#a post will go up with a link when its time

[sabrinahawthorne]

Let’s Grow the RPG Hobby

Inspired by this post and the conversation surrounding it.

So the RPG world is facing a multitude of interconnected problems. Let’s talk about them, shall we?

---

1: The Problem(s)

Writing this, I find it hard to pinpoint a way to frame the subject of this post as a single thing. But it’s also impossible to treat it as it it’s a collection of separate problems. In reality, the issues facing the indie RPG world are A Hydra; a many-headed conglomeration of related issues, which each require organized, dedicated work to solve. A few examples:

The Normie-Indie Divide

A problem close to my heart, The Normie-Indie Divide describes the gradient between the mainstream of an artistic hobby and the really independent stuff. I compare this to movies a lot, but the more apt analogy is video games. The N-I-D in the videogame industry is so small as to be virtually nonexistent.

We can see this via a number of factors – one example being that the same outlets which cover massive blockbusters & sequels like Assassin’s Creed and God of War, also cover popular indie titles like Celeste and Hollow Knight. Then, freelance journalists who write for those publications (Jacob Geller is an example) go on to cover much smaller games on their own time, and so on. There’s a smooth gradient between the media coverage of the huge stuff, all the way down to a thriving (if still underserved) super-independant industry.

The N-I-D in RPGs feels uncrossable. The most well known RPG is so big it’s currenly riding the high of its second major hollywood adaptation in 20 years, and the second most popular – Vampire the Masquerade – is an unknown even to some indie RPG fans.* This hobby is shockingly impenetrable, even to those of us who spend our days swimming in the deepest end of the pool.

The Supply & Demand Problem

This one’s simple: People are pumping out RPGs by the truckload, and there are just too many! Not only does this make it hard to sift through everything to find the thing you want to read, play, or review, it also makes it nearly impossible to get anyone’s eyeballs on the cool thing you just released!

As others have pointed out, this problem is exacerbated by the fact that relative to some other art media, it’s pretty quick and painless to whip up your own zine or one-pager and publish it on itch. This disincentivises even the most invested of us from looking at a ton of new games, and means that sharing your work can feel like you’re being ignored by a huge crowd.

A Road To Solutions

If all of that is making you feel pretty bad for the future of this medium, you’re not alone. It can feel pretty hopeless facing all of these problems as an indie designer when all the tools you have at your disposal are a tumblr account and a few indie friends to complain to.

But the truth is, I think that this Hydra is eminently slayable. I just don’t think we can do it alone. That in mind, I’ve spent a large portion of my day putting together…

The Call to Action

I think there needs to be organized, persistent effort put into the future of this hobby and this industry, and I think it needs to start the way all good movements do: with a lot of petty, semantic argumentation over definitions and implementation. And to kick things off, here’s my step zero: If you’re reading this post because I’ve tagged you in it (or because I’ve sent you a link to it), my Dms are open. I want to put together a discord group chat† of my peers within RPG tumblr who are invested in tackling The Hydra, such that we can start brainstorming plans of attack to disseminate into the wider community.

The issues I wish to address are these:

The Normie-Indie Divide: How do we go about cultivating a casual audience of indie RPG fans who can bring sustainability and longevity to the industry?

The Supply & Demand Problem: How do we minimize the cognitive load of sorting through the huge volume of work extant in this medium, and more generally encourage peer-to-peer interaction within the community, like news coverage, reviews, and marketing?

The Cognitive Frontload Problem: How do we make it easier to actually engage with a given RPG, considering the amount of cognitive & temporal investment needed? Further, how do we make RPGs, both general and specific, more accessible to readers with a wide variety of abilities, preferences, and available time?

The Insular Community Problem: How do we better connect this hobby with itself, such that it feels a little less like several dozen cliques across 4-6 platforms, and more like the growing, evolving single hobbyist community that it is? Further, how do we make this hobby more accessible to newbies outside the influence of The Hegemons of the Coast?

And more. I’m positive I haven’t thought of everything, and that’s exactly why this needs to be a group effort.

As a last note: Please tag other people! The folks I’ve mentioned here are just those who I personally feel I know well enough to tag; let’s get the rest of the community involved! If you know someone who would be interested who isn’t on tumblr, they can email me: sabrinahawthornegames@proton.me.

