#a lot of the times in media it ends up being like. the focus of the story

[bloomzone]

ALRIGHT, let’s keep it REAL for a second. You know the drill—you're on your phone, thinking, "I'll just scroll for a minute," but then one TikTok turns into 20, and before you know it, you’ve wasted an hour or two, and your to-do list is still staring at you, untouched. We’ve all been there. You didn’t even mean to procrastinate, but somehow, scrolling has become your default LIKE UR LIFE DEPENDS ON IT. Now you’re sitting there, realizing you’ve literally accomplished nothing, and you’re feeling the pressure creeping up. The guilt sets in, and suddenly the task seems way bigger than it actually is. It’s like time got stolen from you, but the problem is, you let it happen. And that’s okay—we’ve all been there, but let’s talk about how we can stop this cycle and get back on track.So how do we actually break this HABIT and get YOUR SHIT TOGETHER ? First, time-blocking is a solid strategy. HEAR ME OUT Don’t think you need to study for hours straight. Start small—set a timer for 20-30 minutes where you focus only on your homework, then take a 5-10 minute break. You’ll be surprised how much you can get done in those short bursts, and the breaks will keep you from feeling burned out. NEEEXT get your phone out of your face SERIOUSLY, put THAT SHIT it in another room or at least out of reach while you’re working the temptation to check social media is too strong, and if you don’t see it, you won’t even remember it’s there. Also, let’s be honest, a lot of us scroll because we’re avoiding something. So, try this: break your tasks into super small chunks. Instead of saying “I need to finish this whole chapter,” say “I’ll do the first page, then the next,” and slowly build from there. Turn off notifications, too. If you know a text or Instagram notification is going to pull you away from your work, MUTE THAT SHIT ! Your friends and memes can wait. And finally, remember YOUR FUCKING DREAMS UR GOAAALS LIKE GUUURL U WANT TO BE A RICH WORK FOR IIIIT ..When you're tempted to procrastinate, think about why you're putting in the work. Whether it’s to feel less stressed or to actually enjoy your weekends because you’ve gotten stuff done, reminding yourself of your end goal helps you push through the urge to scroll. So yeah, it’s not about being perfect—just about taking small steps every day. You don’t need to be working 24/7, but get focused when you need to, and trust me, you’ll see the difference !

© bᥣoom >⁠.⁠<

[sapphiresaphics]

Here’s the thing. Arcane season 2 was finished being written back in 2020. It was completed before the first season of Arcane even aired on Netflix in the first place. Before they even knew if it was going to be a hit or not. Before any of the fans had hot takes about the characters.

Which means that all of these “new subplots” (such as the black rose) weren’t just added in on a whim. They have an intentional purpose in the story they’re trying to tell.

It also means that the pacing was always going to increase and become faster as the two seasons went on.

I think a lot of fans are coming at this show from the perspective of a lot of live action shows where the writers see how fans respond to certain things so they add them into the story or focus on fan favorites to grab your attention and keep you engaged. And live action shows can do this because they’re filmed relatively close to when the series airs and so they’re aware of what the reactions are on social media (for good or ill).

But this is animation. Very TIME CONSUMING animation at that. It took 4 years to finish animating the 9 episodes of Season 2. If you include the 6 years of development and production of Season 1, that’s almost a full DECADE of working on this show.

My point is that they literally (and logistically) can’t respond to fan input and make changes in the show based on the way it was received on social media. Like it or not, these specific characters beats and storylines were always the plan from the start.

This is a long winded way of trying to say… if you have problems with the way certain characters are behaving, or certain plot points feeling rushed, or feel overwhelmed by the number of added subplots that need to get resolved before the end of the show… I strongly suggest rather than saying the writing is “bad” or that the writers “don’t know what they’re doing” or just complain about anything really… I suggest you take a step back and ask yourself “why are these the stories and actions they chose for this 2 season arc?”

I think that’s a far more productive thing to do than to go online and whine about things you didn’t like. I find it’s better to try and understand WHY they chose to do these things rather than write them off. More often than not when you look into the why, or try to come up with reasons why the writers would take certain characters down the paths they do, you end up coming out appreciating the media more. Even if you still don’t were with their narrative choices, learning and understanding the WHY is far more rewarding I think.

I’ll give you an example of something I don’t like, but that I understand why. Isha. I don’t like that Isha was introduced and then killed off in the latest episode. If I were to look at it just from a surface level reading, it seems pointless to add this cute mute kid character only to take her away a few episodes later. But NARRATIVELY she’s extraordinarily important. She is what Jinx needed to become more empathetic to her sister and reach out to fix their family. She helps push Jinx into the role of Vander for season 2. And her heroically framed sacrifice is probably going to be the push Jinx needs to stop trying to commit suicide.

Would I have liked to see more of her and Jinx’s relationship? Yes. Would I liked to have learned more about where she came from and why she’s mute? Yes. But at the end of the day, this is not a show about Isha. Isha is a narrative device to help forward the character development of Jinx. And so, while I do not like that she sacrificed herself… I understand it. And that understanding helps me appreciate the writing and the level of depth the writers are willing to go to push their characters around where they need to be by the end of the series.

At the end of the day, Arcane is just another show on Netflix. It is not beyond criticism. There are a lot of legitimate criticisms you can have against the show. But I’ve found that recently the number of bad takes and people refusing to engage with the narrative has resulted in a bit of a backlash against the show and I do not think that’s ultimately very productive. Please… if you’re going to criticize the show, please try to do better than just write off anything you don’t like as “the writers just suck” or “they changed X character for no reason!”

Because I guarantee you, there IS a reason for everything in this show. No matter how small and trivial it might be, this show was put together with love and an extraordinary attention to detail. There are reasons for why characters do and say the things they say. The writers often make these into intentional parallels, foreshadowing, and callbacks.

Please… take the time to actually stop and dissect what you see. Even something upsets you. I implore you… try to understand why. Try to understand what the writers are saying. Try to understand how certain plot points and events could have a bearing on different characters.

Please just…. Try?

[fyeahnix]

Ok lemme talk about this season of Arcane, the ending, and most importantly, Sevika. If you don't want spoilers, back away now but I'm leaving this open because people have a tendency to not open or read my posts with read more cuts after them 🙃

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First off, I will say that I like Arcane a lot. Like a LOT. I've watched the first season 4 times (rarely do I watch anything more than once) and I think it's a masterclass in adult animation. Fortiche really put everything into this series.

That being said...

While I did like season 2, I don't think it was enough. Animation wise it was phenomenal, writing wise...I think it could have been better. As I've learned through doing research for my Sevika fics, the League of Legends universe, lore, and worldbuilding is fucking MASSIVE and even if I don't give two shits about that community or game, I have to give it props in that department because they really put a ton of work into it to make it feel alive. Maps? Short stories? Timelines? Race and culture? Apex could never...

That ofc is why it's hard for me to say that the writing is amazing. We had far too many characters to keep track of in season 2 with far too many plot threads to finish in two seasons. I think ideally, this series should have been 3 seasons instead of 2. Acts 1 and 2 could have been its own season, and Act 3 could have been its own season. If not that, then at least one more episode per act would have helped a lot. Things just progressed and wrapped up far too quickly for my liking.

Also not a huge fan of how quickly video game related media tends to dip into the whole timeline and multidimensional business. It def works well for some games but here? Idk I guess it was bound to happen given some League character's abilities, but the stakes just elevated far too quickly for me. Not a fan of Viktor becoming one of the main antagonists at all, and DEFINITELY not a fan of the conflict between Piltover and Zaun being sidelined for an "enemy of my enemy is my friend" thing with the war against the Noxians. It makes sense, I just wish "war with the Noxians" came at a later date so we could focus on the twin cities.

And speaking of the generational conflict between Piltover and Zaun, let's talk about Sevika.

As I said before, Sevika is the most qualified person to become the leader of Zaun and I stand by that even after the ending. But first....what about her found family? Isha sacrificed herself and Sevika gets no on-screen reaction? The last two episodes just progressed SOOOO FAST that we and some of the characters didn't even have time to breathe. Did Sevika even get time to mourn for Isha? What about Jinx, who is now gone? Sevika barely even encountered Vander! I would have loved to see some of the aftermath there because I think season 1 did a better job of allowing characters time to process their emotions and grief, even if the pacing was still kinda fast. It was acceptable!

