#a lot of the characters are very hard to separate from their lesson because they're. ya' know. objects that relate directly to that them

[bunnieswithknives]

I actually have an idea for swapping the teachers! Maybe instead of swapping the ones that are commonly associated with eachother, the ones with similar lessons could be swapped! [ Ex. Warren and shrignold since their lessons are both relationship related or electricity and Colin Since they're both lessons about electronics ]

having thoughts rn

[mdhwrites]

Ok, so i watched the finale, it was pretty predictable but enjoyable. But during the after cred scene, it really just solidified how aimless these characters are, Willow truly became just 'strong athlete' who serves as Hunters arm candy. She doesnt seem to give a shit about plants anymore ig? shes just 'buff' now.

Gus went straight back to 'guy who likes humans who has a group to celebrate said interest'. Amity is just... making abominations? i guess? Hunter is making palismen, which seems shoved in because caleb apparently carved.

Luz is... magic. yeah thats it. Eda is a headteacher, which feels widely out of place, but whatever. King Is. Other characters are rebuilding? i just- it feels like these characters have nowhere else to go because they just had no personal goals outside of very basic shit.

With amphibia, sasha became a child therapist, anne became a biologist who specialised in amphibians, marcy became a game designer. These are all goals that reflect their journey.

Now I want to start by saying that endings are hard and that character endings can be even harder than that. If you do a time skip epilogue, you have to somehow be able to show that all the characters are happy, successful and moving on in a way that makes sense and is narratively satisfying. You also usually have VERY little time to do this with because it's purposefully meant to be fluffy and sweet and disconnected from the rest in a way that isn't going to fit with the core of the show. The problem is that part of why this is hard is because characters are meant to be complex and their endings should reflect on the themes of the piece as well. Marcy's creativity and wonder about things blooming into a webcomic (I believe it's a webcomic and not games at least, though games works too) is great because she found a healthy way to share those passions with others and make connections through them. Anne's whole arc was learning to find the wonder in others and the strange world she was in and so her aquarium job is dead on the money. Sasha had to learn the hard way how to stop being controlling, angry and manipulative and passing those lessons on is far deeper and useful to others than anything her cheerleader base would have made you expect. It also makes it so when the show states the theme of the piece, about separation being a chance to grow and what you'll find coming back together is all the stronger, it hits SO. FUCKING. HARD. And comparing that to TOH... Well, we got effectively six character endings from what I've seen, seven if you count Lilith but hers is just more of what she was already doing as her job in the series, just now with a harpy form so I don't. Only six are meant to be any sort of final cap on their character/lives. And I'm just going to say this outright: They're not all bad. So from best to worst, with the name at the start of each in bold in case you don't care about someone, let's talk about: Hunter Amity Eda Willow Gus Luz Hunter: It's good. It's genuinely pretty damn good. That's not a joke or a setup or anything either. If Hunter's arc was about rejecting Belos to any extent, then this is a GREAT finish, even without Flapjack. After all, the part of the Isles that Belos himself most directly destroyed through his consumption, greed and wrath was the palistrom trees and palismen. Having it be that Hunter is now helping restore those elements is incredibly potent. Of course, there's also the obvious connection of Hunter and Flapjack but arguably the bird had more to do with his arc than any one character so him influencing Hunter's future just makes sense. I think it also just fits well with Hunter's character though. Watching out for people trying to steal palistrom wood uses his old soldier training but now in a constructive way, he's obviously not a very social person so the isolation is probably nice to him to get away from things and the boy has a LOT mentally to deal with. Working on regular wood while thinking about all of that is going to be a good place to release those anxieties and tensions in a good, creative manner. And for themes of identity, I think it's fine too. While Flapjack was Caleb's palisman, I don't think we ever get it confirmed that Caleb himself carved for a living or the like. That makes this genuinely something Hunter is doing himself and not because of someone else. That includes if he's doing it somewhat for Flapjack because honoring a friend is a very personal thing and very different from copying the dead. And again, frankly, the job feels very right for Hunter because it plays into his strengths rather than his weaknesses and gives him the peace he needs. No notes. Good job show. You got one. Amity: Okay, that's a little mean because Amity's is... Fine. It finally gives a point to her and her father's arc that you can't argue with through "X led to nothing" like angst about her father or the abomaton problem. There is a through line to this, especially with her abomatons. It makes narrative sense and functions.

...Except how much have those things actually mattered to her and in how long? She still rejected her father's hug in Reaching Out and didn't ask Em and Ed about him so their relationship by the end of the show still wasn't good. Escaping Expulsion explicitly said Amity was letting her grades slip so she's been at least distracted from magic for over a season at this point. Yes they claim her hair is abomination styled but it's WAY too light colored for that frankly, making it look way more pink than any sort of purple. Worse yet is that Amity's arc, besides becoming Luz's girlfriend, can be generously claimed as having a theme of becoming her own person instead of what others want of her. This technically works but clashes some by her still following in one of her parent's footsteps. She just swapped from her mother's dream to her father's passions. Now Alador never pushed her to copy him, he was neglectful after all so that would have been hard, so it still works. It is still theoretically a form of abominations that is characterized in the show by being about passion rather than simply performance with Odalia pushing the need for it to be commercial, something Amity theoretically won't care about. Frankly though, with how much her arc tries to push her caring about others, her reading to kids, there even being from what I've seen a sweet moment between her and the Collector... Why not make her a teacher or a caretaker of some sort? That's harder to portray than abomination mechanic but it fits as an ultimate capstone for going from someone who only cared about personal position, being the best and would throw away lives for her goals to someone who rejected all of that. To someone who spent their life now lifting others up and her knowledge empowered her to do that better than she otherwise could have. So Amity gets like a B. It works narratively and for the character but there's some improvement that could be done.

Eda: Oh look, a job that is going to make her absolutely miserable! That is my first thought hearing that she's a headmaster. After all, being the lead administrator is NOT the same as being a teacher. The paperwork alone is going to make her wish she was dead, much like when Tsunade became Hokage in Naruto. But that's not really what you're supposed to be thinking with it. It's supposed to be the ultimate extension of both Momma Eda in her students being her kids but also the fulfillment of Eda going from reluctant mentor to full on teacher. Which... If there were more than two episodes of the series where Eda was actually even attempting to be a mentor to Luz, that might actually mean more and that is EASILY the stronger thread being pulled here. You have to make the students into a more abstract concept for the Momma Eda theme to really fit here. What could you have done with her? I don't entirely know but I would probably have said enjoying retirement with Raine. Living a life finally at peace and without a need to hustle and bustle to fight against the curse or the system. She could have the freedom she always wanted without having to fear for her life. Having her partner by her side also makes it so you know she has family, something she spent so much of her life without. So essentially it's an ending that works from a more meta perspective but when you actually consider the events of the show and the character, it's questionable how much it fits or how 'happy' an ending it will be for her, especially when it ties her down so hard.

Willow: Okay, being fair here, from a setup perspective this actually works better than Eda's ending. Her strength is much of what defined her character, magically and physically, and she decided personally to want to go into sports in S2. Her becoming an athlete fits on both of those levels. For a character who is mostly a plot device, that's not bad.

Except it really doesn't play into anything about how she began and her resentment towards the name Half a Witch. It also has nothing to do with her plants. These elements that the show tried to claim had her seething resentment, that dominated her childhood, are ENTIRELY gone from her ending instead of reclaimed in any way. It's frustrating because it really paints that early stuff as pointless and genuinely just for Amity's sake, not Willow's and that's not great when the athletic stuff always felt tacked onto me in S2 just to give her SOMETHING to do with Hunter.

It also just continues pushing this feeling to me that despite setting up and wanting Willow to be the shy, plant girl archtype at times, S1 especially wanting her to just be willing to wilt away, SOMEONE on the writing team hates that archtype. Just wanted to surgically remove every last scrap of that from her character, regardless of if she was given the time to justify it or the like. That was frankly more okay to me with the shy element than the plant element seeing as she feels BORN to do plant magic by the fact that she was a master practically from the first time we see her use it without no training.

But here's the real reason it's below Eda: I hate her design. It's mostly fine but it's also UNFINISHED. She has one kneepad and ONE SOCK. You can make excuses for one of those but not the fucking sock and it drives me up a wall. I also don't like that the reformed Isles would still have a character like Willow having spikes on parts of her uniform for sports. Get rid of those and imply things have become gentler show. It's not like you've ever cared about keeping the Isles' identity intact before.

Gus: Here is where we go from "It functions but is maybe not good if you think about it" to "You're being way more honest than you're meaning to be show." After all, we have that cyclical aspect of Eda where Gus is returning to the start of the show but there is NO thought put into this.

If there was, if the show was willing to show that Gus had become wiser and more considerate, he wouldn't be studying humans. Not on the Isles. After all, how is he even going to do it on the Isles? Studying Luz? That feels weirdly like being friends with Bigfoot while saying you still need to find Sasquatch and prove the legends are true. Dude, maybe stop being... weird about this race you know exists properly now. It's kind of uncomfortable.

It's not even a hard thing to fix: Say he's here to see Luz off before going through the portal door with one of those glamour stones to cover his ears. He needs to go learn anthropology and the political sciences of our world in order to prepare to be a proper ambassador. That actually might have been neat.

But, you know, that would have taken any thought or care with Gus and we're lucky he was even remembered in the finale frankly. It's a flat failure though and really highlights how Gus hasn't grown and is still mostly a joke to the writers.

So then the question is... If Gus is this bad, can it really get worse with

Luz: *breathes in slowly*

*breathes out slowly*

I've been pretending to grade some of these and if that's the case, I don't even accept Luz's ending. I tell the student that they ignored what the assignment was and just copy and pasted the first paragraph of their wikipedia entry and tried to hand that in as their answer to how the MAIN CHARACTER OF THE SHOW ENDS IT. Because that is exactly the vibe of this ending.

Luz didn't grow and she sure as shit didn't learn anything. Remember: Her theme for her character arc, the worst decision to me creatively, is the fantasy she wants to live versus the consequences of that fantasy. It doesn't even matter how bad that theme is ever handled in the show because this is theoretically the largest, explicit theme of the story outside of personal expression being all that matters.

And Luz literally ends the series chasing the same dream she had at the start.

I... I don't even entirely know how to respond to that. The show, which is a kid's show remember, legitimately said that her running away from her problems to play out one of her fantasy books was such a good choice, it should be the thing she does for the REST OF HER LIFE. That it is the final, definitive note for the character that Luz the Human is going to be Luz the Witch.

And you know what? If Luz's journey to being a witch actually meant anything in the show, this might have literally any justification. If during the course of the show she had genuinely learned a lot as a person over the course of becoming a witch, if magic itself had so many rules as to require you to be a functional human being in order to use it, it MIGHT work. It's not great but it might work. Except... Remember back when I was talking about Eda? About how Eda spends two episodes teaching Luz and that's it?

Remember: Luz is like 90% why the Selkidamus is beat while on the boat. By the beginning of S2, and explicitly with Escaping Expulsion, she is already closing in on the ceiling of her powers. She already outshines most other witches to the point where the Emperor is the only person to give her a real challenge combat wise so long as the series is actually remembering to let her cast spells. Half of her glyphs aren't even tried to be connected to anything but instead, as she puts it, are found from other witch's spells randomly. They're just... There and no one else noticed somehow.

And this is what you want to say her character was leading up to? A profession that in the human realm has no transferable skills because she can't just be spinning Stringbean all the time without it being obvious and glyphs don't work in the human realm. It's actually worse in the Boiling Isles because unless she's going to get employed as a glyph master or something, she still needs a job. Everyone has magic there after all and anyone can use glyph magic with ease. You don't even need to be confident in it. Thank you Gus and Looking Glass Ruins.

It is bizarrely revealing how little thought and care was put into Luz and the themes of the show with this being how it ends. It is just, top to bottom, a failure. The only way it functions is fans of the show being happy she's chasing her dreams into eternity. You cannot think about it for even a second without some sort of question coming up.

And what else would she do? Easy. I've been saying she should have become a counselor or a therapist literally even before S2. That was just the obvious way for her to grow to me. She learns that you need to balance reality and fantasy, your passions with the demands of the world and takes up a job that lets her help kids like her find happiness and a place in their world. Either world. It would imply she understands childhood fantasies are just that, it would highlight her empathy and understanding of others and also is an amazing culmination of the theme of Fantasy versus Reality.

And instead the show's response was probably as far from caring about any of those things as you can possibly get. I don't understand it and it blows my fucking mind.

But I mean... if you want to finally drop the pretenses and just admit that your show is nothing but basic, escapist fantasy... I guess there really isn't a better ending than this, is there? =======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead, If you want to hang out with me, I stream from time to time and love to chat with chat.

And finally a Twitter you can follow too!

[beevean]

While I know Andrew is not perfect, a lot of people are swinging the other pendulum and acting like he's just as evil as Ashley if not more and the real abusive one of the situation or outright downplaying any nice trait he has (or any justified reason for why he acts the way he does)

Like, even if avoiding the consequences of his actions is a primary motivator, he really did feel bad about Killing her as well as Ashley's nonchalant reaction to it and the fact she used Nina's death to blackmail him, most of the venomous words for her are because said death and what she forced him into (which likely carries to how he treats her in high modern day)

Also the fact he knows what guilt w

I've been marinating in TCOAAL analyses, and the takes on both characters are fascinating.

My take is that Ashley is immoral, while Andrew is amoral. There is a difference between the two. The conflict comes from the fact that Andrew is aware of this, he's aware that it's "wrong", and tries very hard to be Ashley's moral compass to compensate. Ashley, ever since she was a kid, was made painfully aware that there was something "wrong" with her, no one except her brother loved her (and even then, who said that he wasn't pretending?), and her reaction was to embrace it.

(I'd really love to talk about their childhood, how Leyley displays behavior that she could have only learned from others, how they seem to have learned the lesson that "bad children don't deserve love" and how they cope with it)

The crux of the matter seems to be... did Andy really feel bad about Nina, or was his primary concern going to jail and being separated from Leyley? Is the trauma that stemmed from the incident from the feeling of guilt and remorse, or because that was the point where he became his sister's plaything and could not escape from her anymore? This seems, from what I've seen, what split the fans.

Rewatching the scene, Andy's first coherent dialogue is all about how the situation looks. "Why would have she clawed the lid if she was there willingly?" "She'll start to rot" "They're gonna know!". This once again hints at how Andy's first concern is "can this be traced back to us?". But to be fair, Leyley was the one who first said "you took off the stick, so it looks like she went there willingly", so he's responding to her.

But then he says "they'll throw me in prison for the rest of my life!" Which is very. Mh :)

Interpretation 1: Andy is being as self-centered as kids are prone to be. Nothing more to look into.

Interpretation 2: Andy only cares about himself and the consequences he's going to suffer. His sister's fate is up in the air. Lowkey implies that Andy didn't care much about her before this mess happened.

Interpretation 3: he genuinely thinks he's the main culprit of this incident. I want to add that this line happens before Leyley starts to hammer into his head that now he's bad and no one will love him anymore :) this would imply that Andy felt actual guilt.

