#Yes that’s the best I could think of

[spc-rambles]

I’m sure some might argue that Hamster and Gretel is not as popular as the previous Dwampyverse shows because it didn’t have a pair of grown men gay af for each other.

Well what do you call them then?

[deskatt]

kids

[vaguely-concerned]

lucanis is a 'I could sit in our quiet kitchen on a grey tuesday afternoon drinking coffee and talking with you about nothing much in particular forever and be the happiest man who ever lived' romantic, not a 'classic tropes and grand gestures' romantic. this is a distinction and conceptual gap I personally feel is crucial to understanding what's going on with him when romanced. for all his almost painful sincerity and clear depth of feeling he's not a very effusive guy by nature, but in the history of time no one has ever, with their whole soul, chest and being, been so genuinely and openly happy to just do laundry and taxes with you.

[bacchuschucklefuck]

we let the ocean drown out our voices/enjoying the bitterness/in the chaotic light, I close my eyes and see

[darcania]

For all of the flaws in X-Men Evolution there was a lot it did very well, and letting Wolverine be this grumpy father figure to most of the X-Men was one of them.

[vantablackdraws]

A brighter love

[lightnersdream-archive]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[haiisx]

Endmight for a ship request :) feel free to request more ships :))) I'll leave my opinion on Endmight in the tags :)

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[borderlinereminders]

We like to say how it's okay to say "no" and it really is. It is so okay to say "no" and I really like the helpful reminder.

I just want to say though that sometimes, we've weighed the consequences and decided that saying "yes" when we don't want to is better for us for whatever reason. And I just want you to know that it doesn't mean you're a failure. It doesn't mean you're weak. It doesn't mean you aren't allowed to be bothered by doing what you're saying "yes" to.

Sometimes it isn't safe for us to say "no". Sometimes there might be consequences that have to do with our job, living situation or any other number of negative things.

While you have the right to say "no", it's okay if you've decided that it isn't what best for you for you in a situation.

[suntails]

LEFTOVER SAAALES ARE OPEN!!!

last call for the Sleeping Silver artbook! I will not be doing any reprints of this, so get it while u can 🫶 there are still a few charms in stock as well, and all freebies will be included with every order until i run out! :D

🔗 suntails.bigcartel.com

[doctorsiren]

Like with any media I get into, an AU is sure to follow, so here’s something @sleepysquib and I have been cooking up!

We wanted Haibara to live, that was it :D

Here’s a “brief” summary of his whole deal:

During August 2007, his second year at Tokyo Jujutsu High School, he went on a mission with fellow second year Nanami Kento. The mission’s level turned out to be higher than expected. Haibara received critical wounds, but was able to escape with Nanami with their lives. He was healed by Shoko’s reverse curse healing technique.

After his brush with death, he realized that he needed to be taking this more seriously. That, combined with Geto’s betrayal, led him to becoming less naive. However, he didn’t want to lose his positivity, so he focused on increasing his abilities through his emotions, eventually becoming promoted to Grade 1.

After graduation, Nanami still ran from the life of a jujutsu sorcerer, while Haibara stayed in that world. He saw his role as something akin to a superhero, and took it in stride, calling himself “Cupid” and being very public about his status. He quickly became popular and gained a fanbase, taking pictures and signing autographs for them when he has time.

Being received well by the media and being good on camera, Haibara became somewhat of a PR boy for the jujutsu sorcerers. He could make a bad situation sound less terrible through his natural charm.

Nanami and Haibara remained best friends during the time that Nanami was working as a salaryman. Eventually, Nanami learned the bakery lesson and realized his place was as a sorcerer. He returned to that life and was quickly paired with Haibara for many missions.

Haibara knows that the world isn’t the happy place he wishes, but he tries to be the change he wants to see and spreads positivity. He also does this in hopes of lessening the amount of cursed spirits created by the negative emotions of humans.

As a result of always expressing positivity, his negative emotions are naturally bottled up. He does this on purpose, stockpiling his negative emotions so he can release and harness their power if a battle becomes that dire. His last resort is to unleash his negative emotions, which increases his power greatly for a brief period of time. After this burst of power, he is left exhausted and drained and will need to recover. He is aware that he is being “toxically positive” but does so to increase his power with negativity later.

He doesn’t express joy all the time and doesn’t force himself to express it every moment of the day, but he will always express positivity in public and during battles to keep up morale and his image (although he doesn’t care about image in a narcissistic way).

He is liked by most people and others vent and confide in him. The personal sharing of their negative emotions adds to that stockpile that he can use if necessary.

Haibara tries to not express his own negative emotions to others because it will decrease that stockpile inside and he knows he needs to save that for dangerous battles. He knows it’s not healthy but he does it for the good of Japan, seeing himself as a superhero.

Much like a cursed spirit, his greater power increases when those around him have expressed negative emotions, but he doesn’t like to acknowledge the fact that he has something in common with cursed spirits.

Lives by the mottos of “With great power comes great responsibility” and “greet the world with open arms”

[antigonesghosts]

What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

[somegrumpynerd]

Actually it turns out I had more thoughts about that post that I forgot about lol

Would Nightmare actually give up his boys? Yes and no

If it was just a black and white situation of they're miserable, they don't wanna be here, they have somewhere better to be, then yes. He would leave them out to wherever they needed to be despite his own feelings and very quickly realise afterwards just how much he'd gotten used to the noise and company. I think he would get a little clingy with Dream about it, which I'm sure Dream would find very weird after everything but not unwelcome, he did miss his brother after all.

(If he couldn't attach himself to Dream's side for whatever reason, I think he might just sit in his castle and go insane. Or maybe he'd just spend all day at Ccino's trying really hard to project that he just likes the atmosphere and isn't lonely as hell)

But the thing is, most of them don't have somewhere better to be. Horror has his au, and Nightmare would keep up the supply of food even if Horror said he wanted to quit at this point, so he would understandably let him return home. Killer, Dust and Cross effectively don't have aus anymore though, and they tend to get into self-destructive habits when they're left to their own devices. (Obviously bringing Color and Epic into the mix to make sure Killer and Cross are taken care of eases matters, but Dust doesn't really have any friends outside their group he could go stay with - that Nightmare knows about at least).

The flipside of this is that his boys may not necessarily want to be given up. I think if Nightmare got really in his head about this he could easily end up convinced this is the right thing to do without ever asking them if it's what they want, with potentially terrible results. He's established such a pattern of always returning to find Killer when they get seperated, that if he never showed up Killer might just keep sitting there and waiting for him greyfriar's bobby style, refusing to leave because he's certain his boss is coming back.

[lover-of-mine]

[madbard]

Thinking about how the narrative of The Magnus Archives can be traced in the pattern of Jon’s scars, the way the apocalypse was triggered by the marks that had been carved into his skin, a legacy of violence and trauma.

Thinking about how Gerry was torn from death and kept as a tool long after his heart stopped beating.

Thinking about how Daisy tried to cut ties with the Hunt, only to experience withdrawal and starve half to death.

Thinking about how Melanie was forced to mutilate herself to escape the Eye’s ownership.

Thinking about TMA as a story about ancient and omnipresent concepts; embodiments of fears and uncertainties that both directly and indirectly enact violence against and exert ownership over (primarily queer) bodies.

Thinking about how, despite all of this, there are moments of joy. The characters laugh and talk and smile and fall in love. And if some die alone, even more die together.

Thinking about how, against all odds, against incomprehensible forces of violence and terror, against the end of the world, some of these characters do the unthinkable.

They survive.