#Yeah sounds nice

[stanleypollable]

Hey 432 have did you know thay you have a nickname? It's Timekeeper. You be the all powerful all knowing Timekeeper Employee 432!!

oh yeah, you are! though, i guess this version of you doesn't keep the time... but still, it is a cool nickname!

[invinciblerodent]

"I'll make a save here and try breaking up with Astarion, just to see the dialogue- I could see him get kinda nasty about it, but I honestly don't know what to expect so---"

...............

.......

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[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

[nmoroder]

after the modern meurcliff au stuff my mind slowly wandered towards the relationship of two very specific sinners. and i was actually surprised to find nothing on them... i honestly thought the whole bus has already been studied under a microscope (i might not be looking for content in the right places but anyways. i will not go searching on ex-twitter thats just not my ground)

sorry for the scribbly sketchy nature of these pics, i originally wasnt planning on posting them here but then it turned out pretty fun and i wont be polishing this post anyway.

[intrepidtrickster]

Moominvalley and Snufmin

S4 Spoilers Under Cut

I’m so disappointed in how they handled Snufkin and Moomintroll this season. I had my worries, but I also had a lot of hope. They did deliberately put in those interactions. The team also kept reacting to mentions of Snufmin with winks and nudges in interviews and videos they put out. It makes me wonder what the point was. I genuinely feel like this was queerbaiting. And I don’t want to use that term because it doesn’t feel like one to use lightly. Even more so since I had such a great love for Moominvalley’s other seasons. Especially 1 and 2. It was genuinely really beautiful and soft and had such lovely queer undertones and moments. But I think it’s more than fair to say that the team knew about the reactions and how many people were introduced to it via Snufkin x Moomin. And they seemingly used that. They gave us build up but didn’t follow through. When it came down to it, they shrugged it off and didn’t address it at all. It felt so removed from Season 4. And I think that that, in essence, is queerbaiting. Because if you keep nodding to something throughout a series, using it to keep your audience waiting for the ‘inevitable’ conclusion to it that’ll certainly play out by the time the story ends only to snatch it away once you’ve secured your viewers and money, that is what that is. And I honestly expected better from the studio. If they weren’t going to commit, then they shouldn’t have kept bringing hopes up and making it seem like the direction it would go in.

(forgive the essay in the tags- I was thinking so many things)

[ryllen]

[arttsuka]

your art would probably taste like caramel or toffee

Oh, I hope that's a good thing

Here, take this Sissel doodle (old, from August)

[lo-fi-charming]

so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

[notkitten]

i want to have her bite me so hard that one could pull her dental record from my body

[ratatatastic]

he is quite literally every techie's worst nightmare girl please stop touching the mic STOP TOUCHING IT. YOU DONT NEED TO CONTINUOUSLY BRING IT CLOSER TO YOU AND MOVING IT BACK THATS THE PERSON ON SOUND'S JOB. STOP IT.

post practise interview | 6.23.24 (x)

[sysig]

Wuh oh (Patreon)

Bonus:

The novel experience of being crushed by a giant rock, a visual metaphor

[legally-allowed-to-slime]

im so glad every pearlie watches wild life barely holding themself back from killing scott smajor. we're all in this together

STOP i feel like pearl has the vague idea that she’s supposed to still hate scott and it really does show but scott is so aggravatingly nice/ passive-aggressive and she can’t really do anything about it because if there’s one thing c!pearl is not good at, it’s subtlety. like she can detect the implicit things in whatever scott is conveying but to everyone else (like her alliance) it just looks like she’s being all uncooperative and grumpy while scott is being friendly and mature. and this kills me because cleo would rather side with scott than pearl and impulse would rather go on a murder spree than care about whatever drama’s happening at home base. and the whole time they’re all talking about how antagonising she is. the narrative is constructing itself in front of my VERY eyes and pearl’s trying so hard to stop it forming but unfortunately both gem and scott are against her now. MAN.

(sorry sorry it’s just. this narrative that pearl hates gem coming out of NOWHERE when it’s literally the opposite. this is like that stupid among us round again)

(also i feel like scott thinks so much about what other people think. everything he does feels performative, like he thinks everyone else are judging and forming opinions on him every second. like evil anxiety but not like the one in inside out 2. you know what i mean. he does this with everyone except for 1) jimmy and 2) pearl because i don’t know. i’m not the scott expert)

[marshmallowgoop]

I combined footage from my Detektiv Conan Blu-ray with audio from my Case Closed FUNimation DVD and made an HD English dub clip compilation for Episodes 57-58, "The Holmes Freak Murder Case."

[littleghostblogs]

Playing Fallout 1 and noticing Necropolis disappear from the caravans is just. So perfect.

The game brings no attention to it. No one mentions it. The caravans just don’t go there anymore. It makes you wonder what happened, you solved all their problems already, right?

So now you have a reason to go back there, cause otherwise there’s really no reason too. And when you do, everyone is gone. There’s no more ghouls, just super mutants. They invaded, and there’s nothing you can do to stop them. Once you hit that date, the city is gone.

It’s frankly a brilliant moment of subtle storytelling and even though I already knew about Necropolis’ fate it still motivated me to go back, just to make sure.

I wonder how many people discovered it this way? I can only imagine just how effective this reveal is for someone actually playing the game blind.

[loverboybrightsideghost]

they weren't kidding, those bears can be in trees

[hecksupremechips]

Come back home when you have some sense

You can throw your life away just not at my expense

You’re not the son I raised