There is probably not a concrete answer as of now. I hope episode 3 has more flashbacks because man they are so fascinating.

Anyway, to get back to the point. Andrew is not "evil". Andrew is a profoundly damaged person who was forced to become the everything of his even more damaged sister. Ashley is the "criminal mind", as it were... but to me, it looks like Andrew is on the same wavelength - remember, Ashley mused to herself that the dead neighbour was "a lot of meat", but Andrew, after the initial shock, immediately started to consider the implicit proposal of eating him. While Ashley wears her heart on her sleeve, is painfully honest, and couldn't care less about what anyone (except her bro) thinks of her anymore, Andrew is profoundly in denial about his own "abnormal" thoughts, and the difference between Decay and Burial is how he decides to accept himself.

Does that make him a better person? Well, he seems to be able to fit in more, at least. He's charming and can seemingly attract girls very easily, much to Ashley's chagrin. Maybe, without Ashley, he'd be able to live a normal life without crimes and all. But again, to me it looks like he lacks a moral compass in general, even though he has a strong sense of guilt and responsibility (which to me stems from being Leyley's sole caretaker since a tender age).

As to him being an abuser... well, he does threaten to slap and backhand Ashley a few times. She even calls him "wifebeater" at one point. Not enough to call him an abuser, but the threat of him becoming physical is always there. He's more than capable of subduing Ashley, when he wants to. Ashley's abuse is much more overt and constant, with her manipulation and guilttrips (and she got physical at least once too), but Andrew calmly choking Ashley and making her make a case for her life... has some implications.

I don't think I'm making sense lol. TCOAAL is a fascinating game that hides all sorts of moral questions underneath its over-the-top tone, and I love it.

[gralunaisland]

The Toxic Merging of Fiction and Reality

An Anti gr///via Post

Warning: Picture Depicts Triggering Language

Hidden beneath the "keep reading" button is a screenshot of a conversation my good tumblr friend @graylu-heartbuster sent me. She gave me permission to post this and @ her. She frequently has discussions with Fairy Tail fans online, and as such, she often meets more than unsavory individuals.

This particular one is a Pro gr///vian who was so angered by my friend shipping differently than them that they dared to tell her to harm herself. (In very graphic language too, so please be safe and don't continue to read if that triggers you).

This is an example of an actually despicable human being. Some people have fragile mental states. For those people, seeing someone tell you to do this to yourself and call you all of these slurs could very well be the tipping point, all over defending an anime ship??????

And of course the person receiving this hate doesn’t need to be in a bad place mentally in order for this act to be absolutely despicable. It’s disgusting no matter whom this is said to.

Honestly, I'm appalled by this person.

The purpose of this post isn't to shame all Pros because most of them are not like this, and there are these types in every part of every fandom.

But this does show that some people cannot distinguish fiction from reality, which is what I've been warning against almost since the beginning of my blog.

The line is so blurred for this person that they reacted to my friend's aversion to gr///via with the same venom as if they were juvia, and as if my friend had besmirched her honor in the most horrific way.

It only helps prove my theory that some of the Pros are just as delusional as juvia which is why they worship her, using her as a self-insert.

Because who in their right mind would tell someone to end themselves because they don't ship what you do and ship something else?

This is why I hate it when people (in particular, I've heard it a lot from Pros in defense of gr///via) say "oh, fiction isn't reality, and fiction doesn't affect reality at all, so you can do whatever you want in fiction with no consequences!", because guess what, fiction does affect reality.

Fiction is a major driving force in culture. It is often used as a vehicle for pushing agendas and belief systems, and the way fictional characters react to things being preached to them and how the story unfolds because of it are very telling. Fiction also clearly entrances people so much they're willing to go to such extremes in its defense. Some people can parse out that they like juvia and gr///via because they're separating fiction from reality, but clearly some people are wholly unable to do so.

It would be very easy to see how juvia's insanity and detachment from reality (i.e. how she is deluded into believing that Gray loves her and that her ignoring Gray's consent and wishes is okay) could have bled into this awful individual's life, reinforcing their idea that what they're doing is praiseworthy, that they can attack others like juvia does and still be the hero and still be rewarded in the end just as juvia is when she finally sinks her claws into Gray's manipulated heart.

These are not the lessons this sick person needs. What they need is a wake-up call, the cold hard truth, that the way they're acting is unacceptable and that they are not the hero. The fiction of gr///via and juvia's selfish and downright nasty behavior within Fairy Tail is just fortifying their belief that they're in the right.

I wouldn't go as far as to say that juvia's actions are the only reason this person is being so disgusting, but it certainly doesn't help. When you praise and promote delusion in fiction like Fairy Tail does with juvia, you can't be surprised when people adopt that delusion in real life.

My heart goes out to my friend, as well as any person out there who has to deal with this type of cyber bullying. I just hope this serves as a reminder that gr///via can definitely negatively impact others in real ways in real life, and that juvia's behavior isn't excused just because it's fantasy.

I pray the person who sent this dm gets a rude awakening that they cannot treat people this way in reality and be rewarded for it.

[banished-god-of-magic]

Welp I made a poll asking who you'd wanna see get an ask blog, and the winner was Magia here! So here's their ask blog, feel free to send in anons!!!

Explanation on who this character is and refs under the cut

Magia is a lot.. Different from others that are considered divine, I'll explain their backstory first to make this more coherrent [and to give tumblr a better explaination because I realize I don't tell you guys enough about anyone other than Bast]

So! They were born of the magic of paradise, a god formed from the very energies of the most divine and holy place in the universe, on the younger end of the pantheon too. They started out as a small ball of flame that grew with their element [magic]-

Though while they remember paradise as being this perfect, unimaginably peaceful place... They did have one person who'd always, ALWAYS ruin their day. Raver.

[Raver is my evilest oc and I have ABBADON]

Anyhow, Ravers the god of chaos and trickery and as a kid the only one who he could pick on was Magia because they were the only one younger and thus not a threat. So he'd constantly steal their food, trap them somehow and dunk them in the water or pick them up with his tail hand and just generally bully the poor thing. This.. Caused Magiajam to be somewhat of a recluse, hiding in burrows instead of socializing with the other gods which made them crave attention, but they were scared to look for it for a time.

So they would do things for the other gods, they gave Aradite her wings, they gave Faye a sword, they were just... The guy you go to to get things, really. That's all anyone ever visited them for, anyways... But don't be fooled, they were egotistical even despite all this- all gods were. They thought themself the strongest greatest thing in the entire universe and that they should be recognized goddamnit! [and they they should be allowed to maul Raver to death- wait what]

So, after some planning, they thought up the best way to get the recognition [and love] they deserved!

They'd challenge the matter gods.

Now.. The matter gods, they're the strongest beings to ever have sentiance, stronger than the one they were spawned from... Void Termina. The very embodiments of their element, the matters which make up every single thing in the universe... Nothing can fight them. Nothing except maybe a Kirby and the power of friendship and Love [and an incredibly pissed off catboy who dragged his kirby to beat their asses but that's way far in the future- and in an au]

So Magiajam, drunk on their own power thought THEY could take them down. They didn't want to take over- they didn't wanna shake things up.. They just wanted attention. In that fight, they made one fatal error- they wanted to win so badly they went all out in the battle and accidentally destroyed a bit of paradise and disturbed the peace- waking souls and scarring the land.

This is considered an unforgivable sin, to disturb the peace in the holy land of bliss. And so,

The matter gods went all out as well. Taking control of the poor things body and slamming it hard to the ground, spearing them with hundreds or thousands of heart spears so they could torment the mind until Magia physically could not fight back and even until they were crying and pleading for them to stop, they would not. They tore off their wings and said let it be a lesson to the rest of the pantheon. Do NOT cross the four matter gods.

Then, Magia was banished from paradise, thrown far across space, far far until they landed on a hellscape planet known now as Halcandra, there they cried and cried, their flames burning cold and small under the weight and despair of their situation- they had just been banished from their home. The birthplace of a god is perhaps the most holy place one could have, without it... They're not whole. They were separated from their origin- like a small child ripped away from their mother. A hole in their aching heart that could never be filled.

However, when their divine tears hit the boiling surface of the planet, they formed into the first halcandrians, who mewed for their gods attention and pulled them out of their hysteric state.

The god had no idea what to do with them- why they couldn't look after a whole species- they didn't deserve to raise one anyways.. They were a monster. only monsters were banished from paradise.... But, they wanted these little cats to have the best chance possible at life, so they taught them about how to live, how to survive.. How to use magic.

Their heart hurt too badly for them to stay long, and they ached to return home, to paradise... They didn't want their creation following them in their metaphorical pawsteps though, so they did something they thought would stop the pain... They tore out their heart, and threw it into a volcano, which turned their heart into a mortal halcandrian known as King Jorrolor, the first king of Halcandra. They'd put him in charge of leading the species, a good leader who would protect and nurture them- then, they left "to find paradise" and redeem themself

They tried. And tried. And tried to reach paradise again- but when they finally found the gates they were turned away and harshly talked down to- they could never return, they could never redeem themself.. And now, the paradise gods lead by Raver would decide it easiest to take their anger out on them, harass them- over all the banished god would become the others punching bag and take the title of the "evil god" by the rest.

From then, they'd drift across the universe, granting any mortal who could find them a single good natured wish- because if they made all that effort to find them, they deserved something in return...

Magia doesn't want to be seen as a god. Not by the halcandrians that worship them, not by anyone. They don't deserve it and honestly? They just want.. A friend. To be treated normally and as an equal- not lesser like the gods see them, not some untouchable divine force like mortals view them- as just another person who is alive.

As for their personality now, I'd say they're very sweet if not a little bashful and anxious, they have panic attacks and suffer ptsd from the beatdown the matter gods gave them but if you can get past that they're kind, gentle and warm, they find comfort and fun in mundane tasks- they can be sarcastic at times though or irritable depending on circumstance. They're a lot nicer than any other gods you'll meet I can promise you that!

Also by warm I mean both personality wise and literal. In mortal form this fucker is basically a living space heater- or an ultra fluffy cat that's been sleeping in front of a heater for seven hours. God form is made out of literal magic flame so don't touch that though unless they're sad [they're cold when they're sad]

Now, this Magia would eventually meet @opal-owl-flight's Magolor, become friends and fall in love, so currently they're in a much happier place than just a few years ago..

Uhh, got anymore questions! I'd love to hear em!

[tuiyla]

this is a random question lol, but what are your thoughts on "Old Dog, New Tricks" and Chris Colfer as a writer (based on it)?

We love random questions around here!

Gonna be honest with you, I haven't seen that episode in full in over two years and it's gonna be another year before I get to it on my rewatch at this rate, so unfortunately I don't think I can go into a ton of detail. As in, a full analysis of Chris as a writer. But dw I won't just leave it at that I do have some thoughts.

I recently heard 5x19 be referred to as a low-rated and badly received episode, which I found curious. I'm not sure by what metric that is but especially by standards of that era of the show I consider it to be quite solid. I don't have strong feelings about the main plots of the nursing home play and the dogs as like, a base concept. Most things depend on execution and it was executed well enough. I wonder what parameters he was given, what could happen what couldn't, but as far as penultimate episodes of seasons go it's pretty much your standard slice of life stakes-wise.

What I can talk about more in-depth and what directly related to Chris as a writer is the character moments he included. At the very least and off the top of my head, there are 3-4 great character moments that tell me Chris paid attention to this cast of characters and took care to keep whatever shred of continuity Glee was still hanging onto at that point. Frankly, Chris seems to have cared more for these characters than the actual writers' room did in these late seasons.

What I'm talking about in particular are these details:

Kurt, obviously. It's understandable that Chris wrote an episode with a major Kurt plot and it was a breath of fresh air to focus on him separate from the main group, even if only for a beat. Two standout moments are a) him standing up to/calling out Rachel, which actually leads somewhere unlike it often does in NYC. See my second bullet point. And b), even more importantly and in a detail that so often lacks from the series, Kurt talking about his mother to Maggie's daughter. Such a small scene in the grand scheme of things but very poignant and the one I remember the most from this episode (sans Santana). That moment really made me go "oh Chris gets Kurt." He cares about this character enough to pay attention to this, imo, crucial detail.

Rachel's is a smaller one but also on two fronts, one on the Kurt of it all and like I said in the way that she actually goes to support him and concedes to be a more supportive friend. This is a lesson Rachel learns a lot but this is among the better executions of it. And the second is her general arc of at least trying to do good things because they're good and not just for optics. Shame this sentiment is limited to this one episode.

Santana! Of course, my beloved. Chris Colfer singlehandedly gave me PR Santana, who I hold onto dearly and fight in the name of, against all the lawyer Santana stuff. It was a great direction for her character to take and I'm grateful Chris gave us this, even if we never hear from PR Santana again. More thoughts on PR Santana here. The Pezberry shenanigans are also great. And we have a detail here, too, with the brilliant Santana line "in high school ... I was voted best shoulder to cry on and most likely to poison someone", which tells me that Chris gets Santana, too. Love that. God the feels I have about that line lol.

I also have to shout out the Sam stuff, maybe not in general because frankly I don't remember but at least one detail. Chris seemed to be the only writer to remember season 2 Sam and the way he was working hard to protect and support his family, and the impact that must have had on him. Later seasons lean into Sam the himbo, but, tbh, not in a way I find particularly charming just because they really emphasize his... carelessness, I guess. His immaturity, that's a better word. So he's not the himbo from season 2 but someone a lot less capable and more of a caricature version than he used to be, and that's not the direction in which it should go. BUT, that said, Chris takes the time to examine this with Sam and takes care to remember how Sam had to grow up too quickly, how he did have to be mature before. I don't think it goes anywhere but that's on Glee much more than it is on one-off episode writer Chris Colfer.

Writing characters well has been my primary focus for as long as I have been looking at media critically and Chris Colfer succeeded on that front for sure. These are the main things I remember from the episode and the main aspects of it that make me look back on Chris' writing fondly.

I've been meaning to check out Chris' books or just anything from him as a writer because I am curious. In interviews, he's always so quick-witted and good with words. The main thing, apart from Old Dogs, that I think about in terms of Chris as a writer is his Variety tribute piece to Naya. It's not only a heartwarming (and -wrenching) piece but damn you can tell the man's a writer. A good one, at that. He just has that instinct, based on this piece. Where the words flow and the arc of what he's saying makes sense on a deeper level. So yeah I'm curious, and maybe I'll rewatch Old Dogs earlier than planned just to view it from that perspective this time around.

[walks-the-ages]

WIP! 7 out of 10 episodes for Series 11 now have outlines for my Rewrite of the Thirteenth Doctor's run.

Some episodes like Demons of the Punjab are *relatively* unchanged whereas other episodes have been scrapped entirely.

Bye bye Witchfinders and Arachnids in the UK, you will not be missed! Instead completely original 'episode' will take their place.

I feel like adding an additional two episodes as well to bring the count up to 12 episodes. 10 just doesn't seem like a lot.

