#about the projecting headcanons thing

[xulips]

the new outfit pass is so cute!! and also happy pride month everyone!!!

[space-invading-pigeon]

Steve is prone to heat exhaustion. He's also the kind of person that gives no impression that something is wrong until he's collapsed in front of you.

Eddie and Wayne discover this one day in late July; one minute, Steve is watering the garden he's painstakingly cultivated, and the next he's lying prone, struggling to focus on anything and confused as to how he got on the ground. They give him a constant supply of water, a short ice bath, and then plop him in front of a fan until he's shivering and asking to use the blanket on the back of the couch.

Eddie is incredibly sensitive to the cold; unlike Steve, though, he's very vocal about his discomfort and demands blankets, cuddles, Wayne's cocoa, and an extra fifteen minutes with the space heater.

[adhdtsukasa]

tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.

please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.

also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.

anyways, with this a little bit unprofessional and messy introduction, let's get it started!

1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR

i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!

in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.

these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.

FORGETFULNESS

i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.

EXCESSIVE TALKING/PHYSICAL MOVEMENT

while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.

in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.

oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)

he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.

LITTLE OR NO SENSE OF DANGER

this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.

does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.

update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.

DIFFICULTY KEEPING QUIET

while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)

tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.

and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.

(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)

if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.

IRRITABILITY/QUICK TEMPER

again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.

it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.

another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.

INABILITY TO DEAL WITH STRESS

if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.

other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.

so, yeah. take this one with a grain of salt, actually.

from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.

however, there is obviously one more thing...

HYPERFIXATION/SPECIAL INTEREST

obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.

is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.

i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.

2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL

those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).

of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.

won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)

THE WORLD HASN'T EVEN STARTED YET

besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).

other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.

TONDEMO-WONDERZ

since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.

from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.

88 SHOOTING STARS

another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.

aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.

you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.

tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.

MR SHOWTIME

mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff

there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.

also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.

from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.

i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.

oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.

to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.

i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.

3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS

listen, i know how it sounds.

i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.

for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...

he gets a little bit too carried away with his acting during the actual performance.

and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.

(tl, once again, by the awesome tsukasa's #3 fan)

and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.

nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.

tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?

if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?

and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.

however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.

aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!

is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.

feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao

...i hate ending analyses.

[gianteyedcrow]

In my mind Jason has this whole thing where he carries out work under the impression that he’s just the family’s war dog because he thinks all he’s useful for is committing incredible acts of violence

[justkillingthyme]

Happy Flora Friday!

Baby’s first trick or treating

[anoant-haikyuu-dump]

More Nekoma hcs

• One time after an intense match Kuroo makes the mistake of taking the whole team out for hot pot, his treat. Never again. His wallet is in SHAMBLES, especially after the menaces that are Inuoka, Tora, Fukunaga, and Yaku get their hands on the meat menu. At least Kai helped with the bill

• Yaku is secretly super sappy— he gets emotional when reminiscing about the past, he loves romance manga, he tears up at sad movies, etc etc. Kai and Kuroo know about it and love teasing him in private but would never expose his softer side to the rest of the team. He totally bawls at graduation though and no one's suprised (they all knew)

• Shibayama and Inuoka are little gossips, they're always whispering to each other and giggling behind their hands (kinda like Tsuki and Yamaguchi but less bitchy lmao). They're the types to have conversations entirely made of inside jokes so if you hear them in passing it sounds like incoherent gibberish

• Thinking about that panel of Fukunaga holding an entire bunch of bananas, I think he'd bring whole-ass watermelons to school and scoop them out with a spoon for lunch. At first Tora’s appalled by it— as he is with most things Fukunaga does— but eventually he joins in. You’ll often find them hunched over a melon in the courtyard shoveling away like maniacs and spitting seeds into the air. Kenma thinks its the most disgusting thing he’s ever seen

• While we're talking about manga panels look at Inuoka swinging his tie around in the bg. He never ties it right, it drives Shibayama insane so he fixes it for him.

