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writemywaytoyourheart · 3 years

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Aim For The Heart | Chapter 2: Push and Pull

Pairing: hitman!jk x female reader

Genre: E2L, romance, drama, angst

WC: 8.2k

Warnings for this chapter: stalking, alcohol consumption, a gun, attempted murder, language (jk has a potty mouth) pls let me know if there's anything I should add!

Tag list; @hopekookies @moonchild1 @barbellastyles98 @teresaisla @ggukkieland @mwitsmejk @scuzmunkie @jaebeomsblackgf @sugaslittlekookies

summary; Jeon Jungkook is an infamous hitman, known for his inability to fail at whatever job is thrown his way. At least, up until now. Y/n, a kind-hearted and full of life teacher, is his newest target. Jeon isn't sure who would put a hit on this seemingly innocent girl, but fortunately, that isn't his problem. All he has to do is pull the trigger.

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Jungkook blinks up at his ceiling, his eyes dry from keeping them open for so long. The light of the sun is starting to peek through his blinds, signaling that morning has officially come. He finally looks away from his ceiling to look at the window where the light is creeping in.

Jungkook sighs and sits up, running a hand through his hair and mussing it up. He's not sure he even got a wink of sleep last night. There's something about this case that's apparently keeping him up at night, and he's barely even started.

He can't help but wonder what this girl did to make herself a target. He's not questioning whether he should go through with it, no, that's not even a question. The money on this girl's head has to be at least three if not four times as much as his previous hits.

Jungkook just wants to know what he's getting himself into, that's what's bugging him the most. He doesn't like walking into situations and not knowing everything that's going on.

He looks around his tiny studio apartment, his eyes blurry. Then, he starts to laugh to himself quietly. With a job that pays this much, he's worrying an awful lot about things that don't matter.

After another minute of delaying the inevitable, Jungkook forces himself to get up and get dressed before grabbing an apple to eat on the way.

As he locks his apartment door behind him, the neighbor's door opens and Jungkook sees a familiar face smiling brightly at him.

"Good morning, Jungkook!"

"Hi, Hoseok. How are you this morning?" Jungkook asks politely.

The older boy smiles even brighter if that's possible as he holds up a rolled-up paper, "I'm great since I've got a new paper to read. Thanks for leaving it, Kook."

Jungkook smiles, "No problem. I was getting one anyway, thought I might as well grab an extra."

Hoseok nods, "Where are you off to? I thought you didn't work at the coffee shop on Tuesdays?"

"Oh, I'm going job hunting," Jungkook responds lightly. "I'm tired of working at the coffee shop." He laughs as Hoseok pouts.

"I haven't even gotten to visit you while you work! Darn." Hoseok snaps his fingers in disappointment. "Oh well, good luck on the job hunt!"

"Thanks, Hoseok." Jungkook smiles and turns to leave, only relaxing when he hears his neighbor's door shut. That's something he doesn't like about having a friendly neighbor, he hates lying to people that seem to actually care about him.

Hoseok was always saying he wanted to visit Jungkook and get some discounted coffee. Jungkook doesn't have the heart to tell him that it was all a lie. In fact, everything he knows about him is a lie.

That's why he doesn't involve a lot of people in his life and he plans to keep it that way.

Jungkook shakes his head to clear it. He's been getting too emotional lately and his head isn't in his work.

"That stops here and now," Jungkook vows to himself as he waits at a crosswalk, watching the cars drive by.

A few minutes later, he arrives at Sunshine Kindergarten.

Jungkook is caught off guard when he sees the girl immediately. He had expected to have to wait for her arrival again today. She's sitting outside the school on the steps, a book in her hands that's long forgotten as she looks up at the sky. It looks like she's talking to someone, but when Jungkook looks around, there's no one else anywhere near her.

The girl cocks her head to the side, then starts to rock back and forth a little as she continues to talk to no one. Too curious for his own good, Jungkook crosses the street to get closer. Maybe if he gets close enough, he can hear what she's saying.

"I th-think...maybe s-sandwiches would be a good idea."

The hell?

Jungkook glances at her as he pretends to just stroll by. She's definitely talking to herself.

"No, no no no. I had a s-sandwich for l-lunch yesterday..." She bites the fingernail on her right thumb as she seems to contemplate something. She takes no notice of Jungkook while she continues to look at her book, then the sky.

"Mm, maybe tt-tteokbokki?"

Jungkook fights the urge to look at her like she's insane and just continues to walk by until he's safe to turn and keep an eye on her.

"Oooh, tteokbokki sounds y-yummy." The girl says with finality. Then she glances at her phone, notices the time, and starts putting her book in her cupcake and cookie decorated bag. A minute later, she's walking into the school and leaving his line of sight.

"What the hell..." Jungkook mutters to himself.

Who even is this girl?

_____________

Today, as Jungkook follows behind the girl as she walks home, she stops several times to talk to babies, dogs, and even a bird.

Jungkook just follows behind in disbelief.

This has to be some kind of an act.

Yeah, that's definitely what it is. This girl is better than he thought, she's got her whole act planned out to throw anyone off her track. She's going to have to do better than acting like some innocent school teacher to throw him off though.

This time, instead of heading straight home, the girl goes to an arcade. When Jungkook walks into the arcade a minute later, he spots her in the same white skirt and chunky tennis shoes, a light blue cardigan around her shoulders.

She's playing one of the games by herself, her face set into one of pure determination. Jungkook goes to a game where he can still see her and starts to play. He's more focused on making sure she doesn't leave, so he ends up losing that first round.

He doesn't really care though, he watches her carefully as she shouts in triumph. A few tickets come out of her little machine and she snags them, running to the front to trade them in for a tiny stuffie.

The girl ends up staying at the arcade for another two hours, collecting enough tickets to trade in for an octopus stuffie that's almost the size of her to go along with the tiny starfish one she got earlier.

She looks laughable as she carries her prizes out the front door and down the street, clutching the giant octopus like her life depends on it. The little starfish rides along safely in her bag.

One more stop is made as the girl gets a little cup of ice cream from a man selling it on the side of the street. The second he asked her if she wanted to buy some, it was like she couldn't say no as she hurriedly agreed and bought one scoop of ice cream. When she leaves, Jungkook goes up to the man and buys a scoop of mint chocolate chip ice cream to eat while he follows her.

He hasn't had a decent meal all day and he's starving.

It's starting to get dark by the time Jungkook recognizes the streets they're on and realizes she's finally heading home. Weirdly enough, the girl turns and walks down a dark alley, even though the streetlamp near it is flickering on and off.

Doesn't she have any sense of self-preservation? Jungkook thinks to himself.

It might not be good for her, but it's definitely something that could help him out immensely. He'll have to keep tailing her for a few more days to make sure, but if she continues to use this dark alley as a shortcut, then she's practically doing his job for him.

Sure enough, they end up a lot closer to her apartment by the time they're out of the alley. So, it's a shortcut she probably uses quite often. Then Jungkook notices that she hasn't turned around to look at her surroundings this entire time.

She's making this too easy.

He could have this job over with by the end of the week if luck stays on his side. It's always a relief when it doesn't take him long to get a job done.

He's really had nothing to worry about, why was he worrying so much? It isn't his business why this girl is a target, it's his job to carry out his end of the deal, that's all.

It feels like a weight has lifted off of his shoulders as he climbs the stairs to his apartment that night. He says hello to Hoseok, who's sitting outside and reading, before making his way inside.

The first thing he does is jump in the shower, then when he's finished, he makes himself some ramen.

Jungkook sits alone at his little dining table, gently blowing on the noodles in-between his chopsticks. His hair is still damp from his shower, but he's cozy in his sweats with something close enough to a real meal than he's had all day. He gets up once to grab some kimchi and soju from the fridge, then he stays at the dining table until he's downed two bottles.

This happens every time he gets a new job. It feels good at the moment, but he knows he's going to regret it in the morning. That's the only thought that stops him from grabbing a third bottle.

By the time he's settled into bed, he's forgotten what was worrying him so much the past few days. He smiles to himself, relieved that he'll be getting that money in a week at most. He'll have to come up with a plan when he isn't hammered like he is now. That's the last thought to pass through his mind before he's out like a light.

______________

You wake up to the sound of birds chirping.

Not real birds, just the sound that you chose for your alarm. Something you're grateful that Mina helped you do. The other alarm sounds just give you anxiety when they go off.

You don't notice it at first, but by the time you've become aware of your surroundings, you realize that your legs are all tangled up with the tentacles of a giant octopus stuffie. The small starfish stuffie is laying by your head. The events of last night, you getting enough tickets to get your new little friends, makes their way into your brain.

You laugh and snuggle into it more.

No wonder you slept so soundly last night; you had something to cuddle!

You breathe deeply, after a few minutes you're awake enough to sit up and rub your eyes. Smiling to yourself at the sight of the beautiful golden light seeping in through your blinds, you sigh happily. Normally you don't like waking up, but today feels different. There's something that's shifted, but you can't tell what it is.

Maybe it's because you slept so well last night. The nightmares that usually plague your dreams, were absent. You smile at the giant octopus in your arms, "Y-You chased away all the b-bad dreams!" You exclaim, hugging it tightly to your chest, "Thanks, C-Cookie!"

You named the stuffie last night, the starfish also got a name, Smiley, due to the tiny smile stitched into its adorable little face.

You sit in bed for another minute or so, just staring into space and thinking about random things. Then you slip out of bed and hurry to the bathroom to get a quick shower. As the water pours down your head and shoulders, you start to sing a song that's been stuck in your head for a few days. Your voice cracks as you try to hit the higher notes, but you pay it no mind and keep singing your heart out.

With your hair wrapped up in a towel on top of your head, you pour yourself a bowl of your favorite cereal. You play your favorite songs as you eat and hum along to them, your mind wandering. When you're finished, you move to your room to get dressed.

Opening your closet, you stand there and scan the limited amount of clothing you have as if you had millions of choices to pick from. "One, two, three, four..." You count lowly to yourself, pointing at each shirt, skirt, and pants hanging in your closet. After a minute of debating, you decide to wear your light blue flowy skirt today instead of your favorite white one. You pull it on, then grab a white blouse along with some frilly white socks.

Mina texted you earlier to tell you how sorry she was, but she couldn't drive you today. Her work wanted her in at six o'clock sharp. You didn't need to be at work until seven. You reassured her that you would be totally fine walking. You love to walk in the mornings anyway, the fresh air always smells so nice and all the birds seem to be braver as they are out more in the morning. The whole world is just so quiet and beautiful as it wakes up.

You hum to yourself as you pull on your favorite tennis shoes. It takes you a few tries to get the laces done, but you manage.

"What should I eat f-for lunch today?" You ask yourself as you scan your fridge. You really want to try making some kimbap, but the last time you tried that without Mina's help, you ended up with a burned finger and almost lost another finger trying to cut the veggies.

So, you decide to make yourself another simple sandwich today, cheese this time. When you're done putting it together, you get out your cookie cutters and get to work. You have to contain your excitement at the heart-shaped sandwiches sitting on the counter after you're finished.

You stick to letting yourself jump around for a second to let the giddiness out, then you force yourself to calm down enough to grab a container and gently put the little sandwiches in. You grab a few more little snacky things to put in your lunch bag, then you zip it all up.

Finally, you're ready to go!

You grab your bag and sling it over your shoulder, then you snag your lunch and clutch it tightly in your fist as you make your way out of your apartment, remembering to lock the door this time.

Mina would be proud of you.

The crisp June morning air hits your nose and you breathe in deeply, a smile spreading on your face as you descend the stairs.

You make good time this morning, seeing as there isn't much to catch your attention today. You arrive at the school twenty minutes before the bell is going to ring, so you decide to sit on the steps again today like you did yesterday. It's just too nice out here to be all closed up in your classroom before your kids even get here.

You pull out your drawing pad from your bag and get comfortable on the front steps. Next, you take out your colored pencils as you scan the area, trying to figure out what you should draw today.

You see something across the street, the kind old man that runs the paper stand. Maybe you could draw him and give it to him as a present when it's all finished! You nod in excitement and get to work, your nose soon buried in your drawing pad.

______________

Jungkook had decided this morning that he would follow the girl from her home. If he was lucky and she was going to walk today it would be a perfect chance to see if she always uses the alleyway or if she had just used it by chance last night.

The girl comes out of her place around six-twenty, in a light blue skirt this time. Jungkook smirks, so she does own something that isn't just that one white skirt.

Her hair is a little messed up as if she forgot to brush it before leaving. She's got a scrunchie on her wrist, but it appears that she has no intention of using it.

Jungkook follows a little ways behind her, as he has been these past few days. With how distracted this girl gets, he could walk right behind her and she'd never notice him.

Surprisingly, she doesn't stop much on the way to the school. She skips a little, probably to the beat of the song she's listening to in her headphones. A few people, Jungkook notices, give her odd looks.

He later finds out when he hears her, that it's probably because she's talking to herself as she looks at the sky, then down to her shoes as she watches herself walk.

He shakes his head, seriously wanting to know what the story is behind this target.

She deserves an oscar, Jungkook thinks in amusement.

Then he notices that she doesn't use the alley, she just passes by it.

Maybe she'll use it again tonight, he thinks hopefully.

At one point, the girl trips over a crack in the sidewalk and lurches forward. He isn't sure why, but he finds himself stepping closer, his hands out to catch her before he realizes what he's doing. Jungkook steps back and clears his throat, watching as she catches herself anyway, and continues to skip down the sidewalk.

When they get close to the school, Jungkook crosses the street and heads over to buy a paper from the old man before finding a bench and settling down on it. He looks over the paper, expecting the girl to just go inside, but instead, she sits on the steps again.

He watches as she pulls a notebook out of her childish bag, then she pulls out a little box. Out of the little box, she takes some colored pencils. She looks across the street and he can tell she's decided to draw the old man at the paper stand.

Huh.

This girl is undoubtedly strange.

She sits and draws in concentration for a good ten minutes, then she gathers up her things and heads inside. She must be too excited about her picture because as she's skipping in she yet again trips on the last step and stumbles. The girl catches herself and continues in as if she's used to tripping over everything.

Jungkook cocks an eyebrow, then just shakes his head again and goes back to reading the paper. He's got some time to kill before school is over.

It turns out, he would see the girl before the last bell.

Jungkook thanks the man at the food stand and heads to his little bench to sit down and eat his lunch, grateful that he's going to be eating actual meals today.

He digs into the tteokbokki and fish cakes immediately. It's as delicious as he expected it to be and he tries not to groan in satisfaction at the taste of something that isn't just instant ramen noodles. But what he doesn't expect, is to see the girl coming out from the school.

Jungkook chokes on a rice cake as he scrambles to grab his paper and flip it open, covering his face. He settles his breathing enough to be able to swallow the bite that almost killed him, his eyes closed in annoyance. When he slowly peeks over the top, he sees her sitting on the front steps again, a little pink lunch sack in her lap. She moves her legs so her skirt doesn't ride up and expose anything, then she opens the lunch bag.

Jungkook watches in mounting disbelief as she pulls out what looks to be a heart-shaped sandwich.

How much weirder can this girl get?

She says something to herself before taking a big bite of the sandwich, her cheeks puffing out like a chipmunk that stuffed one too many nuts in his mouth.

He shakes his head and stabs a little rice cake before shoving it in his mouth. He isn't sure why this girl is starting to annoy the crap out of him, but she is. Jungkook looks up again when he hears a loud laugh ring out from across the street. A couple that was walking look at the girl like she's insane, but she doesn't seem to notice.

She just covers her mouth with her hand and snorts as she looks at something on her phone. Jungkook scoffs and goes back to his paper, the annoyance seeping off of him.

How can someone be so annoyingly happy all the time? Damn.

It's like she knows she's got everything she's ever wanted and she couldn't care less about anyone else's problems.

Jungkook despises people like that.

It's as if a switch goes off in him and he's suddenly really freaking pissed off. People like her think that life is so easy all the damn time. Do they ever struggle with anything?

He snaps his paper to straighten it out, trying to calm himself down before he goes into that nasty hole of becoming envious of those more fortunate than him.

Against his better judgment, Jungkook looks over the paper at her again, his chest only burning with more hatred as she starts to count the stupid little carrot sticks in the container on her lap.

Fucking annoying.

By the time Jungkook looks up again, the girl is gone. A second later, the bell signaling the end of lunch rings loudly.

Jungkook sits on the bench in a funk until the end of school bell rings. When he finally sees the target coming out of the school, he stands up and starts to follow her. The same routine he's been doing since Monday. Jungkook mulls over a few things in his head as he watches her stop at several food stands until she's got a cup of rice cakes, a scoop of ice cream, a fish cake skewer, and a mochi that's bigger than usual. He doesn't know how she is able to carry all that, but she manages.

She walks around a bit, looking into the windows of shops, her forehead pressing against the glass as she stares at a gaudy red dress. She stuffs another bite of mochi in her mouth, chewing sadly as she reluctantly drags herself away from the store window.

Jungkook looks at the dress in distaste; it's hideous. He can't imagine someone actually buying that thing, besides, it's probably way overpriced anyway.

He turns from it to keep following her, seeing that she's stopped now at a window where a few puppies are running around and playing with each other. The girl smiles at them and puts her hand up to the glass. A tiny brown puppy inches close to her hand and licks the glass that separates them.

She giggles delightedly.

Jungkook watches, emotionless.

When is she going to head home?

Finally, after what feels like hours, the girl starts taking the streets that lead back to her apartment. Jungkook sighs in relief, then he gets another nice surprise when she turns to head into the alley by her house.

A smirk spreads on his face as he enters the alley behind her. He knows what he's going to do.

_______________

The next day passes just like they have been this past week. Jungkook trails the girl from her apartment to the school, from the school back to her apartment. It's a relief to find that whenever she walks, she takes the alley by her house on the way home.

Now, Jungkook is sure what his plan is going to be.

It'll be sure to draw attention when this girl is dead, there's no doubt about it. No one is going to suspect her of being anything other than a school teacher, so why would someone kill her?

Jungkook has thought through it all. This is what he does for a living, of course he isn't going to be sloppy about it. He'll be done with this by Sunday and no one will suspect anything other than a robbery gone wrong.

He happened to overhear the conversation between the target and her friend that drives the black car. The friend will be gone by Saturday morning, out of the picture and none the wiser.

Jungkook needs to be careful today though. He also overheard them this morning talking about how they are going to be meeting up at the girl's apartment tonight. Something about doing girl shit before the friend leaves tomorrow.

So, Jungkook decides to take the day off. He heads back home, not about to be caught by this friend that's probably a lot smarter than the target.

He'll just come to her apartment tomorrow morning and the plan will be over by tomorrow night.

______________

When you see Mina's car parked out in front of the school, you start running outside excitedly, your bag bouncing as you bound down the front steps.

"M-Mina!"

She has a huge smile on her face when you open the passenger door and climb in. "Hey, girl!" Mina shouts, yanking you over to hug you. "Aren't you excited it's Friday??"

You nod, "Yes, b-but...I am g-gonna miss you." You pout.

Mina shakes her head, "Nuh-uh. Tonight we party, there shall be no tears!"

You laugh as you buckle yourself in, "Ok, I p-promise I won't cry. W-What are we going to do tonight?"

Mina smirks sneakily and nudges your arm, "Oh you'll see~"

_______________

You clap in excitement when you see what Mina has planned for you two. After you unlocked your apartment door and let her in, she had set down a few bags, then instructed you to open them.

Inside one, you found a tub of ice cream, a box of cookies, and a few bags of your favorite types of chips. In the other, there were two blankets, two pairs of fuzzy socks, and a couple different movies.

"We g-get to have m-movie night?" You jump up and down as Mina nods happily.

"Yes! Now you have to pick which movie you want to watch. Should we do romance or comedy?" She starts pulling the stuff out of the bags as you mull over the different choices.

You have a hard time deciding things a lot of the time, that's why Mina usually has you make the choice. She wants you to get some practice making decisions.

After she's set everything up, she turns back to see you on your knees, leaning over the movies that you've laid out on the ground. You're biting the nail on your thumb as you appear concerned, looking at the movies.

Your best friend laughs and moves to crouch next to you. She looks at you and speaks softly, "Do you want to laugh tonight, or do you want to get the butterflies in your tummy?"

You turn to her and a shy smile spreads on your face, "Ok, l-let's do romance!"

A few minutes later, you're cuddled up next to your best friend. You both have fuzzy socks on and blankets, keeping you warm. You each also have a spoon, scooping out the ice cream as your eyes are glued onto one of your favorite romance movies of all time.

Not even three hours have passed when you're both dead asleep on your couch. Soft snores leave Mina's mouth, both of your legs tangled up with each other. The second movie is playing in the background, long forgotten after you both fell asleep not even halfway through.

The next morning, you wake up on the couch groggily. You look around in confusion, forgetting for a minute why you're on the couch. Then you remember and you laugh to yourself as you rub your eyes. Then you look around again.

Mina isn't anywhere and you think for a moment that she's left without saying goodbye. You hang your head, trying not to cry. Then you hear the toilet flush and the water run in the bathroom. You sigh in relief and wait patiently for her to come out.

When she does, you instantly stand up, "Want s-some breakfast?" You offer. She smiles sadly, "I wish I could stay for breakfast. But I have to leave now. I still have to grab my luggage and head to the airport. My flight is at ten."

You look at your phone and see that it's eight o'clock.

"Oh," You say sadly.

Mina walks over and hugs you, "Don't worry, ___. I'll be back before you know it! And I'll call you whenever I'm not working, okay?"

You nod and smile at her to reassure her that you're okay.

She leaves a few minutes later and you find yourself alone in your quiet apartment once again. Your nose twitches as you try not to tear up, then you move to the kitchen to get yourself some of your favorite cereal to cheer yourself up.

You'll have to plan some fun things for you to do while she's gone, or you might just go crazy.

______________

Jungkook has been outside the girl's apartment since eight this morning. He saw the friend leaving a little after he got there. He recognized her shoulder-length black hair immediately and he knew it was the driver.

He had smiled to himself when he saw her get into her car and drive away. He honestly can't believe the luck he's had on this job so far. This is going to be the easiest he's ever had it.

But now, he's sitting on a bench in complete and utter boredom as he waits for the girl to leave her house. It turns out, she doesn't leave her house until almost lunchtime.

By the time he sees a flash of black and grey, he's almost fallen asleep on the bench. But he jerks up the second he sees the girl hurrying down her stairs. She looks totally different today...

Jungkook is surprised to see the girl is in grey sweatpants and a long black t-shirt. A black bucket hat is on her head, seemingly hiding her bed head if the knotted bits of the hair he can see tell anything.

She's usually more put together, but then again, it is the weekend. Not everyone should be expected to go all out to look decent when they aren't working.

But there is one thing that hasn't changed; the girl is still simple as hell looking.

She doesn't have a bit of make-up on as she rubs her eyes.

He gets up to follow her once she's about two blocks away.

Jungkook shakes his head when he sees that even though her outfit is completely devoid of color today, she still has that damned bag covered in colorful treats.

It seems like today this girl is on a mission. She walks briskly and not a single thing distracts her. She only stops once, to get a small bite of lunch from a food stand. Jungkook realizes where they're headed a second before the girl stops.

She looks into the window of the store and waves at the brown puppy. It wags its tail at her and she smiles for the first time that Jungkook's seen today.

The girl goes into the store and Jungkook follows a minute later.

He sees her talking to a woman at the front. She points at the dogs in the front window and the woman nods with a smile. A minute later, the girl has the brown puppy in her arms as she's sitting in one of the little places with a bench and walls to keep the dogs that are being held from getting out.

"Can I help you, sir?"

Jungkook flinches and turns to see the woman that helped the girl looking at him with a smile. "Oh, uh...I, uh..." Jungkook looks around frantically, then he points at a little black kitten that's sitting in a big cage, staring at him.

"Can I uh...hold that kitten?"

Why the hell is he so awkward??

The woman smiles brighter and nods, "Of course! Come with me."

Jungkook tries not to groan in frustration as he follows her to the kitten's cage. This wasn't part of the plan, but whatever.

The little ball of fluff mewls when the woman takes it out and hands it to a very stressed Jungkook.

Damn it.

He flinches when the kitten licks his nose. The woman laughs, "Looks like he's finally found someone he likes. No one that's ever come in here to hold him has ever had him more than a few seconds before he freaked out."

Jungkook forces himself to smile at the employee. Then, he turns to keep an eye on the girl, pretending like he's just talking to the kitten.

"Hi, little guy." He speaks softly, his eyes shifting to see the girl hugging the puppy close to her chest.

After a few minutes, the girl reluctantly hands the puppy back to the store employee, her eyes watering as she talks to the little dog.

"I p-promise I'll come back and b-buy you next t-time, okay?" Then she hurries out of the store, making Jungkook hand the kitten to a random employee. "I might get him another time." He says in a rush before hurrying out after her.

The day is spent much like it is after she gets off work every day. The girl gets some steamed buns and walks through the park, humming along to whatever song is playing in her headphones. Jungkook strolls along behind her, going through the plan over and over again in his head to make sure he isn't missing anything.

He's pretty sure he's got it all down to the last detail, nothing should go wrong tonight. This target is quite predictable, but there's always that chance that they pull something that you don't expect. Jungkook doubts that'll happen with this girl, but he can't be positive. After all, if she is acting, then she could turn it on him in an instant.

Jungkook watches the girl doubtfully as she tries to stuff more steamed bun into her mouth than it can take.

Geez.

Then the girl suddenly plops down on the ground. Jungkook stops and sits on a nearby bench to watch her. She sets her paper bag of remaining steamed buns on the grass next to her, then pulls out the drawing notebook that Jungkook has seen her use several times this week.

The girl gets right to work, her nose stuffed into the notebook as she scribbles madly. Jungkook fights the urge to get up and look over her shoulder at what she's drawing. He used to love to draw when he was younger. When the world wasn't such a brutal place to live in and be accepted.

Jungkook leans back on the bench and tilts his head up to the sky as he closes his eyes. He gets the feeling that they're going to be here for a while. Besides, he can still hear her drawing, no need to keep an eye on her. The feeling of the warm sun on his skin makes some distant memories try and sneak their way into his brain, but Jungkook immediately blocks them out.

He takes a deep breath of the fresh June air through his nose, then blows it out through his mouth slowly. Hell, he's exhausted.

Jungkook reaches a hand up to snatch his black baseball cap off and sets it in his lap. Then he starts to massage the back of his neck, his eyes still closed. He feels like he hasn't had nearly enough sleep this week, the stress of just wanting to get this blasted job done keeping him up at night.

The sound of the girl drawing and mumbling to herself reaches Jungkook's ears as he continues to massage his neck. Then he moves down and starts to rub the tense part of his shoulder close to his neck. After that, Jungkook moves his hands to start massaging his face. He rubs his eyes and temples, moving down to his cheeks.

"Hello, mister."

Jungkook flinches at the tiny voice and his eyes fly open as he yanks his hands from his face.

There's a very very small girl standing in front of him, her long black hair in two braids on either side of her face. Her huge dark eyes stare into Jungkook's as he calms his breathing.

Fucking hell. Scared the shit out of me.

"What do you-"

Jungkook cuts himself off when the little girl steps even closer until she's standing in between his spread legs. He leans back, one of his eyebrows rising in confusion.

The hell does this girl want?

Jungkook looks around to see if he can find her mother or father. When he looks back at her, she's smiling shyly, her wide eyes still staring straight into his soul.

"What do you need?" He snaps.

She doesn't react to his sharp tone, she just reaches out and snags his baseball cap. Jungkook tries to protest but she places it on her head anyway. She looks even tinier if that's possible, his hat looking positively massive on her small head. "My name is Mi-Rah." She whispers.

Jungkook feels a twist in his stomach. This innocent child shouldn't be anywhere near someone like him. He kills people for a living.

Where on earth are her parents? Have they taught her nothing about stranger danger?

Then Mi-Rah reaches into her pocket and pulls out a piece of candy in a very crumpled wrapper. She takes Jungkook's large hand and places it into his open palm. "You look very sad, mister. Sometimes all we need to feel happy is something sweet, no matter how small."

Jungkook tears his eyes away from the little candy and looks at the tiny girl in disbelief. How old is she?

"Uh...thank you-"

"You don't have to thank me, mister. Maybe just...make someone else smile today. Give someone else a chance to be happy." The little girl says simply. Then she takes his hat off her head and places it back onto his own before turning and running off.

What the hell.

That girl spoke like an adult, but she couldn't have been any older than seven. Jungkook shakes his head, then glances at the candy. It has a bit of lint on it, there's no way in hell he's gonna eat that. So, without thinking, he stuffs it into his pocket, then his eyes shift over to where the girl is drawing.

Except she isn't there.

"Fuck." Jungkook jumps up and whips his head around, scanning the park. When he doesn't see a single sign of her, a growl leaves his throat and he starts walking. If that kid hadn't distracted him, this wouldn't have happened.

Jungkook walks around for a good two hours, but he hasn't seen the girl once. Now he's starting to panic. The sun will start going down soon.

What if she already went home?

His plan would be ruined.

Crap.

Jungkook takes his cap off and runs a hand through his hair in frustration. He doesn't want to have to wait another day to get this over with.

One more hour passes as Jungkook frantically walks around the city. He even goes to the girl's apartment to see if he can tell if she went home, but all the lights inside are off so she probably isn't in there.

After another hour, the sun is down.

Jungkook curses and kicks at a little stone on the sidewalk, watching it roll into the grass. He fucked up. He got distracted and now he's going to have to do this all over again tomorrow if he's even lucky enough that the girl will go out and stay out all day tomorrow.

After all these years, he's never lost a target before. He feels like an idiot. Out of all the hits he's had, every single one, this weird-ass kindergarten teacher is the one he loses. All because he let some kid come and distract him for a second.

He curses again and resists the urge to throw a punch at something, anything.

Jungkook turns around, ready to head home and curse himself until the day he dies. But he stops short when he sees a familiar figure walking down the street. A bucket hat covers their face, but the unmistakably ridiculous bag is hanging from her shoulder.

"Fucking hell." Jungkook sighs in relief as he watches the girl make her way towards the alley. His luck is back! The second the girl turns into the dark and desolate walkway, Jungkook follows her in.

She's singing softly to herself as she walks slowly, taking her time. As if there isn't a killer looming right behind her.

Jungkook pulls the gun he grabbed from his safe earlier out of his back pocket. The girl stops, then crouches to pick something up as Jungkook switches the safety off his gun.

He raises it slowly.

A tiny laugh slips out of the girl's mouth as she messes with something on the ground, her smaller figure crouched on the dirty cement of the alley.

Jungkook aims carefully, he's got a perfect target.

He can do it.

He can be done with this.

So, why isn't he pulling the trigger?

Jungkook shakes his head and raises the gun again.

Fuck.

The girl stands up again and starts to walk quickly.

Shit, shit, shit Jungkook scrambles after her, almost tripping on the trash piled in the alley. She happens to be the one to trip on it first. Her arms flail out and a tiny shriek leaves her mouth as she tumbles to the ground. "Ow." He hears her whimper quietly. "Owie." She pulls her right knee out from under her and pulls her sweats up enough to see the small cut on it. Ok, enough dilly-dallying Jungkook. Get it done. Jungkook raises the gun once more as the girl gets to her feet and starts to walk away. He's about to call out and get her attention so he can get her from the front. Make it look like a robbery gone bad. That's when he sees the papers on the ground that had fallen out of her bag when she fell. He doesn't know what possesses him to look closer, but he does. Shock courses through him at the drawings he sees. They're fucking terrible. They look like a four-year-old drew them, the coloring not even in the lines she drew. What the hell even is that? A fucking bird? There's something that looks kind of like an apple tree next to the deformed-looking bird thing. Another picture shows an awfully drawn lollipop. Who messes up a lollipop? Jungkook looks up at the girl, who has stopped to look at her phone. "Give someone else a chance to be happy." The tiny girl's words suddenly ring through his mind and Jungkook swallows thickly. He lowers the gun, his arm hanging limply at his side. "Damn it." The girl swivels when she hears the voice of a man behind her, but when she turns there's no one there. She glances at the dumpsters and trash bags and listens intently. When she doesn't hear anything, she quickly turns and runs out of the alley. She runs the rest of the way home, only stopping when she's gotten inside and locked her door. ________________

"Fucking stupid!" Jungkook screams and throws the gun onto his bed. Why the hell did he hesitate? He never hesitates. He's shot dozens of people dead and he never blinked an eye. Why? Why now? This is the most paying job he's ever gotten and now he's fucked it up! He got distracted. That's all. If he hadn't spoken to that kid today or seen those stupid drawings, he wouldn't have messed up. "Ok, that's it," Jungkook growls and stomps over to the file sitting on his coffee table. It's been sitting there since Sunday a week ago. He grabs it and opens it angrily, a few papers spilling out and onto the floor. He doesn't bother cleaning them up. He just grabs the last one, the folded picture of the target. Jungkook unfolds it and glares at the image of the smiling girl. "I don't give a fuck why you're a target. I'm going to fucking kill you on Monday and that's it!" Then he tears the picture in half. He tosses it onto the coffee table and slumps down onto his couch, mentally exhausted. _______________ Jungkook spends Sunday holed up in his apartment. He's never been so pissed at himself before. No more distractions. If he doesn't get this done tomorrow, he doesn't know what he'll do. This hit is driving him insane. The only time he leaves his apartment is when Hoseok knocks and asks him to come over for dinner. As much as he would rather do anything but that, he agrees with a plastered smile. Jungkook sits at Hoseok's dining table awkwardly as his neighbor plates up the fried rice he made and hands a plate to him. "Thank you." Jungkook takes it and his stomach growls the second he smells the food. This is the first homecooked meal he's had in...well as long as he can remember. Suddenly, there's a knock on the door, and Hoseok laughs, "Oh, I almost forgot! I hope you don't mind, I invited some more of my friends over." Jungkook shakes his head, "I don't mind at all." When Hoseok opens the door, Jungkook sees a tall handsome man with broad shoulders and black hair walk in. He's taken by surprise by the man's beauty for a split second before he snaps out of it and sees another man walk in. This one is shorter and his hair is bleached blonde. The first man has a huge smile on his face and the second looks like his face has been set into a permanent look of uninterest. "Hi! You must be Jungkook!" The taller man says happily, reaching a hand out to shake Jungkook's. The younger man nods, "Yes, I am." "I'm Seokjin! And this is Yoongi." The handsome man turns and points at the blonde. Yoongi nods and sends Jungkook a small smile. "Nice to meet you," Jungkook responds politely, trying not to be awkward as hell. The only person he's really spoken to as an acquaintance for years is Hoseok, and he's only known him a little less than a year. Dinner goes by rather smoothly and the food is delicious, but Jungkook is grateful when he finally steps back into his own apartment. He's usually good at faking with people, part of his job is to charm people and put all suspicion off of himself. Tonight was different though, he felt exposed and like he couldn't put up a facade with those men. He takes a long hot shower, trying to wash away all the stress from the past week. When he's out of the shower and in his shorts, Jungkook crawls into bed and turns out the light. He blankly stares into the darkness for a while, trying not to let his brain run rampid so he can sleep. But he thinks back to the dinner a little while ago, anyway. Seokjin and Yoongi were nice, and Hoseok has always been kind to him. But, Jungkook feels uncomfortable, he feels off. He just isn't cut out for friends. He's a killer. That's all he is and that's all he'll ever be. And killers are meant to be alone. ______________ Jungkook sighs as he sits on the bench in front of the school. Hopefully, this will be the last day he has to do this. The girl had already gone into the kindergarten hours ago, it's nearing the end of the school day. All he has to do is tough it out until tonight. If the girl doesn't stay out till dark, he'll just have to lure her out of her apartment later somehow. He'll figure that out when he comes to it. The bell rings and Jungkook gets up to buy a paper from the old man that he's become quite acquainted with this past week. The two of them chat it up a bit as Jungkook watches the school doors. Eventually, he sees the girl leading a long line of kids out the front doors and down into the grass to wait to be picked up. It takes a little longer than usual, but finally, all the kids are gone and the girl goes back inside. When she comes out and starts walking down the street, Jungkook follows on the other side. As he walks he keeps an eye on her, but that means he isn't looking ahead. "Umph!" Jungkook jumps back in surprise when he sees a little old woman glaring at him after he ran into her. "Oh, sorry. I'm sorry." Jungkook bows his head in apology and the old woman nods curtly before walking around him. He looks back across the street, only to groan at seeing the girl is nowhere to be seen. "Not again." Jungkook moans in dismay. Then he jumps a mile high when he feels someone tap his shoulder. "Excuse m-me, sir." Jungkook turns and his heart stops in his chest when he sees the wide eyes of a horribly familiar girl staring up at him. She's clutching a piece of paper in her hands as a smile spreads on her face when she looks at him closer. Jungkook blinks a few times, the rest of him frozen in horror at being caught. "Th-This is for you." She holds out the paper. Jungkook takes it limply, his eyes never leaving hers. When the initial shock leaves his body, Jungkook tears his eyes away from the girl and looks down at what she gave him. He squints in confusion at what he sees. Then he looks back up at his target. What the hell is this?

