#a moment of grief
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kick-a-long · 2 months ago
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i find it so desperately sad that goyim generally would be so much less antisemitic if jews started physically fighting back with guns or sticks in every country. calling for the murder of muslims all over the world, if the jewish population was big enough to have large scary groups of crazy fringe fundamentalist synagogues all over the world, a billion strong, that preached murder and hate so goyim could look down on jews like some noble savage in need of assistance and western education and protection. so we could be reformed in obvious patronizing ways because there were so many of us that we had militant violent fringe extremists, like christians and muslims have, mixed in with the normal jews.
if jews didn't have such a reputation for success and intelligence maybe conspiracy theories would stop blaming us for controlling the world. if we felt less in danger maybe we wouldn't be so obsessed with long term survival.
is antisemitism some warped form of envy? maybe. what sucks is that jews are no better or worse than anyone else. some jews are brutes and some are the most wonderful people imaginable, just like any other group. what sucks is we don't all live up to the reputation of tactical geniuses and wizards with mind control magic. all of us jews are just tired and abused humans who have lived with 2000+ years of generational trauma and the endless fall out from a popular jewish book written 3000+ years ago describing the best practices of jewish culture. It has some great stories, histories, life advice, diet recommendations, hygiene, and rules about how to treat others.
is that such a crime?
trying to show a path forward? not demanding anyone else follow those rules but wanting to do our best to follow them anyway? how to live a good life that makes the world better and makes you proud to have been on earth for the time you were there? jews fail to do this all the time, just like everyone else. I fail all the time. why are people so obsessed with that? people say shylock is a stereotyped antisemitic character but,
"I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge! The villainy you teach me I will execute, and it shall go hard but I will better the instruction."
so why do jews always have to be the better man? why do we have to apologize for being angry and sad and hating the people that attack us? that was written by Shakespeare, a christian in the 1600s who who had probably never met a jew, they were expelled from england, but imagined us as money lenders, the only profession left to jews at that time. even he saw the double standard. it makes a good point.
now, i don't want vengeance, i don't want violence, but i feel vengeful. i feel angry that i am unsafe because of play actors and terrorist supporters who want revenge for jews existing but scream bloody murder when jews refuse to dig their own graves, beg forgiveness for ever being born, and lay down in them to be mocked and pissed on and abused in the worst ways imaginable for the entertainment and conquest of it. i want peace with them. they are as human as i am, full of foibles and anger. i want nothing to do with them. i want them to never come near a jew again for the rest of time.
i am sad. all i want is to feel my feelings and advocate for what is the most ethical and practical work around to a world filled with unending suffering while i am still alive. i want them on thier side to live in the world they want and me on my side to live in the world i want. why don't these children of all ages, lost in delusions of fantastical battles and ultimate good and evil, see that? why can't I be a human first as well as a jew first? why do they ask me to pick? why am i not allowed to pick?
it's been almost a year. we're all so tired.
I'm going to a music festival. I'm trying to decide whether to wear a star. why is it dangerous to wear a star around my neck?
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guardian-of-soho · 1 year ago
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Crowley starts off his confession already terrified, already most of the way to mourning, but his voice really starts to go to pieces when he says “and we’ve spent our entire existence pretending we aren’t. Well, these last few years, not really.” And you can just see it sinking in — after all these years of pretending, this is all we get? These few years of half-admitting, half-having? Never saying it was love?
I think that’s why he can’t get through “and I would like to spend — ”. Whatever time we have left together. Really together. Before it all comes apart. He’s just realizing that after all this time, he won’t get to.
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petricorah · 8 months ago
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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poorly-drawn-mdzs · 2 months ago
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Loss.
[First] Prev <–-> Next
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benevolenterrancy · 2 months ago
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He'd just finished speaking when Mobei-Jun sent Shang Qinghua flying forward with a kick. And he really did go flying... flying... flying... [...] he tumbled and skidded as he went flying into the hole, to "investigate and ascertain the situation". After a long, dead silence, a terrified scream suddenly exploded from within the cave.
The absolute business-like manner with which Mobei-Jun decided to "volunteer" Shang Qinghua nearly killd me, the visuals of this scene are unparalleled
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a-confused-spoon · 13 days ago
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⚠️SPOILERS FOR ARCANE SEASON 2 ACT 1!⚠️
I'm absolutely convinced someone has already pointed this out, but this parallel between 01x08 and 02x03 is haunting me:
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"This is how things are, how they've always been- I was so stupid to think they could change!"
