#a point that makes no sense to anyone is that I like stories that play with the main character side character class hierarchy

[firstkanaphans]

RE your tags on the bromance thing - I think I allowed myself to get a little panicky earlier when seeing a few people talk about there potentially being more, and whilst there are a few points made that I can understand, I do feel like the amount of worry I’m seeing it maybe a little preemptive?

Like, I do agree that it feels stupid to put TayNew in a bromance series; if they wanted two actors that are close & have worked together before, why not Tay and Off or New and Gun or something? BUT I did see that Tay and New actually wanted to do a bromance series together, so there’s part of me thinking that this was THEIR choice to do this series and not give it to some other actors. (And let’s be fair, I don’t think there’s anyone else who could have made this show so warm, angsty, and lovely.)

I feel like GMMTV has really been embracing their BLs a bit more if I’m honest, and sure, they do queer baiting in their non-queer shows, but who doesn’t? You can watch anything on Netflix or whatever and find ‘bromances’ that are severe queer baiting.

I kinda feel like sometimes people pile on GMMTV a bit much, all because they’re kinda like the biggest company in the drama community that does decent queer dramas? I don’t know if that’s just me being blind to their flaws, but I sometimes think they get a little more hate than other production companies and not always deservedly? (I mean I know they aren’t perfect and I call out their bullshit myself, but I feel like sometimes it’s ‘cool’ to hate on them?)

Sorry if none of this makes sense and I’m rambling - it’s almost 2am and I really need to sleep 🤣

In my opinion, these claims that GMMTV is going to pivot to bromances because they’re less gay and more profitable are absolutely baseless. Bromances are not new to GMMTV. They’re not even new to TayNew as I believe I’m Tee, Me Too was a bromance as well. Like you said, P’Dome explicitly stated that TayNew wanted to film a show together that was not a BL. Should they not be able to? And weren’t these same people complaining just days ago that CPs are never allowed to act outside of their CP? Now, they’re mad when they do.

What people are losing their marbles over is literally just the cast and crew having a good time with the fans. Did they play into the shipping aspect both onscreen and off? Of course they did! What writer worth their salt would have passed up such a perfect opportunity? But to me, it didn’t feel malicious. It felt like P’Dome was just having fun and giving Polcas a little nod. I almost feel like it would have been more strange if he hadn’t.

People certainly don’t have to like bromances, but it’s like We Are all over again where people were saying its very existence was indicative of the fall of the genre as we know it. And that’s just utterly ridiculous. This isn’t a queer story where the queerness was censored. In fact, there were explicit queer themes throughout. This is just a platonic love story and a lot of people who may not be interested in romantic relationships have found immense value in that.

Like I said in my tags, P’Aof is the Director of Content Production at GMMTV, meaning he is literally the one in charge of what content is being produced, and I’m choosing to trust the gay Thai man who has dedicated his career to this. He has such a passion for telling queer stories. Why would he stop now?

But like you said, it’s become hip to hate on GMMTV. And look, I don’t like corporations either, but let’s not pretend like GMMTV isn’t really fucking gay. Because they are. This is not a company that has ever shied away from explicitly queer content and is actually making more of it than ever before, so I’m not going to fault them for adding a few shows for the straights too. And if they have to make het stuff, I would much rather sit through a bromance than anything else.

I mean Jesus Christ. Peaceful Property was fun. I had fun. And it was also really good—easily my favorite offering from GMMTV all year—so if they want to make a hundred more bromances just like this, I’m certainly not going to complain about it. Some people just don’t want to enjoy anything.

(And go to sleep, Pip! It’s late 😂)

[sageadvice]

[ Dragon Age: The Veilguard Spoilers ]

Well…I reached the end.

And I mostly survived.

Varric 😭

I’m not going to complain about the bits that I took issue with. It’s 3:30 am and I’m too emotional for objectivity.

I did all that work to get the Solavellan ending…and then I gave it all up to punch the egg man in the face. And I don’t regret it for a second. (Chalk it up to my Rook being a girl’s girl, I say.)

One day, I’ll reload and do the whole “secret ending” thing but my gosh, keeping Varric’s…what, spirit? Tethered between Solas and Rook through BLOOD MAGIC?? Even Merrill would not approve of this. I knew he was manipulating Rook. I thought I understood betrayal. But that…that really cemented his place as the villain in this story for me. Even to the last, he believed himself a god.

I lost Harding. That…really got to me. I sort of knew it would happen; her or Davrin, the game didn’t make some big secret of it. And, to be honest, the whole game had a lot of easily-predictable plot revelations, and I think that was one of its major strengths. You could always point out the traitor during the first conversation, and then feel that sense of “ha! I knew it.” If they’d tried too hard to subvert your expectations, it would have come across as poorly written.

I ended up being very glad that I got all the companions to Hero status, and all the factions to three stars, because that meant that I didn’t lose anyone else. It felt right, like I personally did put in those hours and make those careful choices to save those people, and they didn’t just get a free pass due to plot armor. It was all Rook.

And I did enjoy the end of Rook and Lucanis’ romance. To be honest, if that scene hadn’t been waiting for me after she got out of the veil prison, I would not have been able to keep playing. Was it enough? I think so, for Rook. I will be writing my own fanfiction embellishments though.

Scrolling back a bit, the moment in the game that first made me cry was Manfred waking up with magical powers and squealing with excitement. “Magic! Like you!” Instant waterworks. The depressing moments are never as meaningful to me as the shockingly touching ones, and Manfred embodied that sentiment wonderfully.

What else can I say? I loved it. 10/10 for me, especially after waiting 10 years. They honored Varric, and even if I’m still mad about it I guess it’s more than we got for any of our other past beloved NPCs. In my head, he’s hunting Hawke down in the Fade. One day, Cassandra will meet him there and they’ll be reborn as wisps who can dance around the Necropolis together. Emmrich will make sure they’re properly cared for.

[fuck-you-upmusicbracket]

Cicada Days (Will Wood)

And God knows crying ain't gonna change a thing/She said take care But I take more than I bring/She said, "It just feels inhumane to lose this much"/"'Cause when you leave you know you takе more than your love"

"LET ALL MY RED FLAGS FADE TO WHITE, YEAH, I GIVE UP DON'T LET ME LEAVE, I'LL ONLY TAKE MORE THAN I GAVE OKAY, I'LL PACK MY STUFF HERE AT THE END OF DAYS, MY GOD, WHAT HAVE I DONE?! CHRIST, NOW IT FEELS DAMN INHUMANE TO GET ALL I'VE DREAMED OF"

"It is just so so so sad and such a good representation of how grief and loss feels sometimes. It really shows that sort of quiet misery and helplessness and how at some point you just give up and stop waiting for tomorrow to get better. Also “it just feels inhumane to lose this much” is the most relatable and best line ever written or sung by anyone ever."

"it's the shouted out lyrics at the end. it's the themes of losing people. it's the final album feeling"

Fast Car (Tracy Chapman)

You got a fast car, I want a ticket to anywhere/Maybe we make a deal, maybe together we can get somewhere/Any place is better, starting from zero got nothing to lose/Maybe we'll make something, me myself I got nothing to prove

So I remember when we were driving, driving in your car/Speed so fast, I felt like I was drunk/City lights lay out before us/ And your arm felt nice wrapped 'round my shoulder/And I-I, had a feeling that I belonged

You got a fast car/Is it fast enough so we can fly away?/We gotta make a decision/Leave tonight or live and die this way

"I know it's an obvious one but YOU try playing it without crying I dare you"

"I cant explain the yearning but this makes me howl"

"OH GOD the longing!! The yearning in the recurring central image of the narrator and her lover on the highway, feeling this sense of limitless possibility and incredible hope!!! And then the verses take us with brutal efficiency through the collapse of their marriage, the way that the cycle of poverty stomps down on their hopes, and how with nothing left, the narrator does what her mom did and leaves!! Leaving the kids to experience the same thing she did growing up!! But it’s all punctuated and bookended by these callbacks to that central iconic memory of hope!!!!! But by the end we realize that the last line “leave tonight or live and die this way” offers only the illusion of a choice: when the narrator first runs away and later when she leaves her husband and kids, she’s still fulfilling her role in this cyclical generational story. God!!"

Cicada Days submitted by @localvoidcat

Fast Car submitted by @smallboyonherbike + @uchihasasukeofficial + @all-our-exploring

[strawberrylemonade327]

This is probably a big stretch but like—to me they are the same ship in another universe

[thefirstknife]

Is the Witness cutscene viewable to people who did not pay for access to the season (or will it be post-year)? Like people who only bought the expansion and not the season pass? I know they shove important story and lore info behind timegated paywalls constantly (reason I hate the season model), but that seems like a really especially vital scene I would hope would be viewable in-game by everyone

Right now, it's only a part of the season. Obviously it's available for free online on their official and non-official channels, but in-game it's only for those that have Season of the Deep, for now, since it's a part of this season.

As for the future, honestly no clue. I will assume yes because of one simple fact: you will no longer be able to buy the past seasons when Lightfall year ends. That would mean that only people who bought the season during this year would continue to have access to the cutscene going forward, but no new players would have the same access, which kinda defeats the purpose of having it accessible in the game later.

