#about the complexity of names and stage personas
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asthedeathoflight · 7 months ago
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Okay so I was thinking someone should do something adjacent to this band au by @emilywaters but with Rembrandt as the lighting director but i fear that i may be the only person capable of this considering you know. Thats actually my job. But i have too many wips so you're getting this au in post form. Everything I changed from the original post is due to me writing out this entire post before I successfully tracked it down so like it's not me disagreeing I simply forgor.
I'm not sure what like level of fame they were supposed to be in the original but i need them to be doing stadium shows purely for Rembrandt's sake okay she deserves it theyre touring with an ma3 just believe me.
I think Cleon was originally their lead singer but she had to step down for. Reasons. Idk. So the Warriors are hard up bc their producer is on their ass about getting demos recorded for their next album but none of them really feel good about replacing Cleon.
Mercy is a mistreated burnt out pop idol who's just kind of getting listless at this point because she's basically just a prop for a brand and she can't even give a fuck about her music anymore. She meets Swan at a party and they hit it off and get blackout drunk and Swan wakes up the next day with a recording on her phone of Mercy doing a demo of one of the songs she wrote. She takes it in to their producer like here fine theres a demo are you happy and shes like??? Hello???? This is incredible??? Who is this singer??? And Swan is like hahaha. About that.
The producer reaches out to Mercy's management and theyre like um absolutely not she does not want to join your band she's a solo act but then Mercy gets Swan's number somehow and is like i DO wanna join your band actually but im stuck in this goddamned contract. So then its about them getting their record label to go up against Mercy's and get her out of her contract so she can be their new lead singer.
And also more importantly (to me) is the subplot about the like relatively young and inexperienced lighting girl from their home venue who Cleon insisted on hiring for their first tour and who just kind of stuck around and became part of the group. They tour with a disproportionately nice rig bc Rembrandt is a fucking nerd and none of them can resist her puppy dog eyes about getting shiny new toys. And like yeah she's kind of quiet and doesn't talk much in a group but she can hold her own against the fucking overhires giving her shit at whatever venue and not taking her seriously and she gets stars in her eyes when Ajax asks her about programming so like needless to say Ajax is a little bit obsessed with her. Rembrandt's job is half ordering around men twice her size and age and half real-time computer programming live in front of an audience. Ajax never stood a chance. There are always fans trying to see Ajax after the show and Ajax is always in the booth while Rembrandt talks about the latest patch grand ma pushed out and how she hates everything about it and everyone at that company is trying to ruin her life (she will have adapted and forgotten about this in two days until the next patch which alters her workflow .00001% upon which time she will again believe her career is over and she needs to call them to revert the console)
I think probably their relationship is more of a flashback moment bc obviously The Warriors can't be touring while they're looking for a new singer but I think when they're not on tour Rembrandt lives in Portland and does like weird indie performance art shit and Ajax stays in LA with Swan and the others and the long distance is kind of killing them. Could Ajax stay with Rembrandt in Portland for a few months and fly back down when they're actually recording stuff? Absolutely. Does this idea terrify her existentially for reasons she can neither articulate nor overcome? Also absolutely. But on a more fun note Rembrandt drags Ajax to USITT with her every year which is actually kind of fun for Ajax because in addition to Rembrandt being so excited nobody there is impressed at all by her being famous but they ARE impressed that she knows how DMX works. So. Who's laughing now Swan. The flashcards worked.
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douqhnxtss · 3 months ago
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˚₊· ͟͟͞͞➳❥ REDAMANCY ✧˖°.⋆.˚⊹ ࣪ ˖
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𝓡𝑬𝑫𝑬𝑴𝑨𝑵𝑪𝒀 (𝘯.) — 𝘵𝘩𝘦 𝘢𝘤𝘵 𝘰𝘧 𝘭𝘰𝘷𝘪𝘯𝘨 𝘪𝘯 𝘳𝘦𝘵𝘶𝘳𝘯.
𝓝𝑰𝑵𝑮 𝓨𝑰𝒁𝑯𝑶𝑼 𝖽𝗂𝖽𝗇'𝗍 𝗇𝖾𝖾𝖽 𝗍𝗈 𝗁𝖺𝗏𝖾 𝗌𝗈 𝗆𝗎𝖼𝗁 𝖿𝖺𝗂𝗍𝗁 𝗂𝗇 𝓨𝑶𝑼 𝖺𝗇𝖽 𝗒𝗈𝗎𝗋 𝖽𝗋𝖾𝖺𝗆𝗌. 𝗌𝗁𝖾 𝗐𝖺𝗌 𝖽𝖾𝗍𝖾𝗋𝗆𝗂𝗇𝖾𝖽 𝗍𝗈 𝖻𝗋𝖾𝖺𝗄 𝗒𝗈𝗎𝗋 𝗁𝖺𝗋𝖽 𝖾𝗑𝗍𝖾𝗋𝗂𝗈𝗋 𝖺𝗇𝖽 𝖽𝗂𝗌𝖼𝗈𝗏𝖾𝗋 𝗍𝗁𝖾 𝘳𝘦𝘢𝘭 𝘺𝘰𝘶. 𝗌𝗁𝖾 𝗌𝖺𝗐 𝖻𝖾𝗇𝖾𝖺𝗍𝗁 𝗒𝗈𝗎𝗋 𝖿𝖺𝖼̧𝖺𝖽𝖾, 𝗌𝗁𝖾 𝗀𝖺𝗏𝖾 𝗒𝗈𝗎 𝗋𝖾𝖺𝗌𝗌𝗎𝗋𝖺𝗇𝖼𝖾 𝖺𝗇𝖽 𝗁𝗈𝗉𝖾 𝗍𝗈 𝗉𝗎𝗋𝗌𝗎𝖾 𝗒𝗈𝗎𝗋 𝖽𝗋𝖾𝖺𝗆𝗌. 𝗌𝗁𝖾 𝗐𝖺𝗌 𝗍𝗁𝖾 𝗈𝗇𝗅𝗒 𝖼𝗈𝗇𝗌𝗍𝖺𝗇𝗍 𝗂𝗇 𝗒𝗈𝗎𝗋 𝗅𝗂𝖿𝖾 𝖺𝗅𝗈𝗇𝗀 𝗐𝗂𝗍𝗁 𝗒𝗈𝗎𝗋 𝗅𝗈𝗏𝖾 𝖿𝗈𝗋 𝖿𝖺𝗌𝗁𝗂𝗈𝗇. 𝗌𝗁𝖾 𝖽𝖾𝗏𝗈𝗍𝖾𝖽 𝗁𝖾𝗋 𝗅𝗈𝗏𝖾 𝖺𝗇𝖽 𝖿𝖺𝗂𝗍𝗁 𝗍𝗈 𝗒𝗈𝗎 𝗐𝗁𝗂𝗅𝖾 𝗒𝗈𝗎? 𝗒𝗈𝗎 𝗍𝖺𝗎𝗀𝗁𝗍 𝗁𝖾𝗋 𝗇𝗈𝗍 𝗈𝗇𝗅𝗒 𝗉𝗁𝗒𝗌𝗂𝖼𝗌, 𝖻𝗎𝗍 𝖺𝗅𝗌𝗈 𝗌𝗁𝗈𝗐𝖾𝖽 𝗁𝖾𝗋 𝗍𝗁𝖾 𝖻𝖾𝗌𝗍 𝖺𝗇𝖽 𝗆𝗈𝗌𝗍 𝖾𝗇𝖼𝗁𝖺𝗇𝗍𝗂𝗇𝗀 𝖾𝗑𝖺𝗆𝗉𝗅𝖾 𝗈𝖿 𝘳𝘦𝘥𝘢𝘮𝘢𝘯𝘤𝘺 𝗒𝗈𝗎 𝗄𝗇𝖾𝗐— 𝘺𝘰𝘶���� 𝘭𝘰𝘷𝘦 𝘧𝘰𝘳 𝘩𝘦𝘳.
✧ fluff, angst, uni & ceo au, objectification (by parents), reader has terrible parents, cold!reader, arguments, reader has self doubt & fears disappointing her parents, kissing, ft. aespa, big time skips, arranged relationship/engagement (not ningy/n), running away, reader discovering herself, jimin × minjeong, sleeping in the same bed, rich!reader, reader is lwk mean if u think about it (at the start), thriller & mystery solving undertones, complex!reader (if that makes sense), yizhou becomes a detective, proofread — transfer student!yizhou × hot nerd!reader ⋆ wc! 8.07k 𐙚𐙚 OH MY GOD. i love this sm, soz it took me 22 days to write this, like every imagine I write they keep getting longer and longer, my lord. pls enjoy this dish kira has served that she gave her heart and soul into making, likes and reblogs are HIGHLY appreciated (pls interact i cried one too many times writing this T_T) i might expand on this fic like provide moodboards, a playlist, more drabbles that branch from this fic as extra content idk lmk what I should do!!
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YOUR MIND WAS DEVOID OF THE JOY. devoid of the joy anyone would expect experiencing upon getting a perfect score on their exam, that too of physics out of all subjects.
to you, the score was just a mark of reassurance that you weren't a failure in the eyes of your parents, nothing more. you gave everyone a blank smile who congratulated you, clearly impressed.
you looked up when you heard someone clear their throat in an attempt to grasp your attention to see a somewhat unfamiliar face. you didn't know her and you couldn't place a name to her face.
she stared for a second too long, you couldn't decipher why. before you could overthink all possibilities, her smooth and calm voice introduced, "hey, i'm ning yizhou! i'm a new transfer student from china"
you nodded, not knowing what to say afterwards. she pulled a nearby seat and positioned it at the opposite end of the desk, across from you. she sat down, now at eye-level with you.
"you seem to be thriving in physics and me.. well— i'm not the best at it to put it simply." you slowly nodded again, the chance that you may have been mute struck the transfer student but she continued, "can you do me a favor, please?"
you shrugged your shoulders, "i don't tutor." her mouth fell agape, two things she was speculating both having been rejected in a short three-worded sentence. you weren't mute and you weren't a tutor either.
she went through five stages of denial, she didn't want to miss the opportunity to be tutored by the campus crush scholar everyone couldn't stop talking about. no one ever saw you talk to anyone first, when you did talk in response to someone it was always short answers and nods.
you were quiet, reserved and always calm. people loved testing you for that fact. they tried every single way to get on your nerves but not once did you raise your voice or let your reserved persona flicker to reveal who they actually thought you could be.
yizhou was one of the people who admired from afar, wondering who you were actually like when you weren't so damn cold. today, seeing her 17.5%— she knew she needed to get some help.
no one actually loved physics, most who scored between average to a little below high just studied and got it over with. they all despised the subject with a burning passion. someone who didn't despise physics, rather loved it; was of course, you.
you were one of the best at physics in town, you loved every concept, every theory, everything that summed up the contents of physics. you were more than 90% of the time the best in the state, which is why your reputation was so important.
your parents couldn't afford to have a daughter who peaked and then fell down, refusing to get up. you got scoldings for being second in the state level, you weren't just some ordinary nerd. you were always referred to as a science prodigy since you were little.
best at science when you were in middle school, best at physics in high school and currently still upholding your record at being the best at physics in university. there wasn't a day when you weren't talked about.
whether it be by the parents passing by or gossiping, the principal and teachers bragging to others, your parents flexing their perfect daughter or the others in the university who admired you.
you were practically an icon.
you didn't mind the attention, you didn't love it either. you just dealt with it and were neutral about the topic. you were known for declining almost every interaction prompted by anyone.
parties, coffee, studying, tutoring, hanging out— you never agreed. yizhou wasn't aware of that and as she sat there across from you, your furrowed brows, carefully analyzing what she must've been thinking. she knew she needed herself to become an exception to your no tutoring rule.
"please, look i'm okay with my other classes but i can't for the life of me, not struggle with physics!" she rushed out, quickly taking your hands, looking at you with the brightest, most alluring cat eyes you'd ever seen.
some students murmured, some gasped. another thing you weren't known for: physical contact. the day when you punched a boy so hard he broke his nose when he tried to pull you into an empty classroom by tugging your wrist— to confess his undying love initially, all of them knew you weren't one for physical affirmation. at all.
you should've just pulled your hands out of her hold, that's what you would've done with any other human. however, you didn't. your mind went blank, you didn't know what to do.
her eyes and the warmth that radiated from her hands that covered yours had an effect that couldn't be explained with physics, chemistry, biology, math or any other subject you could think of.
looking at her hopeless expression, you felt as if you were going to commit a sin by rejecting her polite request. you let out a sigh, not so sure why you were saying what you were, "alright, i.. i guess i'll tutor you."
her pretty brown eyes lit up, a wide grin spreading across her face like a child who just got their favorite candy. she thanked you profusely, her hands leaving yours to clap a few times I'm excitement.
the warmth faded, leaving you looking at your colder hands. her fingers brushed past yours again when she took a pen and paper from your desk. she hurriedly scribbled something on the little sheet of paper before she handed it to you.
your gaze followed the notes content, it was her phone number and her name written below with a few sparkles and hearts drawn on. "text me whenever you have the time to discuss the schedule. bye, tutor y/n!"
she waved with her bright smile before skipping to her friend group. you read the note over and over again, a small smile curling up your lips. she seemed nice.
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"how do you love physics? it's the most boring shit ever!" yizhou dropped her head in her arms, exhausted from the never ending theories and concepts.
you lightly smiled, tapping the end of your pen on her head, "you know..." you drew out, but stopped before saying anything further. should she know about your feelings on physics?
she turned her head, looking up at you, raising her brows waiting for you to continue, "i know what?" she asked. you pondered for a few more seconds, shaking your head. her brows furrowed further.
"c'mon we're friends now, you can talk to me." she smiled, you couldn't see the smile, you knew she was by the way the skin near her eyes crinkled at the corners, chubby cheeks just visible enough to make you coo in your mind.
friend. you made a friend?
you didn't remember the last time when someone referred to you as their friend. you were a little dumbfounded, your little smile increasing at the corners at the thought before it fell again.
don't get too happy, y/n, she'll leave anyway.
she'll leave someday when she decides she deserves much better friends than an eye candy nerd who didn't know what their is to life outside of studying and presenting yourself elegantly.
for now, you chose to give her a response, "physics isn't my favorite subject," she audibly gasped, suddenly sitting up straight, this— this was tea.
her eyes were wide like she'd heard the most bizarre sentence to exist, "that's like a mathematician saying math isn't their favorite!" you only let out a little suppressed giggle at her shocked face.
"no doubt i do love physics," you said first and foremost, seeing her cringe at the statement. "but my favorite is not it." she nodded mindfully, understanding you perspective.