*I’m not kidding. Multiple times within the last four months, I’ve introduced VtM to people who I would consider pretty in the sauce of RPGs. I’m talking folks who’ve played Heart: The City Beneath or Wanderhome. It’s bizarre.

†I need to stress that this is only a start. I’m not looking to start a big public discord unless that’s what a group of folks decide is the right call. By “group chat,” I mean “a chat which exists for long enough to hold 1-3 group voice calls to discuss and hash things out, before it’s dissolved in favor of the execution of whatever plans we devise.”

@theresattrpgforthat; @omophagic-beast; @ladytabletop; @rowansender; @monsterfactoryfanfic; @arsene-inc; @toyourstations

[zenosanalytic]

When Christians Kill God

I was watching a Big Joel video essay on Nebula this morning(sorry, can't link it rn: he hasn't put it on youtube yet) about the God's Not Dead series of christian-nationalist movies, and it crystalized something for me:

When Nietzsche said "God is Dead"(and I have my Issues with Nietzsche this is not a "Nietzsche is Great" post), he didn't mean god had ltrl had a heart attack or something, nor did he mean ppl didn't BELIEVE in god anymore. He meant "God", as a concept, had lost the explanatory and organizational meaning he felt it had in the past: that "God" was no longer a transcendent and otherworldly point for social cohesion, which provided structure and meaning to society and life, and The Church no longer an institution everyone deferred to and interacted with by dint of its divine-connection, but rather that both had become subordinate to gross political power. He meant that God-as-concept was now a mere rhetorical means to achieve inescapably worldly, political ends(one could fairly argue if "God" had ever been anything BUT that).

There's a moment in one of the latest of these movies subtitled In God We Trust[1](we'll get back to this) that is VERY telling. The hero of the film, a conservative pastor running for congress, is debating a strawman liberal and the liberal says something like "Isn't do unto others the main message of Christianity? Isn't Love Thy Neighbor central to the teachings of Jesus?" to which the hero says "No." both times and then responds "central to the teachings of Jesus, IS Jesus." and follows it up with "the only reason the teachings of Jesus resonate is because he was the son of god" meaning that christianity isn't about following Joshua's teachings or example, but just baldly about worshiping him, as a deity and like:

First off Josh Says(Im going to have to quote the Gospel of John quite extensively here to make a point, so plz excuse that) pretty clearly

I am the way the truth and the life

That how he lived is The Life dedicated to god, and his example the WAY to god, and his life's teachings AND example the TRUTH of god, and reiterates it later when asked by Phillip to show them god by saying

have I been with you all this time, Phillip, and you still do not know me?

in other words 'WHAT HAVE I BEEN TEACHING YOU That you don't know god yet? Haven't you been paying attention to my words and actions?' and later

The words that I say to you I do not speak on my own, but the Father who dwells in me does his works

in other words 'The Words of my Teachings are the Work of God. I. HAVE. BEEN. TEACHING YOU. GOD' and then, still, following from that

Believe me that I am in the Father and the Father is in me, but if you do not, then believe because of the works themselves. Very truly, I tell you, the one who believes in me will also do the works that I do and, in fact, will do greater works than these, because I am going to the Father.

and later still

Those who love me will keep my word, and my Father will love them, and we will come to them and make our home with them. Whoever does not love me does not keep my words, and the word that you hear is not mine but is from the Father who sent me

It Could-Not-Be-Fucking-Clearer: Joshua is saying DIRECTLY 'If you believe in me you will live by my example and my teachings, and if you do not live The Way and The Truth I have brought to you FROM GOD, then you DO.NOT. believe in me' His message could not be clearer.

The people who made God's Not Dead: In God We Trust made it's culminating moment a DIRECT RENUNCIATION of Joshua's teachings, and John 14 specifically, in favor of worshiping divinity in-and-of-itself. They reject his life, his teachings, his works --Everything the Gospels equate directly to Joshua and through him to God-- to merely worship a god for being a god, and in doing so mark themselves out as not christian at all. They DO NOT keep his words, and so they do not love him, and they are PROUD OF THIS!

So, No, God's Not Dead: In God We Trust(which you CLEARLY DONT DO, Actually): Christ is NOT "the central message of christianity", his WORDS are his BODY and those who KEEP them in their Hearts make themselves a HOME FOR GOD. When you reject his Words, you reject his Way, you reject his Life, you reject God, You. Reject. Christ.

