7grandmel

[7grandmel]

Todays rip: 06/05/2024

Wake Up! It's Friday!

Season 8 Featured on: The Joke-Explainer 7000™'s Highest Quality Rips: Sunrise

Ripped by AdamCrossing

Tentative rip name: Last Freight-train Night

Huge apologies in advance for not posting this on a Friday or even a Saturday. The joke has been completely missed. I hope you can find it in your hearts to forgive me 😔.

Ah man, melody swap rips. They're always fun, right? Even in the channel's earliest days, we had stuff like SNES Mini Circulation, Earth, Wind & Bombs and Akumajō Lololo expertly showing off their inherent, obvious appeal - leveraging the instrumentation of one track to bring out a whole new vibe to another piece of music through rearrangement. But especially early on, and even nowadays, you'll notice that some games get favored above others for melody swaps. Super Mario 64, the Pokémon series, NES and Game Boy games, Plok! - granted, the reasons for a lot of these are very easily explained, but with games like Plok! in particular the recent emphasis has come from a select few rippers' absolute enthusiasm for the game and the unique soundscape it provides. Tons of Plok! rips are absolutely mindblowing as a result of this passion, and I intend to cover some of these in the future no doubt - but Wake Up! It's Friday!gave me many of those same thoughts upon first listen whilst being from a game I never would've thought would be one befit for melody swapping.

Again, to clarify: It's perfectly understandable why those aforementioned select games get so many melody swap rips made of them. Pokémon in particular has at once such a nostalgic, distinct yet versatile set of sounds that has allowed for a ton of creativity in how rips are done, with everything from the piano-driven peacefulness of Blue Mareep to the synth-heavy insanity of Plasmaseeker. The Legend of Zelda: Spirit Tracks, meanwhile, is a game I only truly associate with two instruments - the pan flute and the violin - and that paired with its relative obscurity compared to other often-ripped games made me understand why all the chips wouldn't be placed on it in particular. Clearly, I was underestimating both the game and AdamCrossing's sheer range as a ripper here - the guy has genuinely impressed me with his arrangements of the New Super Mario Bros. series' music in particular, and yet I mistakenly assumed that to be the only trump card in his deck. Then again, as both those games and Spirit Tracks work with a smaller, more quirky set of playful instruments, I suppose Wake Up! It's Friday! only makes sense for him to have tackled; nevertheless, the rip wound up positively blowing me away in its arrangement, whilst still finding a way to stay absolutely faithful to the sound of the game its taking from. It's pan flutes and strings, yes, but they're leveraged to a far greater degree than I could've ever imagined.

If you presented me with a choice of song to use in a melody swap for Spirit Tracks' Overworld Adventure theme, I wouldn't have been able to give you an answer - yet had I given you one, it would've probably been incredibly far off the mark from what Wake Up! It's Friday! lands at. It's a full arrangement of Katy Perry's Last Friday Night (T.G.I.F), the absolute pop sensation released just two years after Spirit Tracks itself - yes, in other words, this is a PAN FLUTE arrangement of hit song Don't Mine At Night. Like, maybe I'm just easily impressed, maybe I'm just far too attached to Spirit Tracks' sound from playing on its stage in Smash Bros. all too much, but I have to commend Wake Up! It's Friday! just off of its concept alone. But, come on now, you've heard Thwâmpröck Desert - you KNOW that Season 8 has been delivering in far more than just concept alone.

See, the rip isn't just pleasant for its novelty, it feels as if it fully realizes itself in so many small little ways. There's of course the persisting banjo-like backing from the original keeping a playful, plucky adventuring tone, but it's in listening in close that you'll hear something truly special. You guessed it: That chuff-chuff-chuffing sound persisting through the entire track is the sound the player's train makes in Spirit Tracks when moving at the highest speed, whereupon it starts to sync up with the Overworld Adventure theme - in other words, the sound effects are a separate element from the actual music piece, yet Wake Up! It's Friday! goes the extra mile in including it just to make it all feel more...right. The cherry on top of even that is, of course, the sounds of crossing signals fading in and out of the song at various points throughout its runtime. This isn't referencing anything in particular from Last Friday Night, it's a completely original touch by AdamCrossing, but it adds SO much to the listening experience: Pair it with the other two things mentioned in this paragraph, and it starts to feel as if this track is truly taking place within Spirit Tracks itself, a sense of immersion far above what was necessary is conveyed through just these small touches alone. It stimulates the brain in ways I never thought I needed - and in terms of sheer listenability, it all just helps give the arrangement a real sense of tempo, befitting of the dance-able pop song it's an arrangement of.

Season 8 is a lot of things, and I'm still trying to ascertain what to truly make it of four months into its run. But if there's one constant I'm sure of, its that the channel's quality has basically never been higher - rips like Wake Up! It's Friday! are dropping left and right without being part of larger events, as if to just casually remind you of how good of a place the channel is in right now. And having those explosions of quality be attached to games which really haven't seen all too much action on SiIva compared to the big boys, to the channel's "hidden gem" games as it were? Be it back with Plok! in Season 6, or all the countless other examples over the years since, that always just fills me with such joy. Every game is someone's favorite, and every someone has the potential to be a SiIvaGunner contributor - it only takes one person's love for a game to get rips as carefully made as the works of AdamCrossing's, among which Wake Up! It's Friday! is easily one of the best.

[7grandmel]

A collection of Roblox bonus images found across the duo of recently-released The Joke​-​Explainer 7000​™​'s Highest Quality Rips albums.

The files are named image (4).png, image (5).png, image (7).png, I'm always here to help (bobthetacocat).png and image.png.

Based on the fourth image's name and the Roblox setting, all five are likely to have been taken by BobTheTacocat, who made the Joke-Explainer 7000 model for their rip Main Theme - Five Nights at Freddy's 57: Freddy in Space

[7grandmel]

Todays rip: 09/02/2024

Magolor's Shoppe Fusion Collab

Season 8 Featured on: The Joke​-​Explainer 7000​™​'s Highest Quality Rips: Sunrise

Ripped by Bruh de la Boi, ChickenSuitGuy, circunflexo, Cosmic199X, Edgi, Ellie53, Jiko Music, Memmy, Pan Visuals by BobTheTacocat

Look alive, everyone - Season 8 of SiIvaGunner has now officially premiered!

It may be a bit rich to say as someone running this blog, and with such deep investment into the channel, but...Season 7 really did bring me back into SiIvaGunner in a way I never quite thought would be possible. I'd sort of just accepted with Season 4, Season 5 and Season 6 that the channel had found a new direction: one that I was still VERY much a fan of, yet not quite the one that had "sold" me on the channel the same way Season 1, Season 2 and Season 3 did. I felt as if I was missing that energy of just...sheer visceral excitement for the future of the channel as a whole from the later-year seasons. There was instead a lot of per-event excitement, tons of little events to enjoy and still fun to be had in speculation of what could happen next, yet that aforementioned optimism still felt like it...missing, for a long time. And funny enough - last I discussed that feeling in particular was with Patched Plains Fusion Collab, a rip that Magolor's Shoppe Fusion Collab very much seems to be intentionally aiming to evoke.

Part of the reason that Patched Plains Fusion Collab works so well for me, and indeed why Season 2 has long sat as my favorite in the channel's life, is that feeling of raw forward momentum it conveys - the excitement of the entire fanbase thankful that SiIvaGunner hadn't actually ended, distilled into an anthem of so many different styles cheerfully pushing us forward. It was that sort of progress that, back when they were airing, I felt was sort of absent from Seasons 4/5/6 - the SiIvaGunner AI was still running things, Wood Man was still off effectively doing sidequests, and though the rips had obviously gotten better the cynical side of me couldn't help but feel a bit sad at how - for a lack of a better word - "predictable" it all felt. And to be crystal clear: A lot of those feelings have obviously changed for the better over the years. I love all of SiIvaGunner's Seasons nowadays, and I realized eventually that the prior-mentioned cynicism toward the new direction wasn't as fun as just, appreciating and LOVING the stuff to come out from the new seasons for the excellence that they were. And funny enough, I feel like that exact mindset is exactly what made Season 7 work so well for me.