I am sad af she didn't get more lines, but remember, Sevika has always been a side character in this series. An important side character but a side character no less. The promo shot of her now feels like...what was the point? (more on that in a sec) but considering how many characters and plot points and plot threads they had to account for, I am not surprised she didn't get more screen time. Hell, Vi and Caitlyn didn't even get a chance to have a full conversation on eveything that happened and Caitlyn didn't even apologize on screen. The fuck bro.

Now about Sevika's ending....I am very happy she isn't dead. Like dawg, you have no fucking idea how happy I am about it. SHE FUCKING LIVED. But....

I am seeing some people saying they're not happy or they're confused or that her ending doesn't make sense. And I just disagree with those points. Let me explain why.

I posted something earlier today about it, but again, as people don't open my read mores, I'll repost it here:

We absolutely do not know how much time passed between the war and the final few shots of the season. So Sevika joins the council. I DO NOT THINK she would do this unless there's a good reason for it, and that's why I'm guessing she will be Zaun's ambassador on the council. That war probably significantly changed the relationship between Piltover and Zaun and while old wounds will take more than a fucking war to heal, her being on the council now means she directly has a say in Zaun's future. Remember, the council was literally about to hand Zaun their independence before Jinx blew it up, and Mel was in support of it. As I said before, Sevika is respected down there at a bare minimum with all the factions. She would know better than anyone how to lead Zaun at this point. So yeah I get the hesitation, but it makes sense in my eyes. And it makes it likely that Sevika could show up again in a future League animation, if not become a whole champion.

I like her ending. I am sorry but it just makes fucking sense. Sevika is extremely loyal to her home and her people of Zaun. We've seen that time and time again. She was willing to go to war and die for those people not just against Piltover but also the Noxians, so why on fucking earth would anyone believe she's making a bad choice here?

She is now in the best possible position anyone in Zaun could be to advocate for their independence and support their growth. She knows the chem barons and brought them to peace, she gained the respect of the Firelights with Scar leading them in Ekko's absence, and she even got the Jinxers together with them before the Noxian attack on Zaun. Sevika has experience, she has the ear of the people, she knows what it's like down there, she is made to lead and help advocate for them!!!!

Believe me I get that whole "changing things from the inside" angle doesn't work more often than not, but this doesn't feel like "changing from the inside," it feels like "let me advocate for my people's actual independence so we have a starting point to become self sufficient." Again, Piltover was literally about to let Zaun gain their independence, and while none of the previous council members that agreed to it are there, Mel is/was. Who's to say she didn't help negotiate for Sevika to sit on the council and start (or complete!) the Zaun independence process before she left for Noxus? I can't imagine Sevika would just show up to the table and sit there if she didn't have a damn good reason. Like come on now. This woman has seen first-hand what Piltover is capable of and does not like them nor looks like she wants to be there. But she's seen what Piltover has done to her people first-hand, and after learning from both Vander and Silco, this is how she feels she can best protect her people.

She IS the new leader of Zaun and their ambassador at the council.

And lastly, we've been told that some characters will be returning in future League animations. Mel seems like an absolute given, but what about Sevika? Zaun's story is only just beginning, and yeah they said they'd like to branch out to other regions, that doesn't mean a cameo or maybe another medium can't be used to continue that story (a book, perhaps??).

Anyway yeah those are my thoughts...

[lgbtlunaverse]

I think when it comes to media portraying things like sexual violence, abuse, and discrimination, and other "problematic" things or "sensitive topics" or whatever you want to call them, I... don't really care about whether the media condemns it enough as much as I care about whether the work itself cares about victims of these things.

Like. I don't care if you have someone look in the camera after a rape scene and go "sexual assault is bad and rapists are evil" I care if you're actually interested in what rape does to victims. If you're interested in their journeys, their wellbeing, and their inner lives. Much too often I've seen critiques of horribly handled instances of assault in media only for people to go "But the rapist is portrayed as super evil, how would anyone come away from this scene thinking you're suposed to like rape?"

That's not the problem here! I don't care that the rapist is evil if the victim is just seen as a cheap prop to make them look extra evil. You got it, rape is bad. Now what?

I don't care if you condemn x. I want to know if you're actually interested at all in what x is and what it does to people. If you're willing to explore that. And if you don't see them as worthy of your interest, why would you be worth mine?

[autumnoakes]

you know what i know i can do this myself and i'm thinking of doing this myself at some point but i'd like to see more "friends who have a kid together but they're not romantically involved." i'd like to see it not end in romance between the two parents. maybe they're exes and ended on good terms. maybe they both just really want a kid but not a relationship. maybe one of them stepped up as a parent but still isn't in a romantic relationship with the parent that stayed. so much one can do about this.

[snekdood]

Idrc if you wanna find the politics in every piece of media you consume but personally i dont really care to all the time like idk. Like idk sometimes i just wanna enjoy shit w/o constantly thinking about the underlying politics or whatever? Sometimes its hard to ignore if its super rw based but still, a lot of other shit i just feel like im investing more energy into this shit than was intended for most ppl like idk. The underlying political implications of spirited away. Idk i just dont really care lol

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[asharaks]

it is, i think, symptomatic of the way larian has built this brand: bg3 was always marketed as being mature (read: sexual), and that was one of the big draws for players - myself included! especially as media pulls more towards extremes, with mainstream video games starting to get increasingly graphically sexual, graphically violent, and the vogue for 'grey morality' becomes the norm, those boundaries get pushed, and it becomes more and more of a selling point.

larian obviously focused on this, along with the How Do You Do, Fellow Kids brand, the increased accessibility of game devs on twitter, and adopted it heavily into their marketing strategy, and are now pretty reliant on the horny gamer crowd for a lot of their audience, and more importantly, they're doing this on purpose.

which is how you end up in situations like this.

characters (white men) the players want to fuck get centred: they get updates, they get more content, they get favoured. halsin's gone from a side character in EA to a half-fledged romance option, to a full romance option: he shows up in the promotional material, is larian's poster boy for the sex scenes, he gets more content with every update.

now gortash gets more heavily implied situationship lines with the dark urge, because players are horny for him. nevermind that some people aren't playing that way, or that he was originally set up to be a lower-level antagonist; nevermind that if the durge's storyline needed expansion, it should've been with orin and sarevok and bhaal, or that it muddies the writing for the rest of gortash's arc + characterisation: people want to fuck him, so it gets put in the game. it's not even to do with karlach, whose quest so desperately needs expansion! it's specifically catering to the people who want their character to have a Relationship with the slaver, because they're either not interested in or not able to focus on strengthening the weak spots in the narrative: they're just doing things that will net the 'my favourite dating sim' people lmfao.

meanwhile, literal main character wyll gets his quest demoted to a subquest, doesn't get bugfixes, doesn't get a single unique romance greeting after 6 patches and months of requests. he's not a Horny character, so he doesn't get the focus: he's not a player favourite, so he gets nothing. it's just... so unbelievably, indisputably racist, and it's incredibly grim and disappointing to watch it happen in real-time.

[imbecominggayer]

How To Scare Your Readers

tw: mentions of murder and other horror media, its not specific or gorey but I just wanted to mention it

Today is one my hardest asks as it is a highly individual process to freaking out your audience with @differentnighttale asking: "How do you write horror, and how do you write it good nail biting and very unsettling type of horror."

Specifically, we are focusing on supernatural horror and dark fantasy. Due to the fact that there are numerous ways of scaring an audience, I'm going to focus on more diverse and interesting ways to freak out the readers. There are obvious tricks like "focus on the tactile senses" and stuff like that but let's cover something not as cliche!

Again, there are many ways to instill horror.

One: Combine Beauty And The Macabre

While this is a common trick seen in visual horror such as the works of Junji Ito or Midsommar, it's also an important and useful element in other beloved horror media.

This can be useful for a myriad of reasons.

The ability to combine the fantastical beauty of the scenery with death or the lovingly detailed imagery of a victimized body might be just the thing to elevate the scenery and visuals.

It also works to surprise your readers. If you are reading horror, you expect the murder and terror to appear in dark hospitals and obviously disgusting places. But what if the horror was in a cherry blossom field? In the church? In the character's childhood bedroom during the sunset?

It follows the perversion of the familiar. Most people internalize certain environments are seperated from society which might assist you if you are going for that specific type of horror. BUT! If you have horror in the supermarket, in the coziest little cottage, in the beauty.

