#World Heritage Crafts

[inheritagex]

Inheritagex- Premier destination for exploring and celebrating the rich heritage and culture

Inheritagex is your go-to destination for delving into and celebrating the rich tapestry of global heritage and culture. We are committed to preserving and elevating the timeless traditions, artisanal crafts, and stories that weave together our shared human legacy. To know more:

Website: https://inheritagex.com

Email: connect@inheritagex.com

Contact Number: +91-‪9871905644

[recurring-polynya]

In honor of Bleach coming back, here is, off the top of my head, a list of Bleach shitposts that live in my head rent-free and I think about all the time:

Lieutenants as memes

Karakura Kids "get in the car ishida"

Byakuya drunk texts

Renji drunk texts

Byakuya Blingee "a bitch is really going thru it rn"

Kira feather boa depression dot gif

Byakuya salt bae

Byakuya's Minecraft server

The "BEACH" comic where Rukia is a lifeguard and she gives Ichigo her lifeguard powers because she ate too many chili fries and later on Urahara teaches Ichigo to surf??

The Urahara Instagram post that's like "me and the lads" and Shinji is standing on the ceiling wearing underpants that say "nasty" on the ass

The meme that's like "when Byakuya's not at home" and Renji is playing trombone in his kitchen

[theknitpotato]

The "Wasserspiele" (water features) are part of the Mountain Park (Bergpark) Wilhelmshöhe in Kassel. What you see in the photo are the great cascades, but the park has many more water features like waterfalls and basins.

The park was put on the UNESCO World Heritage list 11 years ago, on June 23, 2013. It is the largest mountain park in Europe with 2.4 sq kilometers.

The park's main features are the Wasserspiele, the Herkules Statue (you can see it on the photo in the back), the Palace Wilhelmshöhe, and the pleasure palace (Lustschloss) Löwenburg. It also has a so-called "Teufelsbrücke" (Devil's bridge).

The landgraves and prince-electors of Hesse-Kassel began creating the park in 1696 and over the next 150 years it was expanded. It combines different styles of landscape architecture (Italian, French, English garden designs) and architecture.

Photo: Von Baummapper - Eigenes Werk, CC BY-SA 3.0 de

[whereishermes]

The Art of Greek Vase Painting

Greek vases and pottery was well-known for its quality and was widely exported throughout the Mediterranean. The techniques used by ancient Greek ceramists required thorough shaping and decorating processes that were the result of years of training under master potters.  The Vase – Making Process: From Clay to Form The techniques Greek ceramists used to shape and decorate fine vases required…

[greenthestral]

Empowering Women Artisans: Celebrating Creativity and Equality

In today's world, women continue to break barriers and shatter glass ceilings in various fields. One area where their contribution is often overlooked but incredibly significant is in the realm of artisanship. Women artisans play a vital role in preserving cultural heritage, fostering creativity, and driving economic growth. This article aims to shed light on the incredible work of these women and the importance of empowering them to thrive in their craft.

The Rich History of Women Artisans

Throughout history, women have played a significant role in artisanal trades, showcasing their remarkable creativity and skill across various crafts. From pottery and weaving to jewelry-making and embroidery, women have served as the custodians of artistic traditions, passing down their knowledge and expertise from generation to generation. These crafts not only contribute to the cultural fabric of societies but also serve as a crucial means of economic sustenance for countless women around the world.

In every corner of the globe, women have been instrumental in preserving and advancing traditional artistic practices. In many cultures, pottery has been a craft passed down through generations, and women have been at the forefront of this art form. From shaping the clay to adorning the finished pieces with intricate designs, women artisans have demonstrated their mastery of this ancient craft. Their delicate touch and attention to detail have resulted in exquisite pottery that reflects their cultural heritage and artistic sensibilities.

Weaving is another craft where women have played an integral role throughout history. Whether it's creating intricate patterns on textiles or crafting beautiful rugs and tapestries, women have honed their weaving skills to perfection. In many indigenous communities, weaving has been an essential cultural practice, and women have been the primary weavers, using age-old techniques and traditional looms. Their creations not only showcase their artistic abilities but also serve as a means of preserving cultural narratives and identities.

The art of jewelry-making has long been associated with women artisans who possess a keen eye for design and a deep understanding of materials. From crafting exquisite necklaces and earrings to intricate bracelets and rings, women have elevated jewelry-making to an art form. Through their work, they infuse pieces with personal stories, symbolism, and cultural motifs, creating wearable works of art that carry a piece of their heritage.

Embroidery, too, has been a craft dominated by women artisans. With a needle and thread, they transform plain fabrics into stunning works of art, embellishing them with elaborate patterns and intricate stitches. Embroidery has traditionally been used to decorate clothing, household items, and ceremonial garments, and women have excelled in this meticulous craft, showcasing their creativity and attention to detail.

These crafts have not only contributed to the cultural heritage of societies but have also provided economic sustenance for countless women artisans around the world. In many communities, artisanal trades have been a primary source of income for women, enabling them to support their families and create a better future for themselves. By engaging in these crafts, women have gained financial independence, empowered themselves, and contributed to the economic well-being of their communities.

