leaves their food inedible. Jazz can make simple things, like macaroni, but whenever she's tried something more complicated it hasn't gone to plan. She's too much of a perfectionist to risk that.

Danny, meanwhile, has burned soup before and will burn it again. But he's still eaten it. Sam and Tucker have joked about how Danny's tastebuds must've died in the portal too, because there's no way a normal person would eat the kind of things he does, but he's always been like that! He's far too ready to eat almost anything.

It was particularly stressful for his family when Danny was a baby, because it seemed like for the first four years of his life, his sole goal was to eat every single battery he could find.

[mechanoize]

this isn't too good but i legally cannot miss anymore jazz week days

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[starry-bi-sky]

Childhood Friends Danny and Jason: Ch2 Remastered

-------------------------------------------------------------- late at night when the stars don't look quite right -------------------------------------------------------------- there's something burning in the empty room inside of my head fill it up with doubt let it in, let it spread

Jason nearly falls flat on his face when he sees the photo of Danny. He’s in a warehouse, finishing up with a gang selling drugs on his turf. The guys he’s got tied up are cursing up a storm at him, throwing every insult under the sun his way that he’s all heard before. His eyes drag over to them, and silently Jason adjusts his jacket to reveal the guns strapped to his thighs, his hand hovering over the handle of one. 

They all fall silent, and Jason moves his hand away. His phone in his other hand, texting Oracle to alert the police. Jason hates that he has to; these guys will be out of their cells in a matter of months, and nothing will change. 

But he’ll play nice. 

And then his phone buzzes, and when Jason looks down he sees a banner from Tim. A message he planned on ignoring, but his eyes skim over the text on instinct, and suddenly the air is stolen right from his lungs, and his thumb is hitting the screen before he can really think it through.

[Hey Jason, your best friend just appeared in Gotham for the first time since your funeral.]

Impossible. He thinks, yanking his phone close to his nose, as if that will make it any less real or fake. Danny hasn’t been in Gotham in years, Jason checked. But then the image loads, and then he’s staring Danny Fenton in the face. And then he’s greedily tracing every minute, new detail he can find. The gang left half-forgotten in his mind.

Danny’s got an undercut, it looks self-done. It looks good. He looks taller. He’s got piercings in his ears, gold and jewels lining up the sides like a magpie’s find. He’s got an eyebrow piercing. 

Something old, something new; Danny is smiling and it still looks just as Jason remembers it. Crooked, lopsided, warm like the sun and belying the mischief underneath it. He remembers to breathe in that moment, and the sound comes in sharp. Danny’s eyes are as blue as they’ve ever been. 

(“I don’ get why books talk so much about peoples’ eyes.” Danny complains to him one day when he’s visiting the manor, his legs thrown over Jason’s back like an anchor tied to its ship. They’re sunk into the mattress of Jason’s bed, sunlight peering through the windows. “They’re just eyes! I don’t need t’know that they’re ‘as blue as the sky,’ or- or the ocean, or whatever blue thing in the world there is.”) 

(Jason’s smile comes to him like breathing, and he twists around to lay on his back. His arms trap Danny’s legs to his stomach. “Pretty sure it’s jus’ for emphasis on how much they’re noticing the person’s face.”)

(Danny’s face scrunches up, and Jason’s smile splits into a grin, heart swelling three sizes on instinct. “I think it’s stupid, s’just some fuckin’ eyes.”)

(“Eyes are windows to the soul, Dan.” Jason retorts, barking out a laugh when Danny gives him a deadpan look. His hands creep for a pillow, one of the soft downy ones wrapped in silk, and he throws it at Danny’s face. “And besides, speak for yourself! Your eyes are the bluest thing I’ve ever seen.”) 

But most importantly, Danny looks tired. 

Hiding is something that comes free with the purchase of living in Gotham, and Danny’s good at hiding things, he always has, but Jason knows him like the palm of his hands. He looks tired, and Jason wants to reach through the screen and ask him why. There’s an age-worn look there, catching in the flint of his iris, where his smile doesn’t quite reach his eyes. 

Jason gets the ETA from Oracle, then leaves as fast as his legs can carry him and his grappling hook can zip through the air. He needs to see Danny with his own eyes, to confirm himself that Danny was here, and that it wasn’t his mind playing tricks on him. Or that it was Tim playing a cruel joke on him — and if it was, he’ll have to rethink his whole killing thing. 

Gotham’s air is warm and suffocating, but her winds bite at him as he soars through it.

It’s second nature for him to find the west end balcony, and Jason finds himself with his feet locked in place on the building beside it. Grappling hook in hand, and a balloon in his lungs, all swelled up and squishing the air out of him. 

It’s just his luck —with whatever he has left— that Danny is there as well. In the same spot he’s always been, with a cigarette caught between his teeth. He’s stuck halfway, head tilting, eyes closed, with the shadows of Gotham on his back and the light of the gala at his front. 

