#act 1 romance

[dr-demi-bee]

Gale's act 1 romance is just so good. The more I think about Gale the more I like it. It shows off so many parts of his character - how integral magic is to him, his love of teaching, his smugness, his appreciation for your friendship... But also his vulnerability. Before you picture something more - he looks pleased. Happy to share a moment with you as friends. (During the party he even expresses hoping that he can consider you a true friend. A self-professed rarity for him.)

At the same time he's making this face though, he moves closer to you. Whether he would acknowledge it or not, Gale clearly does seek out that intimacy.

His earnest surprise after pulls at my heart strings. He genuinely wanted to find a safe way to connect. He had no expectations of you returning his feelings (hence, embarrassment - at being perceived, or at not considering your feelings, perhaps.).

Followed by a resigned shoulder slump and a face of desperate yearning... 🥺 It's almost the same pouty face he gives you when he confesses he loves you.

Then, genuine thrill - elation - at the very idea of it! Gale has a firm grip on what he shares with us here - he's still an archmage level wizard (even nerfed), and that's a skill he would have. (It's probably why we don't ever accidentally connect tadpoles with Gale). He chooses after his initial surprise to share a feeling of not just joy but a joy with pride and optimism. He turns *towards* you - communicating not just elation but desire in his expression.

But he immediately follows this with an 'oh shit, stop thinking about it' look and a long shake of the head to clear the thought(s) away 😭 (Because trepidation here isn't about kissing you - it's about the orb.)

But he's quick to reassure you - not just because he knows you wouldn't be able to hide your thoughts from him (not an option - even picturing nothing carries a feeling with it) . "But it is a pleasant image, to be sure." And then he hits you with a confirmation of his desire and approval. "Most pleasant, in fact. Most welcome."

He hadn't considered it a possibility, but gods be damned, you've given him the first burst of hope and confidence he's had in a while. The first time in months he's felt wanted. His posture straightens with the confidence boost. He turns fully to you and clearly wants to bask in the moment - to connect with you.

But then the Weave evaporates. Whatever the reason may be, Gale didn't do it. He didn't expect it. Clearly. He posture collapses and he whimpers like it physically hurt.

The narration makes it clear how jarring the connection ending feels to us (cold and lonesome) - how must it feel for poor Gale? He hasn't had such a strong connection with someone in ages. Who knows how long since it was with another mortal (if ever)? We know from later stages of his romance and from communication with Gale that physical touch is an integral part of his expression of love and connection. And with the orb he can't have it. The loss of intimacy and connection here hurts.

"How easily things slip away from us." How easily they are lost. Anyway go hug your wizard.

[transparentkittenheart]

The act 1, goblin/teifling party sex scene with Astarion is really really awkward, and also so interesting to me.

I really love it as a story telling device. You show up in the woods, hes already shirtless and hes doing these rehersed lines and choreography that hes mulled over for the last hour and a half, and it's because of these rehearsals that it comes off almost uncanny in his performance.

The scene is kind of an equivalent of someone who only knows about sex from porn or preforming at strip clubs attempting to have sex in a meaningful relationship. It's off putting, overdone and corny.

Astarions 0 charisma stat really shows here. We need to remember that under Cazador he went after the lonely, desperate, horny and drunks. Not friends, lovers or anyone who would servive longer than a couple hours of knowing him. It doesnt fit with someone who actually wants to get to know him.

I like to imagine Tav or Durge being able to understand that something's weird but isnt sure what it is. Somewhere along the line they think "what the hell is this guy doing??" They get to see past the veil a little and see that Astarion is more messed up than they had originally thought.

[sketchyelvenasss]

Waiting for All of You

Astarion x Lox (Mmc) - 816 words -T (I guess)

Lox couldn’t sleep that night. The air was cool and the ground under them was dry, but no matter how long he laid there with his eyes closed rest wouldn’t come. He pushed himself up and stared at the embers left by their fire, his hands resting on his knees. When his eyes began to wander he realized that Astarion’s bedroll was empty.

That was normal, but his absence brought the elf to the front of Lox’s mind. He was selfish and violent. Almost a complete opposite of Lox, but traveling together he had seen a hesitant softer side emerge from that dangerous smile. Maybe it was just wishful thinking to see the good in people. Regardless, Lox had this blossoming affection for Astarion. Then thoughts of the night after the refugees’ celebration crossed his mind.

Please.

He had actually said it. That low sultry word melted him. And then…

Lox couldn’t sit still anymore. The flush on his face wasn’t visible against his crimson skin, but he could feel its heat. His tail lashed against his ankles as he strode away from the burnt out fire. He stole away to the hidden soddy shore on the outskirts of camp. When he was sure he wouldn’t disturb anyone's rest Lox let out a heavy bittersweet sigh.

Astarion was playing some sort of game with him. Lox could tell by the distant look in the man’s eyes when he spoke sometimes. He held the same composed face that night too. Whatever the elf hoped to gain through deception, Lox wanted to show he needn’t lie for his favor. Even if I’m the end, his own feelings were not reciprocated.

The magic in him stirred, erratic and anxious. Deep breath. Focus.

The sorcerer cupped his hands together in front of his chest and three small, bright pink lights came to life in his palms. They danced around his fingers humming quietly as Lox composed their movement. He released them into the air and they twirled around one another and slowly faded as his emotions settled.

“There you are.” Astarion cooed from behind him and laughed at Lox’s surprised expression. The way his lips curled at its corners was criminal. “ I was worried, you know. I thought I was going to have to make due without dessert.”

“Funny. I don’t remember giving you an invitation.” Lox crossed his arms with an amused smile.

“Darling, after everything we’ve shared, I still have to ask? Come now. We both know you enjoy it as much as I do.”

He was right. There was no point even pretending to deny it. Lox held Astarion’s sanguine gaze to admire his playful smirk before tilting his head to the side. In a moment he had pulled his long ginger hair back to expose his taught neck.

“So, what are you waiting for?” Lox teased.

Astarion’s fangs flashed in delight and then they were buried in Lox’s skin. His hands gripped tight to the tiefling’s shoulders to steady himself. Lox put his hands on the vampire’s hips and leaned into the bite. The sharp pain subsided to a dull ache soothed by the touch of a cool languid tongue. His heart rate spiked and a shiver ran through him as his head became light. “Astarion…”

Mmh. He protested before he pulled back and loosened his grip. There was his real smile, the glint in his eyes Lox found joy in seeing.

Then Astarion’s hand snaked up Lox’s face to take hold of his horn and the vampire pulled him into a kiss. It was soft, but deep. Lox wanted to get lost in the moment again, like they had before. The feel of those adept hands pulling at his tunic made his heart beat twice as fast. But when he saw Astarion’s face it gave him pause. The bright light in those red eyes was gone. He was wearing his mask again.