_____________________________

a/n: I hope you guys like this one. I wasn’t sure how I felt about it at first. Let me know what you think <3

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mr-and-mr-diaz · 4 years

Text

*Gasp* And They Were NEIGHBORS! A Buddie Neighbor AU

This fic is dedicated to @agentmarymargaretskitz who sent me the original prompt (as well as so many others when I wasn’t feeling well, seriously can’t thank you enough and I will respond to each of your asks, I’m just savoring them) and to @justsmilestuffhappens who I have been mutualling back and forth with for a REALLY long time (Hi! Nice to meet you, I love you already!) and wanted to see this prompt happen!

***

“I SWEAR to god, Buck, if I hear even one more word out of your mouth about this guy and his kid I will throw you over this balcony!”

“But Hen--”

“He’s gorgeous, I know! And his kid is the cutest thing since puppies! We get it! Now stop talking about it and do something about it!” Hen sounded mostly exasperated, but dare Buck hope he still heard a little fondness in there as well?

He smiled. “Right. Okay.” Silence followed as he wracked his brains. “Wait, what should I do?? This guy doesn’t know me at all, I haven’t gone over yet to say hello, I’m so worried about being awkward or overkill--”

“Overkill? You??” Chimney chuckled from across the firehouse loft where he was playing the pinball arcade.

“Hey!”

“In all seriousness, Buck,” Chim turned and addressed him, his smile gone from teasing to kind. “You’re gonna be fine, just go say hi. The sooner you get it over with, the less awkward it’ll be. Also, remember you still gotta find out if he’s interested. And available too; if he’s as hot as you say, he could already be dating someone.”

“Oh shit! Wait, what if he is?” Buck put his face in his hands and groaned. “Urgh, what should I do?”

“Why not take over some of those cookies I taught you how to bake last week, Buck?” Buck raised his eyes to Bobby, who was watching him with a small, patient smile. “Nothing out of the ordinary about bringing some baked goods to a new neighbor. It’s a great way to introduce yourself and get in their good books.”

“Okay!” Buck nodded. “Can you help me bake them again, Cap?”

Bobby's nodded, already headed for the pantry. “Of course.”

***

Eddie sighed. He was so glad he moved but it didn’t stop the process from being hell. It had been a long day job hunting and he still needed to find a good school for Chris. At the moment, Chris was in the living room, watching TV.

Eddie got up and went over to the fridge, digging around for the Tupperware of dinner Abuela had sent over and transferring it to a pot to reheat. Soon the smell of delicious posole filled the house and he sat, taking a moment just to savor the scent and feel just a bit more at home.

He was interrupted by a knock at the door.

“No rest for the weary.” Sighing, Eddie stood and shuffled over, glancing through the peephole. A tall man stood there, his hair short and neatly slicked back. He was shuffling back and forth awkwardly, a covered plate in his hands.

Who is this? Eddie opened the door.

“Can I help you?”

“Uh hey!” The man’s eyes lit up and he looked Eddie up and down. He was a bit taller than Eddie and dressed sharply in a firefighter’s uniform. Eddie instantly became aware of the ratty sweatpants and loose Henley he’d thrown on as soon as he’d gotten back home and how mussed his hair likely was from running his fingers through it in frustration. Weirdly though, the man’s smile didn’t dim.

“Hi, My name’s Evan Buckley, I’m your neighbor! Apartment 2B.” He smiled, eyes lingering on Eddie’s for just a moment too long, before he jolted and laughed awkwardly, lifting his hands up. “Cookies! Uh, I mean, I made cookies for you.” The man lifted the cloth off the plate and a heavenly smell wafted from a pile of delicious looking cookies. “They’re chocolate chip macadamia--wait, you don’t have any allergies right? Or gluten intolerant or anything? Or, shit, are you vegan? I should’ve asked, there’s eggs in here...” Evan made to cover the plate again, but Eddie put out a hand, stopping him. He couldn’t help grinning at the guy--the way he rambled, his bright smile.

“You think I’m gonna let you walk away with those now that you’ve offered? They smell great, Evan.”

“Oh thank goodness!” The smile was back and brighter. “And, uh, feel free to call me Buck, all my friends do. And welcome to the neighborhood! It’s nice here, everyone’s polite, except Mr. Grivary in 4C, he can be a bit--but of course you don’t want to hear me rambling...” The guy blushed and Eddie felt his own smile widen. This man was adorable.

“Actually, that sounds like useful information Buck.” Eddie remembered Abuela’s dinner and held the door wider. “I’m not really a cook myself, but we have my Abuela’s posole for dinner, would you like to join us?”

“Yes!! I mean,” Buck blushed again and cleared his throat. “Yeah sure, if it isn’t any trouble...”

***

Buck felt like he’d barely fallen asleep when his doorbell rang.

“Hmm?” He mumbled at the door. Which of course could not be heard by whoever was on the other side. They rang the doorbell again.

“Ugh, fuck... Yeah, coming!” Buck dragged himself out of bed and stumbled to the door, glancing through the peephole. He couldn’t help the smile that bloomed on his face as he caught sight of golden brown curls, red glasses, and the world’s cutest smile.

“Chris!” He pulled the door open. “What’s up, buddy?”

“I’ve got news!” Chris giggled as he carefully walked into Buck’s apartment and sat himself down at the kitchen table. Buck automatically reached for his crutches and propped them against the chair. It was hardly the first time Chris had come to visit; he came over often to play games, tell Buck about his day, or help him try out a new recipe. “Our school is holding a bake sale on Friday.”

“Those are fun.” Buck sat down across from Chris, voice lowered conspiratorially. “What are you making?”

“That’s the thing.” Christopher’s tone turned sad. “The teacher said it has to be homemade and Dad’s been stressing out about it. He’s super busy with his new job and I know he wants to help, but... He burned water once. Just water.”

“Aw man.” Buck put in every effort not to laugh, but a giggle still escaped. “You want me to help you put something together, take the pressure off your dad?” Christopher nodded happily and Buck reach for his notebook where he carefully documented all of Bobby’s recipes. “How’s cupcakes sound, Superman?”

In short order, they had all the ingredients lined up on the counter, and Chris was comfortably seated right next to the mixer, ready to dump in anything Buck handed him.

“...And then, only after that you want to add the dry stuff. I don’t really know the science behind it yet, I just know that it works. If I do find out, I’ll tell you.”

“Okay. Buck?”

“Hmm?” Buck consulted Bobby’s notes carefully and measured out a cup of flour, handing it over to be added to the mix.

“Where did you learn how to bake so well? Did your mom or dad teach you?”

Buck grinned. “Nah. My captain at the fire station is the best cook I’ve ever met. Everything I baked for you guys I learned from him.”

“Oh.” Christopher reached out a hand for the second cup of carefully measured flour. “Are your parents also bad cooks like my dad?”

“Well, no. My parents are nothing like your dad.” Buck sobered. “My mom cooked a little for us, but mostly we ordered in. And she never... uh, she never had time to teach me or Maddie. I didn’t have a complete homemade meal until I started working at the 118.” He shook his head to clear the thoughts and smiled at Christopher. “But now thanks to Cap, I got an almost-dad who cooks for me every day! And now he’s teaching me so I can do it one day for my kids, if I’m ever lucky enough to have them.”

Christopher thought for a second, absently reaching for the teaspoon of baking powder and adding it to the mix before saying. “I already have a dad, and I don’t want to trade him for anything. But... Could you be my second dad?”

Buck looked up from the salt, startled.

“Like a cooking almost-dad who teaches me how to cook just like your Cap does for you? I want to be able to help Dad so he stops feeling so bad about not cooking.” Christopher was smiling at him, waiting for a response. Buck looked away quickly and took a deep breath, clearing the sudden thickness in his throat and blinking away wet eyes.

“Y-yeah, sure, Chris. I’d be happy to.”

***

Eddie arrived home from work exhausted. As he approached the door, he noted how quiet the apartment sounded. Usually that meant that Christopher was hanging out by Buck’s, but Buck’s apartment was also quiet and dark. Hurrying toward the door, Eddie fumbled with his key and jerked it open as fast as he could--

“SURPRISE!!”

For only two people, Buck and Christopher still managed to startle the shit out of him.

“Fu-fudge! Guys what the hell...!”

“Happy birthday, Dad!” Christopher called from the table.

“Happy birthday, Eddie!” Buck was bent over something, his broad back blocking whatever it was. Then he rose and stepped away to Christopher’s side. He grinned, cheeks slightly flushed. “It’s not perfect, Cap would’ve done it better, but I’d say for Chris and I’s first ever layer cake it’s pretty darn good!” He and Chris high-fived each other as Eddie stepped closer.

The cake was lopsided, and the icing oozed down the sides a bit and on top... was that the number 32?

“Chris did all the writing,” Buck added proudly. “As the mastermind behind this, it was only right that he got the honors.”

“What do you think, Dad?” Chris’ voice bubbled over with delight.

Eddie looked up. They were both watching him, eyes bright, smiles wide, waiting on his response. I think--no, I know have the best kid ever.

And the best Buck.

Eddie couldn’t contain the huge grin that broke out on his face. “It’s perfect.” He looked a them, eyes meeting Christopher's, then Buck’s. “Thank you.”

***

“So when do I get to meet her?” Abuela was layering a container with tamales, her back to Eddie.

“Who?”

“The person you’ve been sharing all my cooking with.” Abuela’s tone brooked no nonsense. “The person who makes you smile to yourself every time you think I’m not looking.”

Eddie startled. “Oh, Buck? He’s not... we’re not--”

“Nonsense, mi amor.” Abuela chuckled, clamping the lid down on the container of tamales and handing them to Eddie’s slack hands. “If he isn’t, then he should be.”

Eddie stopped where he was. Abuela is right. Chris adores him, I adore him... What am I waiting for?

He reached for his phone and sent out a text.

To: Buck

From Eddie:

Abuela made tamales. Come over tonight?

#buddie #buddie fic #911 fic #neighbors au #evan buckley #eddie diaz #christopher diaz #buddiepher

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vydante · 4 years

Text

Restart | 12

Fandom: Marvel

Pairing: Avengers x Male! Reader (romantically: multiple)

A/N: Missed y'all. I don't think I'm officially off of my hiatus, but I somehow managed to pull a chapter out of my ass after months of radio silence. I really did back myself into a corner with the last chapter, but hey, this is my story and I get to pace it however I want.

Sorry if things are worded weirdly, I'm writing them but they're going through one ear and out the other when it comes to comprehending what I actually wrote. No one will remember what happened, but that's okay. God, I really need a beta-reader... Anyways. Love y'all. XOXO.

Also, sorry if any of the formattings seems off. HTML doesn't really translate well over certain sites. (Tumblr, Quotev, Wattpad, and AO3 are now my main places for posting my works. Anywhere else, that's not me nor was it permitted by me.)

If you want a recap: You're in the process of jumpstarting Project Renaissance after realizing that you've just been doing basically nothing ever since you woke up in your old body. You've also taken to making video logs to report down your progress, and in the last chapter (that was in the POV of multiple video logs), it ended on a cliffhanger with Barnes being discovered and moved to a safe house.

This chapter takes place roughly after the last one.

If you're currently binge reading this story, this recap is only because last chapter was updated... Roughly more than 7 months before this chapter. So. Yeah. :D

Oh, and let's pretend that either A. Barnes doesn't have a tracking chip in his arm OR B. he did, but you got it out during the whole rescue-escapade. That's my bad, I straight up forgot about that possibility until I was like, close to 4000 words deep into this chapter. Now we're at roughly 8k+... Hehe. Whoops.

_______

You're not gonna call Barnes, Bucky.

There's a personal touch to the nickname that bothers you. How awful it sounds in your ears, to call the former husk of a man a name he no longer recognizes. There's history to that name, both on writing and in memory, though only in sparsity. Plus, it'll be difficult for you to associate Bucky to Barnes. A man with an identity to a man without.

So after the whole debacle of getting him out of the mini-Hulk playbox and into decent dry clothing, when he asks what his name is, you quietly debated to yourself what to tell him.

"... Your name is James Buchanan Barnes," you'd eventually reply.

He doesn't comment on the resignation in your tone, but you're confident that he certainly noticed it- surely, the ticks of being the Winter Soldier was still there, no matter how disoriented he must be. But whether courtesy was something that he hadn't forgotten whilst his brain was refried over and over like leftover KFC wings or he was simply too exhausted to ask, you didn't care.

Granted, for a man who should have a lot of questions on his mind, he's definitely proven himself to be a man of very few words.

An hour goes by, and in the midst of you trying your best to build a solid standing between the two of you, he's said so few words that you could probably count all of them on both of your hands.

If it weren't for the nods of affirmation, you'd think that his averted gaze from you would have meant that he wasn't paying attention at all, but honestly, you knew better than to judge him for that if he actually wasn't actually listening in the first place.

Hell, he could tear up the walls to the high heavens and you still wouldn't hold him against it, so you were just thankful that he was so docile, for someone who could snap your neck if he felt so inclined.

Though, as it turns out confusion and disorientation wasn't the actual reason why he was being so docile, you belatedly realize as you're stood in front of a blank-faced Barnes. You're in the middle of trying to give him a basic tour around the house when he quietly interrupted your monologuing.

"Mission parameters," you echoed his words, though mainly to yourself. He nods, and for once meets your eyes. There's neither confidence nor surrender in his eyes, and that makes your stomach churn. Chances are, he probably saw nothing wrong with asking such a thing.

"You want me to give you- mission parameters. Like- like your handlers would?" You laughed incredulously, but the humor was replaced with subdued hysterical horror.

You were aware of what they were. Aware of the types of hunts his Handlers- bastards- would sick him out on. Aware of what he did without a second thought. You saw those files, if only briefly. That was more than enough for you to see the type of expectations that came alongside "mission parameters".

He nods as if you were stating the obvious.

God.

You opened and closed your mouth, and for a split second, once you got past the horror of being asked to tell him what to do, a subtle realization crawled up your spine. In the midst of your impromptu introduction and briefing, you never really made a distinction as to what role you were supposed to play in all of this.

So it shouldn't be a surprise for Barnes to assume that you're his new- what? Handler? Caretaker? After all, as far as you can assume, that's probably all he knows; all he was conditioned to grow accustomed to, to expect his every move to be dictated by some outsider with no care to the wants or needs that Barnes has.

(Hell, if you were to make a reach right now, maybe Barnes thinks he doesn't have wants or needs. That he shouldn't.)

(In the background, a part of you simmer in silence.)

With your jaw clenched, you make an effort to make your voice as even as can be when you ask him, "You don't need mission parameters, Barnes. You're your own free man. You can- can make decisions on your own. You don't need me to tell you what you need to do."

Pray as you might, there's something about realizing that you said the wrong thing right after saying said words that make you wonder what you did to anger the higher powers that be to put yourself in the situation you're in right now.

Barnes doesn't say anything, but his eyes says it all. Confusion. Realization. Grief. Detachment. His metal hand clenches, and you're man enough to admit that it made your heart stutter in fear.

"I...", he mutters, "... don't understand."

You swallowed.

This...

This is gonna be tough.

_______

It's difficult to explain what self-autonomy and freedom meant to a man who is only capable of remembering being chained and held on a leash like a rabid dog.

Thankfully, it was your winter break, so you had a manageable excuse for being away from "home" for a few days, but you only had so long to try and establish to Barnes that you're not going to be able to be there with him as often as you are now (and even then, the time frame was too small to even make any sense of attachment).

You knew for sure you couldn't always be there for Barnes, so one thing was certain: he had to meet DAHLIA. And thankfully, since the whole safe house was yours, not even your father knew that DAHLIA, your own A.I., would be uploaded into the houses' built-in hardware.

(While the hardware was built with the intention of housing J.A.R.V.I.S. there as a standard, he ended up "moving out" the moment that the house became yours. Something about "not intruding on a teenager's privacy", but you're more than thankful for Tony's afterthought, even if you did end up taking slight advantage of his consideration.)

And surprisingly enough, Barnes wasn't really bothered by the concept of DAHLIA as much as you had initially expected. Of course, he didn't really talk to her, but it wasn't like he talked much in the first place.

(On a side note, it looks like DAHLIA seems to like the house, all things considered... So there's that.)

(The original DAHLIA was never installed here, instead she ended up "living" in a retirement house of sorts in a wooded area of New York. She never said anything about the house, so it's... Kind of endearing, to see that she actually might prefer this house instead. And mildly insulting, considering you personally decorated the other house.)

You ended up spending nearly the whole night trying to establish even the most basic of guidelines: use the bathroom whenever he needed to (you initially said phrased it as "wanted", but he promptly cut you off saying "The Asset does not have wants," which, rude, but also sad); whatever is in the kitchen is available for him to eat whenever, where ever; basic hygiene; and the most important one- if he had any questions, his first source would be you. And on the off-chance that you're not available, DAHLIA is always online and ready to help.

He gave a tentative nod, but you're somehow not confident that he might have interpreted it wrong. You're hoping he doesn't do anything to prove you right.

"Alright. So. Any questions?"

He stares at you for a beat too long before shaking his head.

He's still giving non-verbal answers for the most part, but it's better than nothing. You internally sighed and motioned him to follow you deeper into the safe house.

Considering that it was already pretty late by the time you managed to beat those guidelines into his head (maybe that should be worded better, but you never claimed to be a lyricist; it is what it is), he might be just as tired as you are from how long the day has been.

(Granted, this dude has been "asleep" for who knows how long, but it's the thought that counts.)

"You know where I'm taking you to?" you asked, not really expecting an answer from him.

"No," he responds from behind you. Color you surprised.

You turned into the hallway and stepped up to an unassuming door. You opened it to reveal an equally unassuming bedroom. Muted colors, modern design; it reeked Pepper's doing, knowing that Tony isn't as decoratively-inclined as she is.

Hah, bet she didn't expect that instead of housing you or your dad, it'll go to a super-solder that wasn't Steve instead.

(Not that Steve would ever have a reason to step foot in here, but in this line of work, you'd be stupid to be 100% sure about something.)

You motioned him to come into the room and tilted your head to the bed.

"This is your bedroom, pretty much where you'll be sleeping. There's a bathroom right over there," you motioned to the door adjacent to the entrance door, "and I'll be in the room right next to yours."

Barnes takes a second to process it all, and with a quick scan of the room with calculating eyes, he nods. You absentmindedly scratched the back of your neck.

"I mean, there's plenty of rooms here so if you don't like this one, just let me know and we'll probably move you to another room-" you rambled, secretly trying to get a move on so you'd finally get some shut-eye.

(What? You're not perfect, sleep is heavily slept on in this day and age. Hah.)

(God, you're definitely going to hell.)

"-and you know how to use a toilet, right?"

The raised eyebrow pointed at you definitely proves that that was a pretty stupid question, but hey, you can't take any chances. You shrugged, a tired smirk threatening to form on your lips.

"Well then. Can I leave it to you to settle down for the night, or...?" you left it open-ended.

He didn't say anything in response, only stared at the bed in front of him. There was a pregnant pause, but he nodded at you. There was a strange tilt to his eyes, but you didn't bother to think further into it as you were just thankful that you could finally rest.

"Well then, good night Barnes. I'll come by tomorrow morning and we'll continue to, er," you thought about it, "work, on your situation."

You made a swift exit out of his room and immediately into "your" room, which was literally right next to his. You immediately discarded your clothes and with a brisk shower and teeth brushing, you promptly dropped straight onto the bed with an audible grunt, wet hair soaking straight into the pillow.

Pulling the plush duvet to cover your body, you reached for your phone to check for any messages you might have gotten.

(3 from Tony; he asked where you were. You told him that you're staying at a safe house and that you needed a small break. It wasn't wrong, but definitely an omission of truth. A few days would be fine, right?)

(2 from Rhodey; it's a picture of a Goodwill's, and there's a silhouette in a nearby window of some guy. "This you?" he asks. "No ❤️," you sent back.)

(63 is from the group chat that the Avengers are in- ah, make that 64 and counting. It's just a bunch of nonsense from what you can gather, but you briefly scrolled through it anyways.)

Turning your phone off, you smushed your face into the pillow and sighed, a terrible knot forming at the pit of your stomach. With an open ear, you tried to hear any noise that could come from Barnes' room, but considering that the walls were reinforced and he was already quiet as it is, all you could hear was the AC running in the background.

"DAHLIA," you huffed, eyes drooping, "keep an eye on him, wake me up if anything happens."

"Got it," her voice echoes from the ceiling speakers.

You quietly tucked yourself in bed. As the exhaustion finally started settling in your body, the last thought that lingered in your head was "Man, I hope nothing bad happens tomorrow," before you drifted right off to dreamless slumber.

_______

The next day was, to say the least, a little disconcerting, but a bigger improvement to be sure.

Right after waking up, you begrudgingly put on some daytime appropriate clothes and stepped out into the hallway. You knocked on the door that was right next to yours, and gingerly opened it when you didn't hear much of a response.

"Good morning," you tentatively greeted. Barnes was sitting at the foot of the bed when you knocked on his door. He mumbled back a greeting and stands up to your eye level.

His clothes are still the same from last night, and judging by the clean state of his bed, he either woke up earlier than you expected or he was sat like that the whole night.

You're not too keen on finding out which was the case, but you had to.

"Sleep well?"

You stepped out of the doorway and motioned him to follow you. Briefly glancing down at your phone to see just a few messages waiting for you, you opted to ignore them for now.

"I slept."

He quietly stated from behind you. He avoided saying if he slept well or not, but at least the damn Terminator slept. You mentally deflated a little; the bar was set so low for him, you're not too sure who it's more insulting to- you or him.

(Of course, it's to him, that shouldn't be a question. Your feelings don't matter.)

"We're gonna have to wing this a little, but uh, here's the general gist of what's gonna happen."

Stepping into the kitchen, you're taken aback to last night as he tentatively stands across from you from the kitchen island. Really, you'd opt to go to the living room, but you both radiate too much nervous energy to really sit.

You opened the refrigerator and sighed when all that greeted you was water and non-perishables. Right. You just got here, it's not like there's gonna be freshly stocked food in here 24/7.

"DAHLIA, order some fresh food and get it delivered today. Charge it on my debit," you mumbled quietly.

DAHLIA doesn't say anything, but the refrigerator lights flicker a familiar green hue that keys you in that she heard you. You raised an impressed eyebrow; what an unnecessary feature for a refrigerator to have. You closed the door and turned around to face Barnes.

"I'm here to serve as, say, a guide for," you gestured to him, "your... rehabilitation, of sorts."

"For now, I can't really offer any... Professional help, on a technical level. I'm not- that's not my area of expertise. I'm an engineer at heart," actually, you really liked other things more than being an engineer, but your fate of becoming the CEO of SI was sealed the moment you decided to live with your dad, "so we're going to have to make a compromise on that."

You shook your head.

"If you were anyone else, I'd point you to a shrink," Barnes gives you a confused stare.

"Therapist," you clarified. He nods.

"But quite frankly," Zemo's face flashes in your memory, "I don't trust anyone to properly... Well, I don't trust anyone when it comes to the mental health of you, and the Avengers too, of course."

Pausing mid-rant, you raised an eyebrow at him.

"You... do know who the Avengers are, right?"

He nods and begins to rattle off a pre-scripted monologue. His eyes are blank as he started speaking.

"A group of top priority, compromised of highly skilled individuals, enhanced or otherwise specified. Threat priority ranges from 5 to 9. As of now, 6 active-duty members and 1 reserve member. The Asset is to not engage under any circumstance and reveal-"

"Alright alright, I get it- that's," you're a little offended that you're considered a "reserve member", but that's not technically wrong, "That's a lot to unpack there, but yeah. You- whew, you definitely know who the- we are."

(You've gotten into the habit of distancing yourself from the Avengers the moment that you had become CEO. You're still working on that, but the word "we" still feels wrong on your tongue.)

There's a little more life that came back to Barnes' eyes after you had snapped him out of it, and it's a bit surreal knowing that Barnes just kinda... runs on autopilot when prompted. The image of Barnes being strapped down in a chair and forced to learn and recite those kinds of things by heart is both horrifying and a little funny.

(Do you think they had a set curriculum he had to learn by?)

"So yeah. The Avengers gotta be careful when lookin' for shrinks, and so do you. There's just too many factors that go into gettin' a personal therapist. So for now," you shrugged, "you're stuck with me."

"What are they?"

"Hm?"

"The factors."

You shrugged.

"Well, for starters, you're- you were, HYDRA's prisoner," the muscle around his jaw visibly clenches when you mentioned HYDRA, but you powered through, "so they'll definitely be interested in getting their fight dog back. They're good at blending in and good at getting their musty little fingers into every nook and cranny. I wouldn't put it past them to have one of their agents go undercover as a therapist for hire. So that's one factor: trying to discern who is and isn't HYDRA."

You raised a finger.

"Then there's the fact that because you're such a... shall we say, top priority, er, asset," that word runs bitter on your tongue, "even if your shrink isn't HYDRA, they'll definitely be targeted by HYDRA if it ever came to light that they have a direct link to you. So there's reason number two: loose ends, and the risks that come with it."

You raised another finger. By now, Barnes has a hard but contemplative curl to his lips.

"And then not to mention how unique your case it. Barnes, you've been a POW for decades. Your brain- no offense buddy, but from what I can tell, it's been fried to hell and back. I don't even have to do any fancy brain scans to know. And that's not even including all the other stuff they probably did to you, only God knows."

You shook your head.

"There's too much at risk for you to get proper therapy right now. But. It's not impossible."

You think back to Shuri, and how she and the other Wakandan scientists were successful in both removing the trigger words and rehabilitating Barnes.

Well, you're not sure about the last part, since you never interacted with the Barnes of your time, but you'd assume that they did help with his subsequent mental health. You wouldn't really put it past them- T'Challa was a nice guy, from your limited interactions with him way into the future, and Shuri was buzzing with ideas and energy. If T'Challa's sympathy for Barnes wasn't enough, then Shuri's crave to help and experiment would supplement the balance plenty. Vice versa, too.

So yeah, future-Barnes' mental health was most likely addressed during his time in Wakanda. And it was almost guaranteed to have been a success.

So you're still gonna hold a torch for the possibility that Barnes' can come out of this as a relatively well-adjusted guy.

Not to mention B.A.R.F. As far as you know, the R&D team assigned to that was still progressing smoothly, but the only downside to that was that it wasn't going to be until a few more years before it's "perfected".

You were never really involved in any way with B.A.R.F. since you were both prepping for SI and finishing college. Your dad was definitely more involved in it than you were, but it's not like you could ask him to pull a few year's worths of experimentation and knowledge out of his ass and exponentially boost the rate of B.A.R.F.'s progress, so.

Helen Cho suddenly sprang to mind, but you quickly threw away that thought. Your- well, Barnes'- issue was neurological, Cho was all about cell regeneration and is a geneticist. So unless somehow the issue crosses over with Cho's line of work, she wasn't a possibility either. There was also Strange, but as far as you've heard the man was pretty... abrasive, even as a wizard. Hard to get a hold of, and very... Hard-headed.

Well, all of that was second hand since it came from Tony, but still. Maybe you could pull Tony in for some clout, but that'll just make him suspicious. God, maybe you shouldn't have kept the whole "I'm actually from the future" spiel a secret, otherwise you wouldn't have to be doing all this crap alone.

Oh well. In for a penny, out for a pound.

You sighed, already feeling the dull thump against your skull starting to form.

"So what now?" Barnes asks. He's less tentative than he was last night, but still soft-spoken when he talks.

"Well, you're stuck with me, bud. I'll do my best to get you prepped for the actual rehabilitation, but honestly, that might take a little longer than you'd expect. So, we'll just- well."

You eyed the outfit he was donning, which was literally your clothes- so it was a few sizes too small for him. He doesn't really seem bothered by it, and if it weren't for the fact that he's sort of proved himself to be neglectful of voicing his own preferences, you'd be a little more inclined to appreciate the view of one very, very beefy super-soldier.

But alas.

Life never really works in your favor, so.

"We'll need to get a few essential things out of the way. Food is already on its way, I assume you aren't allergic to anything?"

He pauses, and there goes that familiar glaze forming over his eyes. You sigh, knowing that he was probably searching through his mental "data-bases" for any allergies, but thankfully it's not long as he blinks back into attention.

"None."

"Yeah, I could'a figured, what with your super-soldier serum."

(You're pretty sure that also makes him immune to cancer, but maybe that's just you glorifying it.)

"So: the food situation is cleared. Now, we need to get you some new clothes because, uh, those don't look very comfortable."

"Comfort does not matter. I am adequately dressed."

You snorted. Maybe it's better that you don't tell Barnes that he's wearing a Sharknado tee and some sweats that have "Eat this!" printed on his behind.

(And maybe it's better that you didn't remember that yes, these are indeed still your clothes.)

"Comfort does matter, my guy. DAHLIA, take some quick measurements."

The kitchen light dims and brightens, shining lime green into the kitchen. It lingers and turns back into that white-blue that sometimes makes your eyes burn when you've been up for too late into the night.

"Seargent Barnes' measurements are now on file. You two want to see the available catalog?"

Right where the kitchen island was, a panel opens up to reveal a hologram of a bunch of articles of clothing, all of which has been adjusted to Barnes' size- or an approximate at least, since there's some that's labeled X or XL.

"Barnes? You got anything you want to do right now or...?"

You gestured to the hologram in front of you.

His face contorts a little, not too noticeable at a quick glance. He doesn't look uncomfortable per se, but judging by the downwards curl of his lips, he's definitely not excited to see the hologram.

You flicked your wrist and it disappeared just as quick as it appeared. Strangely enough, his expression doesn't loosen up as his eyes flicker upwards to yours.

"Hey, that's okay. If it's the hologram, that's no biggie, we'll just move over to the, uh, TV in the next room over. C'mon."

You jerked your head and motioned him to follow you. His face laxes and he walks behind you without a word.

_______

You two ended up getting a lot done all things considered.

Barnes seemed pretty bothered by how many clothing choices there are, but when you asked if he wanted you to just curate a list for him, he easily relented. He was hovering over you the whole time, but you weren't too bothered by it as you were too busy browsing for him.

You went from site to site searching for clothes that screamed "The Winter Soldier", but all that was coming up was clothes in fifty shades of black and with no pizzaz. You did pass by a few Avengers-related merch (especially yours), but he said nothing when you added two or three into your cart, so he probably doesn't care. You did show him a lot of clothes that you thought would fit him, and he nodded to pretty much all of them.

By the time you were done looking for clothes, the doorbell had rung.

("That was quick," you reminisced. DAHLIA was quick to respond.

"It came from a nearby Walmart."

"Huh.")

Barnes' head jerked as his eyes were trained on the entrance door. You patted his arm, and his eyes glance at you.

"Relax, it's just the food. DAHLIA ordered some groceries earlier."

You stood up to go answer the door, and Barnes followed suit. You raised an eyebrow at him, but he doesn't really seem like he's gonna back down anytime soon.

"You know... You can follow behind, but you're gonna have to be in the shadows or something 'cuz, you know... Just- if someone's still at the door, don't let them see you okay?"

He nods, almost mechanically so, and you turned around and walked to the entrance door.

Opening the door, you were greeted with a few big boxes. You raised an eyebrow and glanced out through the door; there are no cars nearby, and DAHLIA whispers in your ear that the clearing's safe- not a single life signature anywhere.