Moreover, these crafts have often provided a safe and supportive space for women to express their creativity and forge connections with their cultural roots. They offer an avenue for self-expression, allowing women to showcase their artistic talents and leave a lasting impact on their communities. Through the act of creating, women artisans find a sense of fulfillment and purpose, as they channel their passion and skills into their craft.

It is crucial to recognize and celebrate the invaluable contributions of women artisans throughout history. Their creativity, skill, and dedication have enriched our societies, preserved cultural traditions, and provided economic opportunities. By empowering women artisans and ensuring their work receives the recognition and support it deserves, we can create a more equitable and inclusive world that values and celebrates their talents. As we continue to appreciate the artistry of women artisans, let us also strive to provide them with the resources, training, and platforms they need to thrive in their chosen crafts.

Challenges Faced by Women Artisans

Despite their immense talent and dedication, women artisans face numerous challenges in their pursuit of artistic expression and financial independence. Discrimination, limited access to resources, lack of market opportunities, and gender-based violence are some of the obstacles that they encounter on their journey.

In many societies, women face cultural and social barriers that hinder their ability to engage fully in artistic pursuits. Traditional gender roles often confine women to domestic responsibilities, leaving little time and support for them to explore their artistic potential. Moreover, limited access to education and training programs further exacerbates these challenges.

Lack of financial resources and market opportunities pose significant hurdles for women artisans as well. Without access to credit or capital, they struggle to invest in tools, raw materials, and infrastructure necessary for their craft. Additionally, gender bias in the marketplace can prevent them from gaining fair recognition and adequate compensation for their work.

The Importance of Empowering Women Artisans

Empowering women artisans is not just about ensuring gender equality; it is a vital step towards sustainable development and cultural preservation. When women are given the necessary support and opportunities, they can contribute significantly to economic growth, poverty reduction, and community development.

By empowering women artisans, we can unlock their creative potential and nurture innovation. Their unique perspectives and skills can enrich artistic traditions, leading to the creation of diverse and culturally significant artwork. This, in turn, fosters a sense of pride and identity within communities while also attracting tourists and buyers interested in authentic, handmade crafts.

Furthermore, empowering women artisans has a multiplier effect on society. As women gain financial independence and improve their living standards, they can invest in the education and well-being of their families. This creates a positive cycle of empowerment that extends beyond the individual and contributes to the overall progress of communities.

Initiatives for Empowering Women Artisans

Recognizing the significance of empowering women artisans, numerous organizations and initiatives have emerged to provide support and create opportunities for these talented individuals.

Microfinance institutions and nonprofit organizations play a crucial role in providing financial assistance and training programs to women artisans. By offering microloans, these institutions enable women to invest in their craft and develop their businesses. They also provide training in entrepreneurship, marketing, and financial management, equipping women with the skills necessary to thrive in the marketplace.

Government policies and programs also play a crucial role in empowering women artisans. By implementing gender-responsive policies, governments can create an enabling environment that supports women's entrepreneurship and access to markets. Initiatives such as setting up women-centric artisanal hubs, organizing exhibitions, and providing platforms for skill-sharing and networking can significantly boost the visibility and market reach of women artisans.

Furthermore, consumer awareness and conscious buying practices can contribute to empowering women artisans. By actively seeking out and supporting businesses that prioritize fair trade and women's empowerment, consumers can contribute to creating a more equitable marketplace. Social media platforms and e-commerce websites have become powerful tools for connecting women artisans with a global audience, amplifying their reach, and creating sustainable market opportunities.

Success Stories of Empowered Women Artisans

Across the globe, there are inspiring stories of women artisans who have defied the odds and achieved remarkable success in their craft.

One such example is Fatima, a skilled ceramic artist from a rural village in Morocco. With the support of a microfinance organization, she was able to establish her pottery workshop and train other women in her community. Today, Fatima's intricate ceramic artwork is highly sought after, and she has become a role model for aspiring women artisans in her village.

In India, organizations like the Self-Employed Women's Association (SEWA) have been instrumental in empowering women artisans. SEWA provides training, access to credit, and market linkages to women engaged in various crafts such as embroidery, weaving, and block printing. Through their efforts, thousands of women have gained financial independence and transformed their lives.

Conclusion

Empowering women artisans is a powerful step towards building a more inclusive and equal society. By addressing the challenges they face and providing them with the necessary support and opportunities, we can unlock their creative potential, contribute to economic growth, and preserve cultural heritage. Through microfinance, training programs, policy reforms, and conscious buying practices, we can collectively work towards a future where women artisans thrive and their invaluable contributions are celebrated. Let us stand together in empowering women artisans and create a world that values and nurtures their creativity.

[blueiscoool]

Ancient Assyrian Deity Statue Uncovered in Iraq

In a recent announcement from the The Iraqi State Board of Antiquities and Heritage (SBAH), archaeologists have successfully unearthed a remarkable ancient Assyrian deity statue known as a “lamassu” in Kursbad, Iraq.

A lamassu is a special Assyrian guardian deity, usually portrayed as a mix of human, bird, and either cow or lion features. These unique beings typically have a human-like head, a body resembling that of a bull or lion, and bird-like wings.

