#Yes I know they have weapons

[hyacinths-in-a-storm]

I think Azula and Zuko should've fought on the Day of the Black Sun, just because it would be funny.

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[puppetmaster13u]

Prompt 331

Demon twins? Demon twins. 

Damian? Good at the assassin side of things, at least for a four year old, but Danyal? He’s okay, but he’s far better at things like poisons and bookkeeping. Which is honestly? Okay. They’re the League of Shadows, and sure a majority of the members are assassins, but it’s definitely not all there are. So? Danyal starts getting medical training. 

Not to say that either of the boys don’t know their fair share of violence and healing- it’s just better to let them play to their strengths. One doesn’t keep a league over centuries if they just have one type of warrior, or even just warriors. A variety is needed. 

So one gets trained more towards the business side of things. Damian may be better at wielding the weapons and killing- even if neither have had their first kill quite yet- but Danyal shows far more proficiency at acting, at masking who he is and gathering information. 

Damian, when he’s first sent to their Father, doesn’t mention his twin. Not because he’s jealous or hates him or anything like that. You just don’t talk about someone in an undercover mission in the League, and it’s not something he realizes isn’t a rule everywhere. 

Needless to say, the Bats have more than a mild freakout the first time Damian mentions a twin who will be coming to the manor now that his mission is over. 

[poorly-drawn-mdzs]

Daughter of delta Yu, show them that you're no fool!

[First] Prev <–-> Next

[radiance1]

Vlad: Would you like to form an alliance... with me?

Ghost writer: Absolutely. Absolutely, I do.

Now, Vlad should know better than to ally himself with someone who broke the Christmas truce, buuuut. The call for DnD is so tempting that he just had to do it.

He then dragged Daniel and his friends into it as well. Daniel dragged his sister along and then the Fenton parents found out and, well.

It suddenly became a thing.

Oh well, both Vlad and Ghost Writer sculpt up some lore from each of their character sheets, weave a world from words and then drag a random number of people to act as their 'players.'

It was supposed to be people from Amity Park, but there was a miscalculation on that part, and honestly you can't even blame them because they've been weaving nonstop and Vlad ignored quite a bit of sleep to try and make this perfect as he could.

So instead of civilians they dragged in a few members of the Justice League and, well.

As long as they play by the rules nothing would hopefully go wrong...?

[bharv]

I think a lot about Gortash tentatively showing The Dark Urge his designs for the Steel Watchers. Showing off what works and being slightly embarrassed about what doesn’t. And then they point it out. There’s too much mass and not enough strength here. Or there’s not enough flexibility at this point. And when he asks them how they reached that conclusion they tell him about the intricacies of the forms of men and beasts, of ligaments and muscle, of nerve endings twitching. That there is mechanism in flesh, and that the mind and body may be cleaved from each other but are always calling to each other until the very last throes of death.

And he thinks of their bodies calling to each other.

He thinks of nerves and minds connecting.

He thinks of how utterly brilliant they are.

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[starry-bi-sky]

Sketch dump! I havent done one of those in a while. These are all from June-July while I was on vacation.

First we have Layal! The delightful Mother of Monsters, aka the Ghost Zone’s most evil mama bear AND my take on a fem!danyal dan! I like to imagine she could pummel Dan into the ground, but that stands true for any and all of my au Dans. Bc i am INCREDIBLY biased.

She mostly lives on her island in the Ghost Zone, taking in monsters of the Infinite Realms of all kind and raising them as her own. Surprisingly enough, she does genuinely love her children. That’s about where her love ends. She stole the minotaur, his name is Asterion.

Then we have Daini-Yel! He’s from an au i’ve never actually talked about on here. He’s literally just Danny for an Epic!-inspired au. He's an unknown entity in the newly released open-adventure, odyssesy-inspired game "Nautilus", and he is not a part of the game's code :). He showed up three months after the game's initial launch, and was discovered during a live when a streamer was on their way to fight a boss much similar to Circe and the streamer accidentally took a detour and found his pathway (of which did not previously exist).