"Barnes, the coast's clear," you called out, already reaching down to grab one of the boxes. You grunt, adjusting your grip before you lifted and turned around.

Barnes, having already popped out of whatever dark corner he was in, is already a few feet behind you.

"Hey, you don't mind helping me bring in those boxes, will you?"

You were already walking past him, but you barely caught the briefest flash of furrowed eyebrows before you saw him walk over to the door. You mentally shrugged, but placed the box in the kitchen and went back over to the door to get the other one.

By the time you were done setting down the box, Barnes had already closed the door and was standing under the arch connecting the kitchen to the main hallway.

You motioned him over, and he complied.

"What is inside?"

You're almost proud that you didn't jump. He doesn't talk much, but when he does it always startles you.

"Groceries, but I don't know what specifically. DAHLIA chose all of it. And by the looks of it, she chose a lot. So. You're gonna help me unpack and we'll probably- well, I'll probably make some food. You can help if you want."

Your back was turned to him, and you started unloading the boxes and their contents. Barnes doesn't move for a hot moment, but he squats down next to you and starts unwrapping the smaller boxes that were inside it.

"You don't mind if I put on some music, right?"

You glanced at him.

"I... don't. Mind," he mumbles, tentatively glancing back at you. You gave him a brief thumbs up and turned your attention back to

"DAHLIA, play something chill. Low volume."

_______

Pretty much, the whole day consisted of unpacking all of the groceries that had been delivered. You ended up pausing, having gotten tired of being awake without food in your stomach, and made some food for the two of you.

You tried conversing with him, trying to get him to at least feel more comfortable, and it... kinda worked. There are a few touchy subjects that he doesn't really seem to like talking about (he doesn't really vocalize his discomfort, but his flinches, no matter how minute they were, spoke louder than words). HYDRA, obviously. Anything revolving the Avengers put him off as well, among other things.

Really, most of the eating consisted of small talk and eating noises, but at least some of the tension in his shoulders had lessened by the time that you two needed to get back to unpacking. Hell, by the time that was done, Barnes' clothes had arrived.

(Oh, the benefits of being insanely rich. Say it with me kids: Thank you, Tony!)

You're usually a little apprehensive about buying clothes online, but color you surprised when not only did all of them fit; Barnes didn't have a single problem with any of them.

"You like 'em?"

You whistled when Barnes came out of his bathroom, now back in your clothes that you had given him originally. He tried all of them on, and you ended up buying him so many clothes that a lot of time had passed by the time he was done. You just sat on his bed, slowly collecting all of the clothes and ripping off the tags, damned if he didn't like one of them; you'll just take it instead.

"They're adequate," he nodded. In his hand were the folded clothes (A camo tee and dark sweatpants), and he set them onto his bed with the other folded clothes.

"Did any of 'em uncomfortable? Too tight, any of the fabric feels wrong...?"

You left the question open-ended as you helped him dump it into a laundry bin. He doesn't respond right away as if he didn't hear you. His eyes flicker over to yours.

"... No. They- I..." the muscle under his eye spasms, "I liked them..."

You grinned, "Glad to hear that, guess we got lucky that none of these was a dud, huh?"

The ghost of a smile that was on his lips appeared briefly, but it was gone just as fast as it had appeared.

Really, that had basically been the peak of the day before things had started to mellow out a little bit. But that was okay, you took whatever it was that Barnes gave, and if it was just the smallest smile you've ever seen on a man, then so be it.

Afterward, the day somehow managed to blend together and pass along like an exhale. Not much happened, since you couldn't really- well, offer anything that could scientifically and medically help him. So you opted to just- try to get him up to date as much as possible.

Honestly, by the time that you had gotten through the first three decades (starting when he was born), it was already pretty late into the night.

(He had a lot of questions, and you really didn't blame him. Hell, most of the more personal information really came from DAHLIA, because as much as you sympathized with the man, you really didn't care to learn about his whole entire biography.

But, at least you answered most of the history related questions. If you had to go through a few history college classes back when you were in college, then you'll be damned if you didn't at least make an effort to learn and internalize them.)

Barnes didn't really show any signs of exhaustion if the casual leg bouncing wasn't enough, but you sure were pooped.

(What? Unlike your dad (and most of the Avengers) you actually had a normal internal clock. For the most part, anyway.)

"Well, as much as I liked talking about prehistoric times," you sounded sarcastic, but you actually did like it, "I gotta sleep, I don't run on super-soldier energy like you do bub."

You stood up, stretched, and saw that Barnes was now standing up as well.

"Should I...?"

Raising an eyebrow, you huffed in good nature, "Go to sleep? Yeah, probably. We're not done with the History101 crash course, and we'll probably be talking about other things tomorrow as well," especially about the fact that you're not gonna be at the safe house often soon, "so we both need the energy for that. So, go clean up and get some Z's, yeah?"

"Oh."

He looked a little lost but followed you back into your shared hallway. Stopping in your doorway, you turned your head to glance at Barnes.

"Good night, Barnes," you nodded, not waiting for a response as you headed into your room. It was quiet and almost inaudible, but you still heard it with your ears before you had closed the door shut.

"... Good night."

You stood in your room, a sudden wave of both exhaustion and dread flooding your body. You shook it off though; it was just the nervous jitters hitting you at an inopportune time.

But really, you trusted your guts almost as much as you trusted Tony.

So as you brushed your teeth and did your business in the bathroom, you tried to quell the anxiety that was building up in your chest.

"DAHLIA, keep an eye on him."

"Gotcha, doll."

You sighed, dropped onto your bed, and hoped that whatever it was that might happen, you'd be prepared for it.

_______

And lo and behold, it didn't even have to be the next morning before shit all hit the fan when DAHLIA wakes you up in the middle of the night (3 A.M., to be specific).

"-oll, wake up! Barnes is having a panic attack!"

It takes half a second to process the fear in DAHLIA's voice. It takes another to process her words.

Fuck.

Scrambling immediately out the bed, you thanked whatever higher being there is that you were sleeping with at least some sweatpants on as you booked it straight to your door and right through Barnes'.

(Maybe you should have joined the football team, because that would have been one wicked tackle. Ha, yeah right, you know nothing about football.)

The lights were on, most likely DAHLIA's doing, and his bedsheets were clearly mussed up. He's nowhere to be seen, so your eyes jump to the joined bathroom door, and lo and behold, there was light bleeding through the cracks.

You quickly approached the door and opened it, throwing away the worry that he might have been absolutely naked.

The good news was that he wasn't nude.

The bad news was that he was hunched over on the ground, right in front of the bathroom counter, and he's gripping his head so tightly you would have thought his skull would have caved in.

Terror shoots down your spine like a lightning bolt, and you immediately rushed to the curled over Barnes, adrenaline rushing through you as a million thoughts ran through your head.

"Barnes!"

He doesn't appear to hear you, groaning and panting as he further curled in on himself. His muscles spasm, hard, and you're at a loss at what to do. He's sickly pale, and the sheen on his skin makes you want to vomit. His panting is shallow, and if you weren't sure if the glint that shone in your eyes was the reflection off of the marble floors or a puddle of saliva coming from Barnes.

You're not sure if touching him right now is a good thing, but you'll be damned if he wasn't your responsibility now. You reach out to him, wrapping one arm around his hunched back and the other trying to pry at his wrists.

(Would you have touched him, if you didn't have the reassurance that DAHLIA has your back?)

(Shut up.)

Maybe you were tensing up for him to go all "Winter Soldier" mode on you, but he's the one that tenses, even more, when you touched him. Thankfully, he doesn't resist your pull as his arm is limp the moment you tried to pull it back, but it doesn't change the fact that he's shaking, badly, and your mind is frozen in limbo.

"DAHLIA, what-"

You're at a loss for words, but DAHLIA, sweet DAHLIA already knows what you were about to ask.

"Sergeant Barnes was displaying elevated levels of anxiety, however, it did not seem to warrant any mentions. I thought-"

She cuts herself off, almost as if she was worried that she had made a wrong call. You swallowed, knowing that despite being a baby A.I., she's never done wrong by you- both in the future and now.

"You thought what?"

You try to rub Barnes' back as if he was a dog that had needed soothing. He groans, but you're not sure if you should interpret that as a hurt groan or a relieved one. You paused and moved your hand away, hovering it just inches away from his back, and his breath hitches.

Your hand dropped onto his back once again, and you could feel the muscles on his muscles spasm a little; his whimpers aren't as loud and painful (though, they're still more than worrying).

So, on the very small bright side, back rubs don't seem to be hurting him either. It's a small win, but a win for sure.

"You- my visuals were clear in the conclusion that you saw it. His discomfort. Your body language and expression acknowledged it but you refrained from addressing it. I- acted under the assumption that it was all under control..."

Something in your mind pauses for a pregnant second before your eyes widened.

"What?"

DAHLIA doesn't even get the chance to reply as Barnes jerks his hands away from yours and pulls at his scalp again. You lurched forward.

"Hey! No!"

You bit back a growl as you grabbed his wrists once again. You yank them back down to his sides as his body jolts, a sob ripping through him. You placed a hand on his chest and tried to boost him back up so he'll have his back against the bathtub that's behind him.

He offers little to no resistance as his back makes contact with the bathtub, but he's slumped into himself. He pulls his knees forward and curls his head into them. For a super-soldier, it's almost cute how hard he's trying to take up as little space as possible if it weren't for the fact that your heart was absolutely breaking at the sight of him.

"Oh, Barnes..."

In shuddered breaths, he mumbles something incoherent.

"...-an't, I- I- I-.... -can't..."

He shakes his head, jolting as if someone had shocked him. You rubbed his arm, glancing down at what you can now confirm to be a puddle of saliva, and then over to the trash can right next to the toilet. You're not too sure if you should get it just in case he decides to vomit, but you're ready to lunge for it the moment Barnes shows any signs of gagging.

"DAHLIA," you spoke at a lower volume, "what- when was he, um, uncomfortable."

"Two nights ago, roughly 22:00, when you told Sargeant Barnes that he was his own free man. Yesterday morning, 08:00, when you asked if he wanted to do anything prior to browsing the available clothing catalog. Right after, he was also discomforted by the catalog, before you offered to buy clothes for him. At-"

"That's- that's enough," you breathlessly muttered. DAHLIA doesn't say anything else, but the air has suddenly become heavier than you remembered.

Your head was almost dizzy with not only how many instances Barnes had been anxious in such a short time, but also at how you remembered each and every instance with startling clarity.

Barnes was anxious at the idea of freedom, but you put it off and opted to just give him a nickel tour of the house.

Barnes was anxious when you asked if he wanted to do anything before looking at clothes, but looked too relieved when you brushed over it.

Barnes was anxious at the idea of shopping for fucking clothes but was okay after you took over for him.

The taste of stomach acid burned your tongue, as yesterday's dinner threaten to rise at the implication of all of this.

"DAHLIA," you mumbled, "the- the rest of those instances- do they..."

You trained your eyes on Barnes.

"Do they all- follow the same... The same- pattern?"

DAHLIA was always in tune with you, even after the time jump.

"... Yes," she lamented.

"God..."

Now, you're not sure who that trash can would be really for; you or Barnes.

"Barnes..."

You murmured quietly. He flinches, and his shaking hasn't gotten any better.

"What- what was it? Was it- was it all too much? God, I'm so sorry, it probably was, wasn't it? I should have- fuck, I should have taken it more slowly, I-"

Barnes shakes his head, stopping you in your rambling. You blinked rapidly.

"Then- was it..." you paused, "... Was it the choices?"

It's almost expected that he doesn't answer you straight away, but he nodded anyway.

"I... It was- it was too much- I couldn't- I don't know- I-"

His breath shuddered with each word as if it hurt him to just even speak right now. You shushed him, ignoring the intrusive thought that it was akin to shushing an animal.

"Hey, hey, it's- it's okay. You'll be okay."

It's not much, what you're saying to him, and it's no surprise that they didn't do much anyway.

Honestly, you didn't know what to say at this point. There didn't even seem to be any phrasing in the known English language that would be able to comfort a man with as much baggage on his shoulders as Barnes, and briefly, just briefly, you wished that you were literally anywhere in the world, but here.

You tried thinking about anything that came from your (albeit limited) interactions with him between the past days that would help ground him, before something jolts you from deep within.

("What are my mission parameters," Barnes asked from behind you.

You paused.

"Mission parameters?")

You didn't even realize that you had said that out loud, but Barnes had tensed up even more before you could even take it back. He held his breath, audibly swallowing.

("You don't need mission parameters, Barnes. You're your own free man. You can- can make decisions on your own. You don't need me to tell you what you need to do.")

("I... Don't understand...")

You spoke on impulse.

"You... You need them, don't you? Mission parameters."

Immediately, you regretted even speaking up just as those words left your mouth.

While every fiber in your being hoped that it wasn't true, there was a small inkling in your head that already knew the answer to your question. It was the only thing that was barely even logical enough to make sense.

His apprehension of making a choice.

How uncomfortable in his own skin he always appeared, despite it even being just a few days.

How relieved he always looks, when the choice was already made for him.

His body tenses underneath your hand, but it's the slight bob of his head that makes your stomach drop. You thought- what a fool you were- you thought he'd be okay without being ordered around, but that was nothing but wishful thinking.

(What was the saying? It's hard to teach an old dog a new trick, was it?)

(Yeah.)

Looking at how only a few days of what you had originally thought was Barnes' newfound freedom turned out to be much more of a nightmare for Barnes, it might just be better for the both of you to push aside your comfortability and start making an honest-to-God investment into Barnes' recovery, even if that means that you had to take a step backward.

A very, very risky step backward.

It was a shot in the dark, but it was the only thing that you could place your bets on for now.

You just hoped that your aim wouldn't fail you now.

"Okay, well... How about this, Barnes, here's your main- your main mission, okay? Become a free man. Hey, no, look at me," you swiveled his head so he could look at you. His eyes were panicked, crazed, and irredeemably sad, but you had to make sure nothing crossed through your face so he'd know that everything will be okay. Your grip on both sides of his face was firm as you pleaded with him.

"Your only 'mission' right now? Breathe," ironically, his breath hitched, "If not for your own sake, then for mine."

You swallowed, heart stuttering as you looked into his glassy eyes.

"Please," you let your desperate prayer lingered in the air.

Maybe it was being given a task to accomplish after days of trying to figure out what to do with his supposed new "freedom", or it was how non-labor intensive and just... simple, his new mission parameter was, but it was almost instantaneous how all of the tension in his body dissipated into thin air.

Witnessing the moment of mercy upon grief through Barnes, no matter how brief or temporary it may be, was almost cathartic.

Almost.

(Perhaps you shouldn't be looking for absolution vicariously. But you were never really a good person, were you?)

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A/N: I've read a lot of WinterIron fics. While I have read a lot of interpretations about how Barnes would have reacted when he was freshly freed from HYDRA, this is how I choose to interpret it- one that would best fit the story for now. Next chapter, since I couldn't fit it in this chapter, is a special, but it is very much important and related to the story, and Barnes as a character. If you're familiar with some WinterIron tropes, this won't be too foreign of an idea. Not too sure about other ships/ stories, but. Ah, I'm rambling. Anyways, see you next year lol.

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Masterlist

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Tagged: @unsolvetheheckoutofit @tonystanktheirondad @ludwigvonbaethoven @rspctot7 (if you’re not @/ fabledxmystery, so sorry for the mistag! LMK if it’s not you) @tolkoskott @klanceiscannon14 @deos-life (grr it won’t let me tag you) @kp1183 (kperla1183) @xyuriko-akamine (akabaneyuriko) @kettnerjanea @soldier-42 @daybreakmistakes @spnfanboy777 @crash-zite @jm-cy

#male reader #avengers x reader #avengers x male reader #Bucky Barnes #bucky barnes x male reader #bucky barnes x reader #restart #reader insert

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breakingsomething · 4 years

Text

Dawn Station - Part Two

Basic summary: Chase Brody is being kept safe, far away from other people. So he thinks.

Content warnings: gore, body horror, stabbing, emeto, death mentions

Chase Brody is not ok.

Of course he's not. How is he expected to be? Ten people have died, and now he's being told he's next. He's been under police protection for days and judging by the strained snippets of conversation that he's caught from officers, even the others that had been with him are gone. Ten people, they had said. As far as Chase is aware, there were only nine other youtubers who'd been roped into this shit. Who else has this monster that wants them dead killed along with them? Does he even want to know?

He's been in this room for… three days? Four? Fuck, he doesn't remember. All he knows now is white walls, too close around him, with a bed, a tv in the top corner that he doesn't have a remote for, a black bin, a rolling table that's covered in books and other assorted things that he managed to bring with him, and two doors, one of which that leads to a small bathroom and one of which that leads outside. The second door only opens when he's being brought food. No one's telling him anything. He's scared out his mind.

An officer, a pale skinned woman with orange braids and a sympathetic smile, comes in a couple hours after he wakes for the day with breakfast. Toast, cold, with butter slabs and little packets of jam and sugar for his tea. Also cold. "Sorry, we don't have any Weetabix," she tells him with furrowed eyebrows and a sad tilt of the mouth as she clicks the door behind him. "We do have Cheerios and porridge, if you want something more to eat."

It's all he can do not to laugh. "No, thank you," says Chase, in a hoarse voice that hasn't been used in hours. "I want my phone back."

The officer winces. Her eyes are dark, crimson lipstick slightly smudged. Her nametag says "Sarah" on it in violet ink. "I'm sorry," she murmurs, in a voice so soft and falsely sympathetic it makes Chase want to scream. "I don't know if we can do that. We -"

"The others are dead, aren't they?" Chase interrupts. He knows this already. But it's worth saying to see the woman flinch. "All of them. So much for your oh-so-safe "police custody" bullshit."

She attempts to gather herself as professionally as she can, which is seemingly rather difficult. "I'm sorry," she repeats, and something about her tone is more genuine than before. "They are. But I swear to you, Mr Brody, we are doing everything we can to -"

"If I am going to die today," Chase says, interrupting again. "I want to talk to my goddamn family one more fucking time. Please get me my phone."

She stiffens, but gives a jerky little nod. He doesn't smile at her as she leaves. Not much to smile about. But she comes back ten minutes later and wordlessly hands him his slim rose phone, no expression on her face. He manages to upturn the corner of his lips in response.

Once she's left again, he turns his phone on and practically sighs at the sight of his two kids on his lockscreen. Little Connor and Louise, tiny kiddos, dressed up in their pristine school uniforms and grinning cheesily. His heart swells, and he swallows hard as the lump in his throat seems to expand. He can't cry. He's been crying enough lately. To think that two weeks ago, he was ecstatic to be receiving an email from Jack Mcloughlin himself, giving him the opportunity to play his new game's demo early. Look at him now.

Stacy is at the top of his contacts list, but only because he has her favourited still. He's not sure why. It just feels right to have her there. Her picture is a small, grainy image of her face next to a three year old Connor's. He has her looks more than Louise. Louise looks like her dad. She's a daddy's girl. Chase misses her so much it aches, and closes his eyes as he clicks Stacy's number.

She answers almost immediately. "Chase?" she yells, causing him to wince and pull the phone away from his ears. He hears her inhale sharply. "Sorry. Christ, Chase - Where the fuck are you?"

He swallows again, digging his nails into the palm of his hand. His legs are already beginning to bounce. "Police didn't tell you anything, huh," he mutters. "I'm in custody. They're apparently "keeping me safe," but I'm well aware of the fact that the others - Persephone, Rodney, Stanley, and Khia - are. Well." He clears his throat. "Dead."

He says it so matter of factly that you wouldn't know how close he was to tears had you not seen his face.

Stacy shifts, and Chase hears a door slam faintly. Two small voices giggle far off. He bites down on his lip as Stacy talks again. "Yeah. That's… yeah. Chase, I'm sorry. Uh… Jack Mcloughlin's dead too."

Chase sits bolt upright, eyes suddenly wide. "What?"

Stacy sounds alarmed. "I - Yes, did they not tell you? He died maybe two days ago. Same way as all the others. I'm sorry, Chase."

He can't breathe for a moment. Then he's numb and his body settles into cold, unfeeling static.

"Ok," he says flatly. "Great."

"Chase -"

"How are the kids?" he asks before she can finish. He's tired. He's been doing nothing but sleeping and he's tired. "I can hear them in the background, ha. Sounds like a fun time."

He can hear her scratching the space behind her ear. She does that when she's anxious. Nervous habit. She had gotten a little tattoo of a bee there when they were seventeen. It was a dare from their friend Daniel, who had also gotten a tattoo of a crocodile on his left thigh. Chase has a black bear on his right shoulder from the same occasion. When he and Stacy had been together, they would sometimes kiss the other's tattoos and descend into giggles remembering that slightly drunken night back in Ireland. His chest feels tight thinking about it. His eyes glaze over, and he tries to focus on something across the room.

"They're… not great," Stacy murmurs after a moment, making him jump. He had almost forgotten she was there. "Some brat at school told them about - this whole situation. Told them their dad was going to die. Apparently, she made up a song about it."

Chase hisses softly, grateful for another emotion besides grief and missing to focus on. "Fuck's sake. Which kid was this?"

"You know that girl who was making fun of Louise's accent last year and put chips in her hair?"

"That kid again? I thought the school dealt with her."

A sigh. "Apparently not. They came home in tears. I've been keeping them home since then."

Chase shakes his head in disbelief. "Shit, Stace. Can I… can I talk to them?"

She sighs again. "I… I suppose. But - how have you been? I take it its not been great, but are you at least ok?"

What counts as ok? He doesn't know. "I'm not dead yet. So there's something. I guess I can't really say much more than that."

"Papa?" cries a voice on the end of the line, and a grin breaks Chase's face as he recognizes his son, Connor, yelling from somewhere quite close to Stacy. "Is that Papa? Mama, let us talk - Louise, Papa's on the phone!"

Chase can't help but laugh as his daughter also chimes in, two little voices clamoring for his attention. "Calm down, kiddos, there's plenty of me to go round," he grins, pushing his hair back from his face so he can concentrate. "How are you both? One at a time, Louise first."

"Favouritism," he hears Connor sulk, but the boy quiets.

"I'm ok," Louise beams. He can hear her smile, and sees it when he closes his eyes. "I can't go to school cause Megan Penicuik was being mean. We made cookies, though, me and Con-Con! All by ourselves, no help from Mama at all!"

"Now, that's simply not true," he hears Stacy laugh in the background. Chase laughs too, his heart suddenly aching. Something weighs heavy in his chest, but he tries to push it away, feeling sick.

A scuffle on the end of the line, and then it's Connor speaking. "I miss you, Papa!" he cries. "I wanna give you a - a chocolate chip cookie, I have one here." His voice becomes muffled, and Chase hears him chewing. "Yum yum yum. Can we push a cookie down the phone? Like, through the speakers, Mama!"

Chase listens to a small squabble break out, then hears Stacy sigh dramatically. "They're doing just fine," she says, sounding so tired, yet vaguely amused. "I… I hate to say it, but I should probably go. Connor's games club is in half an hour and I haven't gotten ready at all. My makeup's a state." Her voice softens. "Will you be… ok?"

Will he? He doesn't know.

"Stace," he murmurs. His chest feels tight. "I could die. Like, tonight. That's what people are saying. I'm the last one left."

A pause, then Stacy lets out a shaky sigh. "Christ, Chase…"

He gathers his strength. "Listen. Listen, Stace. If I die tonight - I just want you to know how much I love you, ok? Even if we… if we weren't meant to be together anymore. You're one of my best friends, you know? So… take care of the kids. Don't lose yourself. And by god, don't start drinking again."

She gives a choked laugh. "Chase. God, I - Don't fucking die tonight."

He doesn't know how to tell her he won't have a choice.

As soon as the call's ended, he opens up his roommate's contact. He can't stand the echoing silence that seems to go on forever in the minute or so before the ringing starts. He supposes that if tonight is his last night alive, he should say goodbye. Even if it hurts. Even if it makes him feel sick to say it.

He nearly sobs with relief when he hears the line click, and a familiar German accent speak loudly in his ear. "Chase?"

Chase sniffles, laughing softly. "Hey, Henny."

Henrik curses, and something slams. "Mother of God, Chase Brody, do you have any idea - Are you - Fuck, are you alright?"

Good question. "I don't know," he admits, bouncing his leg anxiously, and staring at his chipped black nails. "I mean, I'm… scheduled to die tonight. So probably not. Really, I've been weirdly calm about all this."

Henrik huffs, and Chase can almost picture him getting red in the face, yanking back his hair and staring out the window of their flat with narrowed, pale blue eyes. "They have not done anything about it? Surely it is not possible that a murderer who is killing in patterns cannot be apprehended? You would think that would be easy, especially if you are being held in high security. Motherfucking useless British police. Not that German ones were much better, but Christ -"

Chase cuts him off before he can rant for another five minutes. "How are the others? Are Jackie, Marv and Jem holding up ok?"

Henrik sighs, blowing out his cheeks. "Mhm. Marvin has gone a bit mad. Fucking idiot is spending way too much time online, reading up on your situation. He seems convinced that you are going to die as well. According to Jackie, he spent all of yesterday out of the house and came back saying he had been performing. But Jackie says he had not had any parties scheduled for that day, so he was talking shit."

Chase winces. His friend Marvin is a child's birthday party performer, a magician, and spends a lot of time perfecting fun tricks and illusions to add into his routine. Chase knows how much he enjoys his job. But he also knows that Marvin's habit of spending hours on internet forums and sites, learning things from other performers, can be bad for him. "Christ. I… Goddammit it. How's Jackie coping?"

He hears a microwave go off in the background. Henrik mutters something that Chase can't hear, then keeps talking. "Jackie has been at the gym every day since you were taken in. Overworking himself. He did come round yesterday and, uh, spoke about how scared he was for you. Cried a lot, poor man. I am not good with comforting people, but I tried. He does not know what to do with himself anymore."

This isn't surprising. Chase is well aware of Jackie's habit of overexercising and pushing himself too far when he was angry or upset. "And Jameson?"

Something clatters, like Henrik's rummaging in a cupboard. A fridge opens and slams shut, and then Henrik is back. "He has been round at our flat a lot. Did you know Euan ended things with him? I did not, until he told me the day before yesterday. He was dreadfully upset. The timing was… not great, to say the least. I do not think he is doing too well, but he refuses to accept any of the help I wish to give him. He kept asking about me instead. Really, sometimes I wish he was not such a good actor."

So does Chase. Jameson is never one to be open about his feelings, instead trying to help everyone else first. Chase loves him a lot, but he wishes the filmmaker would be less stubborn and insistent that he was always ok. His heart aches at the thought of Jameson suffering alone, especially now - he and his boyfriend Euan had been so close, as well. The thought that he might never be able to figure out what happened between them hurts. "Me too. God, Hen, me too. Give them all my love though, yeah? Tell Marvin to take some time to do self care, and tell Jackie to take breaks, and tell Jameson to talk to his therapist. And you… don't you overwork yourself either. I know what you're like. Only one cup of coffee a day, dude, remember. Don't make me come over there."

Henrik laughs softly, but there's a sadness to it. "You sound as though you are saying goodbye."

Something stabs into Chase's heart. He tries to catch his breath through the lump in his throat. "Henrik. I'm going to die tonight."

There's a long pause. He can hear Henrik adjusting, rubbing his face and knocking his glasses askew. Maybe he knows his roommate too well. Far too well, maybe well enough that he knows what he'll say next. "There has to be another way."

Chase shakes his head despite Henrik being unable to see him. "No. No, Hen, no. This - this is what's happening, and we can't just… fix it. I wish we could, cause I don't even understand why, and it's so scary, and… God, I wish we could. I have so much left I want to do, and…"

He trails off. Henrik doesn't speak. Chase imagines him pulling the phone away from his face, squeezing his eyes shut and covering his mouth so as not to cry. The image hurts. Chase hurts. He holds the phone tight, aching to be somewhere, anywhere else other than here.

"You know," he says, voice choked as he speaks. "It's ironic how much I wanted to die a few months ago, and now I'm here, and I'm suddenly so scared."

"You are not going to die," Henrik suddenly shouts. There is anger in his voice that Chase knows is not directed at him. "You are not. It will not just all end like that, Chase Brody. I will not let it."

Something hot pricks the backs of Chase's eyes. He swallows hard, his chest tightening, his legs bouncing harder. "Henrik. Henrik, I - I have to go. I have to go. I'm sorry. I love you, dude. You know that? I love you."

"Chase," Henrik practically sobs. "Shit, I love you too. But you are not going to die."

Chase ends the call and throws up in the black bin next to his bed.

Night comes quickly, Chase thinks.

He thinks, because an officer comes to take his phone soon after his call with Henrik ends. He's starting to regret hanging up, but it had to have been what was best. Of course it was what was best. No need to make this hurt so much more than it already does. This is something he has to keep telling himself. No need to make this hurt so much more than it already does.

The officers ask what he wants for dinner that night instead of giving him choices. He gets it. It's a last meal. He takes full advantage of it and orders pepperoni cheese stuffed crust pizza and garlic sticks, his favourite, with barbeque sauce and churros. It all tastes like cardboard. He eats it anyway, because he's bored and his mouth still tastes like vomit and if he's going to die, it's only fitting that he goes out with a Domino's in him.

Before he's even finished eating, an armed guard comes and takes him across the building. It's the first time he's left his room in days, and he's surprised to see how dark it is outside, how little people are around. The few people he does see stare at him, some open mouthed with awe, some with sad eyes like a parent trying to tell their child that their pet fish died. Chase stares at the floor. Stares at the gun tucked into the waistband of the officer in front of him. He's scared, and his heart is racing faster than it has in years, and he thinks he's dissociating a little because he doesn't feel real and his fingertips are numb. Adrenaline thrums through his body, warming him and erasing the painful cold. Fuck, but he's scared. He's so, so goddamn scared.

He's taken to an entirely different room, a slightly bigger one that looks nearly the same, but with wooden chairs sat all around the border. There's no TV in this room. "Sit here," one of the officers says, guiding him to the blue covered bed and gesturing for him to sit. He does so, feeling silly and light with panic. He thinks he's going to be sick again. His breaths aren't coming right and fuck, he might faint from the sudden, overwhelming wave of dizziness that's washing over him now.

One of the officers that has just come in walks over and sits next to him. He's in full uniform, a radio on his vest, a bat strapped to his belt. "Are you alright, Mr Brody?" he asks gently, looking at him with kind brown eyes, and Chase sobs with relief for some kind of comfort.

"H-h-having a p-panic attack," he stammers, shifting on the bed to try and feel something, clawing at his skin under his grey hoodie and desperately trying not to cry. "N-need my - my - my asth-ma in-inhaler, p-please, I can't br-breathe -"

He's brought his inhaler, and he clutches it gratefully, clinging to it like a child. The cold button grounds him. Maybe, maybe if he squeezes his eyes shut tight enough, he'll wake up in his bed at home and be able to get up and shower in a bathroom that's not small or lit too brightly and then he can go downstairs to the kitchen to find Henrik half asleep at the table, three cups of coffee in front of him, wearily participating in whatever Chase's dumb early morning joke is, and then he can eat toast that's not burnt or done too lightly and play his music while he writes or goes on a walk outside. Maybe. Maybe.

The armed guards keep watch over him for two full hours.

Chase Brody is terrified.

It's when it hits the two and a half hour mark that he begins to notice anything different. A faint ringing in his ears. He thinks it's his tinnitus and waves it off, simply swatting at the air around his head like that will help at all. One of the guards notices immediately. "Sir, are you alright?"

Chase nods. He's not, but he doesn't need them dithering over him. Unfortunately, the guard doesn't let up. "Seriously, it's important that you tell us what's happening. Anything at all. Anything that could help you."

Well, that's reassuring. "Strange noise," he murmurs, shaking his hair out his face. "I think it's just me, though, I'm alright -"

But the guard is standing, muttering something into the radio strapped to his chest, and is it Chase's imagination, or are more people entering the room? "What's happening?" he asks, but he gets no response, and he's starting to feel strangely dizzy and tired, like something heavy is dragging his eyelids down. "I don't… h-hey, I don't feel too… too well…"

Someone is speaking to him but the world is already blurring, his head light, floaty. "Stacy?" he slurs, trying to get a grip on the bedsheets beneath him. "Someone needs t'... m'kids, they…"

Chase Brody is no longer in the same room as he was before.

He doesn't know when that changed. He can't pinpoint the exact moment where the walls darkened and raised with pipes and doors and panels, he doesn't know when his bed disappeared beneath him and the floor became sticky and black, he doesn't know when the bright light of his room became a soft blue glow, lighting up the room from behind him. He doesn't know when the room had stretched both ways into a long hallway, lined with slivers of light through the windows. He doesn't know why, when he stands, his legs nearly crumple beneath him. And when he turns - god, when he turns, and he looks out the enormous windows behind him - he doesn't know why a calming sensation of numbness settles over him, burning his skin like pins and needles.

He is staring out at the vast abyss of space.

It's a blackness he's never seen before. It seems to go on forever, and maybe it does, and there is nothing but tiny pinpricks of silver light of gaseous stars piercing the inky nothingness. Nothing but that, and the ball of green and blue that Chase knows, somewhere in his mind. Earth. Earth, where he is and isn't, where his body should be, where he never left, and what kind of nightmare is this? What kind of sick nightmare, he thinks dizzily, his thoughts chugging slowly as though through a thick soup. Everything is spinning. There is no sound, the world is broken, and the space is fucking endless.

Move, says the tiny part of his brain that still has sense. Get out. Get out.

His footsteps echo on the metal panes of the floor, and he resists the tightening urge in his stomach to vomit.

He doesn't know why this place is familiar.

The hallway seems to go on forever. All the doors along the way to the left have small, glowing panels beside them that seem to demand some type of access keycard, which Chase very much does not have. Eventually he reaches one that he can open, and stumbles into a large room with a table in the centre, the walls covered in photos and clippings that he doesn't bother taking closer looks at. There is only one small window in here, over a sleek black couch that seems to have nearly been shredded right through the middle. The table has a bolted down chair and a large pile of papers next to a cracked laptop that splutters weakly as it asks for a password. The room is too dark. Chase slowly walks through it, wincing at the sound his boots make on the floor, wincing at the silence, heart racing with the promise of another panic attack that he pushes down forcefully, gripping his own wrist for support. This isn't right, screams the universe. This is too familiar. This is too real. This is too familiar to be real.