Do you see how in the "break up" scene of season 1 the camera frames both Caitlyn and Vi at eye level, therefore at the same height, because the leading cause of the split is the powerlessness of two equal individuals to change a system that is bigger than them?
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"I keep telling myself that you're different, but you're not! It's her blood in your veins!"
...and how the break-up in season 2 takes the pov of the two characters (Vi looking up at the topsider that just hurt her after pointing out how her actions are being part of the problem, and Caitlyn looking down at the zaunite she hurt blinded by her own anger and refusing to see her own faults), making it a representation of the bigger class/system issue at hand?
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shadowhaert · 10 months ago
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missing someone bad for you
trista mateer / trista mateer / sue zhao / u.k / u.k / clementine von radics / trista mateer
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bayetea · 3 months ago
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something something about nico needing to trust percy with his sister's wellbeing again when sending hazel off on the quest to alaska
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clarkgriffon · 3 months ago
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BUFFY THE VAMPIRE SLAYER 6x22 | “Grave” 
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honeyandsalted · 3 months ago
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I was looking at bts from Emma D’Arcy + Olivia Cooke photoshoot and realized we’ve never seen adult Alicent truly smile or laugh in the show and possibly never will. There’s been a few instances of a sarcastic/sardonic smile, but the closest I can think of is a brief moment when she is first holding baby joff, or minuscule moments during the 1x08 dinner. But like, we’ve yet to have a true smile of joy from adult Alicent the entire show, which is just really sad.
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HBO LET MY GIRL SMILE IM BEGGING YOU
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winter-mornings · 1 year ago
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bruh, just give him back his kids
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meteortrails · 7 months ago
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law and luffy are so fun bc the fundamental basis of their relationship is that they were both there for each other in one of their most isolated, life changing moments of grief, and they’re the only reason the other survived it. they may not necessarily know all that much about each other, but they do know parts of each other that not even the closest members of their crew (their family) know now. like obviously by the end of dressrosa law sees and understands the reason luffy’s crew follows him, but I think a less obvious truth is that when law saves him luffy sees and understands the reason law’s crew follows him. I just think about luffy’s instinctive faith and trust in law on punk hazard; he looks at law and understands that as much as he pretends not to be law is fundamentally the person who saved him before he is anything else. and I think they both kinda struggle to categorize the specific and unique way in which they are important to each other (although admittedly luffy stops caring to much much sooner LOL), bc it IS different than their relationships with their crew or their family. not necessarily any more or less meaningful, just different. and idk i guess i just think it’s all very sweet, in the end, that they managed to find each other like this.
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untitledgoosegay · 4 months ago
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re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"
this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?
some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.
take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.
and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.
people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.
that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis
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royalarchivist · 23 days ago
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Slimecicle: Oh, hang on, that's actually so cool. Aw man, this is sick.
Ironmouse: A beautiful memorial.
Slimecicle: [Throws flowers in front of the ofrenda] It's actually really cool. I'm glad this is here.
Baghera: Yeah, that's really cool.
[Slimecicle leaves, then goes back to the ofrenda]
Slimecicle: JuanaFlippa, this is- this is Technoblade. You guys never got to meet, but... I only met him a couple of times, but every single time he kicked the sht out of me in Minecraft. You know, we would do mod videos where like, I was supposed to play like a big monster, like a Wither or something, and the whole thing, the whole premise of the video would get upended because he'd hide and destroy me so hard that I needed to be like, "Dude, you're actually popping off too much right now, like– Mods, give me more hearts!" [Laughs] 'cuz he was so fcking good. He was so funny too.
Slimecicle: ...Yeah, but he- he was- he was unbelievable. Still is.
[JuanaFlippa goes up to the ofrenda and throws a blue flower]
Slimecicle: This is cool, all these little things. [Slime looks through his inventory for something to give] Do I have any blood for the Blood God? [He throws some redstone dust in front of the ofrenda] I've got blood for the Blood God.
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poorly-drawn-mdzs · 10 months ago
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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.
(Part 1, Part 2, Part 4)
#poorly drawn mdzs#mdzs#lan wangji#Yungmeng Jiang training arc AU#I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by#and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is#You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)
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wigglebox · 6 months ago
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Destiel Pride - Day 6; Profound bond
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