I am no christian, but by the standards of the professed beliefs of the people who made this work, of the VERY TEXT they claim is their inspiration and truth, bowing down to divinity is NOT Enough. You HAVE to Walk the Way; you MUST Accept his Words.

But more to my point: What better proof that "God Is Dead", no longer a pillar to build your life around and bring ppl together by, now nothing more than a tool for unscrupulous power-seekers, than a gang of wealthy liars calling themselves ~Christians~ proudly celebrating their Rejection of "The Way The Truth The Life" in favor of scraping at divinity's feet, as a tawdry tactic to drum up votes for an election.

They Spit on their God and call it "Faith".

[1]That they'd name it this is particularly galling, given everything else, because of course that Wasn't The Original Motto of the US, E Pluribus Unum(Out of Many, One) is, but rather one adopted in 1956 after a long campaign of political christians campaigning for it. In other words: That "In God We Trust" is the official US motto is yet another example of God being reduced from something holy to a political football. ↩︎

[dailydegurechaff]

Today's Daily Degurechaff is… doing some filing

[lucabyte]

Olive Branch

Wrong Move

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[tryingahandinholdingapen]

I kind of want to either write or read a time travel fix-it fic where it's Tobirama who travels back in time - BUT it's not Tobirama's POV. He's only a side character. It's mainly focused on Madara and Hashirama. Occasionally Mito, Izuna, Touka

This post got real fucking long so here's a read more

Just a really funny fic where you never quite get to see what Tobirama is doing, because he's not the POV character and the other characters don't know/don't pay attention to what he's up to. But like he is doing important stuff yk he's taking advantage of that future knowledge

For example:

Madara and Hashirama meeting at the river. They've figured out/confessed to their respective clans and are discussing peace and who in their clan might or might not support them

Madara asks about Tobirama and Hashirama is like "Hm? Tobirama? Honestly I don't think he cares about the Senju-Uchiha war at all. He's far too occupied with his own war against the mold youkai."

"....The what?"

(It's not too obvious from Hashirama's POV that Tobirama keeps sneakily fucking up Zetsu's machinations, but what's significantly more difficult to ignore is that Tobirama is increasingly getting ambushed by White Zetsu drones ('mold youkai') - that he eliminates with extreme prejudice and alarming fury)

Just, stuff like that. Main plot is making peace, focused on most of the main family EXCEPT Tobirama (who is otherwise occupied and is thus rarely focused on much) and possibly Izuna. So it's all stuff about battles between the Senju and Uchiha, probably having to deal with internal issues as well (Butsuma/Tajima? Elders? Coup/assassination attempts?) and plotting how they could possibly get peace, it's stuff like negotiating with the Uzumaki + Mito's marriage to Hashirama, it's the Uchiha having to deal with one of their allied clans turning on them (barely noticed sub-plot during this where Tobirama is trying to prevent/rectify the sabotage Zetsu did to the Uchiha's fancy tablet), it's about planning for their eventual village (Hashirama finds notes on plumbing on his desk, written in Tobirama's hand - when the fuck did he have time for that? where did he even learn about plumbing?), it's about trying to get the Daimyo on side, it's about all the politics of trying to get other clans to move into the village too, it's about ah fuck bloodline thieves discovered there were plans for a shinobi village in the works and are doing a frantic attempt to kidnap/'harvest' as much as possible before the bloodline clans are too protected in the planned village so now we have to deal with this fucking trafficking ring...

The sub-plot is an Tobiizu fic where Izuna is (correctly) CONVINCED that Tobirama is Up To Something, and (incorrectly) decided it's malicious to the Uchiha et al, and has taken it upon himself to investigate and Stop Tobirama's Evil Plans At All Costs

Longsuffering Tobirama is far too busy for Izuna's bullshit. He's attempting to prevent/stop/counteract Zetsu's machinations, he's trying to kill Zetsu, he's trying to destroy the big old statue (yk the one I mean, idk what it's called, if it has a name), he's trying to make sure the bijuu are all safe and Won't get sealed into jinchuuruki OR the aforementioned statue...

