#about why that would have been the PERFECT culmination to her already beautiful character development

[lunareiitic]

CANTO 4 SPOILERS BE WARNED

I think it's really interesting (and clever) that we're a third of the way through Limbus' plot (theoretically. 12/4 = 3 after all) and we've split the focus characters in half based on who is actually growing because of their Canto and who isn't, while also showing multiple narrative ways to show that progression (or lack thereof).

Gregor and Rodya have already done their growing. Gregor's a war veteran whose traumatic past should be long behind him, and his character didn't shift after his Canto. His refusal with regards to the whole Yuri thing wasn't a shocking twist, it was the culmination of years of rejecting the life that his mother made for him.

Rodya rejects the idea that she has to develop as a character entirely. Canto 2 is mostly a celebration of Rodya- she makes her own luck and doesn't require these things like "character growth" and "dynamics". She was a one woman wrecking crew then and she's one now, plans and friends be damned. It's why she's able to reject Sonya's olive branch: he's predicating his entire plan on the idea that Rodya would have learned from the Tax Collector Incident. But she didn't, and she knows that.

Sinclair's Canto 3 marks the first Canto where we're actually examining the failings of a member of the team. Sinclair's immaturity, fawn response and unwillingness to take responsibility did directly lead to all of the bad shit that happened to him. Even if Kromer would have done it anyways, Canto 3 takes Sinclair to task for what he did, but in the end, he can't follow through. It's beautiful and tragic that he needs Demian to bail him out of what should have been his cathartic moment of triumph. Sinclair's growing is actively still happening. Canto 3 is only the beginning.

Which brings us to the most recent Canto and Yi Sang. Yi Sang in hindsight is the perfect character to follow up Canto 3 with because Yi Sang is essentially Sinclair if Demian wasn't around. Yi Sang's narrative is about apathy and passive suicidality- he doesn't care what happens to him because life has lost all meaning to him. Sinclair still has some fight in him, all Yi Sang has is ashes. Or so he thinks. Dongrang and Dongbaek are characters who will never move on from their past, despite what both of them think. Yi Sang, through mirroring them, ends up with the most radical character development we've seen so far: true catharsis. Unlike our three previous characters, Yi Sang's Canto manages to get down to the core of his issues and he's able to understand what he must do to get better and does. He conquers Dongbaek (embodiment of rage) and Dongrang (embodiment of despair) and ascends to a place of healing away from them. This is a very conventional, classic character arc structure seen in fiction since the dawn of time, it's classic because it works. But it feels so refreshing and new here in Limbus Company because we waded through three quagmires of difficult regrets, abuses, and traumas that refuse to be handled so easily. Given that our remaining characters are based on murderers (Hell Screen, The Stranger), self-saboteurs (The Odyssey, Moby Dick, Don Quixote, Faust), and the legacy of racism (Wuthering Heights), I'm betting that Hong Lu's might be our brightest spot moving forward. (But who knows. They could give us another goofy Canto out of nowhere like they did in Canto 2. Limbus Company contains multitudes.)

[niuxita21]

I think the flozmin proposal was beautiful as it was. We all know that flor gets very anxious if it's something big with many people, we have dani's proposal to back that up. She was clearly very uncomfortable while dani was dancing and stuff, she didn't even say yes inmediately. I think that jaz knows that and, unlike dani, she doesn't need to show off all the time her "grand gestures". She just needed flor to know how much she loved her and so she proposed privately. It was perfect.

Hey anon. I’m glad lots of people feel that way, it’s one of the reasons the level of drama in the fandom remained at next to zero for the majority of the storyline. :) 

However, if the argument is that grand, public gestures make Flor anxious and that it was better for the proposal to be private, then my argument about wanting Jaz to put a bit more thought into it (or that that’s what she would have done because she likes to plan things) doesn’t completely contradict that. Jaz didn’t necessarily have to hire a flash mob or a corny ass dude dressed up as a heart like Dani did. She could have just planned an intimate evening at home like the Thanksgiving one where she sent Flor the dress**, or even like the one where she told her she loved her. Clearly, she’s good at planning romantic things for the two of them. It could still have been private, it could still not have made Flor uncomfortable or anxious but it would still have felt like the big relationship milestone that it was and not like an afterthought, like it did end up coming across as, for me. 

But, well, mileage varies, obviously. :)

**Fun fact: there was a bit during their dance scene where Jaz sort of pulls back to look at Flor and Flor says “What’s wrong?” and Jaz replies “You’re beautiful” and she puts her hand somewhere in her chest, and I became CONVINCED that she was going to propose right then and there and was gonna pull the ring out of her dress lmao. Incidentally, when I realized that Jaz had planned that whole evening for funsies and not specifically to propose, I was THRILLED at the fact that the show was giving us such fluff for no reason and thought it meant that when the ACTUAL proposal rolled around, it would be 5984759 times more romantic and life-ruining. Little did I know. 

[cheekbites-moved]

oz, alice & the creation of love: an ozlice meta

hello it is i, known ozlice defender. here to explain why they need to be credited for inventing love, bc. They Did That. & i just wanna gush about my favorite scene of all time, involving my favorite couple of all time, because both are very precious to me and i’m very passionate about them!!

disclaimer: if your interpretation of oz/alice’s relationship differs from mine, i respect that. all i ask is that my interpretation of their relationship being romantic be equally respected. i am simply writing my own post, on my own blog, discussing my own interpretation of this scene and their relationship dynamic within it/as a whole. if you disagree, please refrain from debating me on my interpretation. my voicing of my interpretation doesn’t mean yours is in any way invalid or not allowed to exist, so please don’t treat mine that way if you don’t share it. thank you. 

tw for blood, gore, and mentions of neglect/abandonment issues.

anyway so! the scene in question is the cheek biting scene from chapter 41. in my opinion, this is one of the most crucial scenes for oz’s character development, & is a scene that beautifully encapsulates the depth of the impact oz and alice have on each other.

before i get into the meat of the chapter itself, i’d like to first establish my perception of oz’s character up to the point this chapter takes place, to really get across why this moment is so pivotal for him.

pandora hearts is one of those series that begins with a collection of stereotypes, both in the story and characters, then works to completely dismantle them as the story goes on. oz is no exception to this trend.

he starts out as a pretty typical protagonist, to be honest. he’s bubbly, peppy, (also flirty) and is always the first to bounce back from the rougher things the cast goes through. he’s an optimist, and prefers to focus on happy distractions rather than the reality of the harsh situations the cast finds themselves in.

but, see, that’s the thing. his entire outward personality itself is a distraction. it’s all a facade. oz hasn’t forgotten any of the pain he’s been dealt, nor has he even begun to heal from any of it. because he has put the role of “the happy friend who has to stay happy for their friends’ happiness’ sake" on himself. which has caused him to learn to bottle things up. which has lead his mind to believing that presenting any negative emotion would be a burden to those around him. he’s afraid of presenting them because he fears rejection, but also, he’s afraid of his loved ones hurting for his sake. 

a lot of oz’s arc revolves around him overcoming this mentality, and the development that entails starts with chapter 41.

for those who need a refresher, chapter 41 takes place while the group is exploring the ruins of sablier. they all get separated at one point, lead astray by the hauntings of their unremembered pasts. 

oz finds himself alone, and is confronted again with the horrors of the tragedy, as well as his own unremembered past, and begins to panic.

elliot and leo hear him screaming, so they go off to look for him. 

after they first arrive and oz properly notices them, he instantly snaps back to his bubbly self, acting like nothing happened.

they walk together, eventually running into gil and also xai. xai’s appearance, and proceeding dismissal of oz’s presence further burdens oz with the trauma of his father’s neglect, on top of the already previously disregarded distress from his past.

xai was sent to retrieve elliot, who denies his help, saying it should be offered to his own son instead. xai scoffs, and further dismisses oz’s existence in a more direct manor by speaking ill of him, further contributing to oz’s increasing emotional instability.

leo manages to get xai to leave, explaining that he and elliot already have plans to get back on their own, so his help isn’t necessary. xai departs as oz’s emotions start to fully destabilize, with oz thinking to himself about the pain he’s feeling. he attempts to reach out to gil, but gil runs off after xai to confront him.

oz canonically has abandonment issues, and they originated from xai’s neglect. i’m sure in the moment, after just having confronted the source of his abandonment issues, having gil leave him behind felt like a further abandonment, and it breaks him down the rest of the way.

his mind starts to spiral, putting him in conflict with himself, as his tendencies to remain stable and happy are pitted against the destructive urges arising within him to cope with the instability.

he begins a descent into darkness he can’t control as his powers start to spark up and begin causing destruction, a very similar scenario to his breakdown in the cheshire arc.

before he can commit any permanent damage, however, alice arrives at the perfect time to disrupt his spiel.

her interruption snaps him back to reality, and he is instantly tamed by her appearance

as he regains himself, he also defaults to putting up his facade yet again, casually talking to her as if nothing happened. alice knows him well enough to notice the subtle cracks in his mask, though, and asks him what’s wrong.

oz holds to his habits, and attempts to brush his emotions off by saying it’s nothing,

but alice interrupts him before he can continue disregarding his feelings through biting his cheek

oz is completely taken aback by the action, and alice explains to an equally baffled elliot that sharon showed her a book where a woman ‘bit’ a man’s cheek to cheer him up.

alice further explains herself to oz, telling him that she heard him calling out to her (through a memory, though she’s unaware of that in the moment), with “such a pitiful voice she had to go find him.” 

noting afterward that she wished he would be that open with his emotions more often, so she could cheer him up.

as she says all of this, oz looks at her in pure bewilderment

but then, realization strikes him

he notes his realization, thinking to himself:

"My anxiety, my weaknesses.. I thought if I gave my voice to them.. I would be burdening the people around me... But... ...I guess it’s not always like that."

this line is crucial for the rest of oz’s character arc, and the weight it entails carries on throughout the rest of the series. 

this realization, this moment as a whole, is the first time oz lets himself properly acknowledge the deception behind how his mind has forced him to perceive himself. this is the first time oz actually acknowledges and processes that he is allowed to feel pain. that having pain does not make him a burden. and from this moment forward, oz begins to open up about his feelings more.

starting moments later when they reunite with gil, and oz openly expresses that he’s hurting to gil for the first time.

this progresses to him slowly becoming more direct about his feelings, both through his words and the facial expressions he allows himself to show.

(chapter 60)

(chapter 74)

(chapter 75)

and this all culminates full circle when he finally allows himself to fully cry in later volumes when he needs to.

(chapter 82)

(chapter 87)

(chapter 92)

(chapter 97)

(chapter 104)

that scene in chapter 41, is what directly leads to the emotional vulnerability oz allows himself to have as the series goes on. alice loved oz enough to feel his pain, and to make an effort to seek him out so she could cheer him up when she was aware he was hurting. oz’s love and trust for alice finally allowed him to feel comfortable enough to let down some of his walls to someone for the first time. 

after the realization sinks in fully, oz notes that despite how strange her words are to him, they still spark a fire in his heart.

he observes alice afterwards, noting that her presence is what brings beauty in the scenery of the rain, something he tended towards disliking before.

alice is the first person oz allows himself to be vulnerable around because he’s that comfortable around her. alice is the reason that in a moment of negativity, he is able to pause and admire something that’s beautiful to him; something that genuinely puts him at ease, rather than him just faking a moment of serenity to avoid being vulnerable.

whether you see their relationship as romantic or platonic, their deep love for each other is undeniable. and this is the moment that it shines the brightest, in my opinion. this is the moment they invented love together. and i think it’s beautiful to witness.

[starkerintheparker]

starker reclist - canon based fics

Hi Starker fam! To celebrate my 900 followers I decided to finally start posting my humble and very personal reclist. I’ve been planning to do it for a while now but it got way bigger than I anticipated so I decided to split it in 4 parts and will share the first one today. I’ve been around for less than a year and there’s a lot I haven’t read yet so my plan is to update this list as I go. 

Under the cut is part I, solely is dedicated to canon-based fics. I’m a sucker for angst so most of my recs feature guilty!Tony, miscommunication, porn with feels and all that jazz. Hopefully you’ll be able to find something interesting according to your preferences. Oh and don’t forget to leave kudos, comments and spread the love for these authors :) Cheers!

Last updated: 2020/04/18. All new fics added will be marked with ***

• 10 Ways to Woo Your Boo by @darker-soft-starker (NR, 6k, completed)

Summary: By twenty-one Peter Parker had graduated college, scored himself a post-grad job and was a full-fledged member of the Avengers. He had his own apartment, paid his own bills and juggled his time between being a superhero and working enough to cover his rent. So long as Peter was armed with his ID, he was a full-fledged adult in the eyes of the law. Perhaps foolishly, he’d assumed it would make him an adult in the eyes of everybody else too. Keen to be seen as worthy of Tony's heart, Peter enlists the help of his friends and the internet in courting his former mentor.

Review: We all love Ash’s fantastic AUs but this lovely canon-based fic may be one of my favorite works by her. I will never know how she manages the fine balance between angst, humor and romance, I just know it hits me good and takes my breath away. Oblivious!Tony and Peter being a bisexual disaster at wooing, what do you mean this wasn’t in the movies? Sounds canon to me.

• 100-Point Restoration by Destina (T, 8k, completed)

Summary: Tony needs a happiness upgrade; Peter wants Tony. These goals might be compatible. (This story is set roughly five years post-Homecoming).

Review: I just realized this was the first Starker fic I’ve read, and it was back in 2017! I didn’t ship Starker at the time but this author must have done something right because for some reason I couldn’t take my eyes away. This fic is gorgeous. Tony’s voice is amazing, his dynamics with Peter are spot-on and organic - but nothing’s better than watching their feelings unfold, like a soft and warm humming just awaiting for disclosure.

• adult supervision by doveslayer (M, 20k, on hiatus)

Summary: Peter Parker should not keep drunk-dialing Tony Stark after midnight. But more pressingly, Tony Stark should not keep answering. In which Tony tries to convince himself he's doing nothing wrong. warning: underage!Peter tho pretty vanilla imo                                                                                        

Review: My favorite “everything is happening while nothing is happening” fic. Their voices are spot on, the dialogues are clever, and you can almost touch the tension with your fingertips. It’s been a year since the last update but even if this fic never gets finished I promise the read will have been worthy!

• Attached by @paspleurer (E, 7k, completed)

Summary: Tony gets it, he really does. As far as rebounds go, sleeping with your childhood hero isn't half bad. And if what Peter wants is this— just sex, with no strings attached— then Tony will give him this.

Review: Pleurer and Learned Foot have seduced me with the rebound trope. This is a lovely Tony POV with the good old pining + miscommunication combo, plus enthusiastic sex and sweet domesticity. What else could I ask for?

• Covet by RTC anonymous (E, 34k, completed)

Summary: Peter has a new boyfriend. Tony starts drinking again, for unrelated reasons.

Review: I read this fic when I was still warily lurking around the Starker fandom and it blew me away. The sexual tension is so palpable you can almost taste it. There is jealous, guity Tony failing at mentoring and a vulnerable, smitten Peter Parker trying to make sense out of it. RTC anon is a religion.

• Ephemeron by @ramblings-from-elsinore (E)

Summary: "Being around Ned, Peter's reminded how out of place he is. For Ned, the second ever appearance of aliens over Manhattan is the stuff of excited hallway chatter, of where were you when—? Ned’s world wasn’t blown apart and stitched back together. Because Ned doesn’t remember. No one does, except the ones who were there, who fought." AKA, "Tony's relationship with Peter may be unconventional, but they’re unconventional people who have had some pretty fucking unconventional experiences." In which Tony can't stop touching Peter to make sure he's real, and Peter dreams of being in Tony's arms and not disappearing.

Review: I started reading this fic before I joined the fandom and man, what a way to get pulled into this ship. Brace yourself for hardcore guilty!Tony being all over the place plus unhealthy codependency and touch deprivation, all the good things. Reading this is a spiritual experience but fair warning: this is not a happy story, at least not for a long while, so please mind the tags.