Lox put his hands over Astarion’s and noticed the elf flinch before raising his brow.

“What?”

“Nothing… It's just we’re so close to camp. We shouldn’t get carried away. The others will hear.”

“Where’s the fun if we don’t risk a little scandal? You are so deliciously sweet, I want to reward you for what you’ve given me.”

Lox had to repress the frown that pulled at his lips. Gingerly he brought the man’s hand to his lips before letting go and taking a step back.

“I don’t need a reward. I give because I want to. Especially when I give to you. Now let’s go try to get some rest before the sun comes up.”

The tiefling didn’t wait for an answer. From behind him Lox heard the elf swear under his breath, then his footsteps catching up to him. Whatever was troubling Astarion, Lox was going to put his feelings aside until the elf chose he wanted to confide in him.

[bluebells-and-dragonflies]

God, the intimacy of Astarion feeding from you.

Astarion drinking from your neck as he pulls your body closer to his in bed, his chest up against your back, his arms wrapped around your waist. It's a casual thing, now, his whispered can I? and your answering nod, as much a part of your bedtime routine as your bath or his curl care. You sigh as his fangs pierce your skin and his fingers flex against your stomach. His breath hitches when the taste of you hits his tongue, and that's familiar too, the physicality of it, the noises he makes low in his throat as he drinks, the way he grows warmer against you as your blood begins to flow through his veins. Nothing else makes you feel so heady, so intoxicated- so comforted.

Astarion drinking from your wrist when he’s starving for it and can’t wait to get you more comfortable. Pulling him into an alleyway one night on the way home from the Elfsong because you can see how badly he's craving in the way he can't keep his eyes off of the pulse point in your neck. He seizes your arm with both hands (can I? Yes-), bringing the soft skin on the inside of your wrist to his lips. He has just enough presence of mind to kiss the heel of your hand distractedly before he bites, fangs sliding through your skin and into the vein. The sound he makes can only be described as a growl, something feral and possessive (and you'll never tell him that it turns you on, since he would be insufferable about it- a promise to yourself that lasts exactly as long as the space between the moment and the next time you're tipsy and want him).

(NSFW Below!)

Astarion drinking from your inner thigh, one hand holding your leg steady and the other cupping your cunt. You groan, eyes shut in pleasure, as his thumb comes to rub your clit. The pain of the bite is barely pain this way- it collides with the pleasure in your belly and sends you almost out of your mind, overwhelmed with sensation and heat. He takes you all the way there, takes just enough from you to have you relaxed and pliant and soaring somewhere above your own body, plays you like an instrument with all the knowledge of you he's gathered over the months, the years. He knows when you're close, knows to crook his fingers inside you just so, knows the reaction he's going to get when he pulls away from your thigh for just a moment and looks up at you with dark eyes and tells you to come for him, he wants to see it, you fall apart so beautifully and it's all for him, isn't it, tell him how good he makes you feel and when you climax with his voice in your ear and the scent of blood on the air he has the audacity to laugh at how well he understands you, your body.

He's soft, after, softer than he'll ever be with anyone who isn't you. He licks you clean before he takes you to the bath, carrying you with the strength your lifeblood gives him. It's the least he can do for you, with everything you've given him: not just your body, but your trust, your closeness, and he will never stop being grateful.

[thelikesoffinn]

„Astarion ending as the Vampire Ascendant is the correct ending for him, because it is what he wants.”

That is a claim I’ve been seeing pop up more and more often these days. And I think it’s both a very bold and a very odd claim to make.

But first things first: Hello, I’m a licensed social worker! So far, I’ve worked with children, refugees and youths with behavioural issues stemming from bullying and or abuse.

Please be aware that I will be mentioning different kinds of abuse, coping mechanisms, and victim/abuser relationships. If any of this is difficult for you, don’t force yourself through it. My jabbering about a traumatised vampire is not worth your wellbeing, not ever.

I will, however try to stick to Astarion and not use other examples. If, in any case, I do use a non-Astarion example, I’ll add a warning beforehand so that you can skip the part. And I’ll make it clear what will be discussed in the next bit, so that you have a chance to skip it entirely.

This is an effort to make this as accessible as possible for everyone that wants to indulge on a mad woman’s rambling – and I know there’s a few people that like this sort of stuff!

And, uh, there's obviously spoilers for all three acts. Serious spoilers, even.

Before I can get into the whole ‘why Astarion didn’t really want to ascend,’ we need to understand him a little more. And to understand this pretty boy’s brain, we first need to understand the gist of what we’re talking about when we throw around the word ‘abuse.’

“Abuse” is when someone is treated with cruelty, violence, or neglect – often to bad effect – on a regular basis. Repetitively. Check’s out for Astarion, I’d say, but we all knew that already. I mean, if one thing was obvious, it was this.

1. Astarions Abuse

Next we need to look at what kind of abuse Astarion faced over his long years of torment, seeing as different types of abuse will have different effects on the victim.

Not that that is anything we have to worry about with him – Astarion won the abuse lottery, to put it bluntly. In a horrible game of fate, he got everything. He himself indirectly mentions all the types of abuse he faced, albeit never using the correct terms.

The first we properly notice – fitting, seeing as it is often the most obvious form of abuse – is the physical abuse. Astarions scars are probably the biggest tell Larian could shove down our throats, only underlined by Astarion’s tale about the night itself. About how Cazador ‘misspelled something’ every time he flinched or screamed and had to do ‘many corrections. On top of this, Cazador locked Astarion up for months on end and tortured him – or had him tortured – on a regular basis both as a rite and as a punishment.

Next up, we have the fact that Astarion was forced to basically prostitute himself repeatedly. This is what we call sexual exploitation.

“I spent two hundred years using my body to lure pretty things back for my Master.” – Act 2

Two hundred years is a long time, filled with great many people. Now, we don’t know how many of those people actually tapped into the sexual exploitation and how many he could just lure back with other means, but the fact that it happened a lot is undeniable.

Next we have a form of abuse that we often disregard in adults: Neglect. It sounds odd, I know, saying that a fully grown adult was neglected. They can care for themselves, can they not?

Well. Yes and no.

Adult neglect is proceeded by the condition that one adult has to lean on another adult to fulfil their needs for whatever reason. This could be anything, from disability to income-based issues.  

Seeing as Astarion had absolutely nothing, while Cazador had everything, we can assume this was the case. Cazador had the house, the money, the power. Astarion owns but one pair of clothes, assumedly, that he has fixes over and over again. Fair to say, that’s pretty neglectful. (And it’s one more reason to shower the guy in pretty armour and camp clothes. Go ham, people.)

Last we have the form of abuse we actually get to witness later in the game – emotional abuse.

Once again, it’s undeniable that this happened. Especially since we’re all seeing it in the flesh upon meeting Cazador in his crypt.