"so what is your favorite?" she slightly narrowed her eyes. you knew she didn't need to know anything more, "that's a conversation for another day." she gave you a little pout before she went back to the paper she was doing.
tutoring yizhou wasn't so bad. you'd rather not admit it, but you were starting to like the sessions. she cracked a few jokes here and there, sometimes spilled some hot tea about others which you never paid much mind to.
yizhou usually only spilled tea with her bestfriends, not with any student. but you weren't just some student for her, you were her friend. friends share tea, that's all, she thought.
she became even more nosy than she already was in her friend minjeong's opinion, why? she wouldn't answer. she noticed how you held eye contact when she ranted, albeit you didn't give any reactions other than nods and hums, she still liked it.
yizhou liked having your undivided attention. she chalked it up to her ego as you rarely gave anyone attention and you giving her just that made her ego jump. well her heart raced too, but you'll catch her dead actually acknowledging it at the moment.
"that's a gorgeous dress!" she exclaimed when she saw the little dress you drafted mindlessly. your eyes widened a fraction, your arm quickly covering the drawing, gulping your nerves down.
she wasn't supposed to see that. yizhou's brows furrowed when she saw your arm move to cover the dress. "it's nothing, focus on your test." you quickly ordered the chinese, your tone too precise, too calculated, as if you'd been in this situation before.
she didn't push it, opting to continue her work, though her mind was now occupied with many aswerless questions. what was wrong about doodling? maybe it was wrong for someone like you.
yizhou knew one thing was certain from the many more study sessions that followed after the dress drawing incident. you were secretive, and you were good at being secretive, also just as good at appearing perfect.
you were always the neat and perfect you. your image started to feel like it had been crafted carefully, like you'd spent years planning who to be seen as. you were strategic; every responce, answer and even laugh sounded as if it'd been planned out.
yizhou was starting to think you were a robot. she knew it wasn't true of course, but you intrigued her. you made her think so hard about you. aeri once said to her that she looked like she was stalking you.
she wasn't stalking you, why would she anyway? you just made her want to dig deeper, want to get under the bottom as to why you were so prepared for everything, like you knew every single way any conversation could flow, like you could read the minds of the people and immediately know what their intentions were.
something clicked in her brain when she was doing her homework in her room. you were mostly good at being flawless in every way— except that day.
the day when you drew the dress, that you hid as soon as she acknowledged it. that moment was a crack in your skillfully constructed persona. the dress was a small piece of who you actually were behind your picture perfect façade.
her pen stopped mid air, the realization sudden and gave her more questions and some answers to her previous ones. she saw your parents once, when they came to pick you up for whatever reason.
she saw the way your eyes darkened, turning more lifeless than they already seemed, almost like a void. your face remained stoic, hands clenched by your sides as your mum gestured for you to get in the car.
you were a puppet.
yeah, exactly! that's who you were. you were a million dollar puppet in the name of the kims' daughter. your mum and dad didn't look at you with anything, no love, no care, just blank.
you were controlled by your parents, one way or another. yizhou didn't like that. she knew she needed to help you, however, she didn't know how. she didn't know how she would break through your hard exterior to see the real you.
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slowly but surely, she tried to gather clues. she figured out that whenever your eyes would look around too much, almost as if they were searching for a card to play out of the many you'd prepared, it meant you were caught off guard.
she always payed attention, she tried her hardest to get more knowledge about you, yet with each passing day, the fire to keep searching dimmed.
she'd make a pretty good detective by the way she over-analyzed your every move. you'd make a good criminal by how nicely you portrayed yourself, knowing what to do in every situation while making sure no one caught on to your plan.
which in this setting, is you. what you are like under the puppet costume you were forced into wearing by your parents, according to yizhou's analysis and brainstorming.
she totally wasn't expecting that today she'd get a lot of answers to her previously unanswered questions. she sat on the table you two always studied at, in the far corner of the quiet library.
your attention diverted to the ring of your phone, it was your mum's call. you quickly took it, "i'll be back in a few." you spared her a glance before walking to the back exit of the library so you could talk without disturbing anyone.
yizhou nodded and went back to her work, she knew it would take a little time as it was your mum's call, she saw the caller id for a split second, she was getting observant.
the call was to inform you about a party they're hosting in honor of a new deal they just got and you needed to be there. you were taken aback, you were usually not to attend the parties.
your mum's sharp voice stated you needed to talk to the son of the opposite party they just made the deal with and hinted at a potential romantic arrangement between you two if things went according to plan, in her words.
you were infuriated to say the least; first she commanded you to attend a party, which she knew you hated, and second she was suggesting an arranged relationship. great.
the conversation ended on a terrible note, with your mum's loud orders and your quiet protests. what you said never mattered to her anyway, so now, you had a party to attend.
meanwhile, yizhou tied her hair up in a ponytail to prevent her hair from being a distraction because of the flowing wind. she yawned, tired from studying but she needed better grades, meaning she had no choice but to push through.
a few pages of your diary that you always kept near you flipped, an envelope and many pages slipping out, using the air as a medium to travel.
she shouldn't have snooped and violated your privacy, but with her recent tendencies of being overly nosy and her quest of unraveling your outer demeanor made her unconsciously reach out for the envelope and pages.
the pages— they confirmed her claim, they were a confirmation that you did indeed like drawing and fashion. she smirked knowingly seeing the countless suits, dresses, skirts, purses and pants.
the envelope— was something she didn't expect. her fingertips trailed over the edges of the envelope before she opened the flap. yizhou took out the stack of neatly arranged paper sheets covered in sketches.
sketches of her. kim y/n, the untouchable it-girl, drew sketches of her: ning yizhou, a sassy chinese transfer student.
was she dreaming?
her mouth was agape, confusion evident on her face and like with every interaction she had with you before, more questions arised that appeared to have no answer.
she saw an opportunity come to light in her mind, this could be her ticket to getting you to open up. she pretended to do her work whilst she waited for you.
you emerged from the door you went out from, eyes somehow darker than they already were, the formerly dark brown had been substituted by a gloomier, almost raven colour.
it was only when you sat down and looked forward did you see the opened envelope, numerous sketches and a yizhou who looked at you with a what is this? face like she was waiting for you to give an appropriate explanation.
"why did you snoop in my personal diary?" you didn't mean to sound so fed up, except the conversation you had prior with your mum played with your mind and the anger seeped out.
yizhou looked perplexed, "the pages and envelope flew out and i got curious." now that she thought about it, she had opened the envelope without consent.
"why are there so many sketches of me and clothing?" she got straight to point. the complexity of the situation really sunk in, there was no way to successfully cover up the fact that you loved fashion.
"that's none of your business, yizhou." you said her name for the first time. your tone was harsh, but the way her name flowed on your tongue? what was she thinking about?
you reached out to take the pages from yizhou who resisted, keeping them in a tight hold. "you can tell me. i promise i won't tell anyone!" she was not going to back down.
"this isn't something you should worry about. do your work." your voice was laced with authority and demand, which she'd normally obey though she had other plans right now.
"i want answers, y/n. don't change the topic." yizhou narrowed her eyes, looking up at you through her lashes. telling just one person won't be wrong, right?
you stayed still, contemplating every way this could play out like you did for every situation. yizhou noticed how your eyes moved around, she knew you were trying to make a decision in your mind.
she should really become a detective. was yizhou really trustworthy? you thought, you could make up an excuse right now but you'll have to come back at some point to tutor her.
you'd under no circumstances let your guard down and told anyone about your ambitions before. you were the perfect daughter of the kim's after all, your life had been planned out long before you were born. you had an path established by your parents to follow.
you let out a deep sigh, realistically speaking, what more could you do? you began from the start, from your dreams since you were little to become a fashion designer.
how your dreams were crushed over and over again, how you never had friends growing up as friends are distractions, how you had no choice but to comply to your parents' wishes.
her jaw was wide open, heart clenching as you told her how your hope and spark for having your own brand dulled, no longer having enough will power to fight back for what you love.
now, you just sketched in your free time and did what your parents wanted you to. you were just a pawn in their game of business, power and status.
yizhou was speechless, this was it. the truth she'd been hunting for the last month, her questions were answered and her heart, it was broken. she knew you weren't doing the best by your permanent gloomy eyes, yet she didn't expect it to be so upsetting.
now that she knew who you were, she wanted to help you. she wanted you to feel confident in your skills and believe in your passion. you shouldn't stop dreaming because they don't align with your parents' vision according to her.
"what if i help you?" she blurted out, only thinking about what she said when your brows furrowed, "help me in what?" you asked back. "you shouldn't give up your dreams!"
"what's gonna happen if i, let's say, actually do try reaching out to brands and showing them my designs?" you questioned, procrastination was your bestfriend and it showed.
"if they have functioning eyes, they will realize how your designs are amazing and offer you a deal, obviously!" she held up some of the pages, talking like she was stating facts.
you looked at her as if she was crazy, "there are so many ways i could be rejected and fail with this strategy." the word failure was hated upon in your dictionary as being first was always the goal for your parents.
"so? you will fall countless times and you should get up every time and learn from the fall and utilize the mistake so that you don't make it again. failing isn't bad, it's a necessary part of the journey of success."
her words stuck in your mind, they were the complete opposite of what you heard growing up. "you.. you sound too optimistic. the world isn't sunshine and rainbows; we don't live in a fantasy, this is reality where the concept of a happily ever after doesn't exist."
"your mentality needs a lot of fixing. i'm not too optimistic, you have the skill, your designs are unique and pretty. this isn't fantasy, yes i agree, but that doesn't mean you can't have a happily ever after, some don't have it but i believe you can!"
you didn't understand. why was she fighting you on this? what's her ulterior motive? there must be one, no one helps you without having a motive beneficial to them.
"you're talking nonsense. the world is dark, yizhou. your perception of the world needs a reset." your fury from earlier made your words colder and ruder, yizhou couldn't help but let a scoff slip out.
"you sound very full of yourself, y/n. i hope you do realize you're talking like how i expect your terrible parents to sound." her final sentence echoed in your brain and you stilled.
"infact, your perspective is extremely dark and dull. the world is dull but it's on you to find things to make your world colourful."
you didn't utter a word, processing the opinion. your mind went back to the rough retorts you'd spat to yizhou— recognizing the sole focus on the negativity of a topic, fixating on the cons and none of the pros, you were talking like your parents.
you never thought you'd ask such a bizarre, for you, question to anyone, yet here you were, in the library with a student you were supposed to tutor who you just told your whole life story to, asking her, "what do i do?"
yizhou's eyes lit up and a little smile made its way to her lips, "i think you should start giving your designs to major brands and collaborating with them, and at the same time slowly build your brand, plan it out, and we'll go from there."
her thought process made sense, although you weren't sure if you'd be able to do this, "this sounds good in theory, nevertheless i can't help but doubt if i have my ability to pull this off."
yizhou stood up, walking around the table and taking a seat beside you. she took both of your hands, "trust me, you can do it! i believe in you." her eyes held sincerity and warmth, a look you weren't at all used to.
"why? why do you believe me?" you muttered, voice barely audible. she smiled, "because i'm your friend, i know how you are. i know you're capable of achieving your dreams, you have that spark in you; you just need to ignite it and produce a fire."
you looked down, lips curving into a faint smile, this is what having friends is like? you actually made a real friend? "you think so?" you asked, eyes holding hesitation.
yizhou had the most hopeful grin on her face. this was the first time you'd completely let your guard down, let her lower the walls you'd mentally built around yourself. "yeah." she said.
──────── ✧✦
six months. it'd been six months since mission: freedom, named by yizhou, started. many things happened during the six months: you'd collaborated with many brands and your own was pretty much planned out, only a little more preparing as well as pulling some strings were pending.
you were condemned to around three or four dinners with your parents' business partner's son, park jihoon, which you reluctantly went to. the latter just didn't pick up on your super obvious hints that you didn't like the meetings or him.
you were now a part of yizhou's friend group, you refused to meet them at first but with her pout and cat eyes, you were left no choice. you considered all four of them your friends now.
if you'd told your self from half a year ago that you'd have four friends and a good career plan, she would've cringed and rolled her eyes internally, saying "stop talking fakery."
maybe the one above didn't like seeing you happy, you thought as you sat across from jihoon with your and his parents present, talking about the potential engagement of you two.
you wanted to dissappear. you wanted to just run away and hangout with yizhou, she was all that was on your mind. you two had gotten close. she always had your back, always there when you needed her.
she made you realize it's okay to depend on someone and not bottle up your emotions. she warped your perception of the world, showing you the colours and joys of adventure and exploration.
"y/n." your mum snapped her fingers, making you snap out of the spiral of thoughts in your head, "yes?" you straightened, looking forward to see jihoon give you a shy smile.
you now knew he picked up the hints you gave but chose to ignore them and live in delusion that you liked him when you hated as much as sparing him a little glance.
"you are happy with this decision, right?" the look your dad gave you was enough for you to know the question was only here to serve as a formality and the answer you were supposed to give was a yes.
you gulped, head starting to hurt. every time yizhou told you to rebel against them played like a broken record in you mind, however much you tried to suppress them, they didn't budge.
you nodded, knowing your words weren't on your side and you'd say something you'd regret later. your mum held a practiced smile which didn't reach her eyes, same with your dad.
jihoon and his parents were overjoyed, meaning you were the only person not actually approving of this arrangement. you wished the ground would swallow you up.
jihoon soon left with his parents, not before giving you a wink and sly grin. you gave a blank smile and immediately stood up, taking a beeline for your room as soon as they left.
you didn't know when the tears started flowing down your cheeks. you didn't know when you jumped out of your window, still in the elegant light blue dress you wore along with your plain flats.
you weren't sure where you were headed, your feet walked on accord of your heart, not your mind. you were accustomed to disregarding what your heart suggested, opting to be logical, never letting your feeling get a hold of you, but you'd changed since then.
you ended up at the door of yizhou and aeri's shared dorm, cheeks stained in tears and bottom lip quivering. you hurriedly wiped your cheeks, trying to rid them of the dried tears the best you could.
after a few knocks by you, a drained yizhou opened the door. her eyes were as wide as saucers when she took in your dolled up but tear stained and bummed self.
she didn't say anything and instead firstly ushered you inside, locking the main door behind her. she guided you to her room, gesturing to aeri who sat on the couch with a wide mouth at your appearance that she'll tell her later.
yizhou sat you down, giving you a cup of water and then sitting down on her bed with you. "so, what happened?" she asked, tone laced with worry, bottom lip in hostage of her teeth.
you told her everything that went down hours ago, she was flabbergasted. she thought these dinners you went to weren't serious and were just there to make sure your parents were occupied so that mission: freedom didn't face any problems.
"why did you agree?" she shrieked, fury swirled in her, each sentence that left your mouth only feuled the rage. "what could i do?" you had your head in your hands, it felt like your head on the verge of exploding.
she knew what she was about to say was dumb. so dumb. incredulously dumb. though it sounded the best and most logical, she didn't like seeing you upset like this because your parents can't stand to see their daughter happy.
"how about you run away?"
your head snapped to her, your gaze saying are you serious right now? she clapped her hands, "listen, you have a ton of inheritance money right?" she asked, mentally fitting the pieces of your puzzle of life.
you nodded. you were given a hefty allowance and had inherited a great sum from your grandparents from both sides, you had your own bank account that included all the cash.
