#World Heritage Crafts

[inheritagex]

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[theknitpotato]

The "Wasserspiele" (water features) are part of the Mountain Park (Bergpark) Wilhelmshöhe in Kassel. What you see in the photo are the great cascades, but the park has many more water features like waterfalls and basins.

The park was put on the UNESCO World Heritage list 11 years ago, on June 23, 2013. It is the largest mountain park in Europe with 2.4 sq kilometers.

The park's main features are the Wasserspiele, the Herkules Statue (you can see it on the photo in the back), the Palace Wilhelmshöhe, and the pleasure palace (Lustschloss) Löwenburg. It also has a so-called "Teufelsbrücke" (Devil's bridge).

The landgraves and prince-electors of Hesse-Kassel began creating the park in 1696 and over the next 150 years it was expanded. It combines different styles of landscape architecture (Italian, French, English garden designs) and architecture.

Photo: Von Baummapper - Eigenes Werk, CC BY-SA 3.0 de

[whereishermes]

The Art of Greek Vase Painting

Greek vases and pottery was well-known for its quality and was widely exported throughout the Mediterranean. The techniques used by ancient Greek ceramists required thorough shaping and decorating processes that were the result of years of training under master potters.  The Vase – Making Process: From Clay to Form The techniques Greek ceramists used to shape and decorate fine vases required…

[greenthestral]

Empowering Women Artisans: Celebrating Creativity and Equality

In today's world, women continue to break barriers and shatter glass ceilings in various fields. One area where their contribution is often overlooked but incredibly significant is in the realm of artisanship. Women artisans play a vital role in preserving cultural heritage, fostering creativity, and driving economic growth. This article aims to shed light on the incredible work of these women and the importance of empowering them to thrive in their craft.

The Rich History of Women Artisans

Throughout history, women have played a significant role in artisanal trades, showcasing their remarkable creativity and skill across various crafts. From pottery and weaving to jewelry-making and embroidery, women have served as the custodians of artistic traditions, passing down their knowledge and expertise from generation to generation. These crafts not only contribute to the cultural fabric of societies but also serve as a crucial means of economic sustenance for countless women around the world.

In every corner of the globe, women have been instrumental in preserving and advancing traditional artistic practices. In many cultures, pottery has been a craft passed down through generations, and women have been at the forefront of this art form. From shaping the clay to adorning the finished pieces with intricate designs, women artisans have demonstrated their mastery of this ancient craft. Their delicate touch and attention to detail have resulted in exquisite pottery that reflects their cultural heritage and artistic sensibilities.

Weaving is another craft where women have played an integral role throughout history. Whether it's creating intricate patterns on textiles or crafting beautiful rugs and tapestries, women have honed their weaving skills to perfection. In many indigenous communities, weaving has been an essential cultural practice, and women have been the primary weavers, using age-old techniques and traditional looms. Their creations not only showcase their artistic abilities but also serve as a means of preserving cultural narratives and identities.

The art of jewelry-making has long been associated with women artisans who possess a keen eye for design and a deep understanding of materials. From crafting exquisite necklaces and earrings to intricate bracelets and rings, women have elevated jewelry-making to an art form. Through their work, they infuse pieces with personal stories, symbolism, and cultural motifs, creating wearable works of art that carry a piece of their heritage.

Embroidery, too, has been a craft dominated by women artisans. With a needle and thread, they transform plain fabrics into stunning works of art, embellishing them with elaborate patterns and intricate stitches. Embroidery has traditionally been used to decorate clothing, household items, and ceremonial garments, and women have excelled in this meticulous craft, showcasing their creativity and attention to detail.

These crafts have not only contributed to the cultural heritage of societies but have also provided economic sustenance for countless women artisans around the world. In many communities, artisanal trades have been a primary source of income for women, enabling them to support their families and create a better future for themselves. By engaging in these crafts, women have gained financial independence, empowered themselves, and contributed to the economic well-being of their communities.

Moreover, these crafts have often provided a safe and supportive space for women to express their creativity and forge connections with their cultural roots. They offer an avenue for self-expression, allowing women to showcase their artistic talents and leave a lasting impact on their communities. Through the act of creating, women artisans find a sense of fulfillment and purpose, as they channel their passion and skills into their craft.

It is crucial to recognize and celebrate the invaluable contributions of women artisans throughout history. Their creativity, skill, and dedication have enriched our societies, preserved cultural traditions, and provided economic opportunities. By empowering women artisans and ensuring their work receives the recognition and support it deserves, we can create a more equitable and inclusive world that values and celebrates their talents. As we continue to appreciate the artistry of women artisans, let us also strive to provide them with the resources, training, and platforms they need to thrive in their chosen crafts.

Challenges Faced by Women Artisans

Despite their immense talent and dedication, women artisans face numerous challenges in their pursuit of artistic expression and financial independence. Discrimination, limited access to resources, lack of market opportunities, and gender-based violence are some of the obstacles that they encounter on their journey.

In many societies, women face cultural and social barriers that hinder their ability to engage fully in artistic pursuits. Traditional gender roles often confine women to domestic responsibilities, leaving little time and support for them to explore their artistic potential. Moreover, limited access to education and training programs further exacerbates these challenges.

Lack of financial resources and market opportunities pose significant hurdles for women artisans as well. Without access to credit or capital, they struggle to invest in tools, raw materials, and infrastructure necessary for their craft. Additionally, gender bias in the marketplace can prevent them from gaining fair recognition and adequate compensation for their work.

The Importance of Empowering Women Artisans

Empowering women artisans is not just about ensuring gender equality; it is a vital step towards sustainable development and cultural preservation. When women are given the necessary support and opportunities, they can contribute significantly to economic growth, poverty reduction, and community development.

By empowering women artisans, we can unlock their creative potential and nurture innovation. Their unique perspectives and skills can enrich artistic traditions, leading to the creation of diverse and culturally significant artwork. This, in turn, fosters a sense of pride and identity within communities while also attracting tourists and buyers interested in authentic, handmade crafts.

Furthermore, empowering women artisans has a multiplier effect on society. As women gain financial independence and improve their living standards, they can invest in the education and well-being of their families. This creates a positive cycle of empowerment that extends beyond the individual and contributes to the overall progress of communities.

Initiatives for Empowering Women Artisans

Recognizing the significance of empowering women artisans, numerous organizations and initiatives have emerged to provide support and create opportunities for these talented individuals.

Microfinance institutions and nonprofit organizations play a crucial role in providing financial assistance and training programs to women artisans. By offering microloans, these institutions enable women to invest in their craft and develop their businesses. They also provide training in entrepreneurship, marketing, and financial management, equipping women with the skills necessary to thrive in the marketplace.

Government policies and programs also play a crucial role in empowering women artisans. By implementing gender-responsive policies, governments can create an enabling environment that supports women's entrepreneurship and access to markets. Initiatives such as setting up women-centric artisanal hubs, organizing exhibitions, and providing platforms for skill-sharing and networking can significantly boost the visibility and market reach of women artisans.

Furthermore, consumer awareness and conscious buying practices can contribute to empowering women artisans. By actively seeking out and supporting businesses that prioritize fair trade and women's empowerment, consumers can contribute to creating a more equitable marketplace. Social media platforms and e-commerce websites have become powerful tools for connecting women artisans with a global audience, amplifying their reach, and creating sustainable market opportunities.

Success Stories of Empowered Women Artisans

Across the globe, there are inspiring stories of women artisans who have defied the odds and achieved remarkable success in their craft.

One such example is Fatima, a skilled ceramic artist from a rural village in Morocco. With the support of a microfinance organization, she was able to establish her pottery workshop and train other women in her community. Today, Fatima's intricate ceramic artwork is highly sought after, and she has become a role model for aspiring women artisans in her village.