(he gets distracted for a bit with a side project wherein he decides actually it would be really funny for him to convert the cave the big statue was in, into a place for the kyuubi to hang out. that takes him quite a while since he has to run Zetsu out (so many White Zetsu drones...), destroy the statue, alter the place accordingly, and then find and convince the kyuubi that actually this is a great idea - without the kyuubi just fucking eating him)

...he's trying to make life easier for Madara and Hashirama (oh, Butsuma died from a mysterious illness right before he could enact his incredibly stupid plan against the Uchiha? damn. what a shame. anyway-), he's having to reinvent everything he remembers from last time he lived through this shit because whilst some of those jutsus/techniques/inventions (cough, Edo Tensei, cough) aren't strictly necessary, some of them are VERY MUCH NEEDED

That takes. So much time. Luckily Tobirama doesn't have to do all the research over again, since he remembers it and it's incredibly unlikely anyone will call him out on it (....except Mito with regards to certain seals. he very begrudgingly does research and writes notes and invents plausible-mistakes-that-could-have-been-a-first-attempt) so for the most part he can skip straight to inventing or writing out the final project/knowledge

Some of Zetsu's machinations are incredibly annoying to counter, actually. Like at some point the blasted weed installed/had nearly installed a puppet ruler in Land of Water which, what? Why? Urgh

(Please imagine the absolutely incredible amounts of suspicion and incredulous disbelief and paranoia etc that Izuna is aiming Tobirama's way once he (eventually) discovers that the 'White Demon' is seemingly MESSING WITH POLITICS RE: WHO RULES A FOREIGN NATION?!?!?! is nobody else seeing this!! Izuna is NOT CRAZY look at this bullshit somebody needs to stop him-!)

So long story short Tobirama has a LOT on his plate and he is so so incredibly stressed. Somebody help this man. None of this shit is helped by the fact that

a) Zetsu realised very rapidly that someone was fucking with his plans, and promptly started trying to kill Tobirama off, or failing that, sabotage Tobirama's plans in turn

(thus the years long and increasingly violent 'war against mold youkai' that starts when Tobirama is like, ridiculously young, and Hashirama casually mentions to Madara)

b) Izuna. Just, Izuna. He's fucking obsessed with Tobirama (why) and also the most paranoid person ALIVE it sometimes seems, and he just, won't stop, sticking his nose in Tobirama's business, how does he seem to be fucking EVERYWHERE doesn't he have anything else to do it's not like Izuna even knows the shadow clone jutsu how is he doing this why-

(Izuna like. What could possibly be more important to my rival than ME. And anyway he can't possibly be doing anything GOOD so it's for the best I intervene really this is entirely altruistic-)

c) amongst all this, Tobirama still has to somehow maintain at least a vague, plausibly deniable, belief that he's like. A regular person, involved in only normal things. Because if anyone finds out what he's really doing, or what Zetsu really is, or that he's from the future (IZUNA GET YOUR NOSE OUT OF-), then that introduces just. SO MANY new moving parts and this is already fucking complicated enough as it is, alright? Yeah yeah yeah teamwork makes the dream work, two heads are better than one, etc, but this is essentially a war of information and manipulation between Zetsu and Tobirama and when your main power is info+manipulation the fucking LAST thing you want is more moving parts + more people who could leak info/know your info/unintentionally fuck up your (future) knowledge. No. As much as possible he has to do this on his own. Which means he needs to act like he's doing nothing at all. Actually spend time with his family, be seen running normal missions sometimes, help in clan matters, attend the Senju-Uchiha battles when relevant...

Which is all really really hard when there's only so much time in the day. And Zetsu doesn't have to worry about 'spending time with family' or anything so any time Tobirama spends doing that instead of working towards destroying Zetsu's shit is-

(thank fuck Tobirama still remembers how he invented shadow clones, is all he can say. thank fuck for that)

Over time Tobirama increasingly gets a handle on his terrifyingly long to-do list, which means that 'Izuna is being really annoying and following me almost all the time' moves up his priority list. Eventually Tobirama figures out that the easiest way to get Izuna to stop GETTING IN THE GODDAMN WAY is to just. Humour him. Give him attention. Yes yes you are the most important person in my life and all this inconvenient shit is just stopping me from devoting my energy to fighting you now if you could just put that lady over there under a genjutsu and- (Tobirama trying to get Izuna to help un-fuck Land of Water, it only sort of works)

At some point they fuck because Tobirama's stress levels are at an all-time high and he needs SOME sort of outlet. (Could be entirely sane+consensual (relatively. given who we're talking about) or it could be dubcon) and Izuna actually chills the fuck out for an entire ten hours afterwards. Amazing. Clearly they'll have to do this again