“Have you no respect for yourself?”

“I strove for perfection in all things. Even those as imperfect as you.”

“A pity you amounted to so little, despite my efforts.”

“A pathetic little boy who never amounted to anything.”

All Act 3, Crypt

Here we have just a few examples of things Cazador throws in his face. It’s like reading a textbook on emotional abuse, this one (and it’s definitely a reason to throw hands).

Blaming the victim, keeping their sense of self and their self-worth as tiny as possible to make them cower and flee. A true classic.

This pretty much shows that Astarion suffered all forms of abuse we commonly see and it is implied – once again by Astarion himself – that at least a few of those instances were ritualistic.

Now, what does that mean exactly? Well, I fear I need to use a real example here, so please skip the next paragraph.

Ritualistic doesn’t refer to a proper ritual – it can, but that’s mostly a thing for those in a cult. So, we’re not necessarily talking about a ‘Vampire Ascendent Ritual’. A husband, beating his wife every evening after his third bottle of beer is also called ritual abuse. It happens regularly. It is part of a routine. Both parties know what will happen.

I can’t find the exact quote, so I’m working of my memory here, but at one point he said that when Cazador invited him to eat and he said yes, he would be served a putrid rat. If he said no, he’d be beaten.

The way it was phrased made it clear that it happened more than once and that Astarion clearly knew what would happen. So, this can be classified as ritualistic abuse.

2. A Note on Conditioning and Compliance

By default, abuse victims are conditioned to behave a certain way or in a certain fashion. This is a natural response to avoid further abuse.

In Astarion, the thing we see most often is his inherent need to please. Not literally, he doesn’t mind being an arsehole. But he initially feels the need to follow Tav’s orders, even if they go against his own wishes.

This can be clearly seen in the conversation with Araj Oblodra. Astarion very clearly doesn’t want to bite her. He doesn’t. But he will do so, if Tav tells him to. This behaviour is not conscious – he doesn’t know why he does it, he just does – and it is to be expected. This is how he kept himself save for two centuries, so of course he will fall back into his usual pattern when the pressure is high.

This goes hand in hand with the fact that most abuse victims don’t fight. Maybe initially, but not after long term abuse. Especially not after two fucking centuries.

This is true in Astarion – offered by his ‘siblings’ during act 3 and unhappily acquiesced by the man himself. Astarion stopped fighting and, once again implied, cowered, and did as he was told in order to survive.

3. The Astarion we know and love

Obviously, all that abuse does have an impact on our vampire boyfriend. He shows various common signs of abuse and just like with the forms of abuse, Astarion raked every coping mechanism he could find. (Not really, but it feels like it.) It’s also important to note that nearly all of the following things happen inwardly. Astarion is not one of the victims, that tries to rationalise and minimise the actions of his abuser. Quite the opposite, actually.

I’ll note from the beginning, that rationalisation will not be covered in this bit, as most examples will be important later on. But he definitely does it.

One of his biggest skills is to hide every ounce of fear or hurt behind sarcasm and snarky theatrics. He doesn’t seem to hide his anger much, though, so that’s something! Our boy is cool with anger, not so much with being afraid.

“Ahahaha, now that you mention it….I might have done…that.” – Act 3, regarding the Gur children

“The thing that will decide my fate forever more? Yeees, it’s been on my miiiind. Why?” – Act 2, regarding the Ritual

And there’s many more instances that prove this. Honestly, half his dialogue is sarcasm, so it would really be too long to get into and we all know what I mean, right? We have alltalked to the guy before. It’s obvious that he’s sarcastic to a fault.

This goes hand in hand with his penchant for defensiveness. I would personally state that he’s simply not really good with guilt. When talking about fear, he usually just opts for sarcasm or avoids the topic completely, but guilt especially has his defences going up. This is also when he’s most likely to shove all the blame off to Cazador.

“Don’t look at me like that. Cazadors orders.” – Act 3, Crypt

“I just did what I had to!” – Act 3, Crypt

And don’t get me wrong, he does that anyway. And with good reason. Astarion didn’t have a choice for the most part, but he’s still easy to shove things off.

This kind of connects to his penchant for denial.

Astarion doesn’t really like to talk about most things. He firmly believes he is an ‘action’ sort of person that just does instead of plans, which invertedly just means he’s great at pushing the thinking stuff away. He also likes to get rid of stuff, so that he doesn’t need to face it ever again.

“I never want to see these little scraps of misery again. The world doesn’t need to know my shame.” – Act 3, about the children

And yes, this partly rings true. He’s probably ashamed and doesn’t want anyone to know what he’s done. But it’s also very clear that he himself simply doesn’t want to face his own actions, something that is just  underlined by his extreme willingness to red rid of the other spawn.

As mentioned by Astarion himself, he’s big on manipulation. I mean, I don’t think there is much explaining necessary. The guy is willing to do a whole lot in order to get what he desires – which mostly revolves around safety and survival, to be honest – and he’s not really shy about it either. And that’s despite the fact that he doesn’t really like intimacy – especially in form of sex.

It’s not a secret that Astarion is not big on sex and anything surrounding it. This goes far enough for people to consider him either ace or ace coded.

A claim that, personally, I’m not super in line with.

Now, it’s not entirely wrong and if this is your head cannon I’m surely not going to stand in your way – but on a larger spectrum, I think he’s more traumatised than ace. And while those go hand in hand sometimes, it’s a bit difficult for the ace community if you attach traumatised characters to them because it can fuel a whole lot of stigma that is honestly neither needed nor wanted. But I digress!

If it comes to his own behaviour, he’s great at minimising his mistakes. Honestly, he’s a master of minimisation. A very obvious and famous example would be:

“’Killed’ feels like a…strong word. Not many corpses have your vigour.” – Act 1, after killing Tav

Astarion. You literally sucked poor Tav dry and left them flopping around, cold, and dead. Killed is exactly the right word and we all know it.

“Quite the deviation from my usual routine. Capture, not lure. I didn’t bring them in with sweet rolls or anything.” – Act 3, Gur Children

This is another attempt at minimising what he did, if a bit less obvious because at this point there isn’t much he can say. But at least he didn’t sexualise the gur children, right? They’re still spawn but whoo, at least that didn’t happen.  

The next point would be dissociation, which is extremely common in abuse victims – of all forms of abuse.

Astarion himself mentioned certain moments that could be classified as dissociation over course of the story, which is probably the coping mechanism I personally expected the most.

The pale elf has a penchant for violence, but he’s not entirely shameless or abhorrently vile, which gets clearer the more the story progresses. So, two hundred years of forced prostitution, torture and doing whatever other horrible things? Yeah, I’d be more surprised if he didn’t dissociate.