So I can assume that they might be working on some universally accessible cutscene viewer that will allow all players to see cutscenes from content no longer in the game, regardless of whether they've previously purchased it or not. That's the best scenario because it would mean we'd get all other cutscenes in the game too. The middle scenario is that only the Witness cutscene will be viewable somewhere as part of another mission or some quest, also without having to have purchased Season of the Deep (since you won't be able to once TFS starts: technically you'll be able to purchase Lightfall so maybe it will require you to at least have purchased that, but the season itself will no longer exist).

We'll have to wait for more info on that. As of now, I would assume that once this year is done and the season is no longer purchasable, the cutscene will be a part of content that is available to everyone. While it's still purchasable, it's only in-game for those that bought it, but can be viewed with no problem on their official channel (and elsewhere).

[corokoro]

im about to make a statement that might get me bonked on the head by two different fandoms

kaito and astarion have a similar core desire for power, in that they came to desire it because of trauma and basically want these potentially dangerous powers so they can never be hurt like that again, when in reality that power is unnecessary when trying to protect themselves and it's not worth the corruption

but astarion (and everything else in baldur's gate 3) is written with so much more nuance and was carefully crafted with proper impact, you can tell how much care was put into it...while kaito is unfortunately not written that well, like he has potential which is why i love him, but from an objective standpoint, he's not written well, and part of it is just because the writers have him say the same things over and over and he kinda stays static almost, he has moments of development but they don't really change him, and while character development can be "this character does not learn the lesson they should learn and suffer the consequences", even that feels poorly written. kaito becomes the final villain in gaim at the last minute, when hes been on the good side for the entire story up to that point, and then they threw in some random misogyny for kicks even though he was genuinely connected with mai?? like kaito's a jerk but he's the same guy who helped shapool even after the dude literally drugged him with knockout spray and put him in trouble because of it. there was always going to be a clash of ideals between kouta and kaito, but it felt like it only went deadly just so they can live up to the fight they promised through the entire season, especially when you remember all the scenes where kaito helps the rest of the main cast despite him fundamentally disagreeing with how power works, how many times he works well with kouta in situations they both get into

the promised fight between kouta and kaito didn't work in the end because it felt like the fates were forcing it to happen, changing characterization so suddenly just to keep up with promises, a fight between two people who were on the same side just only days ago. the promised fight with cazador works because the fates wove together naturally, pushing the party to destroy a man who had a calculated horrific plan in the making for 200 years, something that astarion was always going to try and stop no matter what - he didn't need to have his nature forcibly changed for the fight to make sense.

[daisyachain]

In every work, there is a delineation between main characters and peripheral characters. This is more marked in non-realist fiction, where the story is more bound by conventions of narrative than imitations of history. Main characters, because of what fiction does, are more influential, independent, complex, unlikely, and remarkable than peripheral characters because they are the main characters. It wouldn’t work otherwise.

The conservation of character (save the most stuff for the ones that are important / focus the story around the most consequential characters) means that any reader of more than a few works will automatically consider the characters of a story in two different classes: those who do and those who don’t; paper dolls that interact with the paper scenery VS crayon outlines on the paper scenery.

In works that try to maintain a depth of detail similar to histories/to reality, the sharp delineation of main character from side character can break immersion. Functionally, it’s harder to make a story work if the main characters don’t think or do anything (though people have tried) and the side characters do. But, a work aiming for the emotional stakes of realism needs to convince you that the main characters are part of a greater world populated by fellow human beings.

When main characters ‘get away’ with improbable actions or side characters ‘get shafted’ by being assigned definite traits with no story arc, the expectations of a realistic world clash with the expectations of story. A side character given any details must be important, and if they are given detail without story, then it can feel like a failure of the work (even if the author was just trying to splash in some flavour). A main character loses resonance if their role in the story can only be explained by ‘these events needed to happen’ rather than by the emotional coherent choices of a plausible person. The boundaries between main and side characters must be maintained for a realist (non-formal) fiction to communicate effectively. If it’s formal……you get a bit more lenience when you can just write ‘this is the main character and you know it’ into the text.

Which brings us to: it’s easy to read a metatextual (am I using this right. Probs not.) hierarchy realistic stories. Side characters are, within their own world, designated losers. They can’t have any impact on their own lives, otherwise they’d be main characters. Nowhere is this boundary sharper than in RPGs. NPC story arcs have be handled on the side by one very busy co-author, while PC story arcs each get one author’s full attention. The NPCs are. Well. NPCs. Tulpas. Shapes of shapes of people, shadows of the shadows on the cave wall. They are imperfect imitations of PCs, which are themselves imitations of people that might possibly exist.

That then creates a massive opening in any RPG (video game or tabletop) to play with player or audience expectations about NPCs. If they’re predetermined to be city guards repeating the same line of dialogue forever, you can easily get a strong audience reaction from having them break out of these roles. The NPC is a creation that, ironically, is the character any audience member is most likely to be like. So the event of an NPC (a true NPC merchant in the town square) breaking into the story to influence it is catnip to Moi

[monsterfactoryfanfic]

if I've learned anything from grad school it's to check your sources, and this has proven invaluable in the dozens of instances when I've had an MBA-type try to tell me something about finances or leadership. Case in point:

Firefox serves me clickbaity articles through Pocket, which is fine because I like Firefox. But sometimes an article makes me curious. I'm pretty anal about my finances, and I wondered if this article was, as I suspected, total horseshit, or could potentially benefit me and help me get my spending under control. So let's check the article in question.

It mostly seems like common sense. "...track expenses and income for at least a month before setting a budget...How much money do I have or earn? How much do I want to save?" Basic shit like that. But then I get to this section:

This sounds fucking made up to me. And thankfully, they've provided a source to their claim that "research has repeatedly shown" that writing things down changes behavior. First mistake. What research is this?

Forbes, naturally, my #1 source for absolute dogshit fart-sniffing financial schlock. Forbes is the type of website that guy from high school who constantly posts on linkedin trawls daily for little articles like this that make him feel better about refusing to pay for a decent package for his employees' healthcare (I'm from the United States, a barbaric, conflict-ridden country in the throes of civil unrest, so obsessed with violence that its warlords prioritize weapons over universal medical coverage. I digress). Forbes constantly posts shit like this, and I constantly spend my time at leadership seminars debunking poor consultants who get paid to read these claims credulously. Look at this highlighted text. Does it make sense to you that simply writing your financial goals down would result in a 10x increase in your income? Because if it does, let me make you an offer on this sick ass bridge.

Thankfully, Forbes also makes the mistake of citing their sources. Let's check to see where this hyperlink goes:

SidSavara. I've never heard of this site, but the About section tells me that Sid is "a technology leader who empowers teams to grow into their best selves. He is a life-long learner enjoys developing software, leading teams in delivering mission critical projects, playing guitar and watching football and basketball."

That doesn't mean anything. What are his LinkedIn credentials? With the caveat that anyone can lie on Linkedin, Mr. Savara appears to be a Software Engineer. Which is fine! I'm glad software engineers exist! But Sid's got nothing in his professional history which suggests he knows shit about finance. So I'm already pretty skeptical of his website, which is increasingly looking like a personal fart-huffing blog.

The article itself repeats the credulous claim made in the Forbes story earlier, but this time, provides no link for the 3% story. Mr. Savara is smarter than his colleages at Forbes, it's much wiser to just make shit up.

HOWEVER. I am not the first person to have followed this rabbit hole. Because at the very top of this article, there is a disclaimer.

Uh oh!

Sid's been called out before, and in the follow up to this article, he reveals the truth.

You can guess where this is going.

So to go back to the VERY beginning of this post, both Pocket/Good Housekeeping and Forbes failed to do even the most basic of research, taking the wild claim that writing down your budget may increase your income by 10x on good faith and the word of a(n admittedly honest about his shortcomings) software engineer.

Why did I spend 30 minutes to make a tumblr post about this? Mostly to show off how smart I am, but also to remind folks of just how flimsy any claim on the internet can be. Click those links, follow those sources, and when the sources stop linking, ask why.

[the-judicial-assistants-notebook]

why didn't they just use franziska for literally all of this.

[unexpectederawhilesubmitting]

WARNING: DOCTOR WHO SPOILERS EXPLAINING REGENERATION SHENANIGANS

-------------------

okay so I was kind of not on board with the concept of bi-regeneration, mainly because of how it seemed like all of the Sad and the Trauma that the Doctor had undergone got kind of handwaved away? i'm all for ncuti's Doctor being sort of a fresh start/jumping on point for new viewers, but i didn't get how that could work if like, literally 40 minutes ago he was David Tennant being a sad wet puppy dog of a man

however, after rewatching it, i've realized what i think happened there, and it goes all the way back to something introduced with the 4th doctor's regeneration that was never explained: the Watcher

^this spooky guy

so, for those that don't know (or haven't seen every episode of a show that is over half a century old), the Fourth Doctor regenerates at the end of a story called Logopolis (he falls off a satellite dish, but that's not important right now). all throughout the episode, this weird figure, The Watcher, stands off in the distance, and even intervenes slightly by saving the Fourth Doctor's companion. there's not much given in the way of an explanation until the Fourth Doctor regenerates, saying "it's the end. but the moment has been prepared for..."

the watcher walks up, and gets absorbed in a super rad 1980's digital effect (never change doctor who), while his companion just gives us the not-super-helpful-for-lore statement "He was the Doctor all the time!"

then, in a crossfade, the Doctor goes from Four to weird-powder-man to Five

canonically, the Watcher is explained as a future version of the doctor that comes about in sort of a weird overlapping thing with the doctor's timeline, it's very wibbly-wobbly timey-wimey.