Chase has noticed that everything in this place, despite its immediate appearance of immaculate properness, seems to be slightly out of place. This becomes more apparent in the room adjacent to the one he'd just been in, a room filled with sealed metal crates and boilers that bubble menacingly from their perches on the walls, a room which has clearly been nearly destroyed. Black claw marks have torn out chunks of the walls, wires ripped from the floor, buzzing weakly and sparking from wherever they were thrown after their violent uprooting. Dark red stains splash across the floor like a tragic painting that makes Chase's stomach upturn sickly. A vent on the ceiling hisses, and the man jumps and bolts, all last dregs of courage leaving him in an instant. He knows this is a dream. This is a dream, nothing is real, nothing is real, it must be just a dream.

"I've gone to hell," he sobs aloud, clamping both hands over his mouth as a cry climbs up his throat. "O-oh my god, I've gone to hell."

This is what you get for being a shitty, alcoholic dad and husband, he thinks, and promptly throws up on the floor next to the fresh bloodstains.

The rooms start to blur. Objects to objects, light to light, black walls and coloured glow and sparks, hissing, echoing rumbles, all becoming one in Chase's mind. He's long gone past the stage of a panic attack; he's in a state of utter numb calm, now. In one room he finds a long, black lighter and holds it tightly in his hands for comfort, twisting it round and round in buzzing fingers just to feel something solid against his skin to ground him. Please, he prays softly, wiping sweat from his forehead, struggling to breathe as his chest tightens and the world seems to grow hotter and smaller. Please, let me wake up, let me wake up from this, please.

And then something is standing behind him.

He doesn't know how he knows. It's just a sensation of silent shock in him, of I am not alone, a stabbing feeling as the hairs on the back of his neck rise. Something is there. He feels eyes on him. He can't - fuck, he can't move, and all the emotion in him seems to be rising to a painful crescendo. I am not alone in here. I am not alone in here.

"Who's there," he says in a small, cracked voice, not daring to turn. It's barely a question. "What do you want from me."

Nothing but a low hissing, and, most frightening of all, a rumbling growl that nearly sends Chase to the floor in a faint.

He has to look.

He looks.

It's an… an astronaut.

Neither of them move, and Chase's grip on the lighter in his hands tightens, trying to find some form of comfort, anything. "Why am I here?" he manages, swallowing back hot bile that burns his throat and makes him gag softly. "Why, why, what nightmare is this? Am I dead? Did the killer get me and this is my hell?"

The astronaut is silent.

Fury bubbles in Chase's chest, overriding the fear for a moment. "Talk!" he shouts, perhaps stupidly, but he doesn't care. "Please! What is happening?"

Then things get perhaps even stranger, somehow. A glowing 2D box of light appears in front of the astronaut, hovering in the air, too quiet until black text begins to appear on it, cartoonishly video game like blooping noises playing with each letter. Chase watches in awe. He's unable to speak.

<TheAnti.chr_v09> You are the Player.

Chase reads the words over and over and over.

"My name is Chase Brody," he says, voice wavering with uncertainty, because something here is wrong, wrong, wrong, so ridiculously wrong, and he hates the way things are clicking in his mind. "I shouldn't - be here. I think I'm dreaming and I want to go home."

The text flashes.

<TheAnti.chr_v09> You are <player_variable_BroAverage>. You are the Player.

Chase feels like he's above his body, like nothing he's seeing is real anymore. "Please let me go home."

<TheAnti.chr_v09> I am <TheAnti.chr_v09>. I am the Anti. You are the player. Player objective: escape. Anti objective: kill the Player. Initialization - Upon game startup, play <soundtrack_opening2>, set spawn and character sprites -

Chase can't take this. "Stop it!" he cries, and he shouldn't step forwards so confidently, but he does, slashing his hand through the air in front of him. "Tell me what you -"

The astronaut explodes.

No. No, it doesn't explode; Chase's mind is taking a moment to make sense of it, to rationalize the way the helmet has shattered and there is nothing but sheer white and glowing green eyes, hundreds of them, underneath, the largest one on the being's neck, splitting open with disgustingly inhuman squelching sounds, and the way the suit has torn and a mouth has opened up on the stomach, a gaping maw with knives for teeth and a slimy crimson tongue, and the way rips open along the material and more eyes open, burning red skin like charred meat, black veins rising under its skin. It hisses and cracks and growls and hums and it isn't like anything Chase has ever seen before, or maybe it is, because he knows this monster. He's seen this monster. And fuck, now he knows why this world is familiar, because he's been here, he's played this game. This can't be real. This can't be real.

"Posttraumatic nightmares," he can hear Henrik saying to him, the man's voice comforting. "Nightmares that occur after a traumatic event and can contain, what is the word… recurring themes that make you experience intense negative emotions. Maybe that is why you are having such strange dreams, my friend. You have been through a lot in these past few weeks."

That had been months ago. I thought I got over those dreams. I thought I got over those dreams.

He's running. His legs are already burning, chest already tight, why did he have to have used all his energy on his panic attack? Is the monster still following him? Chase can't turn to check, and the blood in his veins is racing through his body faster than he's used to, his heart in his ears as he flies round a corner, barely able to catch a breath. This isn't real, he thinks. It's another nightmare. Please, this isn't real, this isn't -

And then something wet is snaking round his chest, pulsing in a way that makes Chase gag, and something sharp presses into the skin on his back and a burst of numbness runs over him like cold water, causing his body to go limp against the alien - because it is an alien, isn't it, he knew this already - behind him. Cold heaviness seeps through his veins, combatting the light weightlessness that the adrenaline was giving him. He tries to cough again, to speak as his lungs empty of air, but the alien only grips his arms tight enough to piece his skin with sharp claw-like fingers. A glance down at his chest, and he sees the tip of the bloodstained rod jutting through his skin. It doesn't really register. A light laugh escapes his lips, because it's funny, really, how he's about to die at the hands of a video game antagonist.

No, he's not about to die. This isn't real. It can't be, it's another bad dream, of course it is. But if it's not real, then what happened to Jack Mcloughlin and the others, all of those… all of…

The world spins.

And the world lights up in flames.

Chase had briefly forgotten about the lighter he'd picked up for support, and now he's putting it to good use; one flick of the switch and the alien is alight as though it had been soaked in gasoline, burning orange spreading across its suit, the crackling drowning out the monster's screeches. Its grip loosens on Chase's arms, and he pulls free, and the universe spins as the rod in his chest slips out like it's nothing, leaving a gaping emptiness in him. Please, he screams, in his mind or out loud, he doesn't know. Please. Please.

Please, wake me up.

White light. It floods the whole world, for just a moment, and then Chase's eyes are open and he is gasping for air, hands flying to his chest and feeling nothing but the soft material of his shirt, no pain except for the squeeze of his lungs as he coughs desperately into his sleeve. There are people surrounding him now; the police officers and armed guards from before, helping him sit up, holding a sick bucket in front of him as he throws up the little that's left in his stomach weakly, too much noise but nowhere near as bad as the silence of the Dawn Station. Nowhere near as bad as the hissing creaks of the Anti. Nowhere near as bad as his nightmare, because it was a nightmare, of course that wasn't real - nowhere near as bad as the nightmare that he'd thought was going to kill him.

I lived. I survived the night.

He's had this thought before, but this time, it's met with relief.

"You dreamed about the setting of a video game."

"Not just any video game. The, uh… the new Jack Mcloughlin game, Dawn Station. All the people who played the demo… died. I didn't die. The night I was supposed to, after all the others, I - I dreamed about the game. And the antagonist of the game. It's this, uh, this alien thing, in an astronaut suit. Tried to kill me. Apparently it's weak to fire, although I don't remember that from the actual game, maybe it was a secret that wasn't in the demo we were all sent, but I burned it, and it stabbed me, and I got away, not - not in that order. Does that… does that make sense, doctor?"

Dr. Ross scrutinizes Chase for a moment before turning his chair back to face his computer. The sound of his mouse clicking fills the room, off beat from the eternal clicking of the plain white clock on the plain white walls, decorated only with bookshelves and trays of medicines. Chase has never been in a more boring doctor's office. Usually his therapy sessions have more to look at, but this is a different therapist than he normally goes to, and all he can do is fidget with his hands on his lap and stare out the window at the

earth, the stars, the black abyss of emptiness that Chase could get lost in and never be found

setting sun through the trees just outside the building. The doctor's pen clicks, clicks, clicks. It sounds like the Anti's teeth, chattering against each other as it yawns, its maw opening wide enough for a head to be torn right off. Click, click, click. Chase closes his eyes, the repeating sounds like a mantra. He focuses on that instead. It grounds him.

"You have a history of nightmares."

Chase nods without looking. "I was prescribed triazolam by my first therapist. I took them for a year or so without changes except the lowering of doses a couple of times, because I was getting weaned off them. They helped. Nightmares didn't continue after that."

The other man nods slowly. "Hm. I can imagine the trauma of this recent event that you've been through was enough to bring these nightmares back to the forefront of your mind, especially given the contents of this dream in particular. We may have to ease you back onto medication over the course of your next few sessions here, which should be easier, given that it'll be a couple weeks before we send you home. Is that alright, Mr Brody?"

Click, click, click. Chase nods. Sunlight warms his face, and he sighs softly. "Sounds good, Dr. Ross. When will I be able to see my family?"

The man frowns, his forehead creasing. "Hopefully soon, although it will be slightly complicated, given the circumstances." A breath leaves him, and he tilts his head to the side slightly. His white collar digs into the fold of his neck. Chase keeps his eyes trained on that. "And these are strange circumstances, are they not?"

"They are," Chase mutters. He clenches his fists in his lap. "They are, yeah."

He should have died. He doesn't know why he didn't die. He doesn't even know what it was that killed the others. Really, the nightmare he'd had makes sense. It was easily written off as a traumatic event that had brought back old nightmares. Of course there was no way any of it had been real. That's ridiculous. Just ridiculous. He doesn't know why he's thinking that.

His hand trails down his shirt. Underneath, on the skin of his stomach, is a thick scar that hadn't been there before the nightmare he'd had. Right where the rod had pierced his stomach.

Coincidence. Coincidence.

"Do you have any other concerns, Mr Brody?"

"I don't believe so."

"Good."

Click. Click. Click.

#boop writes #jacksepticeye #chase brody #henrik von schneeplestein #antisepticeye #dawn station

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that-banana-headed-bovine · 4 years

Text

Knight Rider 2000

WARNING

This post contains spoilers for Knight Rider 2000, the 1991 film which attempts to expand on the canonical universe of Knight Rider (1982-1986). Key word, attempts. I know that this film came out almost 30 years ago at this point, but I also know that this fandom grows a little bit every day, and there will ALWAYS be people who haven’t seen every episode (myself included), let alone every movie! I happened to catch it on Charge! for Hoff's birthday (yes I'm hella late posting this LOL) with my good friend @trust-doesnt-oxidize, and boy let me tell you, it was… Something.

From here on out, I’m not holding back from sharing my impression of the film based on specific details from it, so if you want a spoiler-free viewing, go watch it and come back!! Or… don’t, it’s kind of awful. I can only think of one thing in canon that it may spoil, and even that appears in early Season 2 and is fairly minor, so if you are curious about it, I HIGHLY recommend watching it BEFORE reading this. The scenes with the most impact are touching because they come as a surprise, so even if you know the general plot of the film, I would recommend watching it first.

Also this is really rambley because I have a lot of emotions about this series and, by extension, this movie. I really don’t blame you if you click away here, but if you DO read it all the way through, I would love to hear anything you would like to add, agree or disagree!

OKAY! Knight Rider 2000 is a movie that exists! And I hate it!

The film sets up an interesting argument between two groups of people whose names I don’t remember because they were boring (except for Devon, I know his name at this point). In this interpretation of the “future,” gun control has been implemented to,,, some extent, I can’t entirely tell if there have been some policies implemented across the country or if it is all localized in this one city that even the Wikipedia page for this movie doesn’t bother to mention. And no, this city is NOT in California for once! Usually I would be happy to see a change of setting, but considering that everything in this film felt so foreign to the Knight Rider that we know, it would have been nice to at least have a familiar setting. Anyway, gun control stuff. The debate between whether these gun control policies are ethical or not is very interesting. Innocent people are dying because the wrong people have guns and the police are rendered useless when they themselves don’t have access to weapons. This argument happens to support my perspective on the issue, so I appreciated how it took a look at that side WITHOUT it sounding like we are crazy murderer people, but I digress. It makes sense that the ban happened in the first place, because much like how the main conflict in Pixar’s latest film Incredibles 2 revolves around society’s over-reliance on superheroes, I could see Knight Rider’s society becoming dependent on technology to save them. It can be easy to seem like the most advanced tech in that society is present only in KITT and KIFT, and to SOME extent that is true. However, Shawn does say that it is relatively common in this society for people to have memory chips in their brain. That counts for something. And the police DO have a defense mechanism according to the Wikipedia page for this movie, it’s just nonlethal.

So as you can see, I am very interested in the conflict this world sets up. I sure hope they expand on these conflicting ideologies throughout the film, giving us a clearer idea of why the bans were set in place AND giving us insight into what exactly has caused some revolt against it. That subject is seemingly timeless, and with how decently the introduction tackled it, I have some confidence that this film could pull it off in a tasteful way. Wouldn’t that be amazing? It’s some of the most serious subject matter Knight Rider has ever tackled. It’s so interesting!

Yeah they pretty much abandon that plot in place of a very, very bad copy of the original show’s “Hearts of Stone” (season 1, episode 14). Illegal guns exist and are bad, but we don’t really know why. I may know a little better if I had been listening closer, but I was trying to not get so bored that I missed Kitt’s parts!

At some point during this sequence, we are introduced to Shawn, a happy police officer who is happy to have a family on a happy birthday. And then she gets shot! Due to head force trauma rendering her unconscious, she’s sent to the hospital. She goes in for a risky operation that miraculously saves her life against all odds.

Then, Michael wakes up with Garthe Knight’s face and hears a great story about how one man CAN make a difference!… I mean what?

Jokes aside, it’s kind of amazing how much this very Michael-esque sequence comes across very differently. It’s almost the perfect example of why I don’t like this movie. The surgery is weirdly realistic for a Knight Rider entity. There’s blood and screens and surgeons and a sterile white room for operations. Michael woke up in a Medieval castle with one doctor and two random people he’d never met at his side. Shawn’s situation clearly makes more sense, but is it half as fun and whimsical? No, no it’s not. This whole film comes across as depressing to me, and it’s only worsened by what’s to come. Apparently, she had KITT’s CPU/Microprocessor/something sciencey implanted into her brain. That’s especially strange since all that I saw was a yellow liquid being injected directly into her skull! That’s a lovely image, and definitely gave me the idea that there was a full computer chip going in there??? (It may have actually been explained more clearly, and I just looked away because eek weirdly bloody operation scene) This caused her personality to do a full 180. So, Shawn is going to be fun, snarky, and full of personality like KITT is because they share memories now! Right? Right???

I think they tried to do that, but it came across flat. So flat. She speaks in a purposefully monotone, robotic voice and delivers downright mean comments that leave Michael and KITT scratching their heads. She seems to lack basic empathy until her own memories start flooding back, and at that point, the emotions she show seem so foreign to the character we see that it’s not remotely believable. You want me to believe that this robotic woman with -10 personality points started nearly crying after one string of memories, albeit a very traumatic one, entered her mind? This would have been believable if she was entirely changed afterwards, coming across as far more human, but that was only the case sometimes. It also would have been believable if the film had the same energy that the original Knight Rider show does, where suspending one’s disbelief is necessary to make it past the opening credits. However, this movie tries to be so grounded that the kind of dramatic beats that would work in the original seem forced here.

Shawn is not the only character who I take issue with, though. Let’s start with the most potentially problematic change from the usual canon in the entire film: KITT’s personality. I have very mixed feelings on how he is portrayed. If you’ve seen as much as a spattering of quotes from this movie, you probably could sense that KITT was… off. When KITT first comes on screen, he slams Michael with a wave of insults, and none of them come off as their normal joking around. However, I don’t necessarily have a problem with that because he has the proper motivation to be very, very upset. He is sitting on a desk as a heap of loosely connected parts that have just enough power to make the signature red scanner whir and make an oddly terrifying red light eyeball thing (Hal???) move. The first thing he hears is Devon nonchalantly saying something along the lines of, “I’m afraid he was recycled” to explain why KITT has been deactivated for OVER A DECADE and is not currently in anything that moves (my Charge! stream thing lagged at this point but @trust-doesnt-oxidize has since told me that Devon DID appear upset about KITT's being sold, but KITT likely wouldn't have heard that and what Devon said seemed to be moreso directed at HOW the chip was sold and not the fact that it was sold in the first place). KITT is justifiably mad, and if they had kept KITT’s actions in character while his emotions said otherwise, I would have no problem with it at all.

However, once KITT’s CPU is somehow implanted into Michael’s Chevrolet, KITT does not act in character. Shawn drives, not Michael, so it stands to reason that he would not necessarily listen to her. She stole his CPU, his life for over a decade. KITT does tend to listen to human companions, regardless of whether he is programmed to or not, but I can see where this would be an exception. However, Michael soon intercedes and essentially tells him to cut it out. Based on everything that the original Knight Rider told us, KITT no longer has a choice of whether to listen or not. Michael is ultimately the one who calls the shots because of KITT’s very programming. And yet, in this scene, KITT doesn’t listen to Michael and apparently gets so angry that he downright stops functioning. Because that happens all the time in the original series!

And if you’re wondering where I got the conclusion that KITT frustrated his circuits to the point where they could no longer work, he said that. KITT. Admitted to having feelings. In fact, he did not just admit to being angry in the moment. He told Michael that, while it may seem like he is an emotionless robot, he does have a “feelings chip.” A FEELINGS CHIP-

I am for recognizing KITT’s obvious emotions as much as the next guy. I think they are often overlooked when discussing his character. While I don’t think that real artificial intelligence will ever reach the level of human consciousness, the entire energy of Knight Rider comes from playing with this concept by portraying an AI character who clearly emotes interacting with a human who doesn’t seem to know that. But the thing that makes this show feel so sincere is that neither character plays too heavily into that trope. While not always knowing how much KITT feels and by extension hurting those feelings alarmingly often, Michael recognizes it enough to work in concert with KITT, apologize for his more major flubs, and consider KITT a friend. And KITT subverts the trope by never recognizing that he has feelings to begin with. He will say that he cannot feel sadness but, in the next breath, say that something upset him. He will say he cannot hold a grudge only to immediately rattle off a string of insults directed at the person he clearly has a grudge on. The show is magic in how these two characters display a subtle chemistry that always has room to grow because both characters are slowly coming to see each other for who they truly are and supporting one another along the way. From what I can tell, the original show never fully concludes that arc, and it may even start regressing after Season 1. However, we can feasibly see how Michael could slowly come to understand that KITT really does feel things just as much as he does. And we can imagine the relief KITT would feel knowing that Michael was never bothered by that possibility.

So, you can see where I have a big problem with KITT spelling it out so plainly. The audience gets full confirmation about what has been displayed to us through nuanced hints throughout the series, which sounds a lot more satisfying than it really ends up being in this film. But worse than an underwhelming conclusion to a thrilling story, Michael knows it plain as day. There is very little buildup to KITT admitting this. He barely even sounds moved. Instead, in this movie, the “feelings chip” is a fact of life that does not need to be covered up in the slightest. Michael himself doesn’t really… react. He just kind of nods along, as if he’s saying, “Huh, makes sense, alright.” After everything these two have been through, if there really was such a simple explanation for why KITT is the way he is… why arguments went south, why the mere mention of a Chevrolet was enough to get a seemingly jealous response, why inconsequential things like music taste and gambling were subjects of debate, why KITT had always acted so exaggeratedly dismissive when topics of emotional significance struck a chord, why every little sarcastic banter had a hint of happiness until it didn’t… don’t you think Michael would do something? Whether that something would be a gentle, “I always knew that, pal”; a shocked, “Why didn’tchya tell me sooner?!”; or even a sarcastic, disbelieving, “Yeah, right” is up to interpretation. But there would be something.

And yet, even that concept is flawed. We learn a lot from KARR’s inclusion in the original series, and what I take away from it boils down to a simple sentiment. FLAG never meant for their AIs to be human. I do realize that directly contradicts what Devon says within this film, but I see that as another way for the film to steer the plot in this direction, not as a tie in to the original. When Wilton says that one man CAN make a difference, he means that. He isn’t considering that KITT is just as much a person as Michael. He’s not seeing that, at the end of the day, teamwork is what makes the show work, even if Michael is the glue that holds it together. So, I think that to say that there is a “feelings chip” is to disregard the entire point of the original, that in this world life finds a way of inserting itself and that KITT’s (and KARR’s for that matter) humanity is an anomaly, not the rule. At the end of the day, KITT’s humanity can’t be explained away with science. And really, I don’t think it should be explained away at all. The show has had an amazing trend of showing us how KITT feels, in all its unorthodox glory, alongside private moments that had me sobbing like a baby. The movie should just be like a longer, more complex episode of Knight Rider… Although I cannot pinpoint exactly how it should be done in the context of this film, I know there are ways that Michael could have been shown that KITT feels rather than being told.

One last complaint, albeit a more minor one, is the idea that he has to listen to what Shawn says over Michael's authority. I have spent a decent amount of time thinking about this one point, which has caused a lot of the delay in posting this. There's multiple reasons why this flies right in the face of what is canon in the original series. Perhaps the most obvious of these problems is the fact that, in the original pilot episode, it's made very clear that KITT can't assume control of the Knight 2000 without Michael's express permission unless Michael is unconcious. Devon makes it quite clear in this episode that KITT is programmed specifically to listen to Michael, not just anyone who happens to be piloting the vehicle at the time. In case there was any doubt about this, KITT ejects two people who are attempting to steal him later in the episode (well, ok, later in the two-parter, I don't know if it was the same episode or not). The show isn't SUPER strict about this in future episodes, but it does at least acknowledge Michael's authority in a few pivotal moments throughout Season 1 (I can't comment on episodes that I haven't seen yet, but I suspect that this pattern continues). Of all the rules set up throughout the series, it actually seems to be the most loyal to this one. One moment that stands out to me is in Trust Doesn't Rust when KITT attempts to stop Michael from causing a head-on collision with KARR, but Michael then overrides him and the climax unfolds. If one of the most iconic moments in the series is caused by this one bit of programming, to throw it out in the film is to disrespect the basis of the original series.

Speaking of KARR, he provides yet another reason niglecting this detail is such a big problem. From what we can tell, KARR isn't programmed to one specific driver (at least, not anymore[?]), and so he can override anyone in the pilot's seat. This is something they seem to highlight in TDR as well, although not so plainly as the previous point. KARR ends up ditching Tony to gain speed and get an upper hand in the chase with Michael and KITT (although a scene they deleted would have made this a mUCH MORE SENSIBLE ACTION THAT R E A L L Y ISN'T A BETRAYAL but y'know what this post isn't about that) whereas KITT has to listen to Michael even to his own detriment. If this one feature is indeed one of the major things that separates KITT from KARR, the idea that Shawn can override all of that cheapens the original conflict between KITT and KARR.

...Well okay, let's be real, KARR was never that compelling as an antagonist to begin with because he's a LOYAL SWEETIEPIE-- I'll stop.

And finally, we have the biggest, most bizarre reason that this is a problem:

If Shawn can override Michael's authority, that means KITT can override Michael's authority.

Why? This would be the first time (outside of episodes where some sort of reprogramming or mind control was involved) in the series that KITT had not only listened to another human instead of Michael, but also listened to that person OVER Michael. The only difference I can see between Shawn and quite literally anyone else in the show's history is that Shawn has KITT's chip implant thing. If that's the reason her opinion has more credence than Michael's, then wouldn't that mean KITT's own opinion has that authority? If that is the case, literally every example I've gone through in the last couple of paragraphs is not just challenged but rather negated entirely.

The most frustrating thing about this scene is that it simply didn't have to happen. Michael could have gone along with KITT's plan, showing him (and us) that he does trust his former partner even after all these years. Shawn could have convinced Michael to go along with it using her... feelings chip. Blegh. Or we could have had a stubborn Michael force this scene to be delayed, likely improving the pacing overall. Maybe we could have even seen a frustrated and emotionally exhausted Shawn wait until Michael is not in the car and then plead KITT to give her the truth, no matter what Michael says. We have seen KITT control his actions without Michael's input plenty of times, and we could have seen some more of his humanity show through if he could relate to Shawn's struggles... after all, he too has missing memories because she has his chip. They're both going through a bit of an identity crisis. I'm sure that he could find some workaround in his programming to help her if Michael wasn't there insisting that he does not take this course of action.

But even after all of that fussing over what has been done wrong with KITT, I can’t deny that he is the heart and soul of this film. There was only one scene in this film that brought me near tears. I got more of an emotional impact from this one clip than I have from a lot of movies that are undeniably much better. Michael’s old-fashioned Chevrolet does not hold up in the year 2000, and it is clear that the usual car chase sequence won’t work as police vehicles quickly creep up on them. I was personally very curious what they would do here. I figured that KITT would find some way to outsmart the drivers of the police cars, maybe by ending up on an elevated mountain road that trips up the other drivers and causes them to waste time turning around and hopping on that same path. Or, maybe, KITT would access a road that’s too narrow for the relatively bulky police cars. However, it quickly becomes clear that this city is made up of wide roads on the ground. As KITT veers off the road and tells Michael to trust him, the I found myself having to trust him. This isn’t the way Knight Rider chases usually go, and with all these odds stacked against him, the only thing we can do is hold our breath. The way this scene is staged to send us into this just as blind as Michael is, frankly, genius. Water slowly creeps into the frame as a feeling of dread builds at the thought of what KITT might do.

Surely, we are led to think, he will knock into some boxes and turn right back around. Right? We’re reminded of the fact that this is not the Knight 2000, that there is no chance of this car floating. That if KITT does what he really seems to be doing, there’s no chance… but he wouldn’t, would he? This is the only action sequence in the film that had me at the edge of my seat, staring wide eyed at the screen. And then, the turn that you want so badly to come doesn’t, and you have to wonder what’s about to happen. What was KITT thinking? Won’t Michael and Shawn drown? And, most prominently in my mind, won’t KITT drown?

For a moment, this scene plays us into believing that, because magic FLAG science that is pretty par for the course, everything is fine. KITT explains that they have an airtight cab and over 20 minutes of oxygen. Everyone lets out a collective breath of relief. We see it in Michael and Shawn, and I know I felt myself relax.

And then there’s a flicker in the screen, and that pit in the bottom of my stomach came right back. Michael is confused, and KITT explains what we should have realized was inevitable. This is KITT sacrificing himself. He even goes as far as to let Shawn know that she can use any of his computer chips that she may need. This comes off as strange at first, but it goes to show that KITT is, at his core, the same kind soul we always knew. He acts angry because he feels betrayed, but given the choice, he will chose another person’s life over his own, always. Even the microprocessor that he is most frustrated over, the thing that seems to drive a wedge between him and Shawn, is just how he is expressing his hurt. Now, thinking it is the end, he offers it up freely, and Shawn doesn’t seem to know how to respond. KITT is calm as he says his final goodbyes. And this is the first place in the film that we get to hear the amazingly nuanced voice acting that William Daniels is so great at. KITT sounds collected and at peace with what is to come, but there are also subtle hints that he is at least a bit nervous, a bit sad. “I know. I guess this is goodbye.” He doesn’t want to leave his friends, but he knows that he has to for them to be safe. Even if the pacing of the film seems to actively try to undermine this moment, it stands out to me as an amazing scene, even if the reaction from Michael is underwhelming at best and the reaction from Shawn is… as much as can be expected from Shawn, but that’s not saying much. As far as KITT knows in that moment, these are his last words: “Michael, take care of yourself.” Down to the last moment, Michael is everything to him.

IjustwannamakeitclearquicklythatIthinktheirrelationshipisentirelyplatonicokthankyou

And I felt sad, big time sad. The movie up until that point was unbelievably boring to me, and this wasn’t a turning point where the movie suddenly became great. It was a moment so darn good that I almost don’t think the movie deserved for it to have as big of an impact as it did. But that shows just how powerful this universe is, how wonderfully honest these characters are. Even after being butchered practically beyond recognition, one scene in-character can still bring you to tears because you have connected with them so deeply throughout the TV series.

AND THEN DEVON DIED IMMEDIATELY AFTERWARDS :D

I don’t like Devon.

Devon was actually more tolerable in this movie than normal, and I can see where people who don’t hate him could be sad that he died I just,,, he has hurt or talked down to KITT and KARR so many times that I actually could not sympathize. What’s even more frustrating about that is that Devon’s death is the one that Michael got all sad over when KITT sacrificed his life for him and Devon got kidnapped randomly but okay go off movie you can’t ruin that scene for me. I knew going in that Devon died, but I was expecting them to spend a lot more time setting it up and making it as dramatic as possible. Nope, he just got a shot to the old air tanks I guess? My view of it is nothing more than that it’s a thing that happened.

OH AND DEVON DID PULL ONE HEINOUS ACT. He said that KIFT was better than KITT in every way other than that KITT has humanity. SINCE WHEN HAS DEVON GIVEN ONE SINGULAR HOOT ABOUT THE AI’S BEING ALIVE??? TELL KARR THAT??? HECK, TELL DEACTIVATED KITT THAT YOU WERE JUST FINE SELLING OFF AT AUCTION THAT?!?! Also also, KIFT DOES NOT C O M P A R E TO KITT. We are coming back to KIFT in a moment, don’t you worry. For now, I just. Low blow, Devon, low blow.

Michael was fine too, he played a weirdly small part and that felt off but everything he said seemed pretty in character. The most out of character parts were when he said nothing at all. OH AND WHERE HE WAS REPLACING BONNIE but that’s besides the point, no Bonnie OR April… no Bonnie OR April… I’m fine…

…

It feels like this movie wants you to forget that Michael exists because Shawn is here she’s more interesting, right? Right???

She’s really not.

So back to KIFT. My favorite part of KIFT is that pronouncing KIFT in your head sounds funny. It’s like “gift” but if the gift were actually an underwhelming villain of sorts that is overtaken in a garage, parked, by Michael either removing his microprocessor entirely or moving it to a Chevrolet.

I was surprised how not bad KIFT looked. I had seen stills from the movie that looked really uninteresting compared to the regular designs, and while I still agree to some extent, it was a lot more epic than I would have thought. Something about how the paint shines on it is captivating. I was genuinely happy when KITT was moved to the snazzy red vehicle, although a big part of that could have been how disgusting mint green looks with red. Seriously, including the red scanner on that bizarre seafoamy-bluey car (and yes, I do think it is a very pretty car by itself) was like when people say movies were “inspired” but in the opposite direction. And the scanner looked weirdly small? Was it just me?

Am I the only one who feels w e i r d just looking at this??

I think this is the most normal thing to be categorized as being in uncanny valley but there we go, I did it. It’s not right.

Anyway, as neat as KIFT looks, it is no comparison to the classic Knight 2000 or even Season 3 KARR. Red can be striking, but not when the classic scanner is also red. No contrast!

KIFT is absurdly easy to forget, and I don’t think that the car’s design has anything to do with it. KITT spends most of the movie piloting that car, and while it is not what we are used to, it doesn’t come across as super lame to me, either…or at least, not because of the design. The biggest problem with KIFT is, I think, simply his voice. His voice feels so out of place in the movie, and it’s so strange to me considering that Daniels’ voice is integrated just fine. The recording sounds too crisp, too clean. KITT’s voice always has a great deal of character, a very Earthy-sounding voice for an AI character. I actually think that this incongruity is purposeful, and it’s a very clever concept. We are supposed to recognize that KIFT isn’t human like KITT is. KIFT sounds out of place in the real world among real people; he’s too neat around the edges. It’s especially obvious when KITT and KIFT talk to each other. This is also mirrored by how KITT occupies a well-loved Chevrolet that has little imperfections that make it feel real whereas KIFT is in this red… whatever it is that feels like it comes out of a sci-fi film. This effect would have really worked if we had enough time with KIFT to understand his personality–or, more aptly, his lack of personality. What makes this not work is the fact that we spend practically no time with KIFT. We don’t get to hear what he feels he is programmed to do, we don’t get to hear him deliver the sort of lifeless lines that Shawn did that made her so unlikable, and we don’t even get to hear his voice more than 4-5 times. Every time comes as a shock, taking us out of the moment of the film. We could have gotten used to his crisp sound if he had spoken more, and we may have seen the actual plot significance of it. Instead, it pulls you right out of the movie.

Oh yeah, and the only line(s?) that KIFT delivers to KITT are full-on taunting… that’s not very lifeless of you KIFT.

Alright, just one last thing to really hammer home a point from earlier and conclude this whole thing. You know what I was saying about this movie lacking the whimsical nature of the TV show? Well, the final chase puts the icing on this oddly sullen crab cake.

Yes, crab cake.

Because the pinchy crab that is Shawn makes it quite painful to get this particular cake and icing doesn’t even belong on it anyway.

KITT is racing down the street in this bright red car that I just explained is thematically wrong for him to be driving tbh but whatever, he’s racing in it and comes up to a barricade of randomly stacked up cars.

Oh Yeah, we all know what is coming.

The music swells. Michael looks at the upcoming barricade with furrowed eyebrows and quietly asks KITT what the heck they’re going to do now.

OH YEAH, we definitely know what is coming.

And at last, for the first time in the film…

KITT veers off to the right and they drive on water. “It’s really sink or swim with you, isn’t it?” Michael asks, pretending that’s funny as if I am not still emotionally raw from that scene that happened an hour ago.