"you go back, pack your clothes, tell your parents that you don't want to marry that jiyeon-jihoon whatever his name is, we both know they'll disagree. then you say i've had enough of being your doll, i'm leaving and shit. after all that, you leave and stay with me, i'll arrange everything here."
she said it so nonchalantly like she didn't just tell you to get yourself disowned. "i don't know if i can talk back to them. also i don't want to burden you." you'd never done anything out of line, you were always doing what they wanted you to, always tried to please them, even when you knew they wouldn't say any encouraging words.
nothing was ever enough for them.
"you'll have to, y/n. i know you can do it. i believe in you. and you're not a burden, don't think of yourself that way." she squeezed your shoulder encouragingly. "you do, but i don't believe in myself, ning."
"don't worry, i'll have enough faith in you for the both of us!" yizhou giggled and leaned in to give you a warm hug. your hands hesitantly wrapped around her. you'd only gave eachother a hug a few times before, each time a little less awkward than the last.
you pulled away, muttering a "okay, i'll do it." she looked at you, eyes having an unreadable expression. you couldn't register when she leaned in, realizing she just kissed your forehead when a strand of her hair tickled your cheek.
"i know you have it in you, my star."
the nickname sounded almost melodic, like a symphony you'd instantly fell in love with. "my star?" you asked, tilting your head. an overwhelmingly lovely feeling bloomed in yizhou's chest at the sight.
she hoped her cheeks weren't flushed or if they were, you didn't notice, "like the nickname?" you nodded, a bright smile on your face. the upcoming storm you could feel brewing didn't matter at all when yizhou was here with you.
"i'll get going now." you said and stood up, smoothing your dress our of habit. "nice dress." she said, you giving her a shy thank you in return, you were never good with compliments, having not received many by the people you cared most about in your upbringing.
you gave aeri a wave on your way out, her reciprocating the gesture with a smile. you didn't mention the kiss nor did yizhou when you left. she hoped you wouldn't ask, as she didn't know why she did that either.
you took the few pairs of clothes you actually liked wearing, leaving the closet still more than half full which were all the clothes your parents made you wear.
you packed your bag, a million thoughts and possibilities running through your head. should you really do this? should you burden yizhou? you wanted to think of every outcome, but you resisted, you needed to think of the future, you were not going to marry jihoon.
you changed into regular blue jeans and a white button up, slinging your bag around your shoulder after stuffing your phone, charger and a few essentials in the bag.
you composed yourself, your nerves were slowly getting to you, anxiety creeping up in your body. you thought of the freedom you'd started wishing for that you'd finally have after this and descended the stairs.
your mum and dad were both on the couch, discussing something amongst themselves when you stood infront of them. their attention diverted to you. your mum gave you a distasteful look as she eyed your outfit.
"what is this?" your dad asked, his deep voice ringing in your ears. you took a deep breath, repeating the sentence in your head before you spoke it out loud, "i don't want to marry jihoon."
the silence that followed the blatant statement was suffocating. it was like they were waiting for you to take back your words or say that you actually meant i do want to marry jihoon.
"what?" your mum broke the tense atmosphere. "i said i'm against this arranged marriage." you repeated your words, more confidently this time.
"i hope you're aware of what you're saying, y/n." your dad said, you could see through him, through his eyes which appeared their usual brown but had underlying greed.
your dad wasn't happy as this could break his deal, not because his daughter is going against him, against his morals. that's when it hit you like a punch in the gut, you really were just a moneymaker they were investing in by giving you the title of their daughter.
the years of bitter words you'd kept hidden about them and their unbothered gazes now were enough to break the little patience you had.
your mum stood up and walked over to you, "you will be his wife." you gritted your teeth, you were done. they were no one to treat you like this, you were done with tolerating their narcissistic, greedy and self-absorved selves.
"i'm done being the picture-perfect daughter you want me to be. i will not marry him and i certainly won't give up my dreams to follow your path and become equally as terrible as you are."
you wanted to say more, wanted to voice your frustration you'd skillfully hid for years, yet your flow was broken by your mum's hand meeting your cheek. your head whipped to the side, mouth agape.
"since you've learned to talk back and be an ungrateful brat, you'll learn to live as an orphan." your mum spat out. you neither replied nor cried, you weren't fazed by being a disappointment in their eyes anymore.
"leave, you're not my daughter." your father ended the conversation and you nodded. your mum huffed, "enjoy being a nobody, you're nothing without us."
you scoffed, a smirk on your face as you spoke, "good challenge, i'd love to prove your controlling bitchy self wrong." you didn't say anything further, you didn't wait for them to talk either.
you walked out the main door, leaving your twisted parents and past behind, ready to embrace everything you loved and cherished.
the feeling of freedom spread through your veins, it felt like you'd escaped from your personal prison that you'd lived in since you were born.
yizhou and aeri both welcomed you with open arms when you reached their dorm for the second time that night. you gave them a tired smile and thanked the two profusely.
yizhou had placed blankets and a few pillows on the couch, "i'll be sleeping here, you'll sleep in my room." your brows furrowed, "what do you mean you're going to sleep on the couch?"
"it's just for this night, i talked to jimin she'll arrange a bunk bed on top of mine in my room tomorrow." she talked like it was the most normal thing to sleep on the couch.
well, it was for her. for you? terrible, something you'd not done before and you couldn't stand to see her sleep there for you. "no, it's your dorm, i'll sleep on the couch."
past you would've rather died than have said that.
"what, no! you're not sleeping there!" she exclaimed, aeri just shot a knowing glance to yizhou, who glared at her. "how about you two sleep in the same bed, it's not that small."
aeri's voice brought a little pause of silence. yizhou spoke, "yeah, i don't mind. we can if you're okay with it, star." the assertive sentence paired with the nickname made your mind go blank for a second.
you didn't want her to sleep there and she didn't want you to sleep there whatsoever, the only other thing was for you two to sleep together as you didn't like the idea of her or you going to sleep with aeri too.
"okay." you said, running your hand through your hair in an attempt to camouflage the heat on your cheeks. you tried but aeri saw the redness on your ears and smirked to herself.
"it's settled then, good night you two, i'm off." aeri teasingly winked at yizhou, which went unbeknownst to you. she took the blankets and you took the pillows. you trailed behind yizhou to her room.
you two layed down, turning off the lamp, darkness enveloping the room. yizhou was exhausted and slept in the matter of a few minutes maximum and you were still wide awake.
your mind referred back to the hours prior, the little part of you that still loved them resurfaced even though you tried to bury it, tears were welling up in your eyes.
you wiped them with your hand, you did what you did for your future. you were now free, you didn't need to be flawless or perfect anymore; you could be you.
──────── ✧✦
a year. the earth had completed a full revolution around the sun since you left your then house. your inherited money and the money you got from your collaborations were enough for you to live without having to work another job.
in the past year, you graduated two years earlier, at the same time as aeri and jimin. you also officially started your own brand, named luciscura.
the word meant the light born from the shadows. it represented you, how you used to live in a dark world, in your parents' shadows and how with yizhou, you shined, you saw your own potential and turned your world vivid.
yizhou was in her third year and minjeong was in her last year. you still helped yizhou whenever she needed help in physics while you worked on your brand.
luciscura was a rapidly growing clothing brand, known for its chic, timeless and diverse style. the brand sold classy dresses, grunge pants, tops, bags, heels, everything anyone could think of.
you never ran out of ideas when it came to fashion. you were also quite popular on Instagram, known as the young and rich ceo and fashion designer on social media.
your instagram had a large following, though you only posted once every month. you were loved by everyone, like you were in university, but this time it was different.
everyone loved who you were, not the perfect image you presented of yourself in uni. you liked it that way. you'd also moved into a new appartment.
after aeri and jimin graduated, leaving yizhou and minjeong, the two started living in one dorm. aeri, an art major, was now one of the models of luciscura and jimin, a fashion design major, was also a part of your team.
the two loved working with you, you'd practically became one of them now, you proudly referred to them as your bestfriends. you were still quiet and preferred your small circle of friends.
you loved the new life you'd made for yourself. you were as content as you could be in the moment. you did face struggles still, regarding your brand and your parents.
your parents tried to meddle in your brand and sabotage it, however, as it goes— cunning parents raise even more cunning children, you didn't fall into their trap, it wasn't easy to fight against their corporation that had been there for generations, but you gave it your all.
you fought for luciscura, the brand you'd spent blood, sweat and tears making. jihoon sometimes dropped by your office too, in the name of a business deal and you did merely that, treated the meeting like you would a business meeting, though he tried to chat with you.
he tried to ask you out and you disagreed to his face, you told him you never liked him. he blew up, saying he liked you better when you were kinder. you said too bad. she's gone now.
many other fashion brands tried to get in your way, but what they didn't know was the fact that you were incredibly smart and strategizing was second nature to you. they posed a threat, you bit back, hard.
no matter what situation you were in, yizhou was there by your side. in the lows and the highs, when you were stressed or overjoyed, she was there. she was always there.
she never lost faith in you. you lost faith in yourself, but she didn't. she reminded you of how far you've come, how proud she was of you. she was there for you whenever you needed her.
you thought she did so because she was your bestfriend, and it made you mad at yourself for feeling the way you felt. you hated how much you liked, heck maybe even loved yizhou.
it was your birthday. you didn't even remember it, only apprehending you'd turned twenty one when yizhou walked in, cake in her hands. she looked at you like you were a alien when you told her you didn't know why she had a cake with her.
"you know, you're the first person i've seen who doesn't remember their birthday, star." she shook her head in disapproval. you shrugged with a smile, making her roll her eyes playfully.
"happy birthday, my star." she wished you, feeding you a piece of the cake she'd made herself, it was a little too sweet for you but you talked about it as if it was the best thing you'd tasted in your life.
"what's my gift?" you asked, tilting your head. she couldn't help but giggle, looking endearingly at you. she always referred to you as the gentle giant, as you were the tallest out of you five but with her, you were the most gentle and caring person.
"close your eyes," she began. you complied, she waved her hand infront of your eyes, checking to see if your eyes were actually closed. once she was sure, she bit her lip.
what she was about to do would either make her the happiest girl in the world or ruin the most ethereal friendship she's had in her entire life of twenty one and a half years.
she stood on her tippy toes, her hands cupping your face. you didn't know what was happening, you could feel her breath ghosting on your lips. yizhou leaned in, connecting her lips with yours.
you gasped, you didn't know what to do, you hadn't kissed anyone before. she knew the fact and swiped her thumb over your cheek encouragingly, making you slowly relax in her hold.
your hands hesitantly rested on her waist. you eventually got a hang of it, following the rhythm she'd set. she pulled away, butterflies dancing in her stomach and you hoped she didn't hear your heart which was racing a mile a minute.
"so, how's the present?" she asked breathlessly, her hands looping around your neck. "the best i've ever gotten." you giggled, letting your head fall in the crook of her neck, inhaling her intoxicating scent.
her scent filled up your senses, overwhelming you in the most amazing way. "i love you, my star." you didn't know how to reply to her confession.
it seemed like she sensed your difficulty in expressing yourself, "it's okay, you don't have to confess right now, i'll wait for you." she twirled a strand of your hair.
"i, i love.. i love you too." you said, you voice was muffled but she heard it. her mind went haywire then and there, she needed to hear the sentence from you again.
she cupped your face again, pulling you out of the position you were in, "say that again, please." the way she asked so gently and how her hold was so soft and delicate, it was like she feared you'd break if she held you too hard.
your cheeks were dusted bright pink, ears also red, "i said, i love you." she kissed you again. and again, and another time. she couldn't get enough of you.
the night was enchanting, knowing she loved you the way you loved her, you couldn't be happier. your heart felt elated, contented, it was a feeling you hadn't experienced before.
at some point, slowly but surely, luciscura grew, flourishing into one of the mainstream brands. yizhou at last graduated and it'd now been two years since you two started dating.
you were pleased. you were living your dream life. you were the ceo of one of the most iconic and popular fashion brands, luciscura; you had three beatfriends you'd never forget and you had the love of your life, yizhou.
somewhere along the way, jimin and minjeong began dating while aeri was happy with her single, model life. you couldn't wish for anything more than what you had.
you wouldn't trade your loved ones and luciscura for the world. your parents now wanted you back, but you knew better, they just wanted your money.
jihoon also tried to chase you, you had enough of it and one such time, kissed yizhou infront of him. that was enough to shut him up and get him off of you.
you and yizhou moved in together into a new appartment. she now ran a bakery along with minjeong. it was close to luciscura, which made it easier for you and jimin to visit yizhou and minjeong in between little breaks.
"happy second year anniversary, my darling." you kissed yizhou and gestured for her to look at your queen sized bed, filled to the brim with boxes.
you handed her a bouquet of silk ribbon roses you'd made yourself, "made this myself, all for you." she was lovestruck. she jumped into your arms, you twirling her around, your and her giggles mixing and filling the room.
"you're the best, i love you so much, happy anniversary!" yizhou pulled you in with the collar of your shirt with one hand while the other held the bouquet after you set her down.
she kissed you passionately, your hands already on her hips, lost in the feeling. "thank you so much, my star." she kissed you all over your face, making you giggle more.
"no, i should thank you. all that i am, it's all because of you, i'm nothing without you, my darling." you left a lingering kiss on her forehead before you pecked her again, your foreheads touching.
the day was perfect, you knew that if you'd told the y/n who was still in her first year three and a half years ago that this would be her life, she'd actually cry.
you would forever be thankful to your darling, your yizhou, for coming up to you after failing her physics exam. if it weren't for her being new and not knowing better, you wouldn't have been here.
your love for yizhou was everlasting. she was the love of your life, she taught you something no one else could. she taught you the act of loving in return.
ning yizhou taught you redamancy.
you showed her the most dreamy and ethereal example of redamancy you knew— the love you sacred in your heart for her.
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glisteningmirror · 2 months ago
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Vee's design isn't very good [Critcism/Rant]
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I'm back on my medication, so let me rant about why Vee's design bothers me, as someone who's real into character design and a big fan of gameshow host characters.
I think it's important that I start with things I like about her design.
Vee's a television that's a television host; that's very satisfying connection of themes.,
She's specifically a CRT that invokes a 70's-80's vintage-styled gameshow host, which lines up well with the timeline of the character's in-universe conception.,
She's a lady host, and a fairly GNC one at that. Female television hosts are less common than male ones, especially within the gameshow genre. Female hosts are typically referred to by the title of hostess, and, moreso back in the day, are usually expected to wear feminine formal attire (Dresses, jewelry ETC.) as opposed to the suits you're used to. Vee is canonically shown sticking to the masculine counterparts regardless,
She's portrayed to have an ego from her status,
Basically, she has some good ideas going on, so lets move on to what about the execution disappoints me.