So they do

(yandere4yandere tobiizu for the win. Tobirama starts out normal (again, relatively, considering who we're talking about) whilst Izuna approached everything about Tobirama in a completely sideways obsessive way from the start, but Tobirama gradually starts to also get more obsessive/possessive over time. Like what do you mean the one person who has followed me unquestioningly for years and wants to kill me and kissed me yesterday and volunteered to help me fight a bijuu might LEAVE?? no. fuck you)

(Izuna with a hiraishin marker tattoo-)

anyway back to 'things even further complicating Tobirama's life':

optional letter d) Tobirama is trying so hard to seem normal and not like he's from the future or fighting an evil mold-plant-creature that wants to revive his mom from the moon. So, so hard. But alas, facts work against him

Like, I mean, imagine from an in-universe perspective. There's this guy with really weird colouring, he's known as the 'White Demon', he's better at suiton than anyone else alive and if you've seen him even SLIGHTLY try it's terrifying (think: drowning on dry land, sudden rain/storm/tsunami, blood ripped from a dozen bodies in half as many seconds-), there's? more than one of him? HOW IS THAT POSSIBLE and he's so fucking hard to kill but even when you kill him he just. doesn't. die. (friendly reminder that Tobirama is abusing shadow clones like nobody's business in an attempt to stay on top of his insane amount of work to do -> yk, the jutsu he invented, that doesn't work like any other clone jutsu, and that in this timeline he has thus far told nobody about. someone destroys a shadow clone and is incredibly alarmed that theres 1) no corpse 2) the White Demon is STILL ALIVE after they KNOW they killed him?!)

There's also rumours about him fighting/negotiating with bijuu, and quite a few witnesses to his ongoing war with 'mold youkai'

The majority of people (excepting like, people he's close to in his own clan, plus Izuna and possibly a few others) aren't sure he ever sleeps or eats or drinks, and wounds don't seem to last long (healing jutsu from the future + whilst he's sleeping/eating his shadow clone(s) are still out and about)

Then there's the insane amount of knowledge and jutsu and inventions he offers-

Long story short on top of everything else, Tobirama doesn't have to deal with people knowing he's from the future or about the whole issue with Zetsu

....He DOES have to deal with basically svery person in existence being 100% convinced he's not human, though

[deoidesign]

Someone killed my boss last night and he sent me this I'm so fired

god I can't wait to make this comic.

[902186]

we dont have enough fanart and fanfics about sauron in numenor. im begging for scraps im manifesting im sending signals to the universe

[c-kiddo]

not sure how many times i've listened to this song over the past few years but its been in at least my top 50 songs each year

the two paintings:

[puppppppppy]

i think the reason why im so drawn to spirit tracks and pkmn scarvi is that having the legendary/princess as a companion rather than a goal that marks the games completion makes me feel satisfied the way i would after helping a friend

my brother always teases me about how I still havent finished botw after almost 7 years bc "id rather be out picking flowers" which i wont say is untrue. and yes i know Zeldas been holding off ganon for 100 years, yes i can get some sort of idea what her relationship with link was like by recalling memories and going through her diary. ive always loved botw for its unique storytelling and setting which makes it stand out, because it lets you get to know who you're saving.

but because theyre memories, it only works if theres something for the player to investigate that already happened. its retroactive (but effective nonetheless)

on the other hand, spirit tracks does something similar but instead of having the player try to piece together memories and interpret them as a spectator, you actually have an opportunity to get to know zelda yourself by talking to her and working together. besides making it a gameplay mechanic, giving the player control over how they interact with zelda makes it so much more personable.

and I find that making the goal feel personal instead of an obligation gives me more of a reason to work towards it. I know what kind of person botw zelda was but as the player, shes still very much a stranger to me. but spirit tracks zelda? thats my friend!!!! she invited me to go to the beach after we get her body back!!! i dont want to whip her to make her move faster thats mean :(

you know how hostage negotiators are trained to introduce themselves and get to know the person theyre negotiating with because its harder to hurt someone when you know what their favorite food is? its kinda like that, because it feels like im helping a friend than being told or led to do smth

and although i havent played scarvi myself, i feel an attachment to koraidon and miraidon even just watching playthrough clips because its like!! thats my weird scaly dog!! it loves sandwiches and we're friends!!! you know!!!!!!