Apparently, KIFT had that one obscure feature from “Return to Cadiz,” the Season 2 episode where April forces KITT to follow KARR into the ocean on the hopes that waterproof wheels might work maybe, directly ignoring his many attempts to get out of it. Yay. I love references to That Episode. That Episode which baited me with an opening that looked like KARR could have been discovered underwater only to show me that not only was there no KARR, but KITT was going to be bullied into repeating what his brother did when he died. Wholesome. Lovely. Fantastic. And how did KITT know for sure that would work? KITT clearly still has some technical hiccups in his own CPU from Michael tampering with it, that was an awful lot of confidence to place in a maybe.

AND MORE IMPORTANTLY…

THIS MOVIE DID NOT HAVE A TURBO BOOST

A TURBO BOOST

I cannot believe that a movie based around Knight Rider did not have a turbo boost (or for that matter, the THEMESONG???). Like I am honestly still surprised by it. Almost every episode of the original show had at least one turbo boost, and there is a reason. The idea of a talking car jumping in midair, sometimes with Michael “WOO!”-ing like a girl, is so fantastically fun that nobody even tries to question how impossible it is. I think we all know how impossible it is, and that doesn’t matter, it is yet another thing that embodies the heart of this show.

And… not even one.

…

So yeah, that just happened. I think this is technically a small novel. Wow.

I know that I'm still missing a lot... I have a lot of thoughts about this movie, and if you for some reason want more please ask! I would also love to hear your thoughts on this! Do you agree with my analysis? Do you disagree entirely? Did you notice something that I failed to mention entirely? Pleasepleaseplease send ideas, I would love to hear them! Also know that, no matter how much I was disappointed by the movie itself, I am fully open to hearing your ideas about how to improve or expand upon it. I truly believe that this film introduced some great concepts, and I would absolutely adore seeing them reworked in a way that's more true to the original. Thank you for reading! :D

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stop-breaking-my-heart-telltale · 4 years

Text

with you [chapter 5]

Summary: Clementine pops the question, Louis has nightmares, Violet can’t let go of the past, Mitch doesn’t know how to handle gross feelings, Ruby’s a goddamn sweetheart, Willy doesn’t ever remember to knock, Aasim can’t dance, and James is here, too.

Nothing like a wedding to bring this family together.

Note: I’m home from my grandmothers. My uncle came back a little early and now I finally get to sleep in my own bed and have internet. It’s been an exhausting two weeks but at least some good came of it. I finished rewriting/editing three chapters of [with you] which is progress. Working on this is what kept my sanity in check tbh haha. I still need some time to unpack and recover before being fully back on here, so I hope you enjoy this chapter!

Also, I’ve updated [with you] on Fanfiction.net and Wattpad, as well. I’ve pretty much given up on them but then I thought that I do have readers on those platforms who have messaged me about [with you] so I might as well update them, too. So yeah. Thanks for reading and for your support for this story. :D

Ch1 | Ch2 | Ch3 | Ch4 | Ch5

Read on: AO3 | FF.net | Wattpad

---

Clementine yanks the basement doors open, only to gag when a nauseating scent of vinegar knocks her in the face.

“What the hell?” she coughs.

“C’mon!” Willy grabs her arm and hurries down the stairs, dragging her with him. “Mitch! Clem’s here!”

Something heavy and metallic drops hard to the cement. “Shit!” Mitch curses. “Told you not to do that, Willy!”

“Sorry!”

She follows the young boy deeper into the basement and finds herself amazed at Mitch’s set up. The work desk is completely covered with drills, hammers, saws, files, batteries, a few of their solar panels, and other machines she didn’t recognize. Flashlights are wired in the air pointing directly at the anvil Mitch sits in front of. There’s a chipped bowl filled with a clear liquid sitting on top.

“Finally,” Mitch says when he sees her. Clementine’s startled by his more than usual unkempt appearance- hair standing in every direction, dirtiness staining his hands, shirt and face, and the weariness lining his eyes.

“Uh, are you okay?” she asks him.

“Yeah, yeah,” he waves dismissively, standing from his stool, yawning heavily as he tosses a dirty rag away.

Willy rushes to help him scoot the various tools aside so Mitch can reach something closest to the wall. It’s a small, brown box.

Clementine approaches the two boys, trying to hide her eagerness as she asks, “Well? Were you able to fix it?”

Mitch scratches at the back of his neck and turns away. “Not exactly,” he says, “It sorta got ruined when I messed around with it.”

Her heart drops.

“Ruined how?”

“I may have broke it.”

“Broke it!?”

Mitch whips around, holding up a hand. “Now, don’t cry about it,” he says quickly, “it was a shitty ring, anyway. Louis would’ve broken it himself if you gave it to him… maybe.” He grabs a small wrench from the table and swings it around on his finger nervously.

“Mitch,” she can’t help that her voice came out so miserably angry. “If you couldn’t fix it then you should’ve left it alone! What am I supposed to do now?”

“Woah, hey, don’t freak out! Just listen for two seconds,” he says. “I didn’t mean to break it. We started messing around with some stuff to try and reshape it but then it snapped and James came wandering down here and the whole thing was a shitshow. There was no saving that thing. Kind of a piece of shit. So,” he looks away as he shoves the brown box towards her, “We did you one better.”

Willy’s practically vibrating with excitement next to them as he motions eagerly to the box. “Open it! Open it!”

Clementine takes the box and pulls the lid off. It takes her a moment to process what she’s seeing.

There’s a clean piece of fabric bunched up at the bottom, and within the folds rests two matching silver bands. Her head snaps up and her jaw drops.

His exhausted, shit-eating grin is enough of a confirmation that what she’s seeing is real.

“Oh my god!” she gasps. “Where did you get these?”

“Made ‘em.”

“What? You-” she blinks up at him in disbelief, “-you made these?”

“Super awesome, huh?” Willy laughs. “I told’ja we had it under control!”

“The smell’ll wear off, too,” Mitch says, “had to polish ‘em with vinegar.”

Clementine carefully lifts the bigger of the two rings out of the box. “How- How did you-?”

“Quarters,” Mitch smirks. “Willy here keeps a pretty impressive coin collection. Took a while to find the right ones, but we got it.”

“Yeah, we made a shit ton of them!” Willy reaches into his pocket and pulls out various different rings, most of them scratched up or disfigured in some way.

“It’s pretty easy once you get the hang of it,” Mitch shrugs. “Willy found this old book about sailors overseas making rings for their girlfriends back home. Just gotta hammer them then drill out the middle, do some filing and hammer some more. Once me and James knew what we were doing, we used the measurement I took of your finger and made yours. That one turned out great, so we made Louis’ to complete the set… and it only took us an entire day to do and there were, eh… complications , but they’re done.”

Clementine runs her finger over the smooth surface, “This is-” she stops when she notices something engraved on it. She blinks, but it’s still there scratched into the shiny surface.

C + L

“That part was Mitch’s idea,” Willy points at the tiny letters, “had to use a really sharp nail to get it that clear.”

“We’ve all seen the piano,” Mitch quickly explains, rolling his eyes, “figured it’d be a good finishing touch. No big deal.”

She puts the box on the workbench. Without any warning, she throws herself at Mitch, wrapping her arms around his now tense body.

“Woah, hey, um-!” Mitch panics and sticks his arms out to avoid touching her.

“You guys have no idea what this means to me.”

“Uh-!”

He turns to Willy, bewildered. The young boy begins to laugh as he points at Mitch’s panicked face. Clementine reaches out and yanks Willy forward, pulling him into the hug as well. Even then, he’s still giggling like an amused child.

Then, like the realization that they’re all hugging finally hits him over the head, Mitch jerks back, nearly tripping over his feet when turning back towards the work desk. He clears his throat.

“Said it’s not a big fucking deal, and it’s not like we did all the work, y’know. James helped, too, so just-” he grumbles, fumbling with the wrench, “-... consider it an early wedding present, or whatever.”

Clementine can’t help but laugh at how weirdly cute it is that he’s embarrassed. She picks up the rings again to pull out the smaller one. It fits perfectly on her finger.

“I don’t know if I could ever thank you guys enough for doing this,” she beams, making a note to thank James in the morning. God, the ring fits so perfectly she can’t believe it.

“Yeah, well, y’know,” Mitch nervously scratches his cheek, a rare smile betraying his lips, “whatever.”

”Mitch! Ya still down here!?” Ruby’s voice echoes from the top of the stairs. “Lou’s in the music room! Did’ja find the box of spare candles? We’re gonna need a lot to fill the whole place up!”

“Oh, shit-” Mitch hisses.

“No one’s down here!” Willy jumps into action, dashing towards the stairs and stretching his arms out. “ Do not enter !”

“Gah, Willy, move it!”

Clementine closes the small box and shoves it into her pocket before turning to face Ruby as she pushes Willy to the side. Ruby sets her lantern on the workbench, lighting up the basement enough for Clementine to make out the thrill brightening her eyes.

“Clementine!” she gasps.

It’s Clementine’s turn to receive a surprise hug when Ruby practically tackles her.

“Oh, Clem, I heard the news! Why didn’t ya tell me!? This is so excitin’! Ahh! I can’t believe ya didn’t tell me!” Ruby pulls back to ask the boys, “Did’ja give ‘em to her yet?”

Clementine slowly turns to glare at the two boys.

Willy lowers his head in shame and Mitch fake coughs into his fist. Neither of them answers the question, nor do they dare look Clementine in the eye.

“ Mitch -”

“Before you flip the fuck out,” Mitch holds a finger up to stop her, ”she’s the one who came in here demanding to know what we were doing! She tried to wack me with one of Omar’s wooden spoons! I had to tell her!”

“Oh, no I didn’t! I said I would wack ya with one if ya didn’t explain yerself!” argues Ruby. “I thought ya were makin’ another bomb!”

“I haven’t messed with that shit for, like, weeks!”

Clementine can already see where this is going to go, and the best thing to do is stop it in its tracks.

“Okay, stop!” She raises her voice above theirs. The basement’s quiet again. She takes a deep breath. “I’m not mad.”

“You sound mad,” says Willy.

“I’m not. Ruby, you were going to find out about it anyway, though I can’t say I expected it to go down like this. Does anyone else know?”

“No,” says Ruby and Mitch.

“Uhm, well…” Willy nervously laughs.

“Dude,” Mitch frowns down at the young boy.

“I didn’t mean to! Aasim saw me going through my coin collection earlier! Then he started asking all these questions and it just came out! But, I made him swear on his soul he wouldn’t tell anyone!”

“What?” Ruby asks. “When was this?”

“This morning.”

“And he didn’t say anything to me!”

“Yeah, because Willy asked him not to,” Mitch says. “Keep up.”

Clementine feels the beginnings of a headache coming on.

She trusts Aasim. He's never let her down in the past, and he wouldn’t say anything to Louis, especially if he knows this is a surprise.

“Anyone else?” Clementine asks.

Willy shakes his head.

So, of the people in their group, AJ, James, Mitch, Willy, Ruby, and Aasim all know.

That just leaves Omar, Tenn, and…

And Violet.

She’s about to speak, but Ruby grabs her hand to admire the ring. “Wow, it’s even prettier on,” she gleams. “Gotta say, boys, ya did a real good job.”

Mitch rolls his eyes.

“Well, yeah .”

“How’re ya gonna ask him? James and I were thinkin’ that you do it in the music room, of course, and we’ll help ya decorate it with candles and lanterns, make it real romantic.”

“Gross,” Mitch murmurs.

“Hush,” Ruby warns him. “Or, on the roof, under the pretty stars! Or, we can even decorate yer dorm! Whattya think? Omar can cook ya something special and, oh! I found some real pretty classical records fer ya to play! Ya gotta set the mood, after all.”

“We can make some cool fireworks, too!” Willy exclaims.

“Oh, no you won’t! No bombs, no fireworks!”

“Just a few sparklers? To set the mood?”

“No! Especially if it’s inside! Which I think would be best since ya never know with the damn weather.”

“Wow, Ruby,” Clementine’s astonished at the girl’s excitement. “You’ve put a lot of thought into this.”

“‘Course! I know I may be buttin’ in a little-” Mitch scoffs “-but I never thought I’d get to witness somethin’ like this after all that’s happened! I mean, a wedding ! It’s like somethin’ outta the fairytales! And, listen, ya don’t hafta take my suggestions. You can ask him any way ya want! Just know that we’re all here to help! Oh, and the wedding !”

“Oh, God,” Mitch groans.

“We’re definitely plannin’ a wedding!”

“Geez, who’s really getting married here?” Mitch asks, irritated. “You or Clem?”

“Oh, shut it! Why can’t ya just be excited?”

“Excited about what? Does nothing for me.”

“Y’know, thinkin’ about someone else fer a change wouldn't kill ya!”

“Okay, please stop arguing,” Clementine interrupts them. “At least let me get through the actual proposal before we start doing anything else.”

“Shit,” Ruby curses herself, “sorry, Clem. Guess I got a little excited.”

“So, what’s the plan?” Willy asks eagerly. “When are we going this?”

Clementine peers down at the ring on her finger, and says, “Now that I have the rings, I’m going to do it tomorrow. In the evening. I like your idea, Ruby, about the candles in the music room.”

“Thought ya would,” Ruby grins. “We keep a bunch of ‘em down here. We’ll all help ya decorate, ‘cept keepin’ Louis outta there might be a task.”

“That’s easy,” Mitch says. “Send him hunting for the day, him and Aasim.”

“My goodness, there’s an idea,” says Ruby, “that way, Aasim can keep an eye on him and make sure he don’t wander back here unannounced.”

“James, too,” Clementine adds. “Just in case Louis doesn’t listen to Aasim, or they get in a tight spot.”

“Right!” Ruby claps her hands. “Oh, I’m gettin’ excited again!”

“Geez, you’re acting more excited than she is,” Mitch jerks his thumb at Clementine.

“Believe me, I don’t think anyone’s as excited as I am,” Clementine smiles, holding up her hand to admire the ring one last time before slipping it back in the box. “It’s just a lot to take in. We just have to be careful now. Louis can’t know anything.”

They all turn to Willy, who hangs his head in shame once more.

“I said it was an accident.”

“I know,” Clementine sighs. “Maybe you should avoid him for now, Willy. Just in case. And, Mitch,” she turns to him, “don’t throw any more shoes at him.”

“Hey, you want him wandering down here? No, you don’t. Thought we established that. ‘Sides, the ring’s done. Nothing left for me to work on.”

“Right, but still, you can’t be acting all suspicious. He’s already worried about you. That’s why he tried to come down here yesterday.”

“Pfft,” Mitch scowls. “Worried…”

“Well, while we know Lou’s in the music room, I’ll gather everyone before they turn in and we can discuss the plan. Don’t worry, we’ll be discreet,” Ruby assures her. “Mitch, yer on candle and match duty. Willy, in the mornin’ I want ya ta go out and pick as many pretty flowers as ya can.”

“Aw,” Willy pouts, “how come I got flower duty?”

“It’s either that or ya gotta help Omar cook. Yer choice.”

Willy doesn’t argue. Omar’s a genuinely nice guy, but he’s also an incredibly particular cook. Willy wasn’t going to willingly put himself into that nightmare.

Soon, they have all the details worked out.

Aasim and James will take Louis far away to go hunting until evening, giving them a few hours to set up.

Ruby will work on setting up a little picnic area for them on the floor and figure out the music. Willy will go around with Tenn and AJ to pick enough flowers for a bouquet, as well as decorate an old vase to put them in. Omar will cook them something extra special, and Mitch will gather all the candles and place them in the safest places around the music room.

As for Clementine herself, she’ll help fix things up in the piano room, but there’s something else she wants to try, as well. Something that she’s been contemplating for the past week.

She hides the box in her jacket with a big, dumb grin stuck on her face. She still can’t believe that Mitch, James, and Willy actually made her a matching set of wedding rings. She tries not to show it, but the very thought of both her and Louis wearing them makes her giddy.

But, there’s still an issue pressing on her mind.

“Ruby?” Clementine’s grin is replaced with a worrying frown. “Are… are you going to tell Violet?”

And, just like that, the room becomes tense.

“Violet?” asks Willy.

“Oh, well, shoot,” Ruby mutters, “didn’t even think of Vi.”

“Don’t fucking bother,” Mitch snaps. “She’s not gonna give a shit, and if she does, she’ll just ruin the whole thing.”

Ruby looks up at Mitch with distraught eyes. “We gotta tell her, Mitch. She’ll feel left out-”

“Oh, don’t start with that bullshit. Why do you anyways try to include her?”

“Because whether you like it or not, she’s one of us. She’s family.”

“Oh, please. She’s an asshole!”

“You bite yer tongue, right now!”

“Well, it’s true!”

“The only reason she’s mean ta you is because yer a jerk ta her first! God, everyone else is decent, why can’t you be?”

A sick feeling comes over her. Clementine can’t quite place what it actually is, but it always boils within her whenever the idea of talking to Violet strikes her.

Over the past two years, she’s tried talking to Violet. Not big things. Saying, “Hello,” or “How are you?” or “Are you okay?”

Every single time, Violet doesn’t mutter a single word. All she gives is a glare and the view of her back as she walks away.

She told Louis how much she missed Violet once.

He watched her suffer after losing Violet as a close friend. There were a few nights just after the delta that Clementine found herself crying, and he was there to hold her, to promise her that Violet would come around, she just needed time.

Louis tried to fix things between her and Violet.

She can still remember that night. He snuck into the darkness of the room. AJ was fast asleep.

Clementine can remember the rage filling her insides when she saw the bruise forming on his face and the tears slipping down his cheeks. She barely made it to the door before Louis grabbed her, begging her not to go after Violet, that she didn’t even know what happened. AJ woke up, and Louis lied about what was wrong. It was only when they were alone in the hallway that he told her what happened.

They’d gotten into an argument, Louis and Violet. An argument about her. Louis defended her and tried to understand Violet’s animosity. She refused to talk. She only cussed and shoved him away.

Louis got too close, and like a reflex, Violet swung.

Violet didn’t come out of her room for almost two weeks after that. She spoke to no one but Tenn when he brought her food.

She didn’t come out until Louis spoke to her again.

And it all happened because of her…

“Don’t worry about it, Ruby,” Clementine speaks up. “I’ll tell her.”

“The fuck you will!” Mitch‘s brow furrows in fury and his fists curl.

“It’s not like she’ll try to stab me just for talking to her,” Clementine argues.

“Oh yeah? Just like how she didn’t try to stab you after the delta, right? For fuck's sake, had Louis and James not stepped in you would’ve had a nice big gash right between your eyes! She attacked you, Clem! And she’s never said sorry or even pretended that she felt guilty about it! She betrayed us! She’s a traitor!”

“Mitch!” Ruby gasps out. “Don’t talk so ugly! Vi’s no such thing! That was years ago and things have changed! Maybe if you put in some more effort-”

“Oh, fucking hell-”

“-then you wouldn’t be so damn quick to be cruel! And y’know, maybe it is time they finally sort this out.”

“Fuck that!”

Clementine straightens herself out and confidently stands up to Mitch.

“I appreciate your concern, but-”

“My concern ?” Mitch glares. “What, my concern that I’ll have to dig your grave when that bitch snaps and puts a fucking cleaver in you?”

“She wouldn’t really do that, right?” Willy says, eyes widening.

“Of course she would! She’s-”

“Mitchell Robert Daymond!” Ruby exclaims, causing all of them to jump, startled. All eyes fall on Ruby’s small, angry form as she points right at Mitch’s face. “That is enough outta you. This ain’t yer choice, and bein’ a prick about it ain’t gonna get yer way! Gah, ya act like Vi’s some sorta- sorta monster and I’m sick of it.”

Mitch opens his mouth to speak, only to have Ruby cut him off.

“ No ,” she demands. “ No more .”

The air becomes uncomfortably heavy as the two glare at one another. Clementine finds herself breathing slower as if a regular breath would be too much for the tension. Glancing over at poor Willy, she finds him standing close behind Mitch, still gripping his arm and looking between the two.

Only when Mitch tears his gaze away to scowl at the floor does Ruby turn back to Clementine.

“If this is somethin’ ya wanna do, then we’re right behind ya,” she says. “Vi’s not gonna be happy about it, that’s fer sure, but she won’t do nothin’ ta hurt ya, either. I know it.”

The tension in her shoulders relax with her sigh as Clementine nods.

“I know, and you’re right. I’m tired of this. I don’t want to spend the rest of my life avoiding her when I can try and make things right. Maybe we won’t ever be friends again, but we can at least be on speaking terms." Clementine looks to her ring once more. “Louis will want her at the wedding, and if she isn’t there because of me…”

“Do what ya can, Clem,” Ruby smiles, placing a comforting hand on Clementine’s shoulder. “Just... promise you’ll be careful?”

“I will.”

“Fucking shit,” Mitch hisses under his breath, rubbing both hands over his face in frustration. “If you’re actually serious, then you’re not going alone. I’ll go with you and make sure she doesn’t pull anything.”

“I don’t think that’s a great idea,” Ruby objects. “Yer not exactly sensitive when it comes to stuff like this.”

“Fuck off, I can be sensitive,” Mitch snaps. “I mean- Not that I’d- ... It’s better if someone goes with her and last I checked, you’re supposed to be on watch with Aasim right now. And don’t you have a plan to share, too?”

Ruby hesitates, turning to Clementine with concern.

Clementine can see why Mitch tagging along wouldn’t be ideal, but she had to admit that having a backup would make her feel a little bit better. Even if he merely escorted her to Violet’s room or made it known that he was only there to keep things from escalating to a boiling point- which, again, Mitch isn’t the ideal candidate for this role- it’d make her feel better.

Then again, Violet might be doubly pissed to see Mitch, as well. If there’s anyone she despises as much as Clementine, it’s Mitch.

“You don’t have to-” Clementine starts, only to have him raise his hand.

“Yeah, I don’t have to do anything,” he frowns. “But, I’m gonna anyway.”

That gets a smile out of her.

“And you won’t threaten her?”

He stares, then lowers his head in defeat.

“I won’t say nothin’ unless I gotta.” Then, he turns to Willy. “You okay to clean this place up yourself?”

“Yeah, no problem,” Willy smiles.

“Well, ehm, guess I’ll get Aasim and James and tell ‘em ‘bout the plan,” says Ruby. “Vi should be in her room. She usually turns in early when she doesn’t have watch.”

Before leaving, Ruby turns to Mitch with one final warning, “Be nice.”

“Yeah, yeah.”

The feeling’s back, twisting in Clementine’s gut and accelerating her heart.

With that, they leave the basement.

---

The music room is filthy.

Usually, Louis doesn’t notice or even pay much attention to the cleanliness of any room within the school due to the fact this everywhere is dirty. It doesn’t matter how much Ruby pushes or how many times Aasim scolds them for leaving messes wherever they go, the school will never match the cleanly standards it had prior to the end of the world.

They have more important things to think about anyway, right?

Or maybe they just can’t be bothered.

Perhaps both.

But when he sat at the piano, fingers playing the keys he knew by heart, he noticed a thick layer of dust settled on the worn wood.

Swiping a finger across the top left him absolutely disgusted. To be honest, he can’t remember the last time he actually cleaned the piano, but given that the layer of dust is thick enough to make actual dust bunnies out of, it’s been a while.

In fact, the music room is kind of a disaster.

And he needs a better distraction anyway.

Sorting through the records he kept, he picks a classic record to play at random and gets to work.

Within an hour, he’s already filled an old cardboard box with the trash that once occupied the floor, the tables, and everywhere else that garbage built up over years. Old soda cans, soiled books, broken shards of glass by the windows- all gone.

Louis wipes down the piano with an old T-shirt he oddly found beneath the couch. Pictures from what looks to be a pirate comic fill the front of the shirt and for the life of him, he can’t remember whose shirt this is. Or was.

He knows he’s seen it before, knows someone wore it… someone not around anymore.

Shit.

Nevermind, he doesn’t want to think about that right now. Pushing that thought out of mind, he continues wiping away the dust. While the piano would always be worn, defaced, and out of tune, he still loved it and should remember to keep better care of it.

So many memories were made sitting here.

Most good, some bad.

Memories of him sitting there with clumsy fingers, young and untrained, awaiting his cue from Minnie as she finished jotting down lyrics to their song.

“Nevermind the darkness, nevermind the storm-”

Memories of him entertaining Tenn when he was scared of a thunderstorm, or playing something silly to make Violet smile.

Memories of him and Clementine the night of the delta attack.

“You are super cute.”

“Cute? Wow, uhm-”

Their first kiss.

Louis runs his finger over their initials encased in a heart, carved by Clementine’s own hand that night right before he opened up to her, thanked her for being with him despite… well, everything.

God, it seems so far away.

Since then, more memories have festered within these walls, here at the piano.

“For once, I don’t think you’ve thought this through.”

“Why?”

Satisfied with his work, Louis tosses the shirt away. He slips off his jacket, setting it over the arm of the couch before placing himself comfortably at the piano once more.

“First of all, it’s going to take us a million years to build all nine-hundred floors. Second, we’re going to need so much paint, and even with all of us helping, it’s going to take us two million years to paint it all! Third, nine-hundred floors means-”

“Nine-hundred and fourteen.”

A deep breath.

“Excuse me, nine-hundred and fourteen floors means this house is going to be high up in the stars- literally in space!- and you yourself said that you hate climbing stairs. Do you know how many sets of stairs we’re going to need to make it to the top?”

“We’ll have an elevator.”

“That goes through the whole place?”

“Yep. Up, down, and sideways.”

“That’s ridiculous. I love it.”

Eyes close.

Clementine laughs, pushing against his shoulder as he shakes his head. Whether his chuckle is due to the madness of Clementine’s floor plan, or because her fingers continue to purposely play the wrong keys, he doesn’t know anymore.

“Then, what about a slide?” she suggests. “A big metal slide that loops around and brings you from top to bottom in seconds.”

“I like it, I like it,” he ponders, tapping his chin thoughtfully. “Except, that won’t help us in actually getting to the top.”

The cool air blows in through the open window, flickering the flames of his candles and kissing the warmth of his cheeks.

“What’ll be at the top, anyway?” she asks. “What’ll be worth climbing all those stairs to see?”

“I don’t know, but it has to be something special.” He thinks about it for a moment. “What do you want?”

“Me?” she asks.

Pulling her hand off the keys, holding it in his own, he asks, “What do you want at the top?”

Another deep breath.

“I don’t know.”

“C’mon, Clem,” Louis urges. “Anything you want. Name it.”

She stares down at their linked hand, eyes drift shut as she thinks.

“Well… we have to have that skylight, right?”

“Obviously, but that’s something I wanted, remember?”

“Well, I want one, too. If we’re going to be up in space, I want to see it. Imagine seeing the moon that up close.”

“Maybe we’ll have aliens tapping on our roof.”

“I hope so.”

He kisses her forehead, then her cheek, whispering in her ear, “What do you really want, Clementine?”

Louis’ fingers move effortlessly.

His soft lullaby fills the air.

“A tree,” she says firmly. “An apple tree with bright red Honeycrisps, right in the corner, and it’s roots throughout the floor, and-” she grabs his hand, comparing it to hers by pressing their palms together, “- a piano in the center. Any kind you want.”

Their fingers lace together.

“A glossy, grand piano. Mahogany- the color of leaves in autumn,” he brushes a curl from her face, “unbreakable and always in tune.”

“And you’ll teach me to play?”

“You willing to climb nine-hundred and fourteen floors every day for your lessons?”

“Of course.”

It’s been a long time since he’s thought of their home- rather, their outrageous dream house that was inspired by the depressing story of how his own parents didn’t get to finish building their new home.

A royal purple, nine-hundred and fourteen floor mansion with a treehouse, a skylight, and an apple tree growing on the top floor. Several pools, movie theatres, pizza parlors, bedrooms, bathrooms with hot tubs and full body showers, aquariums, roller parks- and even with all those things, they still have plenty of room left.

Louis knows the possibility of that mansion coming to fruition is lower than low, they both know that, but it doesn’t make it any less fun to imagine.

How many nights did they stay up in bed discussing what kind of statue they wanted for the fountain, or what shade of purple they’d paint their bedroom, or how many dogs they would adopt, or if they were going to make Mitch sleep in the treehouse rather than giving him his own room?

Louis stops playing, chuckling to himself.

It’s been a long time since he’s played by himself happily, or since he’s thought of composing a brand new song. Usually, when he’s down here so late by himself, it’s to calm down after an all-consuming nightmare-

No.

Don’t think about that.

Don’t think.

“An apple tree with bright red Honeycrisps, right in the corner, and it’s roots throughout the floor...”

Maybe he can’t build Clementine an outrageous purple mansion, but he can write her a new song.

As Louis becomes lost in the music, a brief thought runs through his mind.

Finally... a nice night.

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coffeeandcalligraphy · 4 years

Text

Bad Vegetarian | Feeding Habits #1

Hey People of Earth!

As you can see from the title, not only do we have a new series of writing updates, we have a new series of writing updates for a whole new novel that was! not! supposed! to! happen!

For any of my friends who miss Moth Work (aka myself), guess who started writing a sequel literally no one asked. :)

I’ve had ideas for spinoff stories for Moth Work (as if MW wasn’t enough of a spinoff) and was peer pressured into starting this novel by @sarahkelsiwrites and I’m really happy about it! I have yet to come up with a title, but the moment I do, shall inform you, but for now, we’re calling this MW2!

This book (if it even ends up being a book) starts with chapter one, Bad Vegetarian. Unlike MW, MW2 starts in Lonan’s POV (not sure I’ll switch but I’m sure it’ll be inevitable), and I’m here for it!

I’ve been wanting to explore Lonan and Eliza’s relationship in more detail since having them come together in MW by complete fluke, and oh! is the tea piping!

This chapter really illustrates how truly dysfunctional this relationship is on both sides. Here’s a break down by scene:

Scene A:

Lonan is paint shopping with Eliza who has just gone vegetarian (which is the def the most normal thing she’s spontaneously done lately). Eliza feels like celebrating by painting their entire kitchen red.

Lonan particularly is drawn to blues, but since this ain’t what Eliza wants, they go with a brilliant red.

Scene B:

Lonan lines the kitchen with painter’s tape as Eliza bothers their neighbours for paint rollers, while trying to convince himself this relationship is still somewhat okay.

While doing this, he gets his weekly call from Unknown Woman who he’s been in contact with for the last few weeks. What for? We don’t know! They talk in code, and he realizes Unknown Woman’s situation is getting worse, and impromptu, tries to do something about it.

Scene C:

Lonan and Eliza bump into each other as he’s exiting the apartment and she’s entering, and have a short, strained conversation about why he’s leaving (she’s not aware of top secret phone calls that make this book feel lowkey like the old dystopians!)

Scene D:

Lonan attempts to drive to Unknown Woman but only knows she lives in Arizona (not great for directions lol). While in the car, he realizes it’s essentially impossible to get there without knowing where he’s going, and eventually gives up and heads home.

Scene E:

TW: blood

Lonan re-enters the apartment only to find Eliza “bleeding” in the kitchen. She’s actually just being wild and this “blood” is wall paint.

Scene F:

If we haven’t already seen the dysfunction, oh does it get worse! As Lonan and Eliza try to have a *moment* Eliza has a conversation by herself and gets a lil gaslighty.

Halfway through this, Lonan gets a phone call from Unknown Woman who we finally find out is his ex-girlfriend Glenne. Sounds like tea but he’s genuinely only helping her out of her toxic situation (which will be clarified later) though Eliza’s skeptical.

This chapter was a lot of fun to write! I wrote a majority of it today, and am really happy to have a *chill* project. While I love my other books (the three I am apparently now working on at once), it’s nice to have a place to dump my ideas with characters I know very well in situations I’m comfortable in whenever I feel like writing but don’t have tons of time/ideas/energy.

Excerpts:

Here are the opening three paragraphs! The first sentence sets up the POV a little weirdly, but I think it works with a later sentence that sort of mimics this “reminder” kind of style:

There are no rules, just remember, Eliza is vegetarian. She’s into earth tones, neutral tones, leafy greens, root vegetables. It’s all new. The day she announced her diet change, she also announced a desire to repaint the kitchen, to fit the new aura, to fit the new ethics, but she wants to paint the kitchen blood red, and Lonan is still a meat-eater. He reminds himself: there are no rules, just remember, Eliza is vegetarian.

In the hardware store he thumbs paint chips. They’re set up in an array, almost like checkers, dissolving in a gradient from reds to purples. Eliza wants red, “Not necessarily earthy, but the root of organism, of life,” so Lonan looks at the blues. They’re all a variant of a seaside theme—Sea Breeze, a cloud-like blue, Beach Umbrella, a wispy aqua, Seafoam Serenade, muted like the soft side of a turquoise. Repainting the kitchen matters little to him, and so do the blues, but the red section, devilish, makes him shuffle his blue deck faster.

Radio from the store’s intercom tins through the speakers, dampened by the hustle of carts, the thud of bodies against the concrete flooring. He holds many cards up to the light, Secret Getaway and Parisian Summer almost the exact shade, but still he flicks through, until half the pile is indistinguishable, and the other half are blues he likes and not reds, like Eliza’s asked.

The next excerpt sort of highlights the last six months of Lonan’s life as he’s been on this whirlwind of keeping up with all the things Eliza has tried. I have added kudzu pudding and other kudzu food just for my pals @sarahkelsiwrites and @shaelinwrites (rlly want kudzu pudding):

Her sudden vegetarianism is not confusing to him. Eliza tries new things all the time, something he’s learned after living with her for half a year. One time, she brought home four different kinds of dried beans to make into tea, and together they drank it atop the balcony, the Vegas strip across them somehow tasting better. One time, they ate a variety of kudzu foods for a week because Eliza said invasive species had to be killed somehow, and so they spooned kudzu pudding into their mouths, kudzu root powder into their water, kudzu salads with salted almonds. One time, she put them on a warmth ban, and they ate only frozen peas, potatoes, raspberries, turned the thermostat down until every surface crackled. She liked the feeling of subtle frost on the countertops, how it jolted her when she touched it accidentally in the morning. He found her many mornings awake before him, transfixed to the table with both palms soldered to its surface, like she’d forgotten she wasn’t a part of it. One time, she paid to have the furniture in the house rearranged, not good enough for her spirit, and then reverted it two days later. “The couch doesn’t like being so close to the refrigerator,” and he could’ve asked “did you ask it?” but said, “Understandable. It shouldn’t be forced to catch a draft.” So her vegetarianism is normal. Already, she’s switched their meat supply to beetroots, chickpeas, tofu she rips apart bare-handed. For the last three mornings, they’ve both taken a shot of spinach and gingerroot, a liquid that burns to make you feel alive, as if you weren’t already.