Guardian Lamassu sculptures in Assyria

In ancient Assyria, they often crafted pairs of lamassu sculptures and placed them at the entrances of palaces. These imposing figures faced both the streets and the inner courtyards.

What’s unique about these sculptures is that they were carved in high relief. When you look at them head-on, they seem still, but from the side, they appear to be in motion.

While we often see winged figures in the low-relief decorations inside rooms, lamassu were not commonly found as large figures in these spaces. However, they occasionally appeared in narrative reliefs. In these depictions, they seemed to take on the role of protectors for the Assyrians.

Ancient Assyrian deity statue in Iraq was discovered and then reburied

This discovery took place during their excavations at the 6th gate, situated in the western part of the ancient city of Khursbad.

Khursbad was originally built as a brand-new capital city by the Assyrian king Sargon II. He started this ambitious project shortly after he became king in 721 BC.

However, after Sargon II’s reign, his son and successor, Sennacherib, decided to shift the capital to Nineveh. This move left the construction of Khursbad unfinished, making it a fascinating historical puzzle.

As per the press release, the statue was originally discovered in 1992, when a team of Iraqi archaeologists stumbled upon the Assyrian deity statue. After the initial discovery of the lamassu, its head was unfortunately stolen in 1995. However, it was later recovered and is now safely preserved in the Iraqi Museum.

The main body of the Assyrian deity, was reburied to protect the statue and the surrounding architectural remains, a decision that likely saved it from destruction by ISIS, which systematically looted and destroyed the remains of Khursbad.

Collaboration between Iraqi and French archaeologists

In a remarkable collaborative effort between Iraqi and French archaeologists, Professor Dr. Ahmed Fakak Al-Badrani has spearheaded a mission that recently re-excavated the lamassu. This event marks the first time in thirty years that this ancient wonder has been unveiled to the world.

As stated by Dr. Layth Majid Hussein, the Chairman of the General Body for Archaeology and Heritage, the team is presently evaluating the condition of the lamassu to chart their forthcoming actions.

By Nisha Zahid.

[aahanna]

"Masterpiece of Indian craftsmanship!"

The Peacock dress of Lady Curzon is a gown made of gold and silver thread embroidered by the Workshop of Kishan Chand (India)

The Peacock Dress of Lady Curzon is a iconic masterpiece of Indian craftsmanship and design. Created by Indian artisans and designers, this exquisite gown was worn by Lady Curzon, the wife of the Viceroy of India, to the Delhi Durbar in 1903. The dress is a stunning example of Indian craftsmanship, adorned with intricate peacock motifs, precious stones, and metallic threads, showcasing the excellence of Indian design and artistry.

"Peacock Dress of Lady Curzon: A resplendent masterpiece of Indian design and craftsmanship, this gown is a testament to the country's rich textile heritage. Intricate peacock motifs, crafted with precision and flair, adorn the dress, showcasing the exceptional skill of Indian artisans. A true masterpiece of Indian fashion and design."

Incredible craftsmanship of Indian designer:

"The Peacock Dress is a shining example of Indian designers' exceptional skill and creativity. Every thread, every stone, and every motif is a testament to their mastery of the craft. This dress is not just a piece of clothing, but a work of art that has stood the test of time, showcasing the brilliance of Indian design to the world."

EMBROIDERY DETAILS

"Peacock Dress of Lady Curzon: A resplendent masterpiece of Indian design and craftsmanship, this gown is a testament to the country's rich textile heritage. Intricate peacock motifs, crafted with precision and flair, adorn the dress, showcasing the exceptional skill of Indian artisans. The embroidery work is a marvel, with delicate silk threads, precious stones, and metallic wires used to create intricate patterns, including:

- Intricate peacock feather designs, with delicate eye and wing details

- Floral motifs, with intricate stem and leaf work

- Geometric patterns, with precision-cut mirrors and beads

The embroidery is a masterclass in Indian craftsmanship, with techniques like zardozi, zari, and chikan work used to create a truly regal and awe-inspiring piece. Every thread, every stone, and every motif is a testament to the mastery of Indian designers and artisans."

[mozzaremi]

got too silly, made omori magic au, that i'm calling MAGIKOMORI indodump in read more! (it's long)

Magikomori (Infodump)

The whole premise of the au is that the world of omori takes place in an alternate universe where magic is real

Magic and witchery have only recently become a viable career choice in this world, with magic academies popping up to help other witches to properly hone their craft in their efforts to make a living profit from doing what they love and are passionate about.

Both Sunny and Mari come from a bloodline of witches, making them generally talented in magic and spellcasting. Their mother isa witch, while their dad is just a regular guy who doesn't have the best outlook on magic users. 

Mari develop a people-pleaser side of herself that oftentimes is directed at her father, always trying her best to receive validation from him, resulting in Mari dropping all thoughts of becoming a professional witch in the future to instead focus more on her regular school studies and perfecting her skills on the piano.

Sunny, being the opposite, fully embraces the magic side of himself. The specific type of witch ability he's good at being illusions. He can summon lifelike recreations of entities from his dreams without much trouble. His summons are able to interact with the real world around them while also having a mind of their own. Although with Sunny being a less-experienced illusionist, he cannot control them or summon many at a time (he works around this problem by being able to conjure chibi versions of his dream entities into the real world).