TWO: Focus On A Specific Brand Of Horror

This is especially important for horror that is based off of pop culture spooks such as ghosts, ghouls, witches, zombies, and werewolfs.

Doing some research into why these monsters have survived in the public mind and what exactly is frightening abou them can influence your settings, characters, and horror.

There is horror about isolation.

There is horror about losing yourself.

There is horror about the female body.

There is horror about puberty.

There is horror about gender dysphoria.

There is horror about everything.

Decide what is the core fear you are proding at.

THREE: Be Ambiguous

Readers are comforted by linear stories with a beginning, clearly laid out morality, and a clear cut ending which provides either a happy ending or a sad ending.

Messing up any one of these things can lead to your story haunting the minds of your audience for a long time.

Midsommar is constantly debated about over if the ending is happy or sad.

Joker(2019), a thriller but not a horror, is infamous for it's amazing usage of hallucination and delusion to tell a non-linear story with a confusing ending.

Leaving the ending, villain, characters, or plot ambiguous and not clearly detailed might elevate your horror :)

FOUR: Use Your Own Fears

When you write about what scares you, that natural fear tends to radiate into your writing more naturally :)

This fear can be a lot of things from the specific phobia of bugs to the fear of being mistreated by a loved one.

Conclusion:

I hope I gave you some interesting advice that you haven't heard before @differentnighttale

p.s: at what point does something become "Mature"? I did mention "murder" throughout my post somewhat frequently but I never went into specific detail so I can't tell if it's "Mature" or not?

If it is mature and I mislabeled it then I can edit it to be "Mature"

[anemoiashifts]

why you should get off social media if you want to shift.

before you scroll away, i want to challenge all of you to read all of this. this is one of my longest blog posts ive ever made with over 1,000 words. if you can or can’t make it through the whole post, please let me know how far you’ve gotten in the comments below. you’ll get a surprise at the end 🥳 !

social media isn’t an inherently bad thing. however, outside & inside of the shifting community social media (specially tiktok) has been shown to effect our attention span. this shows in my comment sections on my longer tumblr posts that i also share on tiktok, such as this one, when people say things like “im not reading all of that” or “can someone summarize” also “what method should i use” and “why am i not shifting”.

let’s start with the basics of shifting. shifting attempts need some kind of focus; an affirmation, a visualization, some sort of task like counting. if you’re someone who struggles to focus, you will struggle to learn how to meditate or any hobby or task you’re tying to accomplish. all shifting methods are is a meditation. while no, you don’t need a method, I would make the argument learning how to meditate & focus your attention to what you are trying to manifest is an important part of shifting. if social media creates an instant dopamine reward without little effort, the appeal of shifting seems less. this is why i think a lot of people actually like thinking about shifting & creating content for it rather then doing it — because trying to shift requires some level of work without instant reward even if it’s as simple as laying down & setting intention.

if you try to shift & you wake up in your cr still, that isn’t as exciting when comparing it to the idea of shifting. rather, if you post an edit or a video about your dr you will receive a dopamine hit through video interaction (comments, likes, how social media platforms are set up in general). even maladaptive daydreaming can fall into this category to some. the interest in attempting to shift dies because we feel like we aren’t gaining anything from it when that’s not true. when laying down & attempting to shift, we are meditating & training the brain to focus on what we desire most: we’re correcting our attention span.

social media destroys the ability to focus & what we focus on & give our attention to allows room for that desire to grow, to become reality. if we’re always so overwhelmed with information & have so much to stress about, it’s important to recognize what we consume & how it effects our mood & mental health & how it can sometimes delay our manifestations. im not saying you have to be positive all the time, but we’re exposed to so much that it’s important to check in with yourself every once in a while. this can be where shifting content comes into play vs non shifting content. think demotivation, you don’t look for it, it just appears. & how many times have you opened tiktok to look something up to only be distracted by a completely unrelated video that automatically started playing ?

what i mean is people are telling you what shifting is, what works for them (which you could register subconsciously & believe that’s a step by step guide), rather then self discovery. people are telling you what shifting is, how to do it, what to think, what to script, what method you need to do, even if they say “this may not apply to everyone” because of how it’s being presented & spoken about. the said popularity of a method or definition may also come into play & feeling like something has to be right or work because other people align with it. its like math class, the teacher shows you one way to solve a problem then says “your allowed to use your own methods” & shows you one example of it then goes back to using the original method in class that you don’t understand.

another reason is opinions. when being shown so many people speaking on shifting & their thoughts it can be overwhelming. it’s a great thing so many people are willing to talk about their experiences in their desired reality or want to share their personal breakthroughs & opinions on what shifting is, it can be confusing. while everything i just listed is well intended, leaning about shifting through places like tiktok & not venturing out & doing your own research — or just searching methods online & trying it yourself while going in blind — it takes away self discovery.

so, how do we learn about shifting ?

when i say get off of social media, i don’t exactly mean all social media. yes, all of these things happen across the internet but the difference with tiktok is that the fyp isn’t so prominent. this of course also applies to other feeds that are generated, but a lot of the shifting community is ok tiktok so im using the most known example. it’s important to search & decide what information you consume & seek out rather then being told something without stopping to think for yourself. you want the chance to be able to create your own thoughts. your own unique thoughts you have about things make them personal & your own beliefs become stronger when you realize things on your own. it’s more satisfying that way.

places like reddit & searching for questions you specifically have so you don’t have ten more questions shoved in your that you didn’t have before that cause you added worry or unnecessary fear is helpful to keep in mind.

there is room for grey area. not everything needs to be black & white. there should be no consciousness vs multiverse theories because two things can both be true at once. Ike thing doesn’t have to be against something, you don’t have time pick a side. it’s all theory & hypothetical. it’s okay that we 100% don’t know (& will probably never know) what shifting truly is. not everything needs to be discovered to preform it “correctly”. you don’t need to be a master at painting to paint, you don’t need to know how paint brushes are crafted or how canvas is stretched to preform, anyone can sit & learn as they create their first & second & tenth piece. even people who have painted & sold their artwork for millions, don’t know the great’s techniques. they know pieces of them & take what works & discards what doesn’t serve them.

this post isnt to negate any of the good social media has done or sound like my mom & preaching about how social media destroys your brain…but i think we should be mindful of what we consume & how it makes us feel & if we’re speaking for ourselves or parroting others words. there are so many great people & advice out there & im not trying to take away from that. i just think taking a moment to stop & digest what we’re seeing is healthy. this blog post has been a long time coming but i know a lot of people wouldn’t want to hear it. i can promise you, you are more addicted then you think — myself included. i just don’t wake you guys to look back in 10 years & have spent more then half of that looking at a screen when there’s so much life to be lived. i don’t want social media to take away from what we are all here for which when we come down to it is living. shifting is literally wanting to experience life & i can’t help but find it ironic that this is the opposite of everything we wish to accomplish through this practice.

please take care of yourselves. much love.

surprise :) congrats you made it ! here’s your digital slice of cake ! 🍰

[flawseer]

Your thoughts on the wof characters have been really interesting and I'd love to hear your take on Starflight (your assignment of him being the 'designated sufferer' of arc one is both hilarious and tragically accurate). I've always liked him, cowardly though he is he still acts when he really needs to and the dynamic between him and Tsunami is super fun (the whole outwardly combative but inwardly just wishing to be as strong/as smart as the other).

I like Starflight and I relate to him a lot, as a fellow chronic worrier who annoys his friends with constant blathering about stuff only I find interesting, and often finding myself paralyzed in the face of decisions.

It’s funny how the story puts forward a black dragon, which in media are usually portrayed as mysterious, ambiguously malevolent harbingers of doom, and makes him into this adorable dork.

He’s also the plot’s chew toy, which I am at times less enthusiastic about. Especially when jokes are made at the expense of his misfortune.

Wings of Night and Sea

Starflight’s and Tsunami’s friendship is very engaging because, in a sense, both of them complete each other. For each, emulating the other serves as their last resort when faced with a personal crisis. Whenever Tsunami encounters a situation she cannot overcome with her usual blunt and direct approach, she asks herself how Starflight would resolve the situation. When Starflight becomes overwhelmed and too scared to move, his mind conjures an image of the strongest, bravest, most unstoppable thing he knows, which is Tsunami. Though either would be reluctant to openly admit it to each other, they both rely on each other’s strengths to cover their own weaknesses.