Oh and the episodes are getting rearranged, too on top of the other changes.

WIP:

Episode 1: Woman who fell to Earth (relatively unchanged, though I'm definitely making it so Grace lives and now with 90% more gender and pronoun Questioning) ends the same with the Fam all getting captured in the teleport field the Doctor cooked up out of spare appliances.

Episode 2: Rosa-- very different episode to both the original episode 2 and the original Rosa. Ryan-centric but also develops Yaz, Graham, and Thirteenth when they arrive in the past, separated from each other. The Fam are taken in under the wings of various, seperate activists or residents in the city, while the Doctor does battle with Time Traveling Racist who is out to murder Rosa Parks. The Fam are reunited in the end, each having learned valuable lessons about themselves and established their different characters, and the Doctor uses the repaired Time Travel Device (here on out TTD) reclaimed from the Time Traveling Racist to give them their newest and currently only option of traveling through space and time.

11x03 Kerblam! -- Still not quite decided on the placement of this. Might move it up to episode 6 after theyve all had individual-centric episodes to establish their (new) characterizations and the paths they're on. The Fam Jump into a new location, only for the Doctor to instantly receive a Kerblam package with a highly realistic body double inside that she ordered a couple of regenerations ago but forgot to stop in the appropriate time period to receive it.

The Fam are then promptly captured as "workers on unscheduled breaks" and frog marched "back to work" in the warehouse where they are forced first hand to experience the conditions of the 'workers' inside with no safety net, and are constantly being docked points and getting horrifically short breaks revoked for the simplest of things-- including speaking any kind of slang or using 'improper' Grammer or figures of speech, as the owner of the company has strict laws in place that *all* employees of the company must speak Stuffy Prim and Proper English Vernacular at all times which is why the Fam outside the Doctor can understand anyone at all with no TARDIS around to translate; the residents have all been forced to speak English!

(is this a commentary about capitalism and imperialism going hand in hand as well as being a handy writing tool to get around the lack of universal translator? You bet it is!)

Won't spoil the plot changes past this here as at some point I'll be posting these to a03 as scripts so. Yeah it'll be fun and actually make fucking sense thematically. At the end everyone gets kitted out in proper space-time hitchhiking gear mixed and matched from mountain of returned merchandise and pick 1 fun/recreational device each.

Episode 4-- the Tauranga Conundrum -- now a Graham-cebtric episode focusing on his worries about his own health and also about unlearning a lot of his ableist worldviews and attitude (as established in original series 1. Because you know. Continuity), and starts him on his journey of properly not looking down on Ryan and to stop dismissing Ryan's struggles with his disability as Ryan simply 'not tying hard enough'. The 'cancer fears talk' is completely rewritten; now, Graham is instead having a heart to heart with either Ryan (as a sign of their closer relationship) or Yaz (because she's relatively impartial) and the Doctor comes in when Yaz/Ryan fumble their words to lead the conversation along when accidental miscommunication happens, and the conversation doesn't end until the Doctor had either scanned Graham with the sonic to assuage his fears in a new Jump location or brings him back to the hospital ship to be scanned if they haven't jumped yet, so he knows he's supported and not alone. None of this "The Doctor awkwardly shuffles away leaving a friend hurt, scared, and humiliated" like canon gave us 🙄

Episode 5 -- the Demons of the Punjab -- relatively unchanged other than obvious change in arrival and departure circumstances. Assassin aliens don't exist anymore. Yaz is learning about her family's history by fate instead of sneaking behind her grandmother's back.

Yaz talks with her younger grandmother and has lots of time for introspection about who she is and what her place in the world is as a cop, and confronting herself with the fact that if she were ordered to enforce something like this in 2018, she's not sure if she would have said 'no' before meeting the Doctor, and not being sure if she would have had the conviction and ideals to stand up to the authority commanding her, or if she would have gone along with the orders for the sake of 'doing her duty' as a police officer and maintaining the law, no matter how unjust. She's haunted by the fact she doesn't know the answer.

Episode 6 -- bye bye arachnids of the UK! this will now be an original episode, plot to be decided.

Episode 7-- bye bye Witchfinders! Same as above, will be an original episode.

Episode 9 ;- it takes you away. -- oh boy. Oh boy oh boy oh boy. Complete rewrite of the... Theme, but keeping the same settings and characters minus Mirror World and Frog God Solitract.

This is now a horror episode with some very nice catharsis at the end, and Hanne becomes a temporary new companion, since Erik had them living in the middle of fucking nowhere.

Going to be absolutely delightful to write the ending. When they leave, Teetee Dee is able to pick up the TARDIS's temporal signature with the new modifications the Doctor added from the 2030s tech now available in this episode.

Episode 10-- The Ghost Monument -- This is it! It's been so long since the Doctor and the TARDIS were seperated, it's been such a long, arduous, character-developing journey, but finally, the Fam (plus Hanne) has found where the TARDIS is location: to get there though, they have to enter and win a contest. After an entire season to develop their skills and teamwork bond, the Fam is ready for the challenge, and through blood sweat and tears they all work together to win the obstacle course race, utilizing all of the skills they've learned along the way, until finally.... They've done it. They've won, they've found the TARDIS. They can go home.

And of course, that's the first thing they do, after bringing Hanne to relatives in her native year of 2030. They go home, to 2018, and they reunite with their families, they reunite with friends, they refamiliarize themselves with their homes, their rooms, and the now- beloved town of Sheffield they called Home.

Yaz resigns as a police officer effective immediately.

Ryan uploads a new vlog talking about his new perspective of the world and the journey he's been on without going into too many details (....yet!) Much to the confusion of his few viewers when his last upload was yesterday but he's acting like it's been months.

Graham, while hanging out with his friends, starts confronting them when they make what he formerly thought were 'harmless jokes' and gets at least a few of them to ponder their words a bit deeper in the future.

Then they each, individually, over the course of a few days, take stock of themselves and realize they don't want to stay in one place, they don't want their time with the Doctor and the others to end, not yet.

So they each individually pack their bags, say some odd farewells, and one by one they all show up to the TARDIS with backpacks or suitcases or duffle bags.

The Doctor welcomes them with open arms and they all step into the TARDIS for their first, proper adventure together. And this time it's all their own choice.

[firespirited]

TV reviews: From + The Irrational

From TV: the fandom is called the Fromily and they're a lovely bunch who deserve better than Lost 2.0: no sunshine edition. Harold Perrineau carries season 1 on his back, by season 2 the mysteries are so stretched that you just feel strung along and bitter that he isn't leading something worthy of his acting chops. He would have wrecked me in The Leftovers, he could have done any role: he'd have made an amazing Nora, looking for answers but also utterly faithless, charismatic and pushing people away. How about Matt? Eccleston was good but Perrineau would have been de-va-stating. He has the range. (They kind of needed Justin Theroux to be mostly wooden for the first season then mainly bewildered after that).

Do not waste your time: The scary isn't good (more jump scares and gory aftermaths than any dread or thrills) and it doesn't explore the long term effects of living in fear. at all.

The Irrational: decent procedural: it's not always murder, it's not always the police who solve it and you learn a different psycho-social quirk with each episode. Jesse L Martin uses his natural charisma to smooth over the shallow character writing. This is fun brain-mostly-off watching.

However, there are two elephants in the room for me with this one. First is that Lie To Me was a similar procedural that was great TV and bad science that's gone on to do a lot of harm by legitimizing body language and micro expression experts. There is a difference between psychological and physical traits that humans tend to have and making a science out of something that's barely better than a coin toss. Pop psychology being abused to convince juries is something we've seen too much. It's hard to separate Lie to Me's real life influence (guess who gets paid to train the TSA to spot micro expressions? yup) from enjoyment of what should be just fun entertainment.

The second is that Dan Ariely, the inspiration and writer of the pop-psych book that influences this show once wrote a pain management PDF called "Painful Lessons" that was brilliant: it changed how I manage pain and help others manage theirs by making sure we have a sense of control of the time and intensity. I'm very grateful for that. He then went on to do the "magic crip" thing where able-bodied people ooh and ahh at you for surviving and want your inspirational wisdom in a TED talk like format. Which... eh. Get your bag where you can but don't get tacky with it. Unfortunately he followed his psychology degree with economics, which, if you ask me what kind of science that is, uh, finance astrology: money is a trust belief system to begin with and what gets taught as economics are systems of belief around money. Studying belief systems like esoterica or world religions is a valid field of study until you actually buy into one or end up working for one: You see the difference right?

Well Ariely gets paid in consulting for businesses and writing books that simplify complex behaviour around spending that mostly apply to normal folks. It's not wrong, not at all but it's not rigid. More importantly, his recent work on dishonesty is not translating to replicable science (in that they kind of dishonestly fudged the results to prove dishonesty. hmm).

So, so long as we stick to early work on irrational behaviours we should be learning somewhat applicable science which is helpful (but not a solid science for trials for example) but if the TV show goes into his work on dishonesty, then it's dealing in outright junk.

The question becomes about your separation from fiction like with copaganda: Lie To Me is a great show AND i really hope no security guards I meet have been trained in micro expressions and body language because I used to regularly recognize myself in their "indicators of deception". So, if you think of it as a parallel universe where this kind of pop-psych magic is real just like copaganda is a place where the justice system truly cares and police have a magic spidey sense for bad guys... yeah.

[utilitycaster]

This is just my own vague thoughts, but I do really agree with your point about the party needing a shake-up. I am running off of no sleep and a long day at work so sorry if this ask feels disjointed and weird but I feel like BH would benefit from a big change in the same way that the M9 benefited from losing Molly to gain Cad. Does that make sense? I feel like that punted the M9 in a very different direction than they would be in (dynamics wise at least) than if Molly didn't die.

Hey anon! I have a very long answer to this that goes off on a bit of a tangent but:

In short, yes, I do think that a party shakeup both in terms of a literal change of characters and the emotional heft of such a moment would benefit Bells Hells. I think that Molly's death did bring the Mighty Nein together in a unique way, and the introduction of Caduceus added a dimension to the party that I happened to like a lot.

I also think it's hard to compare beyond that. I both believe that Molly's death was one of the most significant and pivotal moments in Campaign 2; but also that the campaign was, overall, working, and that my feelings on Molly and Caduceus aside (ie, I didn't personally vibe much with Molly and I do really like Caduceus), the party dynamic and characters prior to Molly's death were still quite good. It is on some level impossible to know what would have happened had Molly survived that fight in Campaign 2. I do think the campaign would have been pretty drastically different, but I don't feel like it needed fixing (though check below the jump for some further thoughts).

Meanwhile, I feel like Campaign 3 has had elements that haven't totally clicked in a way that feels due to the plot, less so than the characters, but also the plot and characters influence each other and are impossible to truly separate. I also, on the other hand, felt that up until the back half of this episode, things had been righting themselves: the Treshi plot would be resolved, and the party could spend some time processing all they had learned in Bassuras and finally decide what they wanted to pursue going forward.

And, finally: benefits of a shakeup aside, as of now, with the understanding that we don't know who will live or die, Molly's death felt abrupt, but it also felt like something that occurred because of his (and the party's) choices to recover their friends. It felt very real, in the sense of death sometimes being a sudden, unfair thing. This, as I and others have said before, feel like the characters are just being murdered to teach Imogen a lesson, on a mission that feels somewhat thrust upon them because they've been simply buffeted by external forces for much of the campaign. So I feel both "perhaps a party change will help with some of the issues I have", and also "if that is the goal, it's not being carried out in way that I feel serves these characters."

(The rest is under a jump for length/speculation purposes.)

I say probably because of what I said here; this is truly pure speculation on my part, and I said as much when I said it elsewhere, but based on what happened with Imogen and what we know was intended with Lucien (ie, Matt has said that it was always intended as the endgame), I'm now wondering if it was a happy accident that Molly died, pushing the Lucien plot into the background and making that ending deeply resonant for all of the Nein, but also not tied to one in particular; and that had Molly survived we'd be seeing similar problems.

I'm reserving judgment until next episode, but I have to admit this has been jarring. I have always felt that one of Matt's great strengths as a DM was that the world felt as though it continued on outside of the characters; that it didn't just freeze in place when they weren't looking at it. However, the way this campaign has been going, it's gotten to the point where the world and plot feel like they're swallowing the characters. And again, it felt like it had been course correcting in a way that was a little strange, given that Matt has run two very good campaigns, but ultimately forgiveable. But with this episode, it feels comparable to a DM deciding that they want to run a highly specific setting, like Curse of Strahd, say, but not actually telling the players this is happening, to disastrous effect.

My other wild guess is that this campaign is sort of everyone, Matt included, trying to do things they couldn't do within the restrictions of Campaign 2. Unfortunately, this means a loss of coherence and a lot of dissonance with the setting, which feels like a disservice to everyone. I think "all bets are off" is a totally valid D&D game choice, but, at least for actual play, I don't think you can do "anything goes."

All of which is to say again, a shakeup might help if only as a sobering "hey, let's try to actually focus and make characters who fit into this specific part of the world," but the Campaign 2 shakeup was a case of 'the dice tell their story', and this feels like 'something went wrong.' And personally, if the goal is a shakeup...I would truly rather the cast say "Hey. we are realizing certain things feel weird, and we need a few weeks to regroup and talk through how to deal with this."

[everlasting-elegy]

Heya! I've been having another Solomon brainrot after Our Destiny was released and I saw your post so I wanted to share some (probably cliché) thoughts too. I hope you don't mind! ^^

Ok first off— KAWATA-SAN'S VOICE IS AMAZING AND ADDICTING AS ALWAYS

I definitely had high hopes for his character song especially with his catchy, educational fish songs and his cover of Sinful Indulgence but it still surpassed my expectations—

The harmonization is so mesmerizing and the humming and ad-libbing at the end? *chef's kiss*

Some lyric videos have now been posted too and the lyrics are so sweet! (Here are some by Akuma Ai and kreanime just in case)

Now about Solomon himself

**some S3 (Lessons 41-60) spoilers ahead, sorry**

A lot of people see Solomon as a shady character but personally, I think he's really sweet. Sure, there are times when he deceives you for the sake of teaching you as well but he's seen a lot in his time.

With the MC's total faith in others being their greatest virtue and weakness, I think he also wanted to teach them not to trust people too easily, let alone demons. In the 3rd part of his birthday card (Seek a Melody), he mentioned that being in a pact with a demon doesn't make them your friend and each party has its own separate interests. But also thanks to the MC, he eventually started seeing them as good friends and the MC taught him some things about demons that he hadn't known despite having lived for so long.

Solomon didn't really have any close friends except for Asmo and eventually, Simeon, Luke and the MC.

Maybe I've been influenced by a few posts and fanfics here and there but I think he was a bit insecure about having a relationship with the MC especially since they're usually around the demon brothers and they barely get to spend any time together (until S3) and he'd accept the fact that his feelings may be unrequited.

After being alone for so long, he has someone to value again, to love again and this time, he has a chance to deepen their connection which is why he won't ever let them go.

