#You made it a trend and something that's not even relevant any more

[futurewdclandonorris]

If i see one more stupid take how Lando doesn't have a championship mentality and Oscar does and is a better driver and that mclaren should focus on him instead*

[kneworder]

angry at the oscars barbie nominations but in an annoyinger way (i think nominating ryan reynolds makes sense but the best picture and best supporting actress noms are ridiculous)

[mistakenot4892]

Disclaimer that this is a post mostly motivated by frustration at a cultural trend, not at any individual people/posters. Vagueing to avoid it seeming like a callout but I know how Tumblr is so we'll see I guess. Putting it after a read-more because I think it's going to spiral out of control.

Recent discourse around obnoxious Linux shills chiming in on posts about how difficult it can be to pick up computer literacy these days has made me feel old and tired. I get that people just want computers to Work and they don't want to have to put any extra effort into getting it to Do The Thing, that's not unreasonable, I want the same!

(I also want obnoxious Linux shills to not chip in on my posts (unless I am posting because my Linux has exploded and I need help) so I sympathise with that angle too, 'just use Linux' is not the catch-all solution you think it is my friend.)

But I keep seeing this broad sense of learned helplessness around having to learn about what the computer is actually doing without having your hand held by a massive faceless corporation, and I just feel like it isn't a healthy relationship to have with your tech.

The industry is getting worse and worse in their lack of respect to the consumer every quarter. Microsoft is comfortable pivoting their entire business to push AI on every part of their infrastructure and in every service, in part because their customers aren't going anywhere and won't push back in the numbers that might make a difference. Windows 11 has hidden even more functionality behind layers of streamlining and obfuscation and integrated even more spyware and telemetry that won't tell you shit about what it's doing and that you can't turn off without violating the EULA. They're going to keep pursuing this kind of shit in more and more obvious ways because that's all they can do in the quest for endless year on year growth.

Unfortunately, switching to Linux will force you to learn how to use it. That sucks when it's being pushed as an immediate solution to a specific problem you're having! Not going to deny that. FOSS folks need to realise that 'just pivot your entire day to day workflow to a new suite of tools designed by hobby engineers with really specific chips on their shoulders' does not work as a method of evangelism. But if you approach it more like learning to understand and control your tech, I think maybe it could be a bit more palatable? It's more like a set of techniques and strategies than learning a specific workflow. Once you pick up the basic patterns, you can apply them to the novel problems that inevitably crop up. It's still painful, particularly if you're messing around with audio or graphics drivers, but importantly, you are always the one in control. You might not know how to drive, and the engine might be on fire, but you're not locked in a burning Tesla.

Now that I write this it sounds more like a set of coping mechanisms, but to be honest I do not have a healthy relationship with xorg.conf and probably should seek therapy.

It's a bit of a stretch but I almost feel like a bit of friction with tech is necessary to develop a good relationship with it? Growing up on MS-DOS and earlier versions of Windows has given me a healthy suspicion of any time my computer does something without me telling it to, and if I can't then see what it did, something's very off. If I can't get at the setting and properties panel for something, my immediate inclination is to uninstall it and do without.

And like yeah as a final note, I too find it frustrating when Linux decides to shit itself and the latest relevant thread I can find on the matter is from 2006 and every participant has been Raptured since, but at least threads exist. At least they're not Microsoft Community hellscapes where every second response is a sales rep telling them to open a support ticket. At least there's some transparency and openness around how the operating system is made and how it works. At least you have alternatives if one doesn't do the job for you.

This is long and meandering and probably misses the point of the discourse I'm dragging but I felt obligated to make it. Ubuntu Noble Numbat is pretty good and I haven't had any issues with it out of the box (compared to EndeavourOS becoming a hellscape whenever I wanted my computer to make a sound or render a graphic) so I recommend it. Yay FOSS.

[bonefall]

Do you think the clan cats having less kits per litter/less litters in general (they already have less kits than real cats) would fix the bloated cast issue? Because I look at Ginga and the cast is also bloated and only a few characters have offspring but the author keeps making other dogs join Ohu and refuses to kill the old as fuck dogs

I don't think there's any one particular "solution" for stopping bloat in series that manage large casts through generations like Ginga or WC, it's actually a few things

The #1 MOST important thing I think about bloat, though, is that it's about a ratio of quality to quantity. NOT raw size.

A long while back I made a couple of allegiance lists for certain eras. In spite of my Clans having the same (or even higher!) population as canon, I NEVER struggled with those lists being bloated. If anything, sometimes if a Clan's below 30, they look too small.

(I'm sure you can find those lists if you look, they're probably tagged BB!Allegiance, but they might be a bit out of date)

That's because in BB, there's dozens of HUGE cultural additions to Clan life. In "administration," alone, there's 3 new major divisions of skills (hunting, cooking, construction) ALL with their own "head" of that patrol, plus canon's leader, deputy, and Cleric. Not to mention subtitles like the Educator and maybe a Chaperone/Permaqueen!

So to bring it back to that "Ratio Theory," If our Clan is 30 cats, those 8 major roles immediately give at least a slight amount of character to a little over 25% of our group, with each role being something that the other 75% of cats can desire and compete for.

Canon's measly 3 is 10%, and you can ONLY vy for deputyship if you want any power. There's nothing else to BE ambitious about.

You can make the ratio higher by having hobbies, drama, skills, arts, etc. Basically; characterize background characters! Which should be obvious!! Give them traits that are useful and interesting and show the community being valuable.

It won't feel like "bloat," it has the sense of communities living their lives. Even if they go quiet for a while, when they return (just look at how much people like seeing Sedgecreek or Hallowflight mentioned lmao) it feels like meeting an old friend again.

WAYS TO MAKE BLOAT FEEL WORSE;

Giving too many "opportunities" to old characters.

Think of every relevant role a cat gets as a meal, and the bigger the role the more they've eaten. If you're only giving value to your old fanfavs, you're not doing much for them because they're already full while the rest of your cast starves.

Haphazardly killing off characters.

I actually strongly resent the "trend" where people conflate good storytelling with an author's willingness to suddenly kill characters off. I think it comes from the same place as needing to "outsmart" your audience.

If you kill off a character with VALUE, an unfinished arc, interesting connections, it's just unsatisfying. The Erins have this problem of killing background characters with some established lore or value (like Harelight and Briarlight) while leaving uninteresting background nobodies behind that they never build back up.

Before killing a character, ask yourself what their role in the cast is, and their dynamic with others. Try not to axe them without a plan to fill that "role" and/or comment on their absence. Replace what you take.

EASY REPLACABILITY

This one is HUGE, this is why Ginga is so bad with this. If a bunch of dogs die, 100 random soldiers can replace them from somewhere. That is REALLY bad, because all the random influxes of new characters do not have a chance to replace what was lost.

It also makes death feel cheaper. Oh no! Background dog 7446 got eaten by the newest type of bear. This won't make battles harder to win or cause us to lose any valuable skills though. Also a new dog just walked in from offscreen.

Population Growth outpaces Death Rate

AKA your cast is growing too fast and you're not getting rid of old characters. This is what anon was asking about-- and it CAN help to make births less frequent and litters smaller. Make sure to pair with preventing lots of new, adult characters to casually wander in, too.

ALL of these tips have exceptions and places where they can (and should) be subverted and broken. But these are just things I think about

[david-talks-sw]

An allergy to the Prequels

While I'm putting together a post about the evolution Lucasfilm's transmedia strategies, this part kinda turned into its own thing!

So I'm not sure if anyone else noticed, but, uh... there hasn't been that much Prequel content since the Disney sale, right?

'Couple novels and comics, some episodes... but nothing meaningful.

The more I look into it, the more it feels like a deliberate avoidance to touch on anything Prequel-related - beyond the required quota, that is - to a point where they'd rather tell stories set during periods that are Prequel-adjacent (Dark Times, High Republic) than something set around Episodes I, II and III.