-------------------------

SO what does this have to do with biregeneration and satisfying character arcs/moving on from trauma?

Well, remember, Fifteen said this, about Time Lords doing rehab out of order:

so, here's the thing: Fifteen is the Doctor AFTER Fourteen (duh, I know?) But to be clear...Fourteen lives out an entire lifetime with Donna and family, gets to a ripe old age, and then, when his lifetime of healing is over, he gets yeeted back through his own timestream just to zoot himself out of David Tennant's chest.

Remember, his first words to Fourteen (after popping out of his chest) are "So good to see you! So good!", not the RTD classic "what?". He greets himself like he's almost expecting this, he then says "does anyone want to tell me what the hell is going on here?" which only makes sense if he's coming from a different point in his own timestream (remember, when two doctors interact, memory gets really weird, 10 and the War Doctor don't remember the events of Day of the Doctor until they live through them as 11).

SO TO BE CLEAR: Ncuti Gatwa is playing the Doctor AFTER he has spent years healing from his traumas. His Doctor is fine because Fourteen takes the time to rest and work on himself.

tl;dr: I didn't like biregeneration at first because I thought it looked like this:

In actuality, it looks more like this:

[comicaurora]

Opinions on fullmetal alchemist?

Brotherhood is the best anime ever made.

It's the most tightly-plotted slowburn mystery I've ever seen. Everything ties together. It makes more and more sense the more times I rewatch it, which in a mystery story is goddamn rare. In the very first episode, the filler villain at one point says "You don't understand the shape this country is in!" and that's a completely innocuous thing for this character to say except no it isn't

The magic system is a beautifully hard arrangement that never breaks its own rules, and it effortlessly explains everything you need to know to follow every alchemy-based twist just through the explanation of equivalent exchange and the question "what could equal the value of a human soul?" Alchemy follows equivalent exchange at all points and functions basically like Advanced Chemistry, and whenever it looks like the rules are being broken, it's just because somebody is burning human souls to do it.

The cast is massive, but never crowded. Everybody has a part to play. Even the seemingly-interchangeable minion characters all end up being unique contributers to the plot; there is truly no separation between Main Characters and Minor Characters because at any point anyone can turn out to be suddenly deeply important.

Contains a profound philosophical meditation on how even the most powerful person is not omnipotent, and the purposelessness of a power that can't be used to save the people they love, and this theme culminates in the only instance of the "extremely cool powerful badass sacrifices all their powers" trope that I actually 100% like.

Somehow this slowburn hard-magic mystery builds up to a massive anime confrontation about teenagers using the power of friendship to kill god and it never makes any buckwild leaps to get there. The resolution is emotionally satisfying and ridiculously kickass.

There are stories that I come back to more often, or hit me harder in the moment, or contain higher highs, or had more impact on their genres, but FMA:B is, pound for pound, the best anime ever made. 10s across the board.

[writerunnamed]

note: This is something I've wanted to write for a while but I am well aware that not everyone will be into it. There are a few stories I want to tell that aren't the norm so I decided to start this nameless blog to tell them. I am not tagging anyone, if you find it then you find it. xo Joel(stepdad), significant age gap, female reader. 18+ legal, reader is 20 (warnings: pov sex, Joel spits on the 😸, boobie play, really inappropriate dirty talk, an unused sex toy [will make an appearance in another chapter], female masturbation, daddy kink, unfit parent) 5.6k word count masterlist • series masterlist • part 2

He takes up so much space, and it wasn’t just physically. He took up space emotionally, mentally. Mentally most of all. Your thoughts always drifted back to him. Cyclical. An elliptical pattern making him the top of every list you’d go through in your head. He seemed to know it too, in a stoic, quiet, largely unsettling way. Older, attractive men tended to do that. 

It started during that in-between time, when summer, losing your job, and having to move back home pushed you to figure out what the fuck you actually wanted to do with your life seemed to come together like the planets aligning. The precipice of a turning point, a ticking clock counting down the days until your childhood bedroom would be turned into a gym, or an office, or a guest bedroom. The lukewarm welcome from your mother would ice over and you’d really have to get your shit together. 

Your mother was what people who didn’t know her would call ‘a free spirit’, what you called her, was a fucking mess. 

Your earliest memories consist of having to remind her to buy milk or to pay the bill because the electricity had turned off while watching cartoons in front of the tiny, living room tv. You’d had to remind her, in not so many words, that she was the mother, and you were the child. 

To your friends, she was the cool mom. The party mom. Your house was the place to be because she didn’t ask questions, she left her cigarettes unattended and didn’t mind if a few went missing. She kept the bar cart stocked, even if there was nothing but flies in the cupboard and nothing but half-empty condiment bottles in the fridge. Your friends loved it. 

She flirted with the boys your age, she gave sex tips to the girls. 

You smiled when they congratulated you on having the cool mom, and when they all went home, you retreated and pretended to be happy. 

Joel settled her down. Met her in a bar and moved in quick. He came into the picture when you were fifteen and you were almost sure he’d be just like the rest of the lovers she’d taken over the years. You’d given the whole thing six months. Half a year for him to see what a fucking disaster she was. Six months to be a fucking creep, to cheat or get cheated on. 

The only differences you could clock at first were that he was self-employed, and marginally better looking than his predecessors.

He was firmer though, less malleable than the others she’d brought around, he seemed immune to her charms and that only inflamed her. It made her desperate for his approval and his attention. She would throw a tantrum, or play one of her mind games but he’d never rise to her bait. He was patient for the most part, until he hit his breaking point and his temper reared its head. A temper only she seemed to bring out in him. 

To you, it was pathetic. 

He didn’t try with you though, there was no flattery or strong hand, only a silent respect. In a sense, he treated you as the adult, and her as the child. It worked for you, if he’d expected you to call him dad he would have been laughed at mercilessly and he seemed to know this. 

The disturbing part was his respect and his healthy avoidance of you worked its own kind of magic. It made him an enigma, made you curious as to what he got out of the whole thing. A home, sure. A woman who was obsessed with him, yes. Sex–yes. You heard it enough for it to turn your stomach. By the sounds of it, he knew what he was doing.

The thought sickened the healthy part of your brain. The other part though, the part flooding your body with hormones, making it come to life with curiously intense sexual feelings, that part wanted to know what it was he was so good at. How could he pull those sounds out of anyone? It was easier to imagine him with some faceless woman. 

It was shameful to imagine yourself. 

The thought–although enough to fuel a desperate journey of self-exploration–always filled you with an insurmountable guilt. 

For those first few years you could barely look at him. Your mother took it as a healthy dose of teenage rebellion. That only aggravated you more. She never asked questions, never dug to see what the cause of your obvious distaste for her partner was about and so again, you retreated. He, however, kept to the outs of your path. He followed your lead, he let you control any and every part of all of your interactions. He didn’t ask questions. He kept the lights on. He kept the fridge full. 

He burrowed his way in, whether you liked it or not. 

When you turned eighteen, you moved out. He helped, did his ‘fatherly’ duties and moved you into the apartment, he urged your mother to take you on an extensive grocery trip, spoke to your landlord about the safety of the building. You supposed you should have been grateful, you should have said thank you, given him some sort of acknowledgement that you appreciated his help but you couldn’t bring yourself to do it. Instead you said your mumbling goodbyes, and promptly closed the door on them. Neither of them complained. 

The euphoria of venturing out on your own had lost its shine depressingly quick. A string of chronically unserious boyfriends came and went, the rent climbed higher than you could keep up with, and while already living paycheck to paycheck, you lost your job. Your cellphone had taken the brunt of your frustration at having to call your mother, begging her to let you come back home while you got back on your feet a little more than two years after you’d left. 

Your teeth gnawed at your lips, your fingernails dug into the skin around your cuticles in the attempt to keep your voice sweet and pleading, in the end it was his voice that you’d heard in the background, telling–no, commanding her to say yes. That he would be your champion twisted at your insides. Maybe a small, healthy part of you hoped he’d put up a fight, tell you that you were too old to be coming back home and that you had to figure it out on your own like an adult. 

A healthy part of you hoped that he’d save you again, only from yourself. Hanging up with a heavy, resigned sigh, you set about starting the trek home, ignoring the swirling mess of annoyance, confusion, and perverse glee in your stomach. 

-

The first few days were spent in a depressive episode, a seemingly inescapable loop of sleeping in late, leaving your room only when the house was empty to raid the kitchen for something to eat, scrolling mindlessly–blindly–on your phone and then staying up way too late only to do it all over again. 

They didn’t bother you, but if the annoyed sighs and narrowed eyes from your mother were anything to go by, the talk was coming soon. After the third day of the cycle, you circumvent it and wake up early-ish to shower and dress in something other than ratty old sweats long forgotten by an ex you couldn’t quite remember. 

You came down to find Joel sitting at the kitchen table. His eyes tracked the lines of you, raising an eyebrow inquisitively. 

Your heart leapt. He should have been at work by now. 

“Good morning.” It came out croaky, your voice almost reluctant to come out. 