Conceptually:
I never understood why she's a robot. Is it because she's an electric appliance? Because Brightney (and likely Astro) contradict this by remaining organic. Not to mention, the game treats her more like a computer than a television because of this, and it's way too convoluted to make much sense.,
I don't like her writing. Why is she pissed off all the time? Like, I'd get it if she had a temper boiling under the surface, and I know she's meant to be upset by how centre treats her, but they seem to just forget that she's a showman, and supposed to maintain some semblance of charm that a disgruntled, snippy attitude contradicts. Like, she's even shown to be like this when she's on stage.
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A host's whole job is to be the face of their show; keep up a charismatic persona that keeps the show engaging and guide their guests with a playful hospitality. Of course, every host is going to have a different personality, but cold and pissy simply doesn't work for for a family-friendly gameshow. She can have complexities, but an approachable stage presence should come first, even if it's just a front.
This is more of a nitpick, but functionality-speaking, I don't think she should be a main. Mains are the main characters of the show, who we presumably are given the perspective of in every episode. A famous show host just seems like the type of character that would be hard to follow alongside the humble suburbanites she's friends with; celebrity status gives her a higher and much more scrutinized position in society, and she'd probably spend too much time busy at the studio to keep a good grasp on her neighborhood relationships. She seems more like a character that would be restricted to posters and episodes taking place on her set, with the occasional appearance outside of that. In gameshows, hosts are, for a lack of better words, a set piece; sure they're an important part, but you're more supposed to root for and identify with the contestants. Even in episodes on her show, she'd probably take a backseat most of the time, while the conflict surrounds the show's challenges and the other characters taking them up (we're even show this very thing directly with Winning Big).
Speaking of her show, we've never been given an actual name for it. It's been shown multiple times, and you'd think she'd take the opportunity namedrop its cheesy title, but no. We're stuck calling it "Vee's Show".
Visually:
Her design doesn't invoke what it should correctly. All she has to portray her occupation is a lone bowtie and the microphone that she only sometimes has. When I first played the game, I remembered having no idea what her character was supposed to be until I saw her TV animations. And, with her green monochrome display for a face, the only thing visually tipping you off that she's a television at all is her antennae.,
The shapes for her face are unappealing, at least to me. Her expression fits how she's written, and though that's good in a vacuum, it's just another manifestation of the issues I detailed above.
Her colors are not very good. Discounting neutrals, the only color in her pallet is green, and it's not well distributed or contrasted. Take a look at the green of her face and bowtie:
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It's a weird shade of bright green that's hard to look at, and not distinct enough from her body color to stand out very well. This especially looks bad on her model.
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A neck accessory with good contrast could've helped break up her head and torso being the same color, but it very much doesn't do that.
I don't like the butt-microphone. I don't like that she's a robot in general, but even with that it's just weird-looking and too high-concept. My best buddy made the good point that it could've come out of the back of her head, where televisions keep all their ports and wires, but I guess she had to have a tail for no reason.
I don't have enough space to touch upon her Twisted or answer the question of "Well, then how would you fix these issues?", so those'll have to be a seperate part.
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sockssketchingshack · 9 months ago
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So uh. I never really did an intro soooo
I see a lot of people asking about commissions and I am here to tell you that I don't do them! They stress me out! Sorry but they're Scary. But I do drawing *requests*. Because I like drawing things without any form of pressure to draw them!
Now that's out of the way, hello there! My name is Socrates. But everyone calls me socks.
I am an adult! 19 years old, April 23 2006.
My pronouns are he/him!
I am both a trans man and bisexual!
Things you should know:
I have low to severe functioning autism. Meaning I need help from those outside of my own self. Basically help with my day to day life and for scary situations such as talking to strangers IRL. Or complex decisions such as bank details or that kinda thing. I need others to help me!
That doesn't mean I'm not smart though. I'm mostly slow. I call it rebooting. So if I ever take a while to respond it's probably because I'm thinking about what to say!
I have borderline personality disorder.
I have bipolar disorder. I deal mostly with mood swings one minute ranting about how cute my cat is the next minute crying over how cute my cat is.
I deal with a lot of doctors! Two or more appointments a week! So if I tell you multiple times over a short span of time I can't talk cause I'm going to the doctor's it's not an overused excuse! It's true!
I have severe anxiety. Meaning any communication at all stresses me out. But I still really wanna try to socialize!
I have memory issues.
So if you wanna talk I'm welcome to it. I'm just really, really, shy. And sometimes I'll panic and end conversations out of nowhere. So if you ever wanna talk all I ask is to be understanding and a lil patient.
And if you talk to me long enough I'll grow to trust you! Which means I'll feel more comfortable and calm when talking to you!
About my art:
I love art! But it's hard to do since I have some physical problems. But I do it anyway! I mainly draw things I like or request / challenges I receive. I like to draw my little persona alot because he's simple and easy to draw. I also have a lot of OC's! Ask me about them! I love them all and will be over the moon to share their stories outside of just the art I make of them!
About a little thing about me: I am very scrambled in the head. Which has made multiple versions of 'me's' and I tend to portray the different sides of me through different ways. Some through color coded mes. Some will be different stages in life mes. Some will be imaginary mes. Some will be me from different universes such as the spider verse or Stardew valley.
About my text posts:
Text posts are semi common. It's mostly little ramblings or rants. Or just how I'm feeling. But again I mostly posts art.
If I ever interact with you or your posts:
It means I wanna talk to you but don't know how so I just try to show affection with hearts and sometimes if I'm brave enough a comment or reply. But I still really wanna learn to socialize with you!
Hobbies:
Art, cooking, baking, gardening, sewing, video games.
Lastly:
Ask me stuff! Talk to me if ya want! I am lonely. And I love you! And I'm proud of you! Take care of yourself! You deserve it! Bye! Love you!
Things I like (extra bit):
Get ready it's a long lists,
anime!
Any anime really even if I haven't seen it! I have watched a bit of or completed, Naruto, one piece, jujutsu keisen, Ouran host club, black clover, sword art online, attack on Titan, Yuri on ice, one punch man, my hero academia, assassination classroom, food wars, pokemon, the promised Neverland. And a bit more I'm probably forgetting.
Video games!
Any video game really! Even if I haven't played it! But I have played or watched others play: stardew valley, undertale, Minecraft, Roblox, terraria, cult of the lamb, overwatch 2, dead by daylight, Skyrim, halo, rocket League, cod black ops 2 zombies, moonlighter, hollow night, sky children of the light, don't starve together, subnautica, subnautica below zero, alot of different Pokemon games, five nights at Freddy's, astroneer, monster hunters, and one of my absolute all time favorites SLIME RANCHER!
other medias / things, TV shows, books, etc:
Percy Jackson, a bit of harry potter, marvel universe, DC universe, amazing digital circus, don't hug me I'm scared, Steven universe, avatar the last Airbender, we bear bears, and more I'm probably forgetting.
That's all bye.
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that-one-fandom-girl · 8 months ago
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Rating Miraculous Super Names Based on Their Creativity
(Not based on whether I like them or think they’re catchy—just creativity. Personally, I like/love most of the characters and their names (and really wouldn’t change them at all), so that’s not going to color my thoughts on them, really. Also, I will talk about cultures and languages in this post and I’m not making any comments about them themselves or anything like that—just the creativity of the characters that may *have* said cultures and languages—using the knowledge of them I know or looked up. This post is also both slightly serious and very much not at the same time, lol)
Ladybug: Marinette had several little pet-names in the Origins episode; Wonder-Bug (my personal fav), Bug-Lady, and Clumsy-Girl, and she took the one thought of “well, Tikki said I get magical ladybugs to fix everything and I have a red and black motif, so I’ll call myself Ladybug” (while Alya took the same information and made the most complex names known in existence 😆). I’d say, about 4-4.5 out of 10 for her main super name; it’s not the most creative, but it’s not the worst on this list, lolol.
For her other names:
Ladynoire: (They both named each other for the Kwami-swap if you watch the episode, so those two names are really a judgement on the other person’s creativity, lol). Adrien mushed both his own super name and Ladybug’s super name together and recreated their ship name, basically. Eh, I’d say probably maybe a solid 6 out of 10? More creative, but he could’ve just read all their in-universe fans’ discourse and gave their ship name to her, which would fit with his crush on her 😆.
Multi-Mouse: 6.5? She used the fact that she used *multiple* miraculous *multiple* times and that she was a mouse for her name.
Her other names are basically just putting other miraculous or power-ups with the name ‘Ladybug’: soooo…3? 4?
Cat Noir: for him, it depends on which of the two main dubs you watch; if you watch the English dub, Adrien went, “well, two of the languages I’m most fluent in is English and French, and I am a black cat, so I’ll honor both languages and call myself Cat Noir”, which is slightly more creative. But if you use the French dub version of his name, Chat Noir, it sounds like he just went “I’m a black cat…I’ll just call myself ‘Black Cat’”—which *is* an actual character in other superhero media (The Black Cat in Marvel Comics)— but he’s not even *the* black cat, he’s only ‘Black Cat’ 😆. So my vote is English dub = 4.5, French dub = 4.
Mr. Bug: Marinette took her base name and gave him the male prefix instead, which, okay, it does work and she brought something else to the table; but if I’m being honest, we could’ve gotten the name ‘Lord Bug’, and that would’ve been funny, lol (jk). 6-6.5 out of 10.
Cat Walker: 9.5-10. Yes, I rate this as one of the highest (if not the highest) in this list—here’s why; he’s acting more like his ‘perfect Adrien’ golden boy model persona, a.k.a. he’s putting on a show, and his name is a play on the word ‘Cat Walk’…which is all three, a way to walk on the runway, the runway itself, and an elevated bridge walked on above a stage for behind-the-scenes work. All that meaning in his name AND it’s a pun??? Absolute freaking amazing job, Adrien; you rocked it!
His other names are again, pretty much just putting his main super name with the various other miraculous and power ups: so again, 3? 4? EXCEPT for his ice power-up which is called ‘Ice Noir’, which translates to ‘Black Ice’ which is a dangerous type of ice and fits into his destruction motif, so that one gets a bit more; I’d say about 6 out of 10.
Rena Rouge; depending on what you take it as, it’s either a play on the words “red fox” in French (Renard Rouge)—it’s creative because it’s a *play* on the words, not the actual words themselves—or Alya used her both her Creole roots and French language as inspiration and used the Creole word for ‘fox’ (Rena) and French word for ‘red’ (Rouge). First possibility: 5, second: 6-6.5
Carapace: Nino used his knowledge of turtles and his super ability of protecting people as inspiration for his name—Carapace, which is the word for a turtle’s shell. Ehh, 5?
Queen Bee: Chloe used both the animal super she is and her status as inspiration for her name—plus it’s also a pun, which makes it even more fun. She’s a bee, she’s the popular girl in school (a.k.a. a ‘queen bee’ in school), it fits her personality, and she ran with it. A solid 7, maybe
Hawkmoth: I mean, he’s not very creative here—but at least Gabriel chose a *type* of moth to use as a name…why he chose a *moth* name in the first place when he’s a *butterfly* is another thing, tho, lolol! But I did read that Hawk Moths are known for their fast flying, so I guess that works for the Akumas. If it was a contest for catchy, I’d give it a higher rating, but for creativity? Less than our main heroes: 3. I wouldn’t give him a ton because he’s a butterfly instead of a moth, but he did choose a fitting type so…
Bunnyx: Alix literally just put an ‘X’ after the word ‘bunny’; she gets, like, a 1 😂.
Caprikid: Nathaniel used him being a goat-inspired superhero, the goat horoscope, the fact he is a kid, and the fact that goat children are called ‘kids’ put together to make his name. Pretty awesome, actually. 7-8? It just fits very well.
King Monkey: I gotta admit, I wasn’t gonna give Kim a very high score ‘cause I thought he was basically just the miraculous version of Donkey Kong, lolol; but I looked him up on Miraculous Wiki, and it says his name was inspired by an ancient Chinese legend and the novel has been adapted into a show called “Monkey Magic”, which is kind of a pretty cool fitting-sounding reference. So if Kim actually thought it through like that, 7-7.5? But knowing Kim, and if he just went, “dude, imma be like Donkey Kong! What sounds like Donkey Kong???….. King Monkey!”, then I’m only gonna give him like a 3-3.5 as well 😆.
Viperion: Luka did alright; not amazing, but it fits. ‘Viper’, a type of snake, for a snake-themed hero. 4-4.5?
Purple Tigress: …all Juleka did was was describe herself 😆. But she did do better than Alix, so I’ll give her a 2, lolol!
Miss Hound: I feel like Sabrina is in the group of heroes who went really literal, but still tried, so I’ll give her the same rating—4-4.5.
Minotaurox: Ivan used the animal words Minotaur and Ox, and put them together; an ox is, well, an ox, and a Minotaur is a tough creature from Greek mythology that is half-man and half-bull, so it does have some coolness to it. 7-7.5
Pegasus: Max did use a cool figure for his name, but he only used the fact that he was a horse and the very well known figure of Pegasus together for his name. Don’t get me wrong, it’s pretty cool, but after some of the other names on this list, and how some of them fit together; I feel like it’s just not *as* creative of a name. I think I’ll give him maybe a 5?
Polymouse: Mylene used the word ‘poly’ which means ‘many’ and mouse, so I’ll give her the same as I gave Multimouse, since they’re very similar—6.5
Ryuko: I didn’t know what this meant until I looked it up on Miraculous Wiki, and it says that while it can have many meanings in Japanese; it’s most likely that it means “child of the dragon”, and that just sounds cool as heck. To me, it sounds like Kagami pushed the ‘having a pun or fitting mythological/cultural figure as part of the name’ thing to the side and just made up a cool-sounding name on her own, which is pretty cool and creative! 8? 8.5?
Pigella: I feel like Rose just put a feminine suffix to the word ‘pig’, which…doesn’t seem as creative. To be fair to her, I don’t think it’s very easy to make a cool, creative sounding name incorporating the word *pig* into it. It does sound like she tried, and the flair she put at the end does fit her personality, so I’ll give her a little more credit. 5?
Rooster Bold: Marc tried, like Rose, but…. It doesn’t feel like a creative name; just his animal and what he becomes after being a hero. 3, maybe?
GUYS, I did NOT know what ‘Argos’ meant, so I looked it up on regular Wikipedia, and it’s a ship from Greek Mythology that carried the Argonauts on their quest to get the Golden Fleece and that, quote, “some sources state that since people had not seen a ship before, they described the Argo as a monster”, unquote!! 😭😭😂😂😂 Does that NOT sound like Felix? Okay, that’s it; Felix wins this whole thing!! Cat Walker was a good second, but, sorry Adrien! Your dramatic and showman cousin wins the competition! He gets an 11 out of 10.
……I absolutely love how half of these characters just literally used their animal names as 3/4’s of their super name, and then there’s freaking Felix who uses his entire backstory/character arc as a super name 😂. It really shows the range of the show, fr fr!
P.S. I realized I forgot about Mayura and Vesperia.
I looked it up and Reddit says that ‘Mayura’ means ‘peacock’, so…4.5-5?
Miraculous Wiki says that Vesperia’s name is derived from the Italian word ‘Vespa’, which means ‘wasp’, so her name means the female wasp. Sounds kinda cool and she added specificity to her animal, so 6?