(Anyway yeah sorry for the long ramble and feel free to ignore this. Please have mercy, I am but a lowly Solomon simp— /hj)

I’m so glad to see I’m not the only one being converted because of Our Destiny and of course I don’t mind!! I especially asked for some Solomon thoughts so these thoughts are very welcome~

My day’s been made a little brighter knowing that Solomon’s VA makes educational fish videos I can’t stop giggling its so cute skdkskd. I didn’t know he covered Sinful Indulgence though!! Kawata’s voice is honestly perfect for Solomon, it’s smooth and calming yet slightly airy with mischievousness~

I am FULLY with the “Solomon’s just some dude” agenda lmao. Yeah this man is a powerful sorcerer on the prowl for pacts but honestly if I was him I would be too skdjskd (also he has 70? or so pacts and for someone alive for presumably thousands of years thats a pretty low rate). He likely learnt the hard way of the contractual relationship of a pact, poor man ends up keeping a lot of beings at arms length. But for you, the one he’s ironically learnt so much from, he’ll teach you all he knows in return

PLEASE after the first time I came across the “Solomon concerned that MC would never love him back because he’s just a human and there’s literally all powerful demons down bad for them” I read nothing but Solomon fics for the next week. Unrequited love that is actually returned is just SO JUICY I’ve been itching to write a fic on it skdjskdjs. I guess some could argue that its not logical given Solomon could be just as powerful - if not more - than quite a few demons but in turn I’d argue that insecurities are usually not - if not ever - rational. It has been centuries, likely millenia, since Solomon has felt this way for someone, he can’t bear the thought of giving it up. Even if you don’t feel the same, he’ll be by your side, doing all he can to keep you safe and to see you smile at him

(Please do not fear about being a “lowly Solomon simp”, at this rate I’m going to be joining you in the depths skdjskd)

[kitkatopinions]

I feel the need to hear your opinion on this since this is something I've been thinking about recently, and it's how crwby handles complex relationships/abuse in their show... It's infuriating.

I can't tell if they genuinely think they are writing this in a good way or if they know they're half asss-ing it and don't care since the fandom will eat it up anyways. Two big examples that come to mind for me in the last volume are emerald & cinder and whitley & jacques. In both instances the the victim never gets a moment of closure or a moment of breaking away from their abuser, nor are either victims allowed to show any sort of 'hesitance' (for a lack of a better term) related to their abuse.

Emerald (despite being all over cinder before Midnight), just conveniently forgets about her for the finale. Same for whitley. He just completely forgets about jacques (the man who manipulated him from birth) the moment weiss hugs him. On a shallow level, watching a victim pay no mind to their abuser is satisfying, but it being so immediate is just unrealistic and takes away from the pain that we are supposed to think these characters have suffered.

One of the worst things about suffering from abuse is how is affects the victims even when they have left the abusive relationship, but crwby seems to want to erase that completely from characters who should experience that for plot convenience.

It seems like the lesson learned from this is "if you were abused, just get over it and be convenient to our heroes or else!" And it's pretty gross imo.

Thoughts?

I thought that I would put these two asks together and take this opportunity to talk about the abuse victims in RWBY and how they're handled. I've tried to think long and hard about what to say about this, because this is an important topic to me and something that's personal for me. I'm an abuse survivor, but I have a complicated relationship with that part of myself and I'm never really comfortable talking about it much. But despite the fact that I've experienced abuse, I recognize that I'm not a professional sensitivity editor, not a therapist, and not someone who's studied the effects of abuse.

I'm simply writing this based on my own feelings and what I've picked up witnessing other abuse victims discuss their own feelings about abused character. There will be RWBY criticism below the keep reading. Please keep in mind that I'm not speaking for all abuse survivors and am only trying to articulate my own feelings in regards to this issue.

The first thing to note is that there isn't one, correct, right way to write an abuse victim in my opinion. Lots of people have different reactions and responses to abuse, the way they were abused is often also different, causing different reactions.

In the first anon, it's noted that Emerald and Whitley both seem to move on from their abuse quickly and with very little effect on them or their stories. Many abuse victims put their experiences on the back burner or 'in a box' to deal with later, or mask and pretend that they're alright or that their abuse just didn't happen. Some of them let their feelings or their anger simmer over time. There are also abuse victims who do just... Move on with relative ease. I'd imagine that's very rare though. (again, I'm not not an expert or any sort of psychologist.)

In the same way, an abuse victim becoming an abuser in their own interactions is something that one hundred percent happens. Cinder, Salem, Adam, and even Blake and Winter have all acted in abusive ways towards the people around them (though obviously Blake and Winter acted much less abusive than any of the villains mentioned.) It might be very hard for abuse victims to not fall back into those patterns of abuse that they've suffered, especially if they go through it at an early age. I'm not very comfortable talking about my own experiences, but myself and my siblings have all had to fight down toxic, hurtful traits that we picked up either through emulating or through survival. And it's hard to do that. Portraying characters who have been abused that lost that fight and might have abusive tendencies or slip themselves is - to me at least - sometimes even helpful in working through my own feelings.

And there are definitely one hundred percent abuse victims who feel like the way they were treated is deserved, that they 'earned' it, that they must 'make up for it.' Oz is in this category. There's nothing wrong with the concept of a character who feels responsible for their abuser or the hurt their abuser has caused to others, there’s nothing wrong with a character who tends to act as though everything is their fault and who thinks very poorly of themselves.

In theory. But the problem is that in application, there are a lot of pitfalls and struggles that come with writing for abuse victims. Understanding, thoughtfulness, and care are not the RWBY writers’ strength, and any time you portray real life issues that strongly impact the real life people involved in them, you have to be aware and careful with the messages you’re sending. This is obviously very important when someone writes for any minority or oppressed group or the issues that they face, but it’s also important to remember when you write for abuse victims, because they do have stigmas around them and deal with stereotypes and harmful portrayals as well. Let’s look at what I consider some harmful or hurtful pitfalls when it comes to abused characters.

Are the abused characters treated as the victims they are? If the abuse a character faces is treated as comical, treated as unimportant, or treated as deserved, that’s an obvious major flaw. Sad to say, but RWBY does not pass this. On two separate occasions, a character is hit by someone close to them in a way that clearly causes them some pain, with Blake hitting Sun across the face for following her, and Winter hitting Weiss for answering a question incorrectly and again for failing in her training (I tend to be more sympathetic towards Blake’s situation, as it is more gray with her clearly thinking Sun had stalked her which is a clear trigger from her own abuse, but this is an explanation, not an excuse and the fact that it was framed as funny rather than something Blake shouldn’t have done and should apologize for is the problem.) They also do not treat Ozpin like the victim when Qrow punches him in the face, having no one call Qrow out for it and having him never express guilt or try to apologize for it. Yes, I know Ozpin had retreated, but they never showed Qrow even make an effort to get Ozpin to come back so he could apologize. . They also ‘redeem’ Hazel and give him a ‘partially right’ storyline despite his openly beating Ozpin, unfairly blaming him for the death of his sister, and insisting that Ozpin deserved to be tortured. On top of this, despite having been horribly abused by the SDC, Adam isn’t treated with even an ounce of sympathy or understanding and Jacques Schnee and the SDC is treated like a more comical-ish nuisance in season seven and eight. This is greatly flawed. Hitting someone because they lied to you or kept secrets from you is not okay, hitting someone because they said something you don’t like is not okay. This should not be treated as funny and it shouldn’t be treated as the fault of the person who was hit for not being a good enough friend.

Are the abused characters mostly villains, when the heroes have never faced it? The reason for this is obvious, although it’s valid to have a villain be an abuse victim, it’s never alright to villainize abuse victims. Making the majority of your bad guys abuse victims and your good guys have positive relationships is in my opinion, harmful. Point for RWBY, this is not the case for their show. Mercury, Salem, and Cinder on the bad side are all abuse victims with Raven being a possible, but unconfirmed abuse victim as well. While Weiss, Blake, Ozpin, and Whitley are also abuse victims, with Qrow and May both being possible, but unconfirmed abuse victims, and Winter and Emerald are both abuse victims who were on the side of a villain and then turned good.

Is the abuse more severe in the ‘bad’ characters and lighter in the ‘good’ characters? If the abuse that the good guys faced is mostly lighter things and the abuse that the villains suffered is worse and more severe, that might send some bad messages that people who suffer more are automatically worse people, or ‘unsalvageable’ or ‘too broken,’ as opposed to the people that ‘there’s still hope for.’ Unfortunately, I think RWBY is almost a tie? We’ve never seen Weiss or Emerald suffer more than a hit, we don’t know for sure that Whitley or Winter were ever victims of physical abuse. Ozpin and Blake’s abuse is worse, however, as they are hunted down by their abusers who attempt to murder them, make them suffer, and hurt their loved ones. They also were heavily emotionally manipulated and victim blamed by their abusers. And on the villain side, Mercury was beat by his father who hated him and stole his semblance (an extension of your soul, I believe, in canon,) and the abuse led to the loss of his limbs. Cinder was forced to work hard labor by her abusive employer and the ‘stepsisters’ treated her badly, and she was physically electrocuted. We see her abuse extend to Salem using her Grimm arm to hurt her, copying the effects of the necklace. Adam was also a child laborer who worked in terrible conditions who got his face branded by his employer, in the SDC, which had to have been anti-faunus charged due to his bull horns. We don’t see Salem ever physically abused, but know that she was mistreated, isolated, and neglected by her ‘cruel’ father. So it’s not quite a tie, there are more severely abused characters amongst the villains than the heroes, but this is close enough that I don’t consider this much of a strike against them.

In the villains, is the abuse they faced given as ‘reason’ for their villainy? As I said before, villainizing abuse victims isn’t the way to go. A good way to avoid this - I think - is not have abuse be the sole reason for someone’s fall into a life of crime or cruelty. This is something that RWBY... Fails at imo. When showing us Mercury’s backstory, we’re introduced to him through seeing that he had just killed his abuser who cost him his legs, and then gets recruited by Cinder who at the very least likely emotionally and physically abused him the same way she did with Emerald, leading to the conclusion that the only reason he’s there at all is due to abuse. However, he’s just a teen and it’s possible that (like Emerald) he’ll be redeemed. A much more condemning story to talk about is Cinder’s. After people had been clambering for a Cinder backstory since volume three, RWBY finally showed us one. But it doesn’t include Cinder meeting Salem, why she joined her, her proving herself, none of that. Instead, Cinder’s backstory was entirely focused on her abusive situation as a child, entirely focused on her suffering. Cinder killing her abusers and then killing the teacher who decided to arrest her for getting herself out of her abusive situation was portrayed as the only needed backstory, the explanation to why she’s a power hungry, abusive, cruel, selfish, and just plain evil person. ‘She was abused’ is the explanation for why Cinder is where she is and why she is who she is in RWBY. That’s highly problematic to me.

In the heroes, are they “the Perfect, Sanitized Abuse Victims?” As I said before, there is no one type of abuse victim, but if someone has several abuse victims and they’re all either submissive, sad, and self-doubting, but gentle and caring and soft or dropped their abuser like a hotcake and never looked back, never seem affected, never really talk about it after they left... That’s bothersome to me personally. Measuring how RWBY is in this particular subject is... A little harder than I thought it would be. Let’s start by looking at the most prevalent abuse victim, Blake. She’s one of the reasons why this is hard to gauge, because for the first five seasons, Blake was deeply flawed and clearly affected by her abuse in ways that made her ‘unappealing.’ Blake was cynical, stubborn, cold, hard to get to know, she didn’t trust easily, she lashed out at her friends regularly, ran from her problems, made choices for her friends, and had a very negative self image. This didn’t stop her from being a good character and friend with a lot of good sides, too, and she had real, important friendships. This was - to me - a really great portrayal of someone clearly affected by their trauma, with lots to work on, who was still a good person. Some of her faults and problems started to get resolved in a natural way through her journey with Sun in volumes four and five, but when season six came around, many of Blake’s other traits suddenly vanished. No longer stubborn, independent, or cynical, and no longer standing up for herself, or really displaying her temper or hardheadedness or her struggles with getting to know people... Blake became more submissive, sad, self-doubting, but gentle, caring, and soft. Sigh. As the first ask mentioned, Whitley and Emerald both seemed to drop their abusers quickly the second they were removed from their lives again. it’s also worth noting that Whitley was treated with nothing but coldness and contempt by Weiss until he ‘proved himself’ by doing something selfless. Weiss did more or less drop Jacques the moment she left her house in V4, only mentioning him or her experiences when she’s using it to talk about Blake, and when she confronted him again in V7, she did so as someone who is proving she no longer cares. Ozpin seems to be the only one still unable to move on from his abuse and the ‘unappealing’ abuse victim. The first anon is right, there’s something satisfying with seeing an abuse victim move on like their abuser didn’t matter. But when almost all your abuse victims do, and one of the only other ones is turned into a submissive and soft support based / romance based character, and the only really ‘unappealing’ abuse victim is someone we’re supposed to see as ‘gray’... There’s something off there, in my opinion.

Were the abuse victims treated respectfully and thoughtfully by their friends, and if not, were they portrayed as wrong? This probably isn’t something that really even needs an explanation. Abuse victims should be able to set their own boundaries and tell their stories only when they want, when they feel comfortable, Their friends should be understanding of this and not force anything from them. In the case of Blake and Weiss, this is handled really well! Their friends let them talk about their experiences in their own time, and they’re understanding and validate their feelings when it comes up (much more common with Blake than with Weiss, who like I said, seemed to move on from her dad quickly after she left.) However, when it comes to Oz... This is all wrecked. Although unintentional (no one knew how deeply tied up with Salem Ozpin was or how intimate the memories they were going to watch were,) our main characters still forced Ozpin’s deepest and most personal secrets out of him in a fit of upset while he was tearfully begging them not to. He was forced to relive his most traumatic experiences in hi-def with other people watching with him, all his secrets and all his abuse wrenched away from him in what was clearly a very painful way. And then no one showed Ozpin even the slightest bit of sympathy or understanding for what he’d gone through, and no one ever apologized for what they had forced him to relive. In fact, Team RWBY were clearly displayed as in the right, and Oz was displayed as completely wrong for not trusting them implicitly. He had to apologize to them, which they acted begrudgingly accepting of as if they hadn’t shouted at an abuse victim after forcing him to relive all his worst experiences.

Are some abuse victims portrayed as bad for things that other abuse victims aren’t portrayed as bad for? Like the second ask says, in RWBY, Cinder and Mercury are treated as villains for having killed their abusers and Cinder is almost arrested for it, it’s considered a step in the direction of their villainy. But Blake is (rightfully) treated as the victim who was forced, who had no choice, who just wanted the abuse to stop. This is hypocritical and fundamentally flawed. I think this is a reflection of the fact that Cinder and Mercury are meant to be ‘bad’ abuse victim, who had violent tendencies and anger issues, and were already featured as bad guys before their backstory’s dropped, whereas Blake was meant to be a better abuse victim who (by season six) was starting to get written as a soft girl who just wanted to help her friends.