While Mewo is still the pet of the family and she is recognised as Mrs. Suzuki's familiar. At the time of Sunny and Mari being toddlers, they would happens to accidentally cast spells and it was Mewo's job to reverse them and babysit the children when the parents were busy.

Other noteworthy magic users from the friend group is Aubrey. While she’s not from a family that's magically inclined, after seeing all the cool stuff Mari and Sunny are able to do with their witch heritage, saying that she became inspired to dabble in magic would be an understatement! 

The particular magic Aubrey specializes in is alchemy! She’s able to use spells to conjure, combine and transform items. One of her first successful alchemy attempts was being able to transform a simple wooden broomstick into a wooden bat 

The other magic user of the group is Basil. 

His family is part of an ancient bloodline of seers, and are able to see visions of the future. On top of that, Basil's lineage are bearers of a curse of being subjected to frequent nightmares, taking away any semblance of peace in their day to day life, leaving them with restless nights of poor sleep, night terrors, and insomnia. This curse also affects Basil's abilities to see visions, as it's hard to separate possible future events from a bad dream.

With the help of his grandma, Basil combats the curse by creating magical potions to suppress the nightmares and give himself a better night's sleep. 

Potion making becoming his speciality, he contemplates joining a magic academy to get a permit to sell his very own potions to the public! His brews range from tea- like elixirs that help with staying calm, helping with concentration, and clearing up general sickness (so basically like the stuff you can find at a regular pharmacy but make it magical)

Both Hero and Kel staying fairly faithful to their canon counterparts, both not having that many ties to magic, but still appreciating the craft! The brothers often contemplate on learning spells for their daily use, whether it's to help with chores or to enhance the taste of a special valentine's treat for a special someone! 

Now here's the deal breaker question... does Mari die in the au?

Well... yes and no. The accident does occur, but after Sunny pushes Mari, instead of freezing up, he attempts to cast a spell to save her from the fall, but instead he fumbles the spell so bad, that Mari phases between the world of the living and the dead, Sunny and basil being the only ones who can see her.

Their dad was already showing slight agitation from the witchery mischief that that family takes part in and the accident is the last straw for him. He leaves the family right after, convinced that the spell cannot be reversed and that mari was basically murdered by Sunny's hands and magic. 

Their mom tries her hardest to reverse the spell that might as well have been a curse. But without being able to detect mari, and with Sunny and Basil being the only ones to see her, it's their responsibility to attempt to undo the spell.

Instead of framing it as a suicide, Sunny's mom filed it as a missing person's case just so nothing bad happens to the two boys. Since magic has only been recently integrated into daily life, there weren't any good sources to turn to for help, so all trust was put into basil and Sunny to fix this.

Attempts to find a way to reverse their mistake were made with the two worried boys collecting countless books on spells and curses in effort to find a solution to their problem. After months of research, things were looking hopeless. Sunny, not being able to deal with the pressure, falls into a depressive state, barely leaving his own headspace while sleeping all day and night.

After the incident, he develops the headspace that we know, though with more magical elements sprinkled in, alongside Omori and his headspace friends. Omori is almost a stand-in for Sunny's own familiar, being able to effortlessly enter the real world and also disguise himself as his cat form. Omori would cause the young witch to procrastinate on finding the right spell to bring Mari back, ensuring that Sunny doesn't become too stressed or depressed when his attempts lead him nowhere. While not doing it out of any evil reasons to keep mari stuck between planes of existence, he just wants to protect Sunny and make sure that he gets some semblance of rest and peace in his life.

Basil's mental state also worsens alongside his best friend. With his best friend shutting him out and not having that much spare time to brew potions for his nightmares, all his time is devotedto finding a way to bring back Mari even without Sunny's help.

After the disappearance of Mari, instead of Hero becoming a chef or a doctor in the future, he chooses the career path of a detective, even purchasing a very expensive crystal ball to try to contact Mari if she were to be dead. Coincidentally he has no luck with being able to contact her, leaving Hero with some hope that he might find her someday. 

Aubrey still ends up becoming a delinquent, while also using her alchemy abilities for mischief. She forms a friend group of other delinquent magic users, causing occasional acts of misbehavior in faraway town.

She still owns Bun-Bun as her pet bunny, and while not having any magical abilities, Aubrey still refers to him as her familiar companion.

Kel is still... same-old Kel, still into basketball and a personification of a ball of sunshine. He still attempts knocking at Sunny's door to see him again, with things not going well until Sunny has to move. Kel also pitched in to get Hero the crystal ball for some closure, even being surprised as well when nothing came up. 

Being stuck between being dead and alive, after the four years Mari loses any resentment she might have had for Sunny and instead feels bad for her dear little brother. While Sunny can still see Mari, it's almost as if after Omori came into the picture Sunny started ignoring Mari's presence. Noticing this, Mari would attempt invading the boy's dreams to talk to him, causing all the headspace reset shenanigans.

When it comes to magic being used to cause other people harm, it all follows the "rule of three". Whatever energy a person puts out into the world, be it positive or negative, will be returned to that person three times. Being aware of this magical law does help with preventing any possible person using magic for evil. 