Wheras Season 2 is one I remember for its feeling of constantly moving things forward at a rocket-speed pace, Season 7 excels by doing the complete opposite - the Year of Grand Dad is, at almost every possible turn, defined by its sense of self-celebration, a sort of "Sonic Generations"-type of tribute to the entire channel's life. Be it with RIP² as covered in SING A SONG ABOUT HOPES AND DREAMS, the entire incredible April Fools event I've alluded to within Violet Snow Memories, a newfound sense of chaos clearly inspired by Season 1 as shown in Hidden Headtoilets (skibidi toree 2) - yet with Seasons 4/5/6s newfound touch for genuine quality arrangements as found in rips like Forest of Tears. And, atop it all, the long-awaited continuation of the storyline last progressed back in Season 2 with the Christmas Comeback Crisis' eleventh episode. With such an incredible smörgåsbord of content on offer, it feels damn near impossible for me not to consider Season 7 my all-time new favorite.

And that optimism for the Season, that optimism for the future, is why Magolor's Shoppe Fusion Collab struck such a chord with me, with its release just a few days ago. With Season 7's ending, the status quo of the channel has been fundamentally altered in a way it hasn't truly been in a long while. For the first time ever, the long-present side character "Joke-Explainer™ 7000" is in full charge of the channel - her most prominent role ever despite having been around since all the way back in Season 1. I'll likely be dedicating another Season 8 post in the future to talking about her in particular with the same level of detail I did back in Vote Responsibly!!, but the context I'll provide for now is that her theme song, Magolor's Shoppe, has been a familiar, comforting tune to many a SiIvaGunner viewer since way back in Season 2. To see Patched Plains Fusion Collab not only get a spiritual successor, but one building upon a character and theme we've long grown attached to, means something so much to me and so many others. The added visuals, of her doing her duty with adorable Kirby-themed artwork as textboxes, are truly the cherry on top of an amazing collab.

From referencing the very beginnings of the channel with an initial arrangement using Pokémon Ruby, to using familiar-yet-infrequent sources such as Thwomp Volcano and Snail's House (jokes "worth explaining", so to speak!), to perhaps even hinting at what jokes are to become even more frequent in Season 8, such as the GOAT of all new jokes I Show Meat - I was long anticipating what the official premiere of Season 8 would be, and Magolor's Shoppe Fusion Collab was everything I never knew I wanted. My excitement for Season 8 is perhaps higher than for any other Season in the channel's long history, and I can't wait to get to share that excitement with all of you.

[7grandmel]

Rip of the week: 11/11/2024

Radical Halation

Season 2 Featured on: Rips of Christmas Past Also on: Now That's What I Call Quality!

Ripped by wheel able, wolfman1405, David Morales Boroff

Birthday Special!

Anniversaries, anniversaries...how they come, how they go. This week in particular is a pretty special anniversary, not just for the release of hit game The Elder Scrolls V: Skyrim, but for the release of ME: My birthday!

It's surreal how vividly I still remember when I wrote Your Silent Reality for my last birthday, covering a SiIvaGunner rip that's sat with me long since I first heard it due to the emotional ties I have to the material it utilizes. I began this entire blog as a way to give me writing practice, and I'd like to think I've grown a fair bit as a writer in the time since; but nevertheless, even a year and a half since the blog's begun, my emotional attachment to Season 2 of SiIvaGunner remains as firm as ever. The channel's output has grown to be more impressive than ever before, and last year's Season 7 in particular has had me in a chokehold with rips like Beautiful Dreamer (late but- happy birthday Minindo!) and The Paragoomba and the Wiggler...and yet, I will always keep coming back to the rips of that second season, to the rips that defined my ride-or-die fixation to the channel, and to the season that more than any other gave me feelings for things I didn't even know I was capable of caring so deeply about. Indeed, in direct contrast to last year's birthday rip, Radical Halation was the kind of gift I never knew I needed, yet one I will never stop treasuring.

Way back when I covered the rip Eterna's Cocoon, I wrote about how special it is to me to know that rippers on the team will continue to champion the works which have long since faded from public consciousness. Sure, SiIvaGunner leverages then-current events for comedy a fair number of times; a previous post on the blog's covered one such example in Lagplane, and one of the channel's most revered events back on Your Best Nightmario only came about as a result of a viral meme from that same timeframe. Yet just as often - if not moreso - the channel operates within its own bubble of time, with no care in the world for relevance or target audiences, a team making rips in huge part just for their own enjoyment. Take, for instance, the 1999 SquareSoft JRPG Chrono Cross; a game that, six years before its remaster in 2022, still existed as nary but a memory to many. Nevertheless, it was a memory treasured by two rippers in particular, a duo who had already impressed me time and time again throughout the channel's first two years. Be it Sog-Gee Ambiance, voiceless, Kass' Theme, or their previous collaborative work on 28 Saves Later, wheel able's stellar touch for arrangement and wolfman1405's unbelievable talents as a jazz performer are both some of the absolute highlights across the channel's early run. When the time came for one of the most important anniversaries relevant to the SiIvaGunner channel, the two took the opportunity to also honor a forgotten classic they both cherished – and in doing so, Radical Halation ironically became one of the first times I ever engaged with Chrono Cross. With the game's anniversary also just two days away, and the rip lying so close to my heart, I see no better time than to reciprocate that passion all these years later.

The sheer quality of Radical Halation should be made evident just a few seconds into listening; this is, as Wolfman1405 in particular specializes in, a ground-up cover and performance of the original Radical Dreamers ~ Unstolen Jewel theme from Chrono Cross. The original theme already had a shockingly acoustic sound to it for its era, really plucking at the emotions just a few chords in; that emotional rawness in the track may well have been the core reason why it was chosen to celebrate this anniversary in particular. Indeed, the anniversary I alluded to beforehand as being one of the channel's most crucial is that of the very song the rip title alludes to, the song that sits at the very emotional core of SiIvaGunner's entire being: Snow Halation from Love Live. I wrote back on Waluigi Pinball (Beta Mix) that the Grand Dad meme is like the beating heart of SiIvaGunner's creative spirit, being the core that created the entire channel; by that same logic, I feel as if Snow Halation is like SiIvaGunner's *emotional* core, its "soul" for lack of a better term. Grand Dad may be the spark that sets new rippers into action even all these years later, but Snow Halation was the first thing that people got EMOTIONALLY attached to on SiIvaGunner – it was the core behind its first story arc of SiIvaGunner: Rebooted, it continues to effectively serve as the "protagonist" to the Christmas Comeback Crisis storyline – and its use throughout the channel continues to feel like a reminder of that same attachment, the one that the channel has to all of us. It's an openly sappy, almost overbearing song, yet one that represents so much about the love of remixing and rearranging that SiIvaGunner continues to focus on all these years later.

You take that emotionally-charged melody, put it in the hands of two stellar arrangers, and inject it into an arrangement of an emotional melody the soundscape of which said aforementioned rippers already appear to hold a close attachment to, and the end result is exactly what Radical Halation shows us. Throughout 2016, throughout the entirety of Season 1 of SiIvaGunner, we as the audience had gone on such an emotional rollercoaster regarding out attachment to the channel, its creatives, and its memes, with Snow Halation at the very center of it all; with the channel returned just in time for the holidays, it also happened to return just in time for Snow Halation's anniversary on December 22nd, ever so coincidentally aligned with the time upon which we were all wholly, earnestly in love with everything the song had come to represent. Many months before Season 3 and beyond would begin feeding irony into the discussion of appreciation for these melodies, right as the Christmas Comeback Crisis was just kicking into gear, and just long enough after the channel's return had occurred to make us truly accept that it was back, Radical Halation's release window struck gold in a way only truly comparable to the rips of the Season 1 finale a la Do for LOVE and THANK YOU FOR RIPPING.

