#a perfect family life

[biffhofosho]

LOL TUMBLR BLOCKED ME FROM POSTING MORE ON FRIDAY, SO I'M FINISHING MY SPAM TODAY.

HONEY SPAM

HONEY SPAM

HONEY SPAM

I've finally got my act together. Let's goooooooooooooooo.

[reefs-camp-blog]

sally and percy were always each other’s constants, they became a bit more distant once percy found out he was a demigod, but they were still each others firsts

then estelle was born

percy loves estelle so much, so much it physically hurts

but he sees estelle and how happy she is, how she had a mom that doesnt work the night shift nearly every night and instead is home nearly all the time, and she has a dad that’s present and there and is safe and percy is so so happy that she has what he never did

but at the same time he knows thats the exact reason why it hurts

estelle has what percys wanted his whole life

and now estelle has the only thing percy had his whole life

being his mothers first and top priority

he knows why, he understands why, estelle is a baby and needs to be cared for constantly, and percys nearly 18 and doesnt need his mom all the time anymore

but it hurts because all the food is no longer blue, it hurts because he sees estelle grow up and get help, it hurts because he sees estelle with the life he always wanted, but knows he will never had

and it hurts because hes no longer his mother’s constant.

sally has paul now, she has paul to help her through her issues and she has a child that doesnt get expelled from every school shes been in

and percy has his family. but its not the same. annabeth has always been there, but she doesnt understand, thalia has been through the same childhood as percy but she doesnt know what its like to watch the bad go to good in the same household, grover has always listened but he just doesnt understand

because hes happy estelle has the life he always wanted. hes glad his mother has the life she always wanted. but hes not in that life. because hes moving out soon. and hes no longer his mothers son, at least not in the way he was before

[kibutsulove]

azulon and azula happily frolicking in a field & holding hands because I have free will as an artist

[nitsa13]

Allium family

[peanutseagle]

go get 'em nerd!!!!!!!!!!!!!!!!!!!!!!!!

[shadowisabean]

My life revolves around Shadow 🐶❤️

[darlingsart]

Anyone else get really emotional about their OCs? 😭😅

Started working on the next chapter of my fic yesterday and I had to stop to draw Pat and Achilles with Max because I just love the little family I’ve made for them! 🥺

[zhuletta]

It must have hurt so much seeing Archer, Olu, and Jim wanting to join Zheng. Like— I don’t feel like Stede’s reaction is fundamentally wrong. Ed literally left him once because he wasn’t pirate enough during the whole Calico Jack thing, and now left him because he’s too much of a pirate. Stede is in such a rough place, because he’s finally coming on his own, feeling worthy, respected when he had never felt like that before, and even though he’s everything he dreamed of, both the person he loves AND a significant part of his crew are leaving him for someone who tried to kill them. Like— are we all seeing the same scene? Of course he feels like he has to fight for them. Stede probably feels like his whole life he never fought back against anyone, he was bullied his whole life, bent for everyone’s wishes. He’s tired of it, maybe if he shows the people he loves his devotion to them maybe they’ll choose him.

Stede’s used to only being loved when he’s trying, after all.

[nadiajustbe]

I think the whole issue I have with Howl's character in HMC movie can be outlined in one brief sentence:

"You can't write Howl Pendragon without writing Howell Jenkins"

[simplykorra]

ava + her gay little hat - part I

[assmaster-8000]

no because what if gojo satoru had found another special grade child. a child whom the jujutsu higher-ups wanted satoru to mentor because they'd be a useful trump card to the jujutsu society so naturally they'd want this child's talent to be honed till they potentially surpass satoru and be used. but satoru had seen too much of what this world had done to the person he'd love the most and he wouldn't ever be the one to subject another person to it like a tool. like a weapon. like a machine. so of course he takes them under his wing and gives them the guidance he never had, suguru never had. a 20 year old prodigy fresh with wounds of loss and grief taking in a child with greatness sitting on their head like a heavy crown cutting into their skin underneath his cape of power and blood stains. satoru is an enigma and even he himself doesn't know if it's because he wants to mold more strong jujutsu sorcerers who will change this world (because what greater irony than the child you wanted to utilize like a cold knife being the one to bring reform right to your door?), or if he wants to give them everything everyone else didn't have (please, he can't have someone follow in suguru's footsteps.), or if being number 1 was too tiring for him (but he doesn't know if it's selfish bringing them up to this blinding spotlight.)

years pass and he vehemently denies the higher ups control over his protégé, his student, his brat. he'll give them control and the means to break out of the shackles of this damned hierarchy. and even if satoru cannot outwardly say it, they're his child. as though he was there at their birth and has been ever since. his child and his best friend and he's their father and their best friend. it's either he sees too much of himself in them or too much of suguru because they're rising to the top fast and he's proud of them and so full of dangerous hope their wings aren't made of wax. (but he'll be there to catch them if they'll ever fall, of course!) they're so strong now. if he was blessed by the heavens and the earth then perhaps they were born of it because look at them go! giving the great gojo satoru a run for his money! not everyone can do that, you know? they're such a great student and person! isn't he such a great mentor?!

so he decides to have faith in them. bring them along with him to shibuya to deal with those reports of special grade curses he was being told about. this is how your teacher deals with these curses! better watch closely because you'll probably have to do it too! he has them positioned on the sidelines to ensure the civilians aren't hurt and if anything, to aid him because they're gonna be the strongest some day too so they can't be lazing a round on their ass all the time.

