#Ya made me sad

[artist-issues]

You know... it also just seems really weird that Disney has been going out of it's way to subvert everything from its past.

If I put myself in the mind of "everything we were founded on, and everything we create before ~2016 was bad" I don't see why I'd keep going. Like... if Disney thinks Disney sucks, why be Disney? (money IG)

You're right! It must be a very discouraging thing to work for Disney nowadays, if you're the kind of person to think about legacy, or occupy your daily thoughts with some degree of foresight.

The truth is, there is a part of Disney that is successful because it was innovative--it raised the bar and set the culture.

But there's also a part of Disney that is trying to guess what the culture likes, and capitalize on that popularity--the culture tells it what to do.

That's all organizations. Some are brave and say, "no, this is who we are and what we believe, and you can take it or leave it." And usually the culture takes it, because the culture is inspired by strong leadership and clear identities.

But then they get a big following. And it's almost impossible for the organization that used to shape the culture to do anything but become terrified that they'll lose that culture. So then they start making decisions based out of fear, and self-glorification, and insecurity--the total opposite of the confident, bold, innovative identity it used to have.

Disney used to say "oh you think cartoons are just gags? Let me invent the first ever animated feature film--in color! See you in the National Film Registry, skeptics."

It used to say, "oh, you critics think all my fairy tale and animal movies are too light? That they've got no weight to help the kids face real life? Let me make a smash-hit about a Nanny who convinces a work-and-harsh-realities-obsessed father that what his children really need is a spoonful of sugar. Because yeah, life's hard, but that's why we make the job a game."

It used to say, "you think the animated genre died with Walt? You think everyone would rather watch George Lucas movies than a cartoon fairy tale? Let me introduce you to an Academy Award-winning Princess story we call the Little Mermaid. You can stop digging our grave; we just saved animation."

It used to say "you think it can't be done? Hold my mouse ears." And it just did it. And didn't care if audiences said silly, shallow things like "girls don't need to be rescued by a prince!!1!" Or "grown-ups don't watch cartoons lol!!"

Nowadays, though? They're so big they don't know who they are anymore. And they're so big they're scared to lose anything, or take risks. I'm sure there's a lot of political pockets involved, too. They don't dare say anything but what the loudest, most complaining members of our society tell them to say.

They're no longer trend-setters and trail-blazers. They're a monument that is whatever the loudest people tells them to be. Has to suck, when you're the company that followed Walt's "Keep moving forward" motto.

[saintundying]

armand really sat there and said i fucked all the members of the parisian coven, daniel. i fuck so hard, daniel. nobody out there is fucking harder than i am. people want me so much. don't you want me, daniel??

[starcurtain]

I think one of the funniest things about the Sabzeruz event is that the devs choose to go with Candace, Traveler, and Paimon having a whole "Ooh, two mysterious men are going into an alley to have a 'private' conversation; they must be bad guys!" only to then go "Oh just kidding, it was only Alhaitham and Kaveh doing typical Alhaitham and Kaveh things."

Except the "Alhaitham and Kaveh" thing in question this time was talking about Mehrak, a sentient robot that Kaveh built using absolutely forbidden technology, and which he then whole-heartedly willed would develop a consciousness of its own, violating one of the central taboos of his nation's governing agency, committing what amounts to an inherent and extreme felony punishable by law.

Alhaitham and Kaveh: Listen, we're not bad guys discussing illegal activity here. We're just two men having a private, personal conversation. Happens all the time.

Paimon, Candace, and Traveler: Oh cool, they're not doing a crime; they're just gay.

But they were, in fact, doing a crime.

[technically-human]

You, the one I left behind

[poisonousquinzel]

little me, we made it.

it took like 15 years, but we made it

[xenomorphicdna]

On the string propaganda

Heeellll yeah

Bestie is an entire PLACE

I look at those guys and let me tell you the soul of that thing ain't just in the puppet, it's in all the neurons carrying the thoughts and emotions, it's in the power rails that serve as the heart. All the memories in the memory conflux and all the numbers we see flicker across displays, the flux condensers, the puppet; a little avatar.

No way these massive machines see life the same way we do. They have their own experiences and senses and things they hold dear. A world we can't imagine, a way of living we couldn't even comprehend.

I could never tear an iterator apart to be just a puppet. Who am I to decide how's life supposed to be enjoyed or perceived?

You treat your creechurs however you want- I ain't gonna dictate that. But damn, hearing the thrums and buzzes of the linear systems rail? They are alive with so much power, these mechanical beasts are exactly what they should be.

[yumenofude]

Merman Ace! Please draw merman Ace!!!

Thank you Anon I think I’m in love with him

[rainbeaudingo]

I hope we get a lot more disabled characters like Viktor. Strong, confident, intelligent, etc. he was the first disabled character that I’ve actually really really related to, especially with the Racing the Boat scene. I want that freedom.

