#a very non biased review

[space-blue]

You know what time it is: Arcane trailer dissection time!!

Just your old Arcane obsessed terminally online person reviewing the most interesting screens (biased) from the teaser that just dropped.

Mamma Medarda just looks DOPE as FUCK in this mask, nothing else to say. She seems to be speaking to Mel, which would indicate she survives, which I hope for. We're clearly dealing with a soft Noxus invasion given the prevalence of Ambessa's troops.

Very interesting to see these troops activating. You have to wonder if they're a failsafe to Silco dying, or if they are being activated by Silco loyalists.

Not doing our girl any favours with that one.

VERY interesting to see Singed getting arrested in a teaser, because that hints it'll happen early on. I figure then that Warwick's escape would probably happen early as well. We may be looking at Singed and Heimerdinger old pal reunions weee

Gotta wonder if he ACTUALLY gets captured though, because Warwick might be a great get out of arrest card.

SEVIKA!!! WITH!! jINX'S GUN!!! I first though for SURE she must have stolen it, or found it, but do you know what?? She has a custom made Jinx arm!!!!

It doesn't seem haphazard, even if it's ungainly. There's a non zero chance that these two are united by Silco's death, instead of split apart!

This strike is clearly showing Medarda's fist. Mommy will be VERY active in this early on.

The previous fist image with projectile launch happens right after those shots. I wonder if that contraption has anything to do with Medarda instead of Jinx or someone else, because poison (spilling from the mouth?) is also a very Noxian thing (thank you, Singed)

What's with Smeech getting SUCH a highlight? What a dope design. Also that shot is the same colours and location style as Sevika shooting with her Jinx augment, so I am wondering if Sevika won't be the one killing him.

Freedom fight Jinx style art? Wow. With blue haired minions behind her? Unexpected! I wonder what Ekko and his firelights think about this, and whether they'll take her in despite everything. This seems to be very Zaun vs. Piltover now.

Our only proof of Viktor in season 2. He's in the Zaun depth with caped figures, most likely shimmer addicts. I wonder if the explosion is him saving them and starting his machine cult, or him defending himself. Anyway, he survives, and I also wonder how many physical augments he needs to heal himself from the explosion, courtesy of the hex core?

Of course the only proof we need that Jayce is alive is that Cait has an Arcane sniper rifle. I don't see Viktor making her one after the explosion........

All in all, interesting stuff!!

[cerastes]

can i get other examples of gamepress being wrong about arknights? i've been using them as my main source since i started and now i'm worried i'm missing out on some operators i haven't bothered to upgrade 🙃

We could be here literally all day because it's not like they have one or two outliers, Gamepress is just mainly edited by people that live in an echo chamber and that have authority in their own circle so it's just off-the-hip, all too often wrong biased takes based on their own really reductive metrics. Chiefly, Gamepress ranks characters 1) as if they were the sole unit in the battlefield almost exclusively, and 2) using the single most broken units currently live as the barrier of entry. The unit you are looking up can't clear a chunk of map in one tap? Worthless and sub-optimal, according to Gamepress. Their only metric is Mlynar, Ch'ung the Hung, Surtr, that kind of Press To Win philosophy, and if a unit can't do that, Then It's Bad And Not Worth It.

Now, you may be thinking, "goodness me, Dreamer, you are being awfully harsh to call them complete dogshit at every angle of the game in this manner!", well, see, it's not just their Operator "reviews", they have articles sometimes. And they are god awful dogshit as well, such as "What Happened To Blaze?"

You can't see the comments anymore, but the author was getting reamed. I have one screenie at least:

Comments were mainly of this nature. Because, well, the article is straight up awful, especially since it reduces Blaze to "laneholder" and compares her to "competition" like Thorns, Mudrock, and Mountain, who, yes, they all can hold a lane, but Blaze has her own space of "infinite duration, high statline, healable 3-block with 2 tile range" that has historically allowed for Funny Tricks like clearing enemies through "walls" on tiles that could shred Thorns even with a healer, or, you know, in conjunction with any of Mudrock or Mountain, given you have 12 whole slots for you team. Again, Gamepress editors rate characters as if they were your main in a fighting game and not one of 12+1 characters you can throw in at any time. They also tend to shit on non-specialist characters (generalists; more versatile units that can do a bunch of things without really breaking the game in any regard), which is very interesting because those usually will make up a strong backbone of any competent Integrated Strategies team, so the specialists in role can do their thing while the other needs of the map are being met.

"Ebenholz is nothing special." "Goldenglow is nothing special." These are takes they genuinely held until, you know, it turned out that Eben and GG are the most relevant Casters, up there with Eyja. To be fair, it wasn't just them being wrong on Eben, but how do you look at the global blasting of GG with her numbers and don't immediately realize that's an ICBM button? All it takes is having the game installed.

The biased nature of Gamepress is also blatant:

Imagine rating April as "Really Good" while relegating Dorothy as only "Really Fun". Even before her Module3, Dorothy was absolutely devastating, bringing huge damage multipliers, crowd control, one of the single best class autoattacks in the whole game at 6* stat weight, and a Talent that gives her even more Attack for basically using her as intended. I'm not saying April isn't good, mind you, I'm just trying to highlight how biased the hands behind Gamepress are: They can't figure out Trapmasters? Then surely they are merely "really fun". Can't drop and forget them like April or Surtr, after all.

About the only thing Gamepress is good for is objective, in-game info: Dates, mat requirements, what skills do, that kind of stuff. It's got a good interface and is a good place to just quickly look up what you need to know that can otherwise be found in the game. The moment their personal opinions come into play, though? The most absolute dogshit takes. Unless you are a "unga bunga drop Surtr and Mlynar and win instan-- WAIT WHY IS INTEGRATED STRATEGIES AND RISK 23+ KICKING MY DAY 1 PLAYER ASS...!?" kinda player, then you don't really want to follow Gamepress advice.

Because they simply do not give good advice as a whole.

[waitmyturtles]

Have you read any of the Thai academic papers regarding MAME's work? sometimes I feel like fandom at large has a very strong western bias towards her that borders on xenophobia in review of anything attached to her unless it's more low stakes gmmtv style stuff like wedding plan was which suits western sensibilities more.

Hi, Non! This is interesting framing you've put forth here. I want to note that I'm close with some folks, particularly @bengiyo and @lurkingshan, whose critical tastes I trust, and I can assure myself that they would not call Wedding Plan low stakes. During my Old GMMTV Challenge project, I promised myself that I would not watch another MAME show after Love By Chance and TharnType, and I've taken Ben's and Shan's urging to chuck that aside to add Wedding Plan to my OGMMTVC syllabus, which I'll get to after my summer travels. Let me take a second to sort this all out in a more sensible and chronological answer to touch upon what I know about MAME now that I'm much more read into Thai BLs and the history of the genre.

Regarding academia and MAME, I have not read Thai source material on her start and her legacy in Thai Y novel writing and Thai BL/Series Y television productions. What I am in the midst of reading at the moment is Dr. Thomas Baudinette's Boys Love Media in Thailand (Baudinette hailing from Australia), and he does get in depth with MAME's beginnings, which for me was the first primary source material that I have encountered about her background. To summarize quickly, MAME (along with individuals like INDRYTIMES/Kwang Latika, who wrote the original novel for Love Sick, and others) was part of the first crop of young middle-to-upper-class female college students who became enamored with Japanese BL/yaoi manga, as well as (in many cases) K-pop idols, and began writing fan fiction about and/or in the styles of these interests, which led to the development of the unique Thai Y novel genre.

It does seem to me, at least on Tumblr, that a good chunk of Western fandom here has written off MAME. I'm Asian-American, and I come to my hesitation about MAME from a particularly Asian perspective, so I really can't speak for the non-Asian fans about what they're rejecting. Let me at least explain what I'm rejecting, and how I've engaged in dialogue about it with critical friends here.

LBC did not have as much of what I will attempt to describe as I saw in TharnType, something that I might now call collectivist homophobia or collectivist bias. But LBC had a smattering of it, something that I smelled early on in that series. In both series, MAME seemed to approach her characters, to me, with a distanced hand of judgement that, to me, recalled the kinds of biases that my Asian parents tried to implant in me in my childhood, that I rejected throughout my young years. Queer material is so very often not good to its queer characters, and it seemed to me through LBC and TT that MAME intended to gild that lily to channel a populist homophobia that she seemed to know would resonate with a broader fanbase -- which it did, in part, because TharnType in particular was the first Thai BL with heat in every episode.

(Two things to note about my review of TharnType that I penned last year. First item to note is that Boys Love Media in Thailand had not been published yet, and I had not read primary source material about MAME. I was enraged at the time about fan theories that MAME had been a victim of sexual assault, and had therefore written her queer characters with the biased vitriol that I perceived coming from her because of that theorized past. I still think these theories are equivocating and problematic. Second item is that I heavily recommend reading the reblogs of my TT review, tags and posts and all, to see literally the spectrum of commentary of the MAME fandom/anti-fandom across Tumblr. Writing that post and reading those reblogs was a hell of a great experience.)

Just to summarize this, then -- I choose to not engage with MAME because I see under- and overhanded bias in the work that I've watched, with my Asian eyes; and I just might assume that many Westerners see the same thing. But I don't really know, because I haven't talked to that many Western fans about the depth of this.

So what does this mean for this moment in time? I understand MAME's Love Sea is airing, which I'm not watching, and I missed the boat on Love In the Air -- so I think I'm missing some critical and/or catty chatter about those two shows from the fandom because I don't have context.

But I do know there are folks out there that either write MAME off wholly, likely for similar reasons that I've listed above, and/or hate-watch her shows and post about it. To each their own.

I would not have considered Wedding Plan if Ben and Shan weren't screaming about it. I'm happy to have fewer shows on my plate, I got no time. However.

Nothing in this world exists in a static vacuum. If MAME is experimenting with tone, approach, style, and even taste regarding her shows, then more power to her. @bengiyo's post linked above about Wedding Plan is important for me to see, because I see that he's noting that parts of the fandom may have actually demonstrated real homophobic dialogue about MAME's fictional characters, which, to me, I'm like, what? Really? You got time for that? But also:

If MAME, back in 2019 with TharnType, picked up that her Thai and global fanbases were more inclined to check in with collectivist homophobia, as I'm calling it.... and now, in 2023-2024, has noted that her fanbases might be far more inclined to support real queer equality and overtones in shows, and is including those themes in her work -- can we not welcome that change in? That's why I'll give Wedding Plan a shot.

Let's be sassy and ironic for a second. Could she be making this change for da money and the fame? Sure. But -- capitalism unfortunately rules this world. Car commercials in the States have interracial queer couples parenting children nowadays. If equality talks to money, then content makers will take note. I think I'd be a hypocrite to say that MAME shouldn't make her dollar, all while she's experimenting with more equitable stances.