On-screen policy: "pretend they never happened"

I mean, this one's no secret. When The Force Awakens had been announced, with J.J. Abrams at the helm, everyone sighed in relief. "Finally, George Lucas won't keep ruining the franchise."

When Abrams had been announced as the director of Episode VII, I remember this cringey animated video started circulating online, titled "4 Rules To Make Star Wars Great Again" or "Dear JJ Abrams":

“Star Wars isn’t shiny and clean... Star Wars is a western.”

If you ask me, those two things are not mutually exclusive.

'Cause Star Wars has always been both, for many Prequel kids. Both clean and dusty, Coruscant and Tatooine. There was never a disconnect between the Original Trilogy (OT) and the Prequel Trilogy.

Even the documentary The People vs George Lucas shows Prequel-hating fans begrudgingly admit their kids felt all six episodes tied seamlessly.

Abrams, on the other hand, said: "I think [the "Dear JJ" video] was right on." Later on, he also said:

he considered "putting Jar Jar Binks's bones in the desert" on Jakku, somewhere, and

he intentionally made the lightsaber fights "rougher", "primitive" and "more powerful" unlike the fast-paced ones in the Prequels.

Later, we found out he wanted to blow up Coruscant.

It's clear he wasn't a big fan of the Prequels.

But y'know what? Not many fans over 20 were, at the time. And when The Force Awakens came out, most them celebrated it as a wonderful love letter to the OT.

Star Wars is cool again. Mission accomplished 🙌 !

However movies keep coming out, and references to the Prequels - if there are any - are literally just that... references.

Sometimes in the shape of a cameo ("hey look, Genevieve O'Reilly from the Ep. III deleted scenes is playing Mon Mothma again!")

Sometimes in a name (Luke name-dropped "Darth Sidious"!)

But nothing set during the Prequel era, and nothing treating the events that happened in that period as relevant or impactful, beyond subtextual nods.

In fact, the trend of avoiding anything Prequel-related continues as the final film in the Skywalker Saga comes out:

The Rise of Skywalker has a secret Sith society that chants the name "Palpatine" instead of his Sith name "Darth Sidious",

the film pretends the Kaminoans never existed,

and neither TROS nor Trevorrow's Duel of the Fates script even try to bring Hayden Christensen's Anakin Skywalker back on screen. Let that sink in, we're talking about the Chosen One, Skywalker Senior, whose sins caused this whole mess... and his name isn't even uttered once in the final chapter of what Disney dubbed the *Skywalker* Saga (or the entire Sequel trilogy, for that matter).

But hey, The Clone Wars got renewed for one last Season! That's cool right? So many stories had gone unfinished and somehow the animation looks even better than befo--

-- oh. It's not 22 episodes? Only 12?

Four of which had already been shown to us, but hey! We need to set-up the Bad Batch series, so let's shoehorn those episodes in there, and forget Son of Dathomir, Dark Disciple or Crystal Crisis.

*sigh* Better than nothing, I guess.

In other mediums: "just not a priority"

Now this is something that I'll explore more in the transmedia post (and purely my interpretation), but the noticeable change between Lucasfilm's transmedia strategy *post-ROTS* and the one post-Disney sale is that:

Before, the games, comics and novels were the main content. After all, Revenge of the Sith had been released, so that was it, for the movies. Thus, a variety of other content was being cranked out to keep the Star Wars franchise relevant. There were comics set 100 years after Episode 6, comics set 25,000 years prior, games set in the Old Republic era, other stories in the New Republic era, novels galore, a couple of parody films and an animated show, The Clone Wars, which sometimes received its own tie-in comics, novels and games.

After the sale and ever since, most of the transmedia products have had only one goal: promoting the films & streaming shows.

So while in 2015 you won't see an abundance of Prequel content... you'll see an avalanche of OT books and comics come out.

Why? Because the heroes of that era will be in the Sequel Trilogy movies. It provided context to the kids who hadn't seen the OT yet, and reintroduced those films to a new generation of fans, while priming them for the Sequels.

A multimedia marketing strategy that ultimately proved successful.

However, it continued even after The Force Awakens came out.

Don't believe me? Compare how many comics there have been set during the Prequel era vs the OT era.

If they make comics about the Prequels, they're limited runs.

Case in point: before the current Yoda series, the best any Disney Prequel-set comic series ever got was 6 issues.

Note: it's worth pointing out that the frequency of mini-series aren't just a Star Wars-specific thing, it's a comic book industry thing. The readership for comics is dwindling, many people are reading scans online, and so no publisher wants to commit to a story that lasts more than 4-6 issues. My problem is: there absolutely would be readership for a Prequel comic series to warrant an extended run instead of a mini-series.

Let's talk books. There have been give or 64 canon novels published since the Disney sale.

Only 11 of them are set during the Prequel era. And even those stories only came out when the planets were aligned.

Almost half of them were released while being a part of some bigger multimedia push.

Example:

Before the Obi-Wan Kenobi series was being released on Disney Plus, we'd had one novel and like two comic stories about him during the Prequels... released between 2012 and end 2021. That's about three pieces of content in almost ten years.

Clearly a low frequency.

Then, when the series is around the corner, two books and a comic story comes out in the space of months, plus an anthology book with an alt cover with his face on it and a comic with a story of him and Anakin in the first issue, all in 2022.

My takeaway: short of there being a film or series that needs to be promoted, you'll rarely get any Prequel comics or books.

And this is OBI-WAN we're talking about. The character who even the Prequel haters love. Imagine how little attention the other ones get.

Gaming-wise, Battlefront had no Prequel content at all (again, 2015 was the year where OT content was shoved down the consumer's throats to prep them for Episode VII), and Battlefront 2 only released Prequel content a full year later.

All that being said, we did seen some Prequel elements here and there. After all, some actors got to reprise their roles, books and comics came out featuring Prequel characters... but there's a catch.

The stories they appear in are set in-between Episodes III and IV, a time-period known as "the Dark Times" or the "Imperial era".

"Dark Times" being used instead of the Prequel era

It's easy to see the appeal of this era. You keep the same threat from the Original Trilogy - the Empire - but redress it with Prequel elements... while also cherry-picking the best characters of both the OT and the Prequels and giving them a chance to shine again.

The situation is more clear cut, as opposed to the complex one in the Prequels. Bad guys are stormtroopers, good guys are anyone else. And the stories no longer take place in the shiny capital, you're back on the frontier.

But at this point... it feels like a cop-out.

When you consider how much content has been set during the Dark Times, it's nothing to sneeze at. Since the sale, we've had:

2 movies (Solo, Rogue One)

4 series set in that time-period (namely The Bad Batch, Obi-Wan Kenobi, Andor, and Star Wars: Rebels).

2 video-games (Jedi: Fallen Order and Jedi: Survivor).

17 novels (such as Ahsoka, Lords of the Sith, the new Thrawn books, etc)

And just a whole bunch of comic book series & mini-series (like Kanan, Princess Leia, various Vader-centric comics including Darth Vader: Lord of the Sith, many tie-in mini-series promoting Rogue One, Jedi: Fallen Order, Obi-Wan Kenobi, etc).

There's been so much content made for this time-period that it feels like an unwillingness to do the work and create something set something during the Prequel era, let alone something that follows its Jedi.

After all, why make a story set in the Prequels (disliked by vocal fans) when you can just take the characters in that story and put them in an OT setting (which will appease the Prequel-haters)?

Maybe these stories get relegated to the Dark Times because:

there seems to be a perception that anything set in the Prequel era won't sell?

or maybe the current SW writers weren't fond of Episodes I, II and III, and don't find those Jedi characters likable, thinking they're too righteous and dogmatic which makes it hard to craft a story around them.