In India, organizations like the Self-Employed Women's Association (SEWA) have been instrumental in empowering women artisans. SEWA provides training, access to credit, and market linkages to women engaged in various crafts such as embroidery, weaving, and block printing. Through their efforts, thousands of women have gained financial independence and transformed their lives.

Conclusion

Empowering women artisans is a powerful step towards building a more inclusive and equal society. By addressing the challenges they face and providing them with the necessary support and opportunities, we can unlock their creative potential, contribute to economic growth, and preserve cultural heritage. Through microfinance, training programs, policy reforms, and conscious buying practices, we can collectively work towards a future where women artisans thrive and their invaluable contributions are celebrated. Let us stand together in empowering women artisans and create a world that values and nurtures their creativity.

[inkies-art]

obligatory mlp au for gravity falls. i have a small comic ab stan losing his horn coming up too. more headcanons below

Dipper is an earth pony, Mable is a unicorn, the Stan twins are both unicorns

the younger twins have more earth pony heritage while the Stan twins have very little

Mabel only really knows craft related spells

Ford is one of the most powerful unicorns in the world

Stan used to have decently powerful magic, lost almost all of it when his horn was smashed

the only time Stan can use magic are when his emotional state is very heightened and he acts on instinct. it leaves him so exhausted and if he pushes himself too hard he could get very sick

when Stan uses magic after his horn is smashed his body will leak/ooze pure magic

Stan's flank was scarred by himself long before he got a cutie mark to avoid people identifying him with it. nowadays Mabel will paint something new on his flank everyday, he likes that it adds to his mystery

Ford gained bills arms winding down his legs and connected to his cutie mark after making a deal with bill, a permanent reminder of the mistake he made

Ford lost his tail while he was in the portal, isnt too heartbroken about it since it was just causing him issues in the portal

Ford's journals have a silhouette of a unicorn with two horns instead of a 6 fingered hand

Dipper is insecure that he isnt a unicorn and has trouble keeping up with Ford on adventures sometimes, Ford has no issue helping Dipper along with him when he needs to and is just happy to have someone on and adventure with him again

Mabel paints her hooves bright colors

[shutupineedtothink]

Trial order and why Lilia, not Agatha, is last (not counting Rio)

Kay, so I got another off-the-wall theory for you, this time around the order of the trials and why Lilia, not Agatha, is actually going to be last (if we don't count Rio). It goes back to maiden mother crone and some of the trauma/generational trauma stuff I already talked about in a previous post. As with The Road, continue at your own peril.

Right so I couldn't get this idea of maiden mother crone, intergenerational trauma, dealing with the long history of violence toward witches thing out of my head that the show is doing. And I think we've all been assuming that Lilia's trial will be next, saving Agatha and probably Rio for last, because those are standard main character of a TV show rules.

But the more I think about it, the more weight I feel like Lilia's journey carries for this overall theme of trauma toward witches and the history of witches, etc. She seems to have the most intense connection to the pain of witches past, like old-world witch stuff, and she's the one who's brought up multiple times that witches aren't really as they've been portrayed, there's all these negative stereotypes, etc etc. And she's sick of it. She's lived through it for the longest of all of them (again, leaving whatever Rio is out of it).

Idk, something that big, addressing the long history of violence toward witches and witch stereotypes, that feels like you have to deal with it last. That's a culmination of all the witch references, pop culture and otherwise, the show has been making, of which there are MANY.

So I thought ok, for funzies, let's assume Lilia's last, which puts our trial order as follows: Jen -> Alice -> Agatha -> Lilia (and I guess true last would be Rio but I'll get there in a second).

Assuming that order, something else pinged for me: maiden mother crone. Another massive theme in the show, portraying these generations of witches and women in general, and again, for reasons I can't explain, it really feels like it has weight to me. Like they're doing something with it.

So leaving Jen aside for a second, don't worry I'll come back to her, that makes Alice our maiden. Her role, particularly in the context of her trial, is the role of daughter. She's also the youngest of the witches, as far as I can tell. She's even coded as kind of the rebellious one, the young angry one who still hasn't quite accepted her heritage, until after her trial, she does.

Agatha is the mother. We are really going for the mother/child relationship with her and Teen, and of course dealing with her son's death and whatever part she played in it. I would assume her trial will be about that, but we could also be saving that for the end. The mother is also the connector generation between maiden and crone, so maybe there's something there about Agatha fully stepping into the leader role of the coven, and accepting these women around her, idk.

Lilia, the eldest, is our crone. She carries the true history and memory of generations of witches with her, she has lived the longest through the most trials. She is the most experienced in the craft and takes it the most seriously. The journey is hers to end.

Except -- we have two other players left. Jen, who kicks off the trials, and Rio, who I'm assuming doesn't really have a trial but will be there at the end... because, you know. 💀

So why would Jen be first? What comes before the maiden?

And then she said it herself.

"I never fully identified as a witch. I am an 11th-generation root worker and midwife."

This one line almost puts her in a similar category to Rio, at least thematically. She's a witch but also more, neither and both. And she's a midwife, someone who helps facilitate birth. Someone who, at her best, supports and sustains life. Someone who allows the first phase of life, the maiden, to come into being.

And guess who that leaves us with at the end, the opposite bookend to Jen's life-giving power -- the mistress of death herself, Rio. The one to which all life must eventually return.

The trials aren't just about elements, or moon phases, or even different witch specialties, they're taking us through the stages of a witch herself. The stages of ALL women really (whether you are an actual mother with children or not, the mother phase is mid-life). Linking us all together, generation after generation.

So in this theory, the trials go like this:

Jen -> Alice -> Agatha -> Lilia -> Rio

Birth -> Maiden -> Mother -> Crone -> Death

Even the moon phases line up. Full moon is birth, a full-term pregnancy and then birth. Waxing moon, growth, renewal, hope, promise -- the maiden. Half moon, mid-life, no longer maiden, not yet crone, the in-between -- the mother. Waning moon, the last quarter of life -- crone. New moon, darkness, returning to the void -- death. They're playing fast and loose with the moon phase order, so I am too.

I can probably fudge the elements here too, but it's a little harder mostly because I don't know what Agatha's element is. I heard someone say spirit, but idk.

Anyway, what do you think? Am I on to something here? Batshit crazy? Would love to hear your thoughts in comments. :)

[coastalcowplant]

Windenmere Equestrian Estate 🗝️

Nestled in the misty countryside of Windenburg, Windenmere Equestrian Estate is a stately manor that has stood the test of time, watching over its expansive fields and pastures for centuries. Built during an era of prosperity, this ancestral home once bustled with the life and spirit of the Windenmere family, who earned their wealth through a thriving horse-breeding empire. Known for producing some of the finest thoroughbreds in the region, the estate became legendary, woven into the fabric of Windenburg’s equestrian legacy.

The estate’s architecture boasts a blend of Tudor and Gothic Revival that reflects its noble heritage. Grand stone walls, softened by creeping ivy and moss, hint at the manor’s age, while arched windows and leaded glass panes cast a dappled light into the stately interior. Upon entering, one steps into a world untouched by time. The grand foyer features polished marble floors, framed by intricate woodwork that speaks to the craftsmanship of a bygone era. Elaborate tapestries and portraits of past Windenmere family members and their prized horses hang along the corridors, creating a silent gallery of the estate’s illustrious history.

The heart of Windenmere is its equestrian grounds, where generations of horses have been bred, trained, and celebrated. Stables constructed with the finest oak stand beside an aged, but well-kept, riding arena, and beyond lies the estate’s private trails that wind through ancient oaks and rolling hills. Even the air here seems steeped in memory, carrying the faint sounds of galloping hooves and distant echoes of past triumphs.

Today, Windenmere Equestrian Estate stands as a living tribute to the Windenmere family’s legacy, preserving their passion for horses and their place in Windenburg’s storied past. It is a place where time seems to pause, inviting those who enter to step back and experience the elegance, tradition, and quiet strength of this historic home.