“Mornin’.” His hair was slicked back, the gray almost sparkling in the golden light. You fiddled with the hem of your shirt. His eyes were so intense, you found yourself stuck in place, like a deer in headlights and that ever present, deep-seeded anger reared its head. It was irrational that he should frustrate you so much with his calm presence. 

“Coffee’s fresh, if you want some.” He jut his chin out to the pot, lowering his eyes to his paper once more. Once his gaze had shifted, you found you could breathe again. You mumbled a thanks and moved to pour yourself a cup, thankful, if unsure why, to focus on something concrete instead of abstract self-reflection.

“Your mama’s gon’ be late tonight. I thought I could pick up a pizza on the way home.” He says it offhand and again, your heart races. 

“Whatever.” You scrunch your face up in annoyance, it sounded like such a bullshit, teen response. He doesn’t comment on it, and that somehow makes it worse. You beat yourself about it as you root around in the fridge for the milk. The cereal you liked was in the top cupboard, and you’re not quite tall enough to reach it. 

You heard his chair scoot back and then suddenly he’s there, beside you, pressed up tight. You follow the long line of his throat as he stares up, reaching the box with ease while one big, warm hand lands on your lower back. He smells like the laundry detergent your mother insists on buying mixed with something else. Manly, smoky, with coffee laced through. Your cunt clenches nonconsensually as he stands there and stares down at you, his whole front pressed against your side, his hand still holding your lower back. Your mouth hangs open, stupidly, and he raises an eyebrow again forcing something to kickstart deep in your gut. 

“You okay there babygirl?” The endearment feels unwholesome.

It triggers something strange, strengthening the underlying conflict for him. There’s a lilt in his tone you don’t like, maybe because deep down you like it too much. Maybe you don’t want to admit that, or analyze anything about what the fuck is happening in your body. In your psyche. 

“Yeah.” You step out of his bubble, barely managing not to trip over yourself in your haste to get away and put a healthy distance between you. 

“Yes. Thank you.” You take a deep breath, pressing your lips together tight in what you hope to God is a neutral expression. 

He lets out a bemused huff through his nose, a mischief in his eyes shining out at you that you’ve never seen directed at you. You’ve seen it used on your mom. You’ve seen her go giggly and flirty whenever he looked at her like that. A half-formed escape plan starts to form but he saves you from the need, he puts his things in the dishwasher, and nods his head in goodbye. 

You practically hold your breath until you hear his truck rumble out of the driveway, and down the street. 

-

You manage to avoid him for a few days, staying out late catching up with friends, or feigning a need for rest. You’ve convinced your mother that your days are now spent job hunting, and for the most part they are. You leave in the morning, avoiding any and all contact and you get home late, creeping up the stairs much like you did in your teens even though you’d really never needed to. Your mother never enforced a curfew, and when Joel joined the picture, he didn’t pry. 

The luck didn’t last though, you got over-confident. He was sprawled out on the sofa, up uncharacteristically late one night when you padded through the house. 

“You’re up late.” You quickly check the accusatory tone, “Don’t you have to get up early?” Better, it comes out more concerned than annoyed and he nods. He wore a threadbare t-shirt, the fabric of it having been through the wash too many times to keep its shape. Light, gray sweats were stretched almost obscenely tight over his spread thighs, pooling at his crotch from being shoved up by the couch. 

“Couldn’t sleep. Come sit, we can watch some tv.” He pats the seat next to him and despite the deep desire to retreat into the Joel-free haven of your bedroom, you cannot seem to disobey him. 

You settle beside him on the couch, a little further away than was necessary. He chuckles softly. 

��I ain’t gonna bite you, girl. Not unless you ask nicely.” 

You pretend you don’t hear it, choosing instead to compartmentalize whatever game he’s playing and stare at the screen. He flips through the channels, settling on one thing for a few minutes before moving to something else until he finds a movie that’s already close to midway. There’s an electricity in the air, something about him galvanizing the space between you, charging it enough to make the hairs on your arms stand on end. You frown to yourself, barely paying attention while fighting an increasingly confusing mental battle. Why is it so hard to be around him? Why does he inspire such scorn? Is it scorn at all?

You rub at your eyes, scrubbing your hands down your face in a feeble attempt to wipe the slate clean. 

He’s just a man, a man your mother had chosen and for better or worse they seem to work. She is happy with him and he is seemingly happy with her, why then is it so hard to accept him for what he is? Something slithers around in your brain, something that laughs darkly, something pulsing through the network of thoughts and ideas that threatens to crack open your subconscious and throw it right in your face. 

“Well now, ain’t that somethin’?” You pull your hands away from your face to see a very explicit scene playing out on the screen. Heat floods every inch of your body. 

“Almost looks like she’s enjoyin’ herself.” He leaves it on, and you feel stuck, your body betraying you yet again to see the way the woman on screen moans wantonly while under a very handsome man. You let out a non-committal sound, teetering on the edge of madness. You scold yourself, you are an adult, an adult that has had sex before and this isn’t even real. 

“Looks like fake bullshit to me.” The strength in your voice lends credence to the illusion that you aren’t affected. He laughs, calm and completely at ease and that only pulls the anger to the forefront again. 

“They can’t show the real stuff on these channels. If it were real, he’d be doin’ what she needs.” 

“And what’s that?” It comes out before you can stop it. 

“Well,” He smiles to himself, winning a duel you hadn’t even known you were fighting. 

“If it were real, he’d be pressin’ on her clit, he’d be makin’ sure she felt every inch of him and make her take his cock like a good girl.” You let out a heavy breath, half shocked, half grateful it wasn’t a whimper. 

Warning bells go off in your head, just as a heartbeat starts in your cunt because you can see it. You can see him. His face twisted up in pleasure but cocky, his hips moving, his thumb dipped into your mouth and then swirling around your clit. He smiles at catching you looking at his hands and you want to yell at him. You want to smack him across the face and kick him in the balls for saying something like that to you, his partner's daughter, but you don’t. 

Your body almost catapults you out of your seat. Barely unintelligible words come out, something about needing sleep, about being tired and then you hightailed it out of there like a bat out of hell. 

The shower was cold enough to make your teeth chatter, but it did nothing to cool the heat blooming in your core and it was with a terrifying desperation that you ground against your fingers. The slick pooling at the mouth of your pussy was enough to feel even with the water washing everything away except your shame. 

You bit your tongue to keep from moaning out the taboo and entirely inappropriate name you were dying to say out loud. His firm thighs spread on that couch filled your mind, the calloused, work-roughened hands you could practically feel on your hips, on your thighs. You could feel them holding and spreading your legs open so he could make you make those same noises you’d heard over the years. Make you take it like a good girl, his good girl. 

You came with a shudder, sagging against the chilly tile. You warmed the water with a sigh, disappointed and ashamed with yourself, trying, and failing, to put the whole thing out of your mind. 

-

You doubled down on avoiding him after that. 

Your mother worked most of the time but when she was home, things were easier. He reverted to the healthy avoidance, the proverbial disinterest that she didn’t seem to have a problem with. You still heard them some nights, the bed creaking, throaty cries, deep grunts but now they haunted you in a different way. Now you heard his words on that couch and couldn’t help but picture all manner of unsavory things that both disgusted and thrilled you. 

Being unemployed didn’t help. There was nothing to keep you out of the house most of the day, and there were only so many places that would accept you looking for a job in person. 

There was only so much time you could spend with friends too, they had their own lives and jobs and relationships. Too busy to save you from unwanted free time. 

Old habits resurface, and you retreat within yourself while pushing yourself harder. A job would fix things enough to help, you could save up enough money to leave for good and take yourself out of the equation. 

-

The powers that be momentarily take pity on you, and after what seems like a lifetime's worth of job hunting you blessedly get a call back. It’s a part time job, but at this point beggars can’t exactly be choosers. It’s a steady, if insufficient source of income that hadn’t been available to you before. Determined, you buckle down, you channel every guidance counselor you’ve ever had and ace the fuck out of that interview.

It’s not taxing work, but you put your head down and focus with the hope that if you worked hard enough, if you made a good enough impression, made yourself indispensable they’d throw you enough shifts to make up a full time job. 

It helps. Time spent away from the house, from your mothers dried up welcome, from Joel altogether genuinely helps. You feel a bit lighter, less guilty, less prone to imagine the unimaginable. You find comfort in the absence of self-imposed temptation. There is peace in the mindless work, in the life outside of the house that no longer feels like a home. 

It's a double edged sword though, because at the end of every shift, the luck–the peace–runs out. If being at work and out of the house is a respite, returning home only thickens the tension. Time spent outside the house only sharpens the discomfort, clarifies the glaring wrongness of it all when you enter it at the end of the day. What it all is, you won’t name. That way madness lies. Issue is, with every interaction, with every chance encounter in the hallway, or living room, every second spent with him in the kitchen watching his lips touch the rim of his mug the thing inside grows. Parts of him fill the corners of your mind. The curve of his shoulders filling out the flannel shirts he favors. The fullness of his bottom lip when he purses them, something he does while squinting at the paper that you’re almost sure he isn’t aware of. His neck, his hands, the dimple in his cheek when he laughs at something really funny. 

These things jump out, innocent as they may be, but other not so innocent things start to creep in. The bulge in his jeans is a mental mine, it lies in wait and every so often when you think you’ve avoided it, it detonates and you catch yourself staring, both ashamed and so inappropriately curious it eats away at you like acid. 