Last note. There's been quite the dialogue simmering these past few weeks about GMMTV's We Are, and whether or not GMMTV is stepping away from a past where many (not all, but many) of its shows explored queerness in depth. He's Coming To Me, Bad Buddy, Dark Blue Kiss (yes... the first three shows I listed were Aof Noppharnach shows, fuck), Theory of Love, 3 Will Be Free. The major GMMTV BL/GL shows that have aired recently that have made huge waves on social media -- Only Friends, 23.5, Last Twilight, and now My Love Mix-Up -- were/are helmed by branded (capitalism, hello!) pairs, and three out of four of them were flops, with MLMU already treading that territory in EPISODE TWO, for heaven's sake. (Y'all, read the reblogs on this post. Wow.) I finished a rewatch of The Eclipse weeks ago, and I'm dragging my feet on my review, because of what I think that show represents for what branded pairs end up doing to otherwise original content.

I want to posit a theory, that I'll work more on when my OGMMTVC is over, that we have living, real-time proof that the branded pair system is failing good content -- because these shows have to produce engagement snippets of these pairs, instead of more broadly penetrating artistic content. GMMTV's one-off shows with non-branded pairs, like Be My Favorite and Wandee Goodday, are FAR MORE INTERESTING content-wise, varied and inquisitive in their artistic takes on queerness. Even Cherry Magic, featuring the long-awaited return of TayNew, felt fresh, because we literally hadn't seen TayNew in FIVE YEARS. Tay actually KISSED ANOTHER DUDE, shocker!, in 3 Will Be Free. I want to go back to those days, where the pairs could act well outside of their range and their business partners, instead of being limited to the same tone and style that their pairings and their fandoms demand.

I say ALL OF THIS, because isn't it interesting that GMMTV seems to be reverting on a scale of inquisitiveness about queerness -- and MAME seems to be going in the opposite direction?

I would not have expected it. But I have found, lately, some of GMMTV's "takes" on "queerness," as in Only Friends, to be outright offensive. This corporation has become far more gunshy to let their branded pairs just be fictionally gay. If MAME wants to take on a healthier stance of equity, and to play around with more realistic depictions of what it means to be queer in Thailand, then go for it, girl. I will admittedly be watching Wedding Plan with my Asian side-eye and my smell tests for bias, but I look forward to being proven wrong about my suspicions. I want to be a responsible fan here, open to MAME's changes.

This ended up being a lot, but thank you for provoking these thoughts, Non.

[strawberrypinky]

I've been feeling a bit overwhelmed with negativity on the internet recently and thus I've decided to take matters into my own hands and spread some ✨love and positivity✨

And what better way to do that, than to recommend wonderfully written fanfiction I've come across this year? Admittedly, I haven't read as much as I would have liked, but I still want to share the few I did read. So without further ado, here are my fic recs of 2024 (thus far! Might add to this along the line):

Baldur's Gate 3 Fic recs:

O Fortuna [by @gufu-vire] on AO3 - Raphael x Dark Urge ❦ Plot: Post the events of BG3, a redeemed Dark Urge and Raphael renegotiate terms to fulfil a contract sworn upon during the crisis of the Absolute. An adventure fraught with tension, frustration, conflict, and more as the reader partners up with the devil you love to hate…

This is possibly a very biased mention on this list, because I consider Goof a very dear friend and moot, but it is a deserved spot nonetheless! I have yet to catch up with a majority of the chapters, but I'm enjoying a lot of sneak peeks and Gufu's creative process in private in the meantime. Between the conflict this story is utterly hilarious and witty and is a perfect balance between action and idle affairs. There are also so many intriguing takes on Raphael as a character & Harleep deserves a trophy on his own. I could talk a lot about this story, but truly, I cannot recommend it enough!

❦

Sleep Deprivation - [by @nyda-the-tav & Aisln] on AO3 - Gortash x Tav ❦ Plot: As Orin continues to harass the group of misfits trying to stop the Absolute, Ophelia (Tav) looks for safety in the arms of Gortash in an effort to combat sleep deprivation.

I've only recently started reading this story & both authors best believe that once I've caught up with all 50(!) chapters, I'll leave a more detailed review for Sleep Deprivation. But what I've read thus far has been nothing short of a joy, and I'm always down for a good Tav being absolutely ruined by Gortash himself. The dynamic between the supposed enemy and the hero is gripping, hilarious and not to mention really well written! Kudos to the authors! I'm really excited to read more of what you two come up with!

❦

His Star - His Queen [by @random-introverted-blog] on AO3 - Astarion x Tav/Astarion x Dark Urge ❦ Plot: An ascended Astarion kidnaps the Dark Urge/Tav from a different timeline, after loosing her in his. Desperate to save Tav/Durge from himself, Astarion follows her to rescue his love from certain suffering at his own hands.

I was recommended this story on TikTok (of all places, lol) and I wasn't sure what to expect - but holy shit. The first chapter alone had me on the edge of my seat, as you're really thrown into the action from the start, but the entire premise had me hooked as soon as Ascendant Astarion made his appearance. I often have issues with the ascended version of Astarion's character (I just looooove fixing him & I've got issues with the 'make him worse' story arc), but the exploration of what could have been in tandem with trying to save the heroine from inevitable suffering is beautiful & I can't recommend it enough. I've yet to catch up with every chapter (can you tell I've got trouble keeping up with fics, lmfao?) but either way, "His Star - His Queen" is deservedly on this list!

Note: This fic includes non-consensual sexual content

❦

Judgement by the Hounds [by @septembersummer] on AO3 - Gortash x The Dark Urge ❦ Plot: A look into the relationship of The Dark Urge (Seren) and Gortash, from their first meeting up to their shared end. "The rise and fall of the worst situationship of all time" indeed.

This one I actually finished (very slay), though I'm not sure I actually processed it. I went through all five stages of grief reading this and I'm not even sure I can say anything without spoiling the entire premise. Dear author, you have written possibly the most captivating and enchanting portrayal of Durge and Gortash & though I knew how it would end, I was wishing for a happy end through it all. There's nothing to say about this, other than it was utter perfection.

❦

Miscellaneous One Shot recommendations:

legacy with no memory by @discordsmuse on AO3 - Gortash x The Dark Urge The Weight of A Promise by @sserpente on tumblr [Part 2 is equally good!] - Gortash x Tav/OC kiddo. by @avocado-writing on tumblr. - Gortash & OC

to have and to hold by @littlejuicebox on tumblr. - Astarion x Tav

choices. by @deadtired-highkeyenergetic on tumblr - Astarion x Tav

how to win a custody battle in one easy step. by alltears on AO3 - Astarion x Tav

Dangerous by NaeveTheWizard on AO3 - Astarion x The Dark Urge

❦

Honourable Mentions:

I'm also giving a shout-out to @avani-telvanni & @infernaldaydreams, because while neither have written fanfiction I could recommend, I am obsessed with their respective artworks for Tav x Gortash/Durge x Gortash. You guys are absolutely amazing and I'm conistently in awe of what you create. You deserve all the recognition you receive and more 💕

Hogwarts Legacy Fic rec's: a very short list, but two are dear to me nonetheless!

Victory [by @jonquil] on AO3 - Victor Rookwood x Original Female Character ❦ Plot: Victor Rookwood is enraptured by the new, ancient-magic-wielding student attending Hogwarts - and Victor Rookwood always comes out on top.

Technically I started reading "Victory" in 2023, when it first came out, alas, it was finished earlier this year and I couldn't help but include it, because it remains one of my favourite fanfiction ever. To me, it's the best fictionalisation of "Enemies to Lovers" in a long time, as I was rooting for the villain to win from start to finish. From the wonderful characterisation of Rookwood to the alternative canon timeline and ultimately the victory of the villain - there's nothing like it and I was hooked from start to finish. I am still sad it's over, but I'm excited to read the prequel (as soon as I get to it, lmfao), because I know it'll be equally spectacular!

Note: This fic contains non-consensual sexual content.

❦

Invisible String [by @legacygirlingreen] on tumblr (though it can be found on both AO3 and wattpad too!) - Sebastian Sallow x Reader ❦ Plot: In an alternative, victorian-attitude-compliant timeline, Sebastian Sallow falls for the new fifth-year. This story explores the sweet beginnings of a tender love amidst hardships and battles ahead.

Admittedly, this is possibly the most biased fic rec ever, but I stand behind it nonetheless. While this fic started in March of last year & brought me and my platonic soulmate May, aka legacygirlingreen, together, it remains my favourite Sebastian Sallow fic to this day. The amount of love, time and creativity May put into this has me in awe time and time again. The sweet and tender love the two protagonists experience is perfectly fluffy and slice-of-life, yet the alternative version of the canon events of Hogwarts Legacy add the perfect amount of drama and action. I will always come back to this fic, because yes - It is that good.

[gvenevera]

Kuroshitsuji Musical ~ 寄宿学校の秘密 (Secrets of the Boarding School) 2024 ~ VERA’S REVIEW!

Yes you read that right! I’ve had the most fateful chance to watch the very first performance of the newest Kuromyu in Hyogo last Saturday, so I figured I’ll eternalize some of my best memories here.

Before we begin: the LIVE STREAMING is available for the LAST PERFORMANCE, September 29th 2024, HERE! For only 3800 yen, you’ll get to watch it live at home, or watch it later for up to 1 week (October 6th)! Apparently you need a Japanese VPN though, if anyone knows how to navigate the site, please do share.

A few disclaimers from me:

*Anti-shippers DNI. This post barely has any shipping content at all but I don’t like people who harass others over fictional preferences. I’m a shipper, I can’t help being biased for my OTPs.

**Since photos were prohibited in the venue, I’ve included stage pictures featured in official news websites or accounts.

***This is by no means a critical review but merely a fangirl’s ramblings, and I often drew comparisons to the original stage play Kuroshitsuji Musical: Secrets of the Boarding School (2021). For reference, I suggest you watch it first! I intentionally avoided rewatching the 2021 version close to the airing date though, so my memories may not be accurate. Also my Japanese is mediocre so I apologize if there were important dialogues I didn’t catch.

Introduction

I know, sorry for the dilly-dally intro. But I’d like to first stress that ever since I started following Kuroshitsuji in my first year of university (like 9 years ago now lmao), I’ve ALWAYS dreamed to watch the stage musical live in person. When 2024’s performance was announced immediately after the last episode of the anime, I was overjoyed to see that our old cast was coming back.

And it was fate that gave me the opportunity - my scheduled work program this year was set to be in Kyoto AND during September! Needless to say, I had the Kuromyu ticket bought and reserved first, before my confirmation with the Kyoto office or my visa and plane ticket. Priorities, right?

Quick remark on the ticket process: I hit a snag right in the beginning because the ticket reservation website Eplus required a Japanese phone number to sign up. I contacted multiple people (middle school friend whose brother used to work in Japan, another who was quarter-Japanese, several dealer websites with high rate exchanges), until I settled on my roommate’s friend from high school who was currently working there. Many thanks to her and my roommate for the help!