• Expiration Date by @learned-foot​ (E, 12k, completed)

Summary: Tony knows exactly what this is. First big breakup, go for a fling with a completely inappropriate person. It’s basically a cliché. He kind of thought Peter was better than that, but apparently being brilliant and one of the bravest people on the face of the planet doesn’t mean he’s immune from being a stupid college student who makes stupid college student mistakes. AKA Tony is sure this is just a fling, and he deals with that about as well as you’d expect.

Review: Ahh my beloved rebound trope and my first rec (out of many) by LF! Between a pining, insecure Tony making all the wrong decisions and a young and confident Peter unwilling to let him go, this fic makes your heart ache in the best ways. Good thing LF only works with happy endings!

• From Thy Bounty by @ibby-writes​ and feyrelay (E, 31k, completed)

Summary: Tony’s eyes are always dark, but now there's almost no iris left. He looks hollowed out. There’s something terribly hungry there, despite the feast they've filled themselves on.

Review: I’ve lost count of how many times I reread this insanely hot and ridiculously well written fic. Besides the A+++ characterization, there is delicious food porn foreplay followed by a breathtaking cat and mouse game that culminates with no less than 13.5k of intense and unapologetic sex with feels, my favorite kind. Enjoy the meal! ;D

***Gift of Choice by tuesday (E, 12k, completed)

Summary: Tony Stark had a thing about giving Peter stuff.

Review: This is my favorite fic by tuesday and the PERFECT rendition of our beloved sugar daddy trope. Great pacing, amazing dialogues and a breathtaking build up that makes you both smile and sweat in anticipation. They’re so in love I almost can’t handle when they finally get together. Sexy, hot and very sweet.  

• here is my hand, my heart by belatrix (E, 16k, completed)

Summary: Mostly, Tony had tried not to look. He still does. Try, that is. It’s just― it’s getting a little bit harder every day.

Review: I have a HUGE soft spot for this beautiful masterpiece, because it was the fic that finally made me join the Starker fandom. I’ve reread it so many times and it never fails to amaze me. Through an atmospheric non-linear narrative, this shows a guilt-ridden Tony Stark trying and failing to resist one determined Peter Parker who won’t take bullshit for an answer. Hot, and angsty, and breathtaking.

• I know that you got Daddy Issues (And I do too) by feyrelay (E)

Summary: The one where Peter’s blue balls save the world. Because, yeah? That meandering, blooming thing between him and Mr. Stark? That relationship that continues to be maddeningly legal, platonic, and above-board, but still somehow haunts Peter’s wildest wet-dreams? That might just be the key to Strange’s endgame.

Review: This fic is a love letter to those who appreciate an angsty and nuanced slow burn like me. Possibly the best character study I’ve ever read combined with a clever, well researched and intricated plot. Reading this will make you fall even more in love with Tony and Peter as individuals, before wanting them to be better together. Make sure to also check all related fics under the tag DIEU (Daddy Issues Extended Universe) - the Starker verse we fucking deserve.

• if I am the river, you are the ocean by sadonsundays (E, 7k, completed)

Summary: The one where Tony can't sleep and Peter can't stop his hands from shaking.

Review: This is a gorgeous recovery fic, painful and heartbreaking, yes, but still very gentle as Tony and Peter’s relationship quietly unfolds. Pepper is an absolute treat which was refreshing to me. I just love the quiet and angsty undertone that guides their journey until they finally find home in each other.

if you’d grant my love a pardon by belatrix (M, 2.5k, completed)

Summary: The first time, it goes something like this: “No,” Tony says, but it’s tired, half-hearted, not quite a denial.

Review: One of the reasons why I love this ship is that there’s always room for angst, even when they’re already together. This lovely yet heartbreaking fic mirrors Tony’s fragile heart as he realizes that as much as he should, he just can’t let go of Peter, not quite yet. Belatrix writes guilty!Tony’s headspace like nobody else and I just can’t recommend her writing enough.

• in the light of a dying star by @areiton​ (M, 6k, completed) fix-it

Summary: Extremis isn't a guarantee. That's what Pepper told him, as they took him off the bloody, dusty field. It was just a chance. A desperate gamble.

Review: I’m so glad I read this right after Endgame because this is the fix-it Tony and we all deserved, this fic is so comforting and beautiful. I really love the quiet, ethereal atmosphere and how it shapes our perception of time and character development. Peter is beautifully written and their get together made my heart ache in peace.

• In the Morning by @cagestark​ (M, 6k, completed)

Summary: Peter's pretty stressed. He isn't understanding physics despite all the extra time he is spending with Bruce. And underneath it all, something is wrong with Mr. Stark.

Review: Heart wrenching and painfully honest fic, where Tony is a jealous mess and Peter is his usual earnest, sweet and good self. They meet in the middle, and it’s quiet, beautiful and sad.  

• Kiss Me by @ironspi​

Summary: Five times Peter and Tony almost kiss and one time they did.

Review: This fic was such a lovely surprise! It begins unpretentious and it builds up to quality pining and unresolved sexual tension. Chapter 4 is particularly awesome, so charged and intimate. Kudos to the author for exploring Peter taking the lead and making Tony melt in his arms.

• Landslide by spqr (M, 8k, completed) fix-it

Summary: Peter jumps into the quantum realm with his heart in his throat. He steps out in 2018, on the edge of a lake he still has nightmares about. A hundred yards away over the water, the lights in the lakehouse are on.

Review: Morally ambiguous characters + angsty time travel? Count me in. This fic has a very interesting (and darker) take on Peter post-Thanos, in his raw and desperate grief over Tony. Bonus points for amazing dialogues and a fix-it plot so clever and believable I’m surprised I didn’t see it on screen.  

• lean on me now by @areiton​ (G, 9k, on hiatus)

Summary: He’s so tired, and he hurts, the kind of screaming pain he’s struggling to ignore now, and he wants to go home. But he can do this. He can sit and watch, and keep them safe. A wry smile tugs at his lips because he knows how ridiculous that sounds--a kid keeping Avengers safe.

Review: One of the best canon divergence fics I’ve ever read. It’s quiet, angsty and Peter’s voice is simply amazing. My heart breaks for Tony, but I’m so here for Peter & Rhodey’s brOTP, the fandom deserves more of it.

• noticing by @areiton​ (NR, 2k, completed)

Summary: “You deserve to be happy,” Rhodey tells Tony once, when Tony is drinking and conflicted and Peter is sleeping unaware on the couch. Tony watches him, eyes bright.

Review: How could I ever resist seeing Tony and Peter’s relationship development through Rhodey’s protective and thoughtful gaze? Any Tony stan should read this fic because this is the kind of love, friendship and support he deserves. Reading this put my mind at rest, knowing Tony’s cared for, and safe.

• Obvious by @learned-foot​ (M, 14k, completed)

Summary: When Peter wakes up, several things become very clear all at once: he’s underground somewhere unpleasant, something is messing with his powers, and his entire body hurts. A lot.

Review: WHUMP WHUMP WHUMP *victory dance* god this one is brutal, but we can trust LF to bring on full angst with an intriguing plot and A+++ characterization. I’m so here for protective!Tony doing whatever it takes to keep Peter safe, including all the confusion and heartbreak his problematic decisions may bring.

• Permission by @cagestark​ (E, 16k, completed)

Summary: During drinks with the Avengers, Peter admits that he enjoys orgasms more when someone is giving him permission, though since he's single, there isn't anyone in his life to offer it. Generous Tony offers to offer it.

Review: This fic is unique and so very hot, but don’t let the smutty summary fool you. There is also tenderness and FEELS in capital letters. Despite their arrangement, pining!Tony is so vulnerable and so completely in love with Peter it kinda breaks my heart a little, but thankfully Cage is a big fan of happy endings like me, so we’re all safe in her hands.

***Post-Endgame NYE by @darker-soft-starker (M, completed)

Summary:  Five years after the events of endgame Tony is resurrected. Months after that, he's still trying to find equilibrium

Review: Hands down the loveliest ‘flirting on a bench’ I’ve ever seen, and my top favorite NYE Starker fic. I love to see Tony facing an existential crisis while he navigates his new life post-resurrection, including the violent realization of ‘oh no, Peter’s an attractive adult now’. Gentle and gorgeous get together, kudos at Morgan for being a little devil and playing matchmaking.

• Proxy by @cagestark​ (E, 11k, completed)

Summary: Peter wants to know if Mr. Stark knows, like, anybody who’d be willing to make out with him. Things escalate from there.

Review: I have such a big soft spot for this fic because “by proxy” is one of my favorite tropes and Cage explored it masterfully. Again, this is pining!Tony at his best and Cage just has this ability to transform what once started as a sexy little thing into this soft and gentle love story, the kind that gives you butterflies in the stomach.

• Radar by @intoxicatelou​ (M)

Summary: Peter could say that he’s officially approached desperation, but he wants this, wants Tony, and he’s willing to do everything it takes. Or the one in which Peter tries to become Tony's celebrity crush from 2009 in order to seduce him.

Review: This is one of my favorites self-indulgent fics, I just can’t resist the good old “Peter’s seduction handbook” trope and intoxicatelou delivers it beautifully. This story is sweet, super fun and relatable af. There’s A+ pining, Peter being a bisexual disaster and MJ being the queen we all stan, shocking absolutely no one.

• Revelations by RTC anonymous (E, 127k, completed)

Summary: “I still don’t get it,” Ned says. “How you just... keep being ordinary in spite of all the craziness you’ve lived through. You were in space. You helped Iron Man save the universe. And nobody knows it was you.” His tone softens, becomes almost sad. As though he realizes that what he’s saying is so completely alien to him that he will never be able to understand this part of Peter’s life. “Peter, don’t you want people to know you for who you are?” An AU where they get the Gauntlet off of Thanos that first time, on Titan.

Review: I feel like I don’t need to justify this choice – almost everyone in the fandom has either heard of or read this masterpiece, it’s safe to say this fic is part of the Starker Training Wheels Protocol lol. If you have just arrived or is just exploring the fandom and enjoys slow burns I suggest you start right hee because it doesn’t get any better than this. There’s A+++ characterization, breathtaking pining, insane sexual tension and a very satisfying ending if I may say so. Definitely among my top 3 Starker fics. RTC anon, wherever you are, please know you are loved and appreciated. I’ll literally build an altar for you.

• Reversal by @learned-foot​ (E, 4k, completed)

Summary: Sometimes, Tony is the one who needs to be praised.

Review: For once Peter makes Tony just lie down and take 😊 the fucking 😊 praise 😊. I feel like I’ve been waiting for this fic all my life. This is the praise kink Tony (and we all) deserve, genuine, gentle and powerful. If you’re a big sap for their love like I am, you’re in for an emotional ride because this is overwhelmingly sweet to the point it brings tears to your eyes. LF is such a gift to this fandom.  

• Settling by @cagestark​ (E, 5k, completed)

Summary: Peter really wants to be taller than Tony. Heels help.

Review: One of my favorites by Cage, I still remember how happy and giggly I felt when I first read it. There is A+++ characterization, amazing dialogue, Avengers domesticity, praise kink, the hottest blow job and my favorite Starker first kiss. Oh, did I mention Peter in heels and Tony loving every moment of it? You’re welcome :D

• Stipulations by RTC anonymous (E, 70k, completed)

Summary: Peter Parker’s long term dream recently went from ‘get into MIT’ to ‘afford going to MIT’. As the time approaches, it’s dawning on him that he won’t be able to pay his tuition and afford the move to Cambridge all at once: he’s out of money, his secrets are beginning to pile up, and desperation has started creeping in... And then one night, he saves Tony Stark’s life.

Review: Another fandom classic by our irreplaceable RTC anon, this fic is SO GOOD I keep coming back to it and just recently I realized I’ve built all my personal Starker headcanons out of it, lol. A+++ characterization and hot, delicious pining is a given with this author, but I’m really here for that senses-dialed-to-11 trope, and RTC delivers it masterfully.  

• subtle by @areiton​ (T, 1k, completed)

Summary: Peter is not subtle. He wears his emotion, his excitement, like a flag waved bright red and teasing for a bull—impossible to go unnoticed, impossible to ignore. It’s adorable and it’s Peter, and it’s—in hindsight—why Tony misses the context clues.

Review: This fic is like reading poetry, a balm to the heart. Peter wears Tony’s colors and by the time Tony finally gets the context clues they fall together in the gentlest, softest way.

• Take it slow by tuesday (E, 13k, completed)

Summary: There were a ton of reasons dating Peter was a bad idea. Tony loved bad ideas. He was going to do it anyway. In which Tony thinks they're dating, and then they're dating undercover.

Review: This fic is so endearing it’s basically impossible not to cheer for these two, despite their usual infuriating communication issues, lol. But I promise all the angst and wait are worth it, because there’s nothing more satisfying than seeing how they (finally!) get to be on the same page.

• the record spins on the trails we blaze by @darker-soft-starker​ (NR, 5k, completed)

Summary: Years after the events of Homecoming, Peter thought all of the bad memories were well and truly behind him. After all, so much has happened since then - and he's happy now. Everything is kinda perfect.Turns out nothing stays buried.

Review: Hell yes! I agree HoCo’s events were particularly traumatizing and this trope is not as explored as it should be. To put it simply, this fic is something I didn’t know that I needed and Ash delivered it beautifully. It’s incredibly gentle, cathartic and honest, not to mention the lovely domesticity and understanding between the characters that will make your heart swell.

• Under Someone Else by @learned-foot (M, 7k, completed)

Summary: Peter realizes he’s just a rebound. And he’s okay with that, really. Or at least, that’s what he keeps telling himself.

Review: FEELS, FEELS EVERYWHERE. It’s so hard to choose a favorite fic by LF but this is the first that comes to mind because it introduced me to the amazing rebound trope. It’s so refreshing to see this ship’s potential for angst and miscommunication playing into the “fuck first, talk later” scenario. Warning for vulnerable boys being idiots and breaking our hearts but P.P.P.S they do eventually get their shit together and it’s glorious!

• Up for Anything by tuesday (E, 8k, completed)

Summary: When it came to Tony Stark, Peter would take what he could get. In which Peter believes he's just a rebound. (Not Endgame compliant.)

Review: Of course there’s yet another gorgeous rebound rec because I can’t get enough of this trope. Honestly, LF and Tuesday writing for each other have provided some of the best fics this fandom has, God bless them. This is another treat featuring pining!Peter and the usual “I can’t communicate properly how much I fucking love you”, but there’s also bantering, delicious dirty talk and so much affection that you’ll read it all with the biggest smile on your face.

[purrfectstrangers]

One of these days you'll have to make a proper account, Gamzanon~ Or just eat mine~ ♡

Running commentary will be in brackets~

Favorite Preds Per Caste ~ Lowbloods

Consider this my Valentines Day special. Alternia is filled with predators of all shapes and sizes. Today we'll be listing all of them. All preds from all castes listed from most favorite to least.

With special exception to Wanshi, Tirona, Karako, the Soleil Twins, and Amisia. Most people on this list will be aged up, but these characters are literally toddlers. No amount of aging up will make including them not feel creepy. Keep kids out of vore. [Damn right. I knew you were a decent sort]

And, finally, this will be divided into three parts. Lowbloods, Midbloods, and Highbloods. Here's part one.

With that out of the way, let's get on with the show~

Red Bloods

Karkat Vantas [♡♡♡♡]

Starting out strong with everyone's favorite cantankerous carnivore. 

He's easily a top ten pred. His layered personality means you can make him into whatever kind of pred you want him to be. He can smugly trash talk a pleading prey like no other or fret over over a willing meal just as well as any jade blood. He's often underestimated by his friends, which makes him ideal for snacking on smug Serkets or devouring delicious Daves. Plus, a God-Tier getting digested by a lowly mortal is A+ material and Karkat lends himself especially well to that. With an appetite to match his anger, Karkat gives a whole new definition to the term "hangry".

"I WASN'T KIDDING WHEN I SAID I WAS YOUR GOD."

[It helps of course that I find Karkat so fucking hot. Padding out his ass after weiggling enough yo make his cherry red bulge shoot hands free is perfect, especially if you work him into a tizzy with some teasing from inside~]

Kankri Vantas

Kankri's a particularly condescending carnivore and I think that works wonders.