All in all, although there’s some things that I think that RWBY did well enough, I definitely think that I would consider their portrayal of abuse victims to be lacking. This is just my opinion and the way I feel about the writing, but there are a lot of ways to look at it. I think overall, I just really wish that the RWBY writers had been a little more sensitive and spent a little longer focusing on the character arcs involved in abuse recovery. (There’s still a chance for Whitley, Weiss, and Emerald to get more focus in volume ten, though, so long as the writers don’t timeskip!)

[darknessisafriend]

Hi! Can I ask for hcs' about almost every Joaquin character (y'know, Joe, Theo, Arthur, Ray, and many more) when they're on Christmas with you? Going to a party, with your family, staying at home, in a shopping, gettting presents, taking you to a café or a restaurant, putting on christmas decorations at home, what you eat with them or how you enjoy the night and fireworks, stuff like that. Thank you! Love your imagines!

Hiii I wrote and before Christmas so I’m really happy! (I literally spend my days writing it from morning to late in the night) so I hope you will like it!! 

Following HCs with: Arthur/Joker, Commodus, Joe, Abbe, Charlie, Bobby, Bruno, Willie, Max, Theodore, Merrill, Freddie, Ray

Arthur/Joker

-        Christmas is Arthur’s and Joker favorite day of the year after Mardi Gras. It is a day where he can be fully himself, wear one of those ‘ugly’ knitted sweaters, listen to oldies Christmas songs. He feels people more relaxed in the streets, it must be Christmas spirit softening them a little, even in Gotham. And usually you would manage to convince Joker not to make too much trouble and stay by your side all day instead.

 -        You would be staying home together on Christmas Eve. It would be a very simple day because you didn’t have a lot of money but what is important is to be together, and it’s what you would remind to Arthur, no need for something big or fancy, just to be together in Christmas spirit.  

 -        You would buy a few decorations, but you would mostly create them yourself, spending the weekends of December making them with Arthur as you drank hot chocolate. Your flat would be colorful, filled with red and white tinsels and candy canes; you both went to a park and discreetly cut a few pine trees branches to decorate the appartement.

 -        Of course, Arthur would make the surprise to buy a Christmas tree, not too big, but it was more than enough to make you smile with happiness. And you would decorate it with anything that was shiny and candy canes too of course.

 -        For dinner you would not buy anything expensive, but luckily you and Artie were pretty good in cooking and you could manage to make delicious dishes with basic ingredients, roasted potatoes with bacon wrapped turkey and red wine gravy, and you would drink the other half of the bottle while eating. And of course, your favorite part, an apple cake topped with cinnamon and sugar.

 -        You want the night to be as relaxing as possible, you would cook with Arthur while listening to music, exchanging kisses and giggling. Then, after dinner, you two would settle in the sofa, and watch Disney Christmas cartoons while drinking hot chocolate with whipped cream and marshmallows.

 -        The next morning, Arthur or Joker would be the first awake, excited like a kid and eager to open his gift. Yes, usually with Arthur it would be one or two gifts for each of you. Arthur would have worked extra hours and saved as much money as he could to be able to buy you something nice, he bought those cute earrings you had seen once in a store front. Joker would get you more gifts and would get a bit extravagant, but it was really fun. You would get a nice suit or piece of accessories for Joker. For Arthur you would get a warm sweater or scarf so that he wouldn’t get cold when he is outside.

 -        As soon as the gifts were open and breakfast with nice pastries taken; you and Arthur would head to your grandparents’ home where you would be reunited with your parents and cousins as well. Arthur was always a bit nervous about it but once they all greeted him with a hug, he would be smiling all along, hugging back your family and playing with your cousins and nephews. He never had a family but now he had one. Joker had promised you he would never come out on Christmas, it was always sweet Arthur, otherwise your parents would have freaked out.

Commodus

-        Saturnalia was always an amazing holiday. For whole a week the whole Empire would celebrate in honor of the god Saturn. It was a very special day where the People would be pampered by their Emperor and where even slaves would be provided by table service and dining with their masters, all would party and share. Many offerings were made to the god but also to the people.

-         

-        Commodus was always particularly joyful on that holiday. The first day, he always had a hard time not working but then, the next day, the real Commodus was back, joyful and relaxed. He would dedicate his days entirely to you, his nephew and the rest of the family.

-         

-        Commodus would be dressed colorfully, wear red and gold togas and you would usually wear matching clothes, except on Saturnalia eve where you would wear purple and gold, an outfit especially made for that night. You both loved beautiful clothes and it was the occasion to shine even more.

 -        He would make sure that Lucius gets chosen as the Saturnalicius princeps, the Lord of Misrule for the whole week. And Lucius loved it, he was able to prank everyone and especially his dear uncle who at first regretted it, and then you would find him pranking back Lucius or even you, those two were children.  

 -        The whole week, Commodus would offer chariot racing in the grand arena, the greatest charioteer gathered for the most exciting races and with great rewards, as well as gifts for the public. You both enjoyed it, no blood, no deaths, pure entertainment for all.

-         

-        It would be a huge party in the streets of Rome, people singing in the streets naked, drinking and gambling. With the Senate, Commodus would make sure to have a delicious public buffet offered to the people at the Temple of Saturn. He wants everyone to enjoy this holiday. And at night on the eve of Saturnalia, Commodus would organize a big party in the palace, where he would completely let himself go and enjoy the moment.

 -        For dinner, he would get you the finest foods from the whole Empire and even from far beyond, exotic dancers, magicians and entertainers would be invited as well to make this night unforgettable. He would make sure you smile and laugh, that you simply feel home, and it really were.

 -        “Io Saturnalia my love!” he would cheer, all tipsy, a big goofy grin on his face, coming to wrap his arms around you, almost spilling his cup of wine on you as he starts trying to dance, he wouldn’t care if he looked ridiculous, he wanted to hold you in his arms and kiss you. To be honest, drunk Commodus was probably the most adorable thing you ever saw.

 -        Commodus would be very nervous about the presents, he wants the best for you and he wants to impress you even if he knows he doesn’t have to but Commodus feels this need to constantly prove himself and his love for you.

 -        Early in the morning the day before, he would go out in the city in disguise to get your gifts, he doesn’t trust anyone else to get the best for you and choosing your gifts himself is very important to him, he wants something true, something that truly reflects how he feels for you. He would have a ring especially forged for you, with a blue gemstone incrusted in the center of it, reminding you of his gorgeous blue outfit that you loved so much. And for his nephew, his first real sword to train with him. As for you, you would get him a very fine wine from Greece and then a rather…sensual that you would were in your bedroom that night, you would be his gift in a way; and it would made him even crazier for you.

 -        After this long night of celebration, you and Commodus would take your time and just sleep as long as you could, it was the last day before getting back to work and you wanted him fully rested and ready to take care of the Empire as ardently as before. You had opened your gifts at midnight so there was nothing waiting to be done, except perhaps Lucius who was eager to take his first lesson from his uncle, but the boy was clever and let you enjoy your husband a few hours more….Io Saturnalia.

Joe 

-        Christmas with Joe would be quiet, something peaceful at home, it would mean a moment of full relaxion for Joe and perhaps the only moment where he feels like he doesn’t have to be on his guard all the time.

 -        You would spend Christmas Eve’s afternoon in an animal shelter with Joe, you two would pamper the pets and take them on a walk outside. You had discovered Joe rather enjoyed spending time with animals, especially dogs, it seemed to sooth him and you were thinking of adopting one of the dogs as his Christmas gift. So, this moment would be a good occasion as well to see which one he preferred.

 -        You would usually spend Christmas eve and Christmas day with your family, just your parents. It did good to Joe to be with other people. And your parents loved him, your father was a veteran and they understood each other. And then your mother just loved him and always offered him more cookies.

 -        You would do part of the shopping with Joe, especially to buy ingredients to cook for him and your family and then buy a few decorations. Joe would shop separately for your gift of course. And he would be in charge to get the Christmas tree and somehow he always ended up picking one that was too tall to fully fit in the living room, so he would have to climb on the stepladder and shorten the top of the trunk  and you couldn’t help but laugh. Poor Joe, he always picked up the biggest and most beautiful trees.

 -        This year Joe got you a few books, fantasy and sci-fi stories. It wasn’t his genre at all, but he knew you enjoyed it, and he hoped he had chosen well, he had made a research on internet to see which were better. As for you, well, you had gotten him the dog he was fond of at the shelter.

 -        You and Joe would cook with your parents, you would take care of the dessert with your dad while Joe and your mother did the rest. It wouldn’t be anything too complicated but there were many dishes to fill in everyone and especially Joe’s great appetite. As your mother said, a big man like him needed strength to carry on. And he truly managed to eat everything she was serving him, which you never thought was possible.

 -        As for the Christmas decoration of your house, it would be discreet but enough to remind of the Christmas spirit. The Christmas tree, a few tinsels on the walls or the banister and that was it. For everything, Joe liked to remain discreet. Still, you managed to get him to wear a Christmas sweater at home and with your family and he was the most adorable like that.

 -        The night would be spent taking your time dinning with your family, and then they would light a fire in the chimney, and drink mulled wine while talking about the many things that happened during the year. Then, your dad would put on some vinyl, oldies Christmas song; and you couldn’t resist but to get Joe to dance with, a slow dance, pressed against each other as you listened to the music.

 -        The next morning, you were the first one awake, excited to open your gifts. Well, you thought you were the first one awake, but you would soon realize Joe wasn’t sleeping by your side, maybe he was eager too. However, when you reached downstairs, you found him cooking a marvelous breakfast and not just for you but your parents as well, already wearing the Christmas sweater you had gotten him.

Abbe de Coulmier 

-        Christmas was obviously a very important day for the Abbe, the birth of the Christ and a day of love. Which meant a lot of work for him, he was a priest after all, and he wanted to give love to people around him and the people in need. And he also wanted to make this day special for his patients, many had been abandoned by their families, and he wanted to make them feel at home, celebrating this important day together.

 -        He would encourage his patients to create decorations, some patients even crafting wood, others picking up pine tree branches to ornate the doors of their cells. Then, you and Madeleine would spend the day cooking for the dinner, the Abbe as always had managed the finances excellently and you had extra money to buy more food and ingredients and cook something more sophisticated for this day and even Yule logs for everyone. You would even convince him to cook biscuits with the patients, it made them very happy and also seeing him covered in flour was adorable, you couldn’t stop giggling and teasing him.

 -        Then, towards the end of the afternoon you would help him greet homeless and poor for the evening and night, distributing blankets to them, and sharing a warm dinner with them and a shelter for the night. So, this was a very big day for him and slightly exhausting, but the Abbe was a workaholic, he lived for other people and he loved helping.

 -        Charenton had become his family so there was no reason for him to come out of the Asylum. And also, you were there, by his side. And he loved you, even if he knew he shouldn’t but he couldn’t resist the temptation you were, and he wanted to make this day special for you too.

 -        He had very little money, but he had still managed to go in town, and buy you a beautiful blue scarf to keep you warm in the corridors of Charenton.  As for you, you had saved as much money as you could to buy him this beautiful chain with a little golden cross, he could wear it around his neck all day along, underneath his cassock.

 -        It would be a very heartwarming night where everyone would be reunited in the canteen, a beautiful fire lit in the chimney. Everyone would sit close to it and listen to the Marquis, standing in front of it, telling funny stories and also Christmas stories which he had agreed to tell after the irresistible request from his favorite priest. As the Marquis was getting everyone’s attention, you felt the Abbe discreetly brush his fingers against yours, to finally entwine your hands, making you blush, you would exchange a look full of love, tonight he would spend the night in your bed.

 -        To end the night, he would celebrate the midnight mass, patients and employees gathered and singing songs celebrating the day of the birth of Jesus Christ. It would be a great moment to remind everyone the values of Christmas, compassion, sharing, kindness and love.

 -        The next morning you would both be awakened by the excited cheering of the patients, eager to open their gifts. He couldn’t help but chuckle, it seems you two won’t be able to make love again this morning, but he would find another way, probably request you to his office for some reason. It wouldn’t stop him from filling your face with kisses before getting up and putting his cassock on. As you both opened your gifts with everyone else, you would know which one was his gift and he would know which one is yours; the look he would give you would be more powerful than words and you would smile in return, you felt blessed.

 Charlie 

-        Charlie wasn’t a Christmas guy, not all. Mostly because he kept bad memories from it, his father made it hell for him and his brother, and his mother too. Even if she had always tried to make them smile, making them eggnog, discreetly slipping a gift in their bed in the morning.

 -        Naturally as an adult, he wasn’t really down for it, except getting drunk in a Saloon. But you were there to teach him another way to celebrate Christmas, and it would be a way he would surely enjoy; and he would end up with Christmas spirit.

 -        So, obviously you would spend the day with his family, his brother and his mother. And Charlie wouldn’t be so opposed to it; at first, he might complain and say he doesn’t feel like going. But as soon as he sees his family, he smiles and greet them with a hug, he would never admit it out loud but he missed them and Christmas would be the perfect occasion to spend time together.

 -        You would have to accompany Charlie to the different stores for Christmas shopping, he always played tough guys and now he didn’t want to go shopping alone, it made you retain a laugh, your man was dumb sometimes.  Of course, once he finds something that could be a great gift for you, he would do his best to hide it behind his back, and most of the time pretend he didn’t find anything, you would roll your eyes, you knew his lying face but it was adorable. For his mother, he would some embroidered hankies, another scarf for his brother, just to tease him and for you, an expensive perfume from San Francisco. As for him, you would spend a lot of time and money with specialist to have a prosthetic arm designed for him, he still had a hard time with it and perhaps it would help him feel better and for when he rides again.

 -        You and his mother would cook, both men were terrible at cooking anything else than beans. So, out of question that they came into the kitchen, especially since last time where Charlie managed to eat half of the cookies you had made. You would also cook apples pies, and a roasted turkey that the two men had hunted earlier.

 -        As for decorations, the two men had managed to cut a pine tree that resembles a Christmas tree. You would all together decorate the tree, thanks to their mother pushing them to participate. It would be filled with red ribbons, berries, paper strings, yarn, and other homemade decoration Eli had brought. You would even hang a few cookies in the tree.

 -        When the night came, a fire was lit to keep everyone warm, after all the winter was extremely cold in this part of the country. You would eat joyfully, the boys telling their most epic and finniest anecdotes. Obviously, alcohol would be part of the night, though you tried to keep Charlie just tipsy, except if you were drunk too and joined him in messing around. You would end the night singing joyful Christmas songs together.

 -        The next morning, Charlie would be the one waking up everyone, he would even try to guess what his gifts were while everyone was still asleep. “But Charlie it’s 7 am…on Christmas.” you yawned, you couldn’t believe he was excited like a child for it, but in a way your understood him, Charlie had never celebrated Christmas and soon his brother was up as well, eager to unwrap his gifts. Charlie would be left speechless as he unwraps his gift and discovers the prosthetic arm, the only thing he would do is to hug you tightly, burying his head in your neck, and placing a kiss on your skin, before letting you put the prosthetic on him.