For a moment, for a fleeting, terrifying moment, Jason thinks Danny’s going to tilt himself back off the side.The thought has him blindly tilting himself forward with his heart in his throat. Hands reaching for his grappling hook, swinging down to drop down beside him.

Danny is staring at him before his feet even hit the ground, face nigh unreadable beyond the small, wary furrow of his brows. Danny’s never looked at him like that before, it feels like  stumbling on the last step of the stairs. 

Then, like fire to black powder something flashes and ignites in Danny’s eyes. Mouth curling, eyes burning, for a moment, just a moment, they’re kids again, getting into fights and turning soft hands punch-rough. Danny looks at Jason like he’s going to tear him to shreds.

Jason’s mouth runs dry like a desert in the summer, but his blood chills in fear cold in his veins. Why are you looking at me like that? His mouth opens, but his tongue is leaden in his throat, and no sound comes out. It’s me. Don’t you recognize me?  

Danny yanks the cigarette from his mouth like it burns him, his free hand gripping onto the railing like it’s the tether to a leash, nails threatening to turn into talons. “Red Hood.” He says, voice low and timbre, smoke dripping from his lips like dragon’s breath.  

Oh.

That’s right. Jason suffocates on his heart as it sinks and soars with relief. Danny doesn’t know it’s him. In his tunnel vision, he forgot that simple, easy fact. It’s not because it’s Jason that he’s angry. It still doesn’t explain, though, why Danny looks at him like he ought to sink his teeth into his throat and rip him open. 

He’s half-distracted by that, and then distracted by the need to drink in the sight of Danny again. A photo is one thing; the real person is another, and with his fear subsiding, Jason rakes his eyes over his best friend and swallows him whole. His eyes are bluer in person, his memory and Tim’s photo doesn’t do them justice, and Danny inherited his dad’s height. He’s gotten so tall. They both have. They both used to be such scrawny kids. 

So distracted is he, that he forgets to respond to Danny, to say anything. Not until Danny tries to dismiss himself, and Jason kickstarts into gear. White hot panic fills in his lungs, burning him up like magma. No, no, no, he’s moving without thinking, always when he’s with him, and he nearly latches onto Danny. Nearly wraps his hands around his arm to hold him in place. Don’t leave. You’re finally here; don’t go. 

Danny stays, but he stares at Jason’s reaching hands like he’ll bite them off, stares at Jason with his eyes burning, watchful. Jason’s excuse is lousy and he knows it, but he wants, wants, wants to stay and figure out every new thing about Danny. 

And he feels like he’s losing something. Time bleeds together beside him and Jason feels trapped behind a glass wall of his own making. Something old, something new. The distance of which Danny keeps him at is foreign to him. He hates it. 

Tell me everything, he thinks, because he can’t find the words to say it. He hands Danny a cigarette instead, and hopes that it’s enough. Tell me everything and more, tell me what I’ve missed. 

In the end, he still feels like he’s losing something, but he also feels like he’s missing something. Answers that are water, and that water is slipping through his fingers. Danny leaves him with more questions than answers; something that’s never happened before, and Jason watches him walk back inside with a spinning mind. 

What do you mean you spoke to my ghost?

I told you that the Joker killed me?

Have I told you anything else? Have I already told you everything I’ve wanted to?

What happened while I was gone? 

Is that why you’re scarred?

Because Jason isn’t blind, he’s never been. Not in Crime Alley, not as Robin, not now. And not when it comes to his best friend. He sees the silver lightning scars ripped jagged up Danny’s arm, sees that they disappear under his sleeves. He saw, faded as they were, invisible until the light hit right, as they spread like tree roots up his throat and across the side of his face.

Scars that Danny’s never had before. Scars he didn’t have when Jason was alive the first time. Scars he didn’t have the last time Jason saw him. Or — what he remembers to be the last time he saw him, because apparently he saw him as a ghost. He sees the curve of his ears and how they point more than a human’s should, he saw the glint of his canines, sharper than they should be; sharper than he remembers. Metaphorical fangs turned real.   

Jason should’ve asked where he got them from, should’ve taken Danny by the front of his collar and stopped him from leaving. Who did this to you? He should have said, a fire burning in his chest and wrapping around his throat, pulling his voice into a snarl. He should have said, his guns weighing heavy on his sides; Who did it. I’ll take care of it. Just tell me who. Tell me everything. 

Instead, something crawled into his mouth and died, and his tongue is glued to the roof of it. And he doesn’t say anything, because saying something means telling his best friend who he is. It means having to take off his helmet and mask. It means telling his best friend that he’s alive, that he has been. That despite being two halves of a whole, Jason spent five years letting him think he was dead. 