In Sunny's case, while it was accidental, he did cause his sister and his friends a lot of grief, so it all returned back at him, the negative energy being a lot of emotional turmoil. This feeling of physical and mental unwellness is what helped develop Omori as his supposed familiar to help him cope. 

The plot of omori would still play out as it normally would withthe main difference being that people think that mari went missing instead of her committing suicide. 

Bad and neutral omori endings are still plausible options for the plot. But in the good ending, once the friend group forgives Sunny and Basil for keeping up the lie of Mari's disappearance, they attempt to work together to undo the spell keeping Mari in limbo.

[inkwingart]

God, not me going down a rabbithole learning about traditional vietnamese lacquer painting and being overcome by the need to get into this craft. Like, perhaps I am Many-Much biased but sơn mài is one of the most unique and beautiful styles of lacquer art. I wish this artform had more international recognition because it’s absolutely incredible.

And I’m so pissed that there has been little to no international interest in it, because I’ve been obsessed with lacquer art since I was a kid, but whenever I tried to learn more about the process, all the info I found was about maki-e. Even now, when I look for materials to try it myself, I’m stuck with sourcing urushi, and it’s kind of heartbreaking. I want to learn and participate in my culture’s artistic heritage, but the only way for me to do so is to rely on another culture’s popularity and materials.

There is nothing else in the world like this. Like, holy fucking shit.

[famousinuniverse]

West End, Edinburgh, Scotland, United Kingdom: The West End is an affluent district of Edinburgh, Scotland, which along with the rest of the New Town and Old Town forms central Edinburgh, and Edinburgh's UNESCO World Heritage Site. The area boasts several of the city's hotels, restaurants, independent shops, offices and arts venues, including the Edinburgh Filmhouse, Edinburgh International Conference Centre and the Caledonian Hotel. The area also hosts art festivals and crafts fairs. Wikipedia

[slavonicrhapsody]

Let’s talk about Mt. Gelmir

Mt. Gelmir is one of my favorite locations in the game because of its striking environmental storytelling… the minute you start exploring the slopes of the volcano, you can just FEEL that something awful happened here. The imagery is so potent that I wanted to go through every detail of the region and explore how it supports and expands the story we’re told through dialogue and text. Let’s start with the text on the Mt. Gelmir sword monument:

“The Assault on Volcano Manor

The squalid, the sick, the blasphemous;

A wretched, unending war with no glory”

This dismal description refers to Leyndell’s attack on Praetor Rykard’s forces at Volcano Manor. After the Shattering war broke out, Rykard declared his intention to take up arms against the Erdtree itself: this was not just treason, but blasphemy, marking him as “an enemy, never to be forgiven.” We can conclude that Rykard’s blasphemy was so unacceptable that Leyndell made it a priority to silence him as quickly as possible, sending an army straight to his doorstep. I believe it’s implied that Rykard had the Mt. Gelmir Minor Erdtree burned as his first act of blasphemy; we find the tree destroyed amidst a smoking ruin:

The assault on Volcano Manor, introduced to us by Gideon Ofnir as “the most appalling battle in the entirety of the Shattering,” was the site of some of the most horrific violence in the entire story. Traveling around Mt. Gelmir, we can observe the gruesome aftermath of the battle and the remnants of the armies continuing to struggle — some scattered groups of Leyndell soldiers remain, while the only troops left to Rykard are his marionettes and iron virgins, since his knights have long since deserted him after his hideous transformation. (Side note: I love the detail that Rykard uses marionettes and avionettes, which were “crafted to serve the sorcerers;” it further cements his identity as a sorcerer and his connection to his Liurnian heritage.) Despite having no real soldiers though, Rykard’s grim constructs seem to tear through the remaining soldiers of Leyndell with ease, which we can observe in real time:

The death toll of this conflict cannot be overstated — the slopes of Mt. Gelmir are literally piled high with bodies.

Within a pit of corpses, we can find the spirit of one of Rykard’s men, who says this:

“Lord Rykard… If this putrid field of death is what your blasphemy would bring, then I can no longer abide. No one can.”

These unspeakable horrors are enough to make Rykard’s followers question if the cost of resistance is too high a price. Leyndell’s armies are just as badly affected — stranded on the mountain with no hope of reinforcements, we can observe several soldiers feasting on the bodies of their fallen comrades:

These soldiers have long abandoned any hope of achieving glory, and are little more than mindless husks at this point. Furthermore, if we return to the sword monument, something you’ll notice as you make your way over is that there are several Leyndell soldiers who are affected by the frenzied flame. At the same time, the troll soldier guarding the door to the Manor is also affected by the frenzied flame:

The frenzied flame is affecting soldiers of both sides of the conflict here, which tells me it wasn’t being used as some kind of weapon, but that it took hold independently… I believe that the frenzied flame was embraced by the soldiers here due to the sheer hopelessness of those who have experienced this uniquely horrific battle. The ethos of the Three Fingers is essentially that the world is full of unendurable pain, so it must all be melted away so no one will suffer ever again: “the Greater Will made a mistake. Torment, despair, affliction... every sin, every curse. Every one, born of the mistake. […] Those who gave me grapes howled without words. Saying they wished they were never born. Become their lord. Take their torment, despair. Their affliction. Every sin, every curse. And melt it all away.” (Hyetta)

The soldiers who fought on Mt. Gelmir have experienced untold suffering, the very worst of humanity… it makes perfect sense that such people would be susceptible to the essence of the frenzied flame; to want to burn this tormented world to the ground.