The next excerpts kind of surprised me with their amount of humour! Not something I expect from Lonan, but I’m glad he has some sass back lol (CW: some upsetting animal imagery):

There is nothing wrong in this relationship. Everything is Eliza’s new favourite adjective—stunning. Everything is scrubbed with kitchen bleach, glittering like a plasticky pool float in the shallow end, stunning. Everything is planned, put in a calendar, a notebook, a flitter of receipts, but always planned, stunning. Everything is better, even better than better, a better that can only be described as stunning.

Lonan uses this word frequently now, rolling out a strip of blue painter’s tape and trying to find different ways it stuns. Sticks when he sticks, peels when he peels, keeps its edge when it needs to keep its edge, so it’s stunning. The bubble television is turned onto a channel about sheep, and as he lines the baseboards, outlets, catches glances of a sheer buzzing against skin, sometimes a hunting knife slicing until there’s blood.

Eliza is asking a neighbour for paint rollers because they bought four cans of wall paint, two paint trays, a box of garbage bags, three rolls of painter’s tape, and a small paintbrush each for both of them but forgot the rollers. Stunning.

The following excerpt highlights that Lonan has a cellphone! Is Fostered just a bizarre alternate reality of a time period that doesn’t exist? Perhaps! (CW: some upsetting animal imagery):

Today, they’ll prime the cabinets, the walls, and tomorrow, scroll a coat of red onto both. The kitchen will look more like the inside of an anatomical heart, the sinks and drawers like ventricles, but this is Eliza’s vision—her tastes come alive.

The sheep are being herded by a collie. As Lonan rips another strip of tape with his teeth, he stares at the screen mounted in the corner, at the almost-naked sheep dashing across a field. How many will be slaughtered, he doesn’t know. The narrator must’ve said that, but there is no plan, really, for death. Even for sheep.

He kneels toward the kitchen vent, the tape roll linked around his wrist, and smooths a line of tape down. Eliza doesn’t want to paint the vent—it wouldn’t complete her vision—and so it will remain the original wall colour, a square of cream so worn, it’s almost grey.

Here we have some hints at Eliza’s weirdness:

He straightens and looks at her. She’s bundled in her fur coat even though she has always insisted she’s good at even Vegas’ warm winter. Since going vegetarian, she’s insisted it’s fake, even though he’s read the lining tag—100% mink. He doesn’t know why she’s needed her coat when she’s only walked up a few flights of stairs but doesn’t care to ask.

She approaches him with her thumb out, and when that thumb presses into his eye socket, he flinches.

“What happened here?” she smooths the dip of his under eyes, her fingertips cold. He smells her perfume, different today, always different, a smell like cloves and lavender. “Are you sleeping?” She presses onto her toes, examines the other side, and her frown deepens. “This doesn’t look like eight hours.”

“I’m sleeping,” he says, though they both know this is a lie. It’s taken her two weeks to notice.

“I can run to the pharmacy,” she says. “If you need a refill.”

“I’m sleeping.”

“I didn’t notice this morning—I would’ve given you another energy shot.”

Here’s a line I like because of a) skin and b) sun:

Lonan goes nowhere. This is not his plan. Asphalt whips under the skin of each tire, the setting sun wringing him blind.

Fully sharing this for the verb zags (and also because I accidentally roast cities tho I love them I am one of these blink-less people):

He doesn’t know where he’s going. Arizona is the only thing he knows about her, doesn’t know if she lives in an apartment, a duplex, a house—fully detached, semi-detached. As he pulls into a residential neighbourhood somewhere along the vague line he’s drawn on the map from Las Vegas to Arizona, he watches for all these options. In the distance, a jogger zags across the street with her golden retriever, children play basketball on a driveway, still in their school uniforms, another woman clips the wilted stems off a magnolia bush.

It’s when he gets closer to the apartments that the sameness is noticeable. High-rises with pearlescent windows that go pinkish in the sunset—all of them identical. Each building evenly spaced, more like a board game than a place to live. Even the space around each building is the same—the same rose hedges, the same iron fence, the same people bustling in and out, all wearing some variation of the same pantsuit, all holding some other hand—child, partner, lover. The same haircuts, smiles, eyes like marbles, as if there’s a store somewhere that sells copies, a catalogue for eyes that don’t blink. He’s been looking into the sun for too long, there must be a difference, but the longer he looks, the more indistinguishable they become.

To get out of explaining where he wants to go when he and Eliza bump into each other, Lonan says he’s visiting his sister (Reeve), and because she’s iconic and must make an appearance, here’s a line ft. our queen:

He could make the lie true. Reeve is somewhere in the country, he imagines, dancing in a faceless city, living in a motel room, tipping everyone well.

(^^ all true)

Here we have Lonan identifying with the animals more than anything else for the second time in one chapter (TW for more blood imagery):

Lonan hooks the car keys onto the lanyard by the front door and slings his coat across the couch. The television is set to the same channel as before, though the program has switched from sheep slaughter to birdwatching. On screen, a heron perches by a riverbed, opalescent in the sunshine.

“Did you hurt yourself?” he asks, the heron now frisking up the white bark of a tree. He glances at the fluorescent red dripping between her fingers, pattering against the tile.

“I was opening the paint cans.”

“With a kitchen knife?”

He gestures to the blade on the counter, blood-free, newly sharpened.

“It’s all I had on hand.” She pulls her wrist closer to her, runs her index finger along the injured area.

“It’s clean.”

“I washed it, Lonan.”

This next one has some blood imagery so TW for that!

The heron has moved closer to the riverbed. It watches the water knowingly, its subtle simmer of movement, and after a moment of watching, strikes its beak down so it spears a trout. He misses the part where it eats. Eliza’s clicked off the TV from behind him.

She slams the remote onto the counter so hard, its back clatters off and onto the tile. “I cut my arm with a kitchen knife while opening paint cans. It happens.”

“I don’t see a cut.”

“Why would I make that up?”

“I don’t see a cut.”

She walks toward him. He expects her to shove her wrist in his face, but she doesn’t. She just holds it, some of the blood fluorescing pink, splashes onto her toes.

“You got to see your sister?” she asks.

“She cancelled.”

Eliza clucks her tongue, examining her wrist, and then she extends her arm, revealing the full patch of pale skin gone red.

Lonan takes it, and with his fingernail carves a line through the red to reveal the healthy patch of skin, painted, uncut.

And finally, here’s the last line of this excerpt that essentially explains where the title comes from ft. predator VS prey symbolism:

He’s reminded once more of the heron, how it plunged into the riverbed with ease, and the trout dangling in its beak, its commitment to life most fervent the moment before being consumed.

So that’s going to be it for this update! I don’t know how frequently I’ll be writing this, but it’s been a lot of fun so far. I’m excited to explore more relationships I haven’t turned over in a while as a little side project while I do other things! Hope y’all enjoyed!

--Rachel

#writing #amwriting #writeblr #writerblr #writingupdates #mothwork #fostered #feedinghabits

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throwingideasatthewall · 4 years

Text

Star Wars Episode 4;

Destroy malevolence

Didn’t we just do that?

I’m assuming this is going to be focusing on the aftermath of the destruction of the malevolence

And the preceding unraveling of general grievous’s net work

[And several acquaintances probably trying to break him out,]

Anyway...

On with It!

Quote;

“A Plan is only as good as those who see it out,”

Odd I’ve Stopped giving much stock into the quotes

Consider ing the last one had a relatively good one

And Is on the lower end of my expectations

My criticism of this Is a Short Plans can be good But People flawed

The narrator sounds a bit more enthusiastic

Weirdly drawn out pause

But it does get the point across

Allows enough time

“ Grievous in retreat,” Honestly Is this where we’re going to start

Like no disrespect- (I have the patience) But are we honestly going to spend the whole entire time watching Obi-Wan fuck up catching Grievous?

That would work with the theme of Jedi Masters

They make it seem a lot less stupid

[Recap

Also I really like the movement on the ship

Much more real istic

Continuing to Hold on it not so much

This is like someone continuously kicking someone when they’re already down

Or like a fire

After a while it just gets sort of boring

Or worrying

And you realize they could just take them into custody

Or that the fire is starting to envelope nearby forest With everyone having a bucket of water

Obi wan, why

Do you torment so?

He can’t even die

If so; He’d be dead

I love how Plo Koon and him are just watching the shit show like “Bitch”

You know they could both take him

But are just that dedicated to being sandry old man

“Commander, how much damage to the enemy ship?”

Have they suffered enough?

Also, geez dude’s been demoted it to commander

I mean I know he’s just Comms Guy But geez. (He probably deserved it)

Oh no, Random dude On The ground

Why?

“ She’s lost primary shields and stabilizers,”

So shooting at it is doing minimal damage

“ It can take all the fire our cannons can manage,”

Okay, time to get you two down there

“ we must summon reinforcements,”

Plo is slowly becoming that we “need reinforcements” guy

Like he can’t do anything by himself

(Except for last episode)

“ That’s why I’m here Master Plo,”

That’s not the right tone

And..... I was kind of hoping we’d get a Master Plo and Obi-Wan episode

This time around

Never mind the fact that Anakin can’t take on grievous

“ what are you able to contact Master (Liam Niara) (That’s how voice text spells it) (I have no idea)

“ Yes, master,”

That’s better

“She’s busy with a bunch of separatist reinforcement’s nearby,”

Bit too much eye movement but otherwise good

“ she won’t be able to give us support till she’s turn ing them away,”

Meanwhile you’ve already pretty much kill ed him

Guess just play poker?

Then we’ll have to do with what we have

Oh now with the teenager around you’re so brave

How’s that going to help?

Burning

On fire

Really, no mercy

Poor droid jerking around

Ex ploding

Perfect balance of kar mic pay back

“We’ve lost our primary weapon,”

Shit just continues to get worse and worse

General grievous is just there with his hands in his head

Not looking too great

“ The hyper drive is dis -abled,”

It’s been disabled since last episode but good repeating

Good to re-iterate

“Argh,”

“ General general,”

The forward engines are shutting down

“ im poss ible,”

Dude, look around

That’s pretty - heavy denial

You should just sur -render

More Sho -oting

This is going to be a sl -ow ep i sode

Ahsoka Managing systems

A not bad role for her

Certain-

“ Admiral Status- Re port,”

Shit’s fucked once again

They’re hyperdrive must be damaged

What you didn’t figure out the first time will Obi won must’ve checked

Compulsively For the 170th time in the last hour

“This our chance”

It wasn’t a few seconds ago?

“all ships target the bridge maximum fire power,”

Dude, what do you think that’ll do

Grievous is made out of pure titanium

It’s like.. a slightly long fall for him..

Generals.. really don’t wanna deal with Grievous’s shit today

Episode is 22:40 Long Left

All they’re doing is shooting at him

Grievous Called Dooku

“Dad I crashed the car,”

Sustained advanced damage

“ I know,”

Just dead panned

“ I have arranged a trap,”

Oohh! Interesting

But Also completely bullshit

Guess this is his punishment

Being used as bait

“To give you an advantage over the Jedi,”

“ I assure you,”

Please no

You’re not compound your failure this day,”

Ah, there’s the chewing out I was looking for

Perfect

Continue

“ war ship to fall,”

Oh so it wasn’t going to be a - get them sent to prison- thing

So how are you planning to unfuck the situation

Cause this looks pretty bad

They will never catch me or this ship

Bless him he’s trying

The expression just says ‘I have no idea how’

Like He knows what’s expected of him but has no idea

How?!

Heading towards you is a very important galactic senat or,”

In the middle of a war zone

Seriously not a good time for a photo op

“ With her as a hostage,”

“call off the attack,”

Ok no one is calling off an attack this important for a senator

Nor should be letting her get captured ....

*Bowing down*

*Assumed authority*

Blue

It looks remarkably better this episode 👍 Also of course it’s Padme Amidala Couldn’t be any of the 4000 other senators we know nothing about

Really getting into the love triangle stuff right away, aren’t we?

Like why couldn’t we slow burn it

(I know she was in the movie) But

I wouldn’t mind “Are you sure the infor mation from the chan cellor Palpatine is reliable?”

Fore shadowing!

Good job authors you get a cookie

“ it was secretly given to him by the leader of the Bank-he Clan, himself!”

Okay Amidala’s tone kinda works

Could use a little more monotone but it works

I gave Anakin like three tries so I’m not gonna be too harsh

There is still time for the minimal improve ment it needs

“ if they leave the separatist alliance it will go along way to shortening this war,”

Er- Okay it makes sense for her character

She’s sup posed to be around the same age as Anakin

“Beep, Beep,”

“ We’re approaching the system now,”

“Oh shit,”

Crud

“ my goodness,”

Best Droid

“This isn’t right,”

Then Move!

That’s a droid warship

“We’re in the middle of a battle!”

Hey, that’s a smart character

Hyper drive out of there

“ we’re scanning a small ship off our bow,”

Get out of there “ Good,”

Yeah, how are you going to get her?

Seeing as how like a million warships are belting your bow?

I know those must be like raindrops to him

But come on

Don’t go into the burn -ing wreckage

And towards enemy fire

Then again she was probably heading towards the Jedi ship

So (as a civilian) that makes sense

“Master I’m picking up a signal near the enemy vessel,”

Tone

Enemy reinforcements

That’s- A Good Call

Respectively

“ it looks like-”

“A Naboo ship”

“Gunners stand day,”

Hey everyone’s competent today!

(Not that there’s anything wrong with enablers being stupid)

This just requires more brain power

“ what in Blazers are they doing out here?”

A valid response

But weren’t they the ones that pledged transport ships?

Like oh yeah stupid going out into a war zone

But not completely out of the question

“ Ahsoka contact that ship,”

Bit too much energy

But still resp ect able

Literally coming from fiery hell

Identify yourself

“Padme what are you doing out here,”

Cringe

That line sounds like boomer. What boomers think high school jocks sound like

And we’re like no

“ I was sent on a special mission,”

Good job Writers

The ‘Bang he Klan Wanted to negotiate a treaty

Good reason

“Get out of there,”

Too Force ful

Better Idea; Have Obi-Wan try to calmly explain the situation to her

Possibly distracting her for general grievous to kidnap

“ Activate the tractor beam,”

Damn we’re going back to old old sci Fi- with tractor beams and shit

I was expecting like a hook and chain, a harpoon

Was not expecting that

That made me laugh

WTF

Tell them some nonsense is going on!

“i’m afraid it’s much worse than that,” Gunners Do Something?!

it’s a beam; it can be broken

“ Padme what’s happening?”

A go- decent response

“ i’m being pulled inside the droid cruiser by a tractor beam,”

Good Commun ication

Whelp, Done

So at 22: 40 Rest of the episode is hostage situ ation?

Inter es ting

Much Better Than Just Shooting at it for an hour

“I will not be made a separatist bargaining chip,”

Initiative

Though Less Emo -tion

Should be recited like something she had to read off a paper

Guessing I’m not Padme I’m Padme’s handmaiden thing only works once

Continue your attack

You must continue-

I hope she get some actual action

Nothing too intense because she’s still a kid

But like a surprise attack on General grievous

Destroy this monstrous ship

That’s kind of like-

How-

I saw the next frame

Wtf-

WTF

HIS FACE JUST-

CON-torts

You are not Romeo and Juliet movie

You are two kids reinacting Romeo and Juliet clumsy

Get it right

“Admiral, order our ships to stop firing,”

No one’s gonna stop this

No one‘s gonna comment...

Okay....

Obi-Wan And Plo Koon are just gone

Left when Anakin started acting unchild like

Never mind still there

Nothing suspicious *Rubs beard*

Whelp

It does not look safe out there my lady

Screw with the tractor beam and leave

No one can stop you

Droid Related

“I see now this whole thing was a trap,”

The Bang’he Clan Works With The-

I can’t even make that joke because the bang’he clan are working with the separatists

Good writers you out joked me

“ we walked right into it,”

Pressing buttons isn’t going to help lady

Sir the republic cruisers have halted their attack

Bit too much emotion for a droid but it works

“Jedi are so predictable,”

Hit him with a gun

Get the repair team up here

“ i’m going down to the main hanger,”

The arm motion was a little weird... for ‘I’m going down to the main hanger’

Street Railways?

Are we getting *tour the inside of the ship??

Nice

This ship must be returned to Count Dooku intact

Nice little interaction

Rail ways

There’s no room for failure

Hard Moral

One on fast speed ing train

Moves over to another pad

Don’t think that’s gonna help

“Come on I’ve over loaded the power system,”

THAT’S actually really clever

Good job whoever gave that order

General grievous goes boom

Fighter door opens

Find a Fighter

And fly out

* Anakin walks away*

You know this would be a good idea if Obi-Wan had ordered him to do so when feeling the emotion of ‘love’, miscommunicating the concept of love, and didn’t realize that’s what he was doing - what clues him in

“ where do you think you’re going,”

“ someone’s got to save her,”

Still too much emotion

“I thought you might say that,”

Did you give him that, did you give him an order relevant to that?

There he goes again

Yeah Someone should really check up on that

Or get Obi-Wan to lay off the suicidal orders

“Craving adventures and excitement,”

No, orders

“ You get used to it”

Could be just a response

But too much reaction And Person ality

Oh, Shit’s On Fire

“Come on 3PO hurry,”

Flaming wreck lady

“not sure this is such a good idea,”

Neither is being held captive

You’re made of like solid gold

Timing

[also the announce in the background like a train station - just cracks me up]

Time to get blown up

“ Mind the gap”

“Mind the gap”

Haha

You two come with me

Command

That droid’s-

No, wait- It’s Amidala

And C3PO

He’s trying to help

Looks Inside

Beeping

Timer

Look like the engine- Are Set To -

Timing

“Destroy themselves,”

He really needed them to say that

Get out of my way

“Ow,” You don’t want to die

That’s just rude

So is death

You should get out of there

He’s going to come back around

Geez

Fire squad is a train wreck

They’re Trying

Crud if this gets back to Skywalker and he thinks she’s dead

After That Speech

Who knows what toxic morals of love Obi-Wan taught him could activate

This could become a train wreck

Ahhh!

It got worse

Seriously who made the droids that have to with stand high water pressure Light weights

Oof

Even high water pressure cannot kill him

Even running away cannot save him

Wonder what that attack would’ve done

Sound the alarm

“We have stowaways,”

Or...

She was never on that ship

Seriously no one besides the republic saw her

I’d go with “she isn’t on board,”

Run

Back to the republic ships

Who are doing nothing while grievous rebuilds

Like, The medical station is right there

You might want to get back on moving them

Just Saying

“ i’ve trusted you already formulated a brilliant plan to rescue the Senator,”

“ as a matter of fact I have,”

Umm,

Weird How to Code that

“ what do you have a Plan B Every good plan has a back up,”

Stop forcing his dependence on you

“ I don’t have a back up yet,”

Too much emotion

Really

Questioning

Not really helping his self-esteem

Really “ we’ll sneak behind them and dock at the emergency air lock,”

So I’m guessing this is going to set up Padme going there

“ That’s your plan?” Discouraging

“Fly land,”

That’s literally what all maneuvers rely on

Also it sounds like something out of a fairy book

Which might explain Anakin toxic behavior

“ Walk in the door,”

“Basically,”

Too much emotion

“Oh Brilliant,”

Dick

Firey Wreck

“ Might I suggest we keep moving?”

Bit Loud There It

“ I think I hear battle droids approaching,”

Talking is not helping

“But we also need to contact the fleet,”

Getting out is the prerogative

They don’t know where you are

And you can’t stay in a constant location

If I can just keep this com panel working

Ahhh!

Well just disappeared

“The Damage to the hyper drive was not as bad as we first thought,”

How?!

It’s been damaged for about two episodes

Also, Good for Her

“ We’ll be able to get underway again shortly,”

With this mess of a ship

Hyperdrive would send half of it flying

It’s barely holding together by a string

You’re screwed

I must inform count Dooku

Seems oddly suspic.

Continue the search

Find the stowaway

How does that change anything in Amidala’s eyes

Getting to know the boss isn’t worth it

Just be more careful

Roger, roger

Commander

Intimidating

*Spark*

Oh She Was In A Cabinet

Thought she made it in

C3PO Looks creepy in one frame

Shit’s Constantly on fire

“If they spot us we’ll be pulverized,”

With what guns??

You’ve been doing all the hitting this entire time

They’ve been sitting Geese

“They’re too busy repairing the ship,”

Thank you

[also Obi-Wan complainers rules]

“ They don’t have time to notice us,”

Cocky

Subtlety has never been one of your strong points Anakin

Neither Yours Person who orders him!

“ Everything I know I learned from you master,”

Point Yes Attitude? No

Oh if only that was true

Should Be

Might be a side jab at how he took orders from the Chancellor

There we go

Only Obi-Wan was worried

“Didn’t You Hear It,”

Your circuits are loose

Or maybe you’ve lost your hearing

From the impact

“ No one’s crazy enough to do that,”

Cut

“Anakin”

Perfect

“You’re Crazy,”

You groomed him this way

“ spinning is not flying”

“But it’s a good trick,”

Too much emotion

Do not want to be spotted

Good job

You’re standing more in the doorway than he is

“I knew it it’s them,”

That droid is just having a day

Aww But his friend came down to check with him

That’s adorable

Oh no

They’re backing off peacefully

ASSHOLES!

Obi-wan specifically

You stay here R2

Again why did you bring him

Another bold strategy by -

Say Skywalker

‘Skywalker’

Ordered

“I presume,”

No, Obi-Wan’s

When it’s not Palpatine’s

“That’s my master”

Children don’t show preference for handlers

“ once they rescue the Senator we will need to reinforcement to finish off the enemy

Sounds nonsense but OK

Dude really Likes enforcement’s “ i’m on my way,”

“Master Plo”

“ We’re receiving a transmission,”

Padme

Weird distance to start a conversation at

Running for some reason

“ Master we found the senator,”

Good

“ We’re patching Her through,”

Helpful...?

What is it with Skywalker and becoming a Barking over- animated Puppet Every time senator Amidala gets involved ?

“Anakin where are you,”

Better; where are your coordinates

“ On lower levels,”

Better but where

“I don’t know,”

Give a better location

For how long

Problem with this whole plan

Give Landmarks

Get to the rendezvous point

“Obi won and I are on board too,”

Better; get to the ship on level ____ on your ___ side Optional; Closest landmark ____

We’ll meet you there

What what are you doing?

Not the best point to argue

Ahsoka, how can we get to the senator

Better how can we both get to the escape pad?

In case we both get separated

Taking longer to coordinate that complicated-

How long till they get separated?

Center of the ship

Half way between the two of you

Neither Ahsoka gave neither

Bad instructions

“ we’re on our way

To a very unspecified point on not specified level at a not specified time

Let the hijinks commence

“ Did you hear that Padme?”

You’re on the same com

“ i’ll be there,”

Some-how

The question to my answer was 22:40

When do the Hijinks begin?

Let’s See

Marching Intimidated

“we just detected An unauthorized communication Coming from within the ship,”

Shouldn’t he be making a phone call?

“ what did it say?”

Interesting

Well we don’t know

That’s how encoding works

We didn’t catch it in time

Off

Droid winces

Monitor all internal communications

Like they’ll do it again

I want that senator on this bridge

Good luck with that

You haven’t even saw her

Rail-ways

Nice

Busy

Should be a cakewalk

Is Not a cakewalk

All the way up there

“I do not see her,”

Yeah, that’s the problem-

She’s here master

I sent it

Or you got the wrong port

(So you heard her voice so she’s clearly somewhere on this ship)

He’s probably late again

But we do have company of another sort

Oh She has a gun

And somehow none of that hits her

And of course that gets the attention

I’m honestly glad they didn’t go with miscommunication Causes fake stand up scenario

Even if this is faux Romeo and Juliet

Good job

Lots of jumping

Look Jedi

Good job nice guy

No wait That one guy had common sense

“I knew that was a bad idea,”

Mercy

That you didn’t show on the other guys

Who were far more hesitant

And you took out that one guy

Who didn’t do anything

Just wasn’t as vocal

Dicks

Jump The peashooter isn’t doing the job?

Jump

He tried

Power Thrust

Ana kin

“ There. they are!”

Bull shit

No way

he saw those guys

On all those Packages

Also ‘the i knew It was a bad Idea Guy Got New Friends

“Fire!”

Fuck

The bridge is out

“Jump to me,”

Try it with a little bit more disinterest

“ I’ll use the force”

Even she realizes it’s not that intense

“ You have to trust me,”

Good Luck

OMG

It looks like she just falls

Also Obi-wan’s in the back like it’s none of my business

Like dude came on a rescue mission And has become completely useless never helped once Complained the whole way there

Manages

“Got you,”

“ NICE CATCH,” Obi -Wan from the sidelines

10/10 Hilarious

“ I’ll fetch the droid,”

What??

This isn’t cute

Disgusting

“Oh the things you do to get me alone,”

KIDS don’t-

Ack-

Please no more smoopy-

nope

I’m putting it in the “bad” corner Till it stops trying to ship children

Bad Movie

That’s Not Cute

Obi-wan Sucks

Can’t even levitate A Droid

“Stop me please”

Poor Droid

Blast You’re Weak

“ That’s not good”

Yeah you’re weak

“Anakin I got separated from your droid,” Thank God

I’ll take care of it

Better “ We’ll meet you back at the Twilight”?

“ I overheard grievous,”

Annnnnd

“ They’re hyper-drive is nearly fixed,”

Soooo, He better get you back to the ship so we can start blasting it with Cannon balls again?

“ i’m already headed in that direction,”

Soooooo, don’t do it, Obi-wan?

Or have Anakin and take the extremely important senator And come back for you later?

“ i’ll make sure the hyperdrive stays off line,”

By shooting it with more cannon-balls?

Ha ha Ha ha ha

We’ll see about that

What?! Person who can do nothing!

Like seriously if they just go back to the ship-

That Jedi

“I’m getting you out of here,”

Good decisions

“I need you to help me find 3PO,”

How?

“ I know I know he does,”

Padme’s expression

“And i’ll be there soon,”

That’s almost adorable

Oh like that

‘Someone stop this contraption,”

Careful Words

Yeet

There We Go

Into those boxes

“ I suppose I did ask for that,”

Ha-he

That got a small giggle out of me

Stomping

Bait

Murderous Intent

Get Fucked Obi Wan

Really rolling out all the stops

Hahaha

“ Hello there,”

[Took a pause. a long break]

General Kenobi

“ kill him,”

Straight. To. The. Point.

More in line with the characterization we’ve seen up so far, not that much for conversation

Dude’s just rolling

There went the others

Bowling pins they are

Oh grievous has a gun

And hiding behind the enemy

Thought he sent both those guys flying

Apparently I was wrong

Must’ve Been a Third

Didn’t Work

Yeet

That poor Droid...

Spark*

That was impressive

Nah he ran around things

It really set up your forces for a brawl among them selves

“Argh,”

Dude, how insecure

“ Guard the hyperdrive,”

Oh yeah he did shit to it

Also sending basic level mooks to deal with it

Shooting Things

Again how did Anakin and Padme end up in the situation?

They were at the train station last

Now they’re at??

And have agroed every enemy

Who should be focusing on Obi-Wan because

That was their last order

Grievous has just completely ignored Anakin

Hiding

You aggroed Them!

Why are you calling Obi -Wan

“Come in Obi-wan,”

Get her to the shuttle

“ i’m afraid grievous is onto us,”

“We noticed,”

Hey you guys Aggroed those guys completely on your own don’t blame Grievous for this

“Ack,”

Those are Tanks

You’re peashooter isn’t going to do much

Also, Anakin shouldn’t be able to take them either

This should be a properly terrifying moment

“ We’ll meet you back on the twilight,”

Good plan

“Obi- Wan!”

Writers don’t screw this up

“Come In,”

His communicuff clearly got damaged

What’s wrong?!

They’re jamming all communication

No again it’s far more likely that his communicuff Got Damaged (Especially with Grievous listening in,”

Not everything is jammed communi cations Yeet, yeet Yeet

That should not work Those are tanks

Anakin is a lightweight

His skill set is unspecified

But he shouldn’t be able to cut more than butter with that knife

Light wieght clankers should pose a challenge

Due to the amount of energy

“That might buy us some time

Unlikely

I suppose you have a plan Yeah, Get to the escape pad

Follow Me

...To the escape pod

C3PO I do believe I’m lost

Seriously you haven’t found this guy

Enemy Territory

And all alone

You’re a service droid

Probably wouldn’t notice anything

“Ah,”

Dude, they’d probably just adopt you into the clan

“ I surrender,”

Again I really want to see the C3PO and battle droids conversation

(When not aware of the other side)

It’s a projector... R2 D2

“ you are a sight for old eyes,”

A nice interaction

“ Master Anakin sent you to find me,”

“ what kept you then?”

He does have a point

Dude got thrown off the train about an hour ago

R2′s just been messing with him

“ follow me,”

“ The general is demanding a status report,”

Oh some driod on droid interactions (without the general)

Nice

Is the hyperdrive re-paired Yet

From there?

“ i’ll give him the good news,”

This isn’t the escape pad

Did you take a wrong detour?

Also no one guarding the super important one panel repair

Just Light weight clankers

Also that’s not good news

(Especially considering it’s one panel)

Surprised this goes so well

Also; now there’s tanks

Surprised you think that peashooter can do anything ma’am

Like seriously should’ve grabbed a bigger gun

The droids have some

And you can’t tell me there hasn’t been artillery laying around this entire time

Yeet

That almost- Turned into murder This is why not going to the escape pods immediately was a bad idea

Again this should be a stressful fight

But turning your child soldier Into an all powerful can never lose child soldier

Is bullshit movie

Opened Door

“Ever since I’ve known you you’ve been playing with droids,”

Ack

“I used to put them together,”

Alright...

Now I only take them apart Child soldiering...

It sucks

So, where do we start

GETTING TO THE ESCAPE PAD!

Obi-Wan supposed to be here any minute!

With whole lot of bullshit!

Move!

First we need to get one of these droids so they don’t know we were here

No destroy the thing and go

They’ll figure it out in like five seconds

When they go to start the thing up!

Running is a good option

“I’m gonna hot wire this ship,”

How does this make anything better?

He’s already down and in kicking position

Everyone’s waiting for Amidala

You’re not helping, good sir!

(In fact I’m pretty sure you’d have to fix something To make it go,”

Secondly, This is a HUGE -ass ship

As a reason it has an electrical team

Squeezing two little wires

Isn’t going to do much

It requires continuous effort to different parts of the ship To make a dent

And I truly doubt such a large ship is going to have such a non-complicated Start-up compared to hotwiring a car

Point being; this shouldn’t work

Give Grievous a little surprise

Again if it’s anything less Then a bomb

Dude isn’t gonna have much trouble

And this is a waste of time

I’ll guess I’ll clean up the droids then

LITERally im possible

That’s a tank!

You carry light weaponry!

Back to the fleet

Plo Koon Is doing nothing

Having tea and cookies with Ahsoka

Our ships are in attack position

So... nothings changed

“Master Skywalker,”

No one else either

“No,”

Deadpanned

“ The droids are jamming our transmissions,”

(More likely reason for that on a -damaged ship)

But Ergh-

“We need to give him more time,”

Opinion!

“ i’m sure we can,”

I’ve been sitting on my ass-

[Plo’s Head Moves -Railway]

We’re back here again?

Obi-Wan should be at the station by now

Everything is behind him

Yeet

Make it to the Coms center

Break Some Shit

Oof Those Poor Droids Good Pa rell els

Splat!

Obi won looking back-and-forth

Obi-Wan you are a Jedi master this shouldn’t be hard

Run

Tum ble

I was fully planning on him stacking it

Roof

Also, Obiwan

Stop fecking Around

Get to the place

Woof

How

Did you end up falling over?

Ironically Obi-Wan shows less emotion than Anakin

* Slashing the train*

Okay... what did I do

Snarky little shit

Could be snarkier

“That oughta do it,”

Ana -kin Doing Obi-wan’s Job

Also Oh shit is he plugging in the location of that supposed fight with master-

How��s the house cleaning going-

Im-

That dude made out of -metal

He is FIVE times your bodyweight!

HOW?

Done?

You MOVED a Tank??

HOW-

That’s-

What ever

* Guys coming in*

Oh yeah that’s a door

I guess repairs are finished

Or they went on lunch break

Prepared to charge up the hyperdrive

Right on it

“Roger, Roger,” -famous last words

Sparking

Driving

Are we seriously waiting on these two

“Are you quite sure the ship is in that direction?

He’s basically a GPS

That way looks potentially dangerous

All of them do

“Haz ardous,”

Better Example beeping irritatedly

“I know the whole place is dangerous,”

Thank you R2- D2

“ I suggest we stay here and let master Anakin find us,”

Bad idea

A better idea than anyone in the ‘let’s meet up in an undisclosed location’ came up with

Good idea

3PO

Fecking Irony

“Don’t just stand there,”

See?

“Let’s get back to the ship,”

Irony

Power up the engines R2

You know Obi-Wan’s likely going to screw up your shit right

*obi-Wan comes around the corner,*

Dude you have shit to screw up

Did you forget?

There shouldn’t be an escape pod for you

What

Hold the ship

No, you didn’t do anything...

Then again he could just cannonball it

How’s that-

Okay Very light bullshit

“ i’ll contact the fleet,”

It’s the most you’ve done this entire time

Focus On The chair

Do cking Clamp

There We Go

Off We Go

It’s still Burning

Grievous Off

Why?

He doesn’t know

Obi-Wan’s off the ship

Last saw him on the train...

(Not followed up on directly)

Flighters, Where I thought they all got destroyed?!