I'm of course not aiming to frame Radical Halation as just being "the right thing at the right time"; beyond that emotional attachment, the simple fact of the matter still remains that its a hauntingly beautiful arrangement, even close to 8 years later. Radical Dreamers ~ Unstolen Jewel's beauty sinks in just from the acoustic guitar lead-in, and is only emphasized by the time the rip's true "twist" sets in, of its lead melody being that of a Snow Halation arrangement played on violin. The two halves form an incredible, inseperable whole; not confined by the restrictions of a mashup, the hand-made nature of this arrangement means that both the guitar and violin segments are free to fill in for one another, to emphasize the sounds of Radical Dreamers ~ Unstolen Jewel or the melody of Snow Halation to different degrees on a moment-to-moment basis. I particularly love the section after the Snow Halation melody first plays - at around 0:47, the violin seamlessly leaves the Snow Halation melody and instead takes cues from the source track, yet never stops feeling as if its all from the same arrangement, even upon returning to Snow Halation at 01:10. The rip throughout has the same feeling as the best and most carefully-constructed mashups of today a la Mallstep‼️ or Maroonbound whilst in reality being a completely new arrangement and performance.

The visuals of the rip are of course just the cherry on top of it all. Viewers are made immediately aware that the rip is going to be something special not just through its audio, but from the cold-open visuals of pitch blackness fading into a view of the ocean from underneath the surface, the logo fading in just as the melody's played its first few notes. These visuals only change once Snow Halation is first quoted in the audio, changing from the undersea depths to the view of a beachside in winter, a quite literal mash-up of Chrono Cross' dreamy seasides and the snow-covered comfort of Snow Halation. None of this visual detail is particularly "necessary", it's not here to further a punchline; rather, in the spirit of rips like i love(d) you, the visuals serve to punctuate the emotional core of the rip. Visuals in any rip are a surprise, an often-time momentous occasion, and Radical Halation combines that knowledge with its purpose of celebrating Snow Halation's first-ever anniversary celebration on the SiIvaGunner channel to create a rip that, even with no ties to Chrono Cross at the time of watching, I just KNEW would be special back in 2016 just three seconds in.

All these years later, and a rip as special, profound and heartfelt as Radical Halation still manages to feel...forgotten about, in many ways, sitting at less than 25K views as of writing. In that sense, Chrono Cross may have been a more apt game to use for this tribute than its rippers initially thought; all these years later, despite its clear emotional core, the passion that went into it and the release of its remaster, the game remains a jewel swept away by the tides of the industry. We're soon nearing nine whole years of the SiIvaGunner channel's run, and with every day I run this blog I'm made all the more aware of how many gems just like Radical Halation continue to slip by the cracks, how much joy and love the channel's team crams into so much of its output despite never having any sort of guarantee that its audience will reciprocate that love.

But, even all those years ago, Radical Halation did reach me. And even so many years before the idea of this blog was even a consideration, before I was knee-deep in thought about the channel's existence and the people involved in its upkeep...I knew that I wanted to thank its creators. I knew that it was a rip that could only have been made out of outpouring love; love for a game years old, love for a channel that was still standing shakily, love for a leitmotif and its impact on an audience...and most of all, the love of creating and performing music outright.

I held onto those thoughts, kept them stashed away in the back of my mind – yet I feel as if subconsciously, they were part of why wolfman1405's arrangement and performance of Sunday Morning, three years later, hit me as hard as it did. The song was different, the subject was different, the context was different, the "joke" was no longer there; and yet it was as if Wolfman1405's creative, emotional spirit, that I'd felt so prominently years past, had never left. Put simply, beyond its inherent qualities that I'll forever applaud wheel able and wolfman1405 for, I feel...indebted to Radical Halation: it may well just be one rip, but its one of the most core pieces I can think of for why my love for the channel continues to this very day.

[7grandmel]

Todays rip: 08/01/2024

You Are Book Smart

Season 7 Featured on: Rips of Christmas Present

Ripped by circunflexo

Tentative rip name: You Are Book Smart

I'd like to wish a late happy Jay Eazy day to all who celebrate, I hope you spent your time together with your dogs like Mega Man fr fr

Okay, but, like, sincerely, I like many others have over the last year been completely enamored with all the edits and attention given to Jay Eazy, and the frankly hilarious promotions he does for his music. The guy's a rapper in a sea of others but is frankly a marketing genius - he attaches popular games and anime to his songs, such as Grand Theft Auto, Demon Slayer, or indeed Mega Man, and promotes them through TikToks that are so absurdly strange that your only logical reaction is to laugh. In 2023, he struck absolute gold, and Mega Man went absolutely viral - after, of course, it dropped on January 7th.

There's just something so inherently funny about Jay Eazy that's...hard to describe, especially if you haven't been down the rabbithole of edits people have done of the Mega Man promo video. Be it the setup of Jay Eazy dropping in on someone else's grief to promote his music whilst running away from them, The Very Perculiar Way That His Captions And Tweets Are Written‼️, or just the corny sound to the songs themselves - Jay Eazy is immensely fun to post about, and post about him SiIva did, just one day ago. January 7th, 2024, was dedicated entirely to the king of money smarts himself - and of all rips posted, You Are Book Smart became my favorite just about immediately.

The thing is, we've had a lot of rips, and even some events, kind of similar to Jay Eazy Day already. Rap mashup rips, from Yoshi's Cookie World to Loopdeloop Griddy, aren't exactly a rare sight on SiIvaGunner, and just earlier in Season 7 we received a sequel to Whip & Nae Nae Day, with amazing rips like Whip Fortress (coincidentally ALSO by circunflexo!). There's of course uniqueness to all of these rips due to the sheer personality and expressiveness inherent to rap as a music genre, but it does still mean that the rips that try to truly stand out from the crowd are the ones that end up sticking with me the most. And compared to a lot of the other hip hop rips on SiIva, the big benefit that Jay Eazy has enjoyed for me is that he's had a whole year to simmer in my mind - I know the bars to Mega Man completely off the top of my head through no choice of my own, at this point.

All that is to say, that Circunflexo's call to make a rip that specifically plays with the lyrics and flow of Mega Man, sentence mixing it into new bars entirely - is absolutely damn brilliant. You Are Book Smart, through the edits in the lyrics and the sheer whimsy in the original song's beat, transforms a song originally about bragging over riches and dames, into Jay Eazy proudly boasting about his intelligence in perhaps the funniest ways you'll have ever heard. The kind of monotone quality that Jay Eazy's vocals have lend themselves to absolutely fantastic, near seamless sentence mixing, and the jokes just write themselves from there.

"I'm book smart, I'm money smart - I'm more intelligent, Call me Mr. Smart Festival, I got hella books"

It has no right to work as well as it does - and yet, Jay Eazy, the king himself, pulls through. Even if I wasn't blown away by every rip of the event, it was absolutely fun the entire way through, and you can really tell the SiIvaGunner team loves Jay Eazy as much as the rest of us: the cherry on top being the edited opening, that persists in almost all rips of the event. Jay Eazy's typical introduction of spelling out "S-R-G", was across the entire event edited across all rips to say "S-G" - SiIvaGunner. Even for a meme this silly and dumb, the amount of effort put in was, frankly, admirable. What a start to 2024: and Season 8 is just around the corner!!