Through this you get the sense that, while their opposite personalities annoy each other to no end—if you locked both of them in a room for three hours, they’d be strangling each other when you open the door again—at their core they have only the deepest respect for each other. It becomes especially apparent when you realize that both of their stories in their respective books have them compare themselves to the other unfavorably.

If these two ever did a DBZ-style fusion dance, the result would likely be one of the most capable and balanced characters in their series.

Starflight's misfortune

CW: Discussion of blindness

One thing I have noticed (and have alluded to a lot in previous posts) is that the plot really likes to kick Starflight in the teeth. His own story arc puts him through the wringer, but he is not even safe in the two arcs past that, where he is largely out of focus. Most of the things that happen to him in arc 1 seem to occur for the sake of the story, but past that... it sometimes feels to me like the world has it in for this guy.

I started writing a list of every bad thing that happens to Starflight over all three arcs, but it got way too long, so now I’m just going to talk about a few select things instead.

One thing that stands out to me is that every other protagonist in arc 1 gets a specific moment. That kind of scene where they enter their tribe’s biome for the first time or connect with a particular part of their culture/physiology, and are overcome with a sudden burst of euphoria or deep resonance with their own nature. Clay gets it when he submerges himself in mud for the first time and then later again when he finds his siblings, Tsunami when she sees and smells the ocean, Glory when she’s in the rainforest and feels the sun, and Sunny when they go through the magic tunnel and end up in the desert. Starflight is the only arc 1 protagonist who doesn’t get a moment like this; when he enters his tribe’s home for the first time it’s a giant craphole that makes him feel upset. It only gets worse from there.

Then there is the big one; the misfortune that happens to him at the end of his book. I struggle to talk about this because... uh... How do I put this?

I opened this post by saying I relate to Starflight on a personal level. I wouldn’t consider myself as studious or well-read as him, so it’s not a direct comparison, but I do like to draw, write and dabble in visual artistry. This is a major part of my life; how I define myself as a person and what I think makes me “me”. The thing about this though is that all of this is tied up into one thing: my sense of sight.

It follows then that what ends up happening to Starflight is the realization of the one thing I fear the most. Thinking about the possibility of losing ones sight is deeply, personally horrifying to me. It messes me up internally just to consider it happening to me.

This, the subject of becoming blind, is a very difficult topic for any story to properly engage with. There are many pitfalls you can fall into and come off as insensitive, or ignorant. The way Wings of Fire deals with this subject is to... well... it doesn’t really. Starflight is blinded and then the story skips over most of his reaction to it because the next POV character gets separated from the group while they sort it out.

In a way, this is a good thing. I don’t know how this series—which often rushes through these really uncomfortable, harrowing events—would be able to show a realistic reaction to this development. Like, losing ones sight would be a horrifying prospect for anyone, but for Starflight especially this completely uproots not only his entire life, but his sense of identity. Everything he likes doing, everything he is and wants to be in life is rendered virtually impossible by this.

Consider who Starflight is. He is a thinker, and a worrier who is always inside his own head. He dreads and fears, he seeks out worst case scenarios, I daresay he is inclined towards pessimism. Whenever his neuroticism gets him too stressed, or emotional, or worried, he has one immediate response: bury his nose in a scroll. When he arrives in a new place, he usually asks where the scrolls are at. When he is under threat of being abducted or attacked, his first instinct is to go grab his scrolls to keep them safe. Like with me and drawing, reading is how he unwinds, how he balances himself. It is what keeps him sane and functional through dealing with adversity (and he's Starflight, so he deals with a lot of adversity).

Then this happens to him, and suddenly the one thing that makes this poor, battered boy happy, the one thing that never hurts him, is taken away forever. If I was in his place, if I learned I was suddenly blind, I would fall apart. I would cry, then scream, then cry AND scream and probably flail around in a panic. Clay would have to hold me down and restrain me so I don’t end up falling off the platform in a frenzied fit. Or worse.

So yeah, I get why the plot had to look away. Seeing this happen to Starflight—him going through this kind of anguish and then sinking into quiet despair as his world crumbles around him—would have been heartbreaking. In the end, we go on Sunny’s solo adventure and when she returns Starflight is already conveniently past the screaming fit phase and has adjusted to his new life circumstances—enough to talk and joke as if nothing happened. He then goes on to dedicate himself to bringing the wonders of literature to other blind dragons, which is a noble goal and good trajectory for his character—even if it’s a bit abrupt and I would have liked to SEE him do that instead of just being told.

Anyway.

This next one isn’t as notable because it doesn’t happen TO him, but I want to point it out to back up my claim that Starflight Ls can and will happen even in story arcs that have very little to do with him. In book 6 Moonwatcher and Darkstalker have a conversation where they discuss the concept of Nightwing powers and how they relate to the moons. The story very pointedly draws attention to the fact that Starflight nearly was born under three full moons and would have become the most powerful Nightwing of his generation if his inept caretakers had not decided to hatch him underground. While I don’t think getting these powers would have been good for Starflight in the long run, it is a bit sad considering he spent most of his childhood thinking he was born wrong because he didn’t have powers, and then Morrowseer further gaslit him about it throughout the arc.

And then we don't talk about what happens in arc 3. I am not the right person to discuss it.

My take on Starflight

I was asked to give my take on the character, so...

I already went into how I think he’s very introspective and prone to worrying. I see him as an introvert, which is something he has in common with Glory, and contrast him with Sunny, Clay, and especially Tsunami. He enjoys reading but also other activities where he gets to use his brain. He likes puzzles; I imagine he got very excited when they had to figure out the murder plot in book 2, or when he caught Blister in a lie. If he had a computer it would be full of adventure and puzzle games, and he’d hog the resident DS to play the Professor Layton series all the time.

When they found the academy, it is implied he teaches a literacy course and gives out writing assignments. That is right up his alley, but I’ve always felt he also has strong math/natural science teacher vibes. There should logically be a numbers class at that school and I can’t imagine any other character who would be more suited to teach it.

If I were asked where I would make changes to his story, I guess I would nix the part where he and Fatespeaker hook up in book 5. I have nothing against their relationship, it’s actually grown a lot on me over time. But I never liked how it started. Starflight gets rejected by Sunny and then immediately hooks up with Fatespeaker. This is really undignified for her because it takes their potentially intriguing romantic relationship and turns her into Starflight’s “rebound chick”. You really need to give yourself some time to move on from your previous attraction; rushing like this creates doomed relationships.

The original story implies that about half a year passes between the end of arc 1 and the start of arc 2. I like to pretend this gap is actually a bit longer, by like 2 or 3 years. It gives the old protagonists a bit more time to settle into the roles they’ll occupy during the next arc, and makes it more plausible to me that they could build and outfit an entire school, write the curriculum, designate roles, etc..

In that time, with things being more calm now, Starflight has opportunity to get lost in his own thoughts again. It turns out, now that the dangers of the war are no longer distracting him, he finds it difficult to cope with his blindness and sinks into a depression.

While this happens, Fatespeaker is there with him. She sees his condition worsening by the day, but refuses to give up on him. She reads to him; they talk, and they bond. Though serious self-searching and hard work, together they manage to pull out of the darkness eventually. This is how their relationship starts, and it’s also how Starflight gets the idea to invent the dragon-equivalent of braille.

Somewhere during that time, I also imagine Glory has Tamarin escorted to Jade Mountain so she can help Starflight adjust to his new situation and learn how to navigate his life without needing to rely on others. Perhaps this is what motivates Tamarin to attend the academy later.

What else is there to say? Hmm...

I think Starflight is really fond of hard candy. Jawbreakers are his favorite especially. Though given how prone to misfortune he is in the story, I’m hesitant to put him in proximity of anything with a name like that.