Forged in tradition, crafted for champions. . .⚜️

Available for download on the gallery! :)

Gallery ID | briannaasims

No CC build

§168,468

Residential Lot

4 bed, 4 bath

64 x 64

⚲ Von-Windenburg Estate

Packs Used: Base Game, Horse Ranch, Growing Together, Cottage Living, Snowy Escape, Island Living, Get Famous, Cats & Dogs, Get Together, My Wedding Stories, Realm of Magic, StrangerVille, Jungle Adventure, Vampires, and Romantic Garden

[germanpostwarmodern]

The built manifestations of Brutalism, despite their omnipresence on social media, remain controversial: especially in Europe they are loved by some and hated by many. In other parts of the world opinions aren’t as polarized and Brutalism simply a part of the built environment, e.g. in Japan. Okinawa-based photographer Paul Tulett has been exploring the Japanese brutalist heritage for years and in his new book „Brutalist Japan“, recently published by Prestel, points to the particular appeal concrete had in postwar Japan: it offered seismic safety, was resistant to termites and easy to pour in form and via the shuttering boards also left room for the skilled Japanese wood crafts. At the same time the Japanese tradition for leaving natural materials rough and raw played in the hands of „béton brut“ that, as Tulett explains, became „béton nécessaire“.

The former’s gradual aging and the acceptance thereof agains roots in Japanese tradition, i.e. the concepts of „wabi sabi“ and „mono no aware“ which embrace the beauty of imperfection and describe the ambivalent awareness of the fleeting nature of beauty. Against this background and Tulett’s introduction to Japanese philosophies it becomes easier to understand why Brutalism is a lot less controversial in Japan than it is in other parts of the world and never disappeared. Accordingly the buildings gathered in „Brutalist Japan“ date from the 1950s to the present day and offer a comprehensive panorama of Brutalism in Japan: in brilliant photographs Tulett shows classics like Kenzo Tange’s Hiroshima Peace Memorial Museum (1955) and Setagawa Ward Office (1959) or Le Corbusier’s National Museum of Western Art (1959) but also a plethora of little-known buildings. And they are compelling: the fortress-like Tanimura Art Museum (1983) by Togo Murano, the Keihan Uji Station (1995) by Hiroyuki Wakabayashi or the Okinawa Prefectural and Art Museum (2007) by Ishimoto and Niki Associates demonstrate the masterful use of raw concrete while also dealing with Japanese history and traditions.

This beautifully crafted mix of buildings makes the book a great read and an eye-opening survey of Japanese Brutalism. Highly recommended!

[letsatomicbanana]

Ink!Sans Cultural Inspiration

(revised version)

art by @/sakuramochi64 on twitter

Disclaimer!

This post aims to explore and analyze both the prominent and subtle East Asian cultural influences—primarily Japanese—that have shaped the character of Ink!Sans. By examining these influences, we can better understand how traditional East Asian aesthetics and artistic practices are woven into Ink’s design and powers. If any information in this essay is inaccurate or unintentionally offensive, please don’t hesitate to reach out! This essay serves as a revised and updated version of the analysis conducted last year, incorporating new insights and refined perspectives to enhance our understanding of Ink!Sans’s character and his cultural influences.

Ink!Sans by @comyet/@myebi

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''It was a night where it felt like i was a miserable artist and i was very frustrated at my work and it felt like i wasn’t worth alot (we all have these), then I came across a picture of a japanese ink brush, and it was all I needed to start doodling a concept.

That’s how Ink is born.''

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According to Ink’s creator, Comyet, the idea for Ink!Sans was sparked by an image of a brush specifically crafted for sumi and Chinese ink art. In China, the tradition of using specialized ink brushes, known as Chinese writing brushes, has been a foundational element in the art of calligraphy and traditional painting for centuries. These brushes are highly valued for their precision and versatility, allowing artists to produce a range of strokes, from fine lines to bold, expressive swashes. The brush itself is composed of a bamboo handle and a carefully tapered head made from animal hair, designed to hold and release ink in controlled flows.

This tool became central not only in Chinese culture but also influenced Japanese, Korean, and Vietnamese art, where calligraphy holds a similar cultural significance and is closely tied to writing systems derived from Chinese characters. These brushes symbolize the control, fluidity, and intentionality required in both written language and visual art across East Asia. This deep-rooted cultural importance of the ink brush inspired Ink!Sans's character design and powers, allowing him to wield 'ink-based' abilities, symbolizing both creativity and adaptability. His main weapon—a brush—reflects this heritage and further emphasizes the connection between art and battle, as he channels the brush’s traditional associations with fluidity and strength into his fighting style, merging the arts of calligraphy and combat.

(visual example of an ink calligraphy brush)

At glance, the ink material is an enduring medium that still surrounds society till this day and it's used in multiple cultures across the world.

Writing with ink calligraphy brushes is also common in Europe and the Middle East, where artisans developed ink using a unique combination of iron salts and oak galls. This type of ink, known as iron gall ink, initially appeared in rich, dark tones, making it highly desirable for manuscripts and official documents due to its bold, readable quality. However, over time, the iron in the ink oxidized, resulting in a distinct color shift to warm, rust-like brown tones. This characteristic fading can still be observed today in ancient manuscripts, such as early European literary works, where the reddish-brown hues give a sense of history to these documents. The durability and aesthetic appeal of iron gall ink contributed significantly to its prevalence in both regions, influencing the artistry of calligraphy and manuscript illumination for centuries.

Like previously mentioned, Ink!Sans was inspired by traditional ink materials developed in East Asia, where artisans mastered the creation of carbon-based black ink, often using soot or charcoal mixed with binding agents like animal glue. This type of ink, known for its rich, deep color and lasting durability, was a staple in East Asian calligraphy and artwork. Unlike iron gall ink, this carbon-based ink maintained its dark, almost jet-black color for centuries, even in varying environmental conditions. The resilience of this ink allowed ancient texts, paintings, and scrolls to retain their striking contrast and clarity, making it a celebrated medium in East Asian art and culture. Ink!Sans draws inspiration from this enduring quality, symbolizing strength, creativity, and the timelessness of artistic expression

(visual example of an ancient art piece that used carbon-based black ink)

To note, unlike iron gall ink, carbon based inks are still very common to this day.

Although the primary Chinese calligraphic scripts were well established by the fourth century, calligraphy as an art form has continually evolved over the centuries, adapting to new cultural and aesthetic influences. Skilled calligraphers, who spent years mastering brush techniques and perfecting their own unique hand, were celebrated for their distinctive styles, and their works became templates for both art and personal expression. Over time, subsequent generations of artists studied these revered styles, incorporating and reinterpreting them to reflect their individual voices and the changing social landscapes. This ongoing transformation has kept Chinese calligraphy dynamic and relevant, and it remains a respected art form today, blending tradition with contemporary aesthetics.

In Japan, calligraphy also held deep cultural significance, symbolizing both personal refinement and intellectual achievement. Calligraphy was regarded as a mark of scholarly sophistication and artistic taste, with a variety of tools developed to enhance the writing experience. One notable example is the suzuribako ("ink stone box"), a portable lacquered wood box designed to store an inkstone, water dropper, brushes, and solid ink sticks. These boxes were crafted with precision and adorned with intricate lacquer designs, reflecting their owner’s status and appreciation for art. Suzuribako were lightweight and convenient, enabling calligraphers to take their tools outdoors or to scenic locations to write letters, diary entries, or poetry. This practice not only facilitated creativity but also connected the act of writing with nature, creating an immersive experience where one could find inspiration in the surrounding beauty while crafting words in elegant brushstrokes. The combination of these refined tools and settings underscored calligraphy’s role as a deeply personal and aesthetic pursuit in Japanese culture.

From this perspective, it is essential to highlight that Ink's character draws inspiration from traditional ink calligraphy, a detail reflected in his distinctive speech font, 'Note This'.