[7grandmel]

"20 dollar.png", a bonus image included in the "PROTONOMICON ~ The Cult of Proto Collection" album release.

(Slender Man's presence is in reference to the SiIvaGunner fan channel VvvvvaVvvvvvr, which was hosting the "VvvvvaVvvvvvr's Spooktacular Totally Not Halloween 4: The Slender Man Takeover" at the same time as SiIvaGunner's Cult of Proto event.)

[7grandmel]

Rip of the week: 04/11/2024

You Are Sus

Season 5 Featured on: SiIvaGunner's Highest Quality Rips: Volume D

Ripped by Retro Gaming

Requested by Corb! (Request Form)

I've written a fair amount already on here about my somewhat...muted feelings, regarding Season 5 of the SiIvaGunner channel. It was, retrospectively, a sort of transitional year for the team, as they had to officially move past the King for Another Day Tournament after over two years of fixating on it, not to mention how large parts of the team had left during those years due to creative and personal differences. It's a net good in the end that the channel team wound up finally being free of the edgy assholes that had festered since the dark days of 2016, yet this transition left 2021 in particular feeling a bit...lost, in terms of long-term goals for the channel. We were, of course, still getting stellar rips as always; be it the remaining old guard showing tremendous growth with rips like Hopes and Divinity+, or fresh faces like R.L.99 from Through the F-F-Fire and the F-F-Flame and Memmy from Welcome to 2021! They finally invented summers that hurt motherfuckers😂 only at sonicforces​.​com making immediately memorable first impressions to help pave the way for the future of the channel...yet taken on the whole, it can be hard for me to remember just what Season 5 of SiIvaGunner in particular was aiming to prove.

As fate would have it, however, a set of huge events in the online world wound up happening in the lead-up to 2021, the very year of this initial uncertainty for the channel. The channel was no stranger to responding to ongoing online trends – Plains of Des-passing-to was far from the only upload of its ilk – yet the events in question had such a magnitude to them, to where it was as if SiIvaGunner's responses to them wound up inadvertedly defining the entire year's Season, in part defining the channel's whole legacy. The most obvious example is in the year's April Fools event; The Disappearance of Super Mario, rather than playing with the expectation and goals of the SiIvaGunner channel itself the way that ...of 2023 did with Season 7, was instead entirely built on an existing online joke that had been bubbling in the gaming community for the course of multiple months, one I covered pretty succinctly back on Your Best Nightmario and Mario Does Not Dream of Bunny Girl Princess.

The second of these events would be the initial release of Friday Night Funkin' and the immediate surge of popularity it came with; doubtlessly, the SiIvaGunner team's choice to provide matching visuals for every rip of the game as shown on Satinpanties Symphony and Satin PantE's wound up giving the channel tons of attention from new fans, and over three years later it feels as if the culture of SiIvaGunner is inextricably linked with the youthful punk spirit still keeping FNF alive. Yet most momentous of all, above the aforementioned two events, there was a third that would end up festering into 2021 of SiIvaGunner, not through thematic coherence or through the die-hard passion of any one ripper in particular, but through sheer force of overexposure and comedic value; 2021 was, indeed, the rise and inescapable plateau of all forms of imposters, crewmates, tasks and sussy bakas; At last, it is time to talk about AMONG US, and time to talk about You Are Sus.

I've had the request for this rip in particular stuck in my head for months on end, awaiting a proper time to cover it; I've scraped the very surface of Among Us' presence on SiIvaGunner on here beforehand through Among Drip Drop Galaxy, and it's been looming over this blog since near its very beginning all the way back on Big Sus Chocobo. Yet to try and comprehend all that Among Us is feels nigh impossible: more than a video game, more than a phenomena, Among Us took the entire shitposting world by inexplicable storm and mutated like a virus into what feels like several hundred different memes over the course of mere months. It was rapidly growing in absurdity and layers of irony, much the same as SiIvaGunner memes like Grand Dad did like I wrote about on Waluigi Pinball (Beta Mix), yet now done on a wholly mainstream level; no matter who you were, if you were frequent on the internet you were only a few posts away from seeing the Among Us Drip memes, from knowing someone who had permanently added "sussy" to their lexicon, from seeing the vague silhouette of a crewmate wherever your eye would wander. Among Us shitposting was omnipresent, and the worst part was; It was, through some bizarre construction of the collective human consciousness, pretty much ALWAYS funny. The SiIvaGunner team witnessed this meteoric rise in an entire new genre of shitposting, and it was as if it gave the channel a newfound passion; as if to say, "no matter where our vessel heading, we're gonna make the best damned Among Us shitposts possible for as long as its afloat.".

And so, the rips came in; Expensive Dispenser's Among Fresh Drip, a mixture of these latter two phenomena released near the very start of Season 5, may perhaps be worthy of coverage on here in its own right for just how foundational it is to the Season 5 SiIvaGunner experience as a whole. But the rips riffing on the game only continued to grow in number, and as the meme itself grew it had yet more sources to pull from; like Bottom G of Lagplane fame, Among Us' greatest strength as a meme was just how damn versatile it was, as there were a seemingly neverending amount of audiovisual cues that would immediately let the viewer make the connection to Among Us and the growing insanity of its derivative content. Now, imagine taking a distillation of that insanity, and mixing it with what may be one of the SiIvaGunner team's most insane rippers; Retro Gaming. Featured on here previously through Logan Paul's Shop, the guy is a ripper whose output I have been SORELY underestimating, someone who – as made evident in the aforementioned rip – has a sort of unhinged knack for adding onto his rips through additional sources and jokes that only barely feel cohesive with what the original concept for the rip was, like teetering on the brink of madness. With these two combined, you end up with a whole bunch of Among Us rips; and, indeed, with You Are Sus in particular.

It's remarkable to me that You Are Smart now has two clear all-time amazing rips under its belt for me with both You Are Sus and Season 7's You Are Book Smart, but it goes to show just how much inherent comedic value the song has. The off-kilter feel of Katamari Damacy as a whole, distilled into a weird beat, melody and voice samples, make it the perfect canvas for true lunacy to breed; and with You Are Sus, practically every part of the Among Us shitposting homunculus is leveraged to make something truly unbelievable. It's far from the only Among Us YTPMV on SiIvaGunner – I mentioned Big Sus Chocobo before – and yet it feels perhaps like the most cohesive rip of the game you could possibly make. All the hits are here; Arcade Craniacs-posting, Stop Posting About Among Us, Among Us In Real Life, A M O G U S, all woven together in such a chaotic, unpredictable way, like a barrage of Among Us noise more than aiming to be organic parts of the original You Are Smart. Yet they're paired with additions that ARE almost seamlessly integrated with You Are Smart, changing the titular chant into "You Are Sus", Among Us sound effects being added to the original song's beat to give it just that slight sussy texturing, even giving it a sort of "beat drop" around 0:40.

Retro Gaming doesn't get sidetracked off the original joke here the way you could argue (despite being to its benefit) Logan Paul's Shop did; EVERY joke present here, every layer of madness added is all to further You Are Sus's agenda. The usage of Arcade Craniacs clips in particular is immensely inspired; the channel was one of many content farms on YouTube that found increasingly absurd ways to play off of the Among Us branding to boost their own popularity, and through voice clips relating to said efforts are intersperced throughout You Are Sus, it all comes full circle at the two minute mark. "It literally says 'You Are Sus'", a clip rings out, thereby connecting the echoing edit of the You Are Smart voice heard throughout the rip to the title and concept of the rip as a whole, a madhouse of every possible angle of the word "sus" played all at once.