[becomingthatgirl111]

how you can use social media in a healthy way

set your intention:

what use do you want to make of social media?

which apps do you want to keep using and which not (or reduce their consumption)?

how much time are you spending on it? how much do you want to spend on it?

establishes limits of use:

you can activate or deactivate certain applications when you are no longer using them so that they do not distract you or add a time limit depending on how much time or how many days a week you want to use the app.

how to set the time of use?:

ios:

settings > usage time > limit app usage > add limit

you can also limit apps only in focus, work, do not disturb or whatever mode you have set.

settings > focus > the category in which you want to activate it > focus filters

android:

settings > well-being and parental controls > set time for your apps

pros and cons:

make a list of where social media is good for you and where it is bad for you. anything that is hurting you stop watching or following.

value your real time:

not having social media or having control over it brings you more in your life and personal growth. for example, how many of us have woken up and the first thing we have done was to look at instagram or another social network and that has made us lose time of our morning? instead you can do a short meditation or breathing to start the day off right, it also reduces stress and anxiety.

just think about how much you spend a week being stuck in social media and imagine what activities you could develop in that time.

other tips:

look for an activity you would like to try

socialize more with your friends

keep your cell phone away from you or in a “do not disturb” or “concentration” mode when you are engaged in an activity

spend more time in nature

uninstall or deactivate those apps that no longer benefit you, try it for a while.

don't take anything personally from what people may share there.

conclusions:

when you have a routine, things to do, you don't pay as much attention to being online all the time, so it's not such a hard task. i'm not saying stop using your phone but i'm writing this post for all those people who spend all day scrolling or really spend a lot of time watching tik tok or instagram, that's not healthy in the end.

of course you can still use social media but with knowledge and in a way that does not harm you or does not compromise your time too much. the most important thing is not to be glued to a phone watching what others do but enjoy your life.

[cynical-ghost]

BUT DADDY I LOVE HIM

Paring: Max Verstappen x Singer!reader

Genre: Smau- social media, fluff.

Warning(s): Use of Yn, Hate.

Request: hiii 🫶🏻 i saw that your requests are open so can i request a max verstappen x singer!reader smau?? they are dating and when her fans find out thay start hating on the couple cause they think max is gonna ruin her reputation. and then she realeases "but Daddy i love him" (by Taylor Swift) to shut them up. -Anonymous.

Ynforeal

Liked by Maxverstappen1, yourbff, motherYn and 1,253,568 others

Ynforeal THANK YOU LONDON! I would like to thank you all who joined me for my London show, I hope you all enjoyed yourselves and sang along with me xx 💕p.s Music video for ‘Lover’ is out later this week👀

Ynlnismylover can’t wait for the music vid!!

MymotherisYnLn I was there!! It was such a great show and I now can’t use my voice cuz I belted out all the lyrics😂❤️

Ynforeal Rest your voice and drink lots of soup sweetheart! Glad you enjoyed the show💋

MymotherisYnLn OMGOMGOMGOMGOMGOMFGOMFGOMG…Thank you so much for responding, I will follow you advise!!!!

VoiceboxofYn GIRL YOU WIN IN LIFE!!

Verstappen4life why is max in her likes 👀

Ynforeal 👁️👄👁️

Wagalerts

Liked by maxverwifey, verstappen4life, mummyyn and 110,327 others

Wagalerts Three time world champion, Max Verstappen caught with singer Yn Ln after a romantic dinner. New wag? Any thoughts on this suspected new couple?

Mummyyn Yn should stay away from him! The only things I’ve heard about him are bad, he’s a hot head and could ruin her reputation!!!

Maxverwifey ugh she’s not good enough for him 🙄

Verstappen4life he’s not going to choose you, he can date whoever he wants and she is a wonderful person🙌

Rnlnforever he doesn’t deserve her, Yn is a queen and deserves better!

Maxverstappen1

Liked by Ynforeal, danielricciardo, yourbff and 534,237 others

Maxverstappen Silverstone 🇬🇧

Ynforeal Good luck!!

Maxverstappen1 thank you!

Ynimymother stay away from her!

Maxverwifey why her?

Verstappen4life Stfu your everywhere🙄

Rnlnforever He needs to focus on racing so he should leave Yn alone so he doesn’t ruin her reputation!

Ynforeal

Liked by Maxverstappen1, yourbff, danielricciardo and 2,985,325 others

Ynforeal ‘But daddy I love him’ out now on all streaming platforms! 🎉 Thank you to everyone that has made this possible and a massive thank you to @/maxverstappen1 for being my biggest supporter and the love of my life💕💙

Maxverstappen1 I will always be your no.1 fan and will love you until the end of time 💙

Ynforeal I love you to the moon and back 🌙💙💕

[hopeastrz]

STELLIUMS IN SOLAR RETURN CHART tips and tricks on what to avoid and how to benefit from them!˙✧˖°🥮 ༘ ⋆｡˚‧.

CHECK OUT SEPTEMBER SALE: fixed price on any and all of my readings even solar return chart, INSTEAD OF 44, IT'S 17 DOLLARS ONLY.

If you don’t have a 3 planet stellium, see where you have 2 planets, so for example if you have sun and mercury on the 3rd house and mars and saturn on the 7th read about both houses!.

NOTE: enjoy this post and don’t forget to reblog, thank you for your support, lots of love xoxo!! ₊˚⊹౨ৎ🍊.

STELLIUM IN THE FIRST HOUSE:

WHAT TO DO:

TAKE CARE OF YOURSELF, get a nice haircut, get to know your approach to life more, get to know your direction in life and what may be the next step for you, it’ll be a year of self discovery journey, and it’s the best year to work on your approach of life, you should focus more on your style, see what suits you and what doesn’t, work on your self concept and build your confidence and also it’s the greatest time to find your passion!.

WHAT TO AVOID:

Becoming aggressive, moody or be hard on yourself, becoming critical/judgmental of others and yourself!, not taking care of yourself, shy away from spotlight don’t hesitate to!, becoming way too self centered and thinking that people reactions are because something you’ve done!.

STELLIUM IN THE SECOND HOUSE:

WHAT TO DO:

Buy new makeup, perfumes, work on your self worth, start investing money I don’t care even if you have saturn on the 2nd house start a business and earn from it!, since it’s a saving year indicator, one where you look for more stability and comfort, take care of your finances and learn more about how money works!, learn to manage your money right and spend it wisely, become strict!, it’s really good time to start giving old things in order to welcome new ones, like old clothes or possessions, since you may have this urge to keep buying new things, and in order to keep balance learn to donate your stuff, good karma and do that especially if you have saturn!, start singing loudly too it’ll be healing!.

WHAT TO AVOID:

Spend wisely so that you don’t cry at the end of the year, don’t waste the opportunity and reconsider you values, set firm boundaries and goals, also don’t waste time and truly buy stuff you only need!, never put your emotional health and security second place, care more about your feelings!.

STELLIUM IN THE THIRD HOUSE:

WHAT TO DO:

Whenever you feel anxious journal, or go on a car ride even if you don’t have a car, call a cab or go on a bus and put your headphones on, but it’s an amazing time to work on how you introduce yourself, or in other words practice how to talk your mind, communicate with people, and how to share your opinions properly!. it’s a great year to learn about the law of assumption, get closer to your siblings or your neighbors, you can buy a new cell phone, get lots of phone calls and even do lots of social activity or finish high school!, if you suck at maths that year is pretty good to learn the basics again and educate yourself on it, also go on short trips find new interests and start a social media account.

WHAT TO AVOID:

DO. NOT. OVERSHARE. learn how to shut up when needed and i know you’ll have an urge to talk to no end but please shut up!, also don’t indulge yourself into gossip it’ll end up being so messy, try to stop overthinking and don’t believe any rumor you hear!, also take care of your siblings!.

STELLIUM IN THE FOURTH HOUSE:

WHAT TO DO:

great time to go back to your roots, aka work on your family trauma or stuck issues with your family and heal from them!, you may start a new family, become a parent, settle down, buy a new apartment or move from your home, so to have a fresh it’s okay to forgive them!, heal your inner child and read more about such topics, focus on your emotional needs and understand yourself more, if you’re a fem then lean into it more, get closer to your mother, decorate your room, also it’s a great time to buy properties and invest or learn cooking and baking yummy yummy!.

WHAT TO AVOID:

getting into fights with your parents because they’ll get on your nerves alot!, so for your mental health pay them no mind!, don’t keep your place messy.

STELLIUM IN THE FIFTH HOUSE:

WHAT TO DO:

EVERYTHING, i love love loveee this placement and not just for the romance nuh uh, as a woman who doesn’t even date I’ve had the most fun on year i had 5th house placements, go to concerts, festivals and arcades, party and enjoy your life really, you won’t feel like you wasted your money on these things trust me, go to an art course, go to movie theater!, just go out and don’t stay at home!, also enjoy your talents and get ready for the spotlight!.

WHAT TO AVOID:

hookups, unprotected sex since it might lead to sudden pregnancies, getting lost at new places, getting a bit over the head, be careful of becoming narcissistic or kinda full of yourself!, also choose your romance partner carefully don’t rush into love, because you’ll see the world in heart tainted sunglasses this year!.