(Example of Ink's canon speaking font and ancient calligraphy)

Also clarified in an ask on her side blog, Comyet explained that traditional samurai clothing served as a key inspiration for Ink's outfit redesign in 2020. Ink's creator thoughtfully incorporated these characteristics to enhance Ink’s visual appeal and connection to his main source of inspiraton. This influence is particularly noticeable in the first and second analyses of Ink's character, where we see clear visual cues from iconic Japanese garments like the hakama.

(Ink!sans reference sheet for the 2020 design, credit goes to @/comyet)

Ink's pants were inspired by hakama, a traditional Japanese garment known for its distinctive design as skirt-like trousers, typically worn over a kimono. Hakama are historically associated with a range of activities, from ceremonial occasions to martial arts, and are often considered a symbol of status and refinement. Specifically, Ink's pants appear to be inspired by the umanori style of hakama, which is characterized by a split or division in the middle, allowing for greater freedom of movement. This style was traditionally worn by samurai and other individuals involved in horseback riding, as the design allowed for ease of movement and flexibility when mounting or riding a horse.

The umanori hakama were not only practical for riding but also served as a functional yet elegant garment, embodying the balance of form and function typical in Japanese clothing. By incorporating this style into Ink's character design, Comyet likely intended to evoke themes of mobility, agility, and strength, while subtly referencing Japanese martial traditions and the samurai ethos. This choice enhances Ink's overall aesthetic, highlighting his dynamic, action-oriented nature, suggesting that his character is both rooted in tradition and capable of fluid, graceful movement.

The hakama was not merely a functional garment but also a powerful symbol of social status, loyalty, and the samurai's role in Edo society. While the hakama was predominantly worn by samurai, it also found its place in the wardrobe of scholars, priests, and members of the aristocracy, who wore it as part of their ceremonial dress.

Furthermore, Comyet has explained that Ink's outfit and appearance were partially inspired by the clothing worn by samurai, as depicted in ukiyo-e prints from the Edo Period of Japan. Ukiyo-e, which translates to 'pictures of the floating world,' was a popular genre of woodblock prints and paintings that flourished from the 17th to the 19th centuries, showcasing scenes of everyday life, landscapes, kabuki actors, and beautiful women. However, samurai were also common subjects of these prints, often portrayed in full regalia, highlighting their status and discipline.

(this line of text was found within old versions of Ink's FAQ post, mainly from 2020-2021)

In these ukiyo-e representations, samurai are frequently depicted wearing a distinctive combination of garments, including elaborate kamishimo (formal attire worn by samurai), hakama (wide trousers), and haori (a kimono-style jacket worn over the kimono), along with ornate accessories such as sashes and swords. These samurai were often shown in dynamic poses, suggesting a sense of power, grace, and readiness for battle, which reflected their societal role as both warriors and landowners.

Ukiyo-e representations of samurai often carried deeper meanings beyond their visual impact. Samurai in these prints were more than just warriors; they were cultural icons, symbols of virtue, duty, and sacrifice. Some prints portrayed samurai in the context of popular stories or historical events, such as famous battles or legendary acts of heroism. For example, the prints often depicted samurai as loyal retainers or leaders fighting for justice, reflecting the ideal of bushidō, the samurai code of ethics, which emphasized virtues like loyalty, courage, and respect.

(Ukiyo-e art made by Katsukama Shun'ei, Edo Period)

During the Edo period, the hakama was an important garment worn by the nobility as part of their formal attire, complementing other traditional outfits of the time, such as the noshi and kariginu, a sleeveless jacket with distinctive, sharply defined shoulders. These garments were designed to symbolize the status and refined taste of their wearers. The hakama, with its wide, flowing silhouette, was highly functional and practical, allowing for ease of movement while maintaining an air of elegance.

On another note, Ink's design is not the only aspect influenced by Japanese culture; the musical themes associated with him also draw significant inspiration from traditional Japanese music, as described by Comyet. The incorporation of these musical elements into Ink's character enhances the depth and cultural resonance of his persona, creating a multi-layered experience that ties his abilities, appearance, and thematic representation to a broader cultural context.

A predominant theme associated with Ink that highlights his deep inspiration from traditional Asian styles is one called 'BrushWork.' This musical theme, featured in the popular series Underverse, plays a crucial role in reflecting Ink’s connection to East Asian culture, particularly through its use of the shamisen, a traditional Japanese stringed instrument, and a flute. The choice of the shamisen in this composition is significant, as it evokes the soundscape of Japan, with its distinct, plucked tones often associated with traditional music, storytelling, and performance arts.

The shamisen is a core instrument in genres such as kabuki (a traditional form of Japanese drama) and bunraku (puppet theater), where it is used to underscore the emotional intensity and narrative depth of the performances. In BrushWork, the shamisen helps set the tone for Ink’s character, enhancing the theme of 'brushwork' through its fluid, emotive sound.

Honorable mention: The instrumental video for ''Soulless Heart'', features an artwork that is inspired by traditional sumi-e (ink wash painting), a Japanese art form renowned for its elegant brushwork and minimalistic yet profound depictions of nature. This particular artwork, which accompanies the music, was created by the talented artist @/sakuramochi64, whose style reflects the delicate balance and graceful simplicity typical of sumi-e paintings.

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Sources

1.National Museum of asian art (materials & techniques. Ink section)

2. Asian Brushpaper (an-overview-of-chinese-ink-history)

3. Wikipedia (wiki Hakama-pants+Shamisen)

4. Aikido Journal (Hakama-101)

[harocat]

Why Inuyasha fans should watch hit Chinese fantasy drama Love Game in Eastern Fantasy.

This wonderful art was created by Sparky! You can find her twt account here, and if you're interested in commissioning something yourself, her vgen account here.

I promised I'd make this post, and I also promised I'd commission some chibis of the lead pairs from both shows swapping outfits as to entice you, so here we go. If the adorable art isn't enough to convince you, read this way!

Love Game in Eastern Fantasy is a 2024 Chinese fantasy drama starring Esther Yu and Ding Yuxi. It's thirty-two episodes long. The show has been a big hit in China due to its charming storyline, hilarious meta-humor, strong performances, beautiful costumes and sets, and well crafted characters. Let me get this out of the way first; yes, that is the English title of the series, and yes it's a pretty bad and unappealing sounding title. It's not uncommon for English titles of Chinese dramas to be kind of terrible. I promise it does not reflect the quality of the series itself. The original Chinese title is 永夜星河 (Yong Ye Xing He: Eternal Night of Starry River). This, although pretty, doesn't have much to do with the series either. For the rest of the post, I will be abbreviating the title to LGIEF.

Let's start with an introduction of our lead characters, then we'll go into why I think Inuyasha fans specifically will enjoy this series, although it should become quite obvious along the way.

Ling Miaomiao

Funny, compassionate, and clever, Ling Miaomiao is a young woman from the twenty-first century who is transmigrated out of her boring every day work life and into the novel Catching Demons. Once inside, she retains her memories of the real world and is given two main tasks by 'the system', the mysterious force that governs her stay in this parallel world; the first one is to stop the catastrophe of heaven, a potentially world ending event, and the second... is to make the second male lead of the original novel, a standoffish, suspicious young man named Mu Sheng, fall in love with her.

The problem is that she hasn't been transmigrated as Ling Miaomiao, but is instead in the body of the character of Lin Yu, the second female lead of the original novel, as well as an antagonist. Well, Ling Miaomiao doesn't have it in her to be a villain, and besides how can she capture the affection of Mu Sheng that way? It turns out that the best way to do so is by being herself. But of course, as goes in these stories, she didn't expect to fall in love along the way.

Miaomiao is, in addition to having one of the best wardrobes I've ever seen, so charming, so cute, so amusing, and such a sunshine of a character. She's not pliant. She sticks to her guns and doesn't take shit, but she's also kind, tolerant, accepting, and borderline fearless at times. Esther Yu has wonderful comic timing. She is a delight.