Bobby Green 

-        Christmas for Bobby had become another mean to party, not as much as for New Year though. He just loved to enjoy life to the fullest unlike his family meetings where everyone was more uptight than the others.

-        So obviously, Bobby would much prefer to spend Christmas just with you, not even with his friends from El Caribe. Though, later in the evening, after dinner, you two might head to the club a little but not to work, simply dance and have fun.  

 -        You would do Christmas decorations shopping together trying to find which color would fit the best for this year; obviously you had a thing for red because it was a color that went well with Bobby too and you picked up gold as a second color; yes, this would be perfect. The very same day, arms full of bags, you would get a Christmas tree, a big fluffy one which would proudly wear the decorations you had bought.  

 -        Then, another day, Bobby would spend quite some time shopping, thanks to his job, money wasn’t a problem, but the problem was finding something perfect for you. Bobby would get you gold earrings with a little diamond on each, and the design would perfectly match with your face and he would also buy some sexy lingerie for you both to enjoy. You would get him an earring as well, the coincidence was rather funny, but it was a detail you particularly loved about him.

 -        As the evening comes, Bobby would bring you to a nice restaurant in the city center, it was a rather fancy one but not too much to avoid uptight people who couldn’t bear a laugh. It was fancy enough to fix the event in your memories. And you would enjoy a classic feast, and even Foie gras and dishes with truffles. Obviously, you would drink champagne, it would be a night of ‘excess and pleasure’ as Bobby said, and you loved this intensity.

 -        The decorations would mostly be on the Christmas tree, then you would spread little decorations everywhere, on cupboards and counters and then add many glitters which would be hell to clean up afterwards but you recognized Bobby’s great taste in decorations, he knew how to make it joyful and give a party atmosphere to a place.

 -        After the restaurant, you would head to El Caribe, at least you knew it was the best place to party in all safety. You and Bobby would just go wild, dancing pressed against each other, exchanging kisses and getting horny in no time; to the point that you would soon go back home to make love right away. Then, late in the night you couldn’t resist but open your gifts, giggling like children. So, there wouldn’t be really a Christmas morning for you, just sleeping late in each other’s arms, and it would be the best morning ever.

Bruno Weiss 

-        For Bruno, Christmas was like any other day. He was Jewish but not practicing so he wasn’t really celebrating in any way. And he was often alone on Christmas, his girls always finding a gentleman or another way to celebrate without him. And he had expected you spend Christmas away, with your family in San Francisco; but you surprised when you asked him what he would like to do with you for Christmas, it had made him so happy that you thought about him, even surrounded by his girls, he had always been a lonely man.

 -        Bruno would spoil you during this day, actually he would dedicate his time entirely to you and that starting from the morning. He wasn’t great at cooking breakfast but at least he tried, and that only made you happy. And you were even more when he announced you that he would spend the whole day with you to prepare Christmas.

 -        He would rather enjoy shopping with you, his woman, walking hands in hands from shop to shop, his arms getting fuller of bags each time. Once again, he would spoil you, trying to fulfil you every desires, though Bruno wasn’t a rich man either; so, when you showed him an item that was too expensive, you would see it instantly, the way, he avoided your gaze, an embarrassed look on his face, he wished he could buy you anything you desired. “Hey darling, you know what? I don’t need it, it’s all good, don’t worry.” You would reassure him, tenderly kissing him on the lips. He swore to himself he would make you feel like the luckiest women in the world when you would open your gifts.

 -        You would buy many items to put in the Christmas tree and a few garlands but the most important purchase had been this new thing, electric light garlands, you had not doubts it would look perfect on the tree, and what better than to have the latest modern house items? And about that, Bruno completely agreed.

 -        Bruno would get you a new dress and makeup as well; it was one of his favorite things, to watch you put on your makeup, making yourself even more beautiful than you already were and that view was only for him. And you would buy him a new pocket watch, not one he bought on the black market for nothing, one with a beautiful design and your initials engraved inside the watch cover, so there would always be a bit of you with him.

 -        On Christmas Eve, you would stay home together, you would cook dinner and he would try to help. However, Bruno doesn’t have much patience so his help would be rather limited, and you would soon tell him to sit down and just keep you company. You would cook a roasted chicken, cookies and a fruit cake. However, on Christmas day, for lunch he would bring you to a restaurant, fancier than the usual restaurant he goes to; you would get smoked salmon and cocktails with champagne. And he had to admit, it was nice to have celebrations from time to time, and Christmas spirit was perhaps starting to grow on him.

 -        For the night, Bruno was more inclined to just stay home, but you wanted to show him something more, and you managed to convince him to go to a jazz club, at least to listen to the Christmas songs recreated with jazz stylings. After a while, you saw your boyfriend relaxed, so you put your hand on his, gently stroking it and by the look in your eyes, he would understand and accept to dance with you, a slow dance, embracing each other.

 -        The next morning; the air was rather chill, the both of you waking up slowly, caressed by the warm rays of the sun, snuggling a bit more in his embrace as you felt the air cooler than usual, it had snowed. You would happily open your gifts as you shared a coffee, wrapped in your warm bathrobe, a soft smile was on Bruno’s face, this peace, warmth; Christmas wasn’t so bad after all.

Willie Gutirrez 

-        Willie absolutely loved Christmas and didn’t hide it. It was a great occasion to spend time with you and your family and everyone knew Wille was a family man. He wasn’t the most churchgoing man, but this day would have a religious meaning for him as well. And actually, he would make sure the apartment you shared would be decorated for the 1st of December and he would get an advent calendar with chocolates, he loves it and you would have never thought that about Willie but it was really cute.

 -      �� That meant that you would spend Christmas holidays at your parents’ home. It was nice to travel a bit and change of air. And your parents just loved Willie, this hard-working young man who satisfied your every desires and who was kind and funny, to them he was perfect; and to you too of course, after all you were madly in love.

 -        Obviously, you would shop together, for everything: decorations, gifts for you and your family, food and chocolates. You would tease each other, trying to guess the gift hidden in the bag of the other, and you would have to wait Christmas morning to know which was even more exciting.  

 -        The apartment would be perfectly decorated, as if a home stylist had done it, silver and gold, the Christmas tree big and fluffy and perfectly decorated, the nativity scene underneath it. You were very proud of your decorations.

 -        Before joining your parents’ house, you and Willie would make cookies. But it would be hard to focus for you, Willie was really sexy, wearing an apron, a comfy sweater and a Christmas hat just to tease you because he knew the effect it had on you. Obviously, you would end up having sex on the counter between Christmas cookies. Once you would have joined your parents Willie would insist on helping out your mother, which would make her fall for him even more, and he would drink a glass of whisky with your father the same time while talking politics; yes, he had completely seduced them, to your greatest pleasure.

 -        Willie would also surprise you all by taking out an expensive bottle of champagne one of his acquaintances would have gifted him. Other than that, you would eat a rather classic Christmas feast, braised pork, vegetables and a few canapés.

 -        After dinner, you would all settle in the sofas in the living room, you snuggled against Willie, drinking hot spiced apple cider as your parents told your boyfriend memories of your childhood, some rather embarrassing actually but it made him laugh and he loved knowing those things about you. Your parents would be the first to head to bed; you and Willie would stay a bit more, exchanging slow and tender kisses until it was time to sleep and let the magic of Christmas happen.

 -        The next morning, you would be awakened by more kisses from Willie, feather-like kisses on your face, his fingers gently pushing away the strands of hair on your face. “Don’t you want to find out what Santa got you?” he’d tease you. And you would truly hesitate between considering him your Santa gift and getting up, and he knew it. And after a little you would both finally get up, happily opening your gifts. Willie would be smiling all the time, he  had family who loved him now.

Max California 

-        Max celebrates Christmas but not in the typical way to do it. For him it is an overrated celebration, with a lot of fuss with all these decorations and Christmas movies on TV all day along and the whole picking up Christmas tree imperative. Also, Max doesn’t blend in very well with Christmas atmosphere with his look that he keeps all year along. People tend to look at him in a strange way when Christmas comes, seeing a guy all dressed in black with piercings and tattoos.

 -        It would be really fun when you boyfriend would realize that you are used to celebrate Christmas and that you rather enjoy the atmosphere. You would spare him Christmas songs and put on your headphones though you wouldn’t sometimes, just to embarrass him.

 -        You would celebrate Christmas just the two of you, you preferred to take baby steps with him, family gatherings on those type of celebrations made him uneasy because people were no fun, he couldn’t make his usual sex jokes or talk about the funniest things that happened back at the sex shop.

 -        You would manage to convince him to get a Christmas tree, and he got one in a pot so that you could plant it somewhere later. And you would accept that he chooses the decorations for it and thankfully you had no guests because this was hilarious and outrageous. Bulbs that looks like boobs, leather collars and other kinky stuff he had gotten at the shop; at least it was unique and very much Max California.

 -        As gifts, you would buy him more clothes that would perfectly match his style and you would get him a new sound system for his guitar, you didn’t want him to renounce to his passion and his dream of being a successful musician one day. As for Max well…. he would get you a few sexy things and also makeup that would perfectly match your face and look, you always loved when he did that, he was better than you at picking up those products, he really had great taste.

 -        For Christmas eve dinner you would order delivery but something out of the ordinary, something a bit fancy, your kitchen wasn’t the best to cook anyway, small and poorly equipped. And actually, you and Max would go for one of the most expensive Japanese restaurants of LA, and damn that was worth it, exotic and unique for this special night.

 -        You would move the little table to the window and open it, giving you a little view on the city. Since you two had moved from his rather questionable flat, you lived in a much better and beautiful neighborhood. After dinner you would head outside for a walk hand in hand by the beach, sharing a cigarette under the cool air and watching a few decorated store fronts; Max always finding ways to make a dirty joke.

 -        The next morning, you would wake up in your favorite way, Max tracing kisses along your thighs, that rascal never forgot his priorities, you thought, giggling sleepily and well, Christmas could wait a little more.  Obviously, after this little morning fun, you would go open your gifts under the tree while Facetiming with your parents “Oh my God Max!” you burst out laughing, you couldn’t show this gift to your parents “But baby it was a limited Christmas edition!” he’d reply, making everyone laugh even more.

 Theodore Twombly

-        Knowing how romantic and old-fashioned Theodore is, he absolutely loved Christmas. It had been a rough period for when he was single and without anyone to celebrate Christmas with but Amy. Celebrating with a friend is much different than with your lover and family. So, he was more than excited to celebrate it with you.

 -        With Theodore you would get up before sunrise and take the car to drive to his chalet in the mountains. That already put you in the full Christmas atmosphere, it was sunny and full of snow, so much that for a while you thought you wouldn’t be able to access the chalet.

 -        You would spend Christmas eve and the next day together, just the two of you, in his chalet, lost in the mountains, it would become your little heaven frozen in time where only what you felt for each other mattered.

 -        Theodore would have shopped for your gifts the whole year, but he would have wrapped them a few days before Christmas, to keep the magic of the celebration. He would have gotten you all sorts of gifts, from an artisanal wooden carved object, to the latest video game you wanted. And you would have gotten a game too but what people call now old-fashioned one, a board game. Those were rather expensive today because people much preferred immersive virtual games now, but you were sure he would love it.

 -        Theodore would have already all the decorations you could possibly need, ready in boxes in the basement, you were honestly surprised by the choice in colors he had. You would both decorate the whole chalet, inside and outside with classic garlands and electrical garlands to, it was so much more beautiful than the holographic ones. This year, you would go for blue and white and also add candy canes in the tree because it was just too good not to put them. Speaking of the Christmas tree you would go get it in a pine tree nursery nearby.  And the great thing was that you could chose it and cut it yourself, though you left that task to Theodore, despite several tries you couldn’t manage to hit the same spot each time; it was physical but you both really had fun.

 -        You would cook Christmas eve dinner together, already dressed in your warm and comfy pajamas; the fire lit in the chimney. You would make tons of different cookies with hot chocolate and marshmallows. Theodore was vegetarian and you too so you would cook a wonderful vegetarian dinner, something simple and delicious that wasn’t too complicated to make so that you could spend the day enjoying other things as well.

 -        You would have dinner with candle lights while listening to oldies Christmas songs, it would be super romantic and you couldn’t stop smiling all the time and Theodore felt the same, it was a perfect Christmas.  Then, you would go on the balcony, wrapped in a warm blanket, Theodore hugging you from behind as you looked at the stars, the sky was clear and it was a stunning view. Actually, you don’t know how much time you stayed there, despite the cold, you both couldn’t stop looking. Though after a while it would be really cold and you would run inside to snuggle in front of the TV and watch Christmas movies, you barely payed attention to it, too busy exchanging tender kisses until you felt it was time to go to sleep.

 -        The following morning, after opening your gifts, the both of you were overjoyed with what you had gotten. And soon, your parents would join you and Theodore for a few days and they would also take you cross-country skiing, to the great joy of Theodore….he wasn’t a sport guy at all but he would follow you anywhere in the world.

Merrill Hess

-        Christmas for Merill meant family time, he already spent a significant amount of time with his nephews and brother but less since you had moved together in a house farther down the neighborhood. And also, he was often away since he had integrated one of the best baseball team of the country. So, Christmas was a great way to be reunited all together.

-        You would spend the whole day in family, playing the snow with your nephews, obviously Merill would start a snowball fight, and he was the best at it, great aim and great strength especially when you received it right in the face. And you, on your side struggled to reach your target, and you couldn’t even run after him to get closer, he ran damn fast! At least your nephews laughed a lot at this. Afterwards, you would make a snowman competition, you and Abigail against Merill and Morgan, and Graham, would decide of the winners and it was your team who won, and the price was extra cookies.  

 -        Merill and Graham would go shopping while you watched after the children, who didn’t know at all that Santa was shopping. And in the meantime, with your nephews you would get the many boxes of decoration out of the basement and decorate the whole house so that that they would have the surprise when they come back. Though you would leave the nativity scene to Graham and his children, it was very important for them.

 -        In the meantime, the two brothers would not only buy the gifts but also food for the dinner, a menu that everyone had composed together. You had already your gift for Merill, a sled and a few DVDs of his favorite movies, as for him he would get you a tartan rug and the finest chocolates he could find, he knew how much you loved chocolate so he didn’t look at the price.

 -        For the Christmas tree you would all go together to pick it up, the children wanted the biggest one and Merill was always part of the children when it came to the Christmas tree. You and Graham would be more rational and manage to calm them down a bit and get them to chose one that would fit in the living room and 6’7 wasn’t bad at all.

 -        After playing a while outside and being frozen now, you would get to cooking, a great way to warm up again. Of course, the children were learning to cook so they participated in the elaboration of the dinner, it was a joyful moment where everyone had their importance and helped. Stuffed turkey, carrots, potatoes and an apple pie for dessert and everything in big portions because of the two growing up and the sportsman that was Merill.