Examples of that would be:

“A moment of disgust to push myself through and then I could’ve carried on, just like before.” – Act 2, after Araj

“I felt nothing the moment I handed them over.” – Act 3, Gur Children

“Did you enjoy it? It felt like you weren’t fully there.” – Act 1, Tav after Sex

The latter is generally more of an assumption than actual prove, but with context it does make sense.

The last common sign of abuse we find in our boyfriend would be his low self-worth. It’s a consistent trait that stays over the course of all three acts, noticeable in many different conversations.

We can see it in his reaction to wanting to break up before finishing his story. We can see it in his genuine surprise when Tav picks him over any of the other characters. We see it in his insecurity whenever Tav asks to sleep with another character. He’s fine with it, but he still worries their decision to sleep with someone else is based on something he did.

It eases up ever so slightly after Cazador is dead, but even then he’s still struggling which is once again perfectly illustrated if you try to break up with him.

“Oh shit. I- Did I do something wrong?”

That is the first thing he asks and I think it speaks for itself. He genuinely doesn’t believe he has much to offer and for Astarion, it’s likely that Astarion will always be the problem.

4. "Oh, I tried them all none of them answered.”

Another big thing that’s important to note, is that Astarion was never saved. No one came to save him from Cazador. There was no darling boy on a white steed riding into that castle to rescue him and princess carry him away. Not even the gods answered his desperate calls.

So, he never received any kindness or luck. To him, the world seems as cruel and horrid as before because he didn’t have the chance to experience goodness in two centuries.

But worse than that, he didn’t even get to save himself. Astarion didn’t stand up to Cazador, he didn’t run out of his own might.

He was beaten to near death and ‘saved’ by Cazador, who would become his abuser.

He tried to save someone and, in turn, was locked up and starved for an entire year.

He was abducted by mind flayers, i.e., saved from Cazador, only to end up tadpoled and on the cusp of getting a fancy, squiddy beard.

Anything that’s good, any kindness, any selfless action…it all came with a ginormous price tag.

5. Over the Course of the Story

Astarions behaviour changes a whole lot over the course of three acts – which is important once we talk about his quests climax – so let’s review what we’re working with!

Act 1 Astarion is guarded as fuck. The man has walls around him that are so high, even the gods can touch them.

A lot of his behaviour in act 1 revolves around staying save and staying liked. He lies, manipulates, and flutters his lashes in order to get what he wants and needs. Instead of asking, like Wyll, Karlach and Gale do, Astarion uses all he has to offer to get by. He is still very much in survival mode and tries to weasel his way through an unfamiliar situation with familiar methods.

On top of that, and most notably, he’s absolutely not fond of kindness or selflessness.

#I saved a child and now my boyfriend is mad

Here, we are most likely to gain disapproval for doing the decent thing – unless you sent him outside for a minute whenever you’re being a good person.

And I’d assume that this is because of two things.

First: The very traditional ‘Why not me?’

As I mentioned before, Astarion wasn’t saved. He hasn’t experienced kindness in a very long time so seeing that the world is literally filled with kind people is hurtful. Why didn’t anyone save him? Why was he left to his own devices for so long? Why should he care about others when it’s so clear that no one ever cared about him? No, dead to all of them. If he didn’t get it, neither will they.

“And what am I owed? What about the injustices I suffered? Am I not entitled to anything?” – Act 3, Crypt

“I was in the prime of my life when I was turned. Everything was taken from me too.” – Act 3, Crypt

And secondly is the fact that, as I mentioned, goodness always has a price. And it’s one most people won’t be willing to pay. That’s how his life has been, so why would theirs be different?

This is precisely why Astarion may disapprove of kind actions, but he mostly neither approves nor disapproves if Tav asks for payment. That’s just how the world works.

Once you venture out into act 2, after getting to know him a whole lot more, he starts to mellow a bit – if only towards Tav.

“He’s afraid, so afraid, of everyone but you, who she should fear the most.” – Sceleritas about Astarion

His approval is a lot easier to gain – or at least keep! – and he tends to approve of some more proper actions. He doesn’t throw a fit if you promise to find Mol, he approves of Tav being kind to His Majesty, of saving Aylin and he even approves of Durge apologising to Isobel after threatening to rip her to pieces.

He's slowly starting to open up, allowing Tav to see some parts of him he previously kept hidden. He accepts their offer to help, if hesitantly and, by god, the man starts experimenting with boundaries.

The social worker in me is shedding tears at this. It’s my favourite thing to see in my clients and it’s no different here. Yay to saying no!

Of course, it’s still a bit hit or miss. If Tav urges him to bite Araj, for example, he will only to later notice that he didn’t fucking have to. He recognises this on his own and he calls Tav out on it. Just like he calls them out on not helping him with his Orthon quest.

Good job, chap. Good fucking job.

And the growth-train won’t stop going even as we reach act 3.

In act 3, there’s not many things he disapproves as of right now – those he does, mostly have to do with how Tav treats him and not with anyone else. In fact, he’s more likely to approve good behaviour now, like giving Yenna food or money.

And yes, we need to consider that this could simply be because he gets used to Tav’s behaviour and just learns to roll with it. But it’s also highly likely that he notices that there’s truly good people around. At least one person. And that person is not only good, no, they’re in the process of helping him break free once and for all.

They’re helping him save himself.

By act 3, he has learned that he can absolutely say his piece where Tav is concerned and he’s more likely to disagree with them on certain things. It’s seen during a lot of small dialogue that he’s no longer terribly afraid to be honest with them, willing to listen and talk and he’ll ask for help if he needs it.

“I can do this. But I need your help.” – Act 3, Crypt

Something that can be viewed both positively and negatively is that he’s definitely loyal to a fault. He will stick by Tav’s side, no matter what.

“I really hoped we could avoid being pawns for a dark god, but here we are, I suppose. I’m with you, my dear, wherever this might lead.” – Act 3, After Jaheira confronts durge

As I said, this can be both positive and negative. On one count, it’s a recipe for disaster, seeing as he could be waltzing into a really bad situation for Tav alone.

But on the other side…this is a man who only cared about himself because that is the only person he could afford to care about. He needed to survive. He now has enough room to breathe and the capacity to care for someone else and I’d be inclined to count that as a good thing.

6. The Crypt

All the progress he made in act 2 and 3 is nearly tossed into the wind as soon as the crew enters Cazadors castle.

It’s not an immediate thing, of course.

At first, Astarion tries to stay light and simple and he hides behind flippant tones and relaxed faces. The way he recounts this is almost comically disinterested and the façade is actually quite good.

It’s start’s cracking after we meet Godie, one of the people who tortured him on more than one account, but he mostly manages to remain as upbeat as one can honestly expect for the first half of the journey.

All that, however, is done for the very moment we meet Sebastian. His mask not only slips, no, it full on shatters and there’s none of his apparent lightness left.