I can express as many gripes with the overall direction of SiIvaGunner's 5th Season as I wish, but none of that will take away from the sheer talent and quality found within its rips; and a rip like You Are Sus excels in ways only a Season 5 SiIvaGunner rip could. Channelling the peak of Among Us shitposting insanity through the veins of one of the SiIvaGunner team's most cracked-out rippers, executed with the detail and finesse on a level to where the Stop Posting About Among Us-guy's ramble is synced to the beat of the song used... it was bound to become an all-time fantastic rip, is what I'm saying. It was as if the loose direction the channel took during 2021 in particular gave the team free reign, a freedom to adapt all that the internet was yelling over throughout the year with a degree of effort it would otherwise direct to the channel's own internal ecosystem. If that effort was what gave us rips like You Are Sus, then I'm perfectly content in calling Season 5 of SiIvaGunner a truly successful experiment.

[7grandmel]

[7grandmel]

Rip of the week: 21/10/2024

Appleforce

Season 8 No Album Release (Read More) Bad Apple!! (UK Version) - Touhou 4: Lotus Land Story

Ripped by Ellie53 (@ellie53real)

While the SiIvaGunner channel comes with a lot of repeating gags and bits, the ways in which they employ these can vary a fair bit. The channel's foundational meme, the ever-present funny Flintstone man Grand Dad which I wrote about on Waluigi Pinball (Beta Mix), is a simple leitmotif of just 15 notes, which makes it incredibly flexible; it can be employed as a standalone joke as practice for greenhorn rippers, or be wormed into the middle of more complex project. Memes like We Are Number One meanwhile have a very funny sound to them, yet require a lot of time and care to get to sound as good as rips like Robbie's Rotten Mine or Ska Cha Cha (Rotten Mix). And then, on the side of the spectrum completely opposite to Grand Dad, we have the jokes that feel more like a complete and total flex on the part of the ripper employing them. These "bits" are the ones that aren't necessarily reoccurring due to being funny, but rather due to being bangers with a complexity inherent to their composition, which makes any rip employing them feel like a big event. The main example would be Final Fantasy VII's One Winged Angel as featured on rips like I will Never be a Redneck, yet perhaps just as impressive are rips utilizing Dragonforce's legendary Through the Fire and Flames; rips like, indeed, Appleforce.

Made legendary through Guitar Hero III, Through the Fire and Flames is a song known far and wide across the internet; a piece of mainstream music that pierces through to the most shut-in of nerds due to the gaming legacy tied to it. It was the ultimate challenge for play in the ultimate Guitar Hero release, an absolutely unmissable part of pop culture of the 7th generation of gaming, and of course an absolute shredding banger in its own right. It's a natural fit for the SiIvaGunner channel, and ever since around ~Season 5 or so it's seen a pretty notable uptick in appearances - you may remember my writing of the legendary Through the F​-​F​-​Fire and the F​-​F​-​Flames, championing its ripper for his incredible ambitions and efforts made to make the rip feel as complete as it does. Its the typical fun of SiIvaGunner arrangement rips, the age-old question of how to transfer one song's intensity into the framework of a different song or video game's sound; Float Islands (Kirby 64 Arrangement), FEEL SO FINE STUCK INSIDE, and of course medley rips like SNES Mini Circulation all show just why it's such an appealing prospect. And so, we've seen a fair few rips aiming to do just what Through the F​-​F​-​Fire and the F​-​F​-​Flames did: take the legendary song and rearrange it in the style of a different game.

In large part, that is what Appleforce also does to great effect, imbuing the track with the distinct sound of the Touhou franchise. You can read the entries on V.NR. One Was Four? and Beautiful! ~ Curveball of Sean Kingston to learn more about it, but to keep it concise it's a sound that I very much admire and enjoy despite having very little knowledge of the Touhou series as a whole. One Touhou song I'm most DEFINITELY aware of, however, is Bad Apple!! - perhaps the series' most virally spread anthem, and one that I officially fell in love with all the way back in Season 3 of SiIvaGunner through Imperial Touwer. It is, in many ways, a song just as legendary and known to the video game mainstream - if not moreso - as Through the Fire and Flames. And so, in some sense, it's only logical for Appleforce to flip things on its head.

Indeed, the rip isn't an arrangement of the Dragonforce track kept to the soundscape of Touhou 4; uniquely, it's instead the other way around, an arrangement of Bad Apple!! using the instrumental sound of Through the Fire and Flames. Upon relistening to Through the Fire and Flames a few times before writing this post, I had forgotten just how video game-y the original track actually already sounds, with a chirpy synth accentuating several key moments of the performance that just oozes 90s video games. As a result, the two tracks feel closer to one another than you'd once think; and Appleforce as a result manages to feel less like a straight interpretation of one into the other, and more like an even blend of the two sounds.

I'm yet to cover much of what Ellie53 has done on SiIvaGunner before this post, but she's been a constant presence on the channel since the tail end of Season 5, no doubt soon becoming aware of the rising prominence of Through the Fire and Flames rips. She's also tinkered around with Bad Apple!! in particular with Maçã Ruim!! back in Season 7; and so, I suppose it only makes sense that one would eventually put the pieces together and try their hand at mixing the two into one. Appleforce feels WELL worth the wait and is a shining example of Ellie53's growth as a ripper, and I'm hopeful that Through the Fire and Flames sticking around on SiIvaGunner for the foreseeable future can continue to inspire rippers just like Ellie53 to keep finding new ways to experiment with its sound.

Long live Dragonforce!

[7grandmel]

MISSINGNO JUMPSCARE. Made this artwork for it in under a week, im super proud of it. Go check out the collab!!

[7grandmel]

[7grandmel]

can u make john notwoodman from siivagunner? :9

i made john notwoodman from siivagunner in dress to impress

thanks for the request!

[7grandmel]

what are some of your favorite siiva uploads? since i know its impossible to pick just one, lol

for me (at least off the top of my head, because i know i could think on this question forever and ever) its the KFAD Direct Beta Mix, What the Grox Beta Mix, and Sex - Steve Harvey ^_^

Thank you for the question! It made me realize that there's probably a good few people who also have questions like this for me to answer. Check out the latest #updates post for more!

My FAVORITE SiIva uploads...even in putting it in plural, that's going to be a very very tricky one ^^;.

Right off the top of my head though, due to how invested I've been in the channel's lore for so long, The Disappearance of Wood Man - A SiIvaGunner Christmas Comeback Crisis Side Story struck a really personal chord with me...It was like the response I'd waited years to hear, such a raw and emotional look into the team's thoughts and feelings after so much change had occured. Then, RIP^2 as a whole is also such a personal album to me on so many levels, with The Paragoomba and the Wiggler still getting me genuinely emotional even today. There's tons of rips from Season 2 in particular that I have incredible nostalgia for, such as Your Silent Reality and 【＝３】e-MUNO Disco (vs. 音MAD AGENT), and I really do treasure the emotional highs of following the King for Another Day Tournament and seeing rips like Sunday Morning drop for the first time.

Generally, though, it's those very personal projects that still sit with me and that I treasure a lot, like Everyday Goodbyes (SiIvaGunner Band Cover) all the way back in Season 1. I think my personal all-time favorite memory from following the channel, though, was the day when Prologue - The SilvaGunner Christmas Comeback Crisis first dropped: its release caught me by such surprise in the middle of study hall, that I audibly exclaimed and had to apologize to the rest of the room for being loud...

Thanks again for your question, Ovengoats!

[7grandmel]

Blog Update - 31/10/2024

TL;DR: The pinned post is finally updated with more tags! The ask box is also now open to sending general AMA-like questions to me as the writer of the blog.

Hey! Remember back in June when I returned to the blog and said I would be making more different kinds of posts on here? Hopefully you'll have already seen and enjoyed a few of these, like the Character Archives and Trivia-Explainer 7000 ones. Well, I also promised back then that I'd be attaching these to the pinned post to the blog...and then promptly forgot. Sorry!

