#a lot of people will never have

[wr1t3w1tm3]

Question: why can't Broadway musicals tape their performance and put it up on a platform for rental while the shows still on Broadway?

Obviously you charge a fair price for the rental, make it like 48 hours and cost maybe whatever their general admission ticket costs. Then, after the musical comes off Broadway, you make that original cast recording avaliable to buy permanently (like including downloads) for that general admission ticket price and knock down the rental price.

Now you'd have to either come up with a streaming service or license it out to one which is not ideal, but it would vastly improve the availability of musical theater especially to people who live outside of New England or people who don't have thousands of dollars to drop just to go see a musical. Not to mention it could help make newer musicals more accessible and easily spread, and don't get me started on accessibility especially when it comes to physical disabilities that would disallow travel or actually seeing a musical in person. This would also allow people to see the musical and then maybe go watch it in person, which increases revenue.

It also allows a continuous revenue stream for the creative team and possibly actors (depending on how contracts are structured), particularly in cases of musicals with specific historical or literary settings that could be used in classrooms (think Hamilton, West Side Story, Fiddler on the Roof, the upcoming The Outsiders, or like every Shakespear play ever). Or even if a musical is really popular and gets a cult following like 30 years later, it would be available in a watchable format and not just as a soundtrack. Plus it'd get rid of people going to musicals for the sole purpose of uploading a slime tutorial.

[fishyfishyfishtimes]

It's always so weird to come down from the biology heavens to see what the average person believes about animals, plants, ecosystems, just the world around them. I don't even mean things that one simply doesn't know because they've never been told or things that are confusing, I'm talking about people who genuinely do not see insects as animals. What are you saying. Every time I see a crawling or fluttering little guy I know that little guy has motivations and drive to fulfill those motivations. There are gears turning in their head! They are perceiving this world and they are drawing conclusions, they are conscious. And yet it's still a whole thing if various bugs of the world feel pain or if they are simply Instinct Machines that are Not Truly Aware of Anything At All????? Help!!!!!! How can you look at a little guy and think he is just the macroscopic animal version of a virus

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[bookalicent]

yeah so this was insane

[luxlightly]

"If you're hurt by finding out that a person you admired did something bad or are worried about the idea they might, it shows you need to not form attachments to people you don't personally know."

I have bad news for you about how literally the entirety of human socialization and the human mind work. You can say "here's a stick from off the ground. his name is Stanley and he has a loving family" and then break the stick and people will feel hurt because they formed a positive connection to Stanley. Humans project attachment onto everything. Asking people not to feel connections to other humans is not feasible. It's not possible and, if it were, it sure as hell wouldn't be healthy.

You didn't do anything wrong if you feel hurt that someone you didn't personally know did something wrong. You're not parasitic or obsessive for wanting people you don't personally know to be good people. Being devastated that someone you liked did something horrible isn't a sign you liked them too much, it's a sign you have the basic human ability to form emotional and social connections. Your responsibility is being aware of those connections and behaving in ways that are healthy, respectful, and keep you and others safe.

Trying to just not admire people or not feel a connection to other humans won't work. Focus instead on being aware of what your relationships to other people are, what actions on your part are acceptable given that level of relationship, what actions are acceptable on their part, and what level of relationship it's realistic or healthy to project. And be ready, as with all things in life, to change your views on something or someone when presented with new information, even if you have very strong emotional connections to the subject. For example: "I'd love to get a cup of coffee with the celebrity I don't know and talk with them about a film they're in. I imagine that would be nice." <- normal human emotion "I will go to this celebrity I don't know and ask them, apropos of nothing, to get a coffee with me/I expect this celebrity I've never met WILL go to coffee with me" <- Unrealistic level of projected relationship. Crosses boundaries of normal human interactions between strangers.

"I'm devastated this actor I liked was an abuser" <- normal human emotion

"I won't believe that this actor was an abuser because I like him and therefore can tell he wouldn't do that" <- Unrealistic and unhealthy level of projected relationship. Unsafe for you and others.

You can't just "not admire" people, yes, even people you don't know personally. Instead, be careful to make sure your admiration of someone doesn't affect your ability to make judgements about them.

[wardingshout]

Zelda goes mushroom girl

[vintage-bentley]

I do not feel comfortable being openly homosexual in the company of “queer” people. Even hinting that I experience absolutely no attraction to the male sex is stressful, because often this results in a bunch of questions that equally feel like bafflement and interrogation. “What about THESE men?” No, not them either. No men. “But this man identifies as a woman!” I am not wired to be attracted to pronouns. “What about this man? He’s femme!” He is still a man, and I am still a lesbian. “So just no men at all?” YES. What is so hard to understand about that? Why can’t you just accept that female homosexuality exists, that it isn’t an evil ideology, and that it’s just how I and many other women are born? Why can you accept and understand so many things, but draw the line at a woman having no interest in the male sex?

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[uncanny-tranny]

Little things adults and older people can do to help younger people and children feel included, safe, and respected as an equal individual:

Ask before touching the young person - even for hugs. Ask before you take pictures of them, and let them see photographs of them before they are printed or sent to others (even family).

Apologize when you are wrong

Ask for a young persons thoughts on a subject, then engage with them after they have spoken

Demonstrate behaviour you want to see from them (see: apologizing). Say "excuse me," say "thank you," say "please" to them

Validate their feelings, even if they don't know how to express them just yet

Remember that this is the first time they've been alive, and that you've had way longer to "figure it out"

These are some things I wish other adults remembered when engaging with young folks. We so often forget what childhood felt like and how unfair it all was because we were often awarded freedoms as adults that we never had as children. These kids are equal to adults, and they deserve the same courtesy, respect, kindness, and understanding we give to other adults.

[heartless-aro]

People when a character is aromantic or aromantic coded: Wowie! They’re aroACE! Because they aren’t interested in romance! Look at how aroace they are!

People when a character is aroace or aroace coded: Isn’t it cool that this character is asexual? Asexual icon! They’re such great asexual representation :)

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[poorly-drawn-mdzs]

Burning Rotten Bridges

[First] Prev <–-> Next

[lancelil]

me, finally locking in on drawing jay: >:)

[zodiac-monkey]

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[nothorses]

I think the other thing about it is that sometimes what you get out of art says a lot more about you than it does the artist. and what you see in people says more about you than it does them.

the people who looked at Gaiman's work and saw beauty and love for humanity and a life worth living may have been looking at the mask of a monster, and they may have been seeing a bit of something real in an otherwise abusive person, but what they were definitely seeing was a reflection of something already inside themselves.

your relationship with art isn't just about the art, and it isn't just about the artist. it's about you. you are a lens the art shines through, and you are a part of the conversation the art is having, and you are reflecting and being reflected through and by the art, and you are echoing and interpreting pieces of yourself alongside pieces of the art.

it's not foolish to see good things in art made by shitty people. it's not foolish to see good in people who are lying. it's not foolish to trust, believe, hope, or love. I think you might just have hope, love, and joy in your heart, and you might just be finding it in all of those places because you carried it there with you in the first place.