His stuck up self righteous attitude makes him magnificent at smugly putting prey in their place and the fact that no one takes him seriously makes him ideal for taking down apex predators. You know damn well he's got a speech prepared about why you should be prey. Unlike Karkat, he isn't quite as versatile and his celibacy makes it hard to contrive alternative vore scenarios for him. That said, he's still a smug snake who'd be more than happy to swallow you whole and lecture you about his #predrights as you digest.

[Maybe the mun is just a slut, but being reduced to prey for Kankri and told I'm nothing but food, like a lower class built to digest for him is... so fucking good... #predrights]

The Signless

He who fights monsters risks becoming one himself. Nevermind what happens to he who eats them...

Yeah, poor Signless kinda finds himself falling in last here. Not his fault. The Voracious Vantases are stiff competition. Having said that, he works fantastically for one scenario in particular. Corruption. The image of this perfect paragon who only ate people as a last resort slowly decending into a sadistic predator who gleefully churns up the Condescension is just beautiful. You can do a lot with a corrupted Signless. He just can't quite match his counterparts in the realm of berating those in his belly. Still, this predatory preacher is more than happy to continue spreading his message. All trolls are equal... equally delicious~

Rust Bloods

Aradia Megido

Oh, hell yes. Whether it's the cold cruelty of Aradiabot or the playful predation of her God-Tier counterpart, Aradia is a goldmine for gluttonous scenarios.

Her adventurous attitude lends her well to any kind of vore you can think of and her powers give her all the time in the world to act out your fantasies. The worst I can say about her is that she's more teasing than she is sadistic, but that's hardly a problem given everything she can do to you. A gluttonous goddess with an adventurous appetite, Aradia will always gobble you up with a grin~

[Aradia strikes me as a well of alternative vore potential, especially with how kinky her ancestor is. With her eager attitude she could make you happy to vanish from under her~]

Xefros Tritoh

You know what I love? Shy, spineless preds embracing their predatory nature. And Xefros is perfect for that. He'd go from eating people to protect Joey to eating people because he was feeling peckish. It all culminates in him digesting Dammek while Joey rubs his gut. Looks like bad moirails make great meals. You want a good pred? X gon give it to ya.

[Preds with loyal gut rubbers are the best, especially if said gut rubber gets off on feeling prey get softer. Some Pale pailing while Xefros' gut is still squiming wouldn't go amiss]

Diemen Xicali [♡♡♡♡]

This pudgy little pred hits a lot of good notes for me. Awkward, polite, and utterly gluttonous all in one. I can easily see this boy stuffing his face with hotdogs while already having a squirming gut nearly twice his size. Underestimated preds are my jam and I guarantee no one would see it coming if this guy gobbled someone up. Not to mention, his hotdog motif lends itself well to vore. Food transformation and cock vore scenarios practically write themselves. Around him, everyone's just another oblong meat product.

[Real talk, I just love chubby guys~ He can turn me anyto anything after sliding his hotdog between my buns~]

Marsti Houtek

Another favorite of mine: indifferent preds. These preds couldn't care less about who you are. If they're hungry, that's it. You're gone. Quite a few heckling highbloods learned this about Marsti the hard way. I love the image of her casually going back to scrubbing the floor after eating someone, casually cleaning up whatever she belches out like it's another piece of garbage. Her tight suit would beautifully show off every little bulge as her meal struggles and squirms. It's only after she's done that she sits back to enjoy her meal. She likely became a more active predator thanks to the influence of a certain gluttonous goldblooded girlfriend. What can she say? She loves to break down trash.

Fozzer Velyes

Whether he's a carnivorous comrade or an imperial predator, this burgundy has quite the appetite. He's outside digging holes and sweating up a storm all night, he's going to be hungry pretty often. I like to imagine all the ghosts he doesn't believe in are the ghosts of his former prey, which honestly just adds insult to injury. They had to listen to his cheerfully jingoistic rants for hours as they digested only for him to not even acknowledge them after the fact. He's a deliciously sadistic pred without even trying to be. This ravenous rust has certainly seized the means of predation.

Damara Megido & The Handmaiden

I'm putting these two in the same spot because, well, they just don't do much for me. I don't find their design that attractive, the whole sadistic dom thing is done better by loads of other preds and the whole Japanese Waifu stick is frankly a bit oversaturated. They just don't appeal to me.

Bronze Blood

Tavros Nitram

Rare opinion but... Tavros is wholesale one if my favorite Homestuck Preds. He is the absolute king of getting corrupted into a domineering predator. After everything he's been through, he deserves to cut loose. Let him feast to his heart's content as his prey wallows in the humiliation of getting eaten by Tavros of all trolls. And don't even get me started on revenge vore. Anyone can become a great pred. That's something the Serkets learned the hard way~

[Apologetic preds are pretty great too, like "sorry but you were so good... guess I'm gonna keep you, sorry" while they churn and digest, having to think about being pudge on his ass forever~]

The Summoner

Oh, hell yes. This experienced pred is an outright cassanova. He's got enough skill to swallow up soldiers mid fight and enough charm to talk their comrades into joining them. Take Rufioh's chick magnet charm and temper it with some maturity and experience and you've got the Summoner. He's added dozens to his thighs already and he'd be happy to invite you to join them.

[Especially with how tall adult trolls get. Color me needy for some size difference, especially when I stand exactly bulge height. Worm it down my throat to work up an appetite~]

Chixie Roixmr

On the topic of revenge vore. Chixie is great for this, whether it be eating Zebruh or eating those highblood knock-offs who stole her set. If you're lucky, you might even see her on stage with a huge gut. Granted, those loud belches tend to interrupt her flow. On stage or off, The Mask gives a whole new meaning to the term "Eat the Rich".

Skylla Koriga

She's a dominant pred if there ever was one. You don't get thighs like that without a balanced diet and her scrappy older sister attitude lends her well to all sorts of voracious scenarios. You can easily picture her eating up willing prey or devouring thugs who think they can steal her lusus.

[That country girl aesthetic fits well with lewd gassy moments while the prey is gurgling insude her. She probably revels in it, and having her belch in my face would be such an instant game over for me...]

Rufioh Nitram

Rufioh can easily be talked into being a pred in bed. I mean, the guy has dated Damara and Horuss, he's used to weird kinks. Ask him to eat you and his response will be "Sure, doll." He'd quickly develop a fondness for predation, especially after a few partners "accidentally" pad out his thighs. With any luck, you'll be one of them~

Vikare Ratite

This guy would be positively giddy to have you gurgling in his gut. His perpetually optimistic attitude would have him gushing over you as gurgle in his guts, his rambling string of compliments only interrupted by an occasional crass belch. Only problem is prying him away from his flying fantasies. He's liable to have his head in the clouds more often then he has you in his guts.

Dammek

I mean... we know practically nothing about this guy. Everything we do know comes from second hand sources so.... yeah. At least the Ancestors have Mindfang's journal to go off of. Can't make any calls until we actually meet the man.

Gold Bloods

Folykl Darane [♡♡♡♡]

Predation isn't just a dietary choice for this one. Until she met Kuprum, she had to eat people to survive. She needs her energy and she's likely to taunt whatever poor shmuck she has to get it from. Kuprum would totally endorse Folykl's predatory habits and I can easily imagine him lowering a struggling prey into her jaws with telekinesis, mocking her victim all the while. Nothing personal. She needs her energy. But that doesn't mean she's going to be very nice about. Her casual cruelty lets her edge out some fairly stiff competition. Golds are easily my second favorite caste for preds overall. And this gremlin is the most gluttonous gold blood of them all.

[Real talk, Folykl can own me x///x A dirty, sweaty, crass girl who will insult me as likely as fuck me with that coiling, golden bulge? Hell maybe both at the same time if I'm especially lucky. Gassy from all that junk food, and lets you stew with it while she idly jacks off in the middle of the living room, blowing a load all over the floor... Then just laying back in her sweaty after glow.]

Zebede Tongva

In a caste filled with cynical assholes, Zebede stands out for his unwavering optimism. What makes him stand out as a pred is the side that affability hides. His pudge already gives him away as an experienced pred but that just makes him seem friendly. Of course, that same friendliness lets him lure prey back to his hive. Not to imply that it's an act, mind you. He's just as happy to meet you as he is to eat you. His enthusiasm is contagious even as he's happly melting you into padding and that's what sets him above so many other preds. He's a great friend to have, but be careful when he invites you over. You might just find out why he lives alone~

[*claps my hands in time* Chub-by boys are too good! I feel like he remembers every inch on his body as a troll, and still squishes them lovingly from time to time. He'll introduce you to every single one, mashing your face into his warm gut, his plump thighs, and his generous ass over the course of ages. He'd want to to stay forever, and after sweaty, heavy sex, getting ground into his mattress and learning to love his curves like he does, he adds you to them, to be with him forever~]

Azdaja Knelax

He's the self proclaimed prince of all predators and he does his best to live up to that. His pride makes him great for demeaning his prey and his sheer raw power means that there are few prey he can't handle. He's eaten plenty of prey over the course of his career. He claims he's eaten over 9000! Whether that's true or not... well, how about you stick around and find out. You can count his prey after you've joined them on his thighs.

The Psiioniic

How do you become the most powerful Psionic of all time? By eating lots and lots of prey. This carnivorous Captor was eager to eat any troll who got too close to the Signless and he was strong enough to keep anyone from really stopping him. He's one of the most powerful preds to ever walk on Alternia and he's got the thighs to prove it. His cynical Captor attitude makes him great. But the idea of him getting revenge on the Condescension and gobbling her up? That makes him gold.

Cirava Hermod

Lazily hedonistic and casually cruel, Hermod has all their bases covered. Whether they're churning up fans on stream or spitefully digesting smug highbloods, Cirava is all too happy to enjoy their position as a predator. If you're lucky, you might hear their prey screaming as they incorporate their gurgles and burps into their track. It results in some surprisingly good music and a lot of unsurprisingly good vore scenarios. You'd be hard pressed to not end up in this nonbinary's belly.

[They strike me as a loose lover. Let's get high and what happens happens! They'll take or give, and probably adore scents and tastes, in their hazy state, after a 69 session, or after returning your oral favors, the munchies kick in. With you digesting, they just don't get the struggling. "You loved my body right, I mean you even licked... there... You should totally be part of it lmao~"]

Sollux Captor

Casual preds are seriously underrated and this Captor is the king of that court. He's powerful enough to nonchalantly ragdoll you into his maw and he'd have no problem trash talking some digesting prey while playing video games. That's not even getting into his dual bulges. It's hard to compete with the image of him sucking two prey into his cocks at once. That's all just when he's being casual. He's an even better pred when he's feeling spiteful. There's a good reason he has the nickname Carnivorous Captor.

Kuprum Maxlol

This future battery is just as mean as his moirail, with a hunger that fits. A battery has to make sure it's fully charged after all and there's no better source of energy than people. The problem is that that's really all he brings to the table here. Sure, he's mean, but so are most over gluttonous goldbloods and he's just as likely to feed a prey to his moirail as he is too eat them himself. In which case, might as well go with the moirail, because she's one of the best preds out there. He's still powerful, mean, kinky little gremlin who makes for a great predator. He's just got too much competition in this caste. Still, all good battery's need recharging. You just might find yourself in this battery's belly.

[Like his friendsim entry, he works best with Folykl. Think hedonistic orgies with those two greasy trolls zapping anyone between them into an orgasmic haze. Spitroasting would be like acting as a copper wire from your prostate to your tongue, and after they bust their respective nuts, you're all salty and tenderized, blissed out from the electric rut they were in. A perfect snack~]

Mituna Captor

Oh, Mituna. Poor, poor Mituna. There's nothing really wrong with him as a pred. His attitude is great, the way he flip flops between nice and mean can lead to a lot of fun banter and situations, but he just doesn't have anything that makes him stand out. His best strength would be accidental vore, which can be really fun, but he doesn't have much else going for him. I was debating even putting him in this list, given his heady injury, but he has shown he's perfectly capable of saying no when something makes him uncomfortable. He's cognizant and capable of consent, but he's still not much to write home about. Every other goldblood has him beat out in terms of pred potential. Sorry Mituna. Maybe you'll find your sentient meals someday

[recentanimenews]

Happy Birthday, Space Cowboy: A Shinichiro Watanabe Retrospective

  Today we wish a very happy birthday to the Cowboy Bebop director, the one and only Shinichiro Watanabe! Watanabe-san has been a powerhouse in the world of anime for well over two decades, working with acclaimed studios such as Sunrise Inc., Studio Nue, and BONES. His mastery at blending Western and Eastern elements has earned Watanabe a devoted fanbase in many different countries. One of the most consistent aspects of Watanabe's catalog is his skill at successfully amalgamating a variety of genres from sci-fi to Westerns to comedy and more.

In honor of Watanabe's birthday, I'll be exploring the artistic depth of three anime from his impressive oeuvre and celebrating the very special spark that can be found in all his works. Read on for more!

Terror in Resonance (2014)

Terror in Resonance seems critically underappreciated when compared to some of Watanabe's other directorial efforts. Though it lacks the robust character development and sense of immersion found in his other titles, the series still retains many of the qualities that make Watanabe such a globally respected anime auteur.

Terror in Resonance follows two high-school-aged terrorists named Twelve and Nine as they plot a series of bombings in order to reveal the injustices enacted against them — and many other children — during a secret government operation called the Athena Plan. Along the way, a lonely girl named Lisa finds herself enwrapped in the boys' mission, and experiences camaraderie for the first time due to their presence.

The show's basic premise alone reflects Watanabe's willingness to explore uncommon thematic spaces by featuring literal terrorists as two of the main characters. Common in his other works as well, Watanabe invites viewers to feel compassion for characters who inhabit the outermost margins of societal acceptability. The show doesn't endorse Twelve and Nine's actions, but it does position them as isolated characters with real human attributes, acting coherently in retaliation to the incorrigible exploitation they faced as children. Twelve and Nine also make extreme efforts to make sure no one is killed due to their bombings, which serves as an empathetic deviation from standard depictions of terrorists as one-sided, monstrous caricatures.

Ultimately, Terror in Resonance features many trademarks of Watanabe's unique touch: compassionate explorations of loneliness, a tragic narrative interspersed with brief moments of beauty, and yet another gorgeous soundtrack by Yoko Kanno (a frequent collaborator with Watanabe).

Macross Plus (1995)

Watanabe made his directorial debut as co-director for Macross Plus working alongside Shoji Kawamori (the creator of the original Macross). This four-part OVA is the best flying mech, artifcial-intelligence-pop-music-gone-horribly-wrong redo of Top Gun I've ever seen. I remember I first saw it on the Starz Channel back in 2002 or 2003. It was fun to revisit the US dub recently with the fresh realization that Bryan Cranston — aka Walter White, our favorite fictional suburban meth dealer — did the voice acting for the main character Isamu. Isamu is like a more womanizing Spike from Cowboy Bebop, mixed with the arrogance of Mugen from Samurai Champloo, and is an early example of a recurrent protagonist-archetype in Watanabe's titles. The playful comedic qualities Watanabe would become known for were already apparent in much of Macross Plus, such as the scene when Isamu and his rival Bowman bring up old adolescent/high-school gripes while they're both engaged in an airborne mech-duel to the death.

Once again, Yoko Kanno's absolutely incredible score must be mentioned. The soundtrack ranges from orchestral music perfect for dogfights to emotional ballads and '90s trance (there's also a really cool reference to the Aphex Twin album "Selected Ambient Works 85-92" on a bus sign in one scene). Watanabe's first directorial outing already grapples with a subject near and dear to his heart: music. The last episode features an intense sequence involving an AI popstar named Sharon Apple, who takes control of everyone viewing her concert via seductive musical mind control. This scene explores a what-if scenario: an imagined future where technology meshes with the power of music for nefarious — rather than healing — ends. Either way, since Watanabe is a self-proclaimed "music freak," it's fun to watch him implement a plot device about just how disruptively powerful music can be (his most recent anime Carole and Tuesday tackles AI and pop music with a more neutral lens, as an FYI). Macross Plus is not to be missed.