Or maybe it's because they're under the impression that the Prequel Jedi are bad. Like, canonically, in the narrative. Not just in a "I don't like them" sense, but also in a "the story is all about them becoming corrupted" sense.

Let's expand on that last point.

Retconning the Prequels as the "Fall of the Jedi" era

Somehow the rare stories set during the Prequels that we do get seem to automatically be about how "the Jedi lost their way/failed".

The series Tales of the Jedi is explicit about it...

... and I already explained why it contradicts what George Lucas established here and here.

You also see it in Rebels and the new season of The Clone Wars...

... in comics...

... in games...

It gets to a point where the Prequels era has now been redubbed the "Fall of the Jedi" era by Lucasfilm.

You wanna know what that period was referred to before the Disney sale? The "Rise of the Empire" Era.

Because - and I'll never get tired of saying this cuz it's factual - the Prequels aren't about the fall of the Jedi, they're about the fall of the Republic and Anakin, and rise of the Empire and Vader.

So in addition to being overdone, the "Jedi lost their way" is not even the intended narrative of the Prequels (if one puts any stock in Lucas' words). It's a minor subplot at best, hardly the focus of the films, let alone a whole time period.

But dubbing it "Fall of the Jedi" implies that there's another era in which the Jedi were in their heyday.

Because Star Wars authors are in luck! Yet another alternative has presented itself in the shape of a new transmedia initiative, and it's even better than the "let's set it during the Dark Times" solution:

A new transmedia initiative: The High Republic

You wanna deal with the Jedi before the Empire, but for some reason you wanna avoid dealing with the ones seen in the Prequels?

Look no further. Meet the Jedi of the High Republic.

Noble, adventurous, inspired by the Knights of the Round Table, they're everything the OT kids dreamed about when they heard ol' Ben Kenobi talk about the Knights of the Old Republic.

That's more like it!

Note: the High Republic was created for other reasons and has many more upsides than the ones mentioned above. Namely, a fresh new spot in the timeline that allows for creative freedom and a beautifully-coordinated transmedia storytelling effort where retcons are non-existent. However it does seem evident that not having to deal with the 'unlikable' Prequel Jedi and their "fall" is one of those upsides.

Another perk that the High Republic era offers is more freedom in terms of storytelling compared to the Prequels.

In 2016, Pablo Hidalgo tweeted he still quotes to authors the following excerpt of West End Games' guide for aspiring Star Wars writers, from 1994.

You can't write "this was the best day in Luke Skywalker's life", for example, because another author may want to write a better day than the one you just wrote.

My guess is that a similar approach applies to how all characters from the movies are treated. They're massively iconic. So you can't write a book that drastically changes how Mace or Yoda or Obi-Wan are perceived overall.

The stories need to be self-contained, disregardable if necessary, because you'll have dozens of writers coming up with new stories for those same characters, and you need to leave them some room.

Examples:

Notice how in the book Dooku: Jedi Lost we never see how Dooku turns to the Dark Side and joins the Sith.

Same goes for crossover comic book arcs of the Star Wars issues, like Vader Down or Crimson Reign... the characters don't really change by much in those comics. You could stick to just watching the movies and you wouldn't really miss anything.

But with The High Republic, you indeed can develop these characters as much as you want.

All stories featuring Avar Kriss leave an impact on her, you can nail down who she is perfectly in one book or one comic arc, both being just as meaningful to her character.

The fact that she's not as iconic/famous a character as Mace Windu means that authors can go to town on crafting an interesting and nuanced character arc for her that'll have a beginning, middle and end... something Mace will never really get.

CONCLUSION:

Back in 2015... let's not kid ourselves. The Prequels were unpopular and Disney is a multi-billion dollar corporation. Opting to make as much money as possible is what they do.

It's the same reason they decided not to go with George Lucas' original plans for the Sequels, in 2012.

I mean, imagine you're Disney. You just dropped 4 billion dollars, with a B, on this franchise. Your next Star Wars movie needs to be worth the price tag. Now, you can pick between two options:

Option #1 is uncharted territory and it explores the midi-chlorians (the cursed word…!) and the guy who presented you with this option also openly admits that a big chunk of customers won’t like it, but he wants this to be done because it’s his vision.

Option #2 is very simple: a soft reboot, that plays on nostalgia that the same chunk of customers (aka the 'boomer and Gen-X fans who grew up with the Original Trilogy and now have kids, grandkids and MONEY) will like.

It's a no-brainer. They gave the customers what they wanted.

But time has passed, the fans who were children when the Prequels first came out have grown up, and grew up with characters like Yoda, Mace, Plo Koon, Kit Fisto and other Jedi as their heroes, aside from main characters like Anakin and Obi-Wan and Ahsoka.

Can we maybe expand on them, flesh them out more?

No, let's either ignoring the storytelling potential of these characters or reducing it to them being "righteous, arrogant and dogmatic".

God forbid we get a story showing the Prequel Jedi in a *gasp* more positive light? One where their POV is more understandable, instead of the same old "we brought this on ourselves" storyline.

There's a whole decade between The Phantom Menace and Attack of the Clones... you're telling me there's no space to show us Anakin's training and how he formed bonds with the Jedi we later see in The Clone Wars? I tried my hand at it here:

Interesting or fun Prequel-set ideas from other pro-Jedi fans on Tumblr can be found here, here and here.

And y'know, part of the Star Wars intent is for fans to take the ideas in the movies and come up with their own stories. You're supposed to create headcanons.

What I'm saying is fans of the Prequels are being given less "imagination food" than the rest, and many of us who like the Jedi in particular are forced to rely on headcanons only. "Better than nothing" is no longer an acceptable standard.

There's a range of recognizable Jedi characters that have already been established in films and TCW, can we maybe expand on them, flesh them out more, instead of whole new ones?

[7grandmel]

Todays rip: 01/05/2024

super mario 64 but it's in the buddy holly soundfont

Season 8 No Album Release (Read More) super mario 64 but it's in the buddy holly soundfont

Ripper Unknown

So. It's been a month now. Has it all settled yet? Have we had the time to let SiIvaGunner's April Fools 2024 event sink in, 30 days later? Speaking personally, I don't believe I have yet. Visions of Gegagedigedagedago, Pomny (digital circus), Boykisser, Brainless Kitty and all of my other favorite memes continue to haunt me to this very day - I see one of the events' rips in my recommended, and in the blink of an eye five hours will have passed. I cannot be anything but amazed at the surgical precision that the SiIva team captured the phenomena of online internet brainrot with during this event, spanning the whole range of severity levels from bad to worse. super mario 64 but it's in the buddy holly soundfont was certainly not the worst it got - yet it embodies everything the event sought to achieve through it's title alone.

But, right, the event - you'll have noticed right away that everything about the above-linked video's metadata is completely awry from typical SiIvaGunner videos. No attempt at a bait-and-switch, completely different video description, not even a thumbnail of the game used...and what the fuck is the "Buddy Holly Soundfont"???? What's going on here? Well, a lot of these traits may seem familiar to you if you've been on other corners of YouTube in the last few years - like I mentioned briefly back in we are number one but with outdated memes over it, there's been a trend in how non-SiIva audio edits are presented on YouTube as of late. There's an algorithm to appease now, after all - surprises and ambiguity only serve to ward off potential new listeners! After the explosive popularity of some of these, particularly during 2023 with videos like Nirvana's Nevermind but with the SM64 soundfont, they began feeling inescapable - often times sounding pretty low-effort to boot. I don't intend to shame anyone who's made these videos or anyone who enjoys them, of course, but...through how hard they aim to appease the algorithm that be, its difficult not to see these videos as attention-seeking first, and as creative endeavors second.