[dungeonmalcontent]

In d&d, goblinoids are in this weird place.

They're crafty and cunning, but most lack intelligence (representatively, at least). They're in tune with nature in a weird way, and they're technically fey, but they're almost never portrayed as fey. They're capable of industry and wickedly clever designs but are not masters of craft or artisans.

They are the creatures originally intended for cannon fodder that players of ttrpgs kinda fell in love with. They represented a lot of bad tropes, and so we tried to change them but we were not fully capable of washing away the complicated history on them.

When I run goblins as a society. They aren't lesser. They aren't stupid. They aren't bad. They just haven't been given opportunity as a culture. They're outcast as a race of beings, never welcomed in to communities where they'd learn things and have resources due to how different they are. They also tend to be what happens when you get a very diverse heritage (in a sort of roundabout description way). Elves and orcs and dwarves and gnomes and everything. You get fey pointed ears, you get darker green and brown skin tones, you get this thin figure that's surprisingly durable and hardy, they're short, they're nimble, they're good with they're hands, they can work iron. The list goes on. Heck. Sometimes I give them horns.

I also like to rule that they do the best with what they're given. They can't get access to raw materials, so they scavenge what they can. They get metal from slag dumps and pan out the useful bits. Thier cloth is a mixture of scrap hide and recycled trash. Goblin alchemy is slightly more refined because they can gather most of what they need from nature, but glassware is almost always unavailable and so they are limited in what they can make.

And this whole thing makes goblins frustrated. Why are they the ones left out? Are they just monsters to the rest of the world? They have aspects of every other type of humanoid to them, but they just don't have enough of any one thing to be welcome among the other cultures. But when given the chance to shine, goblins can really show that they're diamonds in the rough. And not really all that rough to begin with. Not rough at all. Just a diamond cut another way.

[youropinion-iswrong]

ok i can't keep this inside me for the sake of 'what if i get the inspiration to write a whole fic about this one day' anymore. WHY have i never seen anyone make a forgotten ka bue odile loops au???????

imagine leaving your home country for the sake of discovering the other country that you're descended from but never got the chance to see, to live in, to truly understand. imagine waking up one day and realizing that you can remember everything about that- your mother left when you were a kid, she's from the country you're traveling to, you hate her for robbing you of half your heritage, you want to know if you fit in any better in her country over your other parent's- but you can't recall a thing about where you were raised. about the parent left behind who took care of you. of the culture you actually knew. loosing the half of you you grew up with before reaching the half you longed for. and now all you want is what you left behind.

odile would be more aware of her lost country than canon siffrin is- it's probably a real research topic of hers. what she can remember, what leaves her head as soon as she looks away, what will never come back to her. but is she open about it, or does she keep her origins secret? how much more painful is her search for a familytale? is she the one begging a stranger to tell her where they're from? and of course there's the question of her sasasap/guide self, what their personality and perspective would be.

and beyond odile there's so much to think about in how the rest of the world and people would change. how different is a siffrin who sailed back home, got a lecture from their parents, and only left home when he was older and became a traveller willingly? how well known is wish craft? what's the king (or whoever his replacement is) like- a king with gemstones studded on his armor, not even able to use craft from his own country to freeze vauguarde this time?

just. someone think about the potential of forgotten ka bue with me ok

[hotdaemondtargaryen]

GAYLE RANKIN TALKING ABOUT ALYS RIVERS IN EPISODE 4 OF 'HOUSE OF THE DRAGON' S2.

DID YOU READ THE ALYS RIVERS PORTIONS OF FIRE AND BLOOD?

"The first audition, I did not know who I was auditioning to play."

"I was auditioning to play 'AR.' And then I was kind of told who it was, and I was able to go into the book and read the portions, which are really fascinating."

"There’s so much hearsay and back and forth about Alys from so many different perspectives — mostly male perspectives, too — about who she is, what she is, where she comes from, what she’s going to do, and what she’s not going to do."

"It made me so excited."

BEYOND THE TEXT, DID YOU FIND INSPIRATION FROM ANYWHERE TO HELP CREATE YOUR VERSION OF ALYS?

"Absolutely. I’m from Scotland originally, so I really felt strongly that I wanted her to be Celtic, like Scottish, where I’m from generally."

"I found that to be really interesting because it was like this pagan aspect with that."

"The other option would be for her to be English, and there’s not that many Scottish characters."

"Beesbury was Scottish, but no one in the House Strong is Scottish, so what are we saying about her relationship to Harrenhal and being a member of the Strong household?"

"I enjoyed adding that part of my own heritage to the character because I thought it really helped with specificity in terms of the pagan aspect of her craft and also grounding her."

"It also made her more mysterious because it’s like, wait, where’s she from? It was like a jumping-off point, and Ryan [Condal] and everybody at HBO were really excited about me using my own accent."