Cowboy Bebop (1998)

  I'll never forget what it was like to experience Cowboy Bebop for the very first time when it initially aired on Adult Swim in 2001. I must have been 12 or 13 at the time, and few pieces of media have made such a lasting impression on me. I was already extremely impressed even after seeing the first episode "Asteroid Blues," but it's the fifth episode entitled "Ballad of Fallen Angels" — where viewers are introduced for the first time to the central antagonist Vicious — that completely sold me on the series.

"Ballad of Fallen Angels" culminates in a climactic battle that takes place in a church, with the main character Spike duking it out against Vicious and his goons. The most memorable moment for me is the scene when Spike is thrown out of the top of the church by Vicious. Spike falls in slow-motion as viewers are treated to a montage of his tragic crime syndicate past and his relationship with his lost love Julia. It's such a stunning moment that perfectly echoes the old creative writing adage "show don't tell," since it subtly expresses so much about Spike's life without explicitly battering it over your head. The scene speaks volumes in just a few wordless seconds, with no sounds to be heard at all other than Yoko Kanno's gorgeous choir and piano-based track "Green Bird." I've drifted toward arthouse movies as I've grown older, and I truly think the aforementioned scene was my first time experiencing the ineffable artfulness that I find in the experimental films that move me most. It feels a little silly and overblown to say, but the sequence feels like it contains a large spectrum of life — love, hate, sadness, memories, dreams, etc.

Cowboy Bebop is a show that abounds with moments like this. There are so many moving scenes rich in an atmospheric tenderness that aches with longing, loneliness, and beauty. Intimate scenes where characters in interstellar ships stare quietly at a sea of stars. A view of someone smoking a cigarette alone in a dimly lit alleyway. Or something like the ending of "Waltz for Venus," when a music box-esque song plays while Spike gazes into the sky as spores that can blind drift downward like snow.

I could go on and on about the series — the masterful quality of Keiko Nobumoto's screenplay, the riveting action sequences and lovable characters, the expert blend of genres coupled with breathtaking animation and music, and how Spike's somewhat Buddhist philosophy (whatever happens, happens) influenced my own. Cowboy Bebop truly deserves all the praise and is undoubtedly one of the best animated works of all time.

So here's to you Shinichiro Watanabe. I hope you have a birthday as stunning and cool as the anime you've graced the world with.

What else do you love by Shinichiro Watanabe, and why? Sounds off in the comments below!

    Do you love anime? Do you love writing? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: news+feed@crunchyroll.com

[kopykunoichi]

The Legacy of Star Wars: An Open Letter to the Writers and Creators of A Galaxy Far, Far Away

“Suddenly the Rebellion is real for you. Some of us live it. I’ve been in this fight since I was six years old!” ~ Cassian Andor

I saw a great meme once that played off that quote, meant to depict an older fan describing to a newer fan how they had been invested in the story of Star Wars from childhood. I could relate. Though I am not old enough to have seen the original Star Wars movies in theater, they were a significant part of my childhood. I remember renting the original theatrical VHS from our local video store all the time when I was little. Then we bought the digitally remastered Special Edition VHS Box Set and I spent the next decade wearing them out! We would have popcorn and Star Wars marathons all the time. My friends and I would always pretend we were in the story. My swingset was the Millennium Falcon. I was that 11-year-old girl who would argue with my friends over who was hotter - Luke or Han. (The correct answer is Han, of course!) My mother would read the Expanded Universe novels to me in the afternoons and we would talk about the characters. All my spending money went to Jedi Apprentice books and 6 inch action figures. In short, I loved Star Wars. 

I was 13 when The Phantom Menace hit theaters, and I couldn’t believe how lucky I was to get to see new stories from my favorite fictional universe play out on the big screen. Though I struggled a bit with some of the acting, the story was absolutely amazing to me. Star Wars felt all the more real to me with the amazing graphics and intense action sequences - not to mention the layers of politics and the complexity of the story. I watched Revenge of the Sith several times in theaters, and though it broke my heart to see Anakin’s fall, I never considered it to be a sad ending overall, when taken as a whole with the original trilogy. 

When the Clone Wars aired in 2008, I was ecstatic. Here was an Anakin I could actually get into (sorry, Hayden). I loved him. I adored Ahsoka. I wanted to marry Rex. The character development and the plot deepened my attachment to that era, and made me question everything I had previously taken for granted as good and bad. The whole system was flawed - the Republic and the Jedi. It wasn’t just a matter of mistakes being made and the wool being pulled over their eyes, there was deep rooted corruption in the side that I once felt was “good”. The light side and the dark side were not as black and white as I thought. I found myself strongly disliking some of the “good guys” and deeply sympathizing with some downright detestable people (I don’t know how you got me to care for Maul, Filoni - but well done). While the series had not yet ended, we knew where it was going. But still, we had already lived through the pain of Order 66, and we knew that the story would eventually culminate in a victory at the end of Return of the Jedi.

I couldn’t believe our luck when the first installment of the sequel trilogy hit the theaters in 2015. It had some of the feelings of a reboot, but I was beyond thrilled to have a series of Star Wars movies that I could now share with my children, as my parents had shared them with me. Though it was hard to say goodbye to the first love of my life, Han Solo - I just knew that Ben would be redeemed and Han’s sacrifice would be worth it...

2016 brought us Rogue One. We knew how that one was going to end too, but we still ate it up. I fell in love with a whole new set of characters, only to see each and every one of them die in the end. Talk about tragedy. But Leia’s line about hope reminded us that five minutes later, a whiny little farm boy was about to have his whole life upended in the best sort of way...so it was okay. Sort of.

Four years of Rebels ended in 2018, and it was so, so lovely - but it hurt so, so much. My perfect, beautiful space family had been torn apart with Kanan’s death. Ezra was missing. Rex was a 29-year-old man who should have been in his prime, but was instead struggling with the wear and tear of a 60-year-old body. Ahsoka was separated from him - AGAIN - and then she left with Sabine to look for Ezra. The ending still held the promise of the fight to come with the Empire, but the majority of our characters were left in a place of grief and brokenness.

2019 brought an end to the sequel trilogy. Once again, we had characters who pulled at our heartstrings, and an interesting struggle between “light” and “dark” that reminded me of the complexities introduced in The Clone Wars. It became more apparent than ever that balance in the Force did not mean the light triumphing over the dark, but instead a harmony between the two. At least, that’s what I thought. Until I watched every person I loved from the original trilogy die, Palpatine come back (and die) again, and the same exact ending of Return of the Jedi played out before me - except not as happy. Why? Because Anakin’s legacy had been reduced to ashes - his rise, fall, redemption, and sacrifice rendered null and void. The last Skywalker was redeemed and promptly killed, just like his grandfather. But because Rey Palpatine decided that she identified as Rey Skywalker, it was supposed to be okay. She then went to go hang out (or live?) alone on Tatooine because that’s where it all started. I was dumbfounded. This was the satisfying, hopeful, ending we were promised? How? 

Believe it or not, I’m not here to trash the sequels - I enjoyed them very much - right up until the last 20 minutes. But in that space of time, the entire legacy of the Skywalker family went up in smoke, and the legacy of Star Wars along with it. Since Return of the Jedi, there have been no happy endings to a Star Wars movie trilogy or TV show. And with the ending of The Rise of Skywalker, that one happy ending we did have was ripped from us as well. Star Wars is now a never ending series of tragic endings. The lessons we are left with: Don’t fall in love in Star Wars, it will end badly. Your actions ultimately result in failure. As soon as you turn good, you die. There is no balance in the Force, just a pendulum swinging back and forth for all time. 

Then The Clone Wars finally got her last season. I didn’t think Order 66 could have hurt worse, but Filoni set out to prove us all wrong...and succeeded. I’m still not over it. And once more, the bitterness I felt over the ending to the sequels (which had begun to subside) flared up all over again. What was it all for? All that pain. All that sacrifice. No happy endings. 

I still love Star Wars. Nothing can take that away from me. No amount of bad writing can change that. And there are still plenty of good writers and creators working on Star Wars content. But good writers spinning tales of tragedy and endless pain negates the power of good writing. The Star Wars of my childhood is not the Star Wars of today. We wore out those VHS tapes because we loved the stories and the people. But my kids are not going to wear out DVDs where everyone they love dies or ends up alone. They aren’t going to queue up those digital movies and series over and over - because who wants to subject themselves to that kind of torture?

Just about the only safe space for Star Wars fans right now is fanfiction archives where the people who love the characters are busy writing fix-it fics to squeeze some sort of satisfying ending out of the canon content. The Mandalorian is literally our last hope for a Star Wars story that has the potential to end well. I swear, if Din Djarin ends up dead or alone at the end of this series, I’m going to lose it. The overwhelming sentiment of the Star Wars fanbase - from original trilogy fanboys to Tumblr blogging Reylos, and everyone in between - is that of dissatisfaction with canon content (with the exception of The Mandalorian). So much so, that many fans are just saying “screw it” and churning out a myriad of fanfiction AUs because there is no way to salvage what has been written. Half of Tumblr is in therapy after The Rise of Skywalker ending and the last episode of Clone Wars - but they weren’t exactly stable to begin with. The other forums and social media platforms are not much better, though.

It’s not just about the quality of writing - because Filoni and co. have done exceptional work with The Clone Wars, Rebels, and The Mandalorian. It’s the tragedy, guys. We can’t take it anymore. Is this really what we want the Star Wars legacy to be? Sadness? Despair? It’s a story about war - people are going to die. I get that. Victory comes at a price, but the cost can’t be worse than the victory. I want to sit down with my kids and watch Star Wars over and over again. The Mandalorian has given us a taste of that - but I’m almost afraid of where it will go. We’ve been burned so many times, I’m beginning to know what Anakin felt like on Mustafar - writhing in agony and screaming “I hate you” to someone he once loved. 

I remember happier days when Luke and Leia and Han were laughing and smiling with their friends while Yoda, Obi-Wan, and Anakin looked on. I want that back. Filoni. Favreau. Creators. Writers. Producers. Directors. You are our only hope for canon content. Use The Mandalorian wisely. Use Din’s story to bless other characters. Here’s some ideas:

Let Din have a happy ending! Preferably with someone he loves and respects at his side (like Cara). 

Let Cara become a Mandalorian - and put Paz Vizsla in charge of her training (we need to see them spar).

Let what’s left of the Tribe establish a new Mandalorian colony - and let Sabine Wren lead it. And give her that Darksaber back - she earned it. 

Let Ezra come back from regions unknown with a deeper understanding of the Force, and have him train the child in the new colony. 

Forget the Jedi and Sith, let’s start a medical training center/hospital run by Force users who can help heal people when modern medicine fails! 

Ahsoka can use her talents for that too. 

Find the rest of the child’s race and bring any of their Force sensitives onboard. 

Let Boba Fett and Din have their epic showdown, but then use a sample of Boba’s unaltered DNA and some mystical Force healing to restore Rex’s body to what a 43-year-old should be (and then he can marry Ahsoka so we can have the Clone/Jedi couple we always wanted...thanks to you, Filoni).

Let the Mandalorians partner with the New Republic in the Outer Rim as law enforcement instead of bounty hunters, so they can get their reputation back. 

They can train new recruits and pilots, just like Fenn Rau trained clones. 

Let them keep their autonomy and traditions, while helping keep the New Republic honest.

Let them be a force for good in the galaxy, for once. 

The Mandalorian could serve as the vessel to give a lot of characters with unresolved or tragic storylines some closure and better endings. If not The Mandalorian, then other new shows. My 6-year-old daughter wants nothing more than to be Ahsoka Tano. My 3-year-old son asks me to watch The Mandalorian every day. My 18-month-old daughter walks around in her brother’s Mandalorian helmet babbling “Way”. Please let me share the Star Wars legacy that I grew up loving with them. Let me show them the happy endings I enjoyed. Let me show them that even in the midst of conflict, not every life has to be ruined. Let me show them a Star Wars story with a satisfying ending. Hope. Redemption. Love. That’s what Star Wars means to me. 

May the Force be With You (and your pens),

Rebekah, A Star Wars Fan

[littlemisssquiggles]

So, Squiggles :) What do you think of the newest episode?

Hey Mizu. I’m not sure if you’re asking me for an overall review of theepisode or one that’s more in depth which potentially goes into more spoiler territory. Just to be safe, I’m going to do it both ways. I’ll give my generalspoiler-free thoughts on the episode before I go into the specifics of somethings I liked and didn’t like about the episode. But undercut for obvious spoilers.Cool?

Overall, chapter 3 was another solid episode. Similar to how V6 started off, CRWBY Writers really aren’t giving any room for downtime with these episodes as we’re immediately chucked into the meat of the episode— the mission with the Aces. I figured we would have at least gotten to seeing our heroes settling into Atlas and adjusting to their new surroundings before the big mission but…NOPE! Mission time! So I’ll at least give you that bit about the episode since it was highlighted in the synopsis for this episode.

Overall, I enjoyed CH3. It was cool and it showed everyone in action. However there were some specific things that stood out to me that I wanted to give my opinion undercut.

[Spoilers Ahead! Nuff Said!]

Rosebuds: 

First off, the brief conversation between Ruby and Oscar. With theway how the episode chucked us straight into the mission, ya girl was worriedthat Oscar wasn’t even going to be in this episode since his absence from themission has been highlighted since as early as the V7 Trailer. But thankfully,the little barn prince shared one scene with Ruby.

Turns out we were all right about Oscar confronting Ruby about her stunt in Ironwood’s office. It was a little shorter than I expected but… then again, it wasn’t the key focus of the episode so I gave it a pass.Still it is noteworthy that Ruby entrusted the Relic of Knowledge back to Oscar. This is interesting to me since it brings to light a point of concern I made in my very last theory post from this week. With Oscar now having the Relic back in his possession, I wonder if history will repeat itself with the roles reversed. 

Could this moment from the episode be a possible foreshadow to Oscar using the Relic to out Ruby in a similar fashion to how she used the Relic on Oz last season?

Could Oscar simply just threaten Ruby with the Relic leading to the two having a big fight or…could Oscar potentially end up using Jinn to show Ironwood the truth behind Ruby’s back? 

All of these are possibilities now to add to the table of events brought to you by this small exchange. It’s quite fascinating really. I don’t want Oscar to come tothis point. But for now, it’s definitely a probability with the Relic in his hands.

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Aces: 

The Ace Ops were all very, very cool in this episode. I loved their comradery with each other. I especially wanted to point out Vine and Elm’s dynamic. While I’m still unsure if they’re a legit couple, I did like how the chapter paired them off to work with JNR while Bunny Bites—Harriet and Marrow—worked with RWBY. 

Clover was also placed to work with Qrow and might I say this—I’m strangely fighting the urge to ship Qrow and Clover now. 

There is a moment in this episode where Qrow explains his semblance to Clover only for Clover to confirm what us RWBY theorists predicted. His semblance is good fortune which is excellent. 

Clover complements Qrow in a good way. Not to mention that look Qrow gives Clover after he told him his semblance while the camera literally lingers on him for a couple of frames made me wonder.

I couldn’t help but feel as it this moment sparked Qrow potentially being infatuated with Clover or…it could just simply be a respectable man-crush. Y’know a bromance. Nothing really gay about. Not that there’s anything wrong with Qrow being gay (technically bisexual). For all we know, Qrow just loves Clover…in the very heterosexual way. If you caught the reference then y’know what I’m talking about.

Anyways as I was saying about Elm and Vine, this episode definitely highlighted their strong teamwork. These two complement each other so well and the way they bounce off of one another really shines in their pair dynamic. Love it and love these two. This is, however, the least I can say for our favourite little Flower Power pair. This unfortunately which brings to light one of the things I didn’t like so much about the episode.

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Wilted Flower Power: 

Ren’s sudden change in attitude with Nora—what the f***?  I mean he isn’tbeing cold or rude to her. He just feels oddly closed off from her this episodewhich leaves me, as the viewer, asking the obvious question: Where is this coming from?