He can’t tell him, not when he’s in too deep already. Not when Jason is so unrecognizable to who he used to be that if he told him, Danny would hate him.

And Danny is still grieving him. So plain as day mourning, still angry over his death. Angry enough that he wants the Joker dead, angry enough that he wants to hang the noose and kick the chair out himself. 

Jason wishes he told him that he looks tired. 

Instead he’s standing alone on the balcony, trying to get his thoughts in order as music blares muffled through the gold-light door. He’s left staring at the crushed cigarette laying on the ground, Gotham’s ambience at his back and a poem hanging in the air that he has no words for. It’s already there. Like stars on a painted ceiling.

And there are so many questions he needs answers for. 

Like his ghost. His ghost.

What did Danny mean by his ghost? 

Does he really want to kill the Joker himself? Was it just the grief talking? Jason knows — or thinks he knows — Danny like the palm of his hands. He’s been through everything with him, he’s seen him say something and then immediately follow through with it. He knows when he’s being serious, he knows when he’s not. 

Danny wants to kill the Joker. Stealing is one thing; murder is another. And Danny wore a look on his face that looked like he meant it when he told Red Hood that he wanted to kill Joker. But saying and doing are two different things. Jason doesn’t know what to think.  

Something old, something new. Danny is still the same, and yet he’s changed so much. 

What did Danny mean by his ghost? 

Jason doesn’t ever remember being a ghost. But Danny knows the Joker killed him. He knows how he killed him. Danny’s parents are ghost scientists, and Jason remembers the letter he got one day telling him about the portal they were building in the basement. 

He remembers thinking about telling Bruce — this was something beyond the glowing green samples stored in the fridge, giving life to the food inside. This was beyond the weapons, the inventions they made that only saw the light of day when the Drs. Fenton brought them up to showcase them.

And he didn’t, because if he hadn’t told Bruce about everything before, he wasn’t going to start. He admits, it was part fear that Bruce might intervene and prevent him from seeing Danny that he didn’t.  

Neither of them had expected it to work — but it sounds like it did. 

(Jason has avoided Amity Park for a reason. He knows he wouldn’t be able to stop himself from going there if he didn’t. But now, he just might have to look into it. He’s missed too much.) 

And Danny wants to kill the Joker, and Jason isn’t sure if he means it or not. Because the look on his face when he said it is oh-so familiar. It’s the one he wore when he needed Jason to distract the clerk while he snuck behind the counter to steal cigarettes from the shelves. It was the one he wore when an older kid cornered them near one of Gotham’s many alleys, threatening them over something Jason can no longer remember clearly. 

(He remembers puffing himself up, rearing for a fight. Danny, with glass in his teeth and blood between his fingers, lands a square kick to the spot between the kid’s legs. His knees hit the ground, and Danny’s hand found Jason’s to drag them both out of there.)

It’s the look of a boy, Gotham-touched grime in his soul, soft fingers turned calloused and scarred, about to do something he’s not going to regret. It’s the look of a boy that has set his mind to something and is going to do it. Some might call it the eyes of a cornered animal, but Danny’s never been cornered, not when Jason’s been with him. 

(But Jason hasn’t been with him. Not for the last five years. So can he really say it wasn’t the eyes of a cornered animal?...Yes.) 

Jason gets off the balcony before he can be seen, and he shouldn’t, but he loiters. He should get back to patrol, the night is never over. Not in Gotham. But he stays, hidden atop the roof nearby.

—---------------

An hour later, Danny walks out the doors with a man Jason recognizes as Vlad Masters — another new mystery for him to uncover. The paparazzi have long since left. Gotham’s nights are dangerous and everyone knows that, not even the vultures would stick around for a scoop, not unless there was something worth seeing. 

A black limousine pulls up beside them, and Masters walks around the back to reach the other side. He’s bristled like an angry cat. “I thought I told you not to embarrass me.” He hisses, eyes snake-narrowed.

Danny, for the most part, just looks unbothered, his hands shoved into his pockets without a care. But he narrows his eyes right back, an expression made of stone. “You have a pretty low bar for what you think is embarrassing.” 

Masters just scowls, “I don’t understand you, I would have thought you’d spend the whole time mingling with the Waynes, badger.” He says. Danny ruffles at the nickname, lips curling into a snarl. Jason finds himself unconsciously mimicking him. “And yet, I find you sequestered away in the corner like a little fly on the wall. Were they not up to your standards?”  

‘Sequestered’ Danny mouths mockingly, eyes burning like he was going to claw his hand down Masters’ face. Instead, his hands dig into his arms. “I did talk to them, that’s more than I can say for you. You couldn’t even keep Mister Wayne’s attention for more than a minute.”  

Jason frowns, and Masters scoffs, puffing up like an owl with its ego bruised. “Regardless, I am not the one losing here. Or did you forget what you promised me?” 