and they're doing so well until kenjaku comes along. satoru's breath stops and his heart rattles against the prison bars of his ribcage but it isn't the stupor of seeing his lost love that doomed him to the box. his special grade student lurches to -- what, attack kenjaku? pull satoru away? run? it didn't matter what. it was all a blur -- wards him and his body moves on an instinct that's even stronger that the compass needle pointing to suguru's body.

no, no.. that isn't suguru. it's his body and that's not him. somethings not right. but his student is right infront of him and that's them and he can't let anything bad happen to them now. flexing infront of his student can be saved for another day. but it's this mistake that ends up setting him right into kenjaku's trap and the box. the moment his gaze snaps to them and his body is torn between suguru infront of him and them kenjaku sees an opportunity and snaps it up like it's golden.

satoru doesn't even get the mere moment of chained freedom before he's fully trapped in the box. with the special grade student there, kenjaku needs to make it quick. make it count. he does. satoru is pulled into the box and satoru can't even say anything to his student. and he worries in his infinitesimal prison. satoru never usually worries unless if it's his leftovers have gone bad in the fridge.

they'll be alright.

they'll be alright.

they'll be alright, won't they?

they're strong.

they're capable.

they're smart.

he's raised them well they'll be okay they've got friends.

they'll do the right thing.

...

and when satoru finally exits the box he's sees faces changed. they tell him a lot about what they've been through, about what has changed since he's been gone, what changed about them.

he sees yuuji has been weathered with pain and a unique sense of hope.

he sees megumi has been puppeted with the strings of despair by sukuna.

he sees maki has faced the fiery trials and tribulations of this cruel world and bears it like her trophy.

he sees...

he sees nothing of his student. his special student. where are they? injured? somewhere off in the game? will they be back soon? time's a-running out, you know.

he sees the looks his students exchange and his heart drops. he knows. he knows. he knows what must've happened.

they're dead, aren't they?

and he's brought back to the time he carried riko's dead body in his arms and he was met with the disappearing suguru in the crowd and suguru slumped against the wall.

it's happened again.

they tell him they were a hero. that in satoru's absence, they did the heavy lifting and protected shibuya from the full-on destruction it would've suffered if not for them. that if not for them, the jujutsu world would've been left in even deeper disrepair. they saved some of their fellow sorcerers from certain death and suffering! they were the one to grapple with sukuna when he let all havoc ravage the city.

they paid with their life.

all because they were too worried about getting these normal civilians back home safe. about keeping their friends and mentors safe. and satoru wonders if there was someone else worrying about keeping them safe.

... atleast he didn't have to worry about them following in suguru's footsteps and the hatred of regular civilians. they were good of heart and soul. they were strong.

they did the right thing.

and satoru has a hard time wrapping his head around the fact that the person he's raised for, what, 10 years? is dead. gone. deceased. that's just preposterous! he was there when they were a snobby little kid and he was there when they were going through that awkward phase and he was there when they were learning more and more as a teenager and where are they now?

sukuna asks him that. "where's that miniature personification of yours? hah, don't tell me they died the last i saw them. have the special grades of this era started to slack off?"

satoru has all the more reason to kill sukuna now. he has to show his students who are watching that he can do it.

even if they will no longer watch him do anything.

[adamnablelittledevil]

Not justifying Armand, but you don't get through that amount of physical, sexual, emotional abuse, brainwashing, isolation etc to the point of amnesia and dissociation since you're a human child until you're a centuries old vampire (and vampirism amplifies their traumas and emotions) without accidentally reprogramming your brain in a really messed-up way. Specially when you're stuck in a teenage brain forever. This is not someone that lived a safe and privileged life, not even a remotely decent one, and decided to be evil. In many ways Armand forgot or didn't even get to learn what is meant to be human and have a healthy lifestyle and relationships with people. Obviously, it would take him a long time to catch up with his humanity and even develop a sense of identity (one of his many issues too).

[autisticrosewilson]

Um if you write Jason having to get drugs for Catherine I want you dead btw. Not only does it tell me you assume the average drug dealer would give the hard shit to a very small child and then not supervise them at all (classist stereotype that all drug dealers are inherently evil + lazy writing with no grasp on reality) and you genuinely think that Catherine was CONSTANTLY high, as if that's even possible without overdosing far sooner than she did. That's without even getting into the bad mom Catherine propaganda.

[grimalkinmessor]

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

[pennyserenade]

i’m actually so serious about ewan mcgregor’s filmography. no one else is serious enough abt it. there’s so many incredible movies and about 90 of them are underrated or cult classics. star wars is great but it’s almost one of the least interesting things he’s done. there’s trainspotting! there’s moulin rouge! shallow grave! down with love! i love you phillip morris! big fish! perfect sense (devastating movie)! birds of prey!!! not to mention his season of fargo!!! where he plays not one but TWO characters and blows it so far out of the water i was genuinely sobbing by the end of it. like on my knees. good stuff

[anemone-ships]

˚✧₊⁎ imagine you and your f/o staying in a cosy cabin/treehouse, surrounded by nature!! the two of you spend your days alone together in the middle of nowhere: going on hikes, baking bread, playing music, and cuddling under the stars.

pro.ship dni