He's very friendly! And offers you, the Captain, a strange liquid with even stranger powers called "Ektolai", in order to help you fight Circe. His whole vibe and creation is literally just the song "Wouldn't You Like" from Epic. If you run into him enough times at the start of the game, you can convince him to join you on your adventure as part of the crew. He's a powerful ally and a very good friend, despite his strange awareness of the world around him...

Oh, but be warned... just like the rest of your companions, your actions have consequences and what you do affects their opinion of you. Daini is no different! Your close allies can quickly become enemies.

[dorliart]

the bad kids the photosynthekids

[explodingstarlight]

i did it. i drew edgy Mikey. my sacred duty as a MCR listener is complete <3

[see the OG edit and post link below!]

behold, the OG post and the edit link: X

gives immaculate chaotic vibes, he had to be drawn

[citrine-elephant]

what little i still know about re and what fun little facts i've seen about leon made me wanna do a "what if leon, but b.o.w"

[undefeatablesin]

Watch out ya'll, Sin's sketching Bloodborne comics again! 💀

[ganondoodle]

some more ideas for the totk rewritten project (botw2);

underground general ideas i thought about what to theme the underground after, and since its vaguely like underwater in canon i thought id push it much much further, you cant actually dive and while id love that i do want to stay within a certain possible range of it still being a sequel to botw and somewhat based on totk- so im putting the low gravity effect away from the sky and instead in the underground, the ENTIRE underground, that way it is distinctly different in the way you have to play since you gotta work around the low gravity effect, the entire plant life and enemies will also be based on deep sea creatures- anglerfish like ones that half burrow and lure you with their light, those fish (or are they worms?) that hide underground as soon as you step too close, maybe they hide initially but only to make you go closer and try and snatch at you

much more glowy things too, basically everythings got some sort of light on it, there are different creatures flying around that all feature some sort of glow, so there is stuff to see but you cant immediately know what it is, theres a unique kind of plant that when you bother it spews out a dark cloud of spores (kinda like in tp) that dims any light you had; there are some landmarks you can activate or repair with the help of zelda but there is no way to illuminate the entire map and the lil light ferns expire slowly too

i also want it to be way more wet, not full with water but maybe a thin layer of water at most places and some drops from stalactites that fall constantly

there are shadowy ghosts there as well but they CAN aggro (still working on it), either by taking a weapon from their grave or some other things; also considered them or some other enemy that stalks you for some time and the only clue you get is maybe double sound of your steps or something at the very edge of your screen but you can never catch it when looking around (i dont want to make it a horror game but do want the underground to stay as creepy as when you first get down there), something elusive and shadow based that is rarely encountered but stays creepy for longer than the miasma hands sicne it cant get stuck on anything and the only way to be safe is while in the air

maybe some miasma reanimated corpses of ancient shiekah killed when the ancient hyrulean king turned on them (only foudn in the underground in this way; there are others but unposessed in alot of the broken shrines and old laboratories so seeing one suddendly move and crawl after you is probably pretty scary, kinda like the vroken guardians sometimes being still functional)

the dongos are the main friendly animal you can discover there and tame (still working out more details) they can climb around, always emit a little bit of light and the shadow enemy wont latch onto you as long as you are near a dongo, maybe even most enemies will leave you alone if you are riding one, as they are slower than horses, with the exception of gigamas (or a similar enemy ill redesign for that) as they are the natural predator of dongos; when you get to close to one it will react to it and if a fight is initiated it burrows away (you can call it and it comes back to you if you are out of range of that enemy)

tameable animals since i played skyward sword recently i just realized again how much fun it is to fly on a bird, sicne im already dividing the three map layers a bit more i thought it would be cool to make these layers more distinct, in some part by the tameable animals- the sky has birds (based on dinosaurs), the surface has horses, the underground dongos- neither of them can follow you to one they dont belong and the way to call them switches as you switch layers