Sure we caught a glimpse of it in the first episode when Ren suddenly took off in battle while Nora sulked in the background. And while I was correct in this development in their rapport returning in a later episode; regardless, where isRen’s sudden mood change with Nora coming from?

It’s not to say that it’s been built up since V6? I mean I got the feeling that the Writers might introduce some tension between Ren and Nora given that we’re supposed to be learning more about her. But this still doesn’t give any rationale to this behaviour. If the Writers plan to have Ren and Nora break up temporarily due to Ren acting differently with Nora only to have them learn a lesson through observing Elm and Vine and come back stronger than ever as both a couple and a team partnership then…. that’s fine. Ijust wished they had done a better job at introducing this ‘issue’ inthe Flower Power teamwork if you know what I mean. Cause it feels very out of the blue; at least in my opinion.

I just didn’t enjoy seeing Nora being her usual self with Ren only for him to reply in a way that feels so uncharacteristic for him. Yes, Ren has shown exasperation at times with Nora but it’s never been to a level where he comes off annoyed with her. In spite of Nora’s big animated personality, that might tire some people, Ren has always been very patient with Nora often finding her behaviour amusing which was a big reason why I fell in love with shipping Renora. 

In spite of their different personalities, the two have always complimented each other and worked well together. Having Ren be like this with her…I’m sorry. If this is how the Writers are going to do things with Renora then I’m already disliking the execution of it. It’s not terrible. Just seems a little forced to me.

—————————————————————————————————————–

Dem Bees: 

Another thing that occurred for this episode that I sadly did not care for was the moment between Yang and Blake in this episode where Yang complimented Blake’s new hairstyle.

Some context for the scene: Blake notices Yang staring at her from afar. Yang reacts awkwardly and says, “Sorry. Not used to the new hair yet.”

Blake then asks, while blushing, “Is it bad?” only for Yang to respond many times “No” while fumbling over her words.

This moment. Y’see this moment right here, folks. Do you know what this immediately reminded me of?

It’s like the Legend of Korra Book 4, after Korra reunited with Mako and Asami. In that series, Asami and Korra shared a moment where Asami noticed that Korra had cut her hair and our Avatar blushed at this acknowledgement.

It is literally the same energy. While admittedly an adorable exchange, as I said, I didn’t care for it. As a matter of fact, this moment confirmed my biggest concern for the development of the Bumblebee pair going forward. I was hoping the Writers would’ve taken the time to show these two’s friendship growing a bit more before introducing the potential of romance. Some fans complained about the blatant pandering in favour of actually showing Yang and Blake bettering their friendship last season and it seems like the Writers are adamant on continuing this trend.

Who would’ve expected the CRWBY Writers to take a page from Bryke—the two creative minds who practically created the first most shoehorned LGBT couple I’ve ever seen in an animated series while having the chops to puppet it around as ‘good representation’. While Bryke was praised for what they did with Korrasami since Korrasami was said to be the first LGBT couple in an animated series targeted at children, I didn’t buy into it and didn’t think Bryke deserved their praise at all since Korrasami, in my opinion, was weakly written from the start.  

As you can probably tell, this squiggle meister didn’t buy into the Korrasami romance. Not because it was LBGT (as I’ve said before—I have no issue with that at all) but purely because the showrunners didn’t develop the relationship between these two lead girls in a way that felt natural. 

Rather than watching a beautiful friendship that grew into a sweet romance over the course of the series runtime, culminating in the birth of a great couple by the show’s finale, instead I watched two characters who were barely friends for two full seasons since they were involved in a ridiculous love triangle only to suddenly become quick besties in the third season. Fast  forward 5 years for the show’s final season and now these two girls are in love with each other with their love not being apparent until the final shot of the very last episode. Good shit, right?

Korrasami felt so forced to me in the end which was made even more apparent by the finale. It seems like Bumblebee will be heading in the same direction as Korrasami. 

I’m probably digging my own grave here by even talking about the Bees since it’s practically blasphemy now given all the discourse still surrounding this pair and I can only imagine how it is now after today’s episode. But still wanted to give my views on that moment given what it reminded me of.

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 Marrow’s Semblance: 

Getting back on track with things I liked from this episode—Marrow’s semblance man. As I said on Twitter, I really loved the take on Marrow’s unique skill. It’s perfect. He’s a wolf Faunus with a semblance that causes others to listen to his every command. A trained dog treating his opponents to be subservient to him. That is freaking neat as hell. Forget all the other Ace Ops, Marrow’s semblance is the most interesting to me.

What I’m curious about is what the extent of Marrow’s powers are? Does it only work on the Creatures of Grimm since they’re technically mindless monsters acting mostly on instinct or…can it work on people too?

Can Marrow use his semblance to get make another person obey his command? That’s what I want to know. I’m guessing that there is a limit to Marrow’s powers since, we see him using his semblance on the Sentinels earlier in the episode who were probably young Grimm given how easily the group took them down.

However I’m surprised Marrow didn’t use his power on the Geist Grimm. Clover did mention that the Geist they were targeting was an older Grimm. So I figured Marrow’s power wouldn’t work on it even if he tried.

Either way, this episode just made Marrow ten times cooler to me now. The Good Boy continues to impress and he’s definitely the one that stood out to me the most from the Aces.

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No Run Forrest, Run: 

Whelp, if you saw the episode, y’know what this point means. Forrest, the dreadlocked Robyn supporter we met last episode died by the end of this episode. He was killed off by Tyrian so…RIP Forrest. 

I feel so sorry for MurderofBirds since in his last Livestream Discussion on YouTube, he said he was hoping to see more of Forrest.

But in spite of his short time in the story, Forrest’s murder did help me to realize something about Tyrian’s tactics. Since last episode, it was shown by the end that Tyrian has been killing certain people in Mantle. However I couldn’t quite put my finger on a possible pattern in Tyrian’s targets. Now I think I have an idea. I think Tyrian might be targeting Robyn Hill supporters specifically.

On orders from Watts, I think the Scorpion Fauns might be singling out those folks from Mantle who were known to be heavily involved in rallying support for Robyn as another means of turning votes away fromher. 

After all, if the supporters of Robyn are suddenly being found murdered thenit could force the People of Mantle from rallying behind Robyn and tank her chances of winning against Jacques. 

Now this is just a theory for now. Either way, it’s very, very interesting how the audience receives more and more pieces to the plot with Watts and Tyrian as the episodes go back and it’s only been three chapters.

Very interesting indeed and I’m looking forward to seeing what the next episode drops.

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And yeah, those my thoughts on the episode. I hope I answered you well enough Mizu. Thank you for your question.

And as an added point, I pray that my honest thoughts on the Bumblebee scene from this episode didn’t upset or worst offend anyone. My opinion is NOT meant to insult the RWBY ship or anyone who likes it. It’s just my opinion. 

If you love the Bees and you were absolutely over the moon with that little scene from this episode, then that’s perfectly fine, fam. Just don’t mind me with where I stand on this pairing  and how the show continues to portray the development of their ‘potential romance’.

And please refrain from leaving any disrespectful comments in my post just for sharing my opinion. As I’ll say again, I mean no disrespect and will not tolerate any thrown at me.  With that said, that’s all folks! 

~LittleMissSquiggles (2019)

[megashadowdragon]

@spoonoftar  @thehtg-therealone

Someone made a thread about 1 on 1 fights recently. So I decided to post this.

Understand something though: This is purely about story. A lot of people tend to jump to conclusions and will have knee jerk reactions without even reading but I want to make it clear this is just about what would make for good storytelling. This is me explaining why I believe this particular rivalry has a lot of story potential.

I'm aware that no one is going to enjoy this but I do this because a lot people are under the impression that RWBY needs less 1 on 1 fights and that couldn't further from the truth. One thing that most people don't seem to understand is why this form of storytelling is so effective. Over-the-top spectacle can be visually appealing but unfortunately by itself thats all it will ever amount to. A battle that is all flash and no substance. One such example is Raven vs Cinder. While the fight makes for decent eye candy it is by far lacking in terms of story. There is a reason why fights like Gaara vs Rock Lee, Ichigo vs Byakuya, Deku vs Todaroki, Gon vs Pitou, Luffy vs Rob Lucci etc have and will be engraved in the minds of viewers for years to come. It is because people are attracted to great drama. Not simply the flashy abilities. While that can get people interested in a series it's appeal is only surface level. Thats not whats going to stay with people. What makes a fight great is the character drama between the two individuals. It's the story told through that conflict.

I get that RWBY is a show that tries to push Teamwork & Unity as a theme....but so does literally every other shounen battle series. Yet they all still have very memorable and compelling 1 on 1 fights. You don't have to have one or the other. Both are necessary. Wanting to emphasize Teamwork is great but the fact is that in Battle focused stories 1 on 1 fights is actually what builds character. Something that many would argue is utterly lacking in RWBY.

Which is why I argue that there is far more story to pull out of the Jaune vs Cinder conflict than there is the Ruby vs Cinder conflict. And that this is the better narrative to spin based on what we already have.

Keep in mind I'm not saying that Jaune & Cinder are the only characters you can(and should) do this with.

Ruby & Salem

Weiss & Watts

Yang & Hazel

Blake & Tyrian

Are all Hero/Villain relationships that you can build great character drama with by setting up a proper clash of ideologies. I'm only using Jaune vs Cinder as one example because pretty much everyone hates Jaune and would be glad to see either him or Cinder killed off never to be seen again and I feel that is an utter waste of story potential.

But first I'd like to explain why Ruby & Cinder fails as an effective Hero & Opponent dynamic as RT is currently trying to present it as.

Why Ruby vs Cinder Fails

“If your characters don’t have a response—in speech, in thought, or in action—to the events happening to them, they haven’t been touched by those events, and the reader will likewise remain untouched and uninvolved.” —Beth Hill

It's very clear that Cinder & Ruby are being set up as rivals. Silver & Gold. Naive cute youth, vs Cunning mature beauty etc. Not to mention Cinder's very typical "Villain obsessed with the Hero" shtick. Though I'd like to argue(and I'm sure I'm not the first) that their conflict doesn't really work. The narrative tries to set up some sort of a beef between them, but ultimately it just falls flat. We know that Cinder really really hates Ruby.....But why? Because she scarred her face? This comes off as really shallow and isn't something that the audience can really invest in. Now you could argue that this is done in an attempt to make Cinder seem vain or petty, but without any backstory the audience isn't able to be invested in her reasons. Because again, it's superficial. On the flip side, what is Ruby's reason for despising Cinder? Because she's evil? Because she hurt her friend? Again, these are incredibly superficial reasons. It comes off as "I'm good and you're evil therefore I hate you". It can be seen as nothing more than a good guy who hates a bad guy for being bad, and a bad guy who hates a good guy for being good. Not to mention, Ruby hating Cinder for killing Pyrrha is hardly believable in the first place due to the fact that she has hardly spent any time with Pyrrha whatsoever. Without any deep seated emotion behind them or layers to this conflict it will always come off as empty. A vapid and contrived good guy vs bad guy beef loosely concocted to make Cinder hate our main Hero and nothing more.

However the conflict between Juane and Cinder has again far more story potential. From an emotional standpoint it just works. Jaune had strong feelings for Pyrrha be they romantic or otherwise and thus unlike Ruby it gives him ample reason to truly despise Cinder. This alone is already enough reason to be emotionally invested in the conflict as we have watched Jaune and Pyrrha grow closer over the course of Season 1 only to have her be brutally murdered by Cinder. Jaune's feelings of weakness, self-doubt, guilt, and anger are all heavy emotions brought about by Cinder's actions and we perfectly understand why he feels the way he feels. His animosity towards Cinder is only stoked knowing she feels no remorse over her actions and in fact practically forgot about it. As such we genuinely want to see Jaune get revenge for Pyrrha and make up for his failure at the end of Volume 3. So already when looking at just Jaune's side of things we find that his motivations for hating Cinder make perfect sense due to the emotional weight behind them. But what could make Cinder care enough about Jaune to hate him like she does Ruby?

Values in Conflict

"Great drama is not the product of two individuals butting heads; it is the product of the values and ideas of the individuals going into battle. It's conflict between characters and their values. A good opponent has a set of beliefs that come under assault as well. The beliefs of the hero have no meaning, and do not get expressed in the story, unless they come into conflict with the beliefs of at least one other character, preferably the opponent. The actions of the hero and the opponent are based on a set of beliefs, or values. These values represent each character's view of what makes life good. In the best stories, the values of the opponent come into conflict with the values of the hero. Through that conflict, the audience sees which way of life is superior. Much of the power of the story rests on the quality of this opposition."

-John Truby, The Anatomy of Story

Parallels: First when looking at their characters they're both very similar in some respects. Especially in terms of their goals. In Volume 3 Episode 7 opens with Cinder stating that she wants to be Strong, Feared, and Powerful. From this it can be inferred that there was indeed a time where she was not those things. Why else would she desire them? It was because she did not have them. Therefore, once upon a time Cinder was weak, pathetic, and powerless. Her semblance also hints at this as it really seems rather pathetic compared to most. It's barely anything that could provide an advantage in combat. I wouldn't be surprised if her power was once considered worthless or even outright unfit for combat. Basically from this we can conclude she was an individual who was in a situation where she constantly felt weak and helpless and because of that weakness she desired power so strongly that she would do anything for it. Even her name which has been implied to be fake and something she invented on her own hints at the idea that she hated the person she was and wanted to become someone else entirely. Now, similarly Jaune has also always been considered a weakling. A joke. A goofball nobody, that no one ever takes seriously. As we know from Volume 1 this is something Jaune is fully aware of and he despises it. He hates being pathetic. Weak. Thus, he desires to be a Hero. Someone he can respect. So much so that he'd forge his transcripts and infiltrate the most prestigious Huntsmen School in the world. He'd go to such drastic measures as to commit a crime of this caliber if it meant taking a step towards his dream. As such if we were to give them a conflict: Cinder's reason for hating Jaune could be that he is a reminder of what she used to be. A living breathing remnant of that pathetic weakling she once was. Thus looking at him disgusts her as he symbolizes her past self, the identity she tried to forget that keeps coming back to haunt her. So having Jaune serve as a reminder of her own weakness will be the start of her wanting to see him dead just as much as, if not more than Ruby.

But how will their conflict be structured? Since RWBY is an anime, or more specifically an honorary shounen considering it's place in Jump. Lets use a bit of shounen storytelling. Shounen's most prominent writing technique is one where the fights act as Character Arcs in and of themselves. Now, matching one's internal struggle with the external one is nothing new or revolutionary but shounen battle manga have unquestionably mastered the technique. Every fight tells a story and can even sometimes be considered the "Hero's Journey" in miniature. Often acting as clashes of not just personality, but ideologies, and are used to explore the themes of the narrative. The main thing I'm pointing out with this analysis is how fights can and should be written. Fights can be far more than a mere spectacle of flashy movements and abilities. With this in mind lets just imagine that each of their fights/clashes/encounters spurs on development in the two culminating in a final fight towards the end of the series, that concludes the story arcs of both characters.

~Themes~

Ambition: Both characters clearly posses great aspirations and ambition. Now I know Ambition is a word people like to tie to Villains. Deeming them selfish because of it, whereas the Heroes are portrayed as "selfless" doing things for the sake of others rather than themselves. However theres nothing wrong with having an Ambition. It's not an evil thing in it itself. Nor is it synonymous with greed. It's perfectly normal to have goals and to work hard towards achieving them. Thats all Ambition is. However the difference is in how you go about achieving those goals. Sometimes the hero and the villain are basically the same except for the fact that each took a single step in a different direction. Thus, one layer of this potential conflict between Jaune and Cinder can be about Ambition and how each character represents the flip side of what it means to pursue a goal. Now their goal in itself is somewhat similar. They both seek power and strength but for different reasons. While for both of them it is on some level a quest for self-worth, Cinder desires power largely for the sake of having it. So that she can inspire fear. Jaune desires strength so that he can protect those close to him and to have the ability to help those who need it. Where Cinder is ruthless. Jaune is Kind and Compassionate. Where Cinder uses the people around her like tools for her success. With Jaune we see that his support system on the ladder to success is built on friendship and mutual respect. Cinder tears down those around her using them as stepping stones to achieve her goals whereas Jaune holds up those around him and they eagerly do so for him in turn. Cinder may have worked hard but she gains strength by stealing from others whereas Jaune simply works hard and his power is one that literally allows him to give power to others instead of taking it. And Lastly, where Cinder's actions are clearly rooted in some deep seated hatred. Jaune is motivated by love. Or at least the memory of the woman who once loved him.