Jason’s frown deepens. Danny doesn’t promise anything. At least, he doesn’t promise with just anyone. He deals; he repays; he indebts. But he does not promise. Promises were power, with only one side benefiting. It was trust to promise someone something. Danny doesn’t trust easily, neither of them do.

Something that hasn’t changed. Danny rears up angrily, mouth twisting, teeth baring, snarling out a fury sound. A wire cut live and sparking. He grabs the door handle and yanks it open harshly. “I didn’t promise you anything, Vlad.” He hisses, Jason strains to hear him. “I offered and you agreed. Do not fucking twist my words.” 

There it is. Jason should’ve known better, guilt string-plucking in his chest for his doubt. Danny doesn’t promise things; not to people like this Masters guy, at least. 

Danny grabs something from the car and throws himself back. “Don’t wait up.” He snarls, a wild thing just as Jason is, and yanks on a red hoodie over his arms. It zips up, and hangs off him, smothering the vest and button-up beneath. “I’ll meet you back at the hotel.” 

Then he slams the door shut, shoulders hunched and with a scowl carved into his face. They’re both made of broken glass; independence — disobedience — and rebellion cut into them from every broken beer bottle shattered on the streets.

(Jason makes a mental note to look into Vlad Masters — Danny’s never told him about him, so they must have met after he died. The man leaves a rot in Jason’s mouth, and there is a greed festering inside him that Jason knows has left him in decay.)

(He doesn’t like how close Masters acts with him, doesn’t like the affiliations between them both. Masters reminds him of Luthor and every other rich socialite with their hands in something dirty. He hates even more that Danny is making deals with him. What has he missed?)  

Jason follows after Danny, partially concerned that Danny is wandering Gotham alone. Regardless of what he can do, Gotham is still dangerous. It is bone-rotting, lung-choking and unforgiving. Danny knows this, Jason knows he does. He’s partially curious to know just where he’s going, and whether or not it was important enough to visit in the dead of Gotham’s bloody nights.

Danny surprises him — slipping between alleyways, sticking close to the shadows. Someone taught him how to be stealthy — or, at least, refined what stealth Danny already had. More new things that Jason needs to learn. More things he will never get to know. 

Who taught you that? 

Just what, exactly, have I missed?

I want to know everything. 

Five years is a long, long time to be away from someone. If a caterpillar can become a butterfly in two weeks, then what can five years do to a human? It’s a long time to change, to become something else entirely. Jason’s become someone new, and he thinks, so has Danny. 

Dread pools in his ribs, into his lungs, and weighs heavy on his heartstrings. The urge to drop down in front of Danny, to grab him by the arms and ask him to tell him everything, returns with a vengeance. This is why he avoided Amity Park. 

Will I still know you like I used to? Jason trails behind Danny from the rooftops, like a ghost. Do you still love the stars? Do you still take tea over coffee? Will you tell me, if I ask? 

And if he doesn’t? If he doesn’t ask, like he isn’t right now? 

If he doesn’t ask about his ghost — something that still boggles his mind, because it means the Fentons were right and that portal might have worked, and Danny found Jason’s ghost? If he doesn’t ask what his ghost told him, if he told him anything else? Did his ghost tell you that he was Robin, like he always wanted to?  

He will just have to keep his questions to himself. He will just have to tuck them into a folder in his mind, and file it under all of his other regrets.  

He feels like he’s Robin again; keeping secrets and hiding things from his best friend because it simply wasn’t safe enough for him to know. It’s maddening.  

Why has nothing changed since he died? Why has nothing changed, now that he was alive?

—---------------

Danny leads him to the Gotham Cemetery. Jason freezes outside the gates. Oh, he thinks.

Oh.

He thinks back to what he thought earlier. 

What could possibly be so important that he’d go to it in the dead of Gotham’s night? The cemetery. Of course. Something old, something new, something bittersweet sets over his tongue that he swallows down. 

Jason forces himself to follow. 

“Hey.” Danny says as Jason settles behind a tree, voice gentle in foreign familiarity. He’s standing at Jason’s grave, his hands shoved into his pockets. The light is low but it doesn’t stop Jason from seeing the starlight-soft look in Danny’s eyes and his half-tilted smile, the smile that Jason is more familiar with than the wary scowls. “Sorry I’m late.”

Guiltish misery wraps its hands around Jason’s lungs. Pin-prickingly, stabbing at his heartstrings, Jason’s mouth moves on its own; “It’s okay.” but no sound comes out. Danny doesn’t hear him, and neither does Jason himself.  

Danny sits down before Jason’s tombstone, groaning low and tiredly as his legs fold beneath him. He’s older than Jason, and immediately his mind switches over to all the jokes he used to lob him with. 