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temporalhiccup · 9 months ago
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In an effort to ease out of burn out and try to feel real and human again I'm digging around old games and seeing what would be fun to tinker with. For most of my games they get to at least an Alpha Build/Playtestable stage, but Never Break The Chain is one of the few that didn't quite manage to get that far (though it honestly wouldn't take that much more I think!)
Never Break The Chain mechanically and emotionally is a response to The Eventide Club, which was @jdragsky's response to Apocalypse Keys.
It's clear that this game is partly a love letter to jay dragon's design and how it makes me feel, and I wrote this during a time when I was insecure about my design. I was reeling from the idea that my games were too emotional to be enjoyable, that strangers were never going to like the games I create. (Typical Capricorn, even the way I work through my shit has to be productive in some way)
Every player character is made up of two components: a Musician Playbook and a God Playbook. It's my take on the very popular idea of fallen gods feeding off divine worship as musicians. I wanted to create a really fun and emotionally intense game (inspired by how famously messy Fleetwood Mac and other bands can be, definitely The Wicked + The Divine too).
It's been three years since I took a look at this stuff and it's fun remembering the mechanical shenanigans I was up to: tightening chains, breaking them, creating halos, shattering them, etc. I'll tinker a bit with these mechanics and see what comes of it.
The more complex of the playbooks are the Musician ones. What remains of the divine is raw and simple, ever fading and barely there. In comparison, the Musician playbooks are a chance for me to explore some truly messy human stuff.
Here's the Musician playbook, The Mask, it's mostly intact from the last time I touched it years ago. I just tightened a few options here and there.
I'll spell out the inspiration for this playbook: David Bowie, specifically the maddened Bowie interviewed by Cameron Crowe in 1975.
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Bowie was famous for his different personas, and you can see some of them represented in the masks below: Ziggy Stardust, The Thin White Duke, Halloween Jack, the Goblin King, and the Minotaur.
This playbook is an exploration of what it could have been like for Bowie exploring these different personas, based on various events written about or talked about in later years, offering points of tension and intensity (deconstructed and awaiting creative input, like always) and hopefully creating explosive moments of playable drama.
I do think this playbook leans most into Bowie's contentious phase as the Thin White Duke. This was a man who was clearly breaking apart on stage, underneath the thinnest veneer of a persona that was holding itself together with a white-knuckled grip. Other personas were haunting him, discarded or never worn. Station to Station is my favorite Bowie album on most days, and his live performances of its music are almost painful to watch (while impossible to look away from).
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I think, if we ever get this to playtest, I'll probably leave this playbook mostly as is (barring some mechanical tweaks that will be applied to all playbooks maybe) and just see where things go.
The Mask
You understand better than anyone that music is a story, and that performance is a mask well worn. You have created several Masks and stories over the years, and the Masks have recreated you. But as you seek fame and fortune, will the Mask become more real than you ever could be? One day you'll wake up and there won't be anything of you left, just a blank face both empty and signifying nothing.
Your Name
(Choose 1): A completely made up name that is never questioned, an appropriately dramatic name, a single initial that no one pronounces properly, I change my name every few months, a series of letters and numbers that only makes sense to my fans, a name that is as enigmatic as it is beautiful.
Your Look
(Choose 3-4): A painfully sharp and pale business suit with splatters of paint and blood on it, shades that almost no one has ever seen me take off, hair dyed into every imaginable color, the cruelest smile, the kindest eyes, an intoxicating scent, small and delicate tattoos that tell all my secrets, the body language of a predator, an unexpected scar, something else that betrays my mortality and weakness.
Your Role in the Band:
(Choose 1-3): Lead vocalist, lead guitar, muse, song writer, fuck buddy, everybody's ex, the face of the band, I'm here to look pretty baby
Choose the Mask you currently wear, one Mask you discarded, and one Mask that threatens to consume you.
I am an alien from a dying planet and harbinger of an inescapable apocalypse, my music is wild and haunting
I am royalty from a fictional past and deride the love I desperately need, my music is rhythmic and romantic
I am a rebel leader from a dark future and I shall orchestrate a dystopia of our own making, my music is hypnotic and delirious
I am the fae king who grants ill-cast wishes and offers dark bargains, my music is ethereal and manipulative
I am a serial killer who turns willing victims into impossible art pieces, my music is violent and eerie
I am a fallen angel, on the run from divine hunters and mortal lovers and only you can save me, my music is soft and beautiful
I am a broken doll mimicking life, perfect and made to fulfill your every desire, my music is naive and inviting
I am a warrior from another time and place, only you can heal my wounds and recreate my fate, my music is loud and lustful
As The Mask I gain 2-4 tokens when I:
Hide my true feelings behind a Mask
Ask someone to wear one of my Masks, for now
Give a part of myself to a Mask
When you gain your fifth token:
The divine music swells within you and seeks release. You cannot gain new tokens until you choose one:
Go to another band member and take off your Mask, reveal something vulnerable and raw about yourself. If they reach out to touch your real face, they break a chain. If they do anything else, break one of your chains.
Reflect on the god you once where, and create a new Mask to contain that memory. Your power wanes, crack one halo.
The Mask's Chains:
A whisper that comes from my mouth but doesn't sound like me at all
An embrace that promises more than it should
A kiss that comes dangerously close to unmasking me
One of my Masks on someone else's face
A song I wrote that will weaken a single Mask
A Mask I created that takes a life of its own
A Mask someone else creates to imprison me
Someone I love wearing my true face
The Mask's Move:
When you put on one of your Masks to tell its story, describe how you embody it and how you draw others into your spell. Spend tokens and roll.
On an 8-10 You are in control of the Mask, choose one:
A part of your Mask becomes more real than real, create a new Chain that reflects this.
A part of your true self gives way to the Mask, one Halo becomes whole again.
Someone is inexplicably drawn to you, you have them wrapped around your finger, for now. Say who they are and place a chain on them. If they're a band member, they place a chain on you as well.
On an 11+ The Mask begins to consume you, and you cannot tell the difference between art and reality. Choose one:
Another band member must become a part of your story, both of you place a chain on the other. For now, you are obsessed with crafting a Mask for them to match your own.
One of your fans is convinced the Mask is your true self, you cannot outrun them. For the rest of the scene you are at your fan's mercy. Describe how their obsession for you draws out something painful and real from you. When you return in a future scene gain the chain: an obsessed and dangerous fan
On a 7- your sense of self shatters and the Mask bleeds through. Until you regain your sense of self and remember you are not your Mask, you cannot perform. The Audience will tell you what happens next.
At the start of every session:
Spend a moment with your Masks and consider who they are and what story they have to tell. Choose one:
Put down the Mask you're currently wearing and pick up another, why does this one call out to you?
Change something essential about one of your Masks, what part of you refuses to bend or break?
Create a new Mask, based on someone you're obsessed with and yearn for. What does it feel like when you pretend to be them?
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1812 · 2 months ago
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Rules: share the original base ideas for your WIPs
Tagged by @transthadymacdermot
Honest to god I remade a Doctor Who oc into what was supposed to be a Victorian esque persona and pngtuber avatar but I forgot I have stage fright and have no ability to perform or engage with an live audience in any way. So I trashed that idea. More details below cause it got long.
Then I sat there like "well I adore his design but he doesnt have a name or story." And I just happened to think Ganymede was a cool name because I was thinking of the Galilean moon, and vowed to never reveal his birth name in the story (and still haven't thought of one so don't ask lol)
Then came his birthplace, which was England, to an Irish mother and an English father who all became American citizens when he was a child.
I'm also following a certain someone with a whaling history shtick AND A WEBCOMIC and I thought sailing was a fascinating subject but didn't want to center his story on whaling. So I mapped out 3 different sailing vessels to give him some history (merchant, whaler, and navy)
Then I realized, damn, I don't know anything about the Royal Navy. He would have been impressed from an American merchant ship.
Then I had to research naval hierarchy to determine who will be the most relevant..
THEN I thought "wow Ganymede has no friends" and "I need to make him gayer" so then my first concept was for a Lieutenant with a severe case of internalized homophobia and a complex about fraternizing with a seaman (considered unbecoming of a gentleman, the navy has strict class division) who happens to share his most favoritest special interest of all time, Greek tragedies/mythology. Thus Artemis was born. My gf named him and it stuck. It was originally just going to be him and Ganymede as the leads.
Then I thought "I need someone closer in age to Ganymede to be his wingman, someone who would be working more closely with seamen than a first lieutenant would" and then midshipman James Laurie was born. He kind of stole the show. I wanted someone who would be up Artemis' ass all the time as a sort of foil, an outgoing and boisterous pupil and the strait laced withdrawn mentor. James Laurie was supposed to be heterosexual and the king of discretion. LMFAO
Then I thought "What if I wrote a poly romance about all three of them, my established interactions are starting to veer into it"
Then, lastly, I thought "I need concrete dates and setting and Themes" so I thought instead of focusing on just the napoleonic wars, I would incorporate the war of 1812 and have it be a story about an AUDHD seaman with a patriotic streak struggling with his identity and struggling to adjust to British naval life while also struggling to come to terms with his attraction to the other two, who he initially regarded as enemies.
I was frustrated by the lack of queer romance in naval fiction to get a feel for it (I know of only 2 series) but it's a tough subject to study and write, I've come to learn. frankly I spend stupid amounts of energy worrying about if it's going to be too problematic and difficult a setting to write a romance in but its all a waste of anxiety. I'm going to do it if it kills me.
So I settled for reading straight romance novels with the navy as a backdrop but found the naval details wanting. Instead, I've been spending time reading various naval fiction authors combined with textbooks about the history of the wars, along with life at sea and lots of naval slang and ship anatomy. It's tough work guys.
THE END
I got nobody to tag lol
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illegiblewords · 2 years ago
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SOME ILLEGIBLE RAMBLES AND REFLECTIONS: THE DEAD THREE
Finished my first/main playthrough of Baldur’s Gate 3, and it’s had me turning over all sorts of ideas tied to Dungeons and Dragons lore. A bunch happens to be about cosmology so I'm slapping together one post about the Dead Three and a follow-up about deities more generally. Buckle up if you decide to proceed dudes. This is chunky and opinion/interpretation heavy. CW for mention (not extensive) of graphic violence and sex crimes during discussion of Bhaal and Yeenoghu.
MYRKUL
I get that there are multiple death-affiliated deities in DnD. Our buddy Jergal is the end of all things and the original incarnation of the concept. Myrkul stands for the experience of dying, decay, necromancy, graves, bones, and the fear of mortality. Kelemvor rules over the dead. Orcus is a demon lord and quasi-deity of undeath. Could prob go on.
I've read many different incarnations of death over the years. To set the stage on my Myrkul read, it bears mentioning that Terry Pratchett's Death is probably my favorite. I don't have it in me to see death as something totally malicious. It's very natural, and I tend to imagine that if there were to be an incarnation embodying it this persona would have an intimate view of all the love and grief, vulnerability and intimacy, ugliness and solitude, etc. that mortals deal with. Death has witnessed the end every living being faces, from the dawn of creation until now. Even if it isn't consciously accessed at all moments, death is ancient and experienced and not likely to be shocked by what mortals are capable of anymore. Mortals are small. Uncountably numerous though we are we are far outnumbered by the unliving. What are lives next to planets, to stars? Here I'd argue against assigning value according to how big or small something is, how eternal or how brief, how simple or complex. Everything that is, is a universe unto itself and deserves the gravity of that. It is also very mundane at the same time. To me, death needs to be able to balance the preciousness and commonality of life, of existence, on the tip of its scythe. Death needs to be able to deal with the most depraved beings to exist, but also with every beloved pet put to sleep. Every lost child or parent. Everyone who dies surrounded by loved ones and everyone who dies alone.
Initially, even knowing Myrkul in particular had been a mortal necromancer and not of particular moral standing--I had mixed feelings about him being the evilest of evil skeletons. He worked it well, but the idea of any aspect of death (or any character tbh) being flat evil felt off to me. Especially with 'we're all the protagonists of our own stories' being at work. People don't often look at what actions they'd consider to be evil then go 'I'm going to make myself that on purpose'. Disregarding morality maybe, but being evil on purpose is weird.
So I looked into further lore about Myrkul. One spot that gave me pause was that Myrkul as death (rather than the adventurer Myrkul Bey al-Kursi he’d once been) revels in inspiring fear of death and driving home experiences of loss. From what I found he isn't focused on the name of the individual holding the office of death, but for the force itself being feared. He can be bribed, and he will allow for necromancy/resurrections--but the fear and gravity of death is a sacred thing to him. Disregarding that is a pretty good way to get onto Myrkul's shitlist. I want to take a moment to emphasize the importance of Myrkul focusing on his portfolio over his own ego. That is far from a given in the DnD pantheon, and like I said he's a former mortal himself. It wouldn't be out of the question for him to be a petty and insecure deity. He could have been the sort of guy where becoming a god of death by itself wasn't enough power. If Myrkul was a different person, he might have wanted people to stroke his ego and say how strong he is. He might have been someone who felt inadequate as a god without that affirmation. He could have (as a character) been unsatisfied and forever wanting/dependent upon the views of others to define himself. The fact that he DOES focus on death and decay as forces rather than himself is a big deal in reading him imo.
Anyway. Myrkul's emphasis on death as something feared got me thinking about what would cause a person to put such weight on death being understood in its negative aspect. It struck me that this is actually a very common and even important thing. You don't need to demonize death to see it, either. If you value life as sacred, the idea of life being treated as cheap or disposable is horrifying. When you love something dearly, the idea of that beloved thing being defaced is beyond outrage. It's a kind of sacrilege. People who kill as casually as breathing, who revel in the permanent destruction of someone else, become a source of horror. The absence of love creates a sort of cruelty that can't even perceive itself. And it's not uncommon for human beings in particular to partake in this. Humans dance on the graves of those they deem enemies not because they're relieved to be safe, but because they glory in the end of other lives. They don't recognize that anything of value was lost. There is no tragedy in death anymore. Every gentle moment, every vulnerability, every tragedy in their opponent's life is something to be crapped on and gloated over. There is no greater insult to life itself. Myrkul stands as a reminder that such behavior cannot stand. You can't treat life or death as cheap. To see something horrific and fail to realize the weight of its horror is itself a form of horror. The idea of a death that demands to be acknowledged for what it is, particularly by the living, imo actually denotes a level of care for life too. It might be harsh or ugly, but I don't know about evil. So while Myrkul is certainly flawed and often serves as an antagonist, I’d argue the function he performs is not only important but necessary.
And while it might vary between players, I found Aylin's enthusiastic executions and body defiling pretty uncomfortable. I understand she went through a lot and am fine with her as a character. But I think Myrkul's point stands if the audience feels even a moment of disquiet seeing her celebrate over the corpse of a broken person.
Some things are meant to be ugly.
BANE
Of the Dead Three I find Bane the most disturbing and dangerous tbh—but not for how Gortash invokes him. Way I see it, the other word for tyranny is authoritarianism on a macro-level, abuse on an individual level.