Mu Sheng

Courtesy name 'Ziqi', and what I'll be referring to him as in this post. Ziqi is the second male lead in the novel Catching Demons and the adopted younger brother of the novel's protagonist, Mu Yao. He's very close to his sister, and his self esteem is debilitatingly low, to the point he sees protecting her as the only reason for his existence. In the original novel, he becomes an antagonist at a later point.

Ziqi and his sister, Mu Yao, are demon catchers. They're both powerful cultivators (magic users) and warriors. Her family (and his adopted family--- sort of) were all killed by a powerful demon called the Resentful Woman about a decade before, and Mu Yao is on a quest to find her and defeat her, with Ziqi tagging along. But Ziqi has a secret, and it's one that he is terrified of his sister, who abhors demons, finding out. He is half demon himself. A gold ribbon he wears in his hair at all times protects him, keeping his true identity hidden unless it's removed.

He loathes his heritage and sees it as shameful-- until Ling Miaomiao comes along. Ziqi is brusque, angry, and bitter. He has a front of bravado, but is DEEPLY insecure. He starts out very rude. He's love starved but shirks away from love. He's jaded, but extremely innocent. He's a tsundere (even described as such in official material, which I found funny). His actor pulls off the best sad kitten eyes any man ever has, and your heart will break for him.

To clarify, although in the original novel Catching Demons, Ziqi and Miaomiao are not the leads, in the drama Love Game in Eastern Fantasy, they 300% are! This is a story about what happens when the second leads... become the leads.

Other Major Characters

Mu Yao- Ziqi's adopted older sister. He is extremely close to and protective of her, but her hatred of demons due to her past makes it so revealing his secret seems impossible. Mu Yao is a demon catcher from the famous Mu clan, which has been the most prominent demon catching clan for nine hundred years. She is friendly and no-nonsense, and as the story continues, she grows and matures in her views. She is very close to Ling Miaomiao, and she is in love with the original male lead of the novel, Liu Fuyi.

Liu Fuyi- The original male lead of the novel. He starts out quite 'wooden', which I think is deliberate because Ling Miaomiao even commented on him being a badly written character as she read the original novel. However, as the story goes on and he becomes more of a real person, he fills out and ends up likable. Stalwart, calm, and noble, he is in love with Mu Yao but dares not say it. He has a more nuanced, less prejudiced view of demons than Mu Yao does.

Cuicui- The last member of our group of demon catching travelers. Cuicui is a young bamboo demon who quickly bonds with Ling Miaomiao, sneaking along by turning himself into a bamboo hair pin she wears. He is very Shippou in that he adores LMM and bickers with Ziqi, but I actually do like him a lot better than his Inuyasha counterpart. He's quite useful, and he forms a pretty sweet bond with Ziqi over time. I have read that Cuicui is not ever gendered in the original dialogue, but as I'm unsure of this, I defaulted to the gender of his actor (who is a total cutiepie btw).

You can very much see even from here how the main cast really fills those Inuyasha roles! Together, they are the Four Bamboo Masters.

(Actual art of the Four Bamboo Masters+Cuicui by artist extraordinaire Ling Miaomiao)

The World

The universe of Catching Demons is a fantasy ancient China filled with yao which is the Mandarin Chinese word for demons of the variety featured in the series. If you understand youkai, you somewhat understand yao.

Japanese "yokai" is the Japanese transliteration or pronunciation of the Chinese term "yaoguai" and involves similarly strange creatures, with both languages using the same Chinese characters to describe them. ( x )

Yao in this world are for the most part, morally neutral, but are generally viewed as evil by humans. Those that are evil often ended up going that direction because of humanity's actions toward them. They can form from aspects of nature; bamboo, foxes, water, cats, birds, etc. There are also object based yao based on mirrors, paintbrushes, etc. Inuyasha fans will definitely see some similarities in the folklore between the series.

As with many high budget Chinese dramas, the settings are beautiful and atmospheric, capturing both the gorgeous architecture, clothing, etc. of a fantasy ancient China, as well as the nature and magic of this specific world. The effects are quality for a tv production, and the costumes, makeup, and wigs are next level. There's so much rich detail in them. Ling Miaomiao's hair ornaments alone deserve an entire post praising them.

Since this is also a transmigration story, the mechanics of 'the system' often come into play. This results in some of the best humor in the series. Ling Miaomiao's battle with the system is hilarious and clever. It's rendered as if it is a video game, with LMM in the early episodes 'dying' and having to respawn... many, many times. In order to clear her mission, Ling Miaomiao must get Mu Sheng to 100% favorability toward her, which is calculated adorably by little mushroom shaped demons.

One of the biggest appeals of the series is Miaomiao's modern mind set in this ancient world, and the fact that since she believes this to be just a novel at first, she is hysterically meta, often commenting on the quality of the story and well...

The Love Story

This love story is like crack to Inuyasha/Kagome fans (aka me). You should have gotten the vibe of the obvious character similarities from above, but their romance plays with so many of the tropes that made InuKag great and pulls them off so well. It doesn't feel like a rehash, it just happens to use similar tropes to great impact.

Look, this scene is spoiler-y for episode eleven, but I just think that if anything is going to sell you on this show, it's probably going to be this scene, so watch it.

In it, Ziqi has been forced to remove his hair ribbon to battle a demon, because he's not near strong enough without doing so. The rest is self explanatory from the video.

This is a really gentle love story. It has a lot of what I love about InuKag, which is a casual intimacy, a soft, sometimes unspoken affection, and a chemistry between the characters that speaks of a deep connection that goes far beyond just their romantic attraction. These are two people that click, and it's beautiful to watch the way they impact each other. It's about support, belief, trust, and acceptance. They start off very much on the wrong foot, as our intrepid lovers in IY do, but when they come together, it's all of that and more, plus a level of playful bickering.

I, Mu Ziqi, swear to the heavens that if I lose you somehow, I'll come back to find you. No matter how far it is, no matter how hard it is, I will bring you back.

And I am not the only one who has noticed the similarities to Inuyasha:

1, 2

Plus all the likes and reblogs on this post.

What else does the show have to offer?

I don't really want to go further into spoilers, but I love the themes of this story. It's about learning to love yourself, trust, and compassion of course, but it also ends up being a super uplifting commentary on the power of storytelling, memory, the impact fiction can have on us, the way love is laced into everything we create, and the power simple acts of kindness can have. The value of this series goes far beyond just being similar to Inuyasha, although that's definitely a plus.

Famous last words from early series Ling Miaomiao. Girl, you have no idea.

Does it have a happy ending?

Yes. I will leave it at that.

But I've never watched a Chinese drama...

This is a great place to start. There's little to nothing that should confuse you as a first time watcher. It's a perfect introduction.

Where can I watch it?

Luckily, unlike a lot of Cdramas, LGIEF is extremely accessible and available on several streaming sites. It's on Netflix, Viki, Youtube (up to ep twenty-three), and WeTV. If you have a Netflix account, it's there right now!! Audio is Mandarin Chinese of course, but subtitles are available in several languages.

If you do watch it, let me know! And make sure to share this post of course.

I watched LGIEF and I loved it (of course). What should I watch next?

Here's a few Chinese dramas that are readily available streaming, that I think LGIEF fans would enjoy:

Love Between Fairy and Devil (thirty-six episodes, streaming on Netflix, Viki, and IQIYI): When a low-ranked fairy accidentally resurrects a powerful demon, their fates become cosmically entangled as the world is thrown into turmoil.

For me, not just my favorite fantasy drama of all time, but my favorite drama period. Like LGIEF, this drama stars Esther Yu in the role of the heroine. One of the screenwriters is also the same as LGIEF, and much of the production team is similar.