What you needed was something to fill the emptiness, both emotionally and physically. So you did what any modern, adult woman would do; you bought a sex toy. 

Nothing too crazy, or expensive. After perusing the site for a while you finally settled on a plain, non-threatening dildo. Nothing too big, nothing noisy, just something to be able to focus on, something to use while imagining someone giving you what you need. You ignored that dark thing inside that hissed his name, shooed it away and ordered the package for express delivery. With your mom constantly working, and Joel keeping to himself you figured it wouldn’t be an issue. Neither of them would question a package addressed to you. 

You still aren’t sure whether or not you’d do it all over again had you known the Pandora’s box that little package would open. 

You all but rushed home after work. All day, you’d imagined the relief that toy would bring. You imagined yourself using it in the shower, steam swirling as you took your pleasure. You imagined yourself laying in bed in the safety of the dark, setting a towel down on your chair and riding it to your heart's content. 

Joel’s truck is in the driveway when you pull in, but it’s secondary to the excitement at the chance to sequester yourself with your new best friend and so when you walk into the house, you don’t give him much attention. Until he opens his mouth. 

“You got a package today babygirl. I put it on your bed.” He sits on his spot on the sofa, a funny little smile on his face. A bad feeling swells in your chest, and you look up the stairs before meeting his eyes again. 

“Thanks.” You drop your bag on the little bench near the front door, trying, and failing to keep the nervous feeling out of your voice. He nods, and you make your way up, stopping yourself from taking the stairs two at a time. 

Ice flows through your veins when you see the package is open. 

He’d opened your package, he knew what you’d bought. 

Blood pounds in your ears as you stand there, limbs cold and numb at the realization that he saw it. He saw it. He opened it, and he placed it here, on the very place you fantasized about using it. Sweat beaded on your brow, the bottom of your stomach fell out of your ass as you stood there, barely feeling the soft, worn carpet under your feet. 

“Little small, f’you ask me.” His voice at the mouth of your room made your head twist fast enough to hurt your neck. You hadn’t heard him follow you up the stairs, hadn’t heard him open your door and lean against the frame, arms crossed in haughty amusement. 

“Why would you open my package?” You clutched at it, as though he could forget what he’d seen if you held it tightly enough. 

“I didn’t open it on purpose, I’m expectin’ somethin’ and I didn’t read the name.” He pushes away from the door frame, making his way closer and it’s like the air thins as the space between you shrinks.

“I mean, I could tell you been frustrated, but this doesn’t seem like it’s gon’ help much.” He reaches out, and takes the package from you. You watch him do it, watch him, frozen as he plucks it from your hands and takes the toy out. 

“This all you can take?” He holds it, contemptuously–pityingly. 

You wanted to snatch it out of his hands, the dimming voice of reason urges you to push him out of your room and remind him that he needs to keep a healthy distance but you say nothing, you stand there, and watch him. He puts it all down on your dresser, before stepping a little closer, close enough for you to have to crane your neck up to look into his eyes. 

“No boyfriends around to give you what you want?” His hand comes up, the tips of his fingers sliding across the apple of your cheek, slipping down until his thumb pressed against the cushion of your bottom lip. 

“No one around to give you what you obviously need?” He steps a little closer, until your bodies meet. This is wrong, your mind screams it but your body is frozen under his eyes, under his touch. That part, the frozen part is cheering, it’s running victory laps as it floods your cunt with slick in preparation for something unholy. 

That same, writhing, traitorous thing whispers that this is your chance, the house is empty and your body obeys. You look your fill, you take in the curve of his nose and the furrow in his brow. His eyes are black as a crow's wing, lust-blown and completely focused on your parted lips and your shallow panting. 

Adrenaline spikes and you do something you cannot take back. You rise on your tip-toes and press your mouth to his. 

He hums into it, smiling and once again you get that feeling that you’d made the exact move he’d expected you to. A vague, but fleeting inkling that you were just a pawn on his chessboard. 

At any other time you would have stepped away and repented, ate yourself alive with guilt but his hands pulled you closer, his tongue swiped at the seam of your mouth and you opened up for him. That only made it all the more real, the taste of his tongue in your mouth, feeling his hands lower to hold onto your ass. 

The rational part of you shrinks down to nothing, and that other part, the wrong part–it swells and preens under his hands. He pulls away, and embarrassingly, you chase his mouth in a daze. 

“Oh honey, you’re just dyin’ for it aren’t you?” He herds you towards your tiny bed, the twin mattress that has been the stage for every taboo fantasy about this man, your stepfather. You shoo the word away with a shiver. 

“It’s wrong-” You almost whisper, but you don’t push him away, you let him lay you down in that bed and he laughs. 

“It is, isn't it?” He pulls at the hem of your shirt, you raise your arms for him and the picture of it is wrong, daddy taking off your clothes. The thought, the word,  should disgust you but it only pulls your hands to him. You join in, and pull his shirt up and off, biting your lip at the broadness of him. You take in each freckle, the sprinkling of hair on his chest, the dip of his throat calling out for your tongue like a siren. 

He presses his lips to yours again, licking into your mouth obscenely. Unseemly. 

“You been wantin’ this for a long time, haven’t you babygirl?” He pulls your bra off, and the shock of cold air hardens your nipples. He bites his lip to see it, unable to stop himself from flattening his tongue against a hardened bud. A sound you’ve never let yourself make out loud in this room fills the space between you and that slithering thing luxuriates. 

He moves, languidly, unhurried to the other breast and holds the plump of it in his big hand and sucks at the second bud, sucks as much of the peak as he can into his mouth, breathing through his nose while you slowly spiral into madness.

When he lets go, he presses a kiss to your nipple and his facial hair tickles your skin. 

He pulls your leggings off along with your underwear in one go and the reality of it all hits you when the air hits your soaked core. That’s when the urge to put a stop to it is the clearest, when he kneels between your legs and spreads them wide, stares at the place where he’s already filled a million times in your mind. The place that’s drenched at the mere thought of him. 

“Joel-” You start, but he pushes your legs up, folding you and then he lets a glob of spit fall from his mouth slowly, aiming it, a bullseye right on the lips of your cunt. It’s too much, too filthy and you let out a whimper. 

“I think you wanna call me somethin’ else right now.” He undoes his belt and his jeans, keeping his eyes on where his saliva slides down over the open mouth of your cunt, down towards your asshole. He pulls his cock out and part of you shatters. Your eyes flit to the toy sitting on your dresser, your eyes flit to the open door of your bedroom. 

“Don’t worry, your mama ain’t gonna be home for a while.” He smiles, conspiratorially. It's too real, it’s too hypnotic, seeing him there with his cock in his hand while your legs already ache from holding them up and open. He slides the blunt end of it through the mess he’s caused, through his spit and he groans at the sight of it. 

Your heart races so hard to feel him there, that you see the pulse of it in your vision. 

“Deep breath baby.” he warns before slipping inside the tight fist of your pussy, the size of him making you gasp. This is it, there’s no coming back from this and right now, with him seated deep, his groin pressed up tight and the tip of his cock kissing your womb you cannot even think of why you’d ever care.

This is where he's meant to be. This is where you need him. 

“Oh baby, that’s so good huh?” He thrusts shallowly, pulling out a little more than halfway before shoving his hips forward again. You don’t really know how to form words, you don’t know how to take in what’s happening. This is Joel, your step-dad, fucking you in the bed you grew up in. One hand sits heavy on your shin, holding it, the other slides up and holds onto your breast. 

“Look how fuckin’ wet this little pussy is for me,” he moans the words, “you like daddy fuckin’ you?” He thrusts harder and you moan despite the word hitting you in the stomach like a big drop on a rollercoaster. He shouldn’t say that, shouldn’t call himself that, not now. 

“No-” it doesn’t come out like you mean it to, it sounds wrong, like a caress. 

“No? But I think you do-” He leans forward, keeping his pace while pressing his chest to yours, his mouth all but lining up and despite your bullshit protest, you hitch your knees high on his ribs to make room because if he stopped you’d probably die. 

“I think you want me to be your daddy, don’t you baby, it’s okay, I want to be.” He speeds up and the sounds between your legs are so wet, so filthy. 

“You can say it, I want you to say it.” He holds himself up, his elbows caging in your skull and before you can complain or moan or cry he sticks his tongue down your throat again. Your hands finally join the fray and you wrap your arms around his neck, holding him tight to you. 

“Come on baby, say it for me, tell me how good daddy fucks you.” You moan, closing your eyes while your cunt floods him with wave after wave of slick, enough to drip down your ass and onto your bed, down his balls. Enough for it to soak the curls at the base of him. 

“Look at me when I’m fuckin’ you honey.” His hips speed up and it's hard now, his thrusts making your bounce, hitting a part of you that toy would never touch in a million years. 

You open your eyes, and look at him above you, sweat beading on his hairline. Never has he looked more fucking appealing than he does right then. The word is there, in your mouth and you know it’ll taste sweeter than anything in this world. 

The wrong thing wins.  

“Yes daddy.” You moan it, and the shameful thing sets off fireworks in your being, he smiles, and tucks his head into the damp crook of your neck, feeding his lovely filth right into your ear. 

“That’s my babygirl, that’s it, fuck baby you take it better than your mama.” Something inside recoils at that, but something else, another facet of that fucked up thing inside rejoices.