• One thing I like about stage play Kai is that he kinda has a short fuse and is a bit more sarcastic. I think he deserves a good scream in the club room at least once a week (Kuroo and Yaku guard the door so he can do it in peace)

• The third years are kinda like the Date Tech Alums in that they just show up to random practice games and heckle the team from the stands. Yaku's screaming at Lev about his form, Kuroo's teasing Kenma and Tora, Kai made a bingo sheet.

• Fukunaga has the kind of ADHD where he picks up a new hobby every week. Sometimes he's in the club room crocheting, sometimes he's learning yo-yo tricks, folding intricate paper cranes, rubix cubes, cup stacking, card shuffling, juggling, you name it. His favorite will always be cooking though, he uses the team as a test audience for new recipies.

[inthewychelm]

ive been thinking about hard of hearing steve, who started losing his hearing after starcourt, the scoops troops are the first to find out because of how attached they are, robin erica and dustin all insist on steve learning to sign but he's insecure about learning a new language so they slowly learn and start teaching him

after vecna, eddie gets adopted to their little group and starts picking up on the signs and learning on his own, still struggles to hold a conversation, esp with the likes of robin or dustin, but he atleast knows simple words and phrases enough to communicate, eddie also gets into the habit of signing ILY to steve before he leaves, except steve rarely studies asl on his own most of what he remembers is from robin/erica/dustin, who never thought to teach him that specific sign, so steve just thinks eddie is just being a metalhead throwing up a 'rock on' gesture, hes still absolutely endeared by eddie doing this but he doesn't realize that eddie saying he loves him everyday, what follows is a ridiculous amount of pining where only steve doesn't know because everyone else know what that sign means, he only finds out because after gossiping with robin(who has tried to tell steve that its reciprocated) about eddie, erica interupts their convo by telling steve that eddie tells him he loves steve everyday (that clown is so obviously in love with you, how are you still pining? you're supposed to be a expert, steve?)

(edit 07/23: this fic is now on ao3)

[dysfunctionalcreature]

idk about yall but one of my most ever favorite aftg headcanons is that Andrew is really good with kids, and in the future when Aaron and Katelyn settle down and have kids, their kids will absolutely adore "Uncle Andrew", and he'll happily suffer through whatever sort of play the kids want to do with an as genuine and un-menacing smile on his face as he can manage, whenever he and Neil (and Kevin) come to visit

[prankprincess123]

It is vital to my perception of their characters that Link is *selectively mute* *un-breaking stare because eye contact is 'important'* *doesn't even realize there was a social cue for him to miss* autistic, while Ravio is *nervous babbling about special interest* *bunny hat over eyes so he doesn't have to make eye contact* *pretends he didn't miss all the social cues and definitely broke that social norm on purpose* autistic, and Zelda is *rambling incessantly about hyperfixation of the week* "I wonder what's this red button do!?" *stares at painting & dissociates into daydream for hours unmoving* ADHD, while Hilda is *no articulatable thoughts just always internally screaming* "...maybe I shouldn't have pressed the red button..." *vibrating out of her skin with anxiety at being expected to stay still for even a second* ADHD.

[ace-and-the-rpg-horrors]

you know what, i wish PJSK had one of those official translations that still kept in all the Japanese honorifics characters use. i really like that cultural aspect, how the use of different ones can mean different things about relationships between characters and characters themselves

e.g. Rui calling most people he knows with the - kun honorific except for Mizuki in the present, despite the fact that he did call them "Mizuki-kun" in their middle school flashbacks and uses it for other girls like Emu, which might be yet another implication of Mizuki not being AFAB (Rui perhaps now deliberately avoiding using a term more commonly used to refer to boys out of respect for Mizuki? even though he does use it for girls in general, might just be a subtle show of tact for his friend)

anyway!! i think honorifics are really neat and wish they kept them in like some fan translations (and official translations of other media) do!! i mean yeah you can still hear them when the characters are speaking but you know!!