Destiny: Another layer to the fight could involve Cinder's belief in Destiny. Putting that empty one-liner of hers to good use we can pit Cinder's Destiny against Jaune's Hard Work in a clash of ideals. When creating a clash of ideals it's important to look for the positive and negative versions of the same value. A thematic clash of a Self-Made form of Destiny vs Predetermined Fate form of Destiny. Jaune's position in this thematic conflict being that the person you turn yourself into is entirely up to your own actions. Not Fate. This was also Pyrrhas version of Destiny. Jaune is essentially carrying on Pyrrha's will by representing her ideals in his final rematch with Cinder. It's the idea that regardless or who they are or where they came from it is their actions that brought them here. This should involve Jaune showcasing the techniques he's trained his ass off for pitted against the powers Cinder has ruthlessly stolen while under the belief that this is her Destiny. One that Fate owes her. During their final fight thanks to his training with Ozpin, Jaune has reached his true potential and with a combination of his newfound strength, some strategy & tactics forces her to concede that the previously untalented nobody is now not only the "stronger" fighter but also the stronger person. With Cinder ultimately coming to the conclusion that she could have been anyone she wanted to but has willingly turned herself into nothing more than a monster. A beast to be put down. And she had no one to blame but herself. Hers was a path of self-destruction where Jaune's path was one of self-overcoming. Having triumphed over his own weaknesses and short-comings whereas Cinder merely succumbed to them. Jaune's victory shouldn't simply be in defeating her or watching her die. He should utterly destroy everything that she believes in. Proving that everything she did to achieve her goals was worthless. That everything she did uptil now meant absolutely nothing.

Ozpin & Salem: Whats more, another layer to this fight could be to depict the difference in ideals between Ozpin and Salem. I've always been curious as to who would train Jaune. After all he is the weakest but the one with the most potential and storywise it just makes sense to bring him up to the level of everyone else so that he's not a hindrance on the battlefield. But in regards to training I've always had in mind that either Ozpin or his own Father would be the one to assist him. While I may prefer the latter, despite my preferences I will admit that Ozpin makes the most sense. It's far more appropriate that both Ozpin and Jaune; the two people who experienced the biggest failings during the Fall of Beacon come together to correct the mistakes they made. Both of their failures being tied directly to Cinder it makes sense that their combined effort should be eventually what put her down. With Ozpin seeing Jaune's immense desire to overcome Cinder he finally decides to train him personally to aid in his success as well as make up for his own mistakes. Seen from this perspective it's hard to imagine how Ruby even has a stake in this conflict at all. Cinder's defeat should mean something for characters involved and seeing Cinder defeated should mean the most to the man who failed to protect his school and the boy who failed to protect his partner. That way the victory is actually emotionally impactful because of how personal the victory is to those who had a hand in it. You can also think of this as being similar to Deku & All Might's situation. Remember Ozma is basically the Original Hero. So we have a young boy whose always wanted to be a Great Hero being trained by the former Greatest Hero there ever was. Thus, adding a new twist to the fight so that now it's a battle between the boy trained by Ozpin and the girl trained by Salem. Both Salem and Ozpin have raised up two youths who represent their ideals and the winning side will essentially be the ones to inherit the world. Not only would this conflict be about leaving the world to the next generation but also through these two individuals be a battle that asks the question of what ideology will decide the future. In addition to this, Jaune and Cinder could be used to mirror the conflict between Ozpin and Salem. Acting as a microcosm of their grander conflict. We have this generation's new Hero a White Knight attempting to save a beautiful Princess(Cinderella) from destroying herself on the path of Evil. Just as Ozpin tried to do years ago with Salem but failed. Here we can have Jaune succeed where his Master had failed.

Summary

So heres a quick and shortened Summary of how their conflict can play out: Jaune, no longer grieving over Pyrrha is now using her death as inspiration to become the Hero he dreamed about. He will no longer be treating his life as if it had no value. Pyrrha did not sacrifice hers so that he could die pointlessly. That would make her a fool who died for nothing. If he died then Pyrrha will have wasted her time on him. Death is not an apology. He makes an oath that he is going to live. That he would repay her sacrifice with success. With victory. By becoming the greatest Huntsmen he could possibly be. And save as many lives as possible in the process. He would do it too. Remember an Arc never goes back on their word. But the first step to that, would be defeating her killer. He would seek to surpass and overcome Cinder. Rectifying his first and greatest failure. He attacks her everytime he sees her. He loses every time but each fight he comes back just a little better than before. He won't stop coming back either. No matter how many times she seemingly gets rid of him Jaune Arc always comes back. Whenever he is not on screen he is busy training. With a new move or a new trick here or there and gradually he begins to become a real nuisance to Cinder. Now, remember from Her perspective Jaune represents her past self. Or rather a better version of her that was weak and powerless yet still striving to be strong and through effort is slowly beginning to achieve it. Though not through the methods she currently uses. This is important because Jaune's consistent interactions with Cinder will start to affect her development. Causing her to reflect on her actions and question if the path she's on is the right one(note: we did see a brief glimpse of this when Cinder was watching Tyrian attack that Ursa like a madman). After all if the man she once deemed a weak failure can continue to grow like this what had been stopping her from simply doing the same? He had not sacrificed his limbs and turned himself into a monster. Did she really need to be ruthless? or even join up with Salem to achieve her goals? Thoughts like this combined with Cinder having flashbacks to her past whenever she sees Jaune suddenly makes him someone she must kill at all costs due to him drudging up old memories, making her question everything she's done up until this point. Then it becomes about proving herself correct. About putting the past behind her. That, if she didn't kill this fool and prove that his way was wrong then she'll have lost any justification for her existence and acquisition of power. She had to join up with Salem. It was the only way to become powerful, strong and respected. She had no other choice. But in addition to these thoughts there was also a new emotion bubbling to the surface whenever she interacted with Jaune. Respect. Admiration. For the person who was just like her. Showing stout determination in the face of those who deemed him weak. Driven to prove them wrong. Absolutely dedicated towards achieving his ambition. These such traits would lead to her sparing his life on occasion and additionally, she finds herself slowly yet surely looking forward to their encounters. She remembers his name now. How could she forget? Jaune Arc? The name practically rolled off the tongue. Now whenever he appears before her stronger than he was before she can't help but grin. Eager to attack him. See how far he's come. At this point she's nearly forgotten her hatred towards Ruby. She was enjoying watching Jaune improve himself simultaneously proving wrong all those who doubted him. Even her.

Similarly, we see that Jaune slowly starts to understand Cinder over the course of their encounters, whereas in their first official meeting he couldn't comprehend her actions at all. He starts to relate to her intense drive to be something greater. Bits of information lead to him coming to the conclusion that at one point she was someone like him, weak and helpless. However she'd actually achieved her goal. Coming from absolutely nothing to someone so powerful. Which gave him hope of him doing the same. But her path has made it clear she didn't have any of the heartfelt support that he did. Her having only the monstrous Salem to turn to. Jaune against his better judgment begins to feel sorry for the one known as Cinder Fall. Yet the same time he'd also begrudgingly come to respect her and all that she'd overcome. But he was confused. Why did she desire further power? Did she not see how strong she already was? Then it dawns on him. She had already overcome so much yet she hasn't overcome herself. She was still so lost in her own anger that it has blinded her to the realization that she had already achieved her goal. So Seeing her as the monster he could have become, Jaune makes the decision to let go of his hate for Cinder. Lest it turn him into a monster as well. Thus no longer feeling hatred for the woman he so consistently opposes he begins seeking answers. To understand her. To learn why she is the way she is. After, learning of her past her understands what he must do. Spending all his time with Ruby had taught him that being a Hero was about more that just rushing in and slaying some monster, it was also about lending a hand to those in need. Even if they didn't deserve it(Edit: While I think it'd be interesting if Jaune comes to this realization because of Ruby, we do in fact already see this in Jaune's character when saves Cardin despite all the horrible things he'd done to him).

(Note: This fight can occur just before the final battle. You can have Jaune & Oscar show up fresh out the metaphporic hyperbolic time chamber (or whatever kind of literary device you wanna use) in time to help Team RWBY deal with Salem. However Jaune doesn't have to literally surpass Cinder for this to work. You can have him surpass her metaphorically. In fact it might be more thematically potent to have Jaune still be weaker than her in terms of overall power but still manage to win. Showing that for all her great power she's still worthless without the strength of character that Jaune has and thats what makes her weak.)

Long story short, their fight concludes with Jaune completely besting Cinder. Jaune's final blow kills the parasite Grimm within her. Cinder dies, but only for a moment before Jaune's powers restores her again, but in that brief moment she remembers Ruby and how pointless her hatred towards her was. How petty she was back then. This brief moment of repentance causes the maiden powers to be sent to Ruby. With this victory, Jaune crushes her ideals and sets her back to Zero. Destroying her Grimm parts and using his semblance to completely restore her human limbs and heal her scars. She is completely human once more. Giving her a chance to start over.

The point being: these two characters, whether it's their personalities, characterization or themes simply make for the better conflict. It works because Jaune's existence attacks her beliefs about herself and her motivations for being on the path she's on. Cinder's existence provides Jaune with motivation while attacking his weaknesses as a character and pushing him to be better. Thats what a proper Hero/Opponent dynamic should look like. Yes, I understand that some people prefer Team fights because they find it interesting to have other characters cover their weaknesses in battle and while that may be "useful" it's not as compelling storytelling as having characters overcome their weaknesses. Having someone to protect you is fine but if relied on it can reduce the characters to feeling stagnant. You cannot grow if you're always being protected. A 1 on 1 forces a character to face their weaknesses and find a way around it or overcome it. This is what builds character and leads to character growth. Hence why 1 v 1s are significant in stories like this. It allows the characters to stand on their own two feet when they have to. More importantly, this specific encounter can actually tell a proper story. One of two people with opposing world views, and personalities that come into conflict who are ultimately challenged and changed by said conflict. Jaune helps to rid Cinder of her hatred and desire for destruction, even giving her the option to choose her own path from here on out, while Cinder inadvertently helps Jaune to become the Hero he initially set out to be. Theres arguably room to take this a step further by going in a romantic direction, what with Jaune being a "White Knight" and a wannabe Prince Charming and Cinder being "Cinderella" and a wannabe Princess but ultimately the point is the fight itself gets a story across.

Final thoughts

-Some would argue that they just want to see her get unceremoniously killed off, and while that might be emotionally satisfying in the moment but Jaune saving/not killing her is the better conclusion because it better expresses an answer to a thematic argument. It's essentially one big middle finger to her entire way of life. Crushing everything she believes in the process.

-I know some people might take issue with Jaune being able to restore limbs but this is purely theoretically and I only included it because of the symbolic meaning it provides of the "monster" of Cinder's rage being destroyed and her humanity shining through. However, it should be noted that Semblances grow over time. They evolve. If we look at it in rpg terms Jaune's Semblance is basically at level 1. So for all we know it might not be outside the realm of possibility if it grows even further.

-Others might take issue Jaune beating her at all because she's a maiden but it's entirely appropriate imo. You don't really need to be as powerful as someone else to actually beat them in a fight. "Power levels" don't always decide the outcome of fights.

-If this is to work then theres one thing he should be doing and it's constantly training. That kind of all day, every day, work all day/sleep all night, Roronoa Zoro/Rock Lee style training routine. Only to emphasize the theme of his Hard Work vs Cinder taking the Easy Route of just stealing power instead of becoming strong through her own merit. Basically, Jaune takes the hard road to growth while Cinder cuts corners.

-One more thing that I neglected to mention earlier that leans into the idea of Jaune & Cinder being used to represent the greater conflict between Ozpin & Salem(and I mean strictly thematically not romantically) is that one of Jaune's themes is that he represents The Sun. Jaune's first name meaning yellow in French and the etymology of the name "Arc" not only has "Holy" connotations but is also a reference to the Sun. Jaune Arc essentially means Yellow Sun. The reason this is significant is because the Sun in ancient times was worshiped as the "Life Giver". Which is literally Jaune's Semblance. So Jaune is the Yellow Sun that Gives Life and Cinder is the burning flame that reduces all things to Ash. One representing Life and the other representing Death and Destruction. Much like the God of Light & Darkness but more importantly like Ozpin & Salem as it makes for a great way to symbolize the Cycle of Life, Death & Rebirth. With this in mind if my scenario plays out, the scene where Jaune saves Cinder can be read as: "a wild flame reduces all life around it to Cinders but through the light of the Sun that life is reborn from the ashes anew". If such a thing happened I'd be curious about whether or not this could lead to Cinder gaining a new Semblance, one representing her growth as a character. Something Phoenix related? I dunno, thats just a random thought.

[anorakofavalon]

The Beauty and the Geek: Why Brutasha Makes Sense

(AKA: An Open Letter of [Constructive] Criticism for Joss Whedon)

I wrote an essay in which I parse through my feelings on probably the most controversial pairing of the MCU. I settled on the relationship making sense, thematically, even though the execution was terrible. Sorry if it's a little long, but I'd love to have a discussion about this with any of you willing to take the time to read it.

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Joss Whedon is great at his job. He’s flawed, like anyone else, but he’s a fantastic writer. I hardly need to remind you of his portfolio, after all. As a matter of fact, his portfolio is so very nearly spotless that his writing flaws come across, at least notably, in only one movie. Avengers: Age of Ultron. You might point out Justice League, but I’m discounting it because while there were flaws there, they weren’t all his, and not all of them were present in unison.

In Ultron, Whedon was pushed to his writerly limits. Understandable, considering that he was burdened with not only following up on the masterpiece that was The Avengers, but he had to do so while taking into account the events of the movies that took place between then and Ultron and where that left the characters. Not only that, he also had to setup the rest of the franchise and introduce a multitude of new characters. Doing any one of those three things is difficult, but doing all of them at the same time while also offering a coherent and enjoyable movie to fans is a monumental task. He did what he could.

One particular weakness of the movie, as pointed out by a large number of people after its release, was the relationship between Bruce Banner and Natasha Romanoff. Recently, people have warmed up to and adapted to it. But the damage is done. It left the impression on just about everyone that it was rushed and clumsily handled. I agree that it was clumsily handled, but I don’t think that it was necessarily rushed.

I’d like to make an argument for the relationship, and in doing so, maybe offer a critique to Mr. Whedon that might be helpful. My argument is the following: Bruce and Natasha’s relationship in the Marvel Cinematic Universe is thematically sound. It’s a natural step forward in both of their respective arcs, and I believe that Mr. Whedon made an excellent, and conscious, storytelling decision when creating the pairing. (He might even have had it in mind since The Avengers.)

But before I go any further on analyzing why I believe this, I think it’s important to dispel a few common and relatively superficial complaints about the couple. Firstly, some people prefer Natasha to have been with Clint, Steve, or even Bucky. I understand the general sentiment there, but I have contentions against any of these people because they don’t make sense in the context of the MCU. Clint is out of the picture because he has a family, and they are simply best friends, practically siblings to each other. Bucky and Natasha have very little screen time together in which they aren’t fighting by the time Age of Ultron happens. Steve is the most sensical of these options. But Steve and Natasha aren’t compatible people, at least not in the sense of a romantic relationship. Why? Because A.) She explicitly prefers more passive, “dorky” men, B.) Steve is still not over Peggy Carter, C.) Putting them together would be, aside from blindingly obvious, harmful to their wonderful friendship because D.) Steve and Natasha have, up to Ultron, had a very strictly professional relationship. They’re friends.