im not sure yet if those birds should be ridable or are only able to give you a small boost upwards when you call them

magic bar so instead of actual batteries i planned to, as i said before, to put that into links shiekah arm prosthetic, and instead of giving you literal battery symbols on the screen it would be a bar right below your health and next to the symbol of the current selected arm ability

krog seeds a bit more to the krogs- as i said before they are no longer the way to make your pockets bigger- among an armor set i also thought about making the most expensive reward OR the end reward for finding all of them be the eponator zero- maybe it went missing during the cataclysm and maronus (engl. hestu) finds it at some point, so you get your bike back but its locked behind something bigger so you are unlikely to exploit it early on

(EDIT) (forgot to mention the dragons- im putting them each in one layer of the map- eldra in the underground bc gan is there and youknow, demise coming from the ground and fire being associated with the ground etc, farodra on the surface GREEN etc, and naydra in the sky, bc wisdom and owls and gods and all that weeeeee)

(on a sidenote im also thinking about ditching the building mechanic to some extent since i dont think it fits very well as a whole and it makes it too easy to completely skip stuff- i want the main way to move things or to get around be the hookshot/grappling hook part of links arm; still working on all that though .. so far it does seem likely like it will be much more limited)

[narugen-moved]

i seriously need more narumi and mina moments because just imagine the relief mina felt when narumi joined, similar age to her and was also considered a prodigy in the force.

to have someone to share the burden of the defence force’s future with must’ve felt so freeing. because before he joined it was just her, age 18, being told that she was going to change kaiju extermination with her exceptional synergy with firearms. and she was so, so scared.

narumi doesn’t have the kind of skills or talent for long range combat like she does, but he’s also a top candidate (despite his behavioural issues- which aren’t much of a hinderance anyway) and mina doesn’t have to carry the burden of the future alone anymore

(although she’d never admit, given she probably views narumi as someone completely shocking i just think it’s so funny how she stood there like O_O when she first saw him)

like i LOVE seeing the contrast. mina who was sent onto the battlefield for the first time and was deathly afraid vs narumi who was sent out and immediately took action because that’s how he always lived (fighting)

and now they’re the top two strongest captains in the force and they will be the ones to lead the new generation..

[bulbabutt]

so me n sibling finished rise rewatch with all the newfound turtle lore after our big tmnt media binge......... many feelings i wanna get out

firstable........ how anyone watched this show and didnt think those were the ninja turtles in purest form i will never understand. like you cannot deny any of these characters being the same characters but with new roles to fill. raph is the protector. mikey is the heart. leo is the strategist. donnie is the brain. it just created a new dynamic, but never strayed very far from what came before

second....... take the ninja turtles and just hammer home a story about generational trauma and healing from it, giving them strength from how much they love and trust each other.... you break my heart wide open i am crying

to me they are the best amalgamation of all the turtles who came before them like: silly and sweet like 87, they have this close familial understanding unconditional love like 03, and this overarching story of bringing a family back together like 12

started this watch of all turtle media because rise on its own felt so good, but having gone back and seen all the other pieces i was missing makes me appreciate what it was doing more, because i felt every other series and movie in this one in spirit, but with the ideals of the modern cartoon saying: hey kids, its okay to ask for help, youre not alone, your feelings matter, and the people around you should support you

and on top of that, obviously the most visually stunning version to date, utilizing years of lessons learned from western cartoons and anime, meshing together in breathtaking action, but also having the most hilariously snappy comedic animation that uses what seem like cheap movements of a frame to make every line of dialogue all the more hysterical, and having these very expressive characters be able to be very subtle in the touching emotional moments.

i genuinely love this show so much and i feel really stupid for not having watched it sooner, and the fact it is the shortest of all the shows that never got the chance to finish its story makes me so sad. but at least what story it did get to tell was beautiful.

[techno-rat]

techno and his relationship to dehumanization is SOOO important to me .