I’d argue that in life, we can only healthily control ourselves and our own individual actions/choices. We can try to persuade others or appeal to their judgment, but we can’t MAKE another person think or act how we wish. When folks attempt otherwise (individually or more broadly) it involves fear, force, deceit, or other forms of pressure. Coercion, enslavement. These fall under the umbrella of tyrannical practice to me. You treat another person as subhuman and strip them of agency.
We don’t live in a pure and ideal world. If a tyrannical person is committing crimes and denying others their free will through force, I wouldn’t call defense through force tyrannical as long as it wasn’t needlessly excessive. Power struggles exist. But the whole practice of using fear, force, deceit, or pressure to control another person is dangerous imo. They're to be utilized as little as possible.
In DnD I don’t think the fringe evil cults would be the ones most at risk for corruption by Bane. I don't think individuals or groups who prioritize self-indulgence would be most at risk, either. The most dangerous and frequent disciples of Bane imo would be within good alignment. This means followers of benevolent gods as well as the nations or groups that consider themselves to have righteous causes. ESPECIALLY those with chips on their shoulders.
When someone assumes they have and always will have the moral high ground, that they are incapable of committing injustice, that their end justifies whatever means, that it doesn’t count as abuse with the 'correct' target… that, to me, is where tyranny festers. The person convinced of their own moral infallibility is the one who sees no need for brakes and so cuts them without concern.
I’d argue everybody has a seed of tyranny in them that can be fed or starved. We feed that seed with our own indignation to become a tyrant victimizing others while still seeing ourselves as powerless. The person who first victimized you can still also be victimized by you. There isn’t a target that exists where finding joy in cruelty gets a pass.
Bane, I think, thrives on the idea that it's no problem if you're enforcing your will. Especially on people contemptible to you.
For DnD purposes, imagine you have zealous followers of idk Tyr. They are willing to do whatever it takes to enforce and spread their definition of justice. They believe in making examples of people at every opportunity. They torture, isolate, rob, and shame those they consider to be unjust or dangerous. If their victims are falsely accused—well. It’s for a noble purpose so the sacrifice is not in vain. And imagine Tyr abandons these followers as hypocrites. He no longer empowers clerics or paladins no matter how they cite scripture or brand ‘heretics’ with his symbols.
Bane doesn’t enter calling himself Bane, god of tyranny. Bane claims to follow a higher justice. Maybe he uses an avatar, maybe he chooses a Banite disciple, maybe he finds a true believer. But he argues that Tyr as an individual was never ultimately what those zealots stood for—it was justice itself. And if Tyr has turned traitor to his own portfolio, mortals need to go over his head to the core concept and implement that. Bane offers a name that suits his purposes and begins sourcing power to clerics and paladins instead. And throughout, as the zealots commit increased atrocities against those they deem dangerous or evil they fail to realize they’ve spiraled into evil alignment after all. They’d think they were either just as good as they’d always been OR BETTER. The compassion of Ilmater is spent on the depraved and corrupt as far as they’re concerned.
I think the real threat of Bane is that he should be 100% capable of corrupting an otherwise heroic party member if they aren’t wary of that capacity in themself. You suddenly find your friend who listened to your problems and supported you through awful shit mocking a person sobbing on the ground as they kick them. And that friend looks betrayed and hurt (or outraged) if you challenge their actions, because they think you should know exactly how disgusting this piece of shit is and how much they deserve the abuse. And even if you concede that individual case—it’s not the only one. The slights worthy of torment become smaller and smaller. A thought or word out of line betrays the ideology of an evil alignment, with the only solution being to beat thoughts and words out of the target until they can only repeat approved ideas back. And even then, it may not be enough.
If it was explicitly confirmed that the deity the zealot followed was Bane all along, the zealot might genuinely not believe it. They might get pissed at the very suggestion. What they do against the wicked isn’t tyranny after all. They’re righteous.
Denial doesn’t serve to disempower Bane in the least if tactics remain unchanged.
BHAAL
I’m holding off on more detailed Bhaal thoughts until I complete a dark urge run, but I’ve listened to lore on both him and the demon lord Yeenoghu recently—and I think there’s room for a really cool potential contrast.
Yeenoghu Lore
Providing this particular video link for the curious, as a way to help illustrate what I’m drawing from.
Yeenoghu holds the title as demon lord of slaughter. He glories in filth, rape, excessively graphic murder, torture, violence, and playing with corpses along the way. He’s meant to come across as a bestial, self-absorbed, remorseless desecrater. And when I say bestial, I want to draw attention to a particular IRL factoid that might be worth considering.
I love animals to bits. I don’t think animals generally contemplate morality the way humans do just due to cognitive differences and limitations. I also think it’s important to remember that humans are ALSO animals, so certain things umbrella’d under ‘human experience’ would probably apply to at least some animals too. If there are human altruists and human serial killers, we should be able to expect that animals likewise have some altruists and some serial killers within the scope of individual variation.
Cruelty is not exclusive to humans. Orcas will essentially torture smaller animals to death by flinging them into the air with their tails repeatedly like balls until repeated beatings and suffocation kill them. Dolphins commit rape and chew on live puffer fish to get high off the toxins. Chimpanzees are a horror unto themselves with cannibalism and mutilation and basically whatever atrocity they can commit. Wolves and cats sometimes hunt to excess just for the joy of it and don’t eat all they kill. Hannibal the swan (as a specific and notably homicidal individual) beat and drowned any other swans visiting his pond and showed his signet how to do it. I could go on. Some cases it might be a matter of the animal not having theory of mind to recognize that they are inflicting pain on another conscious creature. Other times, like with pissed off chimpanzees, they know EXACTLY what they’re doing and it’s on purpose to cause maximum suffering.
I think Yeenoghu should embody a little bit of both propensities. He’s just utterly self-absorbed and doesn’t give a fuck about the experiences or perspectives of other living things except insofar as they impact him.
Bhaal I want to research more like I said, but one thing I remember from my initial play through was finding a note from the Dark Urge to Orin.
Little sister, whatever in the Gray Wastes are we going to do with you? Bhaal will never care that you waste your time, posing your corpse-dollies. Bhaal doesn’t care whether you give him the corpse of a pauper or a king. At the end of the day, all Father wants is death in droves, death in numbers. To sap away the life of this dull world as swiftly and widely as we can. You plan, you plot, you prevaricate, and you waste his time. Bhaal doesn’t need us to think. He needs us to kill. You kill beautifully, and have talents in your shapes’ magics that I never will. But you do not understand Lord Bhaal. Perhaps it is a failing of your diluted blood, as a mere grandchild. I am his sole living pureblood. I will accept no challenge from you, until you show some damned respect.
To be honest this is interesting af to me because it positions Orin a bit more in-line with Yeenoghu’s modus operandi in some ways. But what sets apart the principles of Bhaal from Yeenoghu or Myrkul?
The Dark Urge suggests the goal of Bhaal is the extinction of all life, but to be honest I’m a bit skeptical. Seems like short term thinking. Even if Bhaal pulled that off, once it’s done there is no more murder or god of murder for that matter. If Bhaal is aiming for a cessation of existence and wants everyone else along for the ride maybe that’s what he’s after, but I dunno. That seems like something fans/players/loremasters would have touched on before.
I’d like to invite this possibility for foiling instead:
Life consumes other life by nature. Animals, plants, fungi, bacteria, so forth—it isn’t just a matter of philosophy. One life cannot exist without destroying another. We need to eat. If we don’t, we die well before reproduction enters the picture. But it’s more than that… you take a step, you kill countless tiny organisms you aren’t even aware of. You swat a fly. You hit something with your car. You move gracelessly or touch carelessly, and catastrophe ensues. Etcetera.
It is inevitable that your existence will mean the end for the life of another living thing. That’s just how it goes.
It could be interesting on a LOT of fronts (both as members of the dead three and as former adventuring companions) if Bhaal acted as a kind of philosophical opposite to Myrkul the way I previously described.
If the Dark Urge’s note is to be trusted, Bhaal has no interest in ritual or glorified death per se. Bhaal would be more about the mundanity that comes through the act of killing. Life is fragile as-is and often ended by accident. Killing in its most common form is thoughtless and unconscious. To Bhaal, if every life is a universe then the universe looks meaningless. There is no importance or fanfare to any of it. If one side is ‘everything matters, give weight to life and death’, Bhaal would be ‘nothing matters, we are not capable of affording reverence to every single life and death we encounter’. More specifically, the mass deaths Bhaal favors would be a kind of illustration of the uncaring and casual relationship living things have with killing other living things. The more casual and effortless it is, the more I’d imagine it serves Bhaal. Sadism and revelry miss the point—there is no hierarchy. Suffering is inconsequential. Fear is inconsequential. Instinct is inconsequential. To live is to kill by Bhaal’s logic.
It isn’t limited to murder in the sense of a member of one species killing a member of the same species. It’s more Bhaal is the god of killing. He’d gain power from murder too sure, but also hunting, harvesting, and butchering. With these interpretations in-mind, we can actually figure out how the Dead Three might have answered Jergal's question about what worth a mortal life holds. With the disclaimer this is very much conjecture. I think Myrkul would likely be "Each life is of infinite value and merits sacrificing everything for." That lends life a heavy weight and makes death a fearful force for all. It would also mesh with Ketheric as his chosen. Bane would lean into "That depends on a person's deeds", "The only life that matters is mine", or "Depends on the mortal". From those positions, the speaker argues for a hierarchy of life where some is more expendable than the rest. It's easier from that position to slide into adopting a role as judge and executioner, and from elevating yourself into a role of authority where other voices and experiences count less than your own. Bhaal I think is reflected in "Life’s only value is as currency. Doesn’t matter to me otherwise", "The only life that matters is mine", or "No one life is worth more than any other. We are equal." Bhaal has the implicit question in-turn: what is the blood-price of your own life? How much have you claimed in your own name to keep moving? It's kind of the belief that while "The only life that matters is mine" is Bhaal's answer, every other living thing should be answering the same way. There's more nuance than that of course, and likely truth falls somewhere in the middle. We aren't mentally capable of giving reverence to every death, but we can recognize in general terms and do our best case-by-case. We have a right to protect ourselves and what we love, but others share that right.
Feel free to offer different stances or thoughts though, and if you made it this far goddamn thank you for reading this monster.
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moonchild-in-blue · 3 months ago
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Some more thoughts on Caramel, but this time isn't so sad - more hopeful than anything I suppose.
I mentioned before how the general thematic parallels BTS' Black Swan, but after letting it sit for a while, this is actually Interlude: Shadow, almost to a T. I'm mostly musing out lout, and this is a bit all over the place with prose and comparisons, so. It's going under a cut, feel free to skip it if you'd like.
(but if there are any ARMYs here in the Sleep Token side... pls walk with me on this 🥺💜)
So. Caramel. A song about the dark side of fame, and the subversion of a lifelong dream turned into nightmare. About the loss of privacy and identity, about being under blinding limelights; about the steep price artists (in this case Vessel) pay for recognition.
About being hurt by very hands that raised him up. Exploitation, gossip, entitlement, etc etc. Icarus suspended near the sun, burning but never falling.
Interlude: Shadow is about exactly that. About reaching the top and realising how lonely and precarious that position is. A barbed wire tight rope over an expecting amphitheatre.
You don't need to listen to the song, but I'd invite you to take a look at the translated lyrics.
Suga references several lyrics of past songs (most notably, their debut song No Dream), where they used to dream about the life they now have, about being able to make the music they want and having it be listened and received by millions - and how bitter that dream has become.
Both Caramel and Shadow talk about the fear and anxiety felt while being on such an elevated stage. The fall is too high, the expectations are too much - but so are the blessings received.
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There's this recurring theme of - "I got what I've always wanted, so it'd be selfish of me to complain. I'll endure and smile and dance through it all, because the other option is to turn away from it all."
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The key difference in them is that Shadow, like its name, focuses on the two conflicting personalities of the artists - the person they are on stage, the person they are beneath that mask, and how those two co-exist together. Who is the shadow and who is the self (which was the whole theme of their Map Of The Soul series).
Meanwhile Caramel seems less like a me versus me case, and more of a me as a whole versus the audience. Who I am, and who I am forced to be. Which I guess are two different sides of the same problem, simply from different perspectives.
(Black Swan is more about the loss of love and passion for the art stemming from the pressures of fame, which do see a little bit here but not quite. I won't be surprised to find this theme in other future ST songs though. It certainly points that way)
Now, Shadow is almost entirely focused on that - the dark side of it all, the struggle, the fear. The Map Of The Soul series (Persona, and it's successor Seven, where Shadow is from) is a complex exploration of the various sides of "the self", and how that applies to artists (obviously BTS but any creative will relate to that A LOT).
As such, the hopeful, preserving sides are confined to different songs - the most prevalents being On, and We Are Bulletproof: The Eternal.
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Both of these mention how, despite it all, they reached their destination and will continue to walk alongside their fans, through blood and pain and agony. They promise us they will stay and endure, and ask us to do the same along them.
(for context, this album came out early 2020, after many talks of a possible disbandment given the amount of pressure and scrutiny they were facing for becoming too famous too fast. You see the connection.)
THIS is the message that prevails above all, and the more I listen to Caramel, the more it dawns on me that same urge to stay and carry on together.
So stick to me Stick to me like caramel Walk beside me till you feel nothin' as well
Even when he's free-falling, even if he feels trapped and backed into corners, the thing that stands out, very name of the song, is Caramel. Stay with me. I'll continue to dance, but do it with me. Come to the show, sing along. Stick to me.
And. Ugh. I don't know man. There isn't really a poetic way to end this, not groundbreaking final conclusion. Just. Yeah. It's the same as it always has been. We're in this together.
It's hard on his end (and while I am focusing on Vessel, this absolutely does equally applies to the four of them), and because it's hard, he asks us to accompany him. There really isn't much we, as fan, can (or should) do aside from showing up and singing along - both literally and metaphorically. It's a "My struggle is my own, but thank you for listening and sitting beside me".
That's what's it's all about. Connection. Mutual understanding. Crying together and shaking some ass. As much as I feel for him as a regular person deserving of privacy and respect, I'm grateful for being able to enjoy the music and have fun with the rest of this community if you will. By putting out a song as direct as this one, they are trusting us with their struggle and vulnerability, so the best thing we can do in return is simply show up where it matters.
To circle back to that BTS connection, Caramel is MOTS all in one. The ugly and the good all together. And much like them, it all goes back to their core foundation of doing it all together. It's Young Forever. It's Spring Day.
Pass the end of winter's cold Until the spring day comes again Until the flowers bloom again Please stay, please stay there a little longer
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rubra-wav · 1 year ago
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Why So Blue? Vox x Reader
[ Part 2 - Never Gonna Give It Up ]
A/N Listen man, I don't know jackshit about code or hacking, and that's probably gonna become glaringly obvious throughout this fic 💀
Cw: SFW, gn!reader, intimidation and manipulation, slight mention of blood.