(“Need help crossing the street, old man?” Jason, eight years old, asks with a grin so wide and painful across his face; giggles in his chest. He hooks his elbow with Danny, and keeps him tight against his ribs. “You’ll need all the help you can get in your ancient age.”)

(“I’m not that old.” Danny says, glaring at him before they scurry across the street with the light still green. Traffic laws are a joke in Crime Alley, it’s like a game of frogger as the sound of honking horns and screeching tires follows their heels. “We’re six months apart!”)

(“Six months and four days, actually.” Jason corrects when they reach the other side, snickering as they race down the sidewalk. Drivers lean out their windows and curse them out as they get away, Danny dodges an empty soda can thrown at his head. “Can’t forget the four days.”)

“I would’ve come sooner.” Danny tells him, pulling him from child-fuzzy memories and back into reality. Jason peers around the tree to see him running a hand through his hair, head ducked down. His palm splaying against his neck. “Sorry I didn’t. I got scared.” 

Scared? Jason blinks, he leans against the bark and bumps his helmet against the wood. The thunk is loud in his ears, but Danny makes no indication that he heard. Of what? 

But Danny doesn’t say what, he drops his hand and glances off to the side. He sits like a man who isn’t quite sure what to do, his mouth pressed into a thin line, his eyes scrunched. Grief carves into the lines of his face like a sculptor carving into marble. 

“I was gonna get you flowers on my way here.” Danny continues. His voice cracks, begins to wobble, and Jason sees Danny’s jaw tighten and his eyes close for a moment. When they open, there’s a wobbling sheen on his bottom lashes; tears threatening to bleed.   

Danny flicks at the tears with the nail of his thumb, it does nothing. It just makes his breath hitch. “Um, but they- uh, didn’t have any open on the way here.” He says, giving Jason’s grave a tremulous smile. “Sorry, I’ll make sure to pick some up on my next visit.”   

Next visit. Jason’s heart squeezes uncomfortably, before he reels at the words. Danny’s going to be visiting again, after five years of being out of Gotham? Next visit, why are you visiting again? Was this the reason he came to Bruce’s little charity ball with Vlad Masters? So that he could come visit Jason’s grave?

It couldn’t have been. There are other ways to get to Gotham that don’t require making deals with shady rich men. Danny’s smart, smarter than Danny himself gives him credit for. He’s brilliant. Why did he need Masters’ help to get him to Gotham?

There had to be another reason why.

God, there were so many questions that Jason wants the answers to. He’ll find them, one way or another. 

But, he focuses in again. Danny is only here for the night. One night, and he doesn’t know when he’ll be back again. Jason wants to commit every detail of his best friend to memory before he leaves. 

“You like zinnias, right?” Danny pets the grass at his side absently, and yes. Yes, Jason does, and Danny remembers. Even five years from his death, he remembers. Of course he does. 

“Yeah, you do. You used to pick the petals up off the sidewalk from those uh, fuck — the vendors. The Victorian flower language too, I think. Got a book on that somewhere. I’ll get you red an’ yellow ones.” 

Grief traps in Jason’s chest, and he barely tamps down the bitter laugh forcing itself out of the chokehold of his throat. You fucking sap, you big fuckin’ sap.

Red zinnias. Steadfast beating of the heart. The irony. It’s got double the meaning now, now that he’s alive. But Danny doesn’t know that, so the heart that’s beating could only belong to him. But even with Jason alive, he’s hiding. Between the both of them, the only one here with a beating heart is Danny.

(Between the two of them, the only heart here is one that's made between the two of them.)

Yellow zinnias. Daily remembrance. Of course. That doesn’t need any explanation, the writing is right there on the wall. Raised, so that even the blind may read it. It doesn’t need to be said what that means, Jason can hear it on the wind, in the grass, in the trees. His heart crumpling like a rag being twisted out to drain the dirty water soaking in it. 

I miss you.

I miss you. 

I miss you. 

I’m right here. Is what Jason wants to say. It’s what he should say. He should step out from behind the tree; should speak up and say something. To announce his presence. To do something to let Danny know that he’s speaking to someone who is more than a ghost (who feels like one anyways) and a corpse in the ground. 

Here I am. Here I am. HERE I AM.

His feet are gravebound to the dirt, his tongue cut out of his mouth and shoved into a jar. He feels, in some way, like he’s clawing out of his own grave again, but the dirt keeps falling and his arms are burning. His lungs are filled with more soil than air. He’s not getting out. 

Shame burns cigarette smoke in the back of his throat, shriveling up what little remains of his tar-filled heart. It should be his lungs, and it’s got that too. His feet are grave-bound to the floor.