Which, of course it does.

The man is suddenly faced with years and years and years of victims. Innocent, unlucky people he lured back to his master over two centuries. People he liked, people he pitied.

“It’s sickening, seeing them again.”

It’s basically a room filled with guilt, exclusively for Astarion. And, as we mentioned before…Astarion is not great with guilt.

The guilt, however, is not where it ends.

No, he’s also faced with reflections of his own past. The spawn pose as reminders of what he did, sure, but also as reminders of what he was.

Weak, desperate, hungry.

There’s an abundance of images of his worst moments, reflected back at him in the thousands. It’s probably like staring into a funhouse mirror, but instead of seeing yourself in a funky way he just sees everything he so desperately doesn’t want to be.

“It should be [who I am]! I don’t want to be like them. They’re pathetic, horrible…”

He’s forcefully made aware of how darn weak he can be, which claws at all the wounds he’s barely had time to close. Something, he of course won’t admit if asked.

“THEY DO NOT [remind me of myself]. That weakness in me is dead, IT’S DEAD. I have a higher purpose.”

The high pressure of the moment brings out all of his act 1 traits in but a few moments. You can pretty much watch how he starts to shut down mid conversation, one of his old walls snapping back into place to remove himself from the situation.

Thing is though, walls usually become a bit brittle after disuse. Especially when talking to a person you don’t usually want to wall out.

Or, in his case, when talking to Tav.

After meeting Sebastian, Astarion shows extreme reactions to Tav nudging any of his weak spots. His reaction varies on whatever choice you make, but it ranges from aggression to defensiveness, to denial and even to downright begging Tav.

“Don’t hate me. I just did what I had to. I swear I did what I had to.”

This probably the most shocking out of all of them, since that is not something we got to witness before. The begging is likely a mixture of intense fear of losing Tav, his low self-esteem and pre-Tav behaviour, since we can assume that Cazador made him beg more than once.

Another old coat he puts back on would also be the least surprising of them all.

Manipulation.

He falls right back into it, using Tav’s affection to get what he want if we trigger the right action.

“If they die and I ascend, I won't have to rely on the parasite to walk in the sun. I'll be free. Truly completely free. Isn't that what you want?”

This, to me, was probably the biggest tell that Astarion was back in survival mode. He’s panicking, for fucks sake, and who can blame the guy? He’s back. He’s about to face down his abuser.

Of course he’s fucking panicking.

Panic leads to an increased craving for safety and, in his case, power. This is why he clings to Tav, why he begs them to love him still. And this is why he jumps head first into the rationalisation pool.

“I will need to sacrifice them all if I want to perform the ritual. - [You can save them.] – What’s the point? They're as good as dead! I thought they were dead. If they are unleashed, they will cause incredible carnage. […] They must die. Better they serve a purpose.”

Another textbook example.

They must die anyway. They’re basically dead. No need to save them now. They’re dangerous, I’m doing the right thing by sacrificing them. I already thought they were dead, so it’s not changing anything for me. They’re a lost cause and I deserve  all this power. I deserve it, because I suffered and nothing will change if they die.

So, seeing as we already spoke about his usual behaviour in act 3 – behaviour he showed after we allowed him to breathe and be himself for a while – I think we can fairly easily conclude he’s not thinking straight.

Astarion is right back in survival mode, where all that matters is he himself. If it weren’t for the seven thousand spawns, he might have moved through this more gracefully, but seeing those tipped the scales and Astarion is absolutely losing it.

Remember that for the last section, per favore.

7. The Ascension

“Astarion wants to ascend and Tav manipulates him into doing what they want.”

That is basically the essence of what people often claim and I can’t help but shake my head at such a blatant disregard of everything he has become. This is completely ignoring the change and growth he has gone through over the course of their journey.

Astarion wants to be free. He wants to be safe. That does not mean he wants to ascend.

And the claim that Tav manipulates him into doing anything is even more baffling. We are all aware that Tav is not manipulative by nature, yes? That is entirely on you. You decide who your Tav is.

And then let’s remember: Astarion is panicked. He’s afraid and he’s not thinking straight. His abuser is on his knees before him and he still feels so weak. And there’s seven thousand spawns that need handling.

Astarion is very much not okay right now.

In fact, reading his thoughts just proves this theory.

“You can see the fear in his eyes but also the hunger. The thick smell of blood in the air and the promise of power being so close is intoxicating to him. All he can see is the power of the ritual and the freedom that power brings. The freedom to do anything. To be anything.”

Tav, however, has none of those problems. They can actually see beyond the current situation and they are fully aware what the consequences are. Astarion is not. As we previously established, Astarion is a doer. Not a thinker. He didn’t think this through, not at all.

The only thing Tav is doing – the persuasion roll – is reminding him of the very real consequences he is facing. The consequences he hasn’t thought about before.

"I know you think this will set you free, but it won't. This power will trap you, just like it trapped Cazador."

And that is the kindest thing Tav could do in this situation. They’re not bodily dragging him away from Cazador. They’re not even telling him to not do it. They’re just offering him the truth. He can do with that information whatever he desires.

“Astarion cries when he doesn’t ascend, that just shows that it was the wrong choice.”

A hare-brained point that I thankfully have only seen once so far.

That crying? That is healthy crying.

That is him, crumbling under the stress that suddenly dissipates. That is him mourning two hundred years of torment. That’s him letting out feelings he hasn’t been able to for centuries.

And, for the love of god, try to put yourself in his shoes.

Two hundred years of torment, ended in but a moment.

Astarion was abused and tortured for so long, afraid for so long only to see his tormentor die just like that.

Cazador died within a moment and all Astarion needed was a darn blade. Of course he fucking cries.

Seeing how pathetic a being the very core of your life’s misery actually is hurts. It hurts like hell because not only are you finally free – free! – no, you’re faced with the fact that this pile of nothing, the thing that’s bleeding out right in front of you…this was what tortured for so long.

This thing hurt you so much. That guy took everything from you, everything you once were, and broke it again and again and again over years.

You were so scared of this thing.

And yet he has the gall and the gumption to die just like that.

It was so easy.

And yet you suffered for so long.

8. Evil Playthrough?

An evil playthrough is really a different setting altogether.

All of this, as you can probably tell, is really only applicable on a good playthrough. Realistically speaking. I’m not sure how the game mechanics handle it.

On an evil path, Astarion never really gets to experience kindness and goodness. Evil Tav will just prove him right in his believe that the world is a vile and cold place, meaning that he realistically would be more inclined to actually want to ascend.

9. Final Conclusion

I think all of this should be enough to make it clear that no, ascended Astarion is not the best ending for the guy. In fact, it is probably the worst. Because it’s just him, running away. He’s running into a lonely and cold state of being, where cruelty and power lord over everything else and he’s running because he’s terrified of being hurt again. He’s running despite desperately wanting to stop running.