[dustcommander]

I see a lot of post on here about Steve dabbling into Eddie’s hobbies and picking up his taste in music. Which is all great. Excellent. Super awesome I love it. But where is the Eddie getting into Steve’s interests? I want Eddie and Steve at a Super Bowl party and Eddie is so into it and Steve is so smitten with him. It starts out as Steve convincing him to watch sports because “eddie you clearly like to ogle jocks” and eventually he’s all about it.

And I want Steve expanding Eddie’s taste in music because “if you only enjoy one genre of something eddie, then you have bad taste in that something.” And Eddie is obviously throughly offended that anyone could ever dare to even think to allude to him having bad taste in music that he makes it his mission to learn all Steve’s faves and that’s how they end up at a Willie Nelson concert and eddie is decked out in black fringe and black studded cowboy hat, wearing a bolo tie and he’s loudly and proudly singing along to every song and Steve is just absolutely swooning.

I JUST THINK IT WOULD BE NEAT IS ALL IM SAYING

[stickthroughthephases]

Bi-Han headcanons from the deepest part of my brain

Doesn’t believe in fiction books or doesn’t care to read them because he’s always been told to “gain knowledge” and he wasn’t allowed to read fantasy novels, the closest thing was reading up on the type of beings in other realms hence the entire dialogue with Nitara

Despite being a cryromancer, hates hates hates cold food and drinks, his tea MUST be piping hot (he never gets burned) as compared to Kuai Liang who leaves his food and drinks to cool down before having them 

Would make ice flowers for his mother since Artika doesn’t really have flowers growing from the ground

Takes long walks in the forest, at night, whenever he doesn’t feel in sync with himself and just kinda wants to reset and calm down

Doesn’t like to be touched, especially his hair, which is why he keeps it long because he hated people touching or cutting it when he was younger (Kuai Liang wanted to follow his older brother so he also keeps it longer, #twinsies)

Likes desserts that are milky and not super sweet (custards, puddings), will only eat deep-fried desserts during special events 

Always stays up to watch the first snowfall of the winter season (yes I know it is always cold but whenever the winter season begins, he waits for the first snowfall because he is sentimental like that, it is when he feels his strongest)

Insecure sometimes about not having complimenting powers as Kuai Liang as compared to Tomáš (Where there’s smoke, there’s fire), worries it affects the bond they share

Used to help sneak snacks out of the kitchen quarters for Tomáš and Kuai Liang because those two together couldn’t stay quiet long enough to avoid getting caught (he would always steal cookies from both, not because he actually wanted them but because they would always whine and try to hold the packets away from him, yes he’s THAT person)

Horrible to buy any sort of gifts for, nobody knows what he likes except maybe the brothers and even they are stumped on what to get him 

His father hated how he would always show attitude (sassy ass eyebrow raises, dirty looks, side eyes, eye rolls and more) but it made him do it more

Contrary to people's idea of him, I really don't think he is purposefully mean to those he loves/likes BUT he can overstep in the name of being honest or straightforward, doesn't like to beat around the bush or be fake with others (social skills are pretty limited)

He gives me vibes of someone who doesn't have many hobbies because he's a workaholic and training/being Grandmaster is his job

If you enjoyed this list, I will be back in 2-3 business weeks for either a part two or a different MK character!

[adhdtsukasa]

that's just a random thought that has popped in my head while trying to fall asleep, but... thinking about how tenma siblings' childhood and middle school days were filled with the fear of uncertainty of the next day, but they both probably experienced it so differently...

saki's fear of uncertainty was connected to a fear of the night — but she wasn't afraid of nightmares, of the dark or anything like that. it was not what's waiting on the other side of the dark room what was scary to her, it was what was going to happen to her that was truly frightening her so much. her days, in middle school especially, were always the same and repetitive, so she did not have to be scared of the well-known routine. but as soon as the night was coming, as soon as she had to close her eyes, she could feel this unpleasant, cold feeling creeping onto her weak body, she could hear this scary voice sound in the back of her head: what if she doesn't wake up tomorrow? what if this night is her last? how can she rest easy, when tomorrow is so uncertain?