Danny’s begun to cry, much to Jason’s horror. It should be more incentive for Jason to step out. He doesn’t. His best friend sniffles and scrubs at his face, soaking tears into his hoodie’s sleeve. “I’m sorry for not visitin’ sooner,” he says, voice spiraling with grief, “I don’t have an excuse. I should’ve come sooner. I’m sorry. I’m so sorry.” 

Don’t be, Jason thinks. Finds himself surprised by the truth of it. He should be upset. Five years and not a single visit. He abandoned him like everyone else. Except he didn’t. 

He’s not upset, he can’t be. Not when Danny’s finally here. Not when he’s still crying over him five years after the fact. Not when he’s going to put flowers on his grave that means he thinks of him daily. Not when Danny knows who killed him and wants him dead. 

Jason isn’t sure of what to think of that still. He wants Bruce to kill the Joker. More importantly he wants change in Gotham. He wants something to be done. He doesn’t know if Danny is being honest or not — and honesty doesn’t mean anything if someone doesn’t act on it.  

Danny continues talking to his grave, his voice full with sorrow. He talks about the gala, about running into Bruce and talking to him again. 

Jason listens in dutiful silence, soaking in Danny’s voice like a sponge. This is what he was expecting on the balcony; this easy conversation. Except it’s not a conversation, Danny is talking and not expecting a response. Jason feels like a stranger imposing on his own grave.He should slink away, let Danny have his peace on his own.

He refuses to move. He can’t bring himself to.

If he closes his eyes, he can pretend that he's sitting in front of him. He can pretend he’s thirteen again, with him and Danny crawled under the bed at the manor and trading all the stories they couldn’t fit in their letters. Danny tells him about another fight he had with Dash Baxter, eyes rolling but smug teeth flashing in a stifled smile. Then he tells him about something Sam and Tucker did; about one of Sam’s protests she led against the biology lab, and Tucker coding his PDA to play Doom. Easy, stupid middle schooler shit.

They’d sneak out to the balcony for their vices, Danny clutching a carton of cheap cigarettes in hand. Alfred always finds the ones Jason hides, so they usually share whenever Danny comes to visit. Jason tells him about Gotham Academy, about the people there and the classes. Prep school is another beast entirely, he likes seeing Danny’s reactions to the politics that goes on inside. 

Or, further back, they’re eight again, climbing a rickety fire escape to the rooftop and hanging their feet over the edge to find Batman and Robin. Danny was in the lead before he left for Amity Park. Jason remembers it clearly; they’d spent all night outside on that rooftop. 

Jason doesn’t close his eyes.

Jazz decided to change career goals; psychology’s become more of a hobby for her, and she’s going to go to med school instead. She’s thinking of doing an internship in Metropolis. Danny says he’s glad that it’s not Gotham, and when he told Jazz this, she laughed at him and told him that she was going to save that for later. 

She’s Gotham-touched too, she knows it’s blood just as much as Danny does. She wants to help the people there, but knows what Gotham’s like. She knows what she can and cannot do. Determination doesn’t equate skill, it just means the willingness to learn. 

Sam is staying in Amity Park and doing online classes for college, but Tucker got a full ride scholarship in software engineering. Danny’s thick with pride as he tells Jason’s headstone. Jason’s happy for him — they weren’t close, not like he and Danny were, but they were still friends. 

Jason soaks it all in; tell him more. He wants to know everything. 

"I don't know what I want to do." Danny says when he’s finally done talking about everyone else, his chin laying on his knees. “S’not like I can be an astronaut anymore, but there’s not anything I can see myself doing.”

The corner of his mouth coils, sardonic. “I’ve had five years to come up with somethin’ new, and I’ve come up with nothin’ at all.” He huffs. It’s a rough, bitter sound. Gotham has been steadily seeping back into his voice since he arrived in the graveyard, and now it comes out thick, like it never left. 

Danny’s face falls slack, like a puppet losing its strings, and he sinks into himself. “I guess I…” He exhales slow. “I’ve just been distracted.” A faraway glaze eclipses his eyes, and before they close, tears begin to bleed onto his eyelids. Again, grief mars the lines of his skin, settling into the curve of his mouth and threading between his brows like second nature.

Fuck, it’d be so easy for Jason to just step out. Move. His best friend is grieving. He could save him the pain of it and tell him now. Move, move, move. 

He doesn’t move.

For a while, there’s nothing but silence, just Jason hiding in his shame; a rat on the street would be bolder than him. Danny’s eyes don’t open. Eventually, his head tilts and slumps into his knees, Jason almost thinks, somehow, that he’s fallen asleep — but Danny’s hand threads into the hair on the back of his head, his finger beginning to tap an invisible beat into his skull. 

It’s the perfect opportunity for him to slip away. Danny’s distracted; lost in his thoughts. He won’t notice if Jason slinks off now. He could go and hide away on a roof nearby, ensuring that Danny gets his rightful privacy without leaving him to the teeth of the streets.  