“I'll spend the rest of my life running watching the shadows, never feeling safe…no, this has to happen. Here and now.”

And, the worst part is: Nothing about Astarion is left after he ascends. Even his tone of speaking gradually changes, his theatrics fading. He’s slowly losing himself, until there’s nothing but an evil caricature left.

So, in the end, ascension will have proven him right.

That version of him is dead.

[danmeiljie]

*Taps devnote Sign*

These lines occur when Origin Karlach meets Astarion in the woods in Act 1 for his first romance scene, and they figure out what to do since Astarion cannot physically touch Karlach.

[skitskatdacat63]

"Fernando" S1E4 - Fernando Alonso & Carlos Sainz Sr.

[lucrezianoin]

Here is how to get astarion approval so high he will proposition you before the tieflings party. No evil choices, just some chaos. The score you want is 40.

Not all of these are necessary btw, if you di all of this you'll get over 40. Avoid what sounds too evil and check that you're getting up to 40. Also remember that for the party romance you actually only need 20.

- When Lae'zel is in the cage, talk to her before releasing her and ask her to say "please"

- Attacking the thieves at the ruined temple

- When Shadowheart mention needing a cure (at camp) make sure to choose the option about being cautious

- When you meet with Zevlor, refuse to help saying you have your own problems. (you can help anyway, don't worry)

- When Lae'zel meets the tiefling and ask him to bow, go along with her at least once, then you can stop her and apologise to the poor man

- When you meet Wyll, you can talk with the guy training the children. Tell the children that they will all die

- After saving Arabella, tell the druid woman that you just wanted to see what would happen

- When you meet Auntie Ethel at the refugees' camp, let her fuss over you and then tell her about the tadpoles

- You know the kid with the magic ring trick? Pocket that ring

- When you meet the two siblings mourning their dying brother, Astarion will approve of you send them to face the owlbear (but I never choose this, because it makes me sad). But I think the big approval comes in the dialogue just next, where you can say that using the tadpole seems like a great idea

- At the blighted village, when the goblin spots you, you will get approval if you attack them back

- Say boooo to Volo

- Open the door where the sexy moans are happening

- At the entrance of the goblin camp, if you can, thow shit at the guard

- There's a goblin that will ask you to kneel and kiss his foot. Uno reverse it, and intimidate him

- Let the cleric at the goblin whip you

- After you free the owlbear, pet them at camp

- Get the necromancy of thay, and the amethyst that fits in it and give it to Astarion

- Recruit Karlach with him in the party

- Killing the monster Hunter will also shoot up your approval of TEN POINTS. I usually never kill him, but if you're close to the party and you really want to get to 40, this is also an option

- When you meet Raphael, agree with Astarion that you should not trust him

- If you decide to do auntie ethel too, make sure to convince her to free Maryna and get the deal at the same time

Now, I think the majority of approval will come with how you talk with him at camp.

- Go along with his dialogue about killing you if there's any tentacle showing. Just play along, don't shut him down

- Go along with the "whose blood would you drink" dialogue. Your answer doesn't really matter as long as you don't shut him down

- When he bites you, of course, offer to give him your blood

- During the mirror dialogue (sometimes it happens pre-sleeping together) you can insult him a bit (you're not aging gracefully), but at the second reply reassure him. The last reply is fine for all the lines and they seem to all get approval, as long as you don't just leave.

In general this is usually all I need to get to 40, which is pretty high. In my last playthrough I managed to also get to 40 without doing many of these.

But as I said, you only need 20. Just remember that he likes being petty and asserting dominance over others, he loves the tadpole, he is cautious, he's a little silly and chaotic, he's selfish, he likes joking and talking so don't shut him down.

Just remember that he's much more explicit about sex being an exchange if you get the proposition before the party, and you end up missing the scene of the party. Up to you! If you see that he's at 40 he will proposition the moment you talk to him, so if you accidentally got his approval too high and want to see both scenes you can technically kill the goblin leaders and free halsin, talk to him, then when you sleep you get directly to the party where you will have the party scene too.

[bao-dur]

dragonborn • dark urge • 🩸💀 • 3/∞

[littlejuicebox]

The Little Things

Summary: Sometime in Act 1, Astarion is beginning to realize he may like you more than he thought.

Tags/Warnings: pure fluff, feelings realization, sexual innuendo, in game spoilers

*

Astarion’s nice, simple plan is falling apart at the seams. He isn’t quite sure when it began or how you slowly wormed your way into his heart like the parasite wormed its way into his brain.

He thinks it must have started shortly after the night you two spent together in the clearing. Perhaps the day you drew his scars for him in the dirt?

You notice the little things about him, and it flusters him entirely. No one else has ever bothered to pay attention long enough to catch all the subtleties you seem to see without missing a beat.

*

You notice he makes tea but never drinks it. It tastes like dirty water on his vampiric tongue, but he loves the smell and the warmth. One day you bring him a cup of tea and urge him to try it.

“This one will be different, I promise.” You say, and you smile at him so sweetly it’s impossible to refuse.

He quirks a brow but obliges. One small sip reveals that this tea is palatable… in fact, it’s actually enjoyable.

“What’s in this? Better not be a sore attempt at poisoning me.” He murmurs with a playful smirk before taking another long sip of the warm liquid.

You grin and show him your finger, where the smallest pinprick can be seen.

Blood. Of course.

His face feels hot, like patches of warmth are spreading across his cheeks. It must be the tea.

“Clever pup,” He chuckles, “I— thank you.”

*

One day you’re simply walking by him in camp, returning from a quick foraging trip in the woods. He’s perched upon a stool, reading a book, and drinking the remnants of his morning tea you’d brought to him just over an hour ago.

It’s a lovely little treat every morning. He’s secretly delighted every time you bring it by.

You pause and smile, “Enjoying your book?”

He hums a soft yes and dog ears the page before clasping it shut to acknowledge you.

“Quite, darling. And you? Enjoying your… digging in the mud?” He asks, cocking his head just slightly as he examines the small basket of potatoes you’d procured from the earth.

“It’s not so bad,” You laugh, and then your eyes flicker to his book, “Oh, I almost forgot.”

You rustle through your bag and withdraw a thin strip of burgundy fabric, offering it to him.

Astarion takes the gift. It’s a bookmark. There’s a delicate letter A stitched in gold thread at the top of the small trinket. He’d spent a few hours last week showing you how to sew and embroider little details.

“I noticed you always fold the corners of the pages, and Gale is always grumbling about it when you return his books, so…” You shrug and smile again, “Plus, it’s a small thank you. For the sewing lessons.”

His face feels hot again. It must be the tea. Again.