She took care of registration for me - even so the advance sales was a LOTTERY ticket! We fortunately got the lucky draw - I saw many Japanese fans on X who were not so lucky, while others bought in bulk to sell later. Then, I used the online barcode to exchange for a paper ticket when I arrived in Japan on September 1st. That’s when I get to know my seat number - 3rd floor, 2nd row B. A very far position from the stage, but it’s alright because we’re here for the atmosphere anyway!

The performances for the first 2 days were set in Hyogo Performing Arts Center, KOBELCO grand hall. I’ve honestly never been to any kind of music performance (or even concerts) in my life, so I was blown away by the sheer size of the venue.

By 10 AM, the audience was trickling in. I was in awe of the fact that you can tell who was coming in to watch kuromyu - beautiful women dressed in black-and-white tones, many even sporting gothic lolita bows and dresses to keep up with the Victorian England theme. In fact, it felt like the whole of Ikebukuro were gathered here in this very building!

We were ushered into the hall entrance at 11 AM and let me tell you, the crowd was suffocating! In front of the theater, there was a goods section for Kuromyu merch. I’m so glad I took the time to queue up because it seems some of the merch were starting to sell out by the second day. The booth clerk looked perplex to see a non-Japanese customer here though. Here’s how the line looked like, and this was still early before most of the audiences got in:

(We’re not supposed to take any photos but I saw the warning signs too late…Here’s a view from where I was sitting on the third floor.)

I realized then as we were settling in that some ladies around me had binoculars!! Well how was I supposed to know you could bring those here, instead of trying to find those fancy opera glasses!?! Ah well, I was lucky that I’d recently had my prescription glasses updated and the seat to my left was vacant, so I could lean in to see the center better.

The Performance

While it is true that you can barely see the actors’ faces from the balcony seats, it was the grandness of the performance itself that blew me away. For the first time I could see the stage in all its entirety, all the actors dancing in synchronization, and the special effects…oh it had improved A LOT from 3 years prior!

The stage sets for Weston may look a tad “crowded” in the still photo, as compared to the original where they used white backgrounds but in reality, it blended in so prettily with the flashing stage lights. The middle section was a rotating floor and one of my memorable scenes was where Ciel and Sebastian were discussing their plans while crossing the rotating stage, to give the illusion of “strolling across the school grounds.” Sounds like a simple trick but if looked amazing from above.

On to the story itself - the execution actually barely changed from the 2021 rendition, which for me, was a relief! Now I know, some would argue a rerun should add in different elements, because who would want to see the same thing twice right? From past experiences with Kuromyu, the reruns tend to be hit or miss - different actors, different song remixes, voice changes, and so on. For this performance, I could barely tell that the cast (apart from Ciel, Sebastian and Undertaker) were all new members. Everyone got into character flawlessly!

The story of course followed the entirety of the Public School Arc. The script and choreography was almost identical to the 2021 stage musical version. If you would remember, this Kuroshitsuji arc was the first to be portrayed on stage before the anime adaptation - same as previously, they seemed to take inspiration from the manga only rather than the anime.

Some key moments from the play:

The opening sequence was again a recap of the previous arcs - Jack the Ripper (Lycoris that Blazed the Earth), Book of Circus (Noah’s Ark Circus), Book of the Atlantic (Tango on the Campania). I’ve always loved this part because you could tell they slipped in iconic themes from the past musicals.

Perfect Black: the main theme, and my favorite from this stage! I’m so happy to have heard it live! *swoons* Thank god they didn’t do anything weird to remix it. The whole cast dancing together was beautiful! However I thought 2021 did it better with the dramatic light focus on Sebastian during the chorus drop.

Ciel’s Earl of Phantomhive outfit was changed from the glittery blue suit to a blue-green checkered coat this year. (I’d have bought his Earl photoshoot set if I knew it beforehand) Yana-sensei later tweeted that she was the one to re-design it, to better match Eito. Then Eito Konishi himself replied, saying he was honored to play as Ciel Phantomhive, to which Yana-sensei praised his singing and called him “Eito-bocchan” …boy was he fanboying hard over that. He’s one of us!!

Arrival at Weston: I don’t have a comment on the P4 in particular, they were all straightforward from the manga. I think I like Redmond’s character the most here, he looked very pretty with the side-ponytail and while he was a show-off still, he wasn’t as annoying or arrogant as I somehow expected.

A notable interaction: Violet forcing Greenhill to pose for him at the swan gazebo. Greenhill’s actor really looked strained trying to keep an upside down bridge pose (Edward was supporting his back, but kept getting distracted). When he broke the pose and got up, Violet hit him over the head with his sketchbook so hard that the thump echoed through the hall.

As for the Prefect’s Fags: Edward and Cheslock were giving off some suspiciously gay rivals-to-lovers vibes over here. Which I kinda vibed with, I hope they kept the energy into the Blue Cult Arc!

One important thing: they kept the ALL the Fag lines! Which in Japanese accent also kinda sounded like them repeatedly calling each other “Fućk”. Oh how I wish the anime had kept those!

Soma Asman Kadar: now this guy deserves an ovation just for himself. Not only did he kill the role, he was also the funniest! Soma’s song was greatly improved and lengthened with catchier music and dancing - when his troupe “arrived” at Weston, he even dragged Ciel and Clayton to join in. I can’t do it justice, you have GOT to see those two English gentlemen crack the Indian dance moves! His pestering of Maurice Cole was hilarious and he kept exasperating Ciel out of his character, their chemistry was wonderful. I really didn’t expect to get hooked by Soma in this arc out of all people! Too bad Agni wasn’t here.

Maurice Cole’s miniarc - Flawless. Sometimes I wonder if he was an easy character to play just because his character trait is so extremely over-the-top lol.

The library kabedon scene and sebaciel burning Purple House scene didn’t exist. Another scene cut off from the last musical was where Clayton and the Blue House kids were congratulating Ciel on his fag duties and Sebastian took the chance to blend in with them. Sadly that was one of my favorite adlibs.

Ciel’s dream sequence: this was originally in the 2021 musical. After a talk with Macmillain made him revisit his past trauma, Ciel “dreamed” of the cultists, and Sebastian’s close call with Undertaker in BotA. I actually forgot about this part when I watched it in theater - the highlight was sebaciel reenacting the scene in BotA where they reached for each other, the enactment surprisingly gave me the impression of Ciel’s “worry” over Sebastian’s “vulnerability” here. Unlike the 2021 version though, Undertaker didn’t pull Ciel into a bridal carry or referenced the R!Ciel wake-up scene as clearly.

The second half after the break was the long-awaited Cricket Match. Like the previous version, there was no scene of Ciel jumping into Master Michaelis’ arms, but I think they just couldn’t fit that one into the sequence. The cricket songs were mostly the same as the original - with an improvement being them cutting out Red House’s random beauty pageant contest. It actually felt like the cricket match went by faster this time, which was a win in my book. I’ve heard people complain of Kuromyu 2021 being a “Prince of Cricket” musical, hence the bad reviews back then.

The laxative meat pie scene was hilarious. From Sebastian faking it as a student complete with Red House’s uniform, to the team’s diarrhea horrors. Redmond stole the show again, as he was going to help Harcourt in the middle of the field, but tragedy struck which made him deadpan: “Oh. Someone get Harcourt.” Then immediately left the stage lol. The Blue House kids lifted Harcourt out.

The Green vs Purple house battle was the same as last time. I always felt bad to see Cheslock being the only Purple kid doing his best because without any support member cast while Violet was sitting in the grass. But this time, he gave Cheslock a tree sculpture of his bust as a good-job reward! Good for them.

Lastly Green vs Blue. They incorporated the rotating stage again in the last batting when Greenhill accidentally hit Ciel. The end of the match cut straight to the Thames Boat Ride, then they did the Blue House cheering scene after. Sebastian finally got to do his signature bridal carry, awww.

Midnight tea party: the setting was even more beautiful than last time. Undertaker letting his hair fall from his hat was iconic as usual. I was impressed with Master Agares’ fight scenes because his actor looked quite older than his 2021 predecessor. I always liked how they did Derrick Arden’s death in the musical, it felt more anguished from the P4 POV while in the anime, it just felt like a gruesome horror scene.

Final musical number was Ciel-Sebastian-Undertaker chorus during their fight in the garden. Music and choreography seemed to be similar, EXCEPT they somehow changed the iconic “Your life is my priority” scene!!! 2021’s version had me hold my breath as Sebastian had his arm possessively hooked around Ciel and took off his glove with his teeth (seriously, you have to see it yourself). This time they had Sebastian and Ciel reenact the scene on the highest stage instead of front and center, and I didn’t feel as much suspense nor was there any glove-removal from what I could see. It was also a weird placement because they were so far away, and Undertaker should’ve been the one on the top as he did his goodbye pose holding the moon.

We end the story with Sebastian recapping the aftermath with Weston’s students, and finally sebaciel’s conversation back at the manor. Again, Ciel reiterates that Sebastian is the only one who could never lie nor betray his trust. Perfect Black came on as an outro, and I got chills when Sebastian ended the last verse on a raised note!

The curtain call was the experience I’d waited for. Somehow I only realized just then that the actors would do the full call during their finale performance, which was what we got to see in the recordings! That day, after the cast bowed twice, the exit announcement immediately came on but guess what? The audience, including myself, kept clapping all the way through the announcement, it went for so long that the cast actually came out to take another bow! As they returned on stage, most of us also stood up for a standing ovation - according to twitter this doesn’t seem to be a regular occurrence outside of the finale. It felt like a truly wholesome “welcome back” for the troupe and for Kuromyu, especially after the rather harsh criticisms from the previous stage (due to major cast and style changes, even I took a while to bring myself to watch it) and the long break due to the COVID years.

Overall summary

Kuroshitsuji Musical 2024 was a faithful rerun of its predecessor. They succeeded with the musical numbers, new cast, overall adaptation of the story. The settings, props and special effects were wonderfully upgraded. The original cast carried the show: Eito Konishi’s singing felt greatly improved and I thought he carried himself as more mature than his last performance as Ciel. Sebastian’s Toshiki Tateishi had a mesmerizing voice the more I listened to him, he never went out of breath even while dancing or fighting - truly vocals fit for the troupe leader. Kandai Ueda did well as his own Undertaker too, even with Undertaker’s peculiar accent.

My few complaints: I felt like the P4 cast (bar Redmond) could do to have more distinction in their tones and movements. It felt hard to distinguish who was talking at times. The performance seemed to have a faster pacing this time around, and you get less absorbed in certain conversations between the characters, so I wished they’d added in slow scenes here and there. And of course I miss the signature sebaciel moments that I’ve mentioned - granted, this manga arc had always been my least favored because of the lack of sebaciel interactions anyway! So I’d say they did the best with the source material.