STELLIUM IN THE SIXTH HOUSE:

WHAT TO DO:

Think about getting a glow up, it’s the best time for self improvement, plan a routine and follow it, even if you found it hard to build one before it’ll feel easier this year to stick to it!, greatest time to start a series of new habits, work on your body and focus on your health, try building muscles, bulking, going to the gym or walking more, try to journal, read frequently and heal your skin, do some skin care, also get your body checked, get along with your coworkers and focus more on how to make the best out of your job!, routine will never fail you oh and maybe get a pet too!.

WHAT TO AVOID:

Avoid over stressing/overtiring yourself, ignore your health or hygiene, avoid going into fights with your coworkers, beware of becoming a people pleaser or give more than you take to others, beware of stray animals, don’t go on a very strict diet especially if you have pluto on the 6th house!.

STELLIUM IN THE SEVENTH HOUSE:

WHAT TO DO:

start a business with others, or start your own business, go for that lawsuit, look for that long term partner or take the step for up leveling your current relationship. Incase of getting married enjoy the process of this new era!, it’s the best time to test your partner and see if they’re worthy enough of you!, also enjoy the feeling of becoming extra attractive!.

WHAT TO AVOID:

Beware of getting into useless conflicts, don’t be over concerned of others, beware of love affairs especially if you’re already dating someone, beware of getting scammed i’d say don’t take the step of business partnership if you have uranus or neptune influence on the 7th house.

STELLIUM IN THE EIGHTH HOUSE:

WHAT TO DO:

Embrace new major transformations, get ready for change and allow it!, explore your sexuality more, invest, join the stock market (don’t if you have neptune or uranus), learn spiritual practices because you’ll get more spiritual, best times to learn astrology and tarot, keep secrets, learn more about psychology, do that plastic surgery you’ve had in mind if needed only, also heal your trauma.

WHAT TO AVOID:

Go against the flow and get scared of the rebirth you need to go through, hate the constant change and how intense your emotions could be.

STELLIUM IN THE NINTH HOUSE:

WHAT TO DO:

Choose a different college major, adopt new beliefs and focus on your higher education, travel more, good time to visit your grandparents, try to stay with them more, learn a new language, learn about you religion and just literally learn anything!.

WHAT TO AVOID:

Going to a country without any background of their culture is!, see what’s appropriate to do and what’s not, ignore your university studies or just basically getting distracted!.

STELLIUM IN THE TENTH HOUSE:

WHAT TO DO:

Time to build your legacy, go all out!, also work on your reputation, time to build the public persona you dreamt of, set long term goals and know what you want to be in the next 5 years, fulfill your responsibilities and get ready for recognition!, also fix your problems with your father, get closer to your bosses, network!, build a professional name and really get serious about building your career!.

WHAT TO AVOID:

Doing things that’s harmful or shady for your reputation, avoid suspicious things this year because everyone will have you on the tip of their tongue. Not taking your responsibilities and your work seriously, disrespecting your bosses, procrastinating, not being professional or efficient.

STELLIUM IN THE ELEVENTH HOUSE:

WHAT TO DO:

Networking for your career, become more social, meet new people, change your toxic friends circle, cut who you don’t feel comfortable with!, go out more, learn about the law of assumption, manifest your desires, GET THAT BAG, start a new social media account or an online business and earn from it!, very high potential for success, watch new films, save to buy a new phone or laptop, know what you hope and wish for in the future to aim for it, make your debut in society and share your work and talents, go to parties, donate to some organizations and also join a club!.

WHAT TO AVOID:

Letting toxic people stay in your life this is the best time to cut them, don’t know anything about politics or have any sense of social awareness, be shy and miss lots of opportunities, not knowing you boundaries when it comes to friends and relationships!.

STELLIUM IN THE TWELFTH HOUSE:

WHAT TO DO:

Heal, this is a rest era for you, take some time for yourself and heal, repay your karmic debts, focus more on your dreams and try interpreting them, see the messages they have for you, tame your subconscious mind for your own benefit, become more spiritual and seriously, take this time to explore your emotions more and your inner self, find your peace and find solitude in yourself!, best time to end toxic habits and relationships, basically anything you want to stop, listen to subliminals, affirmation tapes, cherish your privacy and stay private, reflect on the past and break free from what’s holding you back, also sleep more and attempt a healthy sleeping schedule, oh and eat fish lmao.

WHAT TO AVOID:

Repeating old cycle, this is really an opportunity to change!, ignore your dreams, become isolated, become depressed because you’ll trauma will surface so HEAL, ignore your subconscious mind needs and thought patterns, drink or consume alcohol, beware of addictions.

[goldfades]

𝐎𝐔𝐑 𝐎𝐖𝐍 𝐂𝐄𝐋𝐄𝐁𝐑𝐀𝐓𝐈𝐎𝐍 ─ PB⁵

౨ৎ ─ summary | request -> "SAW UR POST AND HEAR U WANTED REQUESTS!!! paige x gf!reader where reader is uconns wbb media girl and it is SMUTT, paige like reading reader ab like “did u enjoy taking pics of me out there” BUT SMUT WHERE READER ALSO GIVES BACK TO PAIGE BC WHY R ALL THE FICS ENDING AFTER READER COMES? WHERES PAIGE??? (i’m going insane)"

─ word count | 2k

─ warnings | NSFW under the cut! praise (lots of it), so much sweet tension, fingering, face-sitting (hooray!), paige being a cocky ass, teasing, just MENTION of a strap

─ taglist | @xocherishxo @iienstein @yazmunson @euphternal @boiliatfu and here's a link to my taglist if anyone would like to join!!

�� ev's notes | this is my first time writing wlw smut so if yall have any feedback, it'd be greatly appreciated!!!!!!!!!!!! i hope yall enjoy mwah

"WE'D LOVE TO STAY BUT..." Paige shrugged, a cocky smile playing on her lips as her hand found the small of your back, beginning to lead you to the door.

As Paige's hand settled on the small of your back, her touch sent a shiver down your spine, her cocky smile igniting a fire within you.

KK and Ice exchanged looks, smirks playing on their lips. The game had went very well, winning 72-64. You'd gotten some pretty good pictures of the team as you usually do, but your focus was merely just on your girlfriend this time. You couldn't help but feel proud, especially with the shots you managed to capture of the team in action.

But right now, your attention was solely on Paige, her presence captivating you more than anything else. The thrill of victory mingled with the excitement of being with her, making the moment feel all the more exhilarating.

"Make sure to use protection!" You heard KK shout as you closed the door behind you, hearing the now muffled laughter of Paige's teammates' laughter.

You rolled your eyes playfully at KK's innuendo but she wasn't very far off. You didn't miss the way Paige wet his lips as she pulled you closer into her chest as you both began to walk to her car, leaving the restaurant the team decided to celebrate in.

Paige's fingers interlaced with yours, her touch sending shivers down your spine as you savored the closeness between you. As you reached her car, Paige turned to face you, her eyes sparkling with mischief as she leaned in close and planted a sweet kiss on your lips.

You couldn't help but lean closer, letting her take complete control over the kiss. But before it could lean to anything, Paige leaned away as your lips formed a pout.

Paige laughed at your neediness as she gripped your hand. She leaned in once more, her lips brushing against yours in a teasing caress.

But before the kiss could deepen, she pulled back, a playful smirk tugging at the corners of her mouth. "You're too cute when you pout," she teased, her voice laced with affection as she leaned her forehead against yours, her breath mingling with yours in the cool night air.

"You looked good tonight," you spoke softly as you looked up at your girlfriend. "Like, really good."

Paige's smirk softened into a warm smile at your compliment, her eyes sparkling with appreciation as she gazed into yours.

"Thank you, baby," she replied, her voice soft as she brushed a stray lock of hair from your face. "You looked sexy, with your little camera."

You rolled your eyes playfully averted your gaze as she laughed, before she gripped your face to get you to look at her. "That's the only word I could think of, sorry."

"Really? Not beautiful, pretty, gorgeous?" You teased as she let go of your face with a huff.

"Oh, come on, you know what I mean," she teased, her fingers tracing a gentle path along your jawline.

But before you could respond, she leaned in close, her lips brushing against yours in a needy kiss. "You're all of those things and more," she whispered against your lips.

A smile tugged at the corners of your mouth as you returned her kiss, reveling in the warmth of her touch. "Can we go home, please?"