The other big complaint is simply that Bruce Banner seems to be too old for her. This is a, frankly, ridiculous complaint. Mark Ruffalo is one hot dude, and Black Widow is a fully grown woman perfectly capable of having emotions for whoever she damn well pleases. Somewhat older or not.

And speaking of those emotions, people have been quick to point out that they seemingly developed out of nowhere. I disagree, to a certain degree. The seeds of this have been rooted from the very beginning of The Avengers. Their first interaction was tense and interesting. Subtle things were present. Hints of flirtation (granted, at the time she was trying to manipulate and recruit him into helping SHIELD) were present, and there’s a few visual cues. Particularly when Banner says “I don’t always get what I want” while touching a crib. I recommend re-watching it.

And of course, there’s the entirety of Ultron, where they throw quick glances, outright flirt, and seem to have developed a close relationship via “the lullaby”. But the leap from Avengers to Ultron is quite wide, considering that a few things have happened, and besides, wasn’t she deathly afraid of the Hulk during Avengers? The answer to that is yes. And that’s why it was so jarring for practically everyone, including those of us who have embraced the ‘ship. Presumably, all of their bonding happened during Natasha’s stay in Avengers Tower between Winter Soldier and Ultron. The problem? We didn’t see that. We just saw that she could calm down the Hulk all of a sudden and had a good relationship with Banner.

I won’t defend the execution of this. It could have been smoother, without a doubt, but given the duress that Whedon was under with managing the storylines of literally every other character, I can forgive him. But what I can’t forgive him for is the execution of a few other things concerning the two. Namely, how he handled their conversation in the Barton household and the Ultron kidnapping.

The Barton Household conversation could have been positively wonderful. It was a little off-putting instead. I don’t think it’s a bad conversation mind you, it shows that Black Widow is willing to open up to Bruce Banner in a way she doesn’t usually do with others, and it really serves to humanize her further. The premise is this: Bruce Banner isn’t willing to be with her because he believes that he’s a monster and that he can’t give her a normal life (read: children). Natasha counters with the fact that in her view, she’s a monster because the Red Room made her one. And she can’t have children. The issue is clear: these are two separate, parallel, lines of conversation happening at once, and they get muddled, and viewers got confused accordingly. The way the dialogue was framed had disastrous consequences. Rather than achieving its goal the scene left us with the impression that she thought she was a monster because she couldn’t have children when really what she meant was that she was a monster because the Red Room dehumanized her and turned her into a weapon, and in the process, sterilized her.

While awkward, a lot of people later understood what was meant and the outrage died down. But it didn’t help that later in the movie, Widow was used as a literal damsel in distress when she was captured by Ultron for very little reason. Now, I’m a firm believer that strong female characters should be allowed to have love interests. Love isn’t a weakness. But this moment makes Black Widow seem like merely a love interest. She was helpless and a man had to rescue her. And it was, you guessed it, her love interest. This whole concept was a mistake. It could have been any other Avenger. Because if there’s one thing Black Widow is not -- it’s helpless. (And as a side note, that scene at the Avengers party where he fell on her chest? Ridiculous. Whedon pulled the same trick in Justice League and it was equally un-funny. It harmed his cause more than it helped. Comedy could have made the transition into the relationship less jarring for fans but he approached it in the single worst way possible. Also, the ass shots. What the hell Whedon? Like, I get it, but c'mon man. If you're gonna do it, at least be egalitarian and give us some Hulk booty too. Taika did it.)

All of these things combined gave people a less than spectacular impression of the couple at first, since it consumed both of their respective storylines for the entire movie, but I warmed up to it and so did others. Because despite the execution, I think it makes perfect sense thematically.

It begins in The Avengers. We’re going to briefly revisit the scene I mentioned earlier, where Natasha is recruiting Bruce. At this point we know a few things about them: Banner is relatively in control of the Hulk, but he doesn’t want to “Hulk out”, He is not afraid of Natasha, and finally, Natasha is very much afraid of him. At first she acts unfazed, but when he slams his hand on the table to test her there is genuine fear in her eyes and she pulls a gun faster than he can blink. He smiles away the tension, assuring her he was just testing her. But the power dynamic became clear. At first, Natasha believed she could manipulate him like she did Tony, but with Banner that wasn’t the case. He saw right through her. This remains a constant theme. He could read her like a book.

She’s weary of Bruce for the rest of the film, but it culminates when she faces the Hulk. Mr. Whedon lets the camera linger on her after her near death experience. Natasha Romanoff is shaken. This was incredibly humanizing for her because the Hulk is a force that she is truly powerless to do anything about, which must be an unfamiliar feeling for the world’s greatest assassin. Regardless, when Fury calls her to take down Barton, she walks it off. That encounter grew her character. A character that has remained fairly mysterious thus far except for one single moment, a truly wonderful scene where she manipulates the ultimate deceiver: Loki.

Loki thinks he’s got a read on her, likely because she was being very honest when she told Loki “I’ve got red on my ledger, and I’d like to have it clean.” Loki already knows, playing on her apparently emotional side by saying “Your ledger is dripping red, it’s gushing and you think saving a man no more virtuous than yourself will change anything?”

It’s all a trick, of course, because she pretends to let it affect her. But Black Widow knows how to compartmentalize emotions, and she handled the situation wonderfully. But I don’t doubt that what Loki said was true -- to a degree. That is Black Widow’s chief insecurity: that she is a monster, and she can never be a hero like the other Avengers because of her past.

A few scenes later, after the Hulk Out, Banner wakes up in a warehouse, where an old man is looking over him. The very first thing that he asked was “Did I hurt anyone?”. And that there is his chief insecurity: that he is a monster because he is a danger to everyone around him.

So you have two characters who both have terrible pasts that were forced on them by circumstances entirely out of their control. Both admire each other professionally as well as people. Let’s not forget that Natasha’s first interaction with Banner was of him living in an impoverished country in order to help people. Both are looking to become better than who they are, but I wouldn’t be surprised if Natasha was affected by this. Hulk has caused just as much harm as she has, but Banner is making up for it by healing others. She might feel she can’t do that because her skillset has always been to harm others. That’s why I think she’s one of the most compassionate of the Avengers, and always comforting her friends. Be it Steve at Peggy’s funeral, or Clint in Endgame when she’s the only family he has left. It makes total sense that Bruce and Natasha would turn to each other as friends and confidants. I don’t think anyone else in the group could understand their shared and unique type of trauma. And as Natasha said, “all [her] friends are fighters”. But Bruce is not. In her eyes, he’s a perfectly normal, mild-mannered gentleman. She’s not afraid of him or Hulk by the time Age of Ultron rolls around, but boy is he afraid of himself.

And they both want normality. So they propose running away. A bit on the dramatic side, but I can see why Whedon chose to use this idea. It makes the ending of the film more poignant, when she chooses to have Banner Hulk Out (and I suspect Banner understands why), thus sacrificing their fantasy of normality. Because they’re Avengers. The mission comes first. Still, it was far too melodramatic for my taste and out of character for both of them. Particularly Natasha. And again, it makes it seem like Natasha was Banner's love interest when it really ought to be the other way around, from a storytelling perspective and also because of the nature of the characters. That was a lapse in judgement from Whedon that weakened the presentation of their potential relationship.

I don’t think the relationship will remain completely intact by the time Endgame finishes, but I do think they’ll acknowledge it and give them a proper send off. It might not last, but their relationship helped them grow as characters. It allowed Banner to realize that he isn’t really a monster. That he is useful in his own right. And it helped Natasha get peace of mind. She isn’t a monster either, she’s a hero. And for better or worse, that means she has to do heroic things. Even sacrificing normalcy.

And plus, it's just adorable man.

[kurainohikaru]

I made a few friends Cussing out Cinder/ Rwby Volume 6 Episode 1: Argus Limited

So at the premiere tonight they began it with showing a recap of the last 2 episodes of Volume 5, the first scene being a closeup of Cinder’s face. Now I’m not normally that rude guy at a theater but as soon as she showed up on screen I just shouted: “Get off the screen, you stupid bitch!”  Now this is in no disrespect to Jessica Nigri or CRWBY (maybe a bit of salt to M&K for waiting this long to give the backstory of her if we are ever even gonna get it but I digress.) I covered my mouth in shame but to my surprise, most everyone laughed (the theatre wasn’t even close to full so it wasn’t that many people)., so I continued to add my colorful commentary throughout, shouting, “BYE FELICIA!” in the silent moment where she is falling to her “death” frozen and there’s no audio, got a good few laughs outta that. 

Beware Spoilers below!

So after the Adam Trailer and Director’s commentary we finally got into the meat and potatoes, Rwby Volume 6 episode 1: Argus Limited.

 I wasn’t one of the people who avoided spoilers and so I was aware of the scenes shown at NYCC and I gotta say... I have NO IDEA why the kiss ignited the ship wars like it did. You couldn’t even see the kiss! It was from a zoomed out shot and Blake’s body blocked the cheek she kissed. Granted I love both ships (though still holding out for dem Seamonkeys, I know it won’t happen let a boy dream!), so I loved it anyway. Also, the entire theatre SCREAMED when Neptune showed up, if only for a brief moment.

What I CAN say about the Blake and Sun moment is that in that one conversation we had more development for Sun since his iteration into the series! Not only did he lament for how long he’s left his team and recognized how he’s kinda been a shitty leader lately, but he also realized that he would always be there for Blake, but she doesn’t need him right now and she’s where she needs to be. And that was both incredibly mature and wise of him to say. #ProudofmySun I have no doubt they and CFVY will be returning in the Vacuo Arc, if not sooner.

There was also a great conversation prior to this between Blake an Ilia, and a heartfelt teary hug from Ilia wishing Blake didn’t have to go. Honestly, that made me more shook up than Sun’s departure, I felt bad for her. Hopefully, we haven’t seen the last of her though.

I really enjoyed the overall episode’s blending of the serious and comedic. I think they’ve finally achieved that perfect balance they were looking for and I hope it persists, instead of bleeding into morosely overserious or completely out of place comedic.

There was an awkward bees moment where Blake tries to help Yang reach for her bag only for Yang to say she doesn’t have to do that, citing that it will be a bit awkward at first but she is genuinely glad to have her teammate back. I hope this isn’t the end of their drama because there definitely NEEDS to be a long tearful discussion about the repercussions of the fallout of Volume 3.

There is a brief bout atop the train with new Grimm(which I will get back to) before RWBY and JNR decide they need to separate to protect the people from attacking Grimm. Why you ask? Well because Ozpin decides to casually let everyone know, and I point out that even Qrow was surprised, that the Relic attracts Grimm. 

It seems the poster will indeed reflect the emotions of the girl’s this volume as this raises Ire with both Yang and Weiss, Yang asking why would he keep this from them? Before he can respond though, Ruby cuts her off and says it doesn’t matter, to which Yang and Weiss have the biggest “Are you fucking kidding me?” looks. I’ll be honest I didn’t see Blake’s reaction just because of how strong Yang and Weiss’s were, which makes sense given their disillusionment from Raven. Also, Ruby’s scythe surrounding Oscar/Oz on the poster symbolizing her protecting him seems like it will be something that plays out.

Jaune and Ruby share a moment, Jaune making Ruby promise she’ll meet them in Argus before going through with their plan of Jaune amplifying Ren’s aura to mask the entire front of the train while RWBY, Qrow, and Oz/Oscar stay in the back trains. 

Jaune’s semblance mastery is kinda insane already that and he has a shit ton of Aura since Ren was able to do that no problem and Jaune also healed an insignificant character’s severely bruised arm that got pinched between the tunnel and the wall after the tunnel ceased the first bout. Not to mention, we have even more proof of his large Aura capacity as that was at least a good few dozens of people in the train cars. This is going to prove to make some interesting combos later given we saw how fast Weiss could summon in Volume 5 after being affected by it #JauneistooOPPlzNerf

So as to the question I bet you’re all wondering...

How’s the action?

Now I don’t claim to be any animation guru and can’t point out finer details here but the action seemed more well-paced and much cleaner than anything in Volume 5. 

Some Highlights are as follows:

Ruby actually fighting decently and not just a bunch of motion blur scythe swinging.

Ruby saving Weiss with her semblance atop the train when the tunnel forces them to retreat.

Weiss Ice skating/leaping off her glyphs atop the train. Personally, I thought this was one of the best flair decisions combat wise.

Fun Yang and Blake 1v1 moments.

Amazing cinematic 1v1 of Qrow vs what I assume was the Sphinx Grimm all the others were much smaller and what I assume are Baby Manticore Grimm as concept art one was HUGE.

Amazing team RWBY moment (without ship names sadly) where they need to restrict the Sphinx’s movement to help Qrow. Yang puts herself on the opposite side of the team where Qrow is and draws it’s attention while Blake throws her ribbon of Gambol Shroud over the top of the Grimm’s torso. As it falls downward, Yang shotgun blasts Gambol shroud several times, the ribbon rewrapping around the Grimm several times before she jams it into the ground, holding it as Blake pulls on her end, effectively restricting it. Weiss then comes up and glyphs each of the wings of the Grimm freezing and then subsequently shattering them.

The moment culminates with a split screen showing both Ruby’s and Qrow’s faces, before each of them sniper/shotgun momentum themselves forward, each in scythe form. Qrow and then Ruby is shown to spin in a 360 spiral similar to what we’ve seen Ruby do before, executing the Grimm as it releases a final fireball. I thought this was beautiful to look at and a Nice touch illustrating Ruby was clearly trained by Qrow as mentioned in the very first episode of the show.

The fight ends as the train gets derailed (I can’t remember why but the fireball either blocked or derailed the track somehow I was too busy processing the above badass moment). Weiss quickly thinks to soften the blow gravity glyphing everyone atop the train as they crash.

Everyone is fine post-crash but I DID notice that the relic previously attached to Oscar’s hip is now missing. Which I will assume will lead into the next episode where we see Ruby find it in the shot from the trailer, as another point in the trailer shows it on her hip. 

The Episode ends with the strange old woman (Who I keep calling Katara thanks to a tumblr post on here lol) saying that was close. My money is more on her being a silver-eyed warrior than a maiden but only time will tell!

All in all, I loved this first episode, it felt very refreshing and fun to watch and I hope this momentum continues through the rest of the volume!

The night ended with the few people tracking me down after the movie, saying I was hilarious and inviting me out for some food, drinks, and theory-filled good company! Can’t wait to see what comes next!

[ladyxanatos]

The Luke Skywalker Post

I pretty much did not sleep last night because I was too busy processing the Last Jedi and believe you me, it’s a LOT to process.

Because it is so much to process, I am prioritizing with the things I care about most, so hopefully anything that I run out of steam for won’t be the stuff I really wanted to talk about. I am also breaking some of my thoughts out into separate posts, because as I began writing I realized that I have way too much to say to reasonably expect it all to fit in one post.

[SPOILER WARNING SPOILER WARNING SPOILER WARNING]

OKAY, LUKE SKYWALKER, Y’ALL.

Luke Skywalker is my favorite SW character. I have made no secret that I had a lot of anxiety over Luke going into this film. I have not been quiet with my crit of Disney Star Wars, particularly over this character and the implications of TFA. As an avid reader of the “Legends” EU, I felt that this departure was going against nearly 30 years of (mostly) on point lore.

So, here’s the thing I realized as the release of TLJ got closer and closer. I have the EU. I have that version of Luke’s character development and arc. It’s not going anywhere; it is safe on my shelves. So, I went in having decided to look at Luke in this film as an alternate take on the character and primarily with the view in mind that I just wanted to see Mark Hamill’s acting skills in action.

So, color me surprised that I ended up being 100% on board with Luke in this film. It’s okay for Luke to wave a wobble (even a big one) of faith, as long as who he is at the core remains and as long as he ends up where he should be. I am pleased to say that, for this fanatical Luke fan, this was the case.

The Jedi criticism is exactly what I wanted. Critical of the old atrophied order and showing that the Force is more than that and the characters need to move beyond it and change. It’s perhaps a bit regressive in that we essentially already covered this in George Lucas’ original six part film saga, but spelling it out very plainly and in a succinct way through actual text instead of subtext is not necessarily awful.