 -        The night would be full of laughter and joy, after dinner you would settle by the fire and you tell Christmas tales with Graham while the three others were sitting crossed legged and listening to you, the little ones snuggled against their uncle. And then, all together you would watch Disney Christmas cartoons, there was nothing better to relax and dream of the wonderful gifts you would get tomorrow. After putting your nephews to bed, you and Merill would sleep back in his old room, reminding you of good memories, when you had started dating and your first time making love with him, it was very nice to spend Christmas here and you wouldn’t trade it for anything in the world.

 -        The next morning, you would be awakened by your nephews, running in the corridor and shouting that Santa had come and that many gifts were waiting to be unwrapped. You chuckled, thinking of Graham who had waited for them to be asleep to put the gifts underneath the tree. You wouldn’t take breakfast first, they were too impatient, and they didn’t seem very hungry, preferring to test their gifts together, including Merill with his sled, he could finally compete with his nephews as the big child he could be. But before you would convince them to eat their giant breakfast so they could play for hours in the snow.

Freddie Quell 

-        It’s not that Freddie didn’t like Christmas, but he never celebrated it in a normal way, from his terrible childhood to Christmas in the army which was mostly a lot of drinking and sex. So, in a way, this would be his first real Christmas, with you and his family-in-law.

 -        He would let you completely guide him through Christmas eve and day. He was a bit grumpy at first because he was frustrated; he wanted to fit in and understand how to do things right. He wanted you to be happy with your man.

 -        So, it would be best if you spent Christmas eve, just the two of you; Take baby steps with Freddie and tomorrow spend Christmas with your family where he would have to bear the shitty jokes of your uncle. You would take him outside to walk hands in hands a look at the store fronts especially decorated for Christmas, just to show him the colors and decorations, the joy of the adults and children looking at it, in short introduce him to the Christmas atmosphere. You wouldn’t stay for too long because you knew he couldn’t stand still and had a limited patience but still, you were pleasantly surprised by how calm he was, a boyish smile forming on his lips sometimes, it was great step forward and you were eager to spend this day with him.  

 -        He would be the first to suggest going inside the shops and buy a few decorations for your house. Though, once inside he would be a bit overwhelmed by the crowd but also the crazy choice there was. He wouldn’t let go of your hand as you took him through the various alleys, he would be rather undecided about the color to pick, so you went for blue and gold, and he help you to pick up the shape and designs of the garlands and bulbs. And he was happy to carry out all the bags.  

 -        “Do you need to go to another shop for a gift?” you asked him once outside of that shop “No, I actually have it already.” He replied looking away, he had his gifts for you for a while because he had taken great care to choose something that would fit, he had gotten you a dress and expensive perfume. You would look at him excitedly, the way he took care of you was always very attractive to you “Well, Mister Quell if you could wait for me in the car, I have one more thing to buy…” your murmured giving him a sensual kiss on the lips, he would chuckle already knowing how it would end once at home but also happy that you were about to buy his gift, a nice kit to make cocktails and expensive alcohol that he would savor with you, reasonably.  

 -        You would stay home, you thought he would want to go to the restaurant but actually he preferred to be alone with you and have no distractions. You would decorate the house together, while he actually sang the Christmas songs everyone sang on the vessel, it was joyful songs and it was nice hear Freddie sing, it was an aspect of him you encouraged to come out. And while he finished decorating you cooked the fabulous dinner you would share, and which remained classic. Though soon you would feel his arms wrap around your waist and his lips tracing kisses along you neck; he couldn’t help it, whatever you did, you were sexy.

 -        Freddie was an unpredictable man and full of surprises. When you thought you would spend the evening in his arms at home, he would actually take you to the rooftop of a building and you didn’t understand why until a firework started and he had brought you where you would have the best view on it. Your eyes were shining all along and you snuggled in Freddie’s arms as you watch the show with him. And you would conclude the night by making love there, at the risk of getting a cold, but you didn’t care. In the end, it was Freddie who guided you through an amazing Christmas.

Ray Elwood

-        Ray wouldn’t get a long permission for Christmas holidays, but at least he got a few days because you two were engaged. He was excited to spend Christmas outside of the base and with you, he had missed you so much, so much time away from you, only able to write to you or call you without being able to see you or hold you in his arms; he had missed you terribly and that was more important to him than celebrating Christmas.

 -        When you reached Germany, you had no idea of how your holidays with Ray would go, it was your first time in Europe and he had given you absolutely no indications of the program, if there was one. And that’s because he had a big surprise for you. You don’t know how much time it lasted when you embraced each other at the airport but to feel his warmth, his scent wrapped around you, his lips on yours, it was the best Christmas gift you could ever receive. After that, he would bring you to the base to introduce you to his friends and also to his boss, who had become a friend in a way, but a friend he also used to do his little business. After, he hadn’t been sent here for nothing but what could you do? You couldn’t stop loving him, and as far as you knew, he didn’t kill anyone, so that was good.

 -        And he would be really proud to show his beautiful fiancée to everyone, showing that you were real and a real knockout who was engaged to him. And his buddies were really nice and fun, they made you feel comfortable in this place full of men. However, once you two were alone again, he took out of his jacket two plane tickets for Paris “Spoiler alert, that’s your Christmas gift, a couple of days together in Paris.” He revealed to you, he had more than enough money for it and he wanted to spoil you, and he knew Paris was one of your dreams. You would be speechless, what a wonderful surprise “I prefer to tell you that my gift won’t be so crazy.” You chuckled, your eyes wet with emotion “Don’t worry baby, you are my gift.” He would reassure you, filling your face with kisses.

 -        And once in Paris, you realized Ray had really gone crazy, a superb hotel room, already decorated and even with Christmas tree in it, and gifts from the hotel like chocolates and perfumes. Though, you didn’t visit the city first, as soon as the door of the bedroom was closed and that the effect of surprise had passed, you literally jumped on Ray, the both ending making love passionately, again and again until you were satisfied, actually it didn’t change much from previous Christmas, there was always a lot of sex involved, for your greatest pleasure.

 -        And to make up for lost time, Ray would have the great idea to book a table on a barge on the Seine, it would enable the both of you to see the most beautiful monuments of the city, beautifully lit during the night and while you ate a typical French Christmas dinner and of course with great wine and champagne.

 -        After dinner, you would get off the boat and go watch the beautiful and famous store fronts of the Gallerie Lafayette incredibly decorated for Christmas, Paris was just amazingly decorated and the Christmas atmosphere was very present, it was perfect. Then, you would manage to convince Ray to go Ice skating with you, and after a few kisses and puppy eyes, he wouldn’t be able to resist and would just agree. The truth is that he was really bad at it and fell all the time on his behind, you were pretty much the same, but that’s where the fun was, trying to skate decently without falling. And the both of you would end up laughing a lot, clinging onto each other and ending up falling on each other.  

 -        The day had been exhausting but worth it, it was the best Christmas holidays you ever had, and it was only starting, you still had a few days more with your fiancée. And despite exhaustion you would make love again, the Christmas atmosphere in the bedroom making it even more magical. And Ray had to admit that it really gave him the Christmas spirit and with you he was really enjoying this celebration.  And even more so when he woke up the next morning and found underneath the Christmas tree a gift for him, he picked it up and went back in the bed to open it next to you. It wasn’t something big and flashy but it had more value to his eyes, you had made a photo album of you and him, all the pictures you took together since you were together and at the end of it you had included sexy pictures of you that you had made just for him; he would have a big smile, he was loving Christmas.

Also you my dear readers, tell me with which of these characters you would prefer to celebrate Christmas with!!

Tag list: @hopelessdisasterr @skaravile @lyoongx @weirdflecksbutok @beautifulyoungprospect @stellargirlie @rosebloodstuffandthangss @clowndaddyfleck @jaylovesbats @niniitah-ah @dreamingmaria @sagyunaro @just-a-fucking-comedy @spaceinvader @radio-hoo-ha @lady-carnivals-stuff @sierraclegane @legojorny @lemondedeniname @hvproductions @syvellsworld @charlie-sisters @papercut-paranoia @jokerflecker @cigznvalentines @help-i-am-obssessed @arthurfleckjoker2019 @theartistdetective @soulsdontbreaktheybeeend @fleckcmscott @obssessedandthirsty @ridiculousnerd @stardancerluv @sgtsavoytruffle @welcometomyhiddlesfandom @sanguinandoscrivo @valentina15 @phoenixbaby88 @captain-el-writes @thedamchii @ninathefandomcollector @kiddastle @lovesickforjoaqvin @joaquins-angel @alexsportello @ohcarlesmycarles @rajacero @bring-your-holy-water   @rajacero @morrisonmercuryphoenix @fly-like-a-phoenix @the-joaq-is-extra

[movienotesbyzawmer]

April 12: Rocky III

(previous notes: Rocky II)

Because now that Rocky has done the unthinkable and become The Champ, we want to see him tackle the next challenge… win AGAIN.

I remember seeing this in the theater with my buddy. I don't know if I liked it. I'm pretty sure I found Mr. T to be as charismatic and as terrifying as they wanted. I'm pretty sure when I bought the ticket I hesitated and asked the cashier, "hey, wait, we get to see him do some variation on the triumphant steps jogging moment, right? Otherwise never mind I'll go see Poltergeist again". If I'm paying good money for boxing sequels, I want to be assured that the formula has not been altered.

Okay let's go.

Once again, this is Un Film De Sylvester Stallone.

Slight variation on the fanfare with the title, now there's a close-up of the Important Belt Buckle Of Punchsport.

Then we see the climax of the previous movie, maybe edited slightly for time. But not very noticeably different.

That segues immediately to a montage of Rocky doing many successful beatup games, scored by the enormous pop hit "Eye of the Tiger". I suspect this isn't the last we'll hear of this number.

The montage morphs into a different story, one starring Mr. T! He's watching Rocky win stuff and he is not pleased. He can also fist-game, it seems. But the montage makes it clear that it is our hero Rocky who is the star of commercial endorsements and marriage love.

I mock but this visionary filmmaker has indeed opened this movie with energetically cinematic choices.

0:8:40 - Arcade games! Paulie goes to an arcade and it is like the arcades I went to when this movie was out and I see games that I played! But Paulie doesn't like the Rocky pinball machine. It seems he is a sore brother-in-law.

Rocky is now very dashing. Paulie is drunk and whiny about how Rocky is such a big shot now, but he has a point about how prettied up he has become.

Later that night Rocky and Adrian are in their bed and it has a rich person headboard. The director, also visibly present in front of the camera, clearly instructed the production designer to create a bed that would reflect the elite level of financial flexibility that the protagonist has reached.

So apparently Rocky has gotten himself into the strange situation where he has to do a charity boxing match against a wrestler played by the increasingly famous Hulk Hogan. I had forgotten that Hulk Hogan is in this movie. Mr. T is watching this match and he looks intensely the same way he only ever does.

Whoa Hulk Hogan is way taller than Sylvester Stallone. Is that allowed? The rules have changed! And this whole thing is not boxing it is wrestling and it is that silliness instead of boxing. This is a long scene that is the same as a typical Wrestlemania thing, all manufactured drama made to seem like fighting and true menace, but at the end we see that they are just professional coworkers and we have all learned a valuable lesson haven't we.

At a statue-unveiling, Rocky announces that he is maybe retiring. MAYBE. But then Mr. T shows up talking smack, and ladies and gentlemen we have ourselves an end-of-Act-One.

As Act Two begins, we have a scene that was an A+ homework assignment for the screenwriting teacher of Rocky III's screenwriter, who you will recall is the craftsman Sylvester Stallone. Burgess Meredith is like "I quit! I won't help you with this fight! Mr. T is too hard to beat!" But then they talk it out to advance past that scripted complication. And now Rocky and Mr. T are training for their fight in their separate worlds.

Speaking of worlds, in the World Of Rocky, the famous theme that was introduced in the score of the first movie is actually known to the characters in this movie as Rocky music. They play it for him publicly to celebrate their pride in his violence accomplishments.

Apollo Creed appears to be retired, but he is a commentator at this Rocky/T fight.

0:40:00 - They're about to do the fight, but Mr. T is so The Way He Is that the wants to fight on the way TO the fight. That results in some tumult that makes BM have health problems. It was vague what happened, it seemed like BM was shoved aside by all the mad/scared/fighting people, so then he has a conversation with Rocky in a back room where he's like, don't stop the fight even though I am suddenly vaguely frail. He sort of clutches his chest like maybe there's a heart attack but just one of those everyday ones. I have those every time I click send on a work email. My friends should not be discouraged from championship fisticuffs when that happens.

This is the first Rocky movie to be made after Raging Bull came out, and I detect some influence in the boxing footage, like with close-ups of Mr. T.

Rocky loses that fight pretty quickly, and maybe the problem is that he didn't do a pre-victory steps jog. But the movie is telling us that BM is dying on a table in the back room and that's the real problem.

BM dies and SS has done some pretty ambitious cry-acting. Then the funeral is in one of those indoor above-ground file-cabinet-style cemeteries, which is not the normal cinematic choice so nice job there.

I can already tell that we're going to have another thirty minutes of a bummed-out Rocky to fill out Act Two before it starts to look like the setup for a fulfilling climax can begin. It's what I would have told him to write if he were my student at the third-rate community college where I'm a part-time screenwriting teacher in this scenario.

Apollo Creed has shown up to try to pep-talk Rocky, and he keeps saying "eye of the tiger" because of marketing departments. But also, he is a more mature person than in the first two movies. Even though it's a character shift, I do kind of buy it. It seems like another side of the character we knew slightly.

0:59:00 - Another scene beginning with dialogue that sounds like it was improvised by people who don't know what real life is like. "Come on you're going to be late to the airport!" "Maybe you should have packed another sweater" "no in California it's not too cold". AHA THEY ARE GOING ON A TRIP TO CALIFORNIA I AM ON TO YOU ROCKY III

When they go to Los Angeles and show us people on the street and the people have been told to look and act super different so that the audience will be like, wow California is different, then, well, we are at this part of Rocky III did you know.

Although there was my earlier expectation that we were going to have a prolonged funereal story arc, but what's happened is that Apollo is invested in training Rocky so they're showing us that side of Apollo, and that's interesting. But also it's the template of "Rocky is training and he doesn't look like he's going to get there, but then inspiration will hit and he will look like he is going to get there". S. Stallone, noted filmmaker, is using montages and flashbacks to show how recent bad news moments for Rocky are haunting him. It is working.

Adrian performs a pep talk monologue for Rocky. I don't understand her point. It's like a box of those refrigerator poetry magnets jumbled up together and spoken as movie script lines. I guess the gist is "don't give up" and he starts to think maybe he shouldn't give up. Then it's a new training montage, and it's got the classic "running far now" Rocky theme so we know it's going well. The twist on the classic cheering-atop-stairs cadence is it's Rocky and Apollo on the beach, and Rocky is a little faster than Apollo and that is great news for them both.

Now we're right before the final fight, and we heard Mr. T tell a reporter that he "pity the fool". I didn't hear the rest of what he said, I was just so happy to hear him say "pity the fool".

Oh but shortly after that he is asked what his prediction is, and he looks at the camera, OUR camera, at US, and says "PAIN". Submitted without comment.