While I enjoyed seeing my favorite production performed live with the music blasting through my eardrums, it was the atmosphere that truly made the experience for me. Sitting in the 4-storeys grand hall full of some 2000 Kuroshitsuji fans really pulled me back in time, especially during the standing ovation. I’m so happy to see my favorite series so loved after all these years. I’m sure Yana-sensei could feel it too.

I wish a successful performance for the cast going forward to Tokyo, and hopeful for many more musicals to come!

[whoishotteranimepolls]

Why is everyone so biased toward One Piece? Literally every character from One Piece I see is the ugliest creature I've ever had the discourtesy to lay eyes on and they're winning by a landslide against genuinely attractive characters.

Oh boy, we've gone over this a couple times but it's been probably a month or two. It's not so much biased as it is a large and organized fandom. Plus good writing can make anyone hot even though the art style can take some getting used to.

Let me explain some fandoms have dedicated blogs that do nothing but reblog polls so that fandom can vote in random fandom related polls all in one place. Now in tournaments it is very unfair sometimes because they can organize themselves and rally to sway a vote quickly. Now I know one piece and bleach do have dedicated blogs when it comes to anime fandoms. Other non-anime fandoms that I know have blogs are Star Trek, Star Wars and Ninjago. I only know this because I used to be really big into voting in tournaments poll.

Plus I do normally share the Fandom overall week in review list and the anime and manga list. This shows the most popular Fandom related trends of the past week by Tumblr's own data. And as someone who's been following that page just for fun since probably 2012, one piece frequently is in the top 20 on the overall chart and I don't think I've ever seen it not in the top five on the anime and manga chart. The fandom is just that large and active. I mean one piece frequently trends when a new chapter or episode drops. It's just how it is.

And as someone who used to despise one piece, I did give it a shot after I watched and enjoyed the live action. Now it's actually one of my favorite animes. However, the manga is so much better due to the less than stellar pacing of the anime. The only reason I'm looking forward to the remake so much is for fixed pacing then maybe more people would give one piece of chance. Because the story and the writing is so good. However, the art style is not everyone's cup of tea and I do understand that and that is probably the number one complaint.

Fun fact, at one point there was a group of you campaigning to get one piece characters banned from my polls because the art style was misogynistic. Luckily that was short-lived because I was about to start blocking people. So let's not start that up again.

Now I will concede that the one piece fandom does like to do cursed polls And definitely request ugly characters on occasion just to watch the world burn. You know who you are. But we're talking about a show that has furries and fish people and characters that can turn into dragons and snake hybrids and dinosaur people. So there's a lot of variety in your humanoids not all of them are hot

I know it bothers a lot of people that one piece wins so many polls but I see this as a case of don't hate the player. Hate the game. So if you can't beat them, join them. So I would recommend if this really pisses you off so much start your own blog dedicated to reblogging polls for whatever fandom you think needs one. So you can start rallying and organizing your fandom against the one piece fandom so you can try to take them down. Don't know if it'll work but it's a start. Again, learn from them and use their tactics against them

[yukipri]

Heroes & Villains Clone Backpack Review!

The Heroes and Villains Clone Troopers collection is here!!

I'm absolutely ECSTATIC about this collection, bc I've wanted a general clones/GAR collection (not TBB/332nd, as cool as they are) for AGES. I begged a rep for this collection in person at last year's NYCC, so now that it's here, of course I ordered ASAP. Got a few other items that I'll review too, but starting off with the backpack!

This is the "Grand Army Tech Backpack"! There are tons of little nods to the clones/the GAR throughout.

Detailed review of the design under cut!

First, the top flap is a really neat fusion design of both the clones' helmets & ARC pauldrons. Only visible from a top-down view, the black bit in the middle actually looks like the clones' visors, which is a design thing I love that they also did with their Ahsoka Trooper backpacks. It's got the helmet vents over the blue, and the sides can come out to look more like shoulder pauldrons too!

On this flap, there's a lil black velcro patch that reads "Elite Clones" in Aurebesh. In the middle, you can swap out the designations of 4 included clones: Rex, Fives, Echo, and Cody! (love them ALL, but sorry I've a Cody bias) I LOVE that they have this customization option, since all us clone lovers have our biases😅 (will include more details on this in a follow-up reblog1)

Next, we've got the stretchy cross bands across the front middle, which are practical because they can stretch to hold stuff, but visually, are clearly a nod to the straps over ARC kamas. A bit hard to see in photos, but they cross over a Republic Cog on the white pleather!

Below that is the 3-button ARC chest pouch-inspired pocket. There's a GAR patch next to it, and both of these are on top of another flat pouch. There are 2 pouches on both sides of this, giving the appearance of ARC holsters.

On one side, there's a detachable "gadget case," which is really fun! However, one comment: I don't love how the zipper opens on the bottom, which means that if you want to put anything inside it without securing it tightly into a compartment, it'll fall straight out🥲Could be solved if it opened at the top instead!

Both sides have very stretchy bottle holders that hold my chonky thermos from Batuu with ease. Also, loops so you can easily hook carabiners (and then add more keychains/charms for more personalization eyyy)

Overall, I absolutely adore this bag. It's got an awesome design that's clearly got a ton of thought put into it, and is an amazing homage to GAR clones and specifically ARC troopers!

Because Tumblr posts only allow one video per post, please keep an eye on the reblogs because I'll add videos showing how the velcro designations swap out + a demonstration of how much this thing fits.

This post is NOT sponsored, just a fan sharing honest reviews.

However, here's my non-influencer “refer a friend” code, if you want $25 off $75!

And here's a direct link to the bag itself on the Heroes & Villains site!

Hope this review was helpful!

[lakecountylibrary]

As a public librarian whose own library’s marketing is, not to put too fine a point on it, garbâge, I have to ask: How did y’all manage to get a tumblr account?? Our communications dept would *never* let us be that cool.

It went kind of like 'Hey. We should do more reader's advisory. It's great social media *checks notes* uh, content. Should be a blog since it's long form writing. No, I can manage it, it fits in my task list. Have you heard of Tumblr? No? Well it would be perfect, and it's free. Approved? Greatthanksbye!'

And then I ran and they haven't caught me yet.

Much longer answer under the cut, in case you're looking for tips to convince coms ⬇️

I'm the person who manages all of our online marketing, so I really only had to ask the director. The words "I'll manage it myself, no additional staff time" were also magical since... well, I'm the social media manager, they know I'm good for it (and that I'm not going to post something the library is going to have to make an embarrassed press release about later.)

The way I made the case for tumblr was by saying it's a spot to host staff recs/reviews that's not character limited, and we can link back to it from all of our other social media platforms. Our website isn't set up for blog-style posts so making a new page every time we wanted to rec a book would be hugely obnoxious. Plus tumblr's tagging system aids in discovery (you know, in theory) in a way our website couldn't.

Even if our book rec posts don't get many notes here on tumblr (they don't, with a few exceptions) posts with links back to tumblr do pretty well on our other platforms. So our benchmarking for tumblr doesn't look great on its own but it does improve our stats elsewhere, so it's worth keeping on - especially since the overhead on staff time is very low. Staff send in their book recs and reviews when they have something to say and a little time to write it up, no strict schedule or deadlines. I take care of all the formatting, proofreading, graphics, scheduling, and tagging myself.

Obviously we're doing more than just our rec posts - reblogging and answering asks and replying to posts where relevant, plus the occasional one-off non-book-rec post. Which is all, you know. Just being on tumblr. Gotta do our bit to keep the tumblr ecosystem healthy. If you want to convince a marketing department that's worthwhile, then it's raising brand awareness.

(Plus I really like tumblr and keeping the social media manager happy when she has to spend eight hours a day looking at the kind of nonsense people say to libraries on Facebook other social media sites is worth its weight in gold, though I may be biased. But getting to manage the tumblr at work is sort of like an oasis in my day.)

And then sometimes Neil Gaiman reblogs an addition we made on his post and suddenly everyone at work is very excited that someone has kept up the tumblr for all these years :D

[triumphantbass]

Dawntrail Retrospective

Okay, it's been two weeks since Dawntrail launched, a bit over a week since I've cleared it and have had time to think things over, wanted to do a big dump of my thoughts, a non-scored review of it all.

Full spoilers after the break.

So, I want to give this all a nuanced look; I know this has been a polarizing expansion; I did very much enjoy my time while still having some qualms, and I'll try to highlight both sides of that here.

Overall, while it would be low in my expansion rankings, that's not to say it's bad. Just as I probably bump Heavensward up a bit in my rankings because it did so much with so little (in terms of budget, gameplay tools available, story to build on, cast, etc.), Dawntrail takes a hit because I know what they're capable of these days.

But a 10 year saga is a tough act to follow, and I know if this was my first FFXIV experience (it might be a lot of people's one day, if the 'second saga starting point' for new players they mentioned ever gets implemented), I'd be going 'oh wow'.

Anyways, before I pick things apart, I'd like to highlight what really worked for me.

Sphene was my problematic fave. I know Artificial Intelligence tropes can be overdone, but I have a fondness for them because when done right, an AI is clearly authored by someone. Just like a biography, even an autobiography, paints the subject in a certain way, an AI really reflects the creators' biases.

Just as the soul technology was shown as a mechanical version of the aetherial sea, Sphene really felt like a sort of digital primal for Alexandria, the people's desires latched on to her, sort of a vtuber Zodiark.

I loved the development that her compassionate personality (taken from the OG Sphene) was distinctly incompatible with her unsustainable primary directive, protecting and preserving Alexandria's way of life (the directive from the people)

And I appreciated that part of the thesis statement of her character is "a Garnet who never traveled with Zidane would become a tool of Alexandria, her kindness taken advantage of as a figurehead''. Which makes it nice when Wuk Lamat breaks through during The Interphos to appeal to her.

She can feel like a bit of a rehash of Hades and Metion, but I do enjoy the contrast of her valuing life too much to Metion not valuing it enough; it's important to know how to live in spite of despair, but it's also important to accept that even memory is not forever.

Also while I'm here I have to say I absolutely respect the zone change of Living Memory from stunningly beautiful to hauntingly somber. I hope that change is not reverted in patches, as it's absolutely the starkest environment change in the game.

I like the idea of casting aside nostalgia to care for the living, and I thought this zone was a welcome surprise from the "Golden City" imagery a South and Central American expansion invokes.

(PS, massive Simulated Twilight Town vibes)

And I thought Cachuia was well done in this zone; I was a bit antsy earlier with how they made her into just a drone, but I liked the resolution between her and Erenvelle

But one thing I want to stress as I sing the praises of the last zone and change, is that neither half of this expansion works without the other, because unlike other split expansions (SB having the Gyr Albania and Yanxia halves, EW having Islabard then the Ancients), it felt clear in why it had both halves, and that was for the contrast of the same theme, Namely, the ideas of culture, tradition, and history, and how they affect the living.