<< [ Part 1 ]
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A month went by since the attack on his social media and hijacking of his camera systems had taken place.
The paranoid anticipation of a second attack was deeply present to Vox, but it faded at about the 2 week mark.
Surely, whatever imperfections there were had been mended! Someone would be thrown on the chopping block if not.
All his employees were on edge and were eager not to irritate him even a little bit after last time. Even more than usual. It was excellent to the TV demon, stroking his sadistic power complex even more than it already was.
Every blow done to his ego with the Sinstagram hacking had fallen away, and he was once again power tripping on everything around him. As expected, the home surveillance systems had made him a killing, and he could see places he'd never been able to make it to now.
All of these things put him in a rare string of a genuinely good mood. Everything seemed to be working out.
On the other hand, you worked hard on your next attack that'd far solidify your threat to him, that's for damn sure.
You'd given it a few weeks before you began to really step into your next plot, wanted to lure him into a false sense of security so he'd fall harder off his high horse.
You laid on your stomach in the middle of your living room surrounded by your collection of monitors, clicking away with one hand and typing code out with the other.
The next stage of you trolling him was just gonna be meme material alongside establishing your persona to properly establish your presence in hell.
The more serious pranks up your sleeve would be showing up later down the line. For now, you were just playing games with him for entertainment.
You were barely able to leave home nowadays, opting to befriending people or talking to those you knew before becoming a recluse online.
One of these friends of yours being a certain inventor who ironically very much wanted to be positively noticed by the object of your somewhat despise.
At first, it was because you took pity upon Sir Pentious, having helped to patch him up after he (literally) exploded through the wall of your apartment, however, you came to enjoy his presence.
He was power-hungry, of course. However, he also just wasn't much of a threat at all. He wasn't charming or manipulative - god, was he an awful liar - just good with making things. Pen was a glorified, awkward, and overly goofy fanboy more than anything.
You kept trying to encourage him to work on a business of his own rather than just trying displays of power against Cherri Bomb for the sake of trying to get attention from the Vees, but he just wouldn't listen.
The sound of you receiving a notification from said inventor snapped you out of spacing out at your reflection in the monitor in front of you.
I got the codes you asked for, (Name). 🫡
*Pen included attachments*
Do be careful with these, though. I had to talk to one of my acquaintances in league with lady Velvette's people for these, and they said that it seemed like bad news to have these on you!
Just what are you planning on using them for?
You hummed as you looked at the codes sent, thinking of how you would answer exactly, your eyes wandering absentmindedly to the slightly peeling painting of tree branches on the wall you had done many years ago at this point.
Your eyes snapped back to your monitor as you typed back simply.
Thank you very much! 🧡
And let's just say... tomfoolery.
....
Should I be worried?
You snorted.
Probablyyyyyy~~~
You laughed at the barrage of texts with extremely poor spelling sent to you one after the other half jokingly fretting about you. In the beginning, it was genuine panic from him, but he'd come to know you were smart enough to not kill yourself via being a menace.
Chill out, MUM. I'll be good.
I mean, you most assuredly wouldn't be good, but he didn't need to know that.
You weren't exactly going to reveal you were the one harassing Vox to anyone, even if you were friends. Doing so would be endangering you but also them as well.
You logged the access codes you had gotten from Pentious - ones you couldn't attain normally because they were physically kept in real life - humming and kicking your legs as you cleaned the attack up to make sure there wasn't some missed quotation or something which would fuck the whole thing up.
As you worked hard, a certain someone was about to wake up to the cemented vision of the series of unfortunate events you had in store for him.
-
This time, Vox woke up in a very unconventional way unlike the prior attack.
One of his main maintenance team members booted him up before his scheduled time.
He looked at the employee with confusion, which quickly turned to anger as he realised that this asshole had intruded into his sleeping quarters, he was very confident, without permission.
The embarrassment about his sleep attire of course underlying. It was hardly the same impression as what he wished to show to the world.
He instantly went to start yelling at the obviously shit scared man in front of him, but he was stopped short as he heard familiar lyrics that didn't yet fully register for him.
"What. What the fuck is that?" He asked, Vox looked at the employee who seemed to be grappling to try and explain.
"We're.. o.. angers.. o love.. u.. ow the rules, and...o do I!"
Vox's eyebrow furrowed in disbelief, mouth parting as he fought to comprehend what was going on, straining to hear what the song was.
"A.. ull.. commitments.. -at.. m.. inking of. O.. ouldn't get this.. om any other.. uy."
Seeing as the employee was useless next to him, Vox got out of bed and quickly raced to his bedroom window, ripping the blinds apart and opening the window.
"I just wanna tell you how I'm feeling, gotta make you understand."
Vox looked absolutely dumbfounded out at the scene of hell before him as his still tired brain fully comprehended what he was hearing and seeing.
"Never gonna give you up, never gonna let you down. Never gonna run around and desert you!"
Who in the fuck was rickrolling hell.
It was on every single billboard and screen that Vox could see out the window of the tall building he lived in, the image of Rick Astley singing 'Never Gonna Give You Up' with a small message Vox could barely make out at the bottom of the faraway billboard.
"S-sir, it's been playing since 6am, we haven't been able to turn it off! It's everywhere! This hacker- 'U' they call themselves, its the same person as last time it seems!" The frightened employee standing behind the hunched over and now trembling figure of Vox finally found his voice.
Vox let out a cold bark of laughter, slamming his hands against the windowsill as he jerkily moved to face the employee. "What the fuck," Vox began to approach the young man, him shrinking back from the clearly furious overlord. "Do you mean that this has been p-p-playing," Vox glitched as he gripped both hands on the techie's shoulders. "Since 6 in the fucking morning!" He yelled.
His claws dug into his shoulders hard. He was about to go fully apeshit, but the sane part of his brain won over that at the last second.
This was not one of his lowest earners, and he had far more pressing things to do then prey on the refuse lest his image be messed up any more then it already had.
He stiffly unhanded the employee, eyes admiring the way blood had started beading where his claws had dug in before taking a deep breath, composing himself and then forcing a strained smile.
"My apologies," a lie, of course. "I will deal with this accordingly myself since it seems like you and your team are un-a-able to yourselves." He spat the last part out, before striding out of his bedroom with one last 'get out.' directed at the employee shaking like a leaf in a strong breeze.
It was all over the internet and Vox knew he had no chance of dealing away with it like last time.
He could do away with a stupid Sinstagram post pretty easily. It was moreso from one source - the branches from that easily clipped and made to be forgotten about nearly completely with a carefully placed broadcast that was succinct and to the point with his hypnosis ability, and constant content moderation.
This though was a completely different story.
Even after kicking you from his system (he hoped), he found himself unable to even begin to try moderate everything as he did last time. He couldn't escape 'U' becoming a viral meme overnight.
Someone with obviously incredible hacking skills using said skills not to attack or harm Vox or anyone, but to instead Rick Roll the entirety of hell?
Vox became a victim of the meme culture him and Velvette had cultivated to keep eyes on them, and he hated it.
He was terrified, which of course manifested as red hot anger. Anger which grew even worse as something was discovered the afternoon of him finally managing to remove the video loop being broadcasted.
An account on one of the many social media applications he owned. An account he somehow couldn't touch with one single post going absolutely viral - the same as the text that was displayed across the bottom of video you had infected all of his screens with which he couldn't quite see from out of his window the prior morning.
'Never gonna give it up, never gonna let you go. Never gonna let you run away and avoid me~ - U'
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If anyone wants to be added to a taglist for when I update this fic lmk - I was unsure if the people I @ last time still wanted to be (sorry)
[ Why So Blue masterlist ]
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artemis-maia · 1 year ago
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I always liked that Persona 2 also talked about the Christmas cake label and the theme when exactly a woman should marry, have children or why not never marry at all and live childless. I have always thought that it was annoying when people ask about ‚when will you marry, have children etc.‘
The three example that mention the Christmas cake trope are Junko, Ulala and Mizuno.
Kurosu Junko/Queen Aquarius in Tsumi wishes to be young again since not only is Kashihara dead in Tsumi making her far more nervous about her actress career (she likely fears that she will only get aunty roles and no interesting roles anymore) and obsessed with youth. Since Jun grew up as a latch-key child he on the one hand disliked this but also wanted Junko’s attention (he plays piano to please Junko, he likes omletts since she often made them, he hates cup noodles since he associates it with being neglected). Junko then ends up redeeming herself by sacrificing herself for Jun at Caracol when she realizes that Joker is Jun.
While Junko is still pretty young as a mother (37, thus she was 20 when Jun was born) there is of course always the subject with her job as an actress if she is still able to get good roles etc. 
In Japan when actresses have children and/or marry there are almost always immediately speculations whether the actress retires (it‘s always encouraging when you see that actresses don‘t give up and return). It‘s actually quiet good for Junko that she has ended up in business for so long already.
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In Batsu Kashihara Akinari is alive and Junko merely uses Kurosu Junko as a stage name this time. The family are all close on This Side.
Junko is more relaxed and it is only implied that had she some sugery this time.
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I also think she she greatly resembles Tsukikage Chigusa from Glass Mask in Batsu like mentioned in an interview.
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In Ulala‘s case she was born on November 30, 1974. She is 24 close to her 25th birthday since Batsu takes place in autumn 1999.
This is precisely why she is so nervous about her love life, went to Omiai, constantly mentions that she is a Christmas cake soon.
Ulala has an inferiority complex regarding Maya since Maya has a better job, Ulala cooks, cleans, applies make up and chooses outfits for Maya (in mythology Callisto is Artemis‘ servant) and since Maya who is 23 doesn‘t worry about marriage etc. at all.
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Maya‘s boss Mizuno is introduced as 30-something and still not married.
Even with her who is depicted as grumpy in the beginning she later on becomes milder and talks more about her former dreams etc.
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kellyvela · 10 months ago
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Vogue Gets A First Look At ITV’s New Drama Joan
ITV transports viewers back to the thrilling 1980s in Joan, the new series inspired by the life of diamond thief, heist “godmother” and fashion aficionado Joan Hannington, played by the inimitable actor (and British Vogue cover star) Sophie Turner
18 September 2024
“Mother, lover, liar, thief,” is how costume designer Richard Cooke describes the roles he had to consider when building a wardrobe for the titular character of ITV’s Joan. Together with hair and make-up artist Nic Collins, who echoes his sentiment – “Joan has many personalities and characters” – Cooke speaks exclusively to Vogue about the process behind the fashion looks seen in the episodes. While Hannington’s actual style contributed to the fashion and beauty moods of Turner’s character, both Cooke and Collins looked to a vast array of references – the expansive Vogue archives, Debbie Harry and Mandy Smith, to name but a few – especially for the different disguises she takes on. “You always start with the script,” explains Nic Collins of the preparation stages of bringing her interpretation of Joan Hannington to life. “Sophie Turner is beautiful, the tiniest little bit of make-up just pops, so the transformations were really easy.”
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In line with Turner’s character arc and the way her roles and responsibilities develop – from a soft young mother to completing her first heist – there is a noticeable shift in the costume, hair and make-up, cleverly curated by Cooke and Collins. For instance, the more confident she becomes, the shapes and silhouettes become “stronger and cleaner”, and the more successful she becomes, the “sleeker” her bags become. And when she assumes the role as a thief, her approach to hair and make-up is rebellious. “She decides to create her new image for herself,” Collins says of the pivot. “We took inspiration from Debbie Harry and we gave Joan an ’80s peroxide bob, black eyeliner and her classic lip. We decided to keep red as her signature lip colour. It was her taking control of her life.” “When we first see her, she’s very provincial,” says Cooke of the viewer’s introduction to Hannington. And as her journey as a thief goes on, Cooke wanted to give Joan layers to her personas. “It’s about creating armour, something to protect herself,” he says. “It’s about her creating something that she can kind of hide behind.”
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One of the most pivotal moments is when Joan gets married, for which Cooke created a tailored look inspired by Bianca Jagger’s iconic Yves Saint Laurent wedding suit. “This is the closest I’ve ever got to creating something perfect,” Cooke tells Vogue of his masterpiece. Here, watch Collins outline the journey of creating such a complex character, and glimpse behind-the-scenes shots of Sophie Turner as she transforms into Joan. Stay tuned for Vogue’s exclusive video with Cooke, dropping soon.
Joan will be on ITV1 and ITVX from 29th September at 9pm
~~~
Here some ss from the video inside the article:
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vikugnavikugna · 2 years ago
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A really rough sketch for the Worm/One Piece au I've been Ponderin' for a while now. Some random ideas for the main crew under the cut:
Let's start by making things clear: this is not for any kind of fanfic or anything of the sort. I have been known to write those when I was 14 and very into RWBY, but I still struggle to write anything too complex in english and I have since given up on the hobby anyway. I just like rotating Worm characters in my head and combining them with any other brainrot I am going through at any point of my life, y'know.
As for how the au actually works, I simply deleted all the characters from the One Piece universe from existance and then tried to apply every Worm character to the preexisting societal structures and dynamics of the Three Great Powers, whilst staying as close to the currently established canon and with making up as few new Devil Fruits as possible (currently on just 1, but I haven't gone through many side characters).
Now, as evidenced by the use of Haki and presence of Imp, this fanart portrays the crew at quite a later stage of their journey - I imagine the Underside Pirates (it is a butt joke, to be clear) started off somewhere in South Blue openly working for the mysterious Captain Coil, a man trying to make a name for himself before moving to the Grand Line. What the Underside Pirates didn't actually know is that they were slowly being set up for betrayal from the very start - Captain Coil is Thomas Calvert, a retired Marine, who works under a pseudonym solely so that he can build up the persona of Captain Coil as a threat to the World Government, fake arresting himself and gain the title of a Shichibukai (and with it, the entrance to the Holy Land Mary Geoise).
For the actual crew, let's go through them one by one:
Taylor D Hebert - newest recruit of the crew, starts off as quartermaster, before being promoted to the first mate and eventually captain further down the line. The user of Jou-Jou no Mi (shamefully, the only original Fruit I made up for this au so far - it possesses about the same capabilities as Taylor's powers do in canon). Not a lot to say here - take her Worm backstory, substitute being into heroes for being inspired to join the Marines and bosh, done. After the discovery of Haki I imagine she would start gathering bugs into shapes of objects and covering the entire swarm in armament Haki for some improvised weapons (she's doing that very thing and forming a katana in the art, coincidentally). Her attack name are references to english literature (I am polish so I cannot think of an example). Possibly gay for Rachel but, since Oda writes both romance and queer people weird, it's this very anime kind of crush where she acts normal 90% of the time, but then turns into a blushing mumbling idiot when Rachel is too close. Kind of like Kuroko from Railgun but with 100% less sexual assault, y'know.