"Of course, baby," she whispered, your voice barely above a breath as she reluctantly pulled away, the need to be close to you urging you forward.

With a shared smile, you both settled into the car, the engine humming to life beneath you as Paige drove off into the night. As you headed home together, hands intertwined, you felt your heart begin to race.

The drive felt longer than it should have, every squeeze of your hand making you feel more desperate. And Paige could tell but she didn't give you anything except the occasional rub of the hand, which made you go insane.

With one hand on the wheel and the other clasped firmly in yours, Paige drove with practiced ease, her confidence making you feel something only she could ever manage to do.

With a knowing glance, Paige turned onto your street and parked as quickly as she could. As Paige cut the engine, the silence that followed seemed to stretch on indefinitely, each breath heavy with anticipation.

Neither of you wasted any time as she guided you up the stairs of your apartment, giving your hip the occasional squeeze. The walk up the stairs felt like a blur, her touch sent sparks flying through your body. With each squeeze of your hip, Paige wordlessly conveyed her desire, her eagerness matching your own as you walked to your apartment door.

As you reached your apartment door, Paige wasted no time in unlocking it, the click of the lock echoing in the stillness of the hallway. With a shared glance, you both stepped inside, the warmth of the familiar space enveloping you like a comforting embrace.

The moment the door closed behind you, the atmosphere shifted, charged with a sense of desire. Without a word, Paige closed the distance between you, her hands finding their way to your hips as she pulled you close.

The heat of her body against yours was intoxicating, igniting a fire within you that threatened to consume everything in its path. With a hunger that couldn't be denied, she responded in kind as your lips crashing together in a fervent kiss that left you breathless.

"I know I already said it, but you looked so good." Your hands found her hair as she planted messy kisses all over your neck and jaw, her grip tight on your hip.

The sensation sent shivers down your spine, igniting a fire within you that burned brighter with each passing moment. With a soft chuckle, Paige finally pulled back slightly, her eyes meeting yours with a glint of desire.

"I'm glad you think so," she murmured, her voice husky with desire as she pulled back slightly to meet your gaze. "But you, baby, you're on whole different playing field."

She gave your lips one more kiss before she guided you to your bedroom, closing the door behind you. Paige sat on the bed as she pulled you into her lap, as your lips crashed into hers. You couldn't help but grind yourself against her lap, soft whimpers leaving your lips.

But Paige didn't give in, she just smirked against your lips as she held your hips. "Relax, baby."

You couldn't help but roll your eyes. "Shut up,"

Paige's eyes widen, a smirk on her lips as she gave your hip a harsh squeeze. "You really wanna talk to me like that?"

"Maybe I do," you retorted, your voice laced with playful defiance as you leaned in closer to her.

She then pushed you off of her as you scoffed, disbelief in your expression. You almost began to complain before she gripped your arms and pushed you on the bed, a soft moan leaving your mouth at the roughness.

She practically ripped your shorts off as she got on top of you, the cocky expression still evident on her face. Paige's lips found your neck as she began to give you wet kisses all over. Your eyes shut at the sensation, another quiet moan leaving your lips.

Her hands then moved the bottom of your shirt, taking it off as she began rubbing your hips. She sat up to take in your body, a prideful smirk on her mouth she squeezed your hips tighter. You felt yourself get red at her gaze, especially since you were half-naked and she was fully clothed.

"Poor baby," she whispered as she leaned and gave you kisses at the crook of your neck, your eyes shutting in pleasure as you became grinding against her hips.

Paige gripped your thighs and pried them open as she began rubbing your cunt through your underwear. "So fucking wet and I barely touched you. Do I make you that needy, huh, pretty girl?"

Her filthy words sounded like music to your ears as you moaned in affirmation, not trusting your voice to speak up. She then moved your underwear to the side, her middle finger finding your clit as she began rubbing it harshly.

The new sensation made your back arch into her hands, your eyebrows furrowing in pleasure. "Oh, fuck,"

"Yeah, pretty girl? I make you feel so good, don't I, baby?" Her words came out soft like honey as she applied more pressure to your clit, more needy moans coming out of your mouth.

It was embarrassing how quickly that knot in your stomach began tighten, how it'd only been a minute since she'd started and you already felt yourself come close to the edge.

And of course, Paige could tell. Her movements didn't falter as you came undone, the knot in your stomach snapping as you let out a cry of pleasure that echoed in between the walls of your bedroom.

You were breathless as Paige shoved her fingers into your mouth, and you sucked them clean. She smiled as she pried her hands away, replacing them with her lips.

Paige could taste you on your tongue, making her moan. She pulled away and began to move off of you before you gripped her hand, neediness evident in your tone. "I need you, please. Let me make you feel good."

Paige's smirk widen at your request, climbing back on top of you. "Mm, you sure?"

"Yes, baby. Please." You whined as Paige looked down at you, uncertainty in her gaze before she saw the desperation on your face. She smiled softly at you before she took off her shorts and underwear, throwing them off to the ground.

You were practically drooling at the sight of her, all of her. Your hands found her thighs as you pulled her on top of of your face and before she could even process it, your lips were in her cunt.

"Oh, fuck." Was all she could get out as her eyebrows furrowed in concentration. God, your mouth felt so good she couldn't help but behind to grind against your mouth.

She moved her gaze to look at you, her hands finding your hair as she began to run her fingers through your hair. She felt her breath hitch as you began focusing on her clit, her head falling back in pleasure.

"Good girl, fuck." She groaned out as your hands moved moved to rub her hips. Her other hand met yours, holding it as she began grinding faster against you. "Yes, baby. Keep going, oh yeah."

Your tongue moved faster against her and she felt herself coming closer and closer to the edge. "Just like that, just like that. Fuck."

Her grip tightened on your hair as she came, her moan filling your ears. She was breathless, trying to catch her breath as she finally opened her eyes to meet your cocky smirk.

She let out a breathless chuckle as she rolled her eyes, getting off your face. "You should do that more often."

"You should let me do that more often," you countered as you wiped your mouth with the back of your hand.

Paige laid down on the bed, her chest still heaving as she kept her gaze solely on you. "I just don't wanna like, suffocate you."

"That would be a good way to go, though. And I know you like it," you smiled as she pat the spot next to her. You shuffled next to her, moving your head to lay on her chest.

"You're right, I like having that much control over you." She joked as she pulled you closer. "It's hot."

"You're hot," you replied with a playful grin, your voice laced with admiration as you leaned in to steal another kiss from Paige's lips.

"You're hotter," Paige countered as she pulled away from the kiss for a moment.

"You're the hottest,"

Paige scoffed as she rolled her eyes. "We really gonna play this game right now, baby?"

"Yep, whoever wins gets to the wear the strap."

Paige's expression shifted as she glared down at you. "You mean my dick? Yeah, um no."

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↳ thank you for reading all the way through, as always ♡

[mostlysignssomeportents]

Conspiratorialism as a material phenomenon

I'll be in TUCSON, AZ from November 8-10: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

I think it behooves us to be a little skeptical of stories about AI driving people to believe wrong things and commit ugly actions. Not that I like the AI slop that is filling up our social media, but when we look at the ways that AI is harming us, slop is pretty low on the list.

The real AI harms come from the actual things that AI companies sell AI to do. There's the AI gun-detector gadgets that the credulous Mayor Eric Adams put in NYC subways, which led to 2,749 invasive searches and turned up zero guns:

https://www.cbsnews.com/newyork/news/nycs-subway-weapons-detector-pilot-program-ends/

Any time AI is used to predict crime – predictive policing, bail determinations, Child Protective Services red flags – they magnify the biases already present in these systems, and, even worse, they give this bias the veneer of scientific neutrality. This process is called "empiricism-washing," and you know you're experiencing it when you hear some variation on "it's just math, math can't be racist":

https://pluralistic.net/2020/06/23/cryptocidal-maniacs/#phrenology

When AI is used to replace customer service representatives, it systematically defrauds customers, while providing an "accountability sink" that allows the company to disclaim responsibility for the thefts:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

When AI is used to perform high-velocity "decision support" that is supposed to inform a "human in the loop," it quickly overwhelms its human overseer, who takes on the role of "moral crumple zone," pressing the "OK" button as fast as they can. This is bad enough when the sacrificial victim is a human overseeing, say, proctoring software that accuses remote students of cheating on their tests:

https://pluralistic.net/2022/02/16/unauthorized-paper/#cheating-anticheat

But it's potentially lethal when the AI is a transcription engine that doctors have to use to feed notes to a data-hungry electronic health record system that is optimized to commit health insurance fraud by seeking out pretenses to "upcode" a patient's treatment. Those AIs are prone to inventing things the doctor never said, inserting them into the record that the doctor is supposed to review, but remember, the only reason the AI is there at all is that the doctor is being asked to do so much paperwork that they don't have time to treat their patients:

https://apnews.com/article/ai-artificial-intelligence-health-business-90020cdf5fa16c79ca2e5b6c4c9bbb14

My point is that "worrying about AI" is a zero-sum game. When we train our fire on the stuff that isn't important to the AI stock swindlers' business-plans (like creating AI slop), we should remember that the AI companies could halt all of that activity and not lose a dime in revenue. By contrast, when we focus on AI applications that do the most direct harm – policing, health, security, customer service – we also focus on the AI applications that make the most money and drive the most investment.