Jason still doesn’t move. 

Danny begins to hum. It’s a low, breathy sound, and it shakes unevenly. There’s no discernible melody, but a breeze picks it up and travels it through the air anyway, rooting Jason to his spot. His throat swells, and his back sinks into the bark behind him. 

For a full minute, maybe two, Danny just hums. It’s a simple tune, but it fills the graveyard with the sound. When it goes up, he sharpens, when he goes down again, it flats, and sometimes it wobbles.  

When he lifts his head, when he finally opens his eyes, he’s still humming. Soon it dies down, and the next time Danny exhales, it comes out tumultuous and slow. His hand slips heavy from his head and drops into the grass. 

“Where’d you go, Jay?” Danny mutters, and despite his voice coming flat, he still sounds so tired. Danny’s eyes flick up, lifting off the grass to burn into the headstone. He’s not even looking at him, and yet Jason still freezes up, he still feels pinned under the weight of his stare. “I know you’re still out there, somewhere. I know it.” 

Jason breathes in shakily, a sting deep in the back of his throat. He gives no answer; guilt is an animal with claws, and it burrows deep into Jason’s heart to make itself a home between the tendons. He’s right here. 

Silence falls over them again, and this time it’s only the sound of the city around them that bleeds into the air. Danny stares at Jason’s grave, staring like he’s expecting an answer. He doesn’t get one. 

Danny sighs out low, and stands. His knees tremble slightly, and he rubs his sleeve into his eyes, catching the stray tears falling from his lashes. Like breaking a spell, Jason jolts from the fog of sorrow hanging in the air. 

“I’ll see you later, an’ I’ll make sure to bring you those flowers you like.” He tells him, and miraculously, a shadow of a smile flits over Danny’s mouth. “Y’better be here when I get back, alright? I’ll kick y’fucking ass if you’re not.” 

Jason bites back a huff, his mouth upturning in a wobble. I will, he thinks, and watches Danny trail out of the graveyard with his hands in his pockets. He waits until he’s disappeared behind the gate before following.   

Guilt is a thing with claws, and Jason leaves the cemetery with it eating his tongue. But he makes sure Danny gets back to his hotel safe before he slinks back to Crime Alley; he might not be a ghost anymore, but he can still trail behind Danny like he is. 

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ayy i finally got chapter 2 of CFAU/TMWS edited/redone! It had to get rewritten because a lot of stuff became obsolete in the wake of the new chapter 1. and also it just kinda. fucking sucked imo lmao

(you can also read it here on my ao3!)

[raynewolferune]

Meta Jazz, the Arkham Intern Therapist Pt 2.2

Note: Part 2.2! The Bane Incident from Kon's POV! 😁

~*~*~

Two days later, Kon was back at Arkham undercover again. The Bats had caught Bane nearly 12 hours earlier after Red Hood showed up midway through the fight, lept off the overpass, and landed a blow directly to the top of Bane's head with a metal pipe on the way down. The behemoth of a man had crashed hard into the cement, immediately unconscious, and been taken directly to Arkham's medical facilities as soon as he arrived. He'd been checked over and cleared to head to his usual room in less than 15 minutes once he woke up the following afternoon.

Kon found out all of this afterwards. 

He was headed back to the briefing room for his nect assignment after lunch when he spotted four senior guards, Collins, Ryans, Dorr, and Miles, escorting Bane from medical to his usual cell. He stepped into a doorway to let them pass by before continuing on his way. Kon had spent a productive lunch break chatting with Jasmine "please don't call me Fenton" while she waited for Dr. Rylie before he had to head back to the guards room so he wouldn't be late. He'd have to make sure to catch up with Dr. Rylie on the way out at the end of the day instead, Kon mused.

There was a shout behind him. Two bodies slamming hard into the walls on either side of the hall. A rush of fabric sliding across fabric. Rapid pounding footsteps.

Kon spun letting out a gasp as he saw Bane grab Jasmine's upper arm and yank her hard enough to make her stumble. The large man turned to face the guards behind him as he pulled her firmly back against his chest. Kon had the dart gun in his hands and leveled at Bane before he even realized he was moving. Dorr and Ryans had also already done the same. Miles was scrambling to his feet, drawing both his dart gun and baton. Collins slid to the ground, right shoulder visibly dislocated from hitting the wall at the wrong angle but he drew his tranquilizer dart gun as well.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking Jasmine as emphasis. Her braid swung from the force of it. 

Kon expected her to panic. He was panicking; a full grown, fully recognized superhero. Of course, he expected her to panic.

But Jasmine didn't. 

Her expression smoothed out turning from barely-there surprise to blank calm in the span of a few seconds. Her breathing stayed deep and even. Her heart beat steady was steady. Was she in some kind of shock? But he had never heard of someone reacting like that to shock before.