When Wuk Lamat is giving her speech during her ceremony, she notes one of the societies taught her "they believe death is not the end, and we live on so long as we are remembered", which Sphene says almost verbatim of her people later, menacingly polite as that same belief is twisted.

There are some roots of this conflict in the first half too, with Koana's disinterest in culture and tradition, before realizing progress and culture weren't incompatible.

While Alexandria instead takes it to a logical, Black Mirror extreme, discarding culture and history, literally forgetting anyone who passes (while assuring themselves anyone who is lost still lives on) and living purely in the present moment; death itself removed from the public circle.

I don't think the Alexandria half, the modern, present-focused society works without first setting up a region with a rich culture and history.

In the first few regions, you see how those who walked before led those who walked after, while in Heritage Found... you see a heritage lost. On both sides of the divider there are abandoned buildings; a sidequest in the graveyard has the keeper note that memorials have fallen out of favor due to regulators, Alexandria had a perfect record of history (data, people, all stored in the cloud), but didn't use it; specifically keeping it away to prevent painful memories from affecting the present. While Yok Tural had an imperfect history (a lot in legends, retold/inconsistent oral history), but that history distinctly affected their day to day; even the painful memories, the tragedies, all played a part in shaping the present.

Even though it could make the pacing clunky at times, I did like that Wuk Lamat's basic setup of "learn about these people and understand why they make the choices they do" extended to Solution Nine and even Living Memory.

Garool Jaja was also a very good character, loved his performance, do kinda wish his solo duty where he confides the true nature of the contest was the very start of the expansion; I feel like it would have set the tone for this being the "The WoL is a mentor arc" better.

Also to wrap up the good side: every single dungeon and trial was ace. Dungeons finally hit a good level of difficulty for normal content, and were well designed and very pretty. Vanguard and Everkeep in particular were delights, as was the postgame dungeon Tender Valley.

------------------------------------------------------------------

And on to my more mixed feelings.

Wuk Lamat- I don't hate her, but I don't like her that much either. I tried to keep an open mind for the full MSQ, but ultimately she's not a character I really vibed with; I do get the shonen protag/Naruto appeal, but it's really not for me. She's been described as 'Lyse 2.0', and while I admit I have similar feelings about Lyse, I do think Wuk Lamat has a more natural progression. Lyse started Stormblood feeling like a 20 something on a mission trip, while Wuk Lamat feels like a reasonable candidate who just needs a little encouragement.

I don't mind too much our WoL taking a mentor role and taking a backseat, while downplaying their powers; but what I struggled most with was fatigue. Wuk Lamat was always there, like the memes of "Talk to Wuk Lamat" say. Like Shadowbringers was the expansion where Graha was the main character, and a lot of the time he was away doing city stuff or being mysterious. Wuk Lamat would have benefited from more time to breathe, especially in the back half of the game. She should still be there in the back half for sure, for the expansion to work she needs to be a player in all this, but I'll admit I sighed when I got to Solution Nine thinking I'd explore by myself (probably bumping into her at one of the locations) but instead needed to escort her. As I noted earlier, I don't mind the Interphos interruption (though I did appreciate the chance for the WoL to be at full strength) because Wuk Lamat appealing to Sphene's humanity fit the expansion themes well.

Succession- I'm happy this didn't go into my worst fear: a retread of the Azim Steppe where we actively interfere in another nation's politics by being their champion; but it left a bit to be desired. Notably, while I knew the Scion Civil War was a bit of a misdirect, it felt kinda pointless? Like Thancred and Urianger are here helping an alumni from their university out as he applies for the same job, but they're totally chill with you. And honestly there are no stakes to him getting the job, he's the only other qualified candidate to the point where you hire him later yourself.

I didn't want any longstanding inter-scion conflict, but for a character as frequently duplicitous as Urianger and driven as Thancred it just felt like a waste.

Also, GJJ clearly told the WoL that the keystones didn't determine the victor; he would pick a successor that was worthy- I kinda wish they just stuck to that. Having the "good' rulers and "bad" rulers paired together for the cooking challenge felt like a bit of a cop-out, , plus needing to win back a stolen keystone, etc. just felt like missed opportunities.

Zarool Ja and Bakool Jaja - I get what they were going for in the end with each of these: ZJ being the "impossible son of an impossible son, the weight of expectations causing him to shun those around him, and that loneliness twisting him", BJJ being desperate to help his people, feeling the major survivors guilt of his own life costing so many others.

but neither of their narrative arcs are smooth, and in the first half, especially during the trial, they seem to be doing comically evil Wacky Races Dick Dastardly behavior with no regards for a continuous arc. BJJ releasing Valigarmanda was the icing on the cake for me. He could have done this in a reasonable way, weakening the seal in an attempt to sabotage the trial, then feeling guilt over what he did in desperation, but no he walked up to the gate keepers like 'no I'm evil, I'm gonna destroy that now' any hints of ZJ sympathy come like, during his trial and from the Wandering Minstrel, who even notes most will see him as a one dimensional tyrant

I also think they could have distinguished both more from just being warmongers; in the same way that Wuk Lamat and Koana are somewhat aligned but have different visions, personally it would have made more sense to me if BJJ had a different brand of conservatism; putting a stronger emphasis on defense and isolationism rather than world conquest. It would fit his background better too, as someone who wanted to protect his homeland

--------------------------------------------------------------------

My most negative thoughts are really just pacing. I would like to not have so many quests just running around talking to people, not learning much of note. I know there are only so many things you can do (stand in purple cloud and kill 3 enemies isn't great either), but at this point I'd honestly just take a shorter MSQ if it meant better story pacing.

I know the first half is meant to be like an abbreviated ARR, and I don't mind it being low stakes, just wish it had a bit more polish.

I will also say I felt a lot more limited in my dialog at times? Like I don't need every box to have "I'll kill your god if I have to, maybe even if I don't", but there felt like a lot of instances where you had two ways to say the same sentiment. I like it when the game lets you have opinions, even if the opinions are objectively bad (you can straight up tell Noah the Allagans were visionaries) A lot of that pacing was more actual story content than the quests though; the first three zones could feel like extended allied society quests (solid enough ones), which wasn't bad for a 'fresh start', but Shalooni is where things felt off. I liked the vibes but frankly the quests left barely any impressions at all.

(loved the trolley dig though)

------------------------------------------------------------------

Overall, like I said, I enjoyed my time. While it may not be a favorite expansion, it sets a good baseline for another ten years, and I hope they can refine it in the patch series and beyond.

There's a lot more I could probably say, I realized I didn't have a chance to touch on Erenvelle (very glad he tagged along) and Krile; but I feel I'll have more thoughts on both of their plotlines after the patch series.

P.S. though I rolled my eyes at some of the running jokes I genuinely got a chuckle out of Wuk Evu always freaking out then snapping back to polite with "well I won't overthink it then" and similar. Felt very Chocobo Racing GP.

P.P.S. Wood-carved owl nouliths are the best idea. A+ weapon.

[transmutationisms]

i am the world's biggest wikipedia defender (especially against people who say that it's unreliable) because, while i know it's not infallible (is anything, though?), it is peer-reviewed. once, my friend edited the othello page to include a joke we had made and she got her account banned. how do you reckon with wikipedia as a source of knowledge? my understanding of it is that it can serve as a good base for things, but learning never stops and one should read as many sources as possible to gain a fuller understanding of whatever they want to know about. this is a very long-winded way of asking your opinions on wikipedia. my apologies, and i hope today is alright for you :~)

wikipedia obviously gets a lot of flak for the fact that anyone can edit it, which means that people certainly can and do check each other's work, but also that anybody with an axe to grind or just a poor understanding of a subject can potentially really distort the presentation of that topic. there have been some high-profile cases of bad and even dangerous editorialising, like the woman who basically single-handedly is trying to correct a whole bunch of pages for former nazis that really whitewashed their legacies and cited various antisemitic and white supremacist sources to do so. i think it would be foolish to claim that crowdsourced knowledge is inherently accurate, fair, nuanced, &c. wikipedia replicates the biases people put into it, and just having more people edit it doesn't instantly 'average them out' because yknow, we're often talking about widely held positions or prejudices that have also caused distortions in many of the cited sources. also, wikipedia has many more gaps than most people realise, partly because an encyclopedia is necessarily a massive undertaking and also because, by design, it excludes eg oral traditions, non-literate people, &c.

however i do find a lot of wikipedia criticism annoying because it will usually involve trying to counterpose wikipedia to approved academic channels of knowledge production, specifically in a way that sets academic institutions and publishing as an intellectual gold standard that crowd knowledge simply can't compete with. academia is not some kind of magical solution to problems of distortion and bias; academics have their own ways of perpetuating and rationalising prejudices, and reinforcing rather than challenging each other's epistemological authority and laziest, most harmful assumptions. not to mention that many shitty wikipedia articles do actually cite approved academic sources published by university presses! because these characteristics do not actually guarantee that a source is good, only that it passed quality control at a reactionary institution lol.

ultimately i approach wikipedia basically the same way i approach any academic text, which is to say i have to read both with attention to how the arguments are being developed, what evidence they rely on, what ideological assumptions are being made or defended, and so forth. i can't really think of a source or genre of source that i would endorse just reading and uncritically believing; in that sense i certainly agree with people who point out the major potential for inaccuracy in wikipedia articles, only i think this line of criticism is totally useless and blatantly elitist if it simply exempts 'respectable' academic sources or presumes institutional channels of knowledge to be epistemologically infallible.

anyway i use wikipedia to check dates of major events and it's sometimes useful or intriguing simply to see what about a topic interested people enough to write an entry about it. but i don't automatically trust any arguments or analyses in wikipedia articles, any more than i would the thesis of any nonfiction book i pick up.

[psychip7]

Alright new eddisode dropped, you know the drill. Review time.

Errr…4/10? I mean, I’ve already accepted that Beyond’s writing isn’t my thing. But I’m still gonna give my thoughts in a non-biased manner and try not to be too much of a sourpuss.

Pros:

-a bit more enjoyable for what it is than surf and turf wars. The jokes don’t meander for *too* long, and there are some okay ones . (Except the burp and feet joke eugh STOP it ew beyond)

- I think the art direction on this ep has been better than past eps.

-fun little references in the background

-not as many …’cringe inducing(?)’ moments as last eddisodes.

Cons:

-okay, just to preface—I have no ill will towards any of the va’s! This is just my opinion. Good? Okay.

I’m really not a fan of the voice direction for beyond. Everybody just sounds so very…awkward? I don’t know if this makes any sense, but the voice acting doesn’t …serve/enhance the animation? It’s like these two components should be working together, but they aren’t—and it’s distracting. (Sorry if that was a bunch of work vomit. I’m trying to articulate myself)

- (this is just a personal nitpick) I don’t know if I’ll ever get used to Tom’s new voice. It’s so jarring.