That face-to-face moment right before the fight starts, Mr. T says "imma bust you UP" and Rocky says "go for it". Advanced Scripted Dialogue with Professor Stallone.

The final fight happens, and it's mostly the same as how the other ones went except without a montage summarizing a whole bunch of rounds. I think this whole fight ended in three rounds. But it ends with the exact same music that I'm getting sick of….

BUT! There is a follow-up scene this time! It's some other day later on and Apollo and Rocky are just palling around at the gym. And THEN the movie ends. I feel that the producers must have implored Stallone, artisan that he is, to just end the movie on that climactic moment right after the fight ends, just like the other movies, but he said NO. That is not ENOUGH for a SYLVESTER STALLONE FILM. We will have an additional scene with INCONSEQUENTIAL BANTER. It will last OVER ONE MINUTE. And here we are. Rocky III: it's like Raging Bull, but better!!

I think Talia Shire is the only female actor with any lines in this movie.

One thing that's very much worth saying about this movie is that there is WAY more actual boxing in this movie. The other ones had almost no scenes where there were live boxing matches, but this one had lots. Plus that wrestling one! And as I observed, the directing style with this one also had a newfound sense of visual pop. But the story seems like it changed not at all from how it was described in the first studio board room meeting where jackass producers blurted out what Rocky III might be like.

(next: Rocky IV)

[babaohhhriley]

Things I've just learned from and about the Sons of Anarchy cast

(Tommy Flanagan, Kim Coates and Mark Boone Jr. were guests at the Comic Con Scotland. I tried to collect the Sons of Anarchy related stories they told us during the Q&A panels and the M&G there)

* When they shot the Pilot, the budget used to be pretty low, the showrunners could only afford cheaper Harleys with crap features for the Sons. Later, when the show got the green light and the big financial support, they didn't buy new ones, the characters got stuck with the bikes they didn't like. Boone, for example, was constantly complaining about the non-working kickstand of his bike.

* Tig was a last minute addition to the series, he wasn't in the original pilot, Kim only came to the show the day before they re-shot the episode. Because there was no time left for riding lessons, they needed an actor who was a pro on motorcycles - and Kim Coates perfectly met the expectations. At that time the budget has significantly increased, so they could give the new character a proper bike with all the features he wanted - while the rest of the cast had to use their original, basic Harleys. Kim never stopped teasing them about his luck.

* Later, in season 5, when the Irish tried to show their power and crashed the Sons' bikes, it was a tragedy for the characters (and a shock for the viewers) - but for the actors it was the pure "Hallelujah!" moment, Tommy said. They were pretty relieved that they finally lost those original bikes. And only then could the actors get the new Harleys they've been crying for for years.

* Kim used to watch his co-stars riding and check their bikes while on set. He stopped the shooting numerous times when he noticed something wrong with anyone's bikes, boots, behavior or something on the track - saving them from accidents but also annoying them with his remarks. He joked that "Safety First!" was his middle name. Still, all of them dropped their bikes from time to time, which seemed to be the perfect material for teasing each other for years.

* Boone pointed out that nothing that wasn't in the original screenplay has ever made it to the screen. There was no place for improvisations, they had to stick to the paper. "If it isn't in the script, it won't be on the show, period"

* Kim said how grateful he was for Tig's character arch, he enjoyed playing his part and the way Tig was coming along - although initially he didn't want to take the role because of Tig's violence and behavior. There were scenes he didn't feel right, but Kurt always talked him through them and explained the reasons behind. For example: in season 2, when Tig & Gemma almost hook up - Kim immediately said no to that scene, he refused to play it. His point was that Tig's extreme loyalty to Clay would never let him touch Gemma. Then Kurt described him the emotional rollercoaster Tig was in at that time, how vulnerable and confused he was, and that actually Gemma made the first move. Kurt pointed out that in the very next scene Tig makes his big confession and breaks down at TM, touches bottom in front of everyone, then he slowly builds himself up from that low in the next episodes - and in the end that made the Gemma mistake understandable.

* Kim also said that he appreciated the Venus storyline Tig got at the end of the show. He felt it was a great character arch, the big bad biker falling in love with such a unique lady. And he loved working with Walton Goggins who played her with such a passion, stayed in character the entire time and they had a lot of fun on the set with him.

* Tommy, Kim & Boone all said how much they loved being a part of this show, playing their characters and spending time together. Boone specially emphasized the riding scenes, how much fun it was to do them, the rehearsals and shooting, how they all used to come to work riding bikes for years. Tommy mentioned that there was a bit too much weed involved while shooting season 1, there're parts he doesn't remember any more (that's where I said jokingly that the car bomb affair in season 2 helped a lot in Chibs' character arch)

* All 3 of them emphasized multiple times how much they appreciated the screenwriters' way to create complex characters, vivid conversations and unique storylines for them. All the connections and relationships that slowly develop during the seasons made the whole story real. They didn't get much information about their characters' storylines in advance, they only knew the very next episode, except if there was a super complex scene or if something needed to be talked over. Kim mentioned how hard it was for him to prepare for Tig's emotionally difficult scenes in the beginning of season 5. He couldn't go to his family, he needed an escape, some "me time" and a shoulder to lean on when his character was so deep in suffering. He was riding a lot alone those days and met with a friend who helped him go through that phase.

* The main actors usually got a phone call in the beginning of the season if their character was going to die that year, but Boone didn't know about Bobby's fate until the day before that certain episode's shooting. He was shocked - and so were his fellow stars, it wasn't how it was supposed to be. In the scene where the club members open the box with the iPad and saw Bobby's torture, their reaction was all natural: they hadn't been told what to expect and the actors literally broke down there, that's what we got to see on screen. Tommy mentioned that he got really sick watching that video and that memory still haunts him.

* The actors said that in the last 2 seasons they felt things were changing for the worse. The screenwriters knew the dark path the whole story was going, everything slowly turned out to be violent and instead of the meaningful conversations the characters used to have before, almost every scene ended bloody. They often didn't understand the storyline (for example when they're burying-then-digging-out-the-man's-body in season 7 - why?), there were too many confusing and physically/emotionally draining scenes and they started to miss the first 5 seasons' rhythm. Especially the part where they worked together as a brotherhood - now they started to miss each other: in season 7 many main characters go on separate ways and didn't have scenes together and they didn't like it. As much as they used to love the show's atmosphere, they got very very tired in the end.

* Boone was talking a lot about DL, told us he was a maniac and drove everyone crazy. But he could do the most perfect parallel parking and was a pro while driving in formation. Boone said it was his mission to tame him and they became good friends.

* Kim is like a big PapaBear, his whole behavior is so calming, he's incredible patient and nice with fans. Tommy keeps teasing him about his "grandpa" reading glasses he's wearing around his neck, in response Kim points out that at least he still got his dark curls and no grandpa grays like them. By the way Kim keeps touching his own face, eyebrows, lips, hair all the time while talking with people (and it can be pretty distracting).

* Tommy is basically an adolescent, couldn't sit still for five minutes, he was constantly fidgeting around, playing with his shoes or coat zipper, putting his feet up the table, playfully kicking objects on stage. He is loud, cracking inappropriate jokes, chiming in during an interview, yelling to his friends over from across the room, but he can also turn pretty serious quickly when the topic requires it and that makes him a completely different person. When he is focused and interested in the conversation, he can be pretty overwhelming and genuine.

📸 Kim Coates on Twitter

@come-join-themurder - enjoy it and feel free to share!

[aboutlouishofmann]

A Life Devoted To Music

[Original interview here which is already in English. I'm just testing. All images curtesy of cinema.de]

FRIDAY, 7/5/2019

A LIFE DEVOTED TO MUSIC

In PRÉLUDE Louis Hofmann plays a talented pianist.

Rising star Louis Hofmann has often been seen at FILMFEST MÜNCHEN — for example, in the tender coming-of-age drama CENTER OF MY WORLD. By now, Hofmann is well-known all over Germany thanks to the captivating mystery series DARK. This makes us all the more delighted that this up-and-coming actor is returning to Munich this year with not one, but two exciting films. In PRÉLUDE, he plays a talented musician who experiences the downside of being an artist; and he also has a role in THE WHITE CROW, about Soviet ballet dancer Rudolf Nureyev. We met the amiable actor at the world premiere of PRÉLUDE and asked him about his own experiences as an artist and how life in the spotlight affects a person.

In PRÉLUDE, you play an aspiring pianist named David, a freshman at a conservatory who's under pressure from the beginning. What was it about this story that caught your interest?

In 2015, I was invited to a casting for PRÉLUDE. I think I'd read only a small blurb about it, but it won me over right away and I knew I absolutely had to play this part. I don't know whether I'd already seen WHIPLASH. I grew up around lots of music and have an affinity to it — and probably a fascination with sadness as well. I thought if the script fulfills the promise of that little blurb, I've got to be a part of things. Then I went to the first casting with director Sabrina Sarabi and we simply got along very well and I noticed that she does very fine work.

When did you finally shoot the film?

Two years ago. It was hard to get all the money that was necessary. It is just a small film, after all. I'm still glad that we made it even though we didn't have much money. Being so close on set was also great. On the first day of shooting, there were maybe 15 of us on the set. It took some getting used to, because I'd just come from DARK, where we'd had 100 to 150 people. That was our own little microcosm, and working with such a small team was something I enjoyed to the fullest.

Is that something you generally prefer: a smaller scale?

No. I just prefer good material.

What does good material consist of?

That's the question. There are only the standard responses: well-developed characters, a nice development of the role, a story that's exciting, not one that's narrated. David is somebody I can identify with to a good extent. He's sensitive. He has this great ambition that I carry within myself. When he does something, he jumps in wholeheartedly. That's also the approach I take to my own work. That's why I understood him right away.

You mentioned that music has always been very important to you. Do you play an instrument?

I played violin for a year, because my brother played violin. I stopped pretty soon after that. Then, at age eight or nine, I began to play the drums. I did that for eight years.

Do you still play?

I stopped when I moved from Cologne to Berlin. I didn't have a drum set there, nor did I have the infrastructure: a place to rehearse and so on. I didn't take it up again until this year. I rediscovered how awesome it is and how much I'd missed it — how I'd totally been caught up in the piano as well. I used to be able to play chords or three-finger accompaniment. Classical pieces, though, were pretty foreign to me. I somehow put in a lot of effort with a teacher, without being able to read music. We did it with videos. I think it helped me a little to be able to play the drums. But to learn a new instrument and suddenly understand how it works and to be familiar with the keyboard and to get into the groove when playing: that really did a lot for me. In addition, it was just extremely good preparation for the part. It made the character accessible to me, which is something I hadn't really expected.

How long did you practice?

After I got the role, we did two years of workshops. In the end, we had two-hour lessons, five days a week for three months, and then two to four more hours a day of practice.

That's a lot.

You're right. But it's great. At first it's so difficult. The first two weeks were so rough: you're really just searching for the notes; your fingers don't understand it all just yet. You feel like a dyslexic on the piano, just so amateurish. And suddenly after two or three weeks, your fingers start doing what they should. You follow the instrument, and it's simply awesome.

Are you still doing it?

Unfortunately not. No, because I can't read music and because I'd noticed that I get bored easily because I only ever play the same pieces. My roommates and I have a piano, and I play it sometimes, but not like before.

What kind of music do you listen to?

Mainly indie rock, indie pop, alternative. Sometimes soul classics, chansons, or jazz hip-hop.

Can you name two or three artists?

Two or three artists I can name... Somehow that's always pretty hard to do. Right now I'm really looking forward to the new Dope Lemon album that's coming out soon. As for indie pop, Bon Iver is one of my heroes. Parcels is great. I could go on forever. Music is a really important part of my life. I just immerse myself in it and discover new artists. It's a lot of fun.

There's this gotcha question that I once picked up from a job interview: If you were a song, what song would you be? That is, a song that describes you very well.

I have no idea. I think the songs we listen to speak to only part of ourselves. The first song I thought of is "8 (Circle)" by Bon Iver. But that's just my melancholy side. It wouldn't describe me completely, because I also have a non-melancholy side, a very happy side, that I wouldn't be doing justice to.

Now that you've had a brief look at the life of a musician, even indirectly, what would you say is similar to or different from the life of an actor?

The pressure is what they have in common. The expectations one has of oneself. The competition. Although I have to say we're a generation, I think, who fight more alongside each other than against each other. For a pianist, it's a more individual fight than for an actor, because as an actor you normally don't perform alone.

In the film, David has to put his personal life on the back burner in order to get somewhere as a musician. Since you said that you enjoy immersing yourself, to what extent do you find yourself having to put your personal life on the back burner?

Since the work always comes in phases, you only have to do that in phases. And then I do that. In recent years, I've also learned that you can't completely separate the two — that the project phases should intersect more with the phases of free time. I've always felt that I've completely forgone personal life while working, up until the end of shooting. At some point, I no longer thought that was a good thing. In this line of work, you have to watch out, otherwise you'll start thinking of the year only in terms of blocks of time. I've resolved to be aware of this for more than a whole year again. Theater actors can probably do that a lot better, because they have regular work. They're able to balance their personal lives and their work more easily. That's a small obstacle that a film actor has to overcome at some point.

Let's assume you have free time. What do you do to unwind after work?

I had a hard time of that in Berlin. But this year, I went back to some old hobbies, like the drums. Also skateboarding, climbing, bouldering, and so on, to find balance. It's just about doing something that no one judges and where there's no output. Where you're not forced to deliver output. Because all you do when playing is give, give, give. You learn something, too, of course, and it gives you something back. But it's very relaxing to just do something that no one is appraising.

And where you're not being watched.

That, too, yes.

How often does it happen nowadays that you're recognized out on the street?

Sometimes. Occasionally. There are days when nothing happens, and other days when it happens several times. It also depends on whether I'm in a bar or another place where people gather.

Imagine that for some reason you had to do something other than act.

What would I do?

Exactly.

Hm. That's difficult.

Did you always want to be an actor, or were there alternatives?

A soccer player, of course. I definitely wanted to be a soccer player. When I finished high school, I was also very interested in psychology — and art. But I don't believe that I'd study art or psychology, even though I was still saying that two or three years ago. I also have a lot of fun working behind the camera, and I've been a set manager for short films. I enjoy organizing a set in the extreme, because I also have experience in how these things work. I'd probably still prefer to stay in the world of film and then maybe try to develop material or help to see it realized.

So you could also imagine directing and scriptwriting?

Probably not scriptwriting. I'm more the kind of person who reads the script and says, "Oh, that's what happens. I think it'd be great if this and that also happened." I don't think I could write a story myself. I have a lot of respect for those who can.

What else are you up to next?

On Monday, we started filming the third season of DARK, so I'll just do that for now. That'll probably take another six months. After that, we'll be done. The series was planned as a trilogy from the beginning, so the story will conclude with the third season.

That's all from me. In closing, do you have any more comments you'd like to make about your film?

I think Sabrina is very talented, and I'm very proud of this film and hope that people will see it.