“Ah, yes. I shall be sure to use it now, then. Don’t want to risk angering the wizard and getting us all blown up!” He jokes as he places the bookmark atop his book, mostly as an excuse to break away from your gaze, which is causing him to feel flustered. He doesn’t know why.

You laugh softly and step closer to him, “It’s not as good as your work.”

You absentmindedly take his hand and turn it, revealing the inner sleeve of his shirt. Your fingers trace along the cuff, admiring a piece of his own embroidery he’d done a few days ago.

“I saw you stitched these little flowers on your shirt the other day. Can you show me how to do that?” You ask, bringing your eyes back up to meet his.

He swallows. Your hand is still resting upon his wrist.

“O-of course, darling. Anytime.” He responds, still thrown. How had you noticed that? His skin tingles from where your fingers had grazed against him.

But it isn’t a bad sensation. He quite liked it, actually.

You grin and then hoist your basket back up before bidding goodbye and walking over to show Gale your harvest. Astarion is left befuddled and simply staring as you walk away.

*

That same night you’re by the campfire, and Astarion is showing you how to stitch small flowers on a scrap of cloth. You’re leaning over his shoulder, watching his work intently. The proximity is making his fingers fumble more than they usually would, but you don’t seem to notice.

“You filed your nails today,” You remark, absently, as you watch his skilled fingers work their creative magic.

He blinks and pauses mid-stitch.

His nails? You noticed the length of his nails?

“I wasn’t aware they were so obscenely long that it would be so obvious.” He responds, his nose wrinkling just slightly. Perhaps his standards of cleanliness and appearance had fallen in the wilds.

“Oh, it’s not that,” You reply, your tone almost dreamy as you continue to observe the rogue, “I just look at your hands a lot.”

Astarion’s finger slips and he pierces himself with the needle. He winces slightly as he withdraws the sliver from his hand.

“I— what?” He asks, pausing his work to assess you with wide, blinking eyes.

You hadn’t meant to say that last part aloud. You’d been entranced and disarmed by the steady rhythm of his hands and the smell of Astarion’s freshly washed skin.

He’d started a new bar of soap today. You could tell because he smelled different when he returned from the river. You’d complimented the new fragrance and he’d stared at you for a moment too long, eyebrows furrowed. You worried you’d somehow offended him. And then he laughed and made some innuendo-filled joke about cleanliness being next to godliness.

He’s waiting for you to respond, the metal sliver of a needle held at rest between his thumb and forefinger.

“I…” You start, and you feel a blush creep across your face, “You have pretty hands.”

You finish the statement lamely and with a small shrug.

One, two, three beats of silence.

Astarion’s scarlet eyes are staring into your own; he’s thinking… deeply.

Before you process what’s happening, the rogue has already abandoned his project in the dirt and brought both his hands to cup your face, plunging forward to press a kiss against your lips. His tongue slides into your mouth, urgently dancing against your own.

You two hadn’t been physical since the night of the Tiefling party. He hadn’t propositioned you again, and you were far too nervous to attempt propositioning him. You are entirely caught off guard by his advances but eagerly receive his affections anyway.

When Astarion finally breaks away from you, his face is hot. He knows it isn’t the tea this time.

He wants to show you what else he can do with his pretty hands.

[taashed]

imagine being loved by me x

[zombie-bait]

The Blade of Frontiers??? On MY dashboard???? More likely than you’d think

[zerky]

Some Act 1 Bloodweave yearning 💜

[trappedinafantasy37]

You wanna talk about some character growth and development. Let's talk about Minthara's Act 1 romance scene and her confession in Act 3.

In Act 1, she says that you are hers. In Act 3, she will say that she is yours.

In Act 1, she asks you to tell her what's in your heart and she demands you use your words and not use your mind as she wants to hear your thoughts in your voice. In Act 3, she demands you share your mind as words aren't enough to accurately convey what you truly feel and she wants your raw emotion as it is in your mind.

In Act 1, she wants to hear the voice of the Absolute, gives you an order, and then demands you go see her God as the world is much bigger than the rest of you and you two are merely players in it. In Act 3, she says there will be no voices, no orders, no gods as the only thing that matters in that moment is just the two of you.

If only she had an Act 3 romance scene. Cause in Act 1, she is very much in control and dictates everything that is happening, in very typical matriarchal drow fashion. But I just know that in Act 3, she would be very soft and tender and might actually relinquish just a little (and I mean, very little) bit of control to you because she trusts you and sees you as her equal.

[dilfdoney]

i ignore the gale haters bc at the end of the day i know that nobody hates gale dekarios more than gale dekarios

[absolutehomosexuals]

The Infamous "Durge Is a Man" Essay

I - INTRODUCTION

There's one simple question that led us to developing this theory: "would Bhaal want a female heir?"

Bhaal created Durge to be his ideal successor: the hand who would've reaped death in the world, conquering it in His name.

Every detail we get about Durge's lore is tied to this objective, the entire purpose of Bhaal's creation.

The cult is obviously shown to us as patriarchal, which is hinted at from the sole fact they worship a male deity: the argument may come off as silly at first, since one could argue Gods do not understand nor care for the concepts of gender.

It would be a valid counterpoint, if it wasn't for the fact Bhaal used to be a human, having navigated the world as a fully grown man before he eventually became a God.

If we believe he created Durge in his ideal image, it seems much more intuitive for his offspring to be male.

II - THE MATTER OF SUCCESSION

We must note that Bhaal's plans heavily rely (as we can read in Durge's "diary" tab) on reproduction ; e.g "siring lots of Bhaalspawn".

This alone isn't coded as one sex or the other but, if we think of it in terms of convenience, a female heir wouldn't be your first choice for the task: women can only gestate one child per year and conceive in very specific windows of time within their cycle, while men can potentially impregnate countless women in the same time span and not suffer any physical disadvantages during gestation.

We should also consider women tend to develop a bond with their newborn and the latter needs to rely on them for survival during the first few months of their life, while a man:

1. has no such obligations from a social point view (especially in a medieval context, where bastard children were the norm)

2. isn't strictly needed by the child for survival, biologically speaking.

I doubt Bhaal was expecting his heir to keep track of her cycle, gestate for nine months with all the drawbacks that come with it, give birth risking death and spend the following months caring for a newborn – all of this, on repeat for years if not centuries.

"But he's a God, he could potentially speed up the process!"

Technically true, but why would he go through such trouble, if he could craft his ideal child as a male and avoid complications?

The game itself seems to agree with this theory, since you get the "Bhaal's stallion" line regardless of your Durge's gender, in one of the bad endings.

We could also consider the idea that reproduction = power, "spreeding the seed", to be a typically patriarchal concept.

Bhaal himself isn't fond of the idea of raising children, as he let Durge be raised by an adoptive family – a "regular" one no less, meaning he didn't even concern himself with choosing one.