"I think it gives her this unique power in some ways because she is untouchable and doesn’t have a familial lineage."

"It also makes her vulnerable, too, because she’s out there in Harrenhal on her own for years."

"What’s she been doing? Where did she come from? — I have a backstory as an actor."

"That’s kind of my process, and that huge part of it for me to really ground her and make her a real woman."

HOW WOULD YOU RANK HER POWER COMPARED TO THE DRAGONS AND WHAT SHE MIGHT BE HOLDING IN?

"I think what’s interesting, and if you’ve read the books, where Alys ends up is in a pretty powerful position."

"Prophecy is like the missing piece to take over the throne."

"Prophecy and magic and witchcraft and that kind of power have amazing brute force."

"Dragons are magical in their own way, but there’s something about being able to manipulate and understand and know things about the world."

"It’s kind of speaking to a bigger theme inside the story, which is that it’s an extremely female-centric power story."

"The fact that these women know things and know how to do things, and they aren’t being helped or respected, like Mysaria and Alicent and obviously Rhaenyra."

"These women know what they’re doing."

"They know, and Alys definitely has another kind of knowing."

"I think it’s cool to add that to the pot."

ALYS HAS ONLY INTERACTED WITH DAEMON SO FAR. WHAT DOES SHE WANT FROM HIM?

"I think as much as Alys is in charge, there’s also something bigger that’s at play."

"I think she knows that, and it kind of allows her, weirdly, to be with Daemon in this experience."

"I think we’re going to start to, hopefully, get to see them actually interact."

"As much as Alys has all this power, there are things about her that she wants and desires and has her eye toward."

"There’s a long game, I think, for this character."

"My interpretation and hope to get through is that she also has a human yearning and yearns for human connection."

"I think someone with a lot of power like that, who’s been alone for a long time, how is that going to play out when they get to spend time with a human being?"

SHE TOLD DAEMON THAT SHE'S "NO SO BAD" ONCE YOU GET TO KNOW HER. THAT WAS A REALLY HUMAN MOMENT IN THE MIDST OF THIS OTHERWORDLY EXPERIENCE AT HARRENHAL.

"She desires to be known, I think, and that’s really interesting that she desires to be known by the scariest motherfucker around."

"She’s kind of here for it."

"There’s something really progressive about that because the thing about Alys is she’s able to see something in Daemon that’s important to be seen."

"She’s fearless."

"I think when you wait around for 400 years, when you get an opportunity to get involved in your life for your purpose, which I think Daemon is a part of her life and her purpose, like, go for it."

"She’s going for it."

IN EPISODE 3, SHE TOLD DAEMON THAT HE'D "DIE" AT HARRENHAL. DID SHE SAY IT AS A WARNING OR JUST A FACT?

"I think it’s good that we’re asking that question because I think that exposes a lot about her."

"I don’t think she knows really how Daemon is going to play out in her life."

"As much as she knows everything, I don’t know if Alys knows everything, you know? I think there’s a learning happening with her, too."

"I think there’s warning, there’s fact, there’s empathy, there’s power dynamic playing out."

DO YOU THINK ALL OF HER POWER IS CONTAINED AT HARRENHAL? IS THAT SOMETHING YOU'VE THOUGHT ABOUT?

"I’m sure it’s something that she’s thought about."

"I think it’s something that she’s probably worried about and excited about and challenged by."

"I think that’s an exciting question for the show because, ultimately, it doesn’t seem like it is, but I don’t know if she knows that."

"I don’t know how that would change her."

WHAT CAN YOU TEASE ABOUT WHAT'S NEXT FOR ALYS REGARDING HER DYNAMIC WITH DAEMON? IT FEELS LIKE WE'RE AT A TIPPING POINT AFTER THE HALLUCINATIONS AND VISIONS.

"I think that’s what’s interesting is that there is a tipping point."

"What happens? How do power dynamics start to shift? — Hopefully, the audience will be hungry to see how we are going to start finding out more about Alys and there might be potential for that."

I WANTED TO POINT OUT THAT DAEMON JUST ACCEPTED THAT CUP OF WHATEVER ALYS WAS BREWING IN EPISODE 4, NO QUESTIONS ASKED. HE DIDN'T SEEM SCARED BY IT, AS IF THERE WAS A CERTAIN TRUST THERE.

"There’s something quite comforting about their dynamic."

"I think no one has ever challenged Daemon, and it’s interesting how Alys kind of flip flops between maternal energy and friend energy and kind of a little sexual tension, and any different kind of tools she has but also things that she wants to experiment with."

AEMOND AND ALYS HAVE A VERY PROMINENT RELATIONSHIP IN FIRE & BLOOD. IS THERE ANYTHING YOU CAN SAY ABOUT THEM POSSIBLY MEETING THIS SEASON?

"I can’t."

"I think my whole thing with talking about Alys and talking about the journey is I think patience is going to be a really… I think it’s going to pay off because I think all of these things are so informative of one another."

[fakeyellow]

✧ STORY

When you reunite with a costar in a drama you once filmed together as children, sparks are bound to fly.