- edd felt very…boring in this ep. I think this has been a problem the entire beyond era. I dunno…the guy is missing ANY sauce. He just…is there. Thank you beyond, very entertaining. I am on the edge of my seat with these characters.

ANYWAYS. Don’t kill me if you like this eddisode, that’s fine. Have a nice day.

[hongyueg]

'The Reckoning of Roku' Review

The Reckoning of Roku

By Randy Ribay

Genre: young adult, fantasy

Content Warnings: death, grief, colonization

Description: “A young Avatar Roku has only just commenced his training at the Southern Air Temple when his erstwhile friend, Prince Sozin, requests his aid in preventing the Earth Kingdom from claiming a remote Fire Nation island. Despite his inexperience, Avatar Roku slips away with the help of an irritating young Airbender named Gyatso. As the reluctant companions delve deeper into their wayward mission, they begin to realize that even greater threats lie ahead. Plagued by self-doubt but eager to prove himself, Roku fights for his life and the lives of others while ensuring that the hidden secret of the island doesn’t fall into the wrong hands.”

After reading the previous Chronicles of the Avatar books, and liking them a lot, particularly the Yangchen duology, I was very excited to read The Reckoning of Roku and see another author tackle the Avatar-world in novel format. Overall, I liked The Reckoning of Roku. The characters were very entertaining, the plot was intriguing, and the book does a nice job setting up the themes and events we know Roku will face later on in his life. I have some complicated feelings toward how one of the antagonists was handled and a death that occurs later in the novel, but in general, I find this book enjoyable.

What I enjoyed:

-Just like the original show and the Kyoshi and Yangchen duologies, this book creates heartwarming and heartwrenching character dynamics and relationships. Ribay especially does a good job providing more depth to both Roku and Sozin’s and Roku and Gyatso’s friendships. As someone who recently went through a life transition that meant moving away from some of my closest friends, I could really relate to Roku as he navigated leaving his childhood best friend behind. Additionally, I am impressed by how the novel humanizes Sozin while making you hate him more. Sozin’s storyline reminded me a lot of Snow’s in The Ballad of Songbirds and Snakes and I would be interested in seeing where it continues in the sequel. Gyatso was wonderful in this book and I appreciated learning more about his past and seeing him interact with Roku and a new character named Malaya. I especially loved how Gyatso got to be his own person in this novel and not just Roku’s Airbender friend. Also, Ta Min completely stole the show in every chapter she was in. I hope we get to see more of her in the sequel!

-Speaking of Malaya, I wanted to acknowledge how her character helped challenge some problematic tropes in adventure and travel stories. In this book, Malaya, at first glance, stands in for the stereotypical and often racist caricature of the “friendly Indigenous guide.” Yet, almost every scene where she interacts with outsiders is written from her perspective, forcing non-Indigenous readers to challenge their own biases and assumptions within this story as well as in similar narratives. Additionally, since so much of the novel is from Malaya’s perspective, we can really see her own agency in her decision-making and see her growth as a character going from beginning to question her own leader to fighting to protect her clan while choosing to explore beyond her home.

-In terms of themes, I appreciated what this novel had to say about grief both in terms of grieving the death of a person and also about grieving changing relationships with one’s friends and allegiances. Detachment is a word that pops up a lot in this novel and the book does a great job of challenging what it means to detach and exploring how we can have healthy attachments to the people and places that are no longer in our lives.

-The worldbuilding additions in this book were fascinating! I enjoyed learning more about Air Nomad and Fire Island cultures and it was neat seeing how the author weaved his own Filipino culture into the story.

What I thought could be better:

First, as a note, it’s very hard to talk about my critiques of the book while avoiding spoilers, so please take this as your spoiler warning.

-[Spoiler Alert] I have complicated feelings about how Ulo was handled in the novel. On one hand, I appreciated how Ulo’s storyline showcases the importance of holding all leaders accountable. Just because a leader is from a marginalized identity and claims to be making decisions to protect their communities does not mean they are exempt from being corrupt or abusing their own people consciously or unconsciously. On the other hand, since we are mainly seeing Ulo through the eyes of Roku and Malaya, the novel seems intent on making readers distrust Ulo’s position toward outsiders without delving into the complexity of his order to kill all outsiders. Ulo is also the primary character in the story who outright discusses a fear of colonization, a fear that is proven true by the end of the book. It seems like the book is trying to both give complexity to Ulo while still retaining him as an antagonist without truly delving into his motivations and the source of his fears. Maybe if Ulo had just been given a couple of chapters from his perspective, his storyline would have felt more like a complex examination of leaders living under the threat of colonization rather than a muddled commentary.

-I also have complicated feelings regarding Malaya’s death. On one hand, I appreciated that the scene is written from her perspective, allowing readers to recognize her agency in her decision to try to assassinate Sozin. Her decision also reflects her growth in her ability to stand up to corrupt leaders. On the other hand, her death appears to be used to emphasize Sozin’s paranoia and cruelty, characteristics readers already know he possesses. While her death does add to the grief plotline of the book, it still feels somewhat unnecessary since we already see Gyatso and Roku grow in terms of their understandings of grief even before she dies. This leads to her death feeling like the book is killing off its only Indigenous, female point-of-view character to showcase the male characters’ cruelty and growth. [End Spoiler Alert]

Despite my complicated feelings regarding some of the book’s plotlines, I enjoyed The Reckoning of Roku overall. I loved seeing Roku, Gyatso, Ta Min, and even Sozin receive more characterization and it was a lot of fun meeting new characters like Malaya and Sister Disha. What this book had to say about grief was powerful and I can’t wait to see where these characters and themes go in the sequel! I recommend the book to any Avatar fan looking for an exciting adventure.

[annon-secretcave]

Sonadow, Sonamy...

OK so we all know that there's a civil mid-joke war inside the Sonic Fandom about preferences between Sonadow and Sonamy, right?

And yeah I don't care barely at all about ships or ship wars and stuff, and everyone can have their opinion! But as someone who loves to relate the lore to everything because autism I really like analyzing things and it helps me understand everything better, I thought to maybe give all the canon/non-emotions related stuff to explain how these relationships, friends or something more (spoiler alert, something more does not exist in canon), work inside canon and how they would work in the far future.

REMINDER THAT THIS WILL NOT SIDE WITH EITHER SIDE MUCH UNTIL THE END ("In my humble opinion..." part)

THERE'S ALSO AN ANALYSIS! But at the end, since it's more of a personal analysis that is not fully factual, just a study of the characters.

Yeah so here it goes...

(Everything with a "*" means that it will be explained at the end with the more "sonic" stuff, less related to the ship.)

Sonamy

Realistically, Amy was created to be more of "just an addition to the Sonic team" with more female representation. She started off as just Sonic's girlfriend or love interest, even though he never showed as much interest for her as she did for him. In short, her interest in him did show since she made her first appearance, clearly showing that that would be the main or most shown romantic relationship in the franchise.

At the beginning, she was completely a Sonic fangirl and had much interest in him, specifically shown in shows or some comics... but as they realized the potential of the character, they stopped making her whole reason to be there sonic, changing it slightly, but still firing the character. This also meant that they stopped making her be "madly in love" or that interested in sonic, who was never interested in the first place. This, outside of the franchise is clearly the creators noticing the potential of a character with a heart as big as Amy's, but inside of the franchise it was probably her maturing (going from typical teenage romance-obsessed phase to just a normal crush), which was (ok this one thing is my opinion, yeah...) a big improvement to the character, to give her a story, more personality...

Now, about the ship itself... Sonamy has always been one-sided, or at least in most cases. And this had been stated and was seen clearly throughout the franchise (ok realistically I did not watch sonic boom but that one is not really canon in the main story which is the one that I am talking about). At first, maybe it was not shown in a very modern or uh... less obvious way... but listen the 90's are the 90's ok. but they showed it nonetheless. So, respectfully, Sonamy has not been canon from both sides clearly in most of the canon storyline.

Sorry Sonamy shippers...

(further study of this ship is after Sonadow, but that is a more personal review so I understand if you are not so interested)

(I'd add a single picture of these two but all I can find is FANART...)

Sonadow

So yeah I think we can all accept that no matter how gay it looks we have no proof that they are canon with facts and from a less biased point of view...

We have Sonic's line "I heart you too, Shadow" hope that's enough to feed ya xd

Nah but seriously there is an analysis to these two, it's just not that based in facts and hints like Sonamy had.

The analysis...

Now that the factual part has been explained, let's see this from a more Sonic POV, okay?

Sonic

Sonic is a character that likes to do everything, achieve everything, and be the fastest. His quote is quite literally "Gotta go fast". Of course, in a relationship, he would, not only be interested in, but also need, someone who can "keep up", as toxic as that sounds. He does not really need someone as fast as him, just someone that he can trust to be there by his side at every fight (or most of them), someone who will be at his level enough to fight by his side, otherwise it would be too dangerous. Something else that I've noticed is that the ones he is closest with, or has shown more attachment towards, are also people that can keep him with his feet on the ground, people that know when and how to say "You are not going to do this" and convince him, or, people to just keep him company and remind him who he is when he forgets (and, hey, it's Sonic, he also likes to have a few laughs).

As coincidental as that sounds, being able to both keep up and slow him down are traits that both characters mentioned earlier fulfil (yeah maybe Shadow more specifically... but shut up this is also supportive for Sonamy shippers ok LET THEM BE HAPPY LET THEM ALL BE HAPPY)

In any case, Sonic is a free-spirited supersonic hedgehog that will go wherever he wants whenever he wants, he helps people that are in trouble if he has the chance, and will fight and laugh alongside people who were once, currently are, or have tried to keep up. But being in a relationship itself is more effort than occasional visits, and Sonic knows that; he will be in a relationship with someone that can "keep up" and stand by him for the good of both of them. Obviously, he will also give, put in the effort to make the relationship work, but he knows who, when he gives 50, can give back 50, and those are people that will keep up with his adventures.

In my opinion... (the logic of the analysis applied to my train of thought, this is more biased from now on)

Sonamy

I understand why people see these two as a cute couple. Honestly, it makes sense. She does fulfil most of the traits and he does fulfil many of her expectations, from what I have seen of her...

But it's the keeping up part. Amy is a kind, warm hedgehog who loves nature and loves protecting nature. I have always had the feeling that, at some point (when she's a young adult probably), she would get a small house, near a natural area, where all her friends are, and stay there to protect them in that area. She would stay in one place that would fully grow on her and she would spend all her life there, protecting what she wishes to fight for and taking care of nature, as well as some visits every now and then to her friends if they are far away.

Sonic does not seem to like physical affection too much, except for certain moments with certain people, and the way Amy keeps asking for affection might make him uncomfortable or even bore him most of the time. In a relationship? It might just bore Sonic too much, and Amy would not change to much anyway...