III - IN-UNIVERSE MYSOGINY

There are many aspects of the religion that seem to glorify manhood, and for its leader to be a woman (by Bhaal's choice, no less) seems inconsistent.

Let's think of the infamous blessing granted to Bhaal's favourites, the Ecstasy of Murder, which basically consists in a pseudo prostatic orgasm.

Then we consider the presence of predominantly-male sexual crimes, both coming from Durge and other important figures within the cult.

We cannot deny necrophilia, for functional reasons, is extremely uncommon amongst women: necrophilic acts are typically carried out by penetrating a dead body, as it's almost the only pleasurable act you can perform on a corpse ; Durge being a known necrophiliac pre-lobotomy could be one of the many hints the character is meant to be read as male.

Not to mention the horrendous way in which Bhaalist female characters are treated in-universe, between Sarevok sexually abusing his daughter (and this concept being treated as completely normal by the narrative, as far as we know of) and Orin being constantly belittled.

We never hear of any male cultists undergoing the same treatment, meaning abusing women is the norm amongst Bhaal's faithful – yet again, a telltale sign of a patriarchal religion.

"But Orin isn't mistreated because of her sex, she's mistreated because she's not the true heir!"

Orin is, indeed, not Bhaal's biological daughter: she's related to Him by blood, but as Durge himself says, her blood is "diluted".

However, while he acknowledges she's not his biological sister, he still addresses her as such in multiple sources, meaning the cult leader himself doesn't care about her actual origins.

She's constantly portrayed as someone who gets talked down to, cast aside and her beliefs are harshly criticized both by Durge and others influential members such as Sarevok.

For Larian to choose a woman to fill this role could have been accidental, but we must admit the symbolism is quite clear.

Orin interprets murder as a form of art, while her Bhaalist peers frequently accuse of her misunderstanding her own faith, considering her too immature to lead the flock.

She's the only Bhaalist female character we're shown as remarkable, and she's coincidentally used as an example of someone the cult does not respect ; she's even biologically related to Bhaal and yet, she had to seize power by force.

IV - ROMANTIC SUBTEXTS

Another interesting matter are the characters commonly paired with Durge in fanworks: Durgetash and Durgestarion are the most popular romantic pairings according to ao3, and we cannot blame the fandom for catching up on the subtext.

Durge's "admiration" (as he calls it himself) towards Gortash is viewed as controversial and arises suspicion in-universe, to the point he feels the need to apologize to his Father and repent for an implicit sin.

While it would be scandalous to fraternize with Gortash even in a platonic matter – he's practically the leader of the rival cult –, the emphasis put on justifying their interactions has been interpreted by fans as romantic subtext.

The letter in which Durge addresses the issue is titled "Letter for Forgiveness", despite Gortash only being mentioned at the beginning, while the rest of the letter focuses on different topics entirely.

Right after expressing guilt for the way he views Gortash, Durge proceeds to repeat Bhaal's plan and promises to follow it, stressing that he would have made his Father proud regardless.

The letter overall comes off as an attempt to justify being attracted to Gortash and reassuring Bhaal that it wouldn't come in the way of their plans, as it would pose an enormous threat otherwise.

Durge being attracted to Gortash – if we choose to interpret him as a man – would come with a handful of important challenges: first of all, sympathizing with the 'enemy', implying Durge could abandon the idea of betraying him or even allow Gortash to do the same to him.

Second of all, being capable of such vulnerability that would come in the way of being a sentient weapon: a killing machine isn't supposed to feel pity, let alone experience something as foolish as forbidden love.

And thirdly, for Bhaal's heir to prefer the company of men is simply a disgrace, as it would come in the way of reproduction and possibly undermine his public image.

While all of this may have not been meant as a homosexual allegory, the fact you can find the Letter for Forgiveness on Durge's corpse if you play as Tav, still comes off as "bringing a secret to the grave".

Not to mention the note at the end of the letter, written by another cultist, reading: "Ha! Orin was right about her sibling." which is clearly a jab at what we mentioned above.

When you go to confront Orin in Act III (as Durge) about the fact she has been following you around town, she replies: "The little lordling has been whispering in your ears? He always knew how to tumble and twist your mind matter, leaving you knotted in his chords."

The matter of Durge's attraction to Gortash is seen as something silly and shameful at the same time: it's an open secret cult members dare to joke about, because they find it ridiculous.

If a hypothetical female heir of Bhaal had the slightest possibility of reproducing with the Chosen of Bane, I'm pretty sure they wouldn't find it as humorous – they find it hilarious because it's taboo, a powerful demigod developing a "school crush" on a male ally.

We should also talk about some of the in-game implications about Gortash, such as being someone who possibly "slept his way to the top": managing to charm and daze a much more powerful man on purpose sounds surprisingly in-character.

What we find even more interesting are the implications that come with Durgestarion, a pairing the writers are openly fond of.

We know both characters were characterized by the same writer, the latter going out of his way to include personalized romance interactions between the two: unlike other characters, romancing Astarion as Durge gives the player access to tons of new dialogue lines and greetings, sometimes making for a completely new experience compared to romancing him with a regular Tav.

Some hints may point to Durge being the "canonical" romance for Astarion, as many fans have speculated ; while one may disagree with that sentiment, we must admit it's not far fetched.

If we consider all of Astarion's canonical past relationships (meaning, the few ones he actually deems important and genuine) were with men, and the emphasis put on Durge's "admiration" towards Gortash + the incessant pressure Bhaal puts on him to reproduce, the thought of these characters romancing each other in an alternative timeline actually sounds liberating.

Some Durge-specific lines Astarion says during his romance arc seem to be aimed at a male character, rather than sounding gender neutral: the first example that comes to mind is "Are you alright now, or is today a 'I will wed you with a delicate veil of blood blooming over your white curls' kind of day?"

Astarion sarcastically references Durge "wedding him", thus putting the player in a stereotipical "groom" role from the start, with the veil resembling the one brides typically wear during the cerimony.

If we consider all other aspects mentioned in this theory, the line reads as somewhat... male-coded.

If we want to be truly insane about this theory – and of course, we do – , we could even add a "gay allegory" element to the equation.

A vampire and the spawn of an evil deity, excluded members of society who'd usually feel a compulsion to hide, are implied to fall in love by the narrative.

V - ACTING CHOICES

Finally, we come to the voice actor: while a specific actor was chosen to play the character and is regarded as the iconic Durge VA, Larian didn't concern themselves with choosing a female voice actor to include the possibility of a female Durge, which is why we can only hear his intro in Neil Roberts' voice.

VI - CONCLUSION

With all of this taken into account, a female Durge seems to be an after-thought, if not directly a fantasy or a headcanon that the game gives you the possibility to play out.

The original narrative, as we can see, best accomodates a male character.