15 years ago, you and Lee Seol were cast as the childhood versions of the lead characters of “The Red Sleeve.” The historical drama reached record-breaking ratings and launched the two of you to stardom, albeit on very different paths.

When a new director decides to remake the drama in an attempt to surpass the original, they request both you and Lee Seol to join the cast. With the both of you returning to your roots, expectations are high. There’s no way you can fail… right?

✧ MC

At the age of 25, you’ve already had a stunning career. Starting from your roles in historical dramas as a child to now starring in romantic comedies, you have become a household name, fondly known as the "Nation’s First Love." Your only quirk? The rumour that you’ve dated most of your previous co-stars. 

⋆⋆⋆⋆⋆

Choose from three personas/personalities to start with (although this will not limit your choices in the story)

The Loveable Sweetheart (bubbly, charming)

The (pretend) Loveable Sweetheart (sarcastic, mischievous)

The Demure Actress (reserved, elegant)

⋆⋆⋆⋆⋆

Note: The MC is not a blank slate and is gender-locked female. Given the setting of this story, the MC will need to have at least some Korean heritage.

✧ LOVE INTEREST

Lee Seol (gender selectable, f/m)

Lee is their last name and pronounced like the letter E.

At the age of 27, Lee Seol has built a name for themselves in the world of action and noir. They are the quintessential actor, renowned for their dedication to their craft, including performing their own stunts and often nailing scenes in just one take. With a flawless reputation to boot, it’s no wonder they’re one of the nation’s biggest stars.

You were once close with Lee Seol but the years have drifted you two apart. Will you be able to grow close enough to once again see what’s under that perfect facade? 

Note: There will be significantly different plot lines for each gender, reflecting the different lenses women are viewed with and the conservative nature of the entertainment industry.

⋆⋆⋆⋆⋆

Appearance: 6'2" (m) or 5'11” (f). Lean, athletic build with piercing black eyes and a prominent jawline. Silky black hair that falls just over their face (m) or just below their shoulders (f)

✧ FEATURES

Star in a historical Korean drama based on “The Red Sleeve"

Choose how you want to be portrayed to the public and track your reputation via news articles and netizen comments

Get involved in Dispatch dating reports, interviews, the filming of behind-the-scenes footage, and more~

🫰🫰🫰🫰🫰

✧ LINKS

Demo (Complete Chapter 1 added 5/20/24)

[doumadono]

Could I request some SFW headcanons for Viking Shoto and Viking Dabi? Whatever aspects you delve into, I'm all ears! 💜💜💙💙

A/N: I sincerely hope you find enjoyment in this collection of headcanons ♥

KVITRAVN - MHA VIKING AU

Viking Shoto

Shoto is well-versed in ancient runic scripts, using them not only for communication but also to unlock the secrets of his Viking heritage, often deciphering ancient texts and prophecies.

Shoto has a talent for playing a unique Viking instrument known as the harmony harp, using it to create soothing melodies that bring tranquility to the hearts of those around him. With nimble fingers, he skillfully plucks the sweetest notes, ensuring that the captivating melody not only enchants but also leaves all the females utterly captivated by him.

Shoto is a master archer, his accuracy unmatched even in challenging conditions. His arrows are tipped with special materials that make them particularly effective against his foes.

Shoto's torso is adorned with intricate tattoos, featuring a combination of runic symbols and Viking patterns believed to bring good luck.

Shoto's ambitions extend beyond mere conquest. He seeks to reshape the Viking world, envisioning a domain where fear of his name is as chilling as the ice he commands.

Shoto's dedication to his craft is unparalleled. He undergoes rigorous training routines, honing his physical strength and combat skills to perfection through discipline and hard work.

Shoto harbors a deep-seated resentment towards Touya, driven by the fear that Touya might ascend to the throne after Endeavor's demise. In Shoto's perspective, the rightful heir to the throne should be him, considering his status as the youngest and, in his opinion, the most intelligent among the brothers.

Viking Dabi

Dabi's weapons are covered with a secret mix that, when ignited, produces mesmerizing blue flames. This unique touch adds an eerie beauty to his prowess on the battlefield.

Dabi is an exceptional tracker, navigating the dense forests and treacherous terrains with uncanny ease.

Dabi's loyalty to his Viking kin is unwavering. He's known to stand by his comrades in times of adversity, earning the respect and trust of those who fight alongside him.

Dabi, surprisingly, has a talent for blacksmithing. He forges weapons with intricate designs.

In quiet moments, Dabi can be found gazing at the stars, pondering the mysteries of the cosmos. This solitary ritual is his way of finding solace in the vastness of the Viking world.

Dabi possesses an extraordinary affinity for thunderstorms - amid them, his focus sharpens. When the skies resonate with thunderous roars and illuminate with lightning flashes, Dabi's combat abilities surge, transforming him into an unstoppable force.

Dabi's role in battles extends beyond direct confrontation. He excels as a strategic saboteur, targeting supply lines and strategically weakening his enemies before engaging in open combat.

On the battlefield, Dabi sports an intimidating mask crafted from the jawbone of a wolf, covering his lower face from the nose downward.

Touya never envisioned himself as a prospective earl following his father's demise. Ruling was never his inclination; instead, he was always drawn to adventures and battles.