This is a gorgeous story of the redemptive power of love of all kinds, of breaking the cycle of war, and of defying fate no matter the cost. A fantastic cast, stunning costumes, and the best soundtrack ever. If you're like me and are wary of the 'good girl changes the bad boy' trope, don't be. Dongfang Qingcang (the male lead) is an amazing character; he's deep and layered and complex, and he is never actually a villain. His trauma is convincing, and everything about him is so, so good. Xiao Lanhua is the heroine. Her character arc is so lovingly done. The two leads don't change for each other, they change because of each other. It's simultaneously one of the funniest dramas I've ever seen and devastatingly heartbreaking. You will laugh, you will cry. Happy ending though, I promise.

The Romance of Tiger and Rose (twenty-four episodes, streaming on Amazon Prime, WeTV, and Viki): A young screenwriter falls ill while working on a script and wakes up as one of her characters.

Confession that I am still working on watching this one, but it's quite popular and the first episodes are charming. It's mainly on here because it stars Ding Yuxi (Ziqi) as the love interest in another transmigration story. It's also not as long as a lot of other dramas, so it's a bit less of a commitment. It's a well known drama that is highly rated in most places.

Destined (forty episodes, streaming on IQIYI): Liu Yuru has suffered in her family; her only hope is to marry her crush, but fateful events force her to marry a rumored playboy from a rich family.

This is not the most appealing summary, but I promise it's misleading. This show is good. The main couple is ride or die, and they become best friends long before they become a couple. The heroine is extremely smart, capable, and business savvy. The hero is charming, funny, and so charismatic. It's the most fun you will ever have watching people do business (I kid; there is business, but there is so much more to the plot). The supporting cast is fantastic, and the relationships!! Wonderful friendships between women, wonderful friendships between men, and wonderful platonic friendships between men and women. SUPER good at subverting tropes. This is a costume drama, not a fantasy, but you won't miss the magic. Oh and did I mention this is by the screenwriter behind LGIEF and LBFAD?

Love You Seven Times (thirty-eight episodes, streaming on IQIYI): It tells the story of Xiang Yun, a fairy from Marriage Pavilion who becomes entangled with the ancient God of War, Chu Kong. Because of this encounter, they must go through tribulations in the human world seven times.

Stars Ding Yuxi (Ziqi) in the role of the hero. An ultimately flawed, but still fun fantasy drama. Gorgeous costumes, wigs, sets, etc., and a lot of heart. Don't expect writing as slick as some of the other dramas here, but do expect to enjoy yourself watching these two immortals discover each other while fumbling throughout seven very different lifetimes. Each lifetime has its own very unique vibes and aesthetic, and seeing how they all pan out if half the fun. Plus, if you like Inuyasha, you absolutely must see the arc where Chu Kong becomes a cat demon.

Moonlight (thirty-six episodes, streaming on Amazon Prime, Viki, IQIYI): After graduating university with a major in financing, Chu Li successfully enters her dream company, Yuan Yue Publishing House. There she meets author Zhou Chuan, who is said to be gentle as a jade when he's really not.

I can’t believe I forgot this at first! I haven’t seen it yet, but it’s a previous collaboration between Esther Yu and Ding Yuxi from 2021. If you enjoy their chemistry and the way they play off each other in LGIEF, you may want to check it out. It’s a modern romance drama, which isn’t as much my thing, but it’s deeply loved by a lot of drama fans and has great reviews.

[inheritagex]

From Archives to Adventures: How InheritageX Helps You Discover Your Lineage

In today’s fast-paced world, the need to reconnect with our roots has become more important than ever. Whether it’s a sense of identity, pride in one’s ancestry, or a desire to explore the rich cultural tapestry woven through generations, InheritageX stands at the forefront of this genealogical renaissance. More than just a platform for tracing family trees, InheritageX is a gateway to the World Heritage Crafts and Traditional Indian Crafts that form the bedrock of many cultures.

Unveiling Your Heritage with InheritageX

At its core, InheritageX is designed to provide users with an immersive journey into their past, allowing them to trace their ancestry with accuracy and depth. The platform’s user-friendly interface makes it easy for anyone, regardless of their technical knowledge, to begin their exploration. Whether you have detailed information about your ancestors or are starting with only a name, InheritageX offers tools that guide you through every step.

What sets InheritageX apart is its deep integration with historical archives and databases, ranging from government records to rare personal manuscripts. These documents provide detailed insights into one’s ancestry, going far beyond just names and dates. They open doors to understanding the crafts and traditions passed down through generations.

Preserving and Promoting Traditional Indian Crafts

India’s rich cultural heritage is deeply intertwined with its craftsmanship, with Traditional Indian Crafts representing a significant part of its history. From intricate handwoven textiles to the delicate art of pottery and jewelry making, these crafts are not just products but symbols of the communities that created them. Through InheritageX, users have the unique opportunity to discover the Traditional Indian Crafts their ancestors were involved in.

The platform provides detailed descriptions of various crafts, such as:

Handloom Weaving: An art that has been passed down through generations in many Indian families. This ancient technique produces exquisite fabrics, including Banarasi silk and Pashmina wool, which continue to be revered worldwide.

Block Printing: A traditional technique for printing patterns on textiles, prevalent in Rajasthan and Gujarat. With InheritageX, users can explore how this craft evolved within their lineage and the role their ancestors played in preserving it.

Terracotta Pottery: A traditional art form practiced for centuries, terracotta pottery is known for its earthy charm and practicality. Through InheritageX, you can learn how this craft was a part of your heritage and see its impact on your cultural identity.

By rediscovering these traditional crafts, InheritageX not only highlights their significance but also helps in their preservation. As a user, you will gain an appreciation for the artisanal skills of your forebears and may even be inspired to support modern artisans continuing these legacies.

World Heritage Crafts: A Global Connection

Beyond Indian crafts, InheritageX allows users to explore the World Heritage Crafts that are part of their ancestry. Whether your lineage traces back to Europe, Africa, Asia, or the Americas, the platform provides access to a vast repository of information on heritage crafts from across the globe.

Some of the most fascinating World Heritage Crafts that users can explore include:

African Beadwork: This traditional art form, known for its vibrant colors and intricate patterns, has been passed down through generations across many African cultures. By uncovering these historical connections, InheritageX helps you understand the role that beadwork played in your lineage.

Japanese Pottery: The art of pottery has a long history in Japan, with many families practicing this craft for centuries. With InheritageX, you can explore how these artistic traditions influenced your ancestors and gain a new appreciation for the craftsmanship involved.

European Embroidery: From the detailed tapestries of France to the delicate lacework of Italy, European embroidery represents a rich heritage that is still cherished today. InheritageX offers insights into how these crafts may have been a part of your family’s history.

Through InheritageX, you can gain access to an expansive collection of resources on the World Heritage Crafts that are part of your personal history. This allows you to explore the artistic traditions that shaped the world, giving you a broader understanding of your lineage.

InheritageX: More Than Genealogy

While genealogy is often seen as a way to trace family trees, InheritageX takes it a step further by connecting users to the crafts, customs, and traditions that their ancestors practiced. By doing so, it provides a richer, more immersive experience that goes beyond simple names and dates.

The platform’s focus on both Traditional Indian Crafts and World Heritage Crafts highlights the interconnectedness of culture, craft, and family. It enables users to explore not just who their ancestors were, but what they did, what they valued, and the skills they passed down through generations.

How InheritageX Helps Preserve Craftsmanship for Future Generations

In addition to helping individuals discover their past, InheritageX plays a critical role in preserving cultural craftsmanship for future generations. The platform works closely with artisans and cultural preservation organizations to document and promote endangered crafts. By doing so, it ensures that these valuable traditions are not lost to time but are passed down to new generations.

Users of InheritageX can support these efforts by:

Learning about endangered crafts and their significance.

Supporting artisans through direct purchases or donations.

Participating in workshops and events that aim to preserve traditional craftsmanship.