[donkeys-waffles]

*slides this across the table as an offering, then runs off into the distance

[yesterdays-journal]

oh hi made ya look

[alangdorf]

(sorry for leaving y’all in suspense I was grocery shopping) Surprise!! I accidentally got into Len’en like two weeks ago. Whoops! I got ideas for cool drawings to do with each of the BPoHC shrine team members (and you-know-who, ofc, but that one might be… weird lol), but Tsubakura gets to go first cause theirs is the simplest; just greyscale + red color scheme with a split background and the pose is mostly random (maybe they’re squishing Tsurubami’s little eye thing? Idk). Very pleased with how everything worked out; the line for the eye is exactly where the dividing line for the background was and the way I managed to make the vest corseted while not changing the ribbon placement is just perfect. Although I did make their hat smaller out of the aforementioned cowardice also that thing is hard to draw

[caterjunes]

what is it about lesbian media that fills me with the heaviest & most profound sadness in the pit of my stomach, in my throat, under my heart.

[broodygaming]

Man oh man, it confuses me, very genuinely that ppl dont think that Beau and Yasha were a good end pairing. That they don’t see it. Idk. I catches me off guard every time I read it because, to me I suppose, they go together like... Chocolate ganache. You heat the milk, pour in the chocolate and stir and stir.... and you’re staring at it and there’s awkward chocolate chunks and it’s just milk with chocolate, oh my god I’ve messed it up, it’s sticking to the bottom omfg ive wasted ALL this milk holy shit I’m an idiot and - Bam. Suddenly. One last little stir and it magically transforms before your eyes into smooth rich brown chocolate ganache. ��

Idk. For me. They are this fascinating twirling of strong forces that at some point just meld together to make this beautiful thing neither of them could have ever even visualized. The dichotomy of two violent women who have been battered by the world. Told over and over how Destructive they are. Who have destroyed each other in all these crazy situations? Who have been lauded as machines of war and bastions of retribution or cast out as “too much to deal with”..... These two women who have been taught over and over again that EVERY single fucking hand that touches.... strikes.... So strike back and first before they get the fucking chance.... 

Gods be damned do they deserve gentleness. 

And not to say there’s not many places you can find that. But the idea of standing there, holding your broken parts and looking around to find someone to help you... Not fix you, just help you hold them all... And the peace someone might feel handing them to someone whose hands have known pain. Someone whose hands are scarred and battered and tough. Someone who won’t be shocked to see so many broken parts. Someone who is carrying their own armful and a few more of yours won’t be a huge burden. Someone who fucking gets it. You know? I just think of Beau sliding into that hot bath and thinking of the kind words. Not even just kind words, but the acknowledgment and the sincerity. 

The... “I see you. I see you. And I’m not looking away. I will carry these pieces with you, if you might also carry some of mine”. 

[opens-up-4-nobody]

Man, sasuke is the saddest lil guy in the whole wide ninja world :'(

[majimassqueaktoy]

Honestly the fact they made Sugiura ostensibly because they thought female fans would be all over him, only for Higashi to be more popular is so funny to me because that doesn't shock me At All- Sugiura is not only good looking but he's also cool as fuck? Literally parkour v for vendetta pretty boy with tragic backstory- he's amazing and wonderful and beautiful but whats the one thing Higashi has over him? Being pathetic. Like I think Higashi is good looking and interesting and pretty cool too, but he has that air of sad wet cat about him. He's got that forlorn bitch boy energy. He's got those little glasses. Of course people want to pick him up and tuck him into a snuggly little blanket and then REDACTED REDACTED REDACTED him. It just makes sense.

[13eyond13]

One of the main things I dislike about book 2 Lestat vs book 1 Lestat is it just takes away a lot of the interesting mystery about his character in the first book to have him definitively answer everything like: "oh actually I WAS hiding a bunch of secrets of the vampire universe and rules and hierarchy and history from you the entire time, and actually I WAS also filthy rich secretly the entire time due to a treasure left to me by my maker and didn't actually need you for your money at all, and also I wasn't a bit insecure about my lower class upbringing and poorer education and trying to compensate for that by being both showy and secretive about myself I was actually a noble, and also I CAN do a bunch of other vampire things that I never taught you to do or did in front of you even though we lived together in the same house as a family for like 70 years, and yes I DO hate following rules and doing what I'm told and keeping secrets but I did it because Marius said your fragile minds couldn't handle the truth if I DID tell you anything else, and also I DIDN'T want any revenge on Claudia or blame her for attempting to murder me or think I maybe should undo what I did by making her one bit, I was just being forced by the even EVILLER vampire to have her condemned to death, and also almost everything questionable or problematic or cruel that I did within the first book was either a lie told by Louis or secretly actually a kind and heroic thing I did because I cared about someone other than myself, IN FACT I SECRETLY THE ENTIRE TIME HAD A STRICT MORAL CODE I WAS FOLLOWING every time I casually killed an innocent npc in the first book, and whenever you watched on in horror at my cruelty and toying with my victims I was actually only killing scummy evildoers and Louis was just too dumb and romanticizing of humans to ever see it etc..." like FINE WHATEVER, I GUESS hahaha but I actually kind of liked you better when you were a bit meaner and a bit petty and a bit imperfect and a bit lame