"Back up! Let him through!" Dr. Rylie shouted to Kon and the other guards from where he had pressed himself against the wall on the opposite side from Bane. He must have been just a few steps ahead of Jasmine.

"She's my student! Let him through!" Dr. Rylie screamed again. His voice high pitched with fear for his intern. 

Kon didn't know what to do. From the way Ryans and Dorr were exchanging looks, he wasn't sure they knew what the best approach was in this situation either. Of the five of them, Ryans was the most senior guard but he wasn't one of the six guards trained for hostage negotiations either. None of the scenarios they had trained for would work here. Jasmine was too similar in height to Bane for a good shot and a single tranquilizer wouldn't knock him out anyway. They couldn't possibly circle around behind him in this narrow hallway either.

Kon could practically taste the panic building in the air. The tension was rising. If he didn't think fast someone else was going to make the first move and Jasmine would get hurt and -

She sighed.

Long, heavy, and disappointed. It felt like every muscle in Kon's body locked up suddenly.

"Mr. Bane, remove your hands from my person, please. I will give you to one to comply." She said voice calm and heavy like - like she was disappointed in him?

Kon's stared at her bland expression in shock for a moment before his eyes darted back to Bane. The rogue looked momentarily stunned then started laughing.

"Five." Jasmine said, ignoring his laughter. Kon felt himself paling. His colleagues were shifting, white faced with fear as they traded glances again.

"Four." She continued. Bane snorted derisively at her.

"Did you really think that would work?" He asked. His arms tightened around her. There was no way Jasmine was getting out of this without bruises.

"Three." She said ignoring Bane's question. Holy shit. Had she lost her mind?

"What can you even do if I don't?" Bane mocked with a rabid gleam in his eye. He's going to kill her, Kon realized faintly, even if we let him go now he's going to snap her neck for this.

"Two." 

"Jasmine..." Kon whispered pained and horrified by his realization. Loosening his grip on the dart gun without meaning too. She met his gaze across the hall, eyes resolved. 

"One." She finished, brows furrowing slightly in concentration as her lips thinned, pressed together. Bane gave a derisive snort. 

And then the massive man was airborne. 

"Holy shit." Miles breathed out.

Kon stared at the crater in the floor. Collins and Dorr were absolutely silent, hearts racing in their chests. Ryans took a half step forward, heart stuttering - Kon really hoped the man wasn't about to have a heart attack because he could rush him to medical right now. Dr. Rylie was half collapsed against the wall he'd been pressing himself against a strangled sound of shock coming from his throat. Bane was embedded in the floor breath wheezing as Jasmine half knelt on top of his neck. Oh wow, Kon registered, Bane's arm is fucked.

"Now, do you know what you've done wrong?" Jasmine asked looking down at the giant.

"Yes, Ma'am." Bane choked out.

"Fucked with the wrong HBIC." Collins muttered under his breath faintly still stunned.

"Jasmine for president." Miles whispered back automatically.

"Boys," Dorr scolded as he half lowered his dart gun, shifting his weight at the same time.

"Won't be making her angry around that time of month." Ryans mumbled to himself softly enough that Kon was the only person who could have possibly heard him. 

"What did you do wrong?" Jasmine pressed. Collins choked back an inappropriate hysterical giggle at the question. Bane appeared to panic when he realized he'd have to respond. 

No wonder, Kon thought, the man literally grew up in Santa Prisca's prisons. Did he even know how to respond to -Kon choked on air - a maternal scolding?! What the ever loving fuck? He bluescreened. Stood there in the hallway, absolutely stunned, completely unaware of his surroundings as he struggled to process the fact that Jasmine was giving Bane a maternal scolding in the middle of an Arkham hallway right in front of him. Maybe I've finally gone nuts? Kon wondered. 

Jasmine gestured vaguely towards the group of them without turning to look and Kon snapped back to the present. 

"Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?" Oh shit, that's me she's talking about. Kon walked towards her still a bit numb.

"Yes, Ma'am. I'll behave." Bane answered her. Kon watched as Jasmine stood up carefully and backed away from Bane far enough for him to pull himself out of the crater in the floor. Once he was on his feet, Kon led Bane back towards medical realizing as he did that there had been four other guards behind him this whole time.

Two of them darted forward and scooped up Collins, probably to take him to the guards medical ward along the outer wall patrol route. The other two fell in with Kon, Dorr, Miles, and Ryans. As they walked away Kon could hear Jasmine talking to Dr. Rylie.

"I'm fine, really. My mother was an extremely skilled martial artist. I've been learning from her since I started to walk." She explained honestly, trying to sooth the frazzled doctor's nerves. "I didn't know he was heavy enough to break the floor though!" Jasmine laughed. 

That - heart beat uneven, vocal cords tense - that second part was a lie.