By connecting users to their heritage in such a meaningful way, InheritageX empowers individuals to become active participants in the preservation of their cultural legacy.

A Platform Built for the Future

As technology continues to evolve, InheritageX remains at the cutting edge of genealogical research. The platform’s commitment to innovation is reflected in its use of artificial intelligence, which helps users uncover previously unknown connections in their ancestry. This ensures that users have access to the most comprehensive genealogical data available, while also enabling them to explore their family’s history in ways that were previously impossible.

Whether you’re interested in tracing your ancestry back to its roots, learning about the crafts your ancestors practiced, or supporting the preservation of traditional crafts, InheritageX is the platform for you. It offers an unparalleled experience that connects you to your past and helps ensure that your family’s legacy is preserved for future generations.

[demifiendrsa]

The Pokémon Company International and Aardman have announced a special project coming in 2027. The collaboration will see Aardman bringing their unique style of storytelling to the Pokémon universe in brand-new adventures.   Taito Okiura, VP of Marketing and Media at The Pokémon Company International, commented, “This is a dream partnership for Pokémon. Aardman are masters of their craft, and we have been blown away by their talent and creativity. What we have been working on together ensures our global Pokémon fans are in for a treat!”   Sean Clarke, Managing Director of Aardman, added, “It’s a huge honor to be working with The Pokémon Company International — we feel sincerely privileged to be trusted with bringing their characters and world to life in a brand-new way. Bringing together Pokémon, the world’s biggest entertainment brand, together with our love of craft, character and comedic storytelling feels incredibly exciting. Aardman and TPCi share an emphasis on heritage and attention to detail as well as putting our fans and audiences at the heart of what we do, which we know will steer us right as we together create charming, original and new stories for audiences around the world”   More information on the collaboration is planned to be shared in the future.

[teawithmagician]

Lonely Mountain = Armenia

I have a take to make: Armenian culture is very similar to how I would imagine the culture of the Dwarves of Lonely Mountain.

When you think of the halls of Erebor, images of grand stone halls, intricate metalwork, and proud, resilient people come to mind.

Interestingly, this mental imagery resembles Armenia, a rich and ancient civilization in the Southern (that is important - Armenians are not Caucausians per se, like Georgians and/or Dagestanians) Caucasus region. From the stone-borne proud spirit of the Armenian people to their architecture and traditional clothing, there are fascinating parallels between the two cultures, real and fictional.

1. Architecture: Stone, Fortresses, and Underground Structures

The Dwarves of Erebor are renowned for their skill in mining and stonework, creating vast underground cities with intricate carvings and fortifications. Similarly, Armenian architecture is marked by the use of stone, with many historical fortresses, churches, and monasteries built using basalt, tuff, and other locally sourced materials. These buildings, often nestled in mountainous regions, reflect a deep connection to the earth, much like the Dwarven kingdom carved within the Lonely Mountain.

Examples:

Geghard Monastery: Partially carved out of mountain rock, this UNESCO World Heritage site demonstrates the skill and artistry of Armenian stonework. Its cavernous halls and intricate carvings are reminiscent of the Dwarven halls deep within Erebor.

Tatev Monastery: Perched on the edge of a cliff, this fortress-like monastery reflects the grandeur and defensive nature of Dwarven architecture.

2. Traditional Clothing: Regal, Rich, and Embroidered

Tolkien’s Dwarves are often depicted in elaborate, layered garments with intricate patterns, a testament to their pride in craftsmanship. Armenian traditional clothing, especially royal and ceremonial attire, shares this emphasis on richness and detail. Armenian robes from different historical periods were made from fine fabrics, often embroidered with gold and adorned with jewels, echoing the regal appearance of Dwarven kings and warriors.

Examples:

Royal Armenian Attire: The robes of Armenian kings and nobles during the medieval period were crafted from rich fabrics and detailed embroidery. Visuals of King Gagik I or the attire from the Bagratid dynasty era would illustrate the parallels well.

Women’s Embroidered Dresses: Traditional women’s dresses from regions like Syunik and Artsakh, adorned with intricate patterns and gold-thread embroidery, reflect a similar pride in craftsmanship seen in Dwarven culture.

3. Craftsmanship: The Art of Metalwork and Jewelry

The Dwarves are famous for their skills as blacksmiths, miners, and jewelers, creating intricate items from precious metals. Armenia, with its long history of metallurgy, also boasts a rich tradition of metalwork and jewelry-making. Armenian craftsmen were known for producing exquisite silver and gold pieces, ranging from church crosses to ceremonial weaponry and jewelry.

Examples:

Armenian Crosses and Jewelry: The detailed filigree and gem-inlaid designs seen in Armenian religious artifacts show a high level of skill. These pieces could easily be imagined as treasures from the hoards of Erebor.

Ceremonial Swords and Armor: Historical Armenian weaponry, including richly adorned swords and shields, can also be found in museums. Their craftsmanship mirrors the care and pride of Dwarven smiths.

4. Resilience and Pride: A Shared Spirit of Survival

Both the Armenians and the Dwarves have a shared history of resilience and pride in their heritage. The Dwarves, displaced from their homeland of Erebor, strive to reclaim their lost kingdom, a narrative that echoes the Armenian struggle throughout history to preserve their culture and identity in the face of invasions and displacement.

Armenian history is marked by perseverance, whether through the maintenance of cultural traditions, language, or faith, even during periods of hardship. The Dwarves' determination to return to Erebor, despite the dangers, reflects a similar strength.

Examples:

Armenian Genocide Memorials: These monuments, while somber, speak to the resilience and enduring spirit of the Armenian people. They stand as a testament to survival, much like the return of the Dwarves to Erebor.

Mount Ararat: The iconic mountain, which has a deep connection to Armenian identity, is often depicted in art. It symbolizes endurance, much like the Lonely Mountain symbolizes hope for the Dwarves.

Conclusion

While there is no evidence that J.R.R. Tolkien based the Dwarves of Erebor on any specific real-world culture, the similarities between Dwarven and Armenian culture are striking. Both are defined by a love of stone, a tradition of intricate craftsmanship, and a deep-rooted pride in their heritage. These parallels offer a fascinating way to look at Tolkien's world.

[lirotation]

What do you think Astarion and your oc would do for the holidays from traditions to gifts?

In my HC right now, My CP is traveling to find a cure.

_______

Life on the road was never easy, but winter's harsh conditions made travel nearly impossible. They rented a small house on the edge of a town to wait out the season.

Days blurred together as they remained mostly in bed, wrapped in each other’s arms, cherishing rare moments of uninterrupted intimacy.

Amaara, when the mood struck her, would weave delicate illusions to create seasonal decorations. Occasionally, she weaved playful roleplay scenarios, much to Astarion’s bemused delight.

On Winter Solstice, Amaara, raised in the traditions of the Elven court, insisted on observing the holiday. It was a sacred day of meditation and introspection—a time to reflect on the year and one’s place in the world.

Astarion, predictably, found the idea “mind-numbingly dull.”

“You’re wasting a perfectly good holiday,” he argued. “Embrace your human heritage. Feasts, indulgence, wine flowing like rivers—that’s the way to do it.”

The problem, of course, was that neither of them could cook and none of the stores were open. Their solution? A daring raid on the wealthiest household, from the ladder to the greenhouse. They successfully secured off-season vegetables, premium cured meats, fine cheese, and a bottle of exquisite wine.

In their small kitchen, he set to work with a knife, slicing everything with meticulous precision. By the time he was finished, Amaara was seated at the table.

“Can't believe I went stealing on Winter Solstice.” she murmured, raising an amused brow.

“I prefer to call it ‘reappropriating,’” Astarion replied with a dramatic flourish, pouring himself a glass of wine.

The fondue pot bubbled gently in the center of the table, filling the room with the rich, savory aroma of melted cheese. Astarion savored his wine as Amaara dipped slices of meat and vegetables into the pot, each bite bringing a contented smile to her face.