All batteries open fire

Again Plo Koon does not give a shit who dies

(Until sitting on his ass gets too boring)

Also this isn’t his fleet

They shouldn’t listen to him

(Especially after he got his last one killed)

More Shooting at the burning wreck

Turb ulence

And Obi-Wan still didn’t do his job

Guns

You can shoot back at any time

“ I wa-”

Obi-wan being completely useless

Anakin having too much emotion

“I got it,”

Shoo ting stuff

Somehow doesn’t go down immediately

Hit

“ She seems to know her way around,”

Gross

Hit Something

The Hyper Drive

-repaired

Also Obi-Wan didn’t fuck up shit

Dis appointed

Also it certainly as frick isn’t now

After they’ve been shooting

Should we retreat to friendly space?

If You can make there it with it in one piece (Which was the qualifications)

Engage the hyperdrive

With me not on it

“Secret base sector four,”

Interesting

“Prepare-”

Enthus iastic

“Yes, Sir,”

Fighters still chasing

Intense

“Nice Shoot,”

Gross

“Beginners luck,”

Beeping

“Pardin-”

“Hyperdrive is activating,”

Obi-Wan

“ Oh-shit Caught in a lie.”

“-what”

-They’re getting hit with cannonballs Anakin what did you do ?!

(What Did I order you to do?)

Coordinates are locked

“Hyperdrives engaging,”

Shit’s about to go-

Ar-

Sp- arking

Glitzy display Base

“ I think there’s a problem,”

“General I think there’s a problem with the hyperdrive,”

Yeah The ship got refired upon it’s probably re broken

Seriously

“ I thought the hyperdrive was fixed,”

And then it got shot again...

The navigate computer is heading a straight into the moon

What ??

Fools reset the Navi computer

“Quick,”

Tech Support

Dooku

Worst time to call

(Don’t think it could’ve gone more sideways)

Also good job Anakin You crash landed them on a planet with significantly larger surface area and resources that they can use to re-build

Aka you made things harder than they needed to be

Obi-Wan, what are you ordering this kid

Narrowed eyes

-No reset it

“General,”

Harsh

But I’m interested in where this is going

Since Grievous has had a lot of shit thrown at him

Doesn’t matter which side of enablers he still enabling

But I suppose over involved positivity Would be kind of a nice change for him

Over over involved negativity

Speeds off

“Trans -mission Has been cut,”

Intentionally

* also smart droid

“ We’re Gonna die

[Explosion]

How?!

Whelp Obi-Wan has to have a sit down talk with Anakin. about the ‘ Drive the ship into the moon,’ order

Also I realized (thanks to Obi-Wan) they know nothing about what just happened Grievous either decided to just end it

or they’re all dead

Obi-Wan

Dick move

“ I imagine you had something to do with that,”

WTF- orders

“ all part of the plan,”

Obi-Wan schooled Anakin in extraterrestrial terrorism

Cheering at least the ion cannon isn’t coming back

Nice shot

...So Destroy Malevolence

I have to say I really like this episode

Despite the plot stretched thin

There was a noticeable increase in the quality of animation

The child characters were good

The other characters were a lot more consistent And a lot smarter

0 notes

pi-cat000 · 5 years

Text

MSA time travel idea (part 34)

1, 2, 3, 4, 5, 6, Vivi POV, 8, 9, 10, Lewis POV, 12, 13, 14, 15, 16, Lance POV 18, 19, Lewis POV 2, 21 , 22, Vivi POV 2, 24, 25 Lewis POV 3, Mystery POV , Vivi POV 3, 29, Lewis POV 4, 31, ViVi POV 4 , 33

Part 35: here

A dismissive hand is waved in Vivi’s direction, “I swear sometimes it’s like listening to a broken record with you people. Why do you think yelling commands at me will do anything? What’s in it for me?”

“Is he okay?” Lewis interrupts what was sure to be a longwinded spiel of thinly veiled insults aimed at Vivi and humanity in general. If there’s one thing Arthur understands about the entity controlling him, it’s that its opinion of humans is damn low.

“Who?” The demon taunts, attention moving off Vivi to Lewis, grinning, sounding several times more patronising than usual.

‘No. I’m not okay…nothing is okay.’ Arthur answers quietly, staring longingly at Lewis’s profile.

Lewis clenches his jaw and Arthur can almost hear his teeth grinding together.

“Arthur. Is Arthur okay?”

“OHHH. That ‘he,’” An exaggerated eye role follows, and Arthur feels a creeping disgust directed towards Lewis’s display of concern. “You should be more specific.”

The demon leans forward, putting pressure on the knife, smile falling, “I’d worry more about yourself. Arthur’s not the one with a knife in his side.”

Lewis winces, shying away as much as the knife allows, eyes shining with worry and slight fear. Arthur watches helplessly, wishing Lewis were anywhere else. They’d been so close to just running away and leaving this all behind.

‘Why are you here? Lewis why?’ He can’t kill Lewis. Not again.

“Is…is Arthur still there?” Lewis continues, freezing when knife twitches as the demon inches in closer. A warning growl from Mystery has the bastard hesitating, pulling back again, licking its lips in frustration. The nervous tick must be from a previous host because it’s not one of Arthur’s habits.

Addressing both Mystery and Lewis, the demon raises its free hand to make a loose ‘calm down’ motion accompanied by a disarming smile.

“Whoa. Hey. Chill. I’ve done nothing…Yet. Nothing at all. Me and Arthur? We’ve been getting along swimmingly. The best of friends.”

Disbelief is reflected across everyone’s face, even Mystery looks unimpressed.

“You expect me to believe that crap after stabbing my boyfriend!” Vivi yells in indignation, “You’re the one that attacked Uncle Lance, aren’t you.” Her expression darkens with visible rage, eyes narrow.

“You possessed that leather-wearing, biker-weirdo and threatened Arthur for…” She hesitates, “…some reason, I don’t know why, but you’re the reason he’s been nervous and jumpy recently. Then you got tired of waiting for whatever, and you attacked Uncle Lance and jumped into Arthur when he came to check up on him. After that, you tried to kill both your previous hosts.”

The accusation elicits a spark of surprise which is one part his own and one part the demon's. For someone Arthur assumed to be entirely in the dark, she is surprisingly accurate. An edge of wariness creeps in amongst the surprise which is accompanied by a more appraising once over. The demon’s focus moves entirely off Lewis.

“Viv, can I call you Viv?”

“No.” Vivi snaps, glaring.

“Viv it is!… You’re more right than you think and also waaayy off the mark,” A smirk is thrown at Mystery, “I’ll admit, I did do a bit of jumping around before landing in Arthur here, and there are some very interesting circumcises surrounding that. However, I’ve only been around these parts for a day or two at most so any odd behaviour before that can’t have been me now can it.”

“I don’t believe you.”

“Psh. Why would I lie now of all times? And if I'm not lying, it begs the question…Why was Arthur acting so strangely?”

The demon is searching for something, Arthur realises as it scans Vivi, taking in how she falters ever so briefly. Whatever it wants, it’s probably nothing good. ‘Leave her alone!’ He tries interrupting, and only gets the barest of acknowledgements, leaving him to anxiously watch.

“Don’t you want to know why Arthur’s been acting so out of character? Like someone’s flipped a switch on his personality… Like he’s not quite himself…forgetful even. Because now is the only chance you’ll get to discover the truth.”

“You do want to know why, right?”

Lightning forks through the clouds, closer now. A light wind is beginning to kick up swirls of dust. That storm they’d left behind back at Kingsman Mechanics is catching up to them. Vivi’s hesitation transitions into disquiet, and she squints at Arthur. He can see her processing the information, analysing it. Arthur’s not sure what she already knows, but going off how easily she’d taken the whole ‘possession’ thing, it’s probably something substantial. He has no idea how, but she does. It is such a classic Vivi thing. She just has this habit of figuring things out, attracting information and fitting clues together. That’s what he loves about her, even if he wishes that, right now, she wouldn’t.

It takes Vivi a second as she struggles against her blatant curiosity, but eventually, her expression clears.

“No. I don’t.” Vivi declares, pointing with great vigour, “Not from you, you parasite. Arthur, he’s been a bit odd…but he’s still Arthur, and I trust Arthur more than I trust you. Until I hear it from him, I’m going to continue thinking that. So how about you get out of my friend before I exorcise the crap out of you!”

Arthur aches at her words. Why’d she have to go and say that? It makes him feel even worse for lying and not telling her the truth right away.

“A shame,” Some of the demon’s interest fades to exasperation, and it nods to Lewis instead, “What about you big guy? Do you want to know why your best friend is terrified by your mere presence? Last chance to find out.”

Lewis, who has been mostly still, trying to examine Arthur, takes a short breath. For a second Arthur can see the need in his eyes before a quick glance at Vivi seems to snap him out of it.

“Arthur.” Lewis says deliberately, “If you can hear me. It’s okay. I don’t care what secrets you’ve been keeping. You can fight this.”

‘No. I can’t.’

“Oh, please.” Arthur doesn’t like how dark and hateful his voice turns, lowing to become more threatening. “What do you think pathetic Artie’s been doing all this time? Honestly, I think you should let the girl talk. All this Lewis hype I’ve suffered through being stuck in his head, and you’re a complete letdown. I should do us both a favour and kill you now. In fact, I think I will.”

Lewis recoils and, for a horrible second, Arthur thinks the demon is going to go through with the threat.

/Enough!/

The sharp command echoes about Arthur’s head, made magically loud, ringing comfortably in his ears. He’s never heard Mystery that angry. Not that he’d had too many conversations with Mystery in the original time-line as the dog has always made a point of keeping himself reserved and distant. Right now, the telepathic voice is cold, brittle with contained rage. Mystery’s eyes flare when he speaks, and the air hums with latent supernatural power, prickling along their skin. Of course, the demon doesn’t share in Arthur’s gut fear reaction, even if it remains apprehensive.

“Finally. I was beginning to think you’d just let this shit show go on forever. No offence,” A glance at Vivi, “You're fun to mess with, but I’ve got places to be.”

/Be quiet. Abomination. Your words are poison. /

“How about you make me, mutt. Go on. I dare you.”

The wide-eyed, confused expressions being shared by Lewis and Vivi tells Arthur that it is only him and the demon who are hearing Mystery’s voice. To Lewis and Vivi, it probably looks like Arthur is having a one-sided conversation with thin air.

Vivi voices her confusion, raising a hand. “Ah? Who are you…” She gets cut off.

“Hey. Don’t interrupt. Mum and dad are talking.” The demon orders, keeping its attention on Mystery’s angry glowing eyes, “Kids, so needy amiright.”

Mystery growls again, and the sound is lost when thunder rolls through the clouds overhead. Arthur’s teeth rattle. The fur along the dog’s back stands on end, also beginning to radiate red energy.

/Release Lewis unharmed, and I will see that you are sealed painlessly so that you may sleep away the rest of your unnatural existence./

“You’re a bit rusty at this whole bargaining thing, aren’t you? Why the hell would I give up one of my best chips for a dud deal like that?” A scoff.

/If you do not accept I will do my very best to rip you into so many pieces, that you’ll have barely the strength to possess a fly./

“Big words from the dog, but can you back them up?”

There is an elongated pause after the taunt. Vivi has fallen uncharacteristically silent. With his eyes locked onto Mystery, Arthur can’t see either of his friend’s expressions but he’s sure it’s nothing good. Way past the point of panic, all he can do is sit, frozen into a tight ball of wound up tension, like any move he makes might get Lewis killed.

“I didn’t think so,” The demon sneers when Mystery doesn’t respond, “You guardian spirits, you talk a big game but when one of your wards is threatened you go all soft. So weirdly attached. It makes you weak.” That feeling of disgust returns.

“How about I make a counter deal. Obviously, my original night’s itinerary isn’t going to fly right now so how about this: You keep the big idiot and the girl, and I pop on off, bide my time, and attempt to kill you all later. I’ll call it a reschedule.”

/Unacceptable./

“OOORRR! I kill Lewis right now, and you’ll what, exorcise me? Seal me up? You’d have to extract me first. That would be a lot of soul digging because I’m pretty much settled now. Poor pathetic Artie wouldn’t survive it,” A dark grin, “I’d make sure of it.”

The dull red glow outlining Mystery intensifies, shimmering like water. Arthur wonders why he hasn’t transformed yet. It definitely looks like he wants to.

“Two out of three humans is pretty generous in my books.”

One part frustrated, one part scared, Arthur churns anxiously. Yes. Take the deal. Let him go. He isn’t worth all this. Honestly, just the fact that Lewis and his family might survive the night is good enough for him. The silence flowing stretches, broken by another low rumble of thunder further off in the distance. Come on Mystery. Take the deal

/What are the terms./ Mystery finally spits to Arthur’s immense relief and the demon’s satisfaction.

“I have till sunrise to get as far away from here as possible. No pursuit. I won’t take any action to harm a human for the same duration, excluding possession of course.”

“NO!”

The shout draws their attention to Vivi who lunges forward. Mystery snaps at her legs, baring his teeth.

/Stay back Vivi!/ The dog orders and Vivi stumbles, alarmed. Her alarm shifts quickly into a scowl, obviously having heard Mystery's voice that time.

“What are you doing! You can’t let this thing go!” She tries to argue, voice strained, but Mystery has already swung his head back around to stare at the demon again.

“Clocks ticking…” The demon prompts, jerking the knife in an abrupt movement. Lewis gasps, almost doubling over, his eyes closed in obvious pain. He is pale, and Arthur can now see red blood seeping through his shirt, darkening the cloth.

/I accept, on the condition that I can talk to Arthur first. /

“Ha! Deal!"

An odd jolt of something akin to electricity shoots through Arthur's chest, constricting above his heart. The demon shakes the unpleasant sensation off with a practised ease, motioning impatiently.

"Well, hurry up, I’ll give you a minute. I’ve wasted enough time tonight.”

Mystery shoots the demon another furious glare before his expression softens marginally. Arthur, still a frozen ball of anxiety, waits, wondering what the next step of this is going to be. Is he going to be put back in control? Arthur’s not even sure if he wants it now. Not in front of Lewis and Vivi looking equal parts angry, scare and horrified. He’d probably just start crying or something equally embarrassing. Uncertainly, he shifts about, testing the metaphysical walls around him.

/Arthur?/ Mystery’s voice tickles the edge of the barrier separating him from his body, causing odd waves to ripple out towards him. When Arthur looks out to meet the dog’s gaze, it’s like Mystery is seeing past the demon and staring right at him.

‘Yes?’ Arthur tries. About him, he feels the demon’s idle amusement as it watches.

‘You can hear me?’

There is a definite tone of relief in Mystery’s next sentence. / You are still there. Thank goodness. I feared the worst./

It throws Arthur for a second. Why does Mystery sound so relieved? In this time-line, Arthur’s never treated him as anything but a dog, so there’s not really a reason for Mystery to sound so worried and upset.

/I know this may be confusing, but understand that I am profoundly sorry and I will do everything in my power to come for you.../

‘No!’ Arthur interrupts sharply. If Mystery comes after him then Vivi would as well. ‘Don’t. Just protect Vivi and Lewis and keep them as far away from me as possible.’

/ Arthur…/ Mystery tries to continue, more confused now.

‘Tell Vivi and Lewis I’m sorry,’ Arthur rushes to get through all the stuff he will probably never get to say, ‘I’m sorry for lying and hiding stuff. I’m sorry for worrying them. I’m sorry for all the trouble. Tell them it’s not their fault, and I’ll be fine.’ There he said it.

/You can tell them yourself. I will come for you Arthur. Do not give up hope./

‘It’s better this way,’ He says softly.

The connection is cut, and Arthur barely pays attention to the demon as it speaks out loud, “There you go. I told you we were the best of friends.”

/I will rip you apart. /

“You’re welcome to try dog breath. Just…not tonight,” A sly wink.

/There will be no hole on this earth deep enough for you to hide in./

“You can’t…” Lewis starts to protest, and the demon rips the knife out, cutting him off. The lager man groans and falls to one knee, reaching back to put a hand on the wound for pressure.

An energetic wave of farewell is directed at Vivi, “It’s been fun, but I think I’ll be on my way…” They step out of the torchlight and into the night so the dark folds in on them. Slowly, still facing the furiously snarling Mystery, they inch away from the Pepper Diner.

Vivi rushes forward to Lewis the moment Mystery lets her, helping to support his weight, checking his side. She rips the scarf from her neck and proceeds to wrap it around Lewis’s torso.

“I’m fine,” Arthur hears Lewis pant, “Stop Arthur.” But Mystery has repositioned, blocking the way for both of them. Good.

It is almost a clean getaway. But, before the dark can fully envelop them, a harsh third voice interrupts the retreat.

“THINK AGAIN ASSHOLE…”

The unexpected shout has everyone jerking.

“YOU’RE NOT GOING ANYWHERE.”

The demon snaps Arthur’s head around so fast he feels his neck crack.

“Nobody move!”

Arthur stares at the bedraggled man limping out from behind the building, shot-gun raised pointed right at him. It takes a second, but Arthur recognises the scowly face of Micky. One of the supernatural hunters to threaten him way back when he had first arrived in this time-line. That seems so long along now. A lifetime away.

Irritation and annoyance overtake the demon’s smug satisfaction, turning to anger. There is recognition and Arthur realises that the shot-gun is his Uncle’s. Well, that explains one mystery. By this point in the evening, Arthur is too worn-out and frazzled to figure out why and how Micky is here of all places, but the man’s sudden appearance has drawn the demon’s full and undivided attention. For the first time since the start of this nightmare, Arthur finds himself completely free of surveillance.

NOTE: The gangs all here. Time for tense standoff no.2.

Also, sorry this took so long to complete, I’m getting my ass kicked by the education system.. Anyway, the next part is gonna take another 2-3 weeks so apologies in advance for the wait. I can say the next part is planned to be a Lewis POV.

Part 35: here

#MSA #mystery skulls animated #mystery skulls fanficion #arthur kingsmen #Lewis pepper #Vivi Yukino #Mystery the dog #???#angst #heavy angst #descriptions of injury #descriptions of violence #depression #possession #mind control #Arthur bad times continue #asehole demon is an ashole #emotional disorientation

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chubbyooo · 4 years

Text

Blurred Lines: Cursed Past Chapter 80 - Monsters of All Shapes and Sizes

man this is a long boi hope you enjoy :D

Kyradia and the gang find shelter and secrets are revealed

Malora’s voice echoed as she shrieked out in anger throwing her lightsaber “damn it how could we let her escape, what even was that!!!!” Kyradia sighed once again Zash had escaped but t this time it was different she’d caused her to run because she was scared, that made her vunerable.

Ashara tried to calm down Malora “well there’s no use getting angry and throwing your lightsaber away Malora we don’t have time to waste finding it” Malora’s stone face turned to her as she held out her hand

Seconds later the saber was back in her had “don’t be ridiculous this thing is magnetically linked to my hand so I don’t lose it” Kyradia wanted one of those, she frowned as she looked at Malora she looked weirdly jittery as she continued her echoed voice seemed choppy “What are we going to do the bitch destroyed the speeders” Kyradia wasn’t exactly sure but they should definitely find shelter

She checked her datapad “kriff no signal, Andronikos should notice our absence if we’re gone for a day though. We need to find shelter and just wait this out” she knew Andronikos was already paranoid about them so it shouldn’t be too long

Malora nodded “fine I’ll find us an adequate shelter” she picked out a scanner and began walking towards a nearby outcropping of rock

Ashara frowned “how many gadgets does she have on her?” Kyradia chuckled she was certainly more prepared than either of them

Malora responded tersely “I have a number of ‘gadgets’ for this exact scenario so I can’t be bested by a coward, I’d advise that in future you come more prepared” Ashara glaced to Kyradia giving a ‘sheesh’ face

Malora strode ahead leaving the two of them to talk, Ashara was quick to ask “hey are you doing ok?” Kyradia didn’t know quite how to answer that, everything was so full on at the moment that she may just be compartmentalising her searing rage

Kyradia answered “I think I’m ok, Zash ran because we injured her that makes her vunerable and I count that at least as a little win” Ashara’s eyes were wide clearly surprised by Kyradia’s calmness

Ashara folded her arms “so you’re not mad that she got away?” Kyradia laughed she wouldn’t quite put it like that

She responded “oh no I’m angry but I’m not giving it the time of day for now” Ashara nodded a unsurprised look crossing her face “by the way Ashara I noticed something about the Mirialian, she seems to genuinely believe we’re the bad guys” Ashara nodded clearly having also picked up on this

Ashara stroked her chin “yeah I have a feeling Zash has been lying to her and if so I worry for her safety” Kyradia nodded it may be a weakness Zash hadn’t accounted for

Kyradia nodded “Zash relies on her though maybe if we could use her against Zash then she could be exploited” Ashara’s face turned to a frown giving Kyradia a silent glare “oh and save her from Zash as well” Ashara sighed clearly unimpressed with Kyradia’s idea

Ashara continued “I doubt we’d have to manipulate anyone and I would not allow that, we just need to so her the truth” Kyradia nodded falling quiet it really was easy to fall back into her old ways

Kyradia looked away “I uh sorry that kinda just slipped out I didn’t mean to uh” Ashara cut her off before she could flounder anymore

Ashara shook her head “it’s ok Ky Zash is bound to bring back a lot of old habits” Kyradia nodded looking away awkwardly

They walked towards the ridge for a while longer before they found a suitable cave, Malora spoke “precipitation levels around this cave suggest a perfect source for a small supply of water if I set up some collection points and it will also house a suitable temperature for temporary residence” Kyradia blinked not quite understanding any of that

Ashara clarified “she means it’s suitable as shelter in non nerd speak” Malora shot daggers at Ashara as she was setting up what looked like little basins

Malora tutted “it’s not a crime to be well prepared Jedi, it’s why I have been able to survive so long” Kyradia noticed it again as she jittered a bit and her voice became choppy. She would ask about it but she wasn’t exactly one to talk about having weird sith quirks. Malora seemed to notice it though and got up “please excuse me I need to modify one of my gadgets” Kyradia frowned but really wasn’t in the mood for questions today and just sat down eating some of the jerky Malora had provided

She smiled “you know she’s got a point being prepared has its benefits” Ashara nodded but her eyes were still on Malora as she went out of sight a distinct frown on her face “Hey Ashara you’re doing it again” she joked

Ashara turned to her confused “w-what do you mean” Kyradia chuckled she knew that face she was so clueless

Kyradia grinned “you’re trying nose into a siths business, I know that face” Ashara frowned looking back to where Malora had left

She shook her head “no I’m not I uh I’m just worried about her intentions” Kyradia gave a sarcastic nod “and I’m not nosy I’m just careful” Kyradia couldn’t help but stifle a laugh

She raised her eyebrow “Ashara you know more about me than anyone in the galaxy even you have to admit you’re a little nosy” Ashara looked away embarrassed, it felt good to be right.

Ashara conceded “Ok maybe I am nosy but you gotta admit there’s something weird going on with her, have you seen the chip on her neck” Kyradia had seen it when they met on Ossus

She nodded “well yeah but siths all have something weird about them I’m not exactly one to talk, she’s resourceful and seems genuine that’s enough for me” Ashara had never been very trusting and she doubted the fact Malora was acting suspicious helped

Ashara looked at her confused “I just… what if it’s something bad or that’s hurting her she said it was helping her cope but I just I like to know a siths intentions, I’m sure you understand why” Kyradia shuddered she really had damaged Ashara hadn’t she

She sighed “yeah I suppose so you’re right to be careful most of us are awful but Malora never stuck out as one, even when on the dark council” Kyradia chuckled “though I could take the ego down a notch” Ashara smiled a little. Kyradia looked away “if you’re so worried about her why don’t you just ask her?” Ashara looked away and sighed

She responded “she won’t listen to me she thinks I’m just some Jedi who only wants turn her to the light” Kyradia could understand that worry but Ashara was definitely not like that

Kyradia put a hand on her shoulder “then show her you’re not cause no offence you’re not the shining example of a jedi what with the crowd you hang around with” she chuckled “seem like a bad influence if you ask me” Ashara gave a reluctant smile

Ashara got up “ok I’ll try I’m gonna be upfront and honest” Kyradia nodded she had no idea how this was gonna go but she hoped it would make the bickering stop she had a feeling there was something else there

Kyradia joked “you sound like you’re about to ask someone to a dance” Ashara shot her a glare her cheeks turning a darker orange

She folded her arms “shut up” she had a little smile as she ‘stormed’ away

Kyradia sat there silently for a couple of minutes wondering how it was going and trying to keep a sense of calm, maybe she should try that meditating thing again. She put down the food she’d been snacking on and tried to clear her mind, however as she did she felt a force pull her back to a familiar place

She opened her eyes and was back in the void space with an enraged Zash “I bet you think you’re pretty clever” she was nursing her shoulder a clear burn mark where Kyradia’s saber had gone through “but if you’re going to avoid me I’ll just have to make the connection myself” Kyradia was again surprisingly calm seeing Zash so rattled was kinda vindicating

Kyradia folded her arms “what do you want Zash I thought you were too busy running away” Zash snarled at her the true form bringing back many bad memories for Kyradia.

Zash grabbed her arm “you only stand a chance because of this power you hold I’m well on my way to finding it but I need to be one step ahead and you’re going to help me” Kyradia felt Zash try and access her memory but she was ready grabbing onto Zash’s head

Kyradia sneered “I think you’ve over-extended yourself here” she felt Zash’s memories becoming clear “remember ‘Master’ this is a two way street” with that she felt them travel back before suddenly stopping falling into what seemed like an alley.

Kyradia could hear explosions and battle all around her, the architecture reminded her of the republic Zash got up looking around in surprise “NO how did you? Here?” Kyradia smiled at the clearly surprised Zash

She smiled “struck a nerve have I?” Zash went to lunge at Kyradia but she moved effortlessly out the way “you’re not the only one who can use this bond Zash, now let’s see about you” Kyradia had to admit she was curious

Zash’s face was covered with rage “you think this is going to affect me, I’m not ashamed or hiding anything like you” Kyradia watched as a family rushed into the alley hiding behind the dumpster. Zash continued “this is Corellia during the Great Galactic War and that is me” she pointed to a little girl with the family

Kyradia folded her arms “I bet you were secretly wrinkled as a baby too, you certainly weren’t a cute one” Zash ignored the comment as they watched the family trying to keep the young Zash quiet

Zash scoffed “they were useless, it’s no wonder we ended up in a warzone” Kyradia frowned at the contempt she clearly felt towards them, as she spoke Kyradia noticed a platoon of soldiers pass by the alleyway. Zash laughed “here he comes ‘my saviour’” Kyradia frowned as the platoon stopped and the looming form of Darth Malgus came into view but a much younger version who lacked the breathing mask he would become so known for.

Kyradia looked to Zash “So what he killed your parents and you resent him come on Zash you’re better than petty revenge” she paused “well then again I guess you aren't” Zash turned to Kyradia raising her eyebrow

Zash laughed “don’t be so sure you know me apprentice” she turned to Malgus “I believe he’s back right? He really is the definition of a cockroach no one could kill him not even his greatest ally” she chuckled “but that is the way of the sith” Malgus strode up to the family and called them out

He looked at them folded arms “I sense someone among you, they could be valuable but only if they were strong enough” Zash seemed to be trying to suppress a grin

The parents began to deny the fact “no there’s no one special here we’re not anything special just factory-” Malgus cut them off as he looked closer at the child

He bent down “why are they trying to hide you child” the little Zash looked away not making eye contact with Malgus, “you know what I think, I think they’re trying to hide your potential I think they’re scared of you” the little Zash nodded. Malgus smiled lifting up a piece of rubble with his hand crushing it “but to reach your potential I find the weak must be snuffed out, to be honest they should be scared of you” the little Zash smiled “now can you prove yourself to me” she nodded turning to the parents

Kyradia’s eyes widened looking at Zash “y-you killed your parents” Zash’s face was transfixed on what was happening

Zash cackled “no Kyradia I slaughtered them” Kyradia watched as they began to gasp for air as they were lifted high off the ground and soon were being slammed against the wall “he was right they were holding me back, but that was the only thing he was right about” Kyradia felt a little sick as the parents fell to the ground dead

Malgus ruffled the kids hair “very good I think you’re going to fit in well with my associate” the vision faded leaving them in the blank space

Zash smiled “I don’t believe that had the desired effect Kyradia” she didn’t even seemed phased by it she almost seemed energised by it

Kyradia shivered “you really are a monster aren’t you, I don’t think you need the sisters gift” Zash only smiled deviously

Zash tutted “I’m not a monster I’m a pragmatist nothing will stand in my way and if something only enhances my best traits I don’t see a downside do you?” Kyradia had never thought in her wildest dreams Zash was this rotten she had to be stopped “you know you would’ve liked him too but hey what do I know I’m just a monster” Kyradia suddenly jolted awake leaving her back in the cave.

She breathed heavily not quite sure what she just saw and who were they talking about?...

Meanwhile Ashara made her way to see what Malora was doing, she snuck up so as to not disturb her and found her fiddling with the chips trying to pry it off.

She seemed like she was having a lot of trouble with it and after five minutes Ashara decided to speak up “um Malora do you uh need some help” she turned around shocked and quickly the surprise turned to anger

Malora sneered “no Jedi go away! I’m fine” Ashara folded her arms raising her eyebrow

She responded sarcastically “really because you’ve been trying to fix that thing since we got here, I know it got broken in the fight you can at least let me help get it off” Malora looked away still fuming

She shook her head “this is something I have to do myself it’s not that simple” her anger seemed different it was more like defensive anger than offensive

Ashara wasn’t giving up “I promise I’m not gonna judge you or try and turn you I’m not actually a proper Jedi I mean I have more sith teachings than Jedi you” Malora cut her off

She shook her head “It’s not that Ashara I don’t think people should see me like this” Ashara frowned

Ashara walked up to her “hey I mean I promise I won’t judge you I’ve seen some pretty messy things but I don’t think it’s good to hide things” Malora didn’t make eye contact still clearly angry at her

Malora gritted her teeth “I’d rather that no one see me like that but” her voice echo seemed to shift and change “the lightning short circuited it, it can’t contain everything” Ashara was confused by what she meant

She sat down next to her “well then we need to fix it right?” Malora looked away nodding

Malora sighed “but I don’t want… Why am I telling you these things Jedi? what are you trying to do!” Ashara nodded understandingly

Ashara shrugged “uh nothing really I came to try and clear up what you wanted from us but now you seem in pain I kinda wanna help with that”

Malora frowned at her “why? You don’t benefit from that” Ashara’s eyes widened

Ashara smiled warmly “I’m uh not trying to gain anything Malora but I see a person in pain and I can’t really leave them it’s kinda annoying at times Kyradia could tell you all about it” Malora looked at her stil jittery

She laughed “you have a compulsive need to help people? That must be awful” Ashara couldn’t help but laugh

She nodded “yeah it’s pretty annoying but really I just want to help” Malora nodded fiddling with the screwdriver she’d been using

Malora frowned “I am being genuine I don’t want anything but my plant back after everything fell apart it was a sign I could still perform experiments and maybe fix this” Malora frowned looking at Ashara “why am I telling you all this I never tell people this stuff” Ashara stroked her chin thinking

Ashara responded “well I doubt you’ve been around many people that don’t want to stab you in the back” Malora slowly nodded agreeing with the idea

Malora mumbled “I still don’t trust you Jedi, no one is this nice just for the sake of it” Ashara didn’t blame her really

Ashara nodded “I don’t really trust you either but at least that’s one thing we can agree on” Malora stifled a laugh “hey was that a laugh?” Malora’s eyes widened

She shook her head “no! This chip is just causing me problems” Ashara looked at it, it seemed to be sparking every few seconds

Ashara picked up a screwdriver “well I can help you remove it if you want” Malora’s anger returned

She shook her head “no I don’t want anyone to see that it’s worse” Ashara frowned it couldn’t be that bad

Ashara tried to persuade her “come on I promise I won’t judge you” Malora seemed torn as she jittered

Malora sighed “I uh I don’t want people to see me as I monster ok I’m a scientist and this mistake it doesn’t define me” Ashara started to understand

Ashara folded her arms “I won’t see you any differently one of the greatest scientists in the galaxy is a giant slug Malora, and the most pretty person in world can be rotten to the core just look at Zash”

Malora conceded “Fine but don’t say I didn’t warn you” she turned around and let Ashara get the chip off her neck with a quick pry

But as she did she heard an echoed shriek from Malora as her hair suddenly shot out of her head draping over the majority of her body, Ashara saw as her skin hardened and her armour seemingly jutted out as if something had grown underneath. Her boots seemed strained as Ashara heard the echoed voice turn to a much more raspy pained voice as she fell to the floor.

She collapsed on the ground hardly visible under all the hair she spoke up a pained raspy voice exiting her mouth “the chip suppresses the extreme growth, I uh did an experiment that went wrong and it’s what caused the growth of the spines, the hair and the skin hardening” She brushed the red and black hair out of her eyes and looked at Ashara, she could now see Malora’s skin was solid and cracked the spines much more prominent on her face “still think I’m not a monster?”