AI hasn't attracted hundreds of billions in investment capital because investors love AI slop. All the money pouring into the system – from investors, from customers, from easily gulled big-city mayors – is chasing things that AI is objectively very bad at and those things also cause much more harm than AI slop. If you want to be a good AI critic, you should devote the majority of your focus to these applications. Sure, they're not as visually arresting, but discrediting them is financially arresting, and that's what really matters.

All that said: AI slop is real, there is a lot of it, and just because it doesn't warrant priority over the stuff AI companies actually sell, it still has cultural significance and is worth considering.

AI slop has turned Facebook into an anaerobic lagoon of botshit, just the laziest, grossest engagement bait, much of it the product of rise-and-grind spammers who avidly consume get rich quick "courses" and then churn out a torrent of "shrimp Jesus" and fake chainsaw sculptures:

https://www.404media.co/email/1cdf7620-2e2f-4450-9cd9-e041f4f0c27f/

For poor engagement farmers in the global south chasing the fractional pennies that Facebook shells out for successful clickbait, the actual content of the slop is beside the point. These spammers aren't necessarily tuned into the psyche of the wealthy-world Facebook users who represent Meta's top monetization subjects. They're just trying everything and doubling down on anything that moves the needle, A/B splitting their way into weird, hyper-optimized, grotesque crap:

https://www.404media.co/facebook-is-being-overrun-with-stolen-ai-generated-images-that-people-think-are-real/

In other words, Facebook's AI spammers are laying out a banquet of arbitrary possibilities, like the letters on a Ouija board, and the Facebook users' clicks and engagement are a collective ideomotor response, moving the algorithm's planchette to the options that tug hardest at our collective delights (or, more often, disgusts).

So, rather than thinking of AI spammers as creating the ideological and aesthetic trends that drive millions of confused Facebook users into condemning, praising, and arguing about surreal botshit, it's more true to say that spammers are discovering these trends within their subjects' collective yearnings and terrors, and then refining them by exploring endlessly ramified variations in search of unsuspected niches.

(If you know anything about AI, this may remind you of something: a Generative Adversarial Network, in which one bot creates variations on a theme, and another bot ranks how closely the variations approach some ideal. In this case, the spammers are the generators and the Facebook users they evince reactions from are the discriminators)

https://en.wikipedia.org/wiki/Generative_adversarial_network

I got to thinking about this today while reading User Mag, Taylor Lorenz's superb newsletter, and her reporting on a new AI slop trend, "My neighbor’s ridiculous reason for egging my car":

https://www.usermag.co/p/my-neighbors-ridiculous-reason-for

The "egging my car" slop consists of endless variations on a story in which the poster (generally a figure of sympathy, canonically a single mother of newborn twins) complains that her awful neighbor threw dozens of eggs at her car to punish her for parking in a way that blocked his elaborate Hallowe'en display. The text is accompanied by an AI-generated image showing a modest family car that has been absolutely plastered with broken eggs, dozens upon dozens of them.

According to Lorenz, variations on this slop are topping very large Facebook discussion forums totalling millions of users, like "Movie Character…,USA Story, Volleyball Women, Top Trends, Love Style, and God Bless." These posts link to SEO sites laden with programmatic advertising.

The funnel goes:

i. Create outrage and hence broad reach;

ii, A small percentage of those who see the post will click through to the SEO site;

iii. A small fraction of those users will click a low-quality ad;

iv. The ad will pay homeopathic sub-pennies to the spammer.

The revenue per user on this kind of scam is next to nothing, so it only works if it can get very broad reach, which is why the spam is so designed for engagement maximization. The more discussion a post generates, the more users Facebook recommends it to.

These are very effective engagement bait. Almost all AI slop gets some free engagement in the form of arguments between users who don't know they're commenting an AI scam and people hectoring them for falling for the scam. This is like the free square in the middle of a bingo card.

Beyond that, there's multivalent outrage: some users are furious about food wastage; others about the poor, victimized "mother" (some users are furious about both). Not only do users get to voice their fury at both of these imaginary sins, they can also argue with one another about whether, say, food wastage even matters when compared to the petty-minded aggression of the "perpetrator." These discussions also offer lots of opportunity for violent fantasies about the bad guy getting a comeuppance, offers to travel to the imaginary AI-generated suburb to dole out a beating, etc. All in all, the spammers behind this tedious fiction have really figured out how to rope in all kinds of users' attention.

Of course, the spammers don't get much from this. There isn't such a thing as an "attention economy." You can't use attention as a unit of account, a medium of exchange or a store of value. Attention – like everything else that you can't build an economy upon, such as cryptocurrency – must be converted to money before it has economic significance. Hence that tooth-achingly trite high-tech neologism, "monetization."

The monetization of attention is very poor, but AI is heavily subsidized or even free (for now), so the largest venture capital and private equity funds in the world are spending billions in public pension money and rich peoples' savings into CO2 plumes, GPUs, and botshit so that a bunch of hustle-culture weirdos in the Pacific Rim can make a few dollars by tricking people into clicking through engagement bait slop – twice.

The slop isn't the point of this, but the slop does have the useful function of making the collective ideomotor response visible and thus providing a peek into our hopes and fears. What does the "egging my car" slop say about the things that we're thinking about?

Lorenz cites Jamie Cohen, a media scholar at CUNY Queens, who points out that subtext of this slop is "fear and distrust in people about their neighbors." Cohen predicts that "the next trend, is going to be stranger and more violent.”

This feels right to me. The corollary of mistrusting your neighbors, of course, is trusting only yourself and your family. Or, as Margaret Thatcher liked to say, "There is no such thing as society. There are individual men and women and there are families."

We are living in the tail end of a 40 year experiment in structuring our world as though "there is no such thing as society." We've gutted our welfare net, shut down or privatized public services, all but abolished solidaristic institutions like unions.

This isn't mere aesthetics: an atomized society is far more hospitable to extreme wealth inequality than one in which we are all in it together. When your power comes from being a "wise consumer" who "votes with your wallet," then all you can do about the climate emergency is buy a different kind of car – you can't build the public transit system that will make cars obsolete.

When you "vote with your wallet" all you can do about animal cruelty and habitat loss is eat less meat. When you "vote with your wallet" all you can do about high drug prices is "shop around for a bargain." When you vote with your wallet, all you can do when your bank forecloses on your home is "choose your next lender more carefully."

Most importantly, when you vote with your wallet, you cast a ballot in an election that the people with the thickest wallets always win. No wonder those people have spent so long teaching us that we can't trust our neighbors, that there is no such thing as society, that we can't have nice things. That there is no alternative.

The commercial surveillance industry really wants you to believe that they're good at convincing people of things, because that's a good way to sell advertising. But claims of mind-control are pretty goddamned improbable – everyone who ever claimed to have managed the trick was lying, from Rasputin to MK-ULTRA:

https://pluralistic.net/HowToDestroySurveillanceCapitalism

Rather than seeing these platforms as convincing people of things, we should understand them as discovering and reinforcing the ideology that people have been driven to by material conditions. Platforms like Facebook show us to one another, let us form groups that can imperfectly fill in for the solidarity we're desperate for after 40 years of "no such thing as society."

The most interesting thing about "egging my car" slop is that it reveals that so many of us are convinced of two contradictory things: first, that everyone else is a monster who will turn on you for the pettiest of reasons; and second, that we're all the kind of people who would stick up for the victims of those monsters.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/29/hobbesian-slop/#cui-bono

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en