I am ambivalent about the Yoda cameo. I like parts of it, but as a whole I question its necessity and execution. Also why did Yoda need yet another redesign?? Questions, questions.

I love the way the relationship between Rey and Luke builds and plays out. It’s tropey in the best ways and delicious and I am all about it. When I finally manage to get some sleep, I may be able to write more nuanced meta on the subject.

But particularly I loved Luke’s horror at Rey’s lack of horror about the dark side. This encapsulates so much. And although it was Luke’s whole shtick in ROTJ that he incorporated his darkness without fear, factoring in his experiences with Ben, this makes sense. Rey shows the proper (imo) attitude towards the dark; she faces it from a neutral position and lets it pass through her (I could go on a “Fear is the mindkiller...I will let it pass through me” Dune parallel spiel here, but I shall refrain).

SIDE NOTE: I loved, loved, loved all the talk about Force lore and the explanation of what balance in the Force means. Also saying the idea of the Force/balance being dependent on Jedi specifically is vanity is yes good. All my Jedi critical feelings.

The argument that Luke’s development has taken a major step back from ROTJ is perhaps valid, but I feel that Luke having become reactionary and “regressive” in some ways is 100% the point. He messes up so utterly and tragically with Ben and, sidestepping how in line with Luke’s original characterization I feel that is or isn’t, it’s such a blow to his ego (I don’t mean self-importance; I mean, his sense of self, the id) that, similarly to Obi-Wan on Mustafar, it can’t help but cause a kind of fracturing and regression. It’s an understandable and sound psychological response, imo.

Luke does need help recovering from that because in his trauma he forgot the source of his strength; his love for and connection with others. He retreats after Ben turns on him out of a mixture of shame and a shattered view of self. Through Rey, Luke begins to forge a new connection, he begins healing, and this culminates in him reaching out, finally, to Leia. Luke finds himself again, that self that I love so dearly, in the climactic scenes at the end of the film. And I actually found his arc really moving.

Now, let’s talk about Luke at the end of this movie.

I’ve always said that I just need ONE MOMENT, one solid moment on film in a Star Wars movie of Luke Skywalker being the Jedi Grand Master he was born to be. AND I GOT IT.

I cottoned onto what was happening pretty quickly because Luke vs. Kylo was 10000% EU. And I was literally having to stuff my hands in my mouth to muffle my SHRIEKING (my brother can attest to this). It was just everything. Everything everything everything. And all my Legacy of the Force: Inferno feelings. Luke laying some smackdown on his naughty former pupil and showing the enormous gap between them...I am all about it.

Believe it or not, I love that this sequence showed that the Force and Luke do have limits (that was always a problem in the EU). Although Luke passing into the light at the end does muck up the structure a little (the Jedi, singular or plural, typically die in the third film), it would have been awkward to push it into the next film and...let’s be real, now JJ “I hate half of SW” Abrams cannot touch Luke. The most we can get in the next episode is a Force ghost cameo. My baby is safe from about my least favorite filmmaker. So, there’s that.

The actual moment of Luke’s passing was just not fair. It was just Luke Skywalker and John Williams and THAT DAMN SUNSET and I WAS BAWLING. LIKE, UGLY, UGLY SOBBING. It was beautiful and perfect and I can’t think of a better way for Luke to go, honestly. Like, I always knew Luke would die in these movies because of his positioning thematically as the Yoda, so I wasn’t shocked or scandalized. All I ever hoped for re: his passing was it to literally be this beautifully and respectfully done.

RIP Luke Skywalker, apple-cheeked farm boy and wondrously terrifying Jedi Grand Master of my heart.

[eirianerisdar]

i'm terrible at titles but for that fic title ask thing: a falcon in the dive, syzygy, and little people

I can finally answer thisask using the actual reply box because I’ve done two of these already:

Little People(Obi-Wan is interviewed by the holonet press during the clone wars. Cueamusement but much more angst)

A Falcon in theDive (Obi-Wan dives. From the Temple gardens, across galactic history,to another Falcon altogether)

Syzygy

Syzygy(noun): An alignment of three celestial objects, be it star, planet, or moon

Characters:Qui-Gon Jinn, Obi-Wan Kenobi, Tahl etc. (many, many Jedi)

Summary: Jedi die younger than most; but they arereunited in different ways. A somewhat AU-ish interpretation of Jedi scatteredacross the multiverse after death. Jumps universes from victorian-era-esqueworlds to futuristic, inexplicable ones. Begins with Qui-Gon. Ends withtwo others.

Note: In this AU Qui-Gon didn’t hang around after his death as a Force-ghost, so he wasn’t there for Anakin killing Tuskens, etc., etc.

Qui-Gon Jinn wakes to thesound of a portal opening.

Even after seven years ofthis being common occurrence, the noise remains utterly distinctive. It is anindescribable rending of the fabric of space-time; something between hissingand tearing, but without any echo whatsoever. It is a gateway of the purestkind.

Qui-Gon watches the portalshimmer in the opposite wall. It has opened into a world of humans - as mostworlds he has visited usually are - and a street made grey by rain. The groundbeyond is not made of duracrete, he can see. Acurious mode of transport trundles by, drawn by two four-legged animals withsleek manes of hair and sleekly curved bodies. The transport itself is composedof four wooden wheels and a painted box-like structure.

The portal shimmers with alayer of carmine energy. People walk past without seeming to notice it.

As always, an outfit hasappeared next to the portal, on the empty coat-stand that Qui-Gon had placedthere simply for that purpose. He eyes the strange, tall black hat on it withwariness.

It is seven years fromNaboo, almost to the day.

Seven years, and every day anew portal, with a new task. Qui-Gon is never aware what task he has tocomplete until he enters this new world. He does not find it. It finds him.

He has thrownhimself into battles with nothing but bronze armour and a blunted sword toprotect himself; he has found himself in worlds of peace, where his only taskfor the day is to help a little girl find the perfect flower, or to carry anold man’s groceries home for him.

Qui-Gon performs hismorning ablutions quickly, and reaches for the outfit provided to him. Itis…strange. The white shirt, boots and trousers are simple enough, but there is ashort, sleeveless silk garment to go over it, and a long, black coat thatswings about his knees. Qui-Gon finds himselfmystified at a length of silk, more ribbon-like than anything.

Men walk past the portalwith similar lengths of silk tied around their necks in elaborate knots, soQui-Gon manages to come up with something that does not seem too much like asquashed ball of yarn. He rams the thin-rimmed, tall black hat on his head andpulls on his gloves.

Qui-Gon cannot stop thesmile from spreading across his face when he snatches up the last item providedto him; he pulls at the head of the long black cane, and finds the glint of asword within.

Sword-cane. Excellent.

With that happy thought,he ducks through the portal.

The smell is what hits himfirst.

Qui-Gon is immediatelysure that this is a city in the middle of an era of increased industrialproduction; only a rapidly-expanding city with a rich history of pre-industrialdevelopment has this particular stink.

But even here, in thissmoke-aired, sewer-filled city, the Force is present.

Qui-Gon closes his eyesonce, opens them again, and begins to walk.

Close to four hours later,he hurls himself back through the portal, bleeding out his momentum in a muddyroll across the pristine floor of his bedchamber.

Across the shimmeringbarrier, five very confused bloodhounds sniff at the lamplit pavement, utterlyconfused at the disappearance of their quarry.

The portal closes with afirm snap, leaving blank wall in its place.

Qui-Gon tugs at thegrime-encrusted, ruined knot at his neck - a cravat, he now knows - anddrops the length of silk to the floor. It disappears, as is usual for allprovided clothes at the end of a daily task. He is happy to see it go.

The sky outside his littleapartment is bright with afternoon sunshine.

Qui-Gon cleans himself up,dresses in a subdued outfit, and checks his kitchen.

He is running out of eggs.Or whatever the equivalent of eggs are in this universe.

He pulls on a jacket andgoes to the market.

This world, the world inwhich he woke up in seven years ago, is not particularly special. It is peacefulin places, at war in others. There is rudimentary space travel, but not beyondthe closest few planets. Qui-Gon had discovered very quickly within the firstfew months of living here that there is absolutely no knowledge whatsoeveramong the general populace of the Force, or the Jedi, or any other speciesbesides humans. It is as if the galaxy and Republic Qui-Gon served and gave hislife to does not exist at all.

He buys eggs, and a few things for the care of his houseplants. The shopkeepers are polite but distant.

Qui-Gon can feel theirwariness flicker in the Force as he turns to go, like searchlights dancingacross the back of his head, whispering:

There isalways something different about him, that Mister Jinn.

Come sunset, Qui-Gon makeshimself a meal. It is delicious and tastes absolutely different from anythinghe is used to in his old world. The salt here has an unfamiliar tang. The meatis different. The vegetables do not sing with the energy of the Living Force.

But the Force is stillhere, at least, steady and pure. Qui-Gon thinks he might have gone mad withoutit.

He runs though a few kataafter evening meal, in the small dojo connected to his study through aside-door. Even without a lightsaber, the forms flow through him as perfectlyand lightly as they did when he first mastered them. It is at times like thesethat he values the youth that he has in this world; his body for allappearances and abilities seems to match his own when he was about thirty-five.

It is better than havingsixty-year-old knees, certainly.

When he has driven himselfthrough enough repetitions of advanced Ataru velocities to blur the white wallsinto resembling a Temple sparring arena, Qui-Gon halts.

He washes up and goes tosleep. The bed seems to swallow him whole.

He does not dream.

The days blur past withoutmemory or time.

Some days, the tasks aresimple, and he speaks snippets of conversation to beings across the multiverse,tossing words into the aether, like a passing gale would scatter leaves intothe river.

Then there are days theculmination of whole wars rest upon his shoulders, and he negotiates and speaksand fights - but hours later he always steps back through the portal again andinto the artificial tidiness of his apartment, no matter whether he is drippingblood onto the carpet, or pristine in honoured robes.

The Force provides noanswer when he inquires why he is here, or why he must complete these tasks. Itsimply surges and recedes when he meditates, and whispers, patience.

And then comes the day hispatience is finally rewarded.

Ten years post-Naboo, Qui-Gon has just begunsupper when there is an unmistakable hiss-snap of a portal opening.

His hand pauses in the actof shaking more salt over the pot of soup.

“No,” he says, to nobodyin particular.

The Force eddies aroundhis ankles, encouragingly.

“No,” Qui-Gon says again,firmly. He places the salt container to the side and reaches for a spice-jar.  “It is time for evening meal. I have to eat so I can throw myself into another battle tomorrow morning.”

He nearly drops the jar as a sudden headache starts up behind his eyes.

After a moment, he shuts off the stove.

“Force-forsaken duty,” Qui-Gon mutters. He turns to face the portal.

Behind the translucent barrier is a snow-swept train station, looking not unlike one from Qui-Gon’s current universe. The portal looks out onto a platform and a set of tracks; the view of the opposite platform is obscured by a train halted there.

Frowning at the portal, Qui-Gon moodily reaches around to undo the ties of his apron.

There is a sharp hiss of hydraulics as the train pulls away from the platform.

Qui-Gon raises his head, and the breath stops in his chest.

There, standing on the opposite platform, is a woman with hair the colour of freshly-watered earth, and skin the shade of bronze-kissed jasper. Her hands are tucked into her coat-pockets for warmth; her scarf billows in the wind as she glances to her right.

Her eyes. Her green-and-gold-striped eyes.

Qui-Gon stares at Tahl Uvain and knows this cannot be a dream, because he is already dead, and he has not dreamed in a decade.

And then he senses her; a bright-flamed star blossoms on the edge of his consciousness where an empty void had been before.

He has stumbled through the portal before he even began to think of stepping forward.

Tahl’s sharp eyes catch the movement in the air, and the next moment, green and gold meet sea-blue.

Her spine straightens. Proud and confident and strong; three of the many, many things that Qui-Gon had loved about her.

And then he realises.

She can see. She can see.

Qui-Gon does not dare move. It would seem neither does she; they stare at each other across a no-man’s-land of two train-tracks, as though neither of them have ever seen anything before; as if this, before them, is beautiful and wondrous enough as to be wholly indescribable.

Tahl’s lips move first, and the words come, muffled by snow but clear as a clarion across the space between them:

“Qui? Is that you?”

Qui-Gon thinks he might have wept, then. It would have been different, perhaps, if she had spoken his name in full; but it has been two lifetimes since he last heard someone say his name with such fondness, and a lifetime since he last heard his name at all.

He tries to say her name in return, but the sounds do not come.

It does not matter. Recognition blooms on Tahl’s features; her eyes are immediately lit with such incandescent joy that Qui-Gon’s wonders if his heart will stop simply by mirroring it.

Joy he has not felt since…

Since he heard the words I pledge myself to you, Qui-Gon.

A deep rumble sounds to Qui-Gon’s right. Both Jedi’s heads snap to the side; the tracks tremble as a train approaches.

Panic flares in Qui-Gon’s chest; he cannot allow this train to slice between the two platforms and separate them, not when they have endured enough years apart for death, twice.

“Qui-Gon!”

He glimpses her sprinting for the platform stairs as the train rushes into the station; he pivots on a heel and lunges at the stairs on his own platform. The short seconds he races up the steps are pounding spaces of disbelieving hope.

At the top of the steps is a corner, and round the corner a bridge, and down that-

They slam into each other at the centre of the bridge, suspended above the tracks like two actors that have missed their cue, and raced out of the wrong entrances, colliding.

Qui-Gon has buried his face in her shoulder and breathed in her Force-signature before he even registers the weight of her in his arms.

Tahl’s arms are so tight around his chest that he thinks he might be sawed in half. Or perhaps that pressure is not her at all, but the pain of a heart remade.

It is strange. They have both died once, separated by a span of ten years, but here, in this moment, Qui-Gon thinks he is happy enough to die.

“Tahl,” he sobs, muffled by the cold and the snow.

“You’re not supposed to be dead, you idiot,” Tahl mumbles somewhere under his chin.

“You weren’t, either,” Qui-Gon whispers.

“Hush.”

They stand, orbiting each other in the Force, a perfect binary star.

The Force glimmers, and laughs.

It is not long after they find each other that more Jedi begin to appear.

Two hundred Jedi flicker into being out of nowhere, scattered across the multiverse. Qui-Gon and Tahl link hands and seek them out. They bring troubling news, of the beginning of war.

More Jedi are found throughout the few years after, increasing in number but often decreasing in age, with the youngest no older than junior padawans.

Qui-Gon spends his nights sipping tea with Tahl, fiddling with his wedding ring distractedly as he thinks about Generals Kenobi and Skywalker, leading campaigns far out on the outer rim of a galaxy he can no longer reach.

Then came the day that the portals opened non-stop for twenty-four hours.

Qui-Gon and Tahl run, and run, and at the end of that one day, they have gathered ten thousand Jedi.

Qui-Gon gazes at the fallen Order, and wonders that the two faces he searches for are not there.

Mace Windu steps out of the crowd, flexes his right hand for a moment as though checking if it is really there, opens his mouth, and speaks.

Qui-Gon crumbles.

Nineteen years pass quickly, here.

The Jedi Order settles in nicely to this new world. The initiates who were cut down in the death throes of the old Order are all now knighted. Qui-Gon is the new Grand Master; he finds the job hopelessly dull, but Mace had insisted.

Then one day, a portal opens, and Qui-Gon drops his cup of tea all over his new robes.

“Master,” Obi-Wan says, blue eyes twinkling above well-cut beard. He doesn’t look a day over thirty.

Qui-Gon knocks aside his tea-table in his haste to embrace the other man. Obi-Wan’s laugh cascades into the Force, as does Tahl’s shout when she sees him.

Syzygy. Qui-Gon, Obi-Wan, and Tahl. Three celestial objects in complete alignment, forever.

END

There you have it. A 2,400 word “snippet”. *falls over* Thanks for reading! Do reblog and leave a comment! I hope this fic made you smile as much as it did for me :) I think this is a pretty good AU to keep adding tidbits into, so send me prompts for that any time. It will be called Syzygy AU, I think.

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