Later, she presented him with a custom-crafted cravat of blood-red silk, adorned with an intricate golden pin. The enchantment she’d imbued within it would keep him warm, no matter how harsh the winter cold.

Astarion, in turn, gifted her a finely crafted utility belt designed to hold more health potions—a necessity given how often she seemed to get hurt on their travels. As she explored its compartments, her fingers brushed against a folded parchment tucked away in one of the pouches. Unfolding it, she discovered a handwritten love letter penned in Elvish. His cursive was elegant, each stroke deliberate, showing the care he had put into his words.

They went to bed and she gave him his fill. For the rest of the night, they stayed entwined, the storm raging outside their sanctuary. In their quiet, private world, the holiday was celebrated with warmth and the comfort of simply being together.

[aventurineswife]

Reader is the secret santa for Mortefi, Kaveh, Aventurine, Sunday, Ratio

-Smooch Anon 💋

Secret Gift for Special Someone!

Tags: Mortefi x Reader, Kaveh x Reader, Aventurine x Reader, Sunday x Reader, Ratio x Reader, Fluff, Reader is their Secret Santa, Gift-giving, Romance(?), Sincere gestures, Thoughtful gifts, Lighthearted moments.

As Mortefi’s secret Santa, you understand that he is a man of precision and order. He values elegance in everything, even the smallest gestures. Knowing that he has an obsession with cleanliness and fine detail, you decide to go for something both practical and refined—a handcrafted, perfectly polished leather journal, with fine gold detailing on the edges, and a beautiful pen set made of rare wood and precious metal.

You know that Mortefi can be irritable when it comes to anything imperfect, but you manage to wrap the gift with exceptional care—his eyes will undoubtedly appreciate the craftsmanship. You add a small, personal note tucked inside, a subtle reference to his fondness for classical music. The message reads: “May this journal help you capture the symphonies of your thoughts, every note as sharp as your mind.”

When Mortefi opens it, his brows furrow in silent approval. "Well... this is adequate." he says, not one for overt displays of gratitude. But you can see the spark of appreciation in his eyes, and for a brief moment, his usually tense demeanor softens.

Kaveh’s idealism runs deep, and finding a gift for him is an emotional yet rewarding task. You know that Kaveh values beauty that serves a greater purpose, so you opt for a custom-designed, miniature architectural model of a space that symbolizes hope and kindness—perhaps a small, elegant garden pavilion with elements from Sumeru’s cultural heritage.

The model has intricate details: miniature flowers, a peaceful water feature, and tiny benches where people can rest and reflect. It’s not just a model; it’s a vision of the world Kaveh is always striving to build.

When Kaveh opens the gift, his heart stirs. He pauses before speaking, eyes softening as he looks at the model. "You’ve captured it perfectly." he says quietly, voice thick with gratitude. He places it on his desk as a reminder that despite all the struggles, beauty can still be created in this world.

Aventurine, ever the risk-taker and man of sophistication, would appreciate something a little more personal, yet still tied to his flair for the dramatic. You think of something that embodies both elegance and a sense of mystery—a custom-made deck of playing cards, each card featuring intricate designs that reflect various aspects of his personality. The Joker cards, for example, are styled with roulette wheels and playing cards, while the aces have elements symbolizing different strategic moves or his affinity for risk.

When Aventurine unwraps the gift, a glimmer of recognition lights up his face. "So, this is what you think of me, hmm?" he muses, running his fingers over the smooth edges of the cards. He’s usually all about strategy, but in this moment, you can see the smile that tells you your gift has struck the perfect balance of fun and sophistication.

"Care for a game later?" he asks with a playful glint in his eye, as if he’s always one step ahead. The cards now sit beside his other mementos, each one a reminder of your thoughtful gesture.

Sunday is a man who values balance and harmony above all, so you choose a gift that is both beautiful and meaningful. You know that his ideals often clash with the harsh realities of life, so you decide on something that symbolizes peace and serenity—an exquisitely crafted snow globe featuring a miniature replica of Sweetdream Paradise.

When Sunday opens it, his expression remains composed, but there’s an undeniable softness in his eyes as he examines the globe. The swirling snow inside the globe seems to mirror the tranquil world he often envisions—a place where pain no longer exists, but with the delicate beauty of impermanence.

“Thank you,” he says, his voice steady but warm. “This… this is a reminder of the world I strive for.” He carefully places it on a shelf, and for a moment, you both share a quiet understanding of the kind of world he wishes to create—one that might never come to be, but is worth dreaming about.

Ratio’s brilliance can make him difficult to shop for. He isn’t one for sentimental gifts, but you also know that he values knowledge above all else. So, you decide to combine practicality with intellectual stimulation by gifting him a rare, ancient manuscript—one that he would never have thought to acquire himself. The book is a long-forgotten treatise on the application of logic in art, beautifully preserved in a leather-bound edition with intricate golden lettering.

When Ratio opens the gift, his eyes immediately lock onto the manuscript, and you can see his usual arrogance soften into genuine admiration. “This is… impressive. You actually paid attention,” he mutters, flicking through the pages with a hint of excitement. His usual dismissiveness fades as he delves into the contents. "This will be useful. Thank you."

While he may not express overwhelming emotion, the way he later references passages from the manuscript as if they are his own ideas shows just how much your gift means to him. The small smile he tries to suppress is enough of a thank you.

[blueiscoool]

Ancient Assyrian Deity Statue Uncovered in Iraq

In a recent announcement from the The Iraqi State Board of Antiquities and Heritage (SBAH), archaeologists have successfully unearthed a remarkable ancient Assyrian deity statue known as a “lamassu” in Kursbad, Iraq.

A lamassu is a special Assyrian guardian deity, usually portrayed as a mix of human, bird, and either cow or lion features. These unique beings typically have a human-like head, a body resembling that of a bull or lion, and bird-like wings.

Guardian Lamassu sculptures in Assyria

In ancient Assyria, they often crafted pairs of lamassu sculptures and placed them at the entrances of palaces. These imposing figures faced both the streets and the inner courtyards.

What’s unique about these sculptures is that they were carved in high relief. When you look at them head-on, they seem still, but from the side, they appear to be in motion.

While we often see winged figures in the low-relief decorations inside rooms, lamassu were not commonly found as large figures in these spaces. However, they occasionally appeared in narrative reliefs. In these depictions, they seemed to take on the role of protectors for the Assyrians.

Ancient Assyrian deity statue in Iraq was discovered and then reburied

This discovery took place during their excavations at the 6th gate, situated in the western part of the ancient city of Khursbad.

Khursbad was originally built as a brand-new capital city by the Assyrian king Sargon II. He started this ambitious project shortly after he became king in 721 BC.

However, after Sargon II’s reign, his son and successor, Sennacherib, decided to shift the capital to Nineveh. This move left the construction of Khursbad unfinished, making it a fascinating historical puzzle.

As per the press release, the statue was originally discovered in 1992, when a team of Iraqi archaeologists stumbled upon the Assyrian deity statue. After the initial discovery of the lamassu, its head was unfortunately stolen in 1995. However, it was later recovered and is now safely preserved in the Iraqi Museum.

The main body of the Assyrian deity, was reburied to protect the statue and the surrounding architectural remains, a decision that likely saved it from destruction by ISIS, which systematically looted and destroyed the remains of Khursbad.

Collaboration between Iraqi and French archaeologists

In a remarkable collaborative effort between Iraqi and French archaeologists, Professor Dr. Ahmed Fakak Al-Badrani has spearheaded a mission that recently re-excavated the lamassu. This event marks the first time in thirty years that this ancient wonder has been unveiled to the world.

As stated by Dr. Layth Majid Hussein, the Chairman of the General Body for Archaeology and Heritage, the team is presently evaluating the condition of the lamassu to chart their forthcoming actions.

By Nisha Zahid.