Which then brings us back to SiIvaGunner. Eight years in, and the channel's way of presenting its videos has remained thoroughly consistent, rain or shine - content in charting its own course. Narratively, this is actually playing to the channel's thematic core, something enforced all the way back in The Reboot story of Season 1, and that continues to be relevant over the years through rips like NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2), and indeed through this very April Fools event. That core is simple: To never conform, to never restrict, to let the channel's team of artist continue doing what they love purely for love's sake, rather than to appease a crowd or a system. Throughout this April Fools day event, then, it was as if we were shown the twisted view on that core, the channel's rippers following the opposite creed - clickbaity titles and thumbnails, no core theme, often even lacking any regard for the tracks being remixed - several times the Wii Shop Channel theme was simply called "The Wii Theme", and of course the very notion of games having "soundfonts" is something that's woefully misinformed to begin with. Opening the entire event with Buddy Holly by Weezer but in the Mario 64 Soundfont set the stage perfectly - after all, what game more overused in "soundfont" edits than Super Mario 64, what album more trendy to playfully make fun of in 2024 than Weezer's Blue album, and what song from said album is more memed than its hit single, Buddy Holly?

Except, of course, this whole thing went one layer deeper. Throughout the four months that the season has been running for thus far, Season 8's running theme above all else has been pure silliness - everything from a Justin Bieber takeover, to an MLG day, to the currently-ongoing SpongeBob day embodies that theme perfectly. And at the helm of it all sits the Joke-Explainer 7000, the current in-universe manager of the channel. Her name doesn't lie: as we saw back in Joke-Explainer™ 7000 Fusion Collab, she do be Explaining the Jokes, and that was initially assumed to be the bit of this very April Fools bit, the titles like super mario 64 but it's in the buddy holly soundfont explaining the jokes of the event immediately. But forget not the point of April Fools as a holiday - to deceive. Indeed, though the titles suggest that the team are spending the day just explaining the joke of every rip uploaded, they're in reality just spoiling the supposed "premise". Listen to any one of them yourself, and you'll be given a bait-and-switch surprise which completely transforms the rip of choice. And as the day went on, these surprises only grew stranger and stranger...

SiIvaGunner's April Fools events have an incredible track record, as I've hopefully made clear in Our Sweet Parsley and Your Best Nightmario - but I think I can safely say this year's bit was at least the FUNNIEST one of them all. Every minute of the day felt like slipping deeper into insanity, made all the more clear the moment super mario 64 but it's in the buddy holly soundfont was uploaded - in a matter of hours, the event had gone from making fun of low-effort soundfont edits that very much DO exist on YouTube, to completely making up an entirely new tier of slop through the very idea of a "Buddy Holly Soundfont". In case it needs to be explained, "soundfonts" are used to refer to video games using sequenced music, wherein individual instruments are played note-by-note through data sent by the game, rather than being streamed from a recording - it is IMPOSSIBLE to derive a "soundfont" from songs like Buddy Holly, played on live instruments and saved as masters back in the 90s. That is the gag that super mario 64 but it's in the buddy holly soundfont is built on - the "instruments" used to recreate Bob-Omb Battlefield from Super Mario 64 are intentionally low-quality snippets taken from Buddy Holly, used just the same as Super Mario 64's sequenced instruments are used within soundfont edits.

The end result feels like getting splashed with cold water at every part of listening. Rivers' repeating "Whut" voiceline being used as the main melody for the first 40 seconds, for instance, is the kind of obviously "wrong" thing one would never seriously do in this sort of arrangement, yet it only serves to add to the joke here, of just how far we've fallen so deep into the event. The tinny guitar shredding, the low-effort thumbnail edit, the vocals suddenly being added onto the track, the bass being far deeper in the mix than it reasonably should be...it's an experience to behold, and just as you're letting it all sink in, the vocals are suddenly pitch-shifted to the quintessential SiIva meme, Grand Dad himself The Flintstones - its like the rip is poking fun at your misery, as to remind you that this IS indeed still SiIvaGunner, the bit is still going, you are merely along for SiIva's wild ride.

The entire event was RELENTLESSLY funny to see unfold from every angle. Be it experiencing every rip as it was uploaded, or seeing the comments' reactions to the gradual spiral of rot we were being taken on, or most importantly - realizing just how much fun the team must've still had finding ways to subvert expectations at every turn. Season 8 has been an absolute blast so far, and I cannot wait to see where its patented silliness takes us next - even if it'll be hard to surpass the shit we saw on this day, and the absolute state of things that super mario 64 but it's in the buddy holly soundfont represents. Truly one of the SiIvaGunner rips of all time.

[qfitpac]

Imo this is the most likely event for Sunday, and let me explain why. (leaks from the QSMP discord)

First of all, earlier Quackity mentioned being on a plane. Why is this relevant? Well the only way to get to Korea is by plane. However, 14 hours later, he tweeted that he had lied about the plane. Now why would he do this?

This is, of course, because BTS had been testing the mod and realized that Korean wasn't working. For some reason, whoever coded the translate mod had mixed up the language files and replaced Korean with Spanish, specifically Spanish with a Korean accent. (Tbf I don't blame them, the file was named something like QSMP_language_file_v3_finalFINALVERSION_KOR_Korean_Hangul_Accented_Spanish_ESPANOL, and obvi if ur screen is small the last part would get cut off).

Now Quackity is in a predicament. He's very smart, obviously, so he cancelled his plane immediately and actually got a 70% refund even though he was technically canceling within the 24hr window. And then he got in a call with admins. I was actually in this call (they added me on accident) and although I don't speak or understand Spanish I was able to comprehend everything perfectly (they were speaking English).

Basically, they were screwed. BTS themselves had scheduled out time to make a guest appearance on the QSMP, this was huge! MASSIVE!! But the translator wasn't working: what were they going to do? Now naturally my first instinct was oh, well they can speak English, right? But I should've held in my trust of Quackity and the entire admin team, bcuz their creativity and problem solving is as always off the charts.

One of the admins (not going to name anyone for privacy reasons) had been doing a project on their spare time. Eggsonas, of course, have been a trend on and off since the first adoption day. And this admin had been making all sorts of models. It just so happened, by a stroke of luck, that they had made 7 bts eggs!!!!! Everyone was so excited about it, the entire call was shouting for a good minute lol. I actually had to take out my earbuds.

Eggs, of course, cannot speak. This solved the translator problem flawlessly, as the sign and book translators were working as normal. It also gave the BTS members an extra 2 hours to play on the server! (previously their managers had allocated 2 hours for them to find/create minecraft skins, which obviously is now unneeded.) It's a win-win-win.

Now on to analyzing the teasers: firstly, you'll notice the Update accounts tweets. These are, of course, referencing how bts have both touched and eaten ice and ice cream. Also, as true fans will know, bts just recently broke their freezer and had to mop everything up. It's a nice red herring given the previous ice imagery in teasers, and we all know Quackity loves his trickery.

Secondly, the seven outlined in grass. Grass has been a prominent feature in many BTS music videos. Some say it's even a staple of their work. For example, in their 4th music video there is grass on the ground, to represent how growing up has made them more grounded. Nextly, the seven. Obviously there are seven members, but combined with grass this is actually a double hint: BTS was active for seven years between 2013 and 2020 during which they released songs. This is a special number for them because of these events.