“Let me hear you say it again, say it when you come.” He licks a hot stripe up your neck. His words are a filthy groan, something to tuck away for later.

He reaches down, pressing his thumb to your clit just like he said on that couch and you keen, the slip and the pressure enough to toss you over the edge with an almost painfully intense orgasm. 

“I’m coming, daddy.” It’s a shuddering whisper as your cunt clenches around him. 

He moves quickly, kneeling between your legs to pull out and then he’s stroking himself over your cunt. It’s still pulsing when he paints it in his come. You catch your breath as he tugs at himself a few more times, milking himself against you with a disturbingly familiar groan. 

The fog clears altogether too quickly. The lights are too bright, you’re naked, and he’s still got his jeans around his thighs while the guilt creeps into your veins, replacing the euphoria. 

What have I done? What have you made me do?

[airborneice]

can we talk about how @the-hilda-librarians-wife is just out here writing poetry in the tags like it’s no big deal

@sketchbookweek Day 3 - Sun & Moon / Family

you know I had to bring up my sketchbook kid Mattie for this one. in my mind this is like…impromptu midnight storytime bc someone woke up the entire household and now she’s almost settled no one wants to get up or go back to bed

(Kaisa has become a little more comfortable with openly doing magic by this point, partly because of reconnecting with Tildy in season 2 and partly because no matter how shoddy her spells come out, they never fail to entertain her kids, especially her youngest. Kaisa does the best stories in this house. no child can resist magic floating pictures)

[local-diavolo-anon]

i'm back!

ok so 2/3 days ago i found this youtube video where op turned Springtrap (or well, William Afton) into a fully build DnD character, and if i say so myself: things got out of hand fast

so here is my take on DnD Springtrap and specifically on that build (adding more infos under the cut for who is interested, i suggest to watch the video first)

starting with saying that unless you're playing in a scifi setting, this build is either not for you or to be modified, since in later levels spells are heavily centered around technomagic and electronic devices; personally when i will play him i will probably tinker around with the chosen spells and cantrips to make him less violently niche and/or more versatile

which kinda saddens me because it takes away not little of the characterization but, given most dnd stories take place in a medieval fantasy or high fantasy setting, a cantrip like On/Off or a spell like Remote Access are NOT particularly useful; so i will go for more psychic damage or necromancy oriented abilities, maybe i might take more than just 4 levels in artificier as well (especially given that again, all of those warlock spells at later levels are all technology oriented) but i need to see what those offer

however it is a kinda tank-y build given that with a shield on you can get up to a 27 of Ac, so even with low damage and not much hp you would not struggle too much to stay alive, and i like that!

as for the character himself, i put too much effort into my interpretation not to share it, so if anyone wants to play this guy as well, i fabricated a possible backstory that might come useful:

The character goes by the name "Dave Miller" (or whatever variant you want to use), and was originally a human artificier who created constructs for a living, mainly with the goal of offering aid to who needed it for whatever reason.

There however he ran into an issue, that being that a robot need a power source, and his own heart and lungs could not sustain a whole robot by themselves.

After losing part of his family to some kind of accident he became terrified of death, so with age he started replacing his own body parts with machinery to delay his last days (which made him a cyborg), until the point where he was very very close to become just a robot.

(This part may or may not involve a pact with a deity of death, this entirely depends on how you want to play him but it would make sense since the build is an artificier/warlock hybrid)

Through particular and very much not illegal experiments tied to necromancy he discovered that the life force of a living being could be shared, and used as a form of fuel. (possibly: age lived of the creature used= amount of extra months you get)

Here comes the second problem: this only worked with intelligent creatures, and more specifically, it worked best with creatures of your own race, which meant that he either went around murdering people or he found another solution. Non same-race creatures worked as well but not as good and there were not easy to find in the middle of a city and with a shop tied to your name.

And here is where and WHY he'd join a party of adventurers: after some time, his reserves or fuel were running VERY thin, and running into a group of adventurers was a god sent because by joining their party he essentially got a free pass to kill whoever he wanted, and reduce them to a dried raisin after sucking some life force out of them. Doing so you learn that the mowe powerful the creature is, the more energy it produces as well.

Your goal, that you as the player are following, when role-ing your character? essentially slay whatever powerful BBEG your Dm throws at you and suck all of that juicy fuel out of them, so that you can return to your little shop in the middle of the capital and return to create and sell whatever weird construct, doll, or robot comes to your mind for another few decades undisturbed.

And this is it. I think this might be a good backstory that could fit pretty much any setting you want to play this guy into, be it classic dnd or some scifi futuristic thing.

of course you don't NEED to use this one line per line, make up your own without looking back if you don't like it lol, dnd is the "make up shit and have fun" game after all!

Edit: also no his outfit makes no sense, i just went with vibes and decided a tanktop dress shirt, a twin tailed gilet and suspenders OVER said gilet was a good choice.

[cleoluvrr]

black magnolias II - rafe cameron x reader

i gave you all my light, and i got nothing to show for it

WARNINGS: mature content; domestic violence, coercion, classism, religious trauma, manipulative behavior, stalking, toxic relationship, blackmail

masterlist

series masterlist

you’d met rafe before you met anyone else. 

your mom grew up with his father and the two of them were good friends during childhood. she’d told you the stories of their life in the cut, how she looked out for him, and he did the same for her. how she believed in him when nobody else did, taking days off school to work extra shifts just so he could have the money to get everything he needed before he went off to college. 

you were sure that they were much more than friends, but you never questioned her about it too deeply. it was none of you business; both of them were married to other people, anyways. they’d kept in touch over the years and rekindled their friendship when he moved back to kildare.

as you got older, you wondered if he felt guilty for leaving your mom behind. if all the things he did for you and your family was some way to make himself feel better. he paid for your grade school tuition and covered whatever your scholarship didn’t in high school. he got your mom a job working for cameron development–it paid way more than what she made at her old one. you remember going to holiday parties a couple times a year at tannyhill when you were younger; running around with other kids and playing by the water while your mother scolded you not to get too close.

you wondered if your mother fell deeper into religion after his passing, but once again, you never questioned it.

that was when rafe found you. before he became the monster that everyone knows him as, he was just a regular boy. he was sweet and funny. he never looked down his nose at you for being from the cut. corruption and heartbreak had not yet found him, and that was the rafe you knew. the one you loved. the lines of friendship and intimacy had blurred at some point in your time knowing him.

maybe it was his mom leaving that broke him, or his dad taking his grief and anger out on him that changed everything. maybe it was the popularity, the drugs, or understanding the power of money as he grew older. you weren’t sure when things went so wrong.

that was when kiara became your life vest. she was the only one that didn’t judge you for being a pogue. rafe didn’t, but he was turning into something you didn’t like anymore. someone you didn’t recognize.

it was also when you met jj. he was like rafe in a lot of ways; blonde, short-tempered, and impulsive. daddy issues and no mom, lost in the world and using drugs to escape the pain of their reality. another pair of sad, blue eyes that sucked you into their depths. another line blurred.

when you turned to face rafe you nearly gasped, teeth biting down on the soft flesh of your tongue to keep the sound from escaping. his icy blue eyes bore into your wide, nervous ones. the two orbs traveled down the entirety of your body in a way that gave you goosebumps everywhere they landed. 

he looked just as you remembered; tall, handsome, and fear-inducing. your heart was beating against your ribcage violently as you fought to stay still, feet planted firmly into the soft sand beneath you. the man made your skin prickle from being too close but you refused to move.

“oh, rafe, you’re still alive.” you voice barely quivered, unnoticeable to everyone except him. you hated the way he could feel the nerves radiating off of you in waves. it was the one thing he was the best at; reading you. “that’s…gotta be good for somebody, i guess.”

“don’t be like that,” his teeth were the same bright white that they always were, perfect and blinding as they bared down in a sinister smile. while rafe’s tone was light and teasing on the surface, you could clearly sense something beneath it that had you swallowing thickly. “you know you missed me.”

you didn’t dignify that statement with a response.

 looking past him at the brunette girl watching from a distance, you studied her closely. your brow twitched upward reflexively, eyes catching hers as the two of you stared each other down. she didn’t look familiar to you at all, but it was clear that she knew who rafe was if her glaring was any indication. 

she was pretty; her tanned skin glowing under the burning sun and shoulder length waves blowing in the slight breeze. 

the girl looked nothing like you.

“doesn’t seem like you missed me.” you hummed in response.

rafe turned his head, eyes following yours to find the dark-haired girl on the other end of your gaze. 

she tore away from the staredown to meet the steely-blue of the man before you and smiled, her teeth just as perfect as the person she was showing them off to. rafe barely reacted to her display, simply gifting her a slight nod of acknowledgment before turning back to you. 

“nah, she’s just…”he shook his head in denial, tongue escaping his mouth to wet his chapped lips. “we’re just friends. nothing serious.”

you shrugged at him nonchalantly, the sound of your friends clearing their throats behind you serving as a reminder of how uncomfortable they must be with him so close after everything that’s happened. you felt sarah grab your hand, her fingers knitting with yours.