tsukasa's fear of uncertainty was connected to a fear of the morning — he was the privileged one, after all. nights weren't scary for him, because he didn't have to be afraid of not waking up and wasting his youth forever. the night coming was just a sign of another day coming to an end and that was a good thing, because tomorrow surely will be better, right? the morning, however, was a bridge that was connecting the night with the next day; it was these few simple moments after he regains his consciousness that were going to determine this day, and he was afraid of them, he could feel this in his whole body, he could hear it deep down in his mind: is saki going to be okay today, will his family finally be happy at least for these few hours? are the things going to spiral down and will everything be even worse than it already is? will saki smile, or will saki cry once again? how can he feel rested, when today is so uncertain?

but now, they don't have to be afraid anymore. the uncertainty isn't as bad anymore.

because the night means that another wonderful day has come to an end, and the morning means that today will surely be a hopeful day full of smiles.

and they're both aware of it.

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[aresmarked]

Me musing to myself: how to go about this... I think mizuki still feels, personally, like they could be possibly fem enby, or possibly specifically x-gender, considering the momentary resignation when explaining to that well-meaning classmate in anni4 that yes, she does like wearing 'cool' stuff, just particularly likes wearing cute things, and that absolutely rang to me like 'complicated gender Stuff™ for cis people: intro class analogy 'cause i'm not getting into it'. Also i like how using multiple pronouns in English helps nod to the fact that some things are lost in translation, so it'll be a nice touch to acknowledge some of the unique gender identities that spring up in Japan. So when i write fics i will continue to use both they and she for Mizuki as I feel is right and shift according to how i'm writing for that piec-

Me: *sees the zero reading comp folk insisting that the classmates making transphobic comments asking if ena's a guy too or a normal girl means mizukis actually a boy*

Me:

Me, tucking my interpretation onto the shelf: i'll come back for you when it's just good company again ok? It's gonna be singular pronoun sets for a bit.

[misswhyso]

think about how the end feels very much like the beginning, how the future only holds the horror of the unknown. and just like they were at twelve years old, mike and dustin find themselves sitting at the quarry—maybe dustin had blown up at steve after a long day, maybe nobody was listening to mike. whatever the case: there they are at the quarry, sitting in silence. palms against gravel. wind howling like the wolves are home. then, with his gaze fixed on the crashing waves, mike says, “i dream about it.”

dustin stills. some things you don’t have to say out loud.

“all the time.” mike draws his knees to his chest. he is thinking about the burning sun, the drag of a dead body from the water. funny how everything feels fresh, raw—it never matters how long ago it has been. it's like they're twelve all over again. “in my head i see the four of us here, again. and i can see it—it’s always so clear, how sharp the knife is. and they won’t let you go. dustin, they won’t let you go.”

a sharp breath. dustin leans forward, says, “mike—”

“and,” he interrupts. the words spill out of him, reckless, relentless. “and it’s the same thing, always. they ask me to jump, and—i have no choice, you know? it’s me or you. of course it has to be me.”

a pause. he swallows thickly. three steps away from him, dustin looks at him with wide, wet eyes. “so i jump. there’s no other choice.”

“that’s bullshit,” dustin chokes out. “that’s the dumbest thing you’ve ever said.”

maybe he should stop while he’s still in dustin’s good graces, pull them back from the edge of it. but it’s so mike wheeler, isn’t it? always driving the knife in. forever walking away, debris scattered around him. 

he says, “in my dreams, el doesn’t come.” 

he says, “and i fall. i just—fall. one second it’s cold and then—nothing.”

mike closes his eyes. he can’t bear the weight of dustin’s gaze; how did he get by all these years, hanging onto the brightest kids he knows? will, dustin, lucas. max. el. he never deserved them. he never deserved any of them.

inhale. exhale. a confession lays on the tip of his tongue.

“and it’s good,” he finally says. this is the truth, the only thing he knows with certainty. “it’s a good dream.”