Now obviously, I don't have all the answers. My prediction on the discourse, for example, was completely made up. But i hope this gives you all a sense of what to expect come Sunday. (also please don't tell any qsmp admins I'm leaking this info 😭😭😭😭)

[keepmeinmind-01]

wip wednesday 23/10

hi everyone and hope you're having a good week! here are my lines for this week :D

from "all i need", for @wizisbored @stonemaskedtaliesin:

CW: mentions of period-typical racism

Newt had no grand theory, no hypothesis about the roles of creatures or wixen—he only wanted the public to be less afraid and more appreciative, with his academic works simple and illustrative, his books comprehensive and designed for a wider audience.  With every letter, he felt the doubt return. He dared not to ask Theseus, as much as he wanted to, because the Auror Office had been specifically barred from the intel of the Department of Mysteries, and he worried his brother’s head might find some irrecoverable chopping block. In strict confidence, Leta had told him to release a statement, if he so wanted, positioning himself against the magical scientists drawing on the growing trend of Muggle eugenics. Tina had gone a little pale and admitted that she’d never been allowed in any of New York’s resorts, because of her being Jewish.  That, at last, had made him want to release something. The Ministry had posted it for him in a copy of the Prophet; that same week, a Muggle police officer had stopped Theseus and Leta as they’d come out of a riverside restaurant; and new intelligence Albus had given about Grindelwald’s tactical propensities had averted another planned massacre. 

from "never love an anchor 1908 part 4" (which weirdly is part 5, great job me in doing my file names), for @aparticularbandit @oriharaizayadividesintoslytherin @tamsinswriting @lizhly @kallisto-k @enigma-the-mysterious @loyal-house-of-lupin:

CW: referenced infertility

"Well," she said finally, letting the diagnostic spell fade, "it's certainly an unusual curse. Dark magic, without question, but with an interesting temporal component. Were you planning on having children, Mr Scamander?" Theseus's throat tightened. He'd never really thought about it before—or rather, he had carefully avoided thinking about it, the way he avoided thinking about most futures that didn't involve the Ministry. "I suppose that's not relevant now," he said quietly. "Not necessarily. There are treatments we can try. A regimen of specialised potions might be able to counteract the worst effects, though I should warn you they're not pleasant, and success isn't guaranteed." She pulled a piece of parchment from her desk and began writing out instructions in a neat, cramped hand. "Three times daily, with meals. The side effects can be...significant. Nausea, fatigue, occasional magical instability. And even if the treatment is successful, there may be lasting effects we can't predict." Theseus took the prescription, folding it precisely along its creases. His hands didn't shake—he was proud of that—but he could feel the tremors building under his skin, like the precursor to an earthquake. "Thank you," he said, his voice steady. "About the records—" "They'll be sealed, of course. Patient confidentiality." She hesitated. "Though given the nature of the curse, and who cast it..."

from "kmim thesleta flashbacks" for @sourb0i @auburnlaughter @whimsicalmeerkat:

CW a fight in which someone throws a vase

He knew he should stop, knew he was only making things worse, but the words kept coming, propelled by exhaustion and lingering alcohol and the image of that little girl's body that wouldn't leave his mind. "You want to talk about draining? Try walking on eggshells every day, never knowing if you're going to get the woman I fell in love with or someone who looks at me like she's measuring the best place to stick the knife. You bottle everything up, push people away, test them until they break—" The crystal vase sailed past his head before he could finish, missing him by inches. It shattered against the wall in an explosion of glass and early spring daffodils, water running down the wallpaper. Leta stood with her arm still extended, chest heaving, her eyes wild both a mixture of fury and horror. Theseus didn't flinch. If anything, his racing pulse began to slow, settling into an eerily familiar calm. His body remembered old lessons: when things started breaking, it was time to be still. Stay quiet. Don't provoke. Weather the storm. "Are you going to hit me next?" he asked, his voice perfectly neutral. "Go ahead." Instead, she turned and fled the kitchen, leaving him standing amid the glittering shards of broken crystal. Theseus didn't move for a long time. The coffee percolator bubbled and hissed, filling the kitchen with its rich aroma. Water continued to drip down the wall, the daffodils lying broken and scattered across the floor. His mother had given them that vase as a housewarming gift, he remembered distantly. She'd been so pleased to see him settling down, building a proper home with someone. From somewhere upstairs came the sound of drawers being yanked open, things being thrown around. The familiar sounds of packing, of leaving. His feet felt rooted to the floor, even as part of him screamed to go after her, to fix this. But he'd learned that lesson too—sometimes chasing only made them run faster. The morning sunlight caught the broken glass, sending rainbow refractions dancing across the kitchen walls. Beautiful, in its way. Destructive things often were.

and as part of the 2-for-1, from "kmim celebration/sudan" for @sourb0i @auburnlaughter @whimsicalmeerkat:

Rocking back and forth on his heels, he examined the vast range of jars the others had produced and started selecting a few, trying to ignore how discombobulated the sight of his hands reaching out to touch something solid made him feel. Pickled fronds of green cabbage, sesame seeds and grated carrot, bamboo shoots and broccoli stems, and a promising looking pair of jars that contained cucumber and chillies respectively. Leta had loved spicy food; he’d adapted his childhood’s bland palate of basic meals and skipped dinners for her.  This he could do. Cooking had always been a straightforward task for him—following steps, achieving results.  "That large jar is pickled radishes," Newt said. "But the red one next to it is actually preserved specimens of a rather fascinating fungus that grows on the Qilins' preferred grazing grounds. Best not to mix those up." Tina, who had been reaching for the red jar, quickly withdrew her hand. She moved to the sink instead, accidentally knocking the tap and spraying water in several unexpected directions.

[sizzlingpatrolfox]

My theory is that Jm and Jk are making this content together because they are the most succeesful members.

Hybe will never acknowledge Jm’s popularity in any other way, but are going to make him do this content with Jk to make money off of him

That’s it, that’s why is the 2 of them, not V or Rm because jikook got both no 1 on bb etc

Wdym it wasn't Jungkook and Taehyung the it couple, the most successful members whose debut everyone was waiting for and counting on to make history?????

Okay, now that I'm done with the sarcasm...

Aside from the fact that it was something Jimin wanted to do, why did the company suddenly think of it and agreed to it now. (Unless we eventually find out other details about why and how, but I don't know if I'm even going to be here when that happens, so).

Jungkook and Jimin is a pairing that has always worked in many ways, like with the couple of dance units they've had in BTS stages. Or the couple of songs they've sung together, etc.

Apart from that, yes they are the most popular (read popular as in people OUTSIDE OF THE FANDOM have seen them/interacted with their content or music at some point/etc), so all in all I agree that their individual popularity could be a reason.

That's also related to the reach the content has. I've never been one of those people that cry about jikook not being loved; I never cared about that for several reasons that are not relevant right now. One of the reasons that's relevant tho, is that taekook might get the most likes or retweets on their content... but nobody causes conversation the way Jimin does. Whether it's good or bad, Jungkook or Taehyung each on their own, or together, they don't cause conversation. I'm not gloating or anything about Jimin getting hate because I hate it, and I hate when people are like "oh jimin they're hating on you you'll always be famous", but it's a fact that whenever Jimin is involved in something, people will talk about it. I mean, there's a reason his name can't trend in twitter anymore because of the volume of tweets in which he's mentioned every day.

Another thing, probably unpopular, many probably won't get it, and I think that people just don't realize it's happening: Jimin makes Jungkook look good. He makes Jungkook looked loved and worthy of being loved.

Not too long ago I rewatched the hunger games and in the first movie something happens with Katniss and Peeta, I think it was him saying he was in love with her or something. And Haymitch says it was good that Peeta had said that because he'd made Katniss looked desirable. Now, she was perceived as the object of affection of someone.

It's something I've talked about before, how the narrative about Jungkook and the way people perceived him changed when his ships got bigger attention.

This happens to a large scale with all of BTS members, btw. We're just talking specifically about two right now, but the "X member loves Y member, how could you hate them?!" is probably the biggest example of that.

So, there's that too. Jimin's way of treating Jungkook has A LOT of weight on what people think of Jungkook. It might even be a reason of why some pjms can't even stick to one side and are more or less constantly changing their feelings about him.

That's also why I think that if it was solely and exclusively the company calling Jimin up to do this, it was tailored to happen around Jungkook's debut and not before. Because it is good for Jungkook's image.