“i don’t care if you’re friends, more than friends–whatever you wanna call it.” your tone was dismissive and slightly cold, a nautical edge to your voice as you bit the words out. “we aren’t together anymore. you don’t have to explain yourself to me.”

as much as you wish the words that left your mouth were true; they weren’t.

you missed him. as messed up as it was, you missed rafe in ways that you knew you shouldn’t. ways that would get you shunned by your friends if you were to ever confess to them. the man had done the worst things imaginable to all of the pogues, including you. it made no sense to be jealous of some girl that he may, or may not, be dating now, especially given how the two of you ended things.

yet, you could feel your stomach turning at the thought of it.

of course you hated him for what he did to your friends, to you. he showed you what kind of person he was hiding beneath the surface of what he put on display to you. but you’d be lying to yourself if you said you didn’t still think about him late at night; about what could have been had things not gone south the way they did. you standing in front of him and all your friends, telling him that you don’t care who he talks to anymore, was a lie.

but you still do it. you still do it because, what other choice did you have?

“yeah, right. i’m not,” he nodded in agreement with you about not needing to defend his actions. “jus’ didn’t want anyone getting the wrong idea.”

“right…” you replied monotonously.

kiara cleared her throat behind you, subtly letting you know that the interaction had been going on for far too long. you don’t stop her and sarah from pulling you away from rafe without any goodbye, the conversation ending as abruptly as it started.

“nice seeing you, y/n.” rafe’s voice was loud enough to be heard over the buzz of the surrounding crowd. he didn’t need to raise his volume, but he did nothing without reason. he knew who was there at the beach and he wanted them to hear, wanted them to know exactly who he was talking to.

the buzzed-blonde was met with silence once again. his gaze was both scorching and chilling, the feeling of his watchful eyes on your back as you retreated to find the rest of your friends. you were sweating, both from your anxiety and the bright sun beating down onto the sand.

cleo was kneeling into the soft ground fiddling with jj’s bike with pope and john b not too far away. you didn’t notice jj had been watching the whole time until your eyes met, his brows furrowed and a look of interrogation behind the pale blue. white knuckles gripped the rim of his helmet–he was angry.

you’d started picking at your nails nervously, already knowing the conversation that was in store.

“what was that?” the shaggy-haired boy immediately confronted you as soon as you were within earshot. you shrugged, avoiding eye contact. jj scoffed at your refusal to answer verbally and set the helmet down on the seat of the old bike. “don’t give me that shit, y/n. what was that?”

the other pogues watched you two closely, the tension thick and salty in the air.

“it was nothing, jj, chill out.” you said defensively.

“it didn’t look like ‘nothing’ to me.”

“okay, well,” you scoffed at the boy and finally raised your head to meet his scrutinizing gaze. “that's what it was. so…”

he didn’t seem to appreciate that answer. jj laughed humorously, the dry sound escaping his mouth in a bark of irritation. sensing another verbal brawl on the rise, pope was close behind his friend, body tense as he prepared to pull the boy away before things got out of hand.

“jj, it’s not that serious.” pope said gently into his ear in an effort to calm him down. “just let it go.”

“she’s talking to rafe cameron! that sounds pretty fucking serious to me.”

the brown-skinned boy stumbled back stlight as jj shoved him off his shoulder. cleo stood from her position on the ground at the commotion and kiara tensed beside you.

“jj, back off.” kiara spoke up. underneath the softness of her voice was a warning. you weren’t sure for what, but it was something that made the blond shake his head, clearly frustrated and displeased by the lack of anyone on his side.

not wanting to participate in another standoff with your friend, you let your legs carry you off somewhere safe from the fuming teen. familiar voices reprimanded him for his outburst but became more muffled the farther away you got, lost in the sound of all the commotion of the race.

jj hated rafe cameron. all of the pogues hated the kook prince, it was a given considering all that he had done, but jj despised him. 

before the gold changed everything about your lives, before sarah and cleo, jj had harbored a deep hatred of the eldest cameron child. not because he was entitled and classist; most kooks were like that, it came with the territory. no–it was because he was jealous. 

jj was jealous because no matter what rafe did, no matter how many times he sent you to his doorstep teary-eyed and stuttering, or feverish with a core-deep anger, you wouldn’t leave him. he thought rafe was not good for you, and maybe he was right, but you didn’t care then. you truly believed the boy would come to his senses some day, and you didn’t care how long you had to wait.

you never meant to string jj along, but deep in the back of your mind you knew you were.

it broke him to know that he would always come second as long as rafe was around. eventually he moved on to someone he could love without heartache, and that someone happened to be your best friend. his feelings for you never went away, and everyone knew it, even if they all pretended not to. including you. the guilt consumes you less that way.

the longing stares and lingering touches. the hesitant, curious kisses shared in the chateau’s backyard while everyone else was fast asleep. cleaning him up after bad scuff-ups with luke and letting him stay over at your house. the soft moonlight casting over you as you embraced each other beneath your covers, nimble fingers reaching up to wipe the silent tears that fell from his eyes. all distant memories that you both tried to forget about completely to keep the integrity of your; to salvage whatever remained.

but in that moment of jj confronting you, everyone saw what was beneath all the smoke and mirrors. rafe was stirring up trouble on purpose–he always did.

so it was no surprise that when the racers came back around for their final lap, with jj in the lead and rafe close on his tail, something had to happen to ruin the peace. 

“c’mon jayj!” kiara shouted at the boy speeding down the sand trail. “you got it, baby!”

“let’s go jj…” you whispered to yourself, far too sick to let the words leave your mouth fully. your were gnawing on your manicured fingernails, noting in your mind that they would need to be redone before the weekend ended and you had to be back at work. 

what the hell is rafe doing?

the older one was dangerously close to your friend. the wheels of his bike were nipping at jj’s as he made an effort to overtake his lead. john b wasn’t too far behind, but topper was on him too, the two boys fighting to get the best of each other amongst the rest of the group.

a wave of shock washed over the crowd as rafe rammed into jj, the pair of blonds flying out of their seats and landing harshly in the sand. a hand flew to your mouth to muffle your gasp. there was barely time to react before the large group of bikes not too far behind came full speed towards the finish line, engines roaring just as loud as the throng of people around you. you barely noticed topper crossing the finish line, too busy rushing out to check on the boy writhing in pain.

before you could reach them, jj shoved john b off of him in anger.

your brows furrowed together in concern, the sight of the scuffle both worrying and sending confusion through you. jj made eye contact with you from the distance and threw his helmet down before stalking off, everyone staring after him with a puzzled and disappointed expression.

“get used to it!” your head whipped around to see rafe pushing off the ground, his black racing suit covered in sand. he was clearly in pain, a hand cradling his neck and a slight limp in his stride as he approached the cheering crowd.

“what’d you say?” john b heard him as well, furious eyes searching for rafe’s figure momentarily. he stomped up to him and shoved the taller roughly as he spoke. “hey, what’d you say? huh?”

“john b!” you called out to him as you briskly walked towards the commotion. “john b, no! just leave it alone.”

rafe shoved him in return, the brunette stumbling backwards from the attack. sarah got in between them before it got any further, the blonde pushing the two boys out of the way as she scolded her brother.

“you could have killed each other!” she yelled, teeth bared and face red with rage.

rafe’s face was mostly stoic, eyes rolling just barely at his sister’s words.

“yeah, like you give a shit.”

sarah almost looked offended, but she didn’t respond immediately.

“you gonna kill me, like you killed dad?”

“rafe!” you finally spoke up in defense of your friend, mouth dropping open in disbelief at the words that fell from his lips. “what the fuck is your problem?”

you followed behind him when he kept walking, strides long to keep up with his own. the brunette girl he claimed to be “just friends” with was waiting for him a short distance away and you watched as his arms wrapped around her, celebrating as if he’d won the race. 

your jaw clenched as envy clawed its way up your spine.

“why do you have to do that?” your eyes were hard as you stared him down from your spot on the beach. disgust was etched into your face, hackles raising as the girl leaned into his side with a content look on her. “you haven’t won enough? like…wh-what do you even get out of doing shit like that, rafe? you both could’ve gotten seriously hurt, and for what! winning? again?”

kiara was right behind you the moment she recognized the sound of your yelling piercing her ears, the girl taking no time to back you up. her scent filled your nose as she stood inches away, the smell bringing you some calm as your skin burned hot.

“no,” rafe wore a smug look, lips quirked up in a smirk that only fueled the fire inside you. “no, no. i don’t care about winning; i always win.”

rafe let go of the brunette hanging off him, nose flaring as he took in a deep breath of the fresh ocean air. his eyes were locked on yours, the color reflecting the water crashing against the sand behind you.

kiara backed away, the warmth of her body leaving yours as she took three steps in the other direction. she refused to let him get too close to her, the fear she felt after what he did to her understandable. you didn’t move, though. you stood your ground and let him stand before you. the distance between your bodies was so small you could smell the mint on his breath from his chewing gum and the familiar scent of his cologne flooded your senses.

“i always win, and your pogues always lose.” his voice reverberated deep inside as he smiled down at you, the expression sickeningly sweet.

you swallowed thickly, body tingling from his closeness. god, how you wish he couldn’t make you feel like this anymore.

his breath was hot against your ear as he leaned in further, voice low so that only you could hear.

“you picked the wrong boyfriend, baby…” faux pity coated his words. his lips brushed against the skin of your ear, and you took in a shaky breath, anger quickly dissipated as your body froze in place “could always come back, y’now, when you’re done losing with ‘em.”

rafe pulled back and you looked up at him, eyes glossy and lips slightly agape as you tried to steady your breathing without anyone noticing.

he always did.