Ashara was baffled unsure of what to do “I uh I was not expecting that” Malora sighed picking up the chip and beginning to work on fixing it

Malora mumbled “I knew it this was a mistake, don’t tell anyone Jedi or I will make sure you never speak another word” Ashara was still stunned but she had to make it right

Ashara shook her head “no no I don’t think you’re a monster I mean it I just I thought you’d turned yourself into a rakghoul or something” Malora shook her head as she tried to work on the chip

Malora responded “no of course not only a madman would do that, I tried to use an ancient sith ritual to give me more power but when I tried to apply it scientifically the ritual cursed me for daring to think different” she sighed “I got the power but it turned me into this, you haven’t even seen the worst of the spines under the armour” Ashara sighed she had no idea Malora was going through this

Ashara comforted her “You’re not a monster Malora you clearly just weren’t like the other sith and believe me I can respect different sith” Malora nodded as she continued

She seemed much sadder without the chip on “I designed this thing almost immediately to combat it but it hurts and the more time that passes the more I grow and the more strained the chip is” she seemed to be getting frustrated “this hair is the worst part I can hardly see a kriffing thing!!!” Ashara thought about that she might have a solution

Ashara sat down next to her “well we could always braid it” Malora looked at her frowning her stoney brow cracking a little as she did

Malora joked “what are we apprentices talking about boys” Ashara chuckled

She shook her head “well no but surely it’d take strain off the chip right” Malora considered the idea for a second

Malora responded “well yes but for that I’d need someone else to do it” Ashara raised her eyebrow at her starting to brain the back “hey what are you doing!!!” Ashara had to admit maybe Malora wasn’t so bad once you got passed her stoney exterior

Ashara ignored the protests “I’m helping you Malora I can braid it for you and then you won’t be as strained controlling the spines” Malora didn’t seem happy about it but seemed relieved to be able to work on her chip

Malora conceded “fine but if you make me look stupid I will make sure you don’t live to see morning” Ashara nodded as she began an eleborate design that would hopefully make her look like less of a wookie

Ashara questioned her “so have you found any other way to combat it minus this chip?” she didn’t know if she was getting too personal

Malora seemed engrossed in her work “yes that’s what the plant was about I’ve been investigating similar compounds that may hold a way to stop the growth” Ashara understood now why she was so intent on helping “it seems impossible to reverse the damage beyond what the chip managed to compress but I may be able to stop it getting worse” Ashara nodded this was gonna take forever

Ashara thought she’d reassure Malora “to be honest Malora you don’t look that bad like the skin is obviously worrying and the voice isn’t ideal but you still look just fine” Malora didn’t seem to be too fazed by the comment

She tutted “forgive me if I’m not flattered by you saying I look fine minus my entire body” Ashara knew Malora knew that wasn’t what she meant “ok I’ve fixed the chip how are you doing?” Ashara had ages left to go

Ashara stammered “we’re gonna be here’s for a few hours Malora this is kinda complex and I’m not so good at it” Malora sighed as she put the chip back on, this metamorphosis was much less extreme as her voice and body returned to normal

The echoed voice rang out “fine but if this is the case we’re going to do it silently I’ve done enough sharing today with you Jedi” Ashara nodded that was fair enough...

Hours later Kyradia was sitting by the fire still a little shaken up as Ashara returned with Malora who now had a long braid of hair running down her back where the heck had that come from “so we’re not gonna talk about how you two had a brading party and didn’t invite me?” Ashara chuckled sitting down next to Kyradia

Ashara smiled “I just helped Malora with her chip don’t worry you didn’t miss much” Kyradia frowned she’d know Malora was hiding something about herself but she’d assumed it wasn’t hair of all things

Kyradia joked “it seemed like I missed a gals sleepover you owe me one both of you” Malora’s glare was very clear as Kyradia continued to joke “unless it was a different kind of sleepover” both their eyes widened

Ashara punched her in the arm “shut up you’re the one who told me to go and help her you jerk” Kyradia chuckled watching Ashara go deep orange was always fun

Kyradia sighed getting serious “well while you were gone Zash tried to mess with me again” Ashara was ready to freak out but Kyradia stopped her “don’t worry I actually messed with her, she’s losing her temper and that’s good news for us” Ashara seemed to consider that

Ashara folded her arms “well still we should be careful are you ok” Kyradia didn’t quite know how to answer

She nodded “mostly I was just reaffirmed at how evil Zash is” she hated she’d ever been close to that

Suddenly Kyradia’s comm sprung to life “Kyradia come in are you there” Andronikos’ voice rang through she could always rely on Andy to be prompt

Kyradia smiled “ah my saviour get to these coordinates and quick if we’re here any longer I feel like there may be a confession” Ashara’s face turned to embarrassed anger as Kyradia chuckled. “I’m just kidding hun we need to get back to Odessen pronto Zash is vulnerable right now we gotta strike the iron while it’s hot”...

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pessimisticlatte · 4 years

Text

Glass Roses ~ Chapter 19

Oh, two updates in one day? Has Hell frozen over? Are pigs flying? No, Rosie is just really bored and weirdly inspired so here ya go, ya filthy animals

Adrienette ~ Lukagami ~ DJWifi/Alynino ~ Chlobrina ~ Tom x Sabine ~ a dash of Julerose ~ Platonic Marigami ~ Platonic Chloinette ~ Platonic Alynette ~ Gabriel x death, because he deserves it

Hand in hand, Adrien and Marinette pushed the kitchen doors open.

“Surprise!” Sabine was standing in the middle of the room holding a small chocolate cake with number candles spelling out ‘18’ and Tom was beside her with a noise maker between his lips and a party popper in his hands. “Happy early birthday, Adrien!”

Sabine carefully placed the cake on one of the polished steel benches beside her as Tom pulled the string on the party popper and sent a small stream of confetti flying over the two teens with a resounding pop.

“Happy birthday, son,” Gently squeezing Adrien’s shoulder, Tom took the noise maker out of his mouth with a broad, sincere smile. “Mari said that chocolate cake was your favourite so Sabine and I whipped one up for you, Marinette did the decorating.”

“Thank you guys so much,” Allowing Marinette to pull him over to the cake, Adrien’s smile was so broad that his cheeks hurt.

“You’re not forgetting us, are you?” Whipping his head around so quickly his neck cracked, Adrien turned to face Nino, Alya, Chloe, and Kagami as they four of them descended the stairs down into the kitchen. Wrapping Adrien into a hug, Nino squeezed his best friend and lifted him off the ground. “You’re practically geriatric now, man!”

“Ah, thanks, Nino,” Squeezing his best mate back, Adrien reciprocated the force of Nino’s hug despite his feet not being on the ground. “Can you put me down now?”

“Sorry,” Releasing Adrien and putting him down, Nino clapped him on the back gently before ruffling the blonde boy’s hair. “Happy birthday, bro.”

“How did-,” Before he could finish his question Kagami answered for him.

“Were you aware that Chloe could drive because I was not prior to today,” Playing with the end of her ponytail, Chloe looked sheepish as all eyes turned to her as Kagami finished her comment. “Honestly, I’m surprised we’re not dead, she drives like a maniac.”

“‘Gami, you were wearing two out of the three seatbelts in the back,” Chloe sounded completely exasperated, rolling her eyes as Alya’s rich laugh echoed around the kitchen.

“Can we let Adrien look at his cake, guys?” Putting on a joking pout, Mari’s voice cut through the conversation seamlessly.

“I’m allowed to take photos of the cake before he cuts it, right?” Pulling her phone out of her pocket, the small ladybug charm on the edge of her phone case swinging slightly as she did, and gestured toward the cake with it, Sabine lighting the candles.

“Yes please,” Grinning, Marinette pushed Adrien toward the cake slightly as their friends moved to gather around the now glowing cake. The cake was beautifully decorated with pale green frosting in swirls and whorls that were stunning and intricate. Launching into singing happy birthday, Tom switched the lights off so the lit candles illuminated Adrien’s face. Phone out, Alya was recording the singing while she joined in at a lower pitch, so as not to ruin the recording.

Once Adrien had blown the candles out, Tom switched the lights back on as Sabine began cutting the cake and distributing pieces out to the group of teens on small porcelain plates. This might just be the best birthday Adrien had ever had.

~~~~~~~

With the Dupain-Cheng’s settled in the kitchen; Marinette, Alya, Chloe, and Kagami set up in the guest house across the lawn from the main estate; and Nino in the room next door to Adrien, preparations were more than underway for Adrien’s 18th birthday celebration the next day. Gabriel had arrived at some point in the middle of the afternoon but Adrien still had yet to see him, not that he was missing his father that much when he was surrounded by people who actually cared about him. Warm and comfortable in his bed, Adrien tucked away the memories he’d made today beside the happy ones he’d made in the past few weeks before drifting peacefully off to sleep.

~~~~~~~~

Waking up at the crack of dawn the next day to find Nino snoring in the bed beside him, Adrien stretched out his arms and felt his shoulders, wrists and elbows all pop in succession. Unsure of how and when Nino had found his way into the bed, the blonde boy flicked his best friend in the face repeatedly until, with a loud yawn, Nino came to consciousness.

“Bro, what the fuck?” Rolling over to face Adrien with bleary eyes, Nino frowned at him.

“How did you get here?”

“Door,”

“Okay, cool, why are you here?”

“‘S cold in my room and weirdly massive. The girls all get to share the guest house and they’re even sharing a room, got lonely, ya know?”

“So now you’re in my room?”

“Yeah, I’m going back to sleep now,” Nino immediately dropped back into unconsciousness, his snoring beginning all over again.

“You are the weirdest fucking person, Nino Lahiffe, but I’m happy you’re in my life,”

Nino made some form of unintelligible groaning noise before rolling over and almost off the bed.

~~~~~~~~~~~

Sitting in the main common room of the guest house, the group tried to flesh out a plan for tonight for how they’d go about getting Nooroo away from Gabriel. Luka had arrived not too long ago, Juleka and Rose having come with him but somewhere off exploring the grounds together before more and more people started to arrive for the big celebration tonight. The Kwamis were out in the open, Plagg munching on some camembert while all the other Kwamis stayed as far away from him and his stinky cheese as possible.

“We could use Trixx’s illusion?” Elbows braced on her knees, Kagami tilted her head slightly and looked toward Alya, the other girl currently writing stuff down in a notebook that was balancing on her thigh rather precariously. “Make it look like Ladybug and Chat Noir have arrived, Mr Agreste will try to go after them but we instead follow him to wherever he’s keeping Nooroo, subdue Mr Agreste and take the miraculous?”

“It could work, but there’s always the worry of the illusion dropping before we’re ready,” Leaning back against the chair Marinette was curled in behind him, Adrien furrowed his brow and rubbed his palm across the side of his face. “But we haven’t really come up with anything else have we?”

“If all else fails, we’ve got my second chance,” Luka picked at the chipping black polish on his nails with a slight frown. “Rewind, try again.”

Face palming, Chloe let out a laugh. “I can’t believe we forgot about Luka’s rewind, guys, it’s seriously the most useful power out of all of us, excluding Alya’s illusion that is. The illusion is super helpful,”

“I guess that’s the plan then, Trixxie and I will make it look like Ladybug and Chat Noir have arrived, and when Gabriel runs off, Mari, Adrien and Nino will follow and get Nooroo. Luka and Chloe will stay in the main area with the guests, Luka primed to rewind if we need to and Chloe with her stinger. Kagami, I’m super sorry about this but you’re going to need to be our support. Don’t transform unless it’s super necessary, I don’t think things are going to get really bad but if they do, we’re going to need you to get all the guests out and to safety before you come back and fight with us,” Closing her notebook with a snap, Alya dropped it to her side and sighed, looking at Kagami with an apologetic frown. “Once we’ve got Nooroo, Mari brought the miraculous box with her, we’ll put him in the box and Luka’ll drive it back into Paris and put it in the agreed upon safe spot.”

“Sounds good,” Chloe had gotten up off the floor at some point while Alya was talking and moved over to one of the covered windows, pushing the gauzy white curtains aside slightly so she could look outside for a moment. “We should wrap up ‘cause there’s stuff goin’ on outside and we don’t want Nathalie coming in here to find us talking superhero stuff. She still doesn’t know, does she, Adrien?”

“Nah, she doesn’t but Chlo is right, we should wrap up because I’m gonna get called into the house soon for god knows what and we all need to start getting ready for tonight,”

“Bro, what’re you talking about? Why do we need to get ready so early?” Frowning, Nino looked at Adrien confused.

“It’s mainly the girls that’ll need time to get ready but it’ll also take time to do Luka’s hair,” Luka glared at Adrien after he’d made the comment. “But we should get going because I know that Mari has some finishing touches to make to Chloe’s dress and that Chloe is going to need as much space as humanly possible to do everyone’s makeup because, god knows, she owns more makeup than it should be possible to own.”

“Thanks, Adrien,” Chucking a nearby pillow at Adrien, Chloe’s mouth formed a grin as she saw someone approaching the guest house. “Sabby is here, so are Juleka, Rose and Mylene, so you boys might want to skedaddle before this place turns into the salon of your nightmares.”

“Alright, we’re going,” Getting up off the floor, Nino kissed Alya’s temple before offering his hand to Luka to help the dark haired boy up. “Don’t kill each other, girls.”

“We won’t,” Kagami’s smile was something akin to sinister as her eyes met Nino’s and held for much longer than he would’ve liked them to. “Now get out before we kill you.”

~~~~~~~~~~

“Alright, Chloe, come on out,” Marinette slipped the pincushion off her wrist carefully, so as not to stab herself with any of the pins stuck in it or knock any loose and scattering to the carpeted ground. “You look amazing, as usual, but you need to show everyone!”

Alya, Sabrina, Juleka, Rose, Mylene, and Kagami were sitting around the room in various states of dress, Alya attempting to line Rose’s eyes without her hand shaking as the small blonde girl hummed along to some song playing in her head. All of them were waiting to see how Chloe looked in the dress Mari had made for her before the most makeup adept of all of them (Chloe) could help them finalise their looks.

“Alright, I’m coming,” Stepping out of the room hesitantly, Chloe lifted the skirt of her dress slightly (it was longer than it looked but she also wasn’t wearing her heels yet so she wasn’t too worried) and emerged fully into the late afternoon sunlight filtering through the abundant windows of the guest house. Resplendent in the most beautiful shade of yellow silk the girls had ever seen, Chloe’s hair and skin glowed like pure gold as the silver jewellery ornamenting her sparkled. Hugging her hips snugly and falling to the floor in a small pool of shimmering fabric, a long slit cut up to just above her knee and the bodice cut into a long triangle that showcased her delicate collarbone and the sides of her carefully taped breasts, gossamer sleeves hung off her shoulders in fragile ribbons that split (a bit like her skirt) at her elbows and drifted down to her thighs. A chain belt was wrapped around her slim waist, small lengths of it hanging down before connecting back up to the belt itself. “So, how do I look?”

“Y-you look…” Sabrina was at a loss for words as she looked at her girlfriend with the most star-struck eyes Marinette had ever seen. “Incredible.”

“Damn, Mari, you did a good job!” Moving over to Marinette’s side, Alya slung her arm over her best friend’s shoulder and grinned. “You look like a goddess, Chlo.”

“Alya, what did you do to Rose’s face!” Jaw dropping, Chloe flew across the room to Rose’s side and immediately began wiping the black smudging around her eyes away with a cotton pad. “You’re meant to line her eyes, not colour them in!”

~~~~~~TAGLINE~~~~~~ @lady-charinette @aussie-lesbian @imgaydontshoot @hnbutt @camelliaflwr @beauty-and-her-books @mochegato @a-star-with-a-human-name @katieykat513 @maniic-pixie-dream-girl

DM me to be tagged

#miraculous #miraculous ladybug #miraculous fanfic #oh my god rosie updated #double update #marinette dupain cheng #adrien agreste #alya cesaire #Nino lahiffe #kagami tsuguri #luka couffaine #adrinette #adrienette #lukagami #chlobrina #djwifi #alynino #julerose

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clarkgriffon · 5 years

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(wrong opinion anon 😁) Don't worry I'm not offended, I would've responded in the same way if I felt the way you do. I guess the hug was just too short for me idk. I'm used to the clinging hugs from Bellarke lol

You’re definitely not the only person feeling that way, there were some replies on the ask you sent agreeing with you. And I don’t know that I can convince you or anyone else otherwise, because I know once people have an opinion, they tend to be firmly set in it, but I can still at least share with y’all why I am loving Bellarke this season.

It could get lengthy, so I’m going to throw it under a cut.

I figure this is a good place to start. “They’ll come around.” This was the first thing that hooked me with Bellarke this season. Because not even ten minutes into the first episode, we get confirmation that Bellamy himself has already come around. And there are clearly still hurt feelings there (on both ends), but he’s the one person who doesn’t need convincing to forgive Clarke. He does it like it’s second nature. Forgiveness is their thing. (Which is implied further by the BE scene later in 6x01.)

This next. We’ve never gotten to see Bellarke smile at each other like this. E V E R. And don’t get me wrong, I love Bellarke smiles, but they’re usually muted, understated things that make light of a dark situation. Like, “Some medicine would be nice.” or “You distract him, I’ll shoot him.” or “Mama bears don’t think.” They know they’re fucked, so they joke about it. The closest one to how big and wide these smiles are is We Will Rise, when Clarke and Bellamy almost crash the rover, but that’s a smile of pure relief. They aren’t smiling just for the heck of it.

These smiles are special because they don’t need an instigator from an outside source. It’s not relief, or fear that’s causing them to smile at each other. It’s just the two of them. And just to paint the broader picture, they talk about the radio calls here. You know, what we were waiting for all of Season 5 and didn’t get a semblance of anything close to it until 5x13? Yeah, that was addressed in the first episode. And we know that after four episodes, it’s still not done being talked about. It keeps coming up because it’s imperative to Bellarke’s relationship.

This is a little more subtle, but the keys were a detail I loved. Clarke kept Bellamy’s key. Clarke. Why not Echo, arguably the person he should trust the most on the planetary exploring mission? She’s his girlfriend and he lived with her six years. Same goes for Emori, minus the girlfriend part, but he should explicitly trust her. Okay, but they weren’t in the same room and we’re going to ignore the implications entirely of why Bellamy and Clarke had to be stuck in the same room even though that’s even more proof of the writers feeding us. But what about Murphy? Again, six years in space. Bellamy is the one to continually tell him he isn’t useless, to have faith in Murphy. But when it boils down to it, he gives Clarke his key. Clarke, who left him in the pits. He still, after everything, trusts her more than anyone.

Now, I’ve gone over this more in depth before, but Red Sun Rising including the line “I don’t need you anymore” from Bellamy to Clarke was extremely telling. I don’t want to rehash the whole thing here, but you can read that meta if you want at this link. The synopsis is that the eclipse-induced psychosis prays on fears, like Clarke’s fear of losing Madi or Emori’s fear of being heartbroken by Murphy. Bellamy says he doesn’t need Clarke because he’s afraid that he does, and she left him in the pits. If he needs her again, he’s afraid she’ll break his heart again. And just look at her face, she’s terrified, even before the toxin hits her, that he’ll break her heart. She wants to be able to be there for him.

“We’ll bring Madi back. I promise.” Now, we’ve gotten a lot of focus on Clarke leaving Bellamy in the pits, but weirdly none on Bellamy chipping Clarke’s daughter. This was the rectification for that. They threw in an exact parallel to 5x08/9, except this time, Bellamy keeps his promise. And it means the world to Clarke. She can finally trust him fully again.

The separated Bellarke for just one episode. Not a longer separation like it usually is when one of them leaves. Suspiciously, Clarke gets a big dress reveal while Bellamy is not there to react. ‘Nuff said.

Now, before we even get into the hug, let’s dissect this conversation. Bellamy has - from episode 1 of S6 - already made it clear he’s willing to move past Clarke’s S5 mistakes. But Clarke still feels the need to atone because she’s that distraught about leaving Bellamy behind. She wrote it on her lantern. Yes, a girl who has committed/helped commit multiple mass murders to protect her people regrets nothing more than leaving behind a boy who didn’t even die. And Bellamy, bless his soul, wants to avoid this conversation like the plague. This whole episode has a focus on Bellamy being confused about how he feels and it starts with this conversation. We haven’t seen Bellamy express any confusion about his feelings this season until after Clarke tries to apologize and hugs him. A catalyst for Bellamy to have deeper thoughts? Maybe.

And Clarke says “You’re too important to me.” She admits it. She calls him family, something he actively excluded her from last season. This triggers something in Bellamy, because he’s gotten used to keeping Clarke at a distance and protecting himself because he thought she didn’t care. And, of course, the radio calls proved that she did, but that was before he came back. It doesn’t have to mean anything. But now, she’s admitted he means something to her in the present, the current moment. And he’s confused as fuck about it.

Now, let’s actually analyze that hug shall we? You’re on the money, it’s shorter than usual, but I don’t think that’s necessarily bad in context. Because this hug, as beautiful as it is, is unnecessary. They’re hugging just because they can. Think about it. Other Bellarke hugs have a catalyst. A reunion: 2x05 - the running hug, 5x04 - the “And now you’re home hug.” A comfort: 4x13 - Clarke doesn’t get the chance to say goodbye to Abby. A forgiveness: 3x13 - Bellamy agrees to move on, to grant himself and Clarke forgiveness.

But isn’t this a forgiveness hug, too? No! As I’ve mentioned, Bellamy already forgave Clarke. This entire conversation is initiated on Clarke’s end to give her peace of mind about what she did, it just so happens to stir up confusing emotions in Bellamy. But it’s not the monumental forgiveness of 3x13 because Bellamy hasn’t been angry with her since they got to Sanctum. He forgave her in 5x13.

And just the body language- Clarke does her signature smile of relief while hugging Bellamy. Bellamy looks confused then relaxes into it, relieved, furthering the narrative he doesn’t quite know how to feel when it comes to Clarke.

Now, this is the one I’m going to give a point to you for not being sure it’s romantic. I can see how this one, more than the others, is confusing. This isn’t seething-with-rage jealousy. I’ve discussed with with some other and it’s miserable jealousy. I think it’s mixed with Bellamy’s confusion, he doesn’t want to see Clarke dancing with another man and he doesn’t know why, he just knows it makes him sad.

Right after this, we get the B/E fight and Bellamy snapping at E/cho. His reasons are Monty, Harper, and Octavia. But none of those situations are immediately relevant. What is relevant? What is the ONLY other thing we’ve seen in this scene? Clarke dancing. Bellamy admits that he has no clue how he feels and he says it’s about Monty, Harper and Octavia, but why now? Why in the club only after he’s seen Clarke dancing with someone else?

And I’d be wary about this too, because when I first watched, I wasn’t even sure his line of vision matched up with her. How could we know he was watching her? Upon rewatching multiple times and the flashing between Clarke dancing and Bellamy watching, plus the way the camera pans, it’s clear he’s watching her dance.

All of this and more is why I’m loving Bellarke this season. And I understand frustration that it’s not like the early days because it isn’t. It can’t be. Season 5 wrecked them to a point I thought it could even be beyond repair, but Season 6 is showing that it can still be repaired. They’re not going to immediately fall back into pre-Praimfaya patterns because they’re not those people anymore. But the feelings, the care is still there and THAT is what Season 6 is showing.

Yes, there’s an emphasis on reconciliation and forgiveness, and addressing feelings because it’s necessary. Without it, they’re back where they were in Season 5, not understanding who the other person is after such a long time. They’re falling back into sync this season, not just with their feelings, but also as coleaders, which we see in Clarke being a representative for their people and in the way they lead in 6x02, giving each other their keys.

And what am I most excited about now? Bellamy’s gonna lose her again. I know that sounds bleak. But Bellamy’s focus on confused feelings in 6x04 are setting this up. He’s gonna know exactly how he feels when he loses Clarke again. He doesn’t want to accept the feelings he has for her (proven in 6x02), he wants to be in denial (6x04). But when he loses her again, he’ll know. Josephine!Clarke is going to bring out that Season 1 Bellamy, where a switch will flip and he’ll do whatever it takes to get Clarke back, consequences be damned, the same as he’d do it for Octavia in Season 1. I’m thrilled about the direction this season is going.

To anyone who’s not: that’s okay! You don’t have to be. I hope you can enjoy the show for what it is. I think this - all of it - is relationship setup and romantic setup, but hey, that’s just me.

#the 100 #the 100 meta #bellarke #bellamy blake #clarke griffin #ask #i got carried away #no one is gonna read all of this #mira muses #the 100 season 6 #Anonymous

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ralfstrashcan · 5 years

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3x19 Reaction / Commentary

I didn't even skip breakfast today, it's almost as if I'm a real functioning adult ahahaha.

SDFALFJSKLDFJASDF I'M ALREADY A MESS

Ngl those first few shots made me think I had fallen headfirst into a zombie apocalypse movie. Wind swooshing through the speakers, no living soul in sight, no cars driving, just Magnus walking along the street, on the Boulevard of Broken Dreams hahahahaha sorry I'll stop.

Wow what a jerk.

There's been so many hilarious jokes about the “What fool summoned you” line, and my favorite one will forever remain this.

So, points to Magnus for asking, minus points for buying this shit not-sound-at-all story. Even “fatherly love” can't just screw the laws of nature, okay, Magnus shouldn't just skim over this. Then again I can definitely cut him slack on this because he is a little preoccupied with other problems at the moment.

Listen, Magnus's body language throughout this whole scene (and also throughout the sneak peek we saw for 3x20) is so expressive. Imma skim over it because I plan to do a thorough Relationship / Scene Analysis for Magnus and Asmodeus, so let me just leave this picture here uncommented.

No wait, I have a question. Isn't Magnus's magic occupied with guarding Lilith's home? Did Asmodeus pick it up before summoning himself or did he call it just now? Also, does Asmodeus know that Lilith is on the loose? Then again, is she even? Because no Shadowhunter can be bothered to look for her and she did say that she wanted to go back to Edom... but that was probably a lie to get Cain to cooperate. And how could she even send herself back to Edom? So many questions. Anyway moving on because who cares about Lilith.

Magnus's face when he gets his magic back. ....................yes I have no witty words here, sorry.

Lol okay I have. I love this scene, I absolutely LOVE Magnus's face and how expressive it is, but I've also been dreaming of an epic eye-sparkling, energy-crackling mid-battle-scene where Magnus regains his magic for uhhhh almost a year now, and in terms of dramatic-ness this was pretty anti-climactic. And I think we can agree he won't lose his magic again and then get it back in a more dramatic fashion. Also where are his cat eyes I feel cheated.

I mean, come on, even he gets to show them!! Btw what a dick cunning move to use them to manipulate Magnus. Since they made a compelling argument the first time around.

Also LOL Asmodeus playing nice for one second and when Magnus denies him he immediately shows his hand with “I won't take no for an answer.” Man has no patience XD

Finally I wanna give a huge HUGE shout out to Magnus for resisting Asmodeus becuase can you even imagine how low he must be feeling and yet he has enough presence of mind left to realize that whatever comfort Asmodeus offers can't be true, there must be a hook and it's best to stay away. Dude what strength.

“I only lost sight of her for a minute.” “Enough time for the Evil Rune to have taken hold.”

Uuuhhhh since when?? Did they also go to the bathroom together before?? Did I miss that?? I mean, sure, Clary was drifting sometimes, but she spent a whole half episode in the same cell as Jonathan with Jace “away” behind the glass wall and out of her sight, so...... yeah. This is a little sudden.

She keeps saying that but we have yet to see her actually filter anything. #nofilter

“No one can hurt us if we get to Morning Star first. And once we have that sword the entire world will be terrified of us....”

So he wants that evil sword not to open a rift but to keep the NY Shadowhunters off his back so he can live his life in peace. I-n-t-e-r-e-s-t-i-n-g.

Yes, good. Finally learned your lesson.

.............Or not??? I mean it's not like Clary pretended to be on his side before, to lull him into a false security and gain the upper hand. Why would he fall for it now? Because he acts like Jace is the only risk factor here, and Clary is of course truly and wholly on his side. I mean, true, the circumstances are different since she freed him and all, but like. Guy must have trust issues by now. Where are they.

Also

he should start a self help group with Alec hahahahahaha *weeping*

Me, waiting for the next episode of Shadowhunters. (Also I just noticed Simon says “me neither” not “mine neither” so it sounds as if he's not Izzy's thing, either and LOL I couldn't agree more ahahaha.)

Uh-huh, I agree. Perfect timing. I mean, it's not like there was a glaring 98% there earlier, and as if he didn't have plenty of time before to bring this unfortunate line of conversation up. This is on you, Simon. Don't blame the filtering.

HAHAHA ASK ALEC, HE'S GOING TO THROW IT AT HIM HAHAHAHAHAHA

Seriously though. Just, uh, crush it into powder, add some saline solution, done. And I'm not even a scientist. This is intuitive. The heck.

I'm 1000000% on board with all of this, okay. Over excited Alec is the best Alec. Handholding is the best. Magnus's weariness of surprises is headcanon confirmed. Yes to all of it.

So there were a few lines that were widely interpreted as allusions to their kinky sex life and tbh I never bought any of it because I thought it was seeing too much where there was nothing, but this is so very obviously meant in a kinky way that I'll accept it. Another headcanon confirmed ahahaha this episode is so generous to me.

Ugh I'm so gonna have to write something about that. And knowing myself, it'll be sad closeted Alec daydreaming of all the things he can never have.

Question time, what are those weird rivets thingies? Do they hold any meaning? Is their placement of importance? Because they look very deliberate and very there. I'm confused.

Also, this scene was designed to drive me crazy. There's 7 different shots where we see the lock's placement and there are no less than 3 (!!!!!) different placements. Placement #1, #3 and #5 are consistent (though really, #1 and #5 shouldn't even count because they are clearly the same shot, just with Magnus's hand reaching for the lock) on the left side of the yellow lock, to the bottom left of the Dips lock.

Then we see Alec placing it in an empty compartment at the very edge of the construction (placement #2), only for it to be on the compartment below that in the next shot (placement #4), sharing space with a little gray-blueish lock. This is the same place from where Magnus removes it then (placement #6).

I hate inconsistencies, okay, and I really did notice all this the first time watching. I can't not-see stuff like this. The only fun that comes out this detail obsessiveness is the lock that clearly ships Captain America and Captain Marvel (left) and the lock that was placed from two years in the future (right) because ahahahaha did the show forget it takes place in 2016?? It would seem so.

And yes, I chose to focus on this instead of the fact that Magnus incinerates their lock because that hurts my heart too much to think about, okay. That scene was perfect, the music swelling in all the right places and just. So heart-wrenching. I might've teared up a little. You can't prove anything.

Why she not removing those paper thingies? Seems impractical.

Paint on face trope? Check.

Yeah Raphael, lemme pay you some respect for facing your mistakes like that. I like it a lot.

Istg if they don't give him GPS this time and just rely on the tracking rune again, which Jonathan and Clary will insist he blocks, then imma flip my shit.

.......................so many fanfics want to be written here, okay. So many.

Also is no one gonna talk about the fact that they all put the ring on the pointer when that's not the intuitive position to place a ring? For security reasons alone you should put it on your middle finger so it doesn't accidentally slip off. Oh right, I forgot. Magic ring.

I love how Alec's voice wavers and you just know he sends Jace away because he'll start crying if he doesn't (even if in this screen cap Alec looks weirdly happy). Btw headcanon that Jace didn't realize something was up at first and was only tipped off when Izzy asked earlier if Alec was okay, and then he prodded at the parabatai connection and realized... there was nothing. Just a solid wall of nothing, because Alec's been sealing off his feelings completely.

1) Wow, Simon, your condolences are amazing. 2) Please, explain? Is she in a coma? Walking around as if she'd had a lobotomy?? But whatever, just skim over this, she's a minor character anyway and nobody cares about her *shrug*

This is the LAZIEST plot convenience I ever had to see with my own two eyes. I really can't work up the energy to rage about this. Just, wtf. Then again, not calling ahead with vital information seems to be Luke's Thing, just remember the 3x15 disaster. At this point it might as well be considered a character trait of him and no longer plot convenience. *sigh* Also, Shadowhunters are major creeps, am I supposed to believe they don't have a few liters of all of their soldiers' blood stored away somewhere, for reasons?

Uh-huh, Izzy. And if you care to remember, that was about 20 episodes ago. And since vampires have a constant craving for blood they seem to have some kind of metabolic. If you want to tell me that Jace's blood is still IN Simon, then either a) he's been chipping away at the Jace-blood-stash he has hidden in his second gastric and if that runs out he'll no longer be a daylighter or b) Jace's blood went into Simon's cells and changed him on a molecular level..... in which case, to extract it they'd have to remove it, un-daylighter-ing Simon in the process. Or maybe just parts of him? Imagine if he was a daylighter except for his left arm or something. In any case, this is majorly ridiculous and I can't believe I have to suffer through this.

????????????? Who opened that portal? I mean, if he had to call on a warlock to get away, wouldn't it have been easiser for Izzy and Co. to stop him from running through that portal and make him donate some blood first? Instead of forcing this bullshit logic on me? Ugh. But I get it, this is necessary to justify a Sizzy scene. Whatever.

Hahahhahha.

Which means nothing, since Jace can activate his runes without his stele. Or did they forget that part again?? I mean, it's been half a season since he last did that.

“And if it wasn't for our connection I suspect you'd do it again.”

lolololol hilarious.

HAHHAHA WILL YOU STOP WITH THE HILARITY

Honestly, the way they all act I get the distinct feeling I'm watching an exasperated kindergartener and two particularly clingy toddlers vying for her attention XD

Uuuuhhhh yeah hit me with more Malec Flashbacks to make me feel shitty, why don't you.

Okay, consoled. Btw thanks for confirming another headcanon that between the two of them Magnus is the one easier swayed by puppy eyes.

HAHAHAHA of course my mind immediately interpreted that as a misguided pun about Magnus being a Prince of Edom hahahaa wtf Alec

Dammit, his eyes. You can really see how he's allowing himself to start dreaming about it.

Also, can't believe they had a kiddie talk with at least some seriousness, what, two months into their relationship?? Haha. And internally Madzie was like “Uh boring grown up talk, at least I got my sprinkles.”

See, this is what I have problems with. On the one hand, even with all his emotional turmoil going on, Magnus is still enough in his right mind not to fall for Asmodeus's sweet talking, but on the other hand he revisits all of those memories and doesn't realize Alec breaking up with him can't have been real? This doesn't really add up. Either he is out of his mind with emotions that he can't see this very very strange happening for being something fishy (then he shouldn’t have been able to so easily resist Asmodeus), or he's still level-headed enough not to be driven by emotions entirely (then he should have realized the breakup was fake).

toddler fight intensifies

I'M WHEEZING HAHAHAHAHAHAH R U FOR REAL. Also remember my statement from last week? Where I said “I mean, in a way it's nice to know that Demonic Clary isn't smarter than Regular Clary.” Turns out she's so much worse than Regular Clary XD

Lol Raphael is that still you talking or the Plot Point? Because ngl, when I saw that sneak peek promo thingy where Jordan eyes the dramatically last vial of serum in the Institute I immediately thought they want to cook up a conflict there, where he steals the last vial needed to help save Clary and bla bla bla. I really hope they don't go down that road because I feel he should be better than this by now. *sigh* In any case, while I enjoyed the first part of this plot line with Raphael coming here to make reparations, this feels really forced and convenient.

OH MY GOD THANK YOU SIMON FOR ASKING THE IMPORTANT QUESTIONS WTF I NEED ANSWERS

Wow can't believe they pulled this obvious