Finally, Jimin being Jimin. I think many people do a big disservice to Jimin when they talk about why and don't realize how amazing Jimin's personality is. Jikookers especially overlook how awesome, kind, sweet and great he is. They collectively ignore how every single person who's ever met Jimin has made a point to talk about how sweet and kind he is. To most jikookers It's all about how he is with Jungkook when a large part of that is not even about Jungkook, but just how Jimin was raised and how he treats everyone he loves.

Jungkook gets to be a lovely maknae bla bla bla. To jikookers, Jimin's selflessness and beautiful soul only gets talked about in relation to Jungkook.

So another factor of the whole thing is that Jimin's got a GREAT personality. Jin, Hoseok, Jimin, they've always been the one lighting up the mood and making people laugh and taking care of everyone. They're the life of the party, literally. And the company must realize this, too. They're not stupid. They know what works for entertainment and what doesn't. Didn't Jungkook say in that preview that as soon as Jimin arrived it was chaos? Jimin is genuinely so much fun.

It works because Jimin is who he is. It's not even about Taehyung and Jungkook, but it wouldn't work with Yoongi and Jungkook, either. It would be boring simply because they're not Jimin. You can watch any live with Jimin + other member and it's almost always interesting and funny because Jimin makes up for a lot of the mood between two people.

[seeinginthedark]

This is what I believe in my heart and in my soul . My heart and soul have synced in and the communication line between is clear . Same goes for my subconscious, after rigorous shadow self work. As for my mind , I’ve synced in my left and right brain hemispheres. I did this in 2022. So they are balanced and healthy . I am of sane mind . I won’t be gaslighted anymore by anyone , any man , any institution and not even gaslighted by myself .

Here we go, strap in .

If you’ve been reading my blogs , you will know that I’m on a mission. I have a psychosis but, as I keep reiterating, a psychosis means different things depending what culture your from. In Indigenous cultures(who are more closer to the Earth and nature) a psychosis is a ‘spiritual situation’ . In the western medicine world , it’s a mental illness. People get scared during a psychosis and don’t know how to handle it. I handle it. I don’t get scared or paranoid. I don’t have hallucinations or hear voices . I know the difference between a delusion and a sign , a message from the ancestors .

The videos I made in 2022, contain information that I didn’t understand at the time , suddenly now have become relevant. They were warning me of what to watch out for .

We are in a spiritual situation. A war. An attack on our souls . An ongoing oppression. Being drained of our humanity.

To be turned into something un-natural and mechanic. And we won’t allow this happen.

The ancestors that made it to the afterlife (instead of a reincarnation soul trap ) are building alliances with spirits of this Earth, of nature and of the inner Earth. I’m dead serious about this .

A lot of us today are souls of our ancestors who chose to leave the astral afterlife realm to come here in this modern world . They are Mother Earths army. We are at the front line now . The children of today have been absolutely bombarded with screens, technology and toxic social media . In an effort to neutralise us , make us forget who we are and forget what’s important in life . This wave of children , are born already spiritually activated and awake . They have immense spiritual potency and magic-like abilities. They are our salvation now .

A lot of people however , are getting confused thinking they a star seeds or thinking they were meant to be a different gender . These are trends and narratives that have been articulately planted on purpose for the reason to distract and confuse and cause social division . And self identity issues .

Please, if you have one of these special children , who are from magic bloodlines , please take care of them . Nurture them and their abilities. Do not crush their imagination- as it is one of their magical traits . Please limit the amount of screen time they are having. I know it’s hard and we are all busy trying to get by and have to work and have so many things on our plate but please don’t pacify them with iPads and tablets and phones . It inhibits their development. It inhibits their social skills . It socially programs them.

Get them outside in nature as much as possible . Listen to them. Let them have a voice . Let them express themselves creatively. Treasure them . Love them unconditionally. They are here to change the world. I don’t want to see any of these children grow up and be plugged into a permanent virtual reality . With microchips in their brains . With non -organic robotic add ons . Stuck in the simulation. Their souls recycled back into this system when they die . Their souls need to be free, as all of our souls should be .

We can beat this A.I take -over . Together . United . Strong . Keep your vibes high . Self care. Heal from your trauma. Be the powerful spiritual warrior you were born to be . For Earth. For our souls . This is it.

[thirdmagic]

many many years ago, around 2014-ish i think it was, there was a tumblr trend of tagging posts of your favorite female character with 'my queen', it was like all the range. and i participated in this trend, bc my favorite girls were in fact queens to me, and i was sure this was the case for many others. but i began to notice certain things about this trend that kinda bothered me and i couldnt quite articulate until someone i followed then made a very well writen rant about it, and i dont remember the exact wording but something that struck me about it was a line that was kind of like "i see you tagging posts about [female character] with 'my queen' and then talking in detail in your tags about [male character] going out to eat waffles', or something to that effect- i dont remember the exact wording but in this hypothetical scenario, the person was describing the tags having a very whimsical and fun scenario full of imagination and affection, and the exact one was very silly but fun. and most of all, a fully detailed scenario, indicating how much the person thinks about this character, without needing to say 'wow i love this character', a level of attention starkly contrasting with the one given to the ostensible-queens who got nothing more than 'wow she is so amazing'. and they were quite angry and spiteful about it and said something to the effect of tagging male characters with 'my kings' in a sarcastic way, kind of to convey that it read to them as more condescending than anything.

it has been ten years, and though the slang and specific fandom trends have since changed, i still remember it, because it still feels relevant, and i still feel the spirit of that post now. we have advanced enough that on a wider scale we understand that its not a good look to hate every woman in a story or treat all fictional women as if they are out to get you and your faves, personally, but we have not quite reached the point where fandoms at large actually seem interested in these stories and characters. right now it manifests in 'mean lesbian backgroung character in your m/m fanfic', or how everything everyone has to say about any girls in a story is to yell 'lesbians!!!!' and move on with no interest or comment or desire to actually do anything with these characters.

like, if fandom is a playground, then male characters are the dolls who get actually played with, while the female characters are the dolls everyone just kinda look at and keep untouched. and while i can't say i prefer it when i was a baby youngling in fandom and all the dolls i liked had really hateful and mysoginstic language slung at them, it's not especially fun either when everyone says they love these dolls but nobody actually wants to play with them, especially if you do, and you have lots of games in mind for those dolls that nobody really wants to participate in, and when they continue to insist that they love these too even though they clearly are neutral at best it really kinda drives you crazy.

[tbhimnoteasyonmyself]

DFF & the Contemporary Issue of Trends

Last time I came onto this tag I was grasping at the last droplet of hope I had for the ending to be good.

I decided to tell you all about the great seen of Tee's confrontation with Non's dead body.

Before that I tried to guess who White might be in the story and what was happening with Phee and how and why Tan was New.

And along the way I made polls and memes and I joined this fandom in appreciating what seemed to be another great story by BOC.

We've all dedicated so much time and care and love and talent and skill to contribute to this community, to make something great around something we were growing to love...

But now we're all left neck deep in the mud, as another series with great potential bites the dust in a terrible manner.

And I'm here as the ominous oracle of the death and peril yet to come, in good Greek Tragedy fashion, to tell you this was not the 1st time we've witnessed this and it shall not be the last. And all bc contemporary media have taken 1 thing to their heart and 1 thing only: engagement.

So let's take a step back.

What fuels people? What sticks with them?

How many times a day do you remember you love your loved ones in a week? Perhaps not many. But how many times do you remember the guy the big car crash you witnessed on your way home the week it happened? A lot, probably.

Why? Bc it's new, it's shocking and it probably fuels you with either fear or frustration.

The same can be said about contemporary trends. They're new, shocking and probably fuel a negative emotion in you. So they get talked about A LOT. All at once.

This is the reason why media is becoming what it is. It's realized all st once, tried to rush through plots and plots to be relevant all the while. Makes twists and twists and twists. And has something controversial to it. Bc this will make people talk. And talk will get more people to consume.

Until of course, the next more appalling thing happens and everyone moves on.