“good seeing you, kie.” he never took his eyes off you as he backed away, retreating to the fling waiting for him to return to her grasp. “and i’m serious, y/n.”

[felassan]

Dragon Age: The Veilguard info compilation Post 4

[Part 1] [Part 2] [Part 3] [another post]

Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a ‘regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this. if you notice any mistakes in this post, please tell me.

Character Creation

BioWare confirmed that even if you make your Rook a short king, the team has done work to ensure animations fit any character build [source]

"Dragon Age's character creator has seen a massive glow-up" [source]. "The volume of choices you get here are frankly insane. As Epler noted, “you could spend forever here,” and he’s not kidding." [source] The art and graphics teams spent a lot of time trying to make hair look amazing [source: the Discord]

In CC we can customise our "bulge size" [source]

Some more detail on the new lighting options to see how Rook looks like in CC when you make them: you can view them in "blazing forest sunshine versus the glare of an underground temple" [source]

"newly mobile, extra-hairy hair" [source]

Faction choice has statistical boons. For example, Shadow Dragon Rook deals extra damage to Venatori blood cultists [source]

Faction choice basically determines why Rook has been called to help in the fight against Solas [source]

All pre-determined character models in CC can be adjusted [source]

You can make a really tall dwarf if you want [source]

"Setting your previous world state is fully integrated into the character creator for Veilguard" [source: the Discord]

Inquisitor appearance will be re-created, there is no way to carry their appearance from DA:I into the game [source: the Discord]

Classes for Rook are not restricted in the sense that you can play any almost class, lineage and faction combination that you want. For example, a mage Rook can be a Crow [source: the Discord] (Fel note: it sounded like Rook cannot be a magic-wielding dwarf, even though the exception of Harding now exists) (Fel note: there is a mage Crow in one of the books)

Story and lore

Here is another article which refers to Rook as "the Rook" [source]

The story is set "9-10 years from DA:I and about 8 years from Trespasser" [source: the Discord]

They have been tracking Solas for "a while. Something else you’re gonna learn about…" [source]

The game does not use the Keep [source]

Shadow Dragon is the faction background with the most in-game reactivity (e.g. from other characters' dialogue) during the prologue section of the game, due to the fact that the prologue is in Minrathous and the Shadow Dragons are a Tevinter-based faction [source]

"I also saw a big moment after the gameplay trailer ends that I can't talk about" [source]

During the more narrative-heavy dialogue choices, "the game will also give a bit of context on what you're about to choose, but doesn't go as far as explaining the exact consequences or precisely what will happen thereafter" [source] "the game shows you how you’ll go about the choice, but it doesn’t tell you the consequence of that choice". [source]

"The game is bringing back Dragon Age 2s dialogue system, which was tone-based and resulted in its protagonist Hawke falling into one of three different personality states. You have three general tones in a conversation: kind, humorous, or aggressive, with slight variations depending on the situation" [source]

"Venatori blood cultists" [source]

"The whole game has the makings of another Suicide Mission [ME2], given that you are up against a god with the ability to collapse dimensions" [source]

"Choices and consequences". "Now, it seems you can see the effects of your choices like never before, and this time, they marry that choice with incredible visuals" [source]

In the bar when you're trying to get information in the opening, if you choose to fight it out and the barbrawl ensues, you then have to run from the pursuers in the bar [source]

A key concern of the developers when creating the environments was to make “a world worth saving" [source]

The prologue is quite linear but there are additional paths you can follow to find additional loot [source]

In the opening section of the game there is a dock which has been attacked and the soldiers that were there have been killed, "but rather than seeing this passively, we walked through the aftermath and had to interact with the scene to piece it all together" [source]

The tone of the gameplay video is a good indicator of the tone of the rest of the game [source]. On the tone: "dark fantasy" [source]. horror & gore is back along with DA's classic dark elements [source]

Tevinter Nights is a better tone indicator for the game than the original reveal/character trailer. Ghil Dirthalen: "Tevinter Nights has felt the most 'DAV' to me" [source]. The gameplay reveal video is the best indicator for the tone of the game (vs the character one) [source]. there is still messy dark shit in the game [source]

Tonally the game is closest to Tevinter Nights and DA:O [source]

Ghil Dirthalen: "[as] one of those unfortunate souls who has latched onto a media world so hard: This game is for me. For the hardcore DA lore nerds, I've been secretly screaming about things I saw for MONTHS now" [source]

The game is true to the DA stories we know and love [source]

Characters, companions, romance

You can choose to engage in companions' own storylines as you progress or ignore them entirely [source]

You will often have to make dialogue choices that will affect how your various companions treat you [source]

Neve is quick-witted [source], measured and elegant [source]

In the opening, you interact with the companions as you move through Minrathous. "your choices during these interactions will determine who goes on portions of the mission with you, along with how “pleased” they are with the answers." [source]

On Varric and Harding: "Instantly the two felt like they’d never been away and avoided the trap of being parodies or fanfiction versions of themselves" [source]

Solas' eyes were always purple hh [source] (yes!)

Gameplay, presentation, performance etc

Some enemies have additional shields that are weak to ranged attacks [source]

When asked about if the war table from DA:I returned, John Epler said "There is a table. Now, whether it works the same way as the table in the previous game..." [source]

Once you get passed a certain point in the game, it opens up dramatically, however it is not an openworld game and they wanted to make sure that all the content mattered and was a more structured, sculpted experience for the player. There is some exploration, some opportunities to get off the beaten path, and some spaces that are fairly wide [source]

The button to press to bring up the skill wheel is RB or R1 (depending on what controller you're using) [source]

"You'll also have access to two skills or spells for each of your two companions that you can command. For a more seamless, uninterrupted combat experience, you can also assign these skills to shortcuts (such as holding the left trigger and hitting the X button) to quickly use them" [source]

"The game is bringing back Dragon Age 2s dialogue system, which was tone-based and resulted in its protagonist Hawke falling into one of three different personality states. You have three general tones in a conversation: kind, humorous, or aggressive, with slight variations depending on the situation" [source]

"booting Fade demons into pits" [source]

"BioWare have revised Dragon Age's art direction to make character models a little more consistent with the series' lovely Tarot-inspired menu art. Flesh is ruddy to the point of painterly; facial features and bodily proportions are thicker and more striking, as though the characters had been cut from clay" [source]

The 3 specs for Warrior are Reaper (has lifesteal/stealing health from enemies, and other freaky powers, does big damage), Slayer (can wield the biggest blade, big swords, big damage) or Champion, which is tanky, shield-using and Paladin like [source] [source]

There are quick-recover prompts [source]

You can roll through puddles of incoming AOE [source]

There are ziplines between some levels levels [source] (Fel note: just like in As We Fly... )

There are also slidey hills to slide down between some sections [source]

There are still some Hinterland-type areas designed for exploration [source]

We can do some home base management to our home base [source] (Fel note: this refers to The Lighthouse, detail in a previous post)

Camera placement is quite zoomed out [source]

Where Rogues have 'momentum', Warriors have 'rage' and Mages 'mana'. When a warrior spends rage in the ability wheel it triggers more powerful attacks. this has been referred to as a build-and-spend mechanic. this system resource gates your use of more powerful skills and is built by getting stuck in [source]. Momentum for Rogues is built by landing hits without taking any [source]

There are big glowing environmental cues for picking up loot or replenishing health potions [source]

"Epler noted that The Veilguard will not be an open-world experience like Inquisition, and instead will have large spaces to explore with quests littered throughout. This allayed my early concerns that they would course correct too hard from the oft-maligned open areas of Inquisition" [source]

Melee and ranged attacks can be charged up [source]

It sounds like there is an option to have greater guidance on when enemies are attacking [source]

The community council gave a lot of notes on the game's art direction to BioWare (gave feedback to the devs) that they were told and shown were changed from the first reveal/character trailer, these made it into the gameplay trailer [source]

The community council asked about having an arachnophobia mode, though they can't guarantee this was implemented [source]

"You’re encouraged to explore and grind for stronger weapons and gear, so your stats and cosmetics improve the further you get into the game" (in the sense that you’ll be rewarded for hard work) [source, two]

Follower information such as cooldowns and health will be visible on the HUD [source: the Discord]

There is a "quick cast" option if you prefer not to use the wheel, should be a chorded action using a controller [source: the Discord]

On PC you can play with keyboard and mouse or controller [source: the Discord]

An accessibility option is the ability to make auto-targeting stronger or weaker depending on your preference [source: the Discord]

The game will have DLSS support at launch [source: the Discord]

Re: hard drives, the game can be played using an HDD, they would recommend an SSD though for the optimal experience [source: the Discord]

There are lots of different interface options you can play with, e.g. combat text size, opacity, when to display health bars [source: the Discord]

Other

The leak from last year or whenever it was (the one that leaked screenshots and a gif from the game) was mainly a lot of outdated stuff and didn't really represent even the early version some community council members had played [source, two]. It was not leaked by a member of the community council, but by a member of another focus group [source]

The community council were given the chance to play the game twice, once in Fall 2022 and a year later in 2023 [source]

There is no information as yet regarding when pre-orders will be open [source: the Discord]

BioWare are hoping to at the very least have the very "best of" the Discord dev Q&A featured on social media and potentially in a blog [source: the Discord]

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