Rachel Lindt - a dogfish fishman raised outside of Fishman Island, Rachel had a pretty tough life travelling the seas alone, always narrowly avoiding whichever slave hunting crew that confused her for a mermaid at any given moment. She has no fruit powers and minimal Fishman Karate skills due to never having a proper teacher. In combat she always relied mostly on various marine life companions she gathered throughout the years of travelling the sea - in many ways, her only family. Works as the crew's helmsman. Her attack names are hilariously simple and straightforward, often said after she delivers them, rather than during action (eg. she'll just calmly punch her opponent into the ground as they are mid screaming their attack name, dust herself off and calmly say 'Right Punch' before walking off). Mostly inspired by the fact, that it always annoyed me horribly how few female fishmen there were in the series. Completely unaware Taylor has a crush on her.
Alec Vasil - son of a Yonko and an ex-Celestial Dragon, Alec was one of the many children Nikos Vasil has produced with his various mistresses. There isn't much information about the Heartbreaker in Worm proper, but I imagine him as a Doflamingo kind of figure in this au - his connections and information about the Holy Land stops the Marines from ever attacking him directly and the powers of Ito Ito no Mi, whilst limited, let him marionette people around however he wishes to fulfill his various schemes. Alec himself is no Fruit user but, due to his mother being a Mink, can use Electro. Thanks to years of experimentation with the fighting style, he developed a technique which allows him a limited control over the electricity in his enemies' muscles, purposefully mimiquing the powers of his father - both to get his father's attention and to mock his abilities ('I can do everything you can and more without being a Celestial Dragon or a Fruit user' type deal). No one really knows what his job on the ship is supposed to be and, when asked, he just usually makes up whatever lie let's him laze off some more at any given moment (usually, 'Oh, yeah, I'm on permament Lookout duty, actually'). At first I thought his attack names should be in french, but nah, this dude is just screaming the most atrocious pun attack names known to mankind probably. Responsible for making up the crew's name.
Lisa Wilbourn - the crew's de facto unofficial captain in the early days, she also doubles as a navigator. A noble of a small kingdom in South Blue, her story plays out very similarly to the canon Lisa. At some point of it all she accidently gets her hands on Giro Giro no Mi and, when her family wants to exploit her mind reading abilities for business when she's still in mourning over her brother, she escapes her home island and gets scouted by Coil. I think that a lot of the time snipers are done real dirty in One Piece, so Lisa mainly uses long range weaponry (and later Observation Haki) during combat - she simply never puts any time into mastering Armament. Honestly not much to say here, I think she was one of the most obvious Devil Fruit fits in the entire crew. Out of every person in this drawing, I am the most disatissfied with her design and thus will probably do something about it shortly.
Brian Laborn - fills the role of a first mate, cook, quartermaster, doctor, canon master, shipwright and sometimes also a ship, if need be. My friend and I discussed whether to give him a Fruit power, as the only one that fits him - that being Yami Yami no Mi, which not only visually mimics Brian's power, but also makes the user literally suffer more in combat - is way too powerful for a small ass crew. So eventually I settled for just amking him the crew's boringman Haki user and martial artist. I mean, someone does need to fish out all these dumbasses from the ocean and Rachel isn't always around, I guess. A not zero chance he steals Yami Yami no Mi from Jack's crew later on or something of the like. He may use fullbody Armament at some point, purely because I think it gets REAL bad rep in One Piece and he would make it work, I bet. His attack names are all references to real life boxing history.
Aisha Laborn - there was much debate in my head whether Aisha should be the user of Memo Memo no Mi or Suke Suke no Mi - the latter eventually won out, because I believe Aisha going unnoticed by both foes and allies is more important than actually referencing the memory aspect of her powers. She got her hands on the Devil Fruit due to one of his mother's boyfriends, who was a pirate and robbed it off of someone on sea. Aisha ate the Fruit, angering her mother's boyfriend and, after being severly beaten up, managed to activate the Fruit's abilities to become invisible and call for Brian. The following sequence plays out similarly as in canon. Aisha would be on the ship from the very beginning, but Brian usually leaves her in some town when the Underside Pirates go on any kind of mission and it's not until later that she actually joins them as crew (or rather she sneaks onto their ship claiming to be their second permanent Lookout so many times that it just became easier letting her stay).
Ship - considering the crew's size, most likely a caravel. I'm firting with it being named Atlas, but are not sold on it. Jokingly referred to is as Shrugging Atlas in my head once. I think Atlas should be their second ship, something they gain after Taylor becomes a more prominent member of the crew, and they should start off with something else. No clue what tho.
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evilpenguinrika · 1 year ago
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Laurel Lyre Moodboard (a Candela Obscura character)
I finally finished creating the mood board for my character that I will be playing with my friends! If you wanna learn more, her bio is under the cut! It's a bit brief since I don't want to make it too long, but the more important beats are included!
Name: Laurel Lyre (born 楊小麗 / Siu Lai "Lorelei" Yeung) Age: 29 (born in 1883) Occupation: Performer - Magician/Illusionist Role: Face - Sweet Talk Specialty: Magician - The Prestige (change appearance)
Catalyst: Laurel joined Candela Obscura at 18 after witnessing her mentor shatter into glass fractals after touching a crystal pearl necklace.
Personality:
Laurel is showy and lives for the spotlight. She loves to perform tricks and wows the audience with her impeccable showmanship and sleight of hand. She's cunning, quick-witted, gregarious, confident, and assertive. But that’s Laurel--that’s her stage persona.
Lorelei is completely different. Lorelei is closed off, reserved, untrusting of others, and builds walls around her. She's self-serving and will do whatever it takes to survive, even if it means pulling others down.
She also has a bit of a saviour complex due to her past with her mother.
Background:
Lorelei grew up with a single mother, Shuyi (雪儀 Syut Yi) and lived in one of the speakeasies at the Red Lamp. Lorelei was like a daughter to the other workers and other girls at the speakeasy and always loved the atmosphere there.
One of the ladies--Caroline Salazar, would look after Lorelei when her mother was preoccupied. Auntie Caroline would teach the girl sleight-of-hand magic tricks to pass the time. But aside from learning illusory magic, Lorelei had real magick as well, though she never got a chance to fully utilize her inherent magickal abilities because her mother instinctually told Lorelei that magick was bad and to never use it again.
Growing up, Lorelei's mom had these grand delusions and unrealistic fantasies about their futures. She had instilled these ideals in Lorelei, and unfortunately, even instilled a saviour complex in the young girl. Lorelei was always told that she was going to save them, that once Lorelei's father saw her, he would immediately know she was his and would bring the two of them back with him to become a family.
Lorelei was eleven when she found her mother's dead body from a drug overdose.
Auntie Caroline adopted Lorelei soon after, but the transition was rough on the girl because she saw all the other Aunties as nothing but mean bullies who failed to save her mom. This also caused Lorelei to believe that she failed to save her mother. After all, her mother had told Lorelei she was going to save them both--that she was going to bring her father to them. But that was no longer going to happen because her mother was dead and Lorelei failed her.
Lorelei became more closed off and jaded to the rest of the world, always believing in the worst. Her idealized version of her mother slowly cracked away the longer she experienced the cruelty of reality, realizing that her mother's delusions of grandeur were nothing but childish fantasies that she never grew out of.
She got dragged into a few shady dealings and business after her mentor, Anna Margaret Moore saw potential in Lorelei. They did a few petty crimes, mostly stealing and reselling. But it wasn't until Anna Margaret saw Lorelei use magick for the first time did the older woman decided to use Lorelei even further. They were after a particular artifact of interest when they encountered members of the Red Hand. Lorelei used her magick to protect the two but accidentally incapacitated one of the Red Hand members. Anna Margaret ordered Lorelei to kill them but the teen refused as she never killed anyone before. Anna Margaret finished the job instead and found the artifact, a crystal pearl necklace. But when the woman touched it, she began to shatter like fragile glass and essentially died.
Not knowing what to do, Lorelei ran away.
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writing-in-verse · 1 year ago
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So I Finally Read A Restless Truth by Freya Marske
I've been debating what to say about this book since I finished it late last week. Not because I didn't enjoy it - on the contrary, I loved it possibly more than the first - but rather because I have so much I could say.
A friend of mine recently mentioned, in a poorly-phrased statement out of context, that he didn't really know me. In context he's referring to how little I talk about myself, the self behind the ADHD masque and trauma and deflection.
It's hard to write a character that who's entirely public persona is a facade without making them seem either two dimensional or just two separate characters in one body. Sarah J. Maas is a great example of how to do this terribly with her main character of Throne of Glass, Celaena.
Anyone who knows me knows I have contempt for these books in a way I rarely do for any other. There's so much wrong with them but that's not the point, the point is Celaena is a terrible character who feels like a separate person depending on what the author needs her to be. She's either a snarky, sexy assassin who has no real moral compass or a fashion-loving, sexy princess who finds being an assassin horrifying. The two sides of her talk and act entirely differently with very little crossover to the point where they have different names by the latter half of the series.
Violet, and by extension Freya Marske, shows how someone who has a lot of ptsd tends to deal with their trauma. Of course, everyone is different and hiding behind a sharp wit and rebellious distraction isn't the healthy solution but it is relatable to me. Violet's background on the New York underground stage scene (a part of performance history I'm not well educated on so it was fun to see in historical fiction) gave her the knowledge needed to play a part, whatever part the audience expects of her without ever revealing who she truly is.
I'd be loathe to suggest Violet's public persona is fake as that's simply not true: my own outward way of being is still me even if I keep much of my life away from scrutiny. Violet is sharp and quick witted and rebellious but she uses her stage skills to leave people with a simplified impression, without any of her fears or anxieties mixed in. It's not inauthentic but rather safe and controlled. It's why everyone but Maud Blyth accepts what they're given.
What's more insightful is Violet's inability to see the way she is limiting herself out fear for survival. It isn't until Maud gives her the perspective to see the cage she has constructed for herself that she starts to realise the walls keep you in as much as they keep others out. Of course, Violet can see it on some level but that lack of true introspection is as much a trauma response as everything else. The walls are built around the most vulnerable parts as much to protect as to ignore the damage that's already been done.
I've never seen a character manage to portray the complex realities of living with trauma quite like Violet does, not in the immediate aftermath but in the long periods living with part of yourself you think need to be hidden lest they be taken advantage of or are seen as flaws which makes you less worthy of love rather than a tapestry of someone who deserves more love than was ever afforded.
Violet is fascinating from a character design perspective but she's also incredibly well written, she feels like a person who contains multitudes, who is not 'fixed' by the end of the book but she is willing to let Maud in little by little. Step by step.
Okay this was a long one, turns out I had a lot to say (and honestly still do (I haven't even gushed about Maud!!!)) but I hope you enjoyed reading it.
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spotaus · 1 year ago
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💙Pinned Post 💙
Hey folks! I'm Spotty/Spot/Spotaus, I'm an artist just doin' art things! I go by any pronouns (<- nb/a-gender/general gender tom-foolery. When in doubt, go with they/them) and I'm ace. I've got this side-blog running for UTMV posts I wanna reblog, as well as my personal art for old/ongoing projects!
If ya want to see my art, check #Spot!Drawn
Yes, I do take Requests, and they are Open
This blog is a Side Account! If you are followed by @spotlightstudios that is me! We might be mutuals, but it only shows properly on my end :')
[Info about Projects, AUs, and OCs below the cut!]
Projects:
If you see me posting about these, they're personal projects! (Usually a solo-act, but a few have co-creators.)
#Eternal Ashes is a 2nd Gen story about the ship-children of the Multiverse! Kane, elder son of Reaper and Geno, is killed in a battle between the Star Sanses and Night's Gang. This send the multiverse into a forced truce to avoid more crossfire killing, and Reaper's wrath... Only, Reset, Reaper and Geno's younger son, isn't satisfied with his brother's death. He and Orchid (daughter of Error and Nightmare) team up to bring Kane back to life, and end up settling into motion a multiverse-wide murder spree that spans years.
#DoppleTale is an AU I finally brought to existence recently. The monsters of the underground are all shapeshifters who fed on human flesh, until they were locked away in the mountain. With Humans becoming rarer by the day the monsters feast on Monster Candy and practice desperately to perfect their human disguises (which only get worse the less they remember what humans look like). <- This story is #Pretender!Sans 's origin au!
#Catacombtale is the oldest remaining AU that I have. It follows the story of a Human Hero who is sent to the catacombs of Mt. Ebbott to face the gods trapped within. Of course, sone if the gods are helpful, others can't forgive humanity for dethroning them. (Most of the story is pre-entrapment lore, with worldbuilding and a focus on #Ichor!Sans, my special-est tired old immortal guy who loves mortals more than he should on every given occassion.)
#Ec-4o.verse is a multiverse world (kingdomtale style?) where the earth, in a stage of Robot/Monster/Human co-existance suddenly went into a war. It wiped out a lot of people and places, and sent the world into chaos. Ec4o.verse follows Blue, a young mechanic (Techie) who's skilled in the old ways of robot repair and creation, uncovering the secrets of what started the war he's known all his life. (<- This one is both my pfp, and I draw dustedafterdeath for it pretty regularly.)
#DreamEater AU A self-indulgent Fresh × Dream fic where Dream is hit by an attack during battle that paralyzes his body. But never fear! Your trusty parasite was looking for a new host anyways! Fresh bites into Dream's soul and then realizes he will never run out of magic, so he just sticks around! Pilots Dream's body while also helping him through his Savior Complex trauma! You can also find info under the tag #Tulpa as that is their combined name/identity towards the end of the story.
#New Age AU An au inspired by Real Age AU by @ancha-aus that is set in a land of kings and queens. Night, tyrant ruler of the land, accompanied by his loyal band of murderous knights, finds himself back at Age 13, the Age he was when he first ate the apple of prophecy. Without the power, he's struggling to keep his twin at a safe distance + maintain control. (Very much Found Family here :])
The New Age Masterpost can be found here.
#Timeless AU A story of the underground. What if Dr. Gaster was alive? And living? And raised Sans and Papyrus? And Revived Asriel successfully? And was madly in love with Asgore, and got w/ him after Toriel left? Yeah, it answers all these questions. Basically, Gaster is an unintentional father to all the beloved cast in the Underground, and Asriel grows up with Sans and Paps as brothers.
Then, of course, there's my persona, N!
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If you see this skeleton around, it's just my insert! N (in reflection of me) goes by she/they/he pronouns and is a menace. Most often you'll see doodles of her with my oc Ichor, Killer, or my moots personas (such as Ancha!).
And for the record:
Yes, I do takes requests (They're currently open! Send me an Ask w/ an AU, Oc (<-with ref), or UTDR character!) but I don't always actually complete them. Motivation as a uni student is few and far between.
Yes, you can draw my ocs. I don't think anyone would, but you're welcome to if you get the urge! Just, be sure to tag me! (And obviously don't claim them as your own. That'd be shitty.)
Yes, I do chat. I'm a very anxious person, tho. If you start a conversation or tag response or smth, I'll be ecstatic!
This blog is (as far as I know) going to remain SFW. I don't intend on reblogging nor creating graphic content, especially not of these god damn skeletons, so this is more or less a safe space 👍
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