God, this is even true in the news. I mean... How many times do you hear about good projects? Or art? But hoe many times do you hear about murder?? No wonder we're growing desensitized to it. It's all we hear about all the time!!

DFF is just another case. Another series in a sea of them that tried to be shocking and play with expectations to keep people talking.

My question is, however: and now what? Now what?

Sure, we're all talking about it cause we're shocked and pissed. But adter the emotions settle and the curiosity to find out the fuck went wrong dies out, what happens?

Don't get me wrong, I love this fandom but the series itself? It'll mostly fade away. It's not something I want to create anything for anymore. I don't have care for it any longer bc why would I??? If no one bothered to mind writing something that even made sense, why should I care to love it??

And I feel like I'm not the only one!

This fandom will die. Like many other have. And what will the creators have achieved?

I never thought about The Untamed with too much fervor, for example. And most of us have not. But if I go into its tag here or on AO3, there's still stuff being made for it. And everyone once in a while, I'll think about it and I'll coke back to it and I'll cherish and nurture it for what it is. And the fandom's there. And sure rn I haven't interacted with that fandom in a bit. And I've been on DFF's tag nearly every day. But in a year, maybe even just a few months, I'll still be thinking and coming back to Xue Yang and Wei Ying and Jiang Cheng and Wen Qing... I won't be coming back to this mess, though. And in the end, it might not matter to anyone, but it matters to artists, doesn't it?

We make things because we are humans and we wish to connect with others. We wanna live forever in the things we live behind. But a story can't be told if there's no one to tell it to. You can't live forever in a void where no one awaits you.

So, in the end, we have consumed DFF, they have their money. But it will die and be buried together with all the people who have buzzed me while I was crossing the street or didn't held a door for me or were annoying to me on the bus. While other series, nourished with more love, will be there with me and many others, accumulating all the times we thought about them through the years, alive and well.

[donnerpartyofone]

A really basic and obvious problem with the algorithmic targeting of "your interests" is the idea that everything you click on is actually relevant to your interests. The assumption that everything I do online is something I meant to do with full information, and that I am always satisfied by, is completely absurd. The internet is a place that is full of misinformation and misdirection and ambiguity and it is also a place that constantly inflames morbid curiosity--which is not always a driver of consumer activity. This is like assuming that if I unwitting click on something that links to Lemon Party, it must be because I have a vested interest in gay gerontophilic pornography, and it will be financially productive for companies to serve me erotic content featuring elderly men for the rest of my life.

My immediate reason for thinking about this is a lot more boring, but still: When I'm looking for jobs on Indeed, I start with a simple set of delimiters--let's say the job description should include "writer" and the location should be <25 miles of me and it should be [anything but an internship]--but as I go along, Indeed seems to be actively thinking about what I'm clicking on and adjusting its behavior accordingly. I see a listing for a "commerce writer" at The Spruce and I think "I'm not interested in anything to do with commerce, but I like The Spruce, maybe I can click through to other jobs they have?" It turns out I can't because the job is listed through some generic agency, so that was a bust...but now Indeed is serving me as many jobs as it can find with the word "commerce" in them. Luckily I seem to be able to game this a little bit by clicking on things with more obviously relevant key words to get my search back on track.

I might also click on a job listing just because I can't tell what it is from the preview text, or because something about it sounds hilarious to me. Or I might click on something because the preview text sounds right, but then the actual job is exactly wrong. This last problem is strongly compounded by employers dicking around with job titles which I think sometimes happens to follow some new trend, sometimes to make the responsibilities ambiguous so they can exploit people, sometimes because of industry-specific terms that are not cross-compatible, and sometimes out of genuine idiocy (so it seems to me). Like, in my limited experience "associate" is an entry level office thingy I might qualify for, but an associate is something very different in a big time law firm--or an employer might use that title so they can pay on an associate level for a disproportionate amount of labor and responsibility. Years ago when I was actively searching for jobs on LinkedIn there was some weird mistake--I don't know anymore if it was a problem with my site activity, or if LinkedIn misinterpreted my resume and profile, or both/neither--but something made it so that LinkedIn would only serve me vice president jobs no matter what. It was all C-suite stuff I would never qualify for and that I probably wouldn't even want. There was nothing I could do to fix this, and eventually I reached out to Support to try to get someone to help on the backend. They never responded to me in any way and I totally forgot about LinkedIn for many years afterward.

Spoiler alert for 976-EVIL I guess but there's a part of that movie where the heroes try to find out who is in charge of the evil prophetic phone horoscopes, so they go to the office building that hosts all these hotline businesses and it turns out that 976-EVIL is basically just coming out of a box in a closet. That's how I feel about a lot of internet businesses, and I know this is by design to avoid paying for customer service, but still. Years ago I was stalked by a guy who left 600+ comments on a YouTube video related to my place of work. We couldn't reach the original uploader and we tried and tried to get someone's attention at YouTube, but we never got back so much as an automated email with a FAQ link. I'm still convinced that nobody works at YouTube, it just comes out of a box in a closet somewhere.

Anyway. I remain amused and annoyed that The Algorithm thinks that everything I do online is both on purpose and has desirable outcomes. Sometimes I have this paranoid fantasy about what if my phone is monitoring all the subtleties of my exact behavior on Tumblr, because I follow a few people who post porn *just once in a great while*, which means sometimes I'm innocently scrolling along when some porn appears and I do a double-take thinking "Who do I follow who is posting that?", and I scroll back to figure it out--in which case my phone would think that I'm lingering over the porn because I want it, not because I'm surprised and confused. I hate that I even think about stuff like this, but it's a fact of modern life.

PS Because of this train of thought I now know that the Lemon Party once existed in Canada. Check it out if you want, it's not porn. No for real though.

[unproduciblesmackdown]

I am going to be seeing one of the us tour stops!!!!! my sister is seeing a different one as well :) we are both going to attempt to audio 🥾, as well as keep an eye out for anything particularly kleinsen or of note with jared. i will sadly be in the far back of the balcony so my audio quality may end up quite poor, but she will be close up. its very exciting! imo i find it kinda depressing that the public opinion of deh has changed to be kind of negative bc i feel like it still has so much to offer, and for all its faults, the usual criticisms are not really what it does wrong (i still cant believe people want to apply punitive justice to the plot of deh????) anyway im hoping this tour goes well so we get more deh :)

oh hell yeah, that's fun to also be hitting Different Stops & the power of multiple people's observations (& perhaps recordings) of different performances, plus focusing in on Jared Observing specifically

i'm not in any kinds of loops but does feel like the trend of Twitter Dunks On DEH Movie Trailer (wherein it wasn't really relevant to actually talk about stage show deh unless you were saying "i didn't know anything about it" or "well i always hated it") &/or then the following whole movie was pretty Momentary & idk how any of it was received offlinely even if it wasn't a Phenomenon like the stage show being something that gets these whole other adaptations & possible "oh yeah i've heard of that i think" status more broadly lol. i suppose it's also possible that maybe Now the status of [what's deh?] to anyone who doesn't have a lot of info on that already could involve like, the vague awareness of the movie in whatever ways, but i sure was thinking the other day that that initial like critical darling commercial hit bway deh context might now be the more relevant one again just b/c the movie was never so big a deal & like, who's still posting about that, plausibly Overtaken, & what a tragedy when like truly the Let's Get Critical (as a theoretically neutral term) points made were all like Not actually engaging with the material, often not accurate, often superficial. & really even prior to the movie being on anyone's radar the "evan should be arrested as the ending of deh" like yeah that'll show him & us & like what are you even talking about lol. presumably just talking about the "rip to your protagonist but i'm different. i would of stopped it. can you believe someone might have broken a law (US territory's, God's)" no i just can't believe it....