I have never been a fan of the concept of a one-sided ship, due to how toxic it can be. But there is something about the way that Amy, even with her crush, respects Sonic's boundaries, that makes me feel like this is the one single one-sided ship I find interesting and perfect as it is. Sonic is not uncomfortable with her, on the contrary, he enjoys spending time with her a lot, but when she goes to a more romantic mode, he does seem more uncomfortable in most cases.

Plus... this one small part is way more of a personal opinion, but Amy staying single and possibly being a single mother feels very in-character and sweet.

Sonadow

Shadow. As cryptic as he chooses to be at times, he has shown that he cares about Sonic before, which for the character, someone who lost everything in a person who meant the universe to him, is quite a lot. He has been open- or as open as he can be- with Sonic before, which clearly makes their friendship-rivalry slightly more different that his relationship with other people. Shadow's only "problem" is that at times he cannot express himself well.

They respect each other, even if they don't always show it. They care about each other, and even admire some actions the other does. Their rivalry is not toxic, it's just competitive.

Shadow does have the traits that Sonic would be most interested in, like Amy, but in his case, he is less feeling, but he can definitely keep up and even slow Sonic down. He has followed him when he thought he could put the world or himself in dagger multiple times, but he has not shown that well his ability to encourage Sonic (yeah no he has his own way with words and that way is not saying anything, much less to someone with Sonic's high self-esteem)

Sonic loves excitement and enjoying life to the last minute, doing everything that might sound extreme just for fun. He has always admired Shadow's power and angry determination, and found him and his powers amazing, even if he won't admit it. Shadow doesn't mind living extreme situations at all, apparently even enjoying certain activities that involve the excitement of a battle of any kind. Sonic finds that part of Shadow fun to mess with, and Shadow either doesn't care or is barely angry, but actually, in a way, enjoys having someone to fight or just spend time with that won't push any emotional talk or physical signs of affection too much.

Apart from that, my pov again for the future, both of them could make great parents, and their relationship in a family could be interesting since they already act like a married couple xd but then again, Sonic does not seem like the kind of person who will just have a kid unless something "eye-opening" or lifechanging happens to him.

Conclusion

But then again this is just an analysis that would be in case he would settle with either of them for life, so it might not be the best if we are just keeping them with their current age or a bit older xd

Plus, this is more related to their personalities, facts and lore... since I'm not the most adequate to judge how romantic and other kinds of attraction work haha (aroace nation rISE)

Also, as un-biased as this is, this still has a bit of personal opinion, so don't take it too canon and stuff

And remember everyone had the right to have their own opinions, even if we don't like them. Respect everyone and their opinions! They aren't hurting anyone anyway, right? (unless it's something highly immoral or just straight up not legal worldwide)

So yeah, at the end of the day, it doesn't matter if you ship Sonamy, Sonadow or something else, we're all just having fun after all, and if you insult people's opinion you're just being the angry bully in the playground who steals toys and breaks them because it's fun for them, a bitch.

Sonic's got 2 hands after all, ammaright

(this is totally official art trust not al all made in 2 minutes in board with a mouse)

[epicocat]

I realized i haven’t been giving any GunplUpdates to the, like, 3 people that care, so I’ll just do a quick review of the nine kits I’ve built since the Zeong

Real Grade Sazabi

Probably one of the best RG kits I’ve built so far, at least in recent memory. It’s big, it’s articulate, it’s detailed, I love it!

High Grade Gundam NT-1, AKA Gundam Alex

This one was certainly an older kit. It builds the same as any other HG RX clone, and absolutely needs panel lining with all the molded details (good thing I picked up a pen recently). However, despite all its limitations, the HG Gundam Alex turned out better than I expected, and poses quite nicely!

I’m not at all biased because we have the same name :P

High Grade Mobile Doll May (Gundam Base Color)

This is probably my first official step into the Mecha Masume genre of model kits, but not my first girlpla (I’ve built the Figure Rise Sulleta Mercury the Artery Gear Fusion Guard Spider Feidy kit [highly recommend] before either of them). I doubt I‘ll end up buying anything more scandalous than this, I really don’t care for the half naked robot girls of Frame Arm Girls or Megami Device.

That all being said, this was a really fun kit! It was my first run with waterslide decals, and I think they turned out… mostly ok. The articulation is really good, the sculpting is well detailed (especially in the areas meant for other fans) and I just like kits that come with stands.

I will say, i do not and will not understand the appeal of battle stilettos (it’s hard to see in the pic but her feet are basically pointed straight down in the heels she’s wearing)

Sakura’s Edge

Another of my few non Bandai kits, Sakura comes from the Armored Puppet line of kits from Number 57. It’s another 1/24th scale kit, which means she is very very smol. Her most stand out feature is her third giant buster-arm, capable of wielding a sword twice her height. The bright pink, gold, and white go really well together, and she just looks really nice! Unfortunately her armor is more of an afterthought from the creators, as some parts need to be filed and trimmed excessively to get them to fit (I was in a VC with a friend, he can testify I was almost brought down by the shoes), and other parts just sit loose, ready to pop right off after the slightest tap, touch, or pinch.

30 Minute Missions Spinatia (Commando Type)

This kit was my intro to 30MM and I wish I bought more of them sooner! It was a cheap impulse purchase from a “local” hobby store I was checking out and it was a really enjoyable experience! It was simple and relatively fast (I failed the mission, it took me an hour), but using all the extra parts and mixing and matching equipment was so fun to play around with and experiment with what looks cool, something I hope to see more of as I build more Hexa Gear kits. In the meantime though, I have a 30 Minute Custom to plan >:3c

Transparent SD Gundam and Char’s Zaku II

I dont own many SD kits, and I think these are some more I’ll snag more of as I shop around. They’re simple and cute! They’re both Cross Silhouettes, but only the Zaku came with the CS frame, so the Gundam is just really squat and even more chibi in comparison. Overall not much to write home about, but still fun!

High Grade Gundam Maxter

The only red white and blue I’ll ever stand for

That being said, this was a really great kit! It’s a shame it’s P-Bandai limited, along with Gundam Rose. It absolutely needs panel lining for its literal abs of steel and face, but it still looks quite nice. It’s very articulate and it was hard to pick just one photo that truly sums up the insanity of Gundam Maxter, perfectly captured in gunpla form. It comes with everything seen in the picture, along with its flying surfboard shield, guns, and an effect part for its bursting machinegun punch. It is such a great kit, and comes with enough ham to justify its $30 price tag, despite the fact that Maxter is in fact very small.

High Grade Messer F-01

I love The messer’s design. It feels like a true successor to the Zaku series of suits. I know canonically it’s built off of the Sazabi, but it’s design is 100% Zaku. It’s got that respirator like mouthpiece, and the spiky asymmetric shoulder armor. Is just so cool! And did I mention this things size yet? It, like it’s predecessor are big boys, snd both stand almost as tall as many master grade gunpla in my collection. Overall an amazing kit!

[koskela-knights]

Sometimes I can be really fed up with the slander and mischaracterization of the Koskelas. That and how people seem to (mis)remember everything about them. Yeah, in the long run, they sadly didn't play a relevant role and probably are considered minor characters to most people but some takes I've seen are just wild af.

And oddly, they seem to be the only characters who are both so invisible/not cared about and getting the wildest takes at the same time. Astonishing, really

A non-exhaustive list so far of takes and just basic things people forget/misremember/didn't catch:

They're being called hillbillies

They're being called hillbillies and that they'd vote right-wing (plz, they're anti-government and anti-authority af. Additionally I feel if they were bigoted and close-minded as the person implied, they would not have rented a trailer to Saga)

They're called stupid, middle-class adults trying to be a neighbourhood watch

They're called incompetent (are we gonna ignore they almost singlehandedly managed to keep Watery and Bright Falls safer thanks to their Cult???? Hello? The FBC literally put Scratch in a time-out-box and their agents got slaughtered left and right. Also, I'd like people who accuse them to try the same: juggle economic collapse in your town, having multiple jobs with supernatural dread and horrors and see how well they fare. The physical and mental toll that these things take are heavily heavily understated and overlooked.

Jaakko is a dad. (This can be found through the e-mails from Charlie & Charline to Uncle Ilmo, the thermos costume people talking about their dad, Ilmo calling Jaakko a stay-at-home-dad if you never talked to Ilmo at the monitoring station. It's hinted at Jaakko saying that family comes first in the profiling section with Saga

Ilmo is greedy (there was 1 negative review stating this. Honestly, if he rly was greedy he wouldn't "yeet" Saga's trailer rent like that. And while CW might be overpriced on some fronts, so are many amusement parks and clearly, Watery is suffering economically. They arent' exactly swimming in money lmao so ofc they try to do anything to uplift their town)

Jaakko absolutely hated being in the commercials and was lazy in them (at first glance perhaps, but you see subtle hints and smiles and laughs from him on many occasions proving the opposite. yeah, he might not be as into it as Ilmo but he must've enjoyed it enough to still star in it)

They're morally evil as seen in the concept art. (when I asked the person about where they got that claim, they ended up admitting it was from a dream lmao)

They're members of the Cult, the leaders even. This might feel obvious but apparently it isn't. Rose isn't the only one hunting down Taken. The Cult did it too. It was their main goal and they were the very reason Saga and Casey came to BF in the first case becos of their 'murder rituals'.

Alan wrote them to be good. (Honestly, I'm tired of the takes that Alan wrote everyone and everyone's personality. It completely robs every character of any agency or wit they have)

Echo Ilmo is the same Ilmo we see in Watery. (As far as I'm concerned, Echo Ilmo or 'the Cultist' died in the echoes.)

Ilmari is straight-up Ilmo. (While there's a manuscript detailing that the Dark Presence tried to turn Ilmo and Jaakko into Ilmari and Jaakoppi, doesn't mean they're the same person.)

YY Ilmari's personality being taken at face value. (If people even remember this character at all, people think that's the only version/personality of him. I'd say that YY is a biased piece of work becos of Seine/Zane is an unreliable narrator/director. Also on the Huotari Well it's explicitly stated that the Historical Ilmari said he was possessed by the Näkki. This can be up for interpretation of course. But I doubt he'd be exactly the same as the Ilmari we see in YY.)

People straight up forget that Scratch's cool jacket belongs to Jaakko. And even the devs went as far as to just completely remove the kalevala knights' logo from the jacket and the club's existence in the DLC

They're bikers. They're literally part of the Kalevala Knights Motorcycle Club. Again, yeeted out of existence with the DLC

People dunking on Coffee World. (Well, yeah clearly the park has seen better days. But again, if we consider what is happening around town and Bright Falls, the economic decline... it's tough out there and the Koskelas are trying their best with the terrible hand they've been dealt. And all things considered, they're doing pretty okay)

Ilmari Huotari erasure. In fan art, fanfic and fan vids he is often completely left out while he might have had the longest interaction with Kesä of all. He was literally the third listed actor in it. Yet absolutely forgotten.