[pokimoko]

I have had it with these motherfucking spam bots on this motherfucking site.

[autumnoakes]

can i say it now?

sage of time/time powers didn't make sense for totk zelda. at ALL.

when in botw, before the calamity, in aoc, did she EVER show an affinity for time powers? i get that it was like this sort of. hidden power kind of thing, but it still doesn't make much sense. not for zelda.

[waywardsalt]

im thinking about possession aftereffects that linebeck experiences immediately after the events of phantom hourglass, so here are bullet points i have down for my own ideas

he’s out cold for roughly five days after the fight. he’s conscious for a bit after being freed, but it doesn’t take long for him to collapse once he’s transported back to the great sea. link finds him when he reaches his ship to see him again (he takes a lifeboat or w/e from tetras ship its a whole thing and not the point) and ends up having to take care of him for those five-ish days.

while he’s out cold, he develops a bad fever, and has a good few physical injures from being possessed; all of his wounds from being possessed manifest as burns, the worst wounds bring cauterized and mostly closed, while smaller ones are still open wounds. the largest wound is a large burn covering most of his back, which is cauterized by the time he passes out, and then there are smaller, still open burns on his upper arms and legs. (the smaller wounds are manageable by link when he follows some medical instructions, [there are some medical books on the ship] the larger one is also manageable, but takes a lot longer to properly heal).

(link asks tetra and her crew to stick around for a while to keep linebeck stabilized while he’s unconscious. when linebeck wakes up, tetra and her crew are good to leave because then linebeck can better report what’s going on, and knows how to handle injuries).

linebeck’s fever persists after he wakes up, and he experiences… pretty much every fever symptom, with especially bad chills and full-body aches. the aches are really bad for the first few days after he wakes up, he’s extremely physically weak and shaky for a while, too. that weakness and shakiness get better with time, but he doesnt go entirely back to normal without actually moving around and doing things to build that strength back up.

he’s delirious and struggles to stay awake for those first few conscious days, too, which makes that weakness and shakiness worse; he struggles to eat and drink water, and struggles to string together thoughts or words to talk to link, and both of them figure out pretty quickly that they’ll have to wait a bit longer before so much as an attempt to coax him out of bed can be made.

beyond existing problems with food, linebeck struggles to keep anything down while he recovers, and becomes ill pretty much every time after he eats anything, so a bucket is kept near his bed. with water, he obviously needs to drink a lot of it considering that he’s feverish, injured, and vomiting frequently, but while he’s sick he has a bit of an irrational fear of water (along with an irrational fear of air and the wind, which makes him hesitant to go outside while he’s sick).

he’s generally pretty irritable, which isn’t particularly new, but it makes him prone to refusing help with certain things. he’s less irritable when tired and just resting. he’s also especially nervous, and despite the overall fatigue, he struggles to sleep for very long while he’s sick, and as said before, is often delirious and even confused when things are bad.

along with the other difficulties eating, linebeck has a hard time swallowing for a bit, and salivates a lot more than normal while he’s sick. he is soooo fucking dehydrated the whole time and that really doesn’t help.

while the weakness and shakiness stays for the entire time he’s sick and even a bit afterwards, for the first few days after he wakes up he’s stiff and also experiences some muscle spasms and numbness in his limbs, and has a hard time keeping his balance the first few times he gets out of bed.

once the sickness clears up fully, linebeck has to still be careful with the scar on his back; it’s sensitive to touch for a while and hurts when exposed to the sun or air for too long and when he stretches his back too far, but eventually just reaches the point where it’s a bit sensitive but is otherwise just a large scar.

obviously he’s also going through the wringer in an emotional and mental illness sense too but those would require a whole new bullet point list.

[bunnyboy-juice]

GRAAAAAAAH MISREPRESENTING DATA DOES NOTHING FOR ANYONE EXCEPT FEED TROLLS WHO ARE TRYIGN TO TAKE OYU IN BAD FAITH ANYWAY OH MY GD

[moonstandardtime]

writing the isat botw au and its. a little revealing. that i just know the entirety of the great plateau by heart.

[unproduciblesmackdown]

the sense of having any lore about the ancient [ten to thirteen years ago] of marble hornets times like granpa granpa tell us a greentext story....the only hitch is not having stories and instead having "i guess you had to be there" tales from the fringes, unless instead of a hitch you frame this as a bit