anyway idk the summation of that is that every twitter media analysis moment that i've ever had to see, incl in its spread to other sites, has been a curse; but also that as a rando tuned in to no circles anywhere ever, i'm like yeah i dunno by now the "deh movie doesn't make much of an impact except in a Posts Trend talking about the least relevant aspects of a trailer or making things up about deh stage musical to have the ostensible Hot Take while it's now simply the Trend-Supported Take actually" like wow the vision....but seems feasible that's now relatively a blip in the like factors going into a Random Person's Familiarity / Context For DEH & "wasn't that a movie i didn't see" might still be a motivation to check it out. like naturally don't need [deh stage productions: continued] to like be a phenomenon like bway deh was or expect that, but it's always Interesting to have Whole Other Productions to be seen & discussed, as well as tie into discussion of that initial broadway run (& its prior stages) which is actually more substantial & interesting than "it was terrible all along & i knew it all along too" takes just yknow breaking out the classics like that deh is about how [choose something to frame as always bad] is always good. or complaining about actor's physical traits

(bonus comment: don't know much of anything about much of anything, including the deh uk tour, but interesting that i think at least in advertisement seems like they're leaning into the Teen Story focus? & not like having an Ensemble that ramps up the [Kids At School(tm) dancing in the hallways with their backpacks] element might not emphasize that as well. though yknow it doesn't change the script & story lol but like, that in speaking of actually relevant deh analysis / criticism, always seems like part of the reception to bway deh is like, being right Before an uptick in bway shows ft. teen protagonists (if not influencing that at all) & having the focus on Adults / Parents to "offset" the teenage plotlines (in that i don't think that needs offsetting, but that the influential Reviews do) like no yeah but it is a story about teens. and the adults / parents but their stories are still Part Of the story of evan the teen protagonist)

[7grandmel]

Todays rip: 29/02/2024

my rip :)

Season 5 Featured on: SiIvaGunner's Highest Quality Rips: Volume GS

Ripped by brubsby

Requested by Memmy! (Request Form)

Hey, it's February 29th, the Leap Year day! The strangest day on the calendar, I realize, ought to be celebrated with a bit of a strange rip to go along with it, and there was certainly plenty to pick from. The channel has seen its share silly rips like :D, utterly unhinged rips like Sex - Steve Harvey, and everything bizarre other kind of weirdness out there like Mr. Rental [B Side] ~ Out of Options or waterwraith pokos. Yet what surprised me about my rip :) wasn't for being the most silly, or most chaotic, or what have you - but rather, for being an utmost perfect blend of all the above kinds of rips, whilst remaining shockingly listenable.

I mean, there's something eyebrow-raising about the rip's mere existence alone. A rip from PONG? As in, one of the first video games ever made, the one from 1972, which barely even had SOUND in it, let alone music? The channel's obviously tackled a number of strange cases of games to rip before, such as the ongoing Circus trend with Five Nights at Freddy's and rips like Chex Invaders, but there really was no precedent for what to expect with this rip before clicking on it - the only prior rip of PONG was a whopping 15 seconds intentionally playing off of how little audio the game has to begin with. How could my rip :) hope to make a relevant joke out of PONG worthy of 3 minutes of runtime?

The answer, as it turns out, was to just do every single thing at once.

It starts off so innocuously too: the joke of adding rapidly repeating PONG sounds of various pitch to form a discordant melody, similar to that of CrazyBus, is a pretty funny bit in of itself! Yet before that bit has had even the slightest time to register, it's joined by Space Jam's infamous backing beat, a source that I've only covered in a good light here through actually impressive rips like Hoopache and Mother, Father, TechnoMan, yet is most well known in the community for being perhaps the most overdone and easy-to-use mashup source of them all. Before THAT has time to settle in, it's joined by yet more infamous mashup sources: The Season 5 demons themselves Yankin and Astronaut in the Ocean of Epic Rap Battles of History: Funny vs. Funnier fame, Crank Dat Super Mario, Watch Me Whip/Nae Nae - and, to note in case you're not listening to the track yourself as you're reading, NONE of these sources ever sound as if they ever go away from the mix. What in its first seconds is nothing but isolated bloops of an ancient arcade machine becomes this absolute cocophany of noise and melodies, yet through some miracle (and skill on brubsby's part) they're guided along to still form some sort of melody.

All the noise is mainly guided by the use of Gangnam Style as a surprise source amidst all the rest, whose melody builds and builds toward its own climactic beat drop Gangnam Style, upon which everything goes silent for just a moment, approximately eight sources all fading at once...before exploding back onto the scene like an unstoppable mob. Its just keeps going like this - by the end, twelve different sources are all competing for attention. Or at least it sounds that way - I genuinely have no clue if some tracks get phased out as the rip progresses, but the rip's noisiness never appears to die down until the very end of its runtime.

Its just such a fun ride until the very end - my rip :) doesn't have any sort of guiding melody to it, no joke to fulfill or prior YTPMV/Mashup/etc its paying tribute to. The rip is pretty much as deep as its title frames it as, as just brubsby fucking around and finding out what can be done with all of these Season 5-infamous sources as the year drew to a close. In that sense its a fitting encapsulation of Season 5 as a whole, doesn't it? The one year where the direction of the channel felt rather aimless, yet not necessarily in a bad way: a lack of obligation to be tied to larger theming and colossal channel events resulted in some of the most unrestrained, individually-ambitious, and fun listens in the channel's entire life. I'm not quite sure if I'd call my rip :) a "banger", but it's the kind of rip that I can't help but respect for the sheer audacity of it alone.

[cheylouwho]

My response to Bloom’s video on Pip, which I find to be very disingenuous to him as a character and his purpose within SP. This is a comment I wrote out which is on the video itself, but there’s some points here that I think are relevant to the tumblr fanbase as well. May need to watch this utterly painful video first to get where I’m coming from (godspeed) but still:

1, Hate Pip all you like, I really find it disingenuous to compare Pip to Butters. Matt and Trey's intent for both characters was wildly different from the get-go. "Even though they essentially fill the same role" as a statement not only disregards what Pip was was created to do, but also Butters and his development. It also doesn't make any sense to consider TGNIAHT as the "passing of the torch" because Pip was still a character long after that episode, and Butters didn't replace him in any way, shape or form. "Character that the main 4 push around/don't like/throw under the bus" is not a singular archetype that belongs to any one character. If you're going for that angle, up until very recently, Scott had the same amount of relevance and character development as Pip-- and last time I checked, everyone seems to like him well enough. You could boil him down to "kid they don't like who has diabetes and they make diabetes jokes at him haha funny" and that was IT. 

 2, South Park characters, as a whole, have a very fluctuating set of character traits because M+T are making a comedy show above all else. They will shoehorn just about anyone into a role and make them do something previously considered OOC just for the sake of a joke. Pip being the butt of the joke in that manner (in relation to your statement that despite the jokes being funny you still feel him being empty) is EXACTLY the point of what early sp was, and still in some way is to this day. We've now got 25+ years of solidity for some of these boys' characters, and they still pull things out that surprise us in terms of what we think a character will or will not do. Pip being Pip, as he was, was exactly spot on for season 1-5 humor and characterizations. We're comparing apples to oranges with Butters since he's had YEARS more development time. Even on that note, Butters now is a completely different character than he was then. 

  3, I am part of SPHS, who made the iceberg from your previous video, so I do know somewhat what I'm talking about when discussing fandom trends and history-- we literally research this stuff, and I have been in this fanbase for years. Your response to the tumblr post was really weird and twisted completely what the person who posted was saying-- I read that post properly in it's entirety (which you don't frame, you cherry picked a small section), and I agreed with it. Pointing out a trend within the community as to who and where certain ideas are coming from is not making you out to be the bad guy. Like you said, you own that you have somewhat of an influence because of your YT channel, but there's also a lot of younger/newer fans looking at old episodes through season 23 rose colored glasses, who may just be using this as a justification.

Anyway, that’s my thoughts. Goodnight