[gunterfan1992]

Episode Review: "Fionna Campbell"/"Simon Petrikov" (Fionna & Cake, Eps. 1-2)

If you had told me on the day that Adventure Time was canceled that almost a decade into the future, I would still be writing reviews about new episodes, I would have never believed you. And yet, today saw the release of not one, but two new episodes. (It seems that the fun really will never end!) What a world we live in!

----

When I first heard that Fionna and Cake would be the focus of the newest Adam Muto-produced Adventure Time spin-off, I was a touch apprehensive. It is not that I disliked the characters... I just worried that they might not be able to anchor ten 22-minute episodes. After all, the two were always something of a funny gimmick. Other than explaining if they were real, what more was there to say about them?

My tentative apprehension started to dissipate when I learned that the one, the only Simon Petrikov would play a major part in the miniseries. Simon was always a strong character, and there was much to his story that still needed to be teased out. His presence in the miniseries signaled one thing: Fionna and Cake would not just be a fluffy romp, but rather one of mythological significance! Needless to say, my interest was fully piqued, and I began to count down the days when the miniseries would debut.

And now that the first two episodes are out, I am happy to say that my tentative fears were likely misplaced. Indeed, if "Fionna Campbell" and "Simon Petrikov" are indicative of the overall quality of this miniseries, we're in for a good time!

So let's dig in!

Airdate: August 31, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Hanna K. Nyström, Anna Syvertsson, Haewon Lee, Jacob Winkler

Directed by: Ryann Shannon (supervising), Hans Tseng (art)

The miniseries kicks off with "Fionna Campbell," which follows the story of Fionna the human... No, not that Fionna the Human. This Fionna does not live in a magic land, and it is only in her dreams that she's a swashbuckling hero. Instead, the Fionna we meet lives in a mundane world very much like our own. This Fionna seems to feel as if she fundamentally lacks any sense of purpose. Accompanying her throughout her non-adventures in this alternate reality is Fionna's (non-magical) cat, Cake. The main plot of the episode begins after Cat and Fionna have a strange dream, whereupon Cake begins to act erratically; it is almost like she desperately needs to be in contact with ice of all things. After a series of humorous set pieces in which Fionna repeatedly discusses the dullness of her reality with a variety of uncannily familiar characters, Cake goes bananas and makes a mad dash for an ice cream cart. As Fionna gives chase, Cake dives into the cart, which turns into a magic portal and teleports Cake to a different world...

Of the two episodes discussed in this review, "Fionna Campbell" was the least impactful. Do not misunderstand me: It was still a fun, charming episode, but it did little more than introduce us to our heroines and set up the plot of the miniseries. The issue with this is that it makes much of the episode, on a strictly narrative level, superfluous (for instance, were you to have Cake dart over to Fionna's ice dispenser and have it—rather than an ice cream cart—the overall story would still work just fine). But while much of this episode is technically "unnecessary," it nevertheless mines a lot of goodwill and humor by introducing us to gender-bent "real world" versions of beloved Adventure Time characters (e.g., "Queen" [Queen of Ooo], "Ellis P." [Lumpy Space Prince], "Gary Prince" [Prince Gumball]). Perhaps I am biased as a Marceline fan, but hands-down the best of the gender-bent bunch is Marshall Lee, played once again by the uber-talented and oh-so-witty Donald Glover. (That said, Pen Ward's oddball hobo-vet character, "Ellis P.," is a close second.)

Regardless of any narrative weirdness, I applaud Muto et al. for approaching this Fionna and Cake storyline from a different angle. It would have been very, very easy to simply drop us back into the genderbent world that we have already visited in the main series. This, honestly, is what I was expecting the series to do. Instead, the writers decided to introduce versions of Fionna and Cake that feel more like they are from our world. This makes them solid audience surrogates. Over the course of the episode, I came to see Fionna as a character in and of herself, not just as a female version of Finn. Likewise, Cake felt less like "feline Jake," and more like a goofy house cat (albeit one that has a case of the Zoomies from Hell). "Fionna Campbell," in a word, gives Fionna and Cake a chance to become their own people before throwing them into the wider world of Ooo.

Airdate: August 31, 2023

Story by: Anthony Burch, Adam Muto, Hanna K. Nyström, Jack Pendarvis, Kate Tsang

Storyboarded by: Iggy Craig, Graham Falk, Jim Campbell, Lucyola Langi

Directed by: Steve Wolfhard (supervising), Hans Tseng (art)

After the purposefully abrupt ending to "Fionna Campbell," we are suddenly thrown head first back into the familiar Land of Ooo with "Simon Petrikov."

This episode picks up several years after the main series. Simon is now living a, shall we say, "unorthodox life in a museum-like facility, where he is treated as a relic of the past. He has lost his sense of purpose and direction, and he struggles with loneliness and boredom. Simon, in a word, is depressed. It does not help matters that people keep asking him about "his" Fionna and Cake novels--novels that he repeatedly emphasizes Ice King wrote. Alas, it is no use, and so Simon goes to the tavern owned by Dirt Beer Guy (A+ cameo) to drink his sorrows away. It is here that he runs into a 20-something Finn in all his himbo glory. Finn sees that Simon isn't doing well and insists that he must go on an adventure to reclaim his joie de vivre. Simon reluctantly follows Finn into the most primordial corner of Ooo, where the two are nearly killed multiple times.

At the end of the episode, Simon returns to his museum-home feeling just as bad as he did before. After sneaking off into his closet, we learn that his depression has driven him to create a shrine to GOLB; using the demoniac power of Evil Choose Goose, he subsequently attempts to summon the deity, presumably to reconnect with Betty. But, just like the best laid plans of mice and men, Simon's scheme fails to summon any eldritch abominations, but it does open up the portal we saw at the end of "Fionna Campbell." And out from this portal pops Cake the Cat!

The episode immediately shifts to Prismo's time room, where we see an alarm on the wish-master's remote begin to blink ominously…

Wow, what an episode!

I appreciate the focus "Simon Petrikov" places on depression and the struggle against nihilism. Simon, after all, is a man thrust into a new world. Everything he used to strive for is gone. Even the madness that took his old world away from him is gone. This might sound like a good thing, but interestingly, it seems to have had a deleterious effect on Simon’s psyche: Previously, when Simon was metaphorically locked within the recesses of Ice King's mind, he had something to strive for: He could overcome the crown’s curse and regain his sanity. And then he did! Thus, Ice King ended and Simon was back. But alas, his arrival occurred at the literal end of the story. The big bad was gone. The goal had been reached. All that was left was the ride into the sunset. But Simon could not do that, because even though he regained his sanity, it ultimately cost him his love, Betty.

I won't lie: I found Simon's story to be deeply relatable. For those who don't know, I recently earned my PhD. It was a long, uphill battle, and after I earned that degree… I didn't know what to do. In truth, I still don't know what to do. I have been a student almost my entire life, and now the rest of that life lays out in front of me. I achieved what I originally wanted; it is time to figure out what I currently want. Honestly, it has been an occasionally gloomy time, and I won't lie, I have struggled quite a bit with depression these last few months just trying to figure everything out. In doing so, I have realized just how much of my life I have sunk into my degree. It has been a bit disheartening to realize that while I have a doctorate, but it cost me the entirety of my 20s to get it. So yes, while I did not lose the love of my life to an eldritch demon-god, I still empathize with Simon's listlessness and his existential angst. (As an aside, post-PhD depression is very a real thing, y'all!)

When you have gained what you thought you wanted and lost that which was really important, what do you do? Of course, it is easy to simply collapse in despair. This is capitulation to vulgar nihilism, and it is something that I have struggled with ("Why even bother doing anything..."). At the start of "Simon Petrikov," the titular character is very close to this collapse, too. Indeed, Simon starts off in a dark place, but paradoxically, this darkness holds the seeds that can grow into a life-changing journey. After all, when we are at our lowest, the only (productive) way to go is up. Put most simply, Finn was actually right: Simon needs an adventure to reignite within him that sense of drive and purpose. But the catch here is that that adventure needs to be meaningful to Simon. It needs to spark something unique within his soul. The bizarro arrival of Cake may thus be exactly what he needs. Cake is not just a mystery—she's a mystery that perhaps only Simon can solve, since it was Simon (or, at least a version of him) who dreamed her up in the first place!

Simon now has a purpose.

Purpose.

Once again, Adventure Time is reminding us of the importance of "purpose." Purpose, the show seems to be saying, is what gives meaning to our lives, what motivates us to overcome challenges, and what inspires us to contribute to society. Without purpose, we may feel lost, empty, or hopeless. What, then, is the show suggesting we do to gain this sense of purpose? It is hard to say, given that the miniseries isn't over, but my guess is that the show is emphasizing that while meaning can emerge from even the most chance of occurrences, it is not enough to just recognize these coincidences. Instead, we have to seize them, embrace them, and make them our own. We have to act on our purpose, and not let it slip away. At the end of "Simon Petrikov," Simon is put in this exact spot, and while he might show some reluctance to seize the moment, something tells me that he'll eventually act in a major way.

Am I on the right track? I guess we'll have to wait a few weeks to find out!

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When news about the series first started to leak, I remember there was a lot of hubbub about its more "adult" tone. I was a bit apprehensive when I heard this; part of what I love about Adventure Time is that it is capable of being scary and profound without having to stoop to the shock value of cheap swears and bloody violence. After seeing these episodes, my worries have mostly been put to rest. After all, most of the "swearing" is pretty mild, and it seems to be used rather judiciously. (That said, I did a double take when Cake told Fionna to "Puke [the bad guy] up"—I thought she said another "-uck" word!) On top of all that, it was often just funny! Queenie shrieking "Jesus!" when Fionna ripped her pants off was comedy gold, as was Finn's line about "bust[ing Simon's] balls" back in the day. I'm a bit more ambivalent when it comes to the gorier elements (e.g., Finn killing that mudskipper in a bloody splatter), but that's largely because it feels a bit incongruous with the lighthearted Land of Ooo that we know. Adventure Time was often violent, this is true, but it was rarely gory. That said, the violence in these episodes is not over the top—this isn't Superjail! or anything—and I hope the show continues to maintain that nice balance. Right now, everything mostly feels "right."

All in all, these were solid episodes. In addition to all the positives that I outlined above, there were a variety of other things that made me smile. I'm quite happy that the show is returning to the multiverse lore, as I always felt that was a story thread that the show never explored to the fullest. The various cameos were also delightful (I had a lot of fun guessing who all the gender-bent normies were supposed to be representative of), and I loved the little post-Mushroom War Simon & Marcy moment. And of course, hearing Marceline say that someone is "pissed" is something that I didn't know I needed to hear!

I cannot wait to see what the series has in store for Simon, Fionna, and Cake.

Final "Fionna Campbell" Grade: B

Final "Simon Petrikov" Grade: A