Well, that's remedied now - I'm sure there are more kinds of posts I would like to add to the blog, but for now the main kinds you've seen since in June are now all described and linked to on the main post.

As part of that, I would also like to add that the tag "SiIvaGunner Blog MOJO!" — which was originally used to tag the Blog Navigation Tutorial — is now going to also be used to tag all Ask-Box questions sent the blog's way! I'm completely open to just chatting with people over discord, but if there's any particular question you have regarding the blog, my investment in SiIvaGunner, my relation to the team, or anything else that you may come up with in reading the blog, feel free to send it in! The first of these responses will be coming later today.

I'd like to also apologize for the somewhat erratic post schedule and lack of more supplemental posts recently. It's been a stressful few weeks and I'm splitting my attention across a fair few things; but I'm always sitting around wanting to write even more for the blog than I already do!!

[7grandmel]

Rip of the week: 28/10/2024

Lagplane

Season 7 Featured on: The Year of Grand Dad Sound Selection [Side A]

Ripped by Blookerstein Visuals by Whatvzz

Requested by Mobbsz! (@mobbsz02)

There's a phenomenon I've observed in recent times online, where internet memes appear to coming in and out of fashion at a far higher speed than they used to. With the relatively small internet populous of the late 2000s and the near complete lack of cynicism, everything from Doge to Trollface were downright undying in popularity; today, a new meme can be outright skip the stage of popularity and become revered ironically before it was ever even liked sincerely. I think you can pinpoint 2015-2016 as the main point when the tides began to shift; the period when internet cynicism was at an all-time high just so coincidentally happening at the same time as complete jibberish nonsense memes like Dat Boi and MLG parodies. I've covered both of those examples back on Koopa Street and we are number one but with outdated memes over it, and this post isn't necessarily about nostalgic reminiscence of memes long gone; but rather, that the intensely rapid circulation of today's meme economy have many jokes, like the one featured today on Lagplane, as feeling forgotten about mere months after their prominence.

It should require no disclaimer to clarify that I do not endorse, support or approve of anything that Andrew Tate — the online world's number one loser — says or does. Unfortunately, for as forgotten as today's meme associated with him has become, the man himself still persists in online spaces like a cockroach. Yet there was a very small timeframe back in late 2022, during the highpoint of his obnoxious presence on platforms like TikTok, where knowing about him would inadvertently also make you aware of one of the funniest bits played in recent memory; The legendary "Bottom G".

It began with various users on the app simply taking notice of people on the street with a striking resemblance to Tate's (rather generic) appearance, whilst coincidentally partaking in less-than-hypermasculine behavior. As Mr. Tate is one to desperately obsess over the state of his own — and others' — sense of masculinity, the inherent comedy in seeing a man look exactly like him yet exude openly queer energy became immediately apparent. Soon, these random sightings would escalate into one downright uncanny look-a-like by the name of Brian Michael Hinds taking it upon himself to don the meme's persona single-handedly. Mere days after the joyous news of Tate's online suspension broke in August 2022, Hinds celebrated by busting it down to the sped-up tune of Bambee's Bumble Bee; and thus, Bottom G was officially cast into stardom.

There was something about it all — the outright mocking of an obnoxious internet personality, the use of nightcore'd up music, the outright rejection of hypermasculine societal norms — that has always made me associate Bottom G with a certain flavor of memes from the early 2010s. The easiest comparison to draw, of course, is to the ever-present hatred of Justin Bieber as covered back on BELIEBERDANSEN - only now, that vitriol was not only directed toward someone far more deserving of ridicule, but was also distilled into an anthem and series of videos that are genuinely entertaining to watch. There's no other way to put it; Brian Michael Hinds absolutely SLAYED in the role of Bottom G across all his various shortform content he'd make to continue mocking the disheveled influencer. All of this, in turn, me oh-so-happy to see that SiIvaGunner team was quick on the straw to start capitalizing on the joke themselves.

I'm aware that a lot of people are a bit mixed on the Tate's Journey rip purely due to just how tied they are to a currently-prominent controversial figure, and it's a viewpoint I can completely understand. Yet almost every rip of the fake game that we received throughout Season 6 and 7 shows just why its such a fun bit to riff on - and rips such as Top G Alert! showed just how fun the actual audio source of Bumble Bee is to boot! It's a high tier SiIvaGunner meme in my eyes for just how varied it ends up being as a result of all that the meme entails, and Lagplane stands as one of the meme's best showings; At once showing the genuine talent to produce great sounding work from its rippers, a great sense of humor in the material used, and a really fun way to spin the "game"'s ongoing presence on the channel. It may well be the last rip the game will ever receive, releasing over 10 months ago as even the SiIvaGunner team themselves have seemingly moved on from the meme, but it's a true highpoint for the meme to go out on.

Lagtrain is a track that's been made explosively iconic in the vocaloid community and one that I feel is just on the precipice to becoming known even far outside of it the same way Bad Apple!! of Appleforce fame is today. It shouldn't be very hard to understand from just the first listen; the lead instrumentation, for one, is incredibly disstinct, almost reminiscent of pan flutes, the employment of which I'm all too sold on as explained back on Last Freight-Train Night, all only helped by the fantastic sound of the synthesized vocals and strikingly intense percussion. These qualities alone make the track prime material for use in high quality ripping; yet above all else, what's kept the track etched into the minds of nerds all over is undoubtedly its music video. The scratchy monochrome visuals of a girl in unamused thought upon a train, soon devolving into jittery motions in time to the music's beat; it's a hypnotic watch and immediately identifiable, and we've already had plenty of rips on SiIvaGunner paying genuine tribute to it. Be it Eva "hawk tuah" Twin's fantastic Coconut Mall (JP Version), its repeated appearance on Season 8's agonizing April Fools day event such as through PsychLantern's lagtrain but i made it funnier, or plenty other fantastic riffs played on it: Lagtrain, four years past its initial release, is here to stay on SiIva.

It's befitting, in a sense, that the grand sendoff to Tate's Journey rips would play off of their one common denominator past the Bottom G jokes: the thumbnail, a shitty stock image of Tate aboard a private plane. Replace Lagtrain's train with the plane, and its girl with Mr. Tate, and the joke speaks for itself: Lagplane's visuals, done by contributor Whatvzz, are simple but incredibly effective at selling the joke before the audio even kicks in, their scratchiness capturing Lagtrain's charm perfectly. From there, the joke speaks quite well for itself! It's the distinct sound of Lagtrain used to arrange the Bottom G anthem of Bumble Bee, a joyous, whimsical pop song not too unlike Caramelldansen of Caramariodansen fame. Much like that rip, though, the choice in track to mix Bumble Bee with ends up creating a pretty notably different mood: the heavy percussion, monotone synthesized vocals and pan flute melody give Lagplane a somewhat melancholic vibe despite the pep-and-step carried over from Bumble Bee's melody. It's a pretty funny contrast to the rest of the Tate's Journey rips which almost all feel gleefully maximalist, rainbows-and-sparkles-and-everything-else in vibe, and yet it shows just how fun a song Bumble Bee is to where it's still this catchy even placed in a completely different environment such as this.

Of course, as is always the case in rearrangement rips, and as I always try to highlight with everything from Super Wonderful World to Plasmaseeker: the listening experience highly relies on the ripper's expertise and ear for rearranging. Ever since I first heard the rips he worked on starting at around Season 5 with The expanse of meme in past was split, A fiendish trap has now been set; Behind a tree the villains sit, Terror of sport, the Robbie's Net., I've known that Blookerstein's talent was the real deal, a track record of pretty much nothing but bangers and a genuinely impeccable attention to detail throughout all his work. Even though his contributions tend to stay on the sincere side with works like Outertale, Lagplane goes to show that he still operates at full capacity in a sillier setting. It's a fantastic arrangement of Bumble Bee, of course — I particularly love that even Bumble Bee's vocals are redone through using the exact same vocaloid as Lagtrain — but extends itself to being a tribute to the Bottom G meme in general; a segment midway through the rip uses Brian Michaal Hinds' own "Bottom G cover" of Tourner dans le vide, while a section quickly therafter sees both the audio and visuals reference a particularly iconic image of Tate shared in the fallout of his internet suspensions in late 2022.

It's this level of both quality and detail that, paired with the rip's status as perhaps the last-ever Tate's Journey rip, make Lagplane feel like such a befitting swansong to the Bottom G meme as a whole. SiIvaGunner itself is a channel that loves to keep jokes in endless circulation, but its undeniable that memes on the internet come and go at ever-increasing speeds; leave the internet for a month, and you'll have missed a half dozen jokes each rise in popularity, become utilized by shitposters of all kinds, spread to a degree that becomes obnoxious, and then fall completely out of favor. It's very easy to see why overexposure would make people sick of memes online; yet SiIvaGunner has always felt like a place where these memes are allowed to flourish, maintained and explored only by the hands of extremely talented rippers who know not to circulate them with low-quality slop (unless, of course, if being low quality slop is part of the joke; I would never imply that Snowball Park - Super Mario 3D World is anything less than pure cinema).

Be it careful rearrangements of historically beloved video game music, or the ever-lasting perpetuation of memes from 2016, or a 6-month fad that even the team themselves eventually grow bored of, SiIvaGunner gives just about every meme you could think of in the online world a space to flourish. Tate's Journey may be gone, but Lagplane stands as one of the shining examples of just why it was such a fun ride to begin with, an absurd blend of crossed-over memes paired with an infectiously catchy anthem, and an asshole on a plane.

[7grandmel]

Rip of the week: 21/10/2024

Through the Bad Apples!!

Season 8 No Album Release Bad Apple!! (UK Version) - Touhou 4: Lotus Land Story

Ripped by Ellie53 (@ellie53real)

While the SiIvaGunner channel comes with a lot of repeating gags and bits, the ways in which they employ these can vary a fair bit. The channel's foundational meme, the ever-present funny Flintstone man Grand Dad which I wrote about on Waluigi Pinball (Beta Mix), is a simple leitmotif of just 15 notes, which makes it incredibly flexible; it can be employed as a standalone joke as practice for greenhorn rippers, or be wormed into the middle of more complex project. Memes like We Are Number One meanwhile have a very funny sound to them, yet require a lot of time and care to get to sound as good as rips like Robbie's Rotten Mine or Ska Cha Cha (Rotten Mix). And then, on the side of the spectrum completely opposite to Grand Dad, we have the jokes that feel more like a complete and total flex on the part of the ripper employing them. These "bits" are the ones that aren't necessarily reoccurring due to being funny, but rather due to being bangers with a complexity inherent to their composition, which makes any rip employing them feel like a big event. The main example would be Final Fantasy VII's One Winged Angel as featured on rips like I will Never be a Redneck, yet perhaps just as impressive are rips utilizing Dragonforce's legendary Through the Fire and Flames; rips like, indeed, Through the Bad Apples!!.

Made legendary through Guitar Hero III, Through the Fire and Flames is a song known far and wide across the internet; a piece of mainstream music that pierces through to the most shut-in of nerds due to the gaming legacy tied to it. It was the ultimate challenge for play in the ultimate Guitar Hero release, an absolutely unmissable part of pop culture of the 7th generation of gaming, and of course an absolute shredding banger in its own right. It's a natural fit for the SiIvaGunner channel, and ever since around ~Season 5 or so it's seen a pretty notable uptick in appearances - you may remember my writing of the legendary Through the F​-​F​-​Fire and the F​-​F​-​Flames, championing its ripper for his incredible ambitions and efforts made to make the rip feel as complete as it does. Its the typical fun of SiIvaGunner arrangement rips, the age-old question of how to transfer one song's intensity into the framework of a different song or video game's sound; Float Islands (Kirby 64 Arrangement), FEEL SO FINE STUCK INSIDE, and of course medley rips like SNES Mini Circulation all show just why it's such an appealing prospect. And so, we've seen a fair few rips aiming to do just what Through the F​-​F​-​Fire and the F​-​F​-​Flames did: take the legendary song and rearrange it in the style of a different game.

In large part, that is what Through the Bad Apples!! also does to great effect, imbuing the track with the distinct sound of the Touhou franchise. You can read the entries on W.E. Are Number One? and Beautiful! ~ Curveball of Sean Kingston to learn more about it, but to keep it concise it's a sound that I very much admire and enjoy despite having very little knowledge of the Touhou series as a whole. One Touhou song I'm most DEFINITELY aware of, however, is Bad Apple!! - perhaps the series' most virally spread anthem, and one that I officially fell in love with all the way back in Season 3 of SiIvaGunner through Imperial Touwer. It is, in many ways, a song just as legendary and known to the video game mainstream - if not moreso - as Through the Fire and Flames. And so, in some sense, it was only logical for Through the Bad Apples!! to instead flip things on its head.

Indeed, the rip isn't an arrangement of the Dragonforce track kept to the soundscape of Touhou 4; uniquely, it's instead the other way around, an arrangement of Bad Apple!! using the instrumental sound of Through the Fire and Flames. Upon relistening to Through the Fire and Flames a few times before writing this post, I had forgotten just how video game-y the original track actually already sounds, with a chirpy synth accentuating several key moments of the performance that just oozes 90s video games. As a result, the two tracks feel closer to one another than you'd once think; and Through the Bad Apples!! as a result manages to feel less like a straight interpretation of one into the other, and more like an even blend of the two sounds.

I'm yet to cover much of what Ellie53 has done on SiIvaGunner before this post, but she's been a constant presence on the channel since the tail end of Season 5, no doubt soon becoming aware of the rising prominence of Through the Fire and Flames rips. She's also tinkered around with Bad Apple!! in particular with Maçã Ruim!! back in Season 7; and so, I suppose it only makes sense that one would eventually put the pieces together and try their hand at mixing the two into one. Through the Bad Apples!! feels WELL worth the wait and is a shining example of Ellie53's growth as a ripper, and I'm hopeful that Through the Fire and Flames sticking around on SiIvaGunner for the foreseeable future can continue to inspire rippers just like Ellie53 to keep finding new ways to experiment with its sound.

Long live Dragonforce!

[7grandmel]

Rips of the week: 14/10/2024

Highman and go home youre drunk man and Cuckman

Season 1 All Featured on: GilvaSunner's Highest Quality Video Game Rips: Volume 3 & Knigra

Ripped by Big Purp

When discussing a channel such as SiIvaGunner, there are a lot of factors you can point toward in terms of what's kept it all so appealing. A lot of my posts, including the very one I made just last week on Week 4 ~ Wanting to Funk The Truth, cover how the channel serves as a creative outlets for budding musicians to express their passions and interests to an audience open to listen to anything. To some, the channel is a haven to find gems of unbelievable quality; to some, it's the channels ongoing narrative and slowly-bubbling lore that keeps them engaged; to others, the channel is a home to wonderfully surprising events and surprises. Most of these aspects are ones I think you can somewhat concretely point toward with clear examples to explain; Yet today, I'm not delving into any sort of deeper lore dissection, not writing thesis statements on auditory genius, or even trying to discern anything about who Big Purp as a ripper is. Rather, these three rips - Highman, go home youre drunk man, and Cuckman - together embody one of the most nebulous yet appealing boons of the early life of the SiIvaGunner channel: Its bizarre sense of unified community.

Of course, on the surface, that topic doesn't appear to be so strange, does it? Most *things* end up with a fanbase, after all, and it's not even something I've neglected to discuss on here before. A big part of the point in my post on ULTRA S+G was to detail how it felt as if it unified the goings-on on the channel, including all of the hype everyone in the community was feeling. And yet that connection is still something I feel is somewhat...intangible. The thing setting SiIvaGunner as a community apart from the rest is that, since the very beginning, it has almost exclusively existed within the confines of YouTube comments section; not a forum, not a chatroom, not a subreddit, but an ever-ongoing series of replies to the channel's rapidfire uploads. It wasn't until near the beginning of Season 2 that the unofficial fan Discord server opened, the fanbase's only true permanent "home" - and even then, even today, many have still neglected to really partake in it. No, for many years of SiIvaGunner's life, its community has primarily been that of once-an-hour comments from its reoccurring viewers, a live play-by-play commentary immortalized in but the smallest fragments at a time, where naught but the quickest, funniest, most concise voices got wide exposure. And while some names would pop up more frequently at the top than others, a notable example being Emm Bee Sea of A edge of a balcony fame, it was all still a big wild west, a community of naught but voices reacting to the goings-ons.

While that feeling still persists in some sense today, the unique appeal that the earliest years of SiIvaGunner had in particular was that this community, this gaggle of random people whose notoriety would basically reset from upload to upload, were almost guaranteed to be *just* like you. Today, a SiIvaGunner fan could be any number of things, joined at any point in the channel's life, for any of the many reasons that draw people in, such as the reasons from the first paragraph. But in Season 1 in particular, with the channel's identity still being messy and undecided, EVERYONE was just as curious as the next to figure out what the hell the channel was, and it felt as it everyone in turn was watching the same rips as you; even with the insane rate of uploads, it was as if everyone was on the same page about what was going on. Rips like Live and Ooooooooooooooh, and jokes like the Coconut Gun rap of CG Man HD Remastered Edition, all became overnight legends through just single rip appearances, while rips like Respect Your Elders (20X-Mix) played off of jokes that only the kind of person who would be a SiIvaGunner fan in 2016 would be aware of. The community's smaller size, compounded with the smaller amount of rips available, made it feel as if everyone's experience with the channel was sort of...universal.

In all earnest, you could probably draw some pretty clear parallels between the early days of SiIvaGunner and the early years of the internet as a whole. Back when everyone online knew about Chuck Norris memes, when cat memes were all the rage, when every celebrity scandal became ingrained into the culture of the web for the next months to come, and so fourth. But its when you combine this more tight-knit community, with Season 1's trademark spontaneous-ness - the Season that could give you anything from The Great Weed to Because I Love You to Can't Say Goodbye to Yesterday - as performed by Bob Dylan at the drop of a hat- when you end up with something truly unique to Season 1 of SiIvaGunner. In short, it's through this combination of factors that you end up with the magical trilogy of rips on feature today. Big Purp's NES Mega Man rips may, in isolation, divorced of context, appear to be nothing but low-effort shitposts; yet it was in being released at this specific time, to this specific kind of a community, that gave them a genuinely magical flavor.

To start is, of course, just the fact that they're all funny as shit, and all in the kind of way that Season 1 did best. With no adherence or admittance to quality control, with so little in the way of expectations for what the channel could do, you so often wound up with rips that just hit their punchline UNBELIEVABLY well. Pikmin Park would be my go-to perfect example of this, but if I ever had to provide a second example, it might well be Highman: Big Purp's rip of the Elec Man Stage theme from the first Mega Man game. Whilst not the most popular tune nor from the most popular game, Elec Man Stage has a really solid, pleasant melody and tune to it, a "classic" piece of old game music - yet three seconds into Highman, and the rug is completely pulled under you. The bass-only intro to the song remains unchanged, like the band setting the stage for the lead guitar, yet that lead instrument lands but a single note before holding on it, rising, ever rising in pitch - not long after rising to the point of becoming completely inaudible. You just clicked on this video to listen to cool Mega Man music, and before you can even register what's going on, the main melody just flies away, leaving the song as just a bassline and percussion. It's such a damn simple joke, and yet I distinctly remember how it caught me off guard way back in the day. "Oh, ohhhh, there he goes. Bye!" reads one 8-year old comment; "WAIT COME BACK I NEED YOUR WEAPON TO BEAT ICE GUY" reads another - despite being such an incredibly simple edit, I can't be alone in having been got good by it, right?!

And like, even though none of us then knew who could have possibly ripped it, when go home youre drunk man dropped just a few months later, I feel like we all KNEW it was a spiritual successor, a rip with a similar allure of "classic NES Mega Man music" immediately subverted by the funniest rugpull possible. Because again - it felt as if EVERYONE had already seen that old Elec Man rip: "After Elec man left us(into the stratosphere) Metal man's dependency on alcohol became incredibly apparent." reads one old comment of many. Indeed, go home youre drunk man is perhaps even more simple of a joke than even Highman, but I cannot overstate how fucking funny it is to click on an inconspicuous link of video game music only to be met with pitchshifting intentionally done to have every note sound as drunkard and discordant as possible. The call-and-response between the main melody and the five-note backing done at the very start of the track gets me every time, with just the mental imagery of the band calling over from one isle to the other and the other side being JUST as shitfaced as the first: again, remarkably simple as a bit, as with much of Season 1, but the sheer novelty kept it lodged in my mind for the weeks therafter.

Sure enough, again, even though Cuckman released with no credit attached, despite the plethora of other rips released on the channel; When I saw it drop in the subfeed, I could TELL that it was going to draw from the very same source. And wheras Highman was a rip about just...sending the lead melody up to the stratosphere, Cuckman instead does the opposite: repeating a section of the lead melody over and over again, with each loop lowering just slightly in pitch to where it goes from walking in place into a depressive spiral. That's funny in its own right - yet, just like with go home youre drunk man, our fellow commenters were forming their own little stories and narratives about Cut Man based on both this rip and the Big Purp rips that preceded it! "Cutman and Elecman went their separate ways after the Wily wars" reads one; "After Elec Man's ascendance, and Metal Man's fall into alcoholism, Cut Man became obsessed with trying to reach the center of the Earth." reads another; "Fun fact: after seeing how Elec Man ascended beyond understanding, cut man fell on the floor, and uh, died." reads a third, and this all just kept going! It's so hard to put into words just how much more fun it made all of these rips releasing in succession to see that your experience in seeing them all one after another was pretty much a universal experience - and it paired with the sheer absurdity of the jokes made each one plainly unforgettable.

I feel like this post has been spouting a lot of words to basically just say that...there was something truly unique about how early SiIvaGunner operated, that allowed every single rip to feel just a little bit magical. This perfect storm of a small fanbase, a lack of a true community gathering spot, and a channel driven on outputting as many surprising punchlines as possible, that led to each rip feeling like an *event* that EVERYONE was attending. It was thanks to this unified voice we all shared that events like The Reboot and its ARG as discussed back on I Saw a Brainwasher Today, or the bizarre Mr. Rental antics on Mr. Rental [B Side] ~ Out of Options, hit so closely: It felt, through the sense that we had ALL been on this journey together, like every shake-up and revelation to the channel's status quo was affecting us, collectively, personally.

And hey, that may all just be nostalgia for times long gone, it may be me projecting my experiences as someone with a hell of a lot more things to do nowadays compared to the giddy teenager following Season 1 like nothing else mattered...but damn if that investment didn't make Highman, go home youre drunk man and Cuckman funny as shit. Long after their release as one-off jokes, I would still return to their comments sections, just to see how new viewers were reacting to them, just to see what contributions people were making to this bizarro-Mega Man-lore being constructed off of one bored guy's shitpost contributions to the channel. And while I hardly know anything about Big Purp today; back then, it was as if I could hear the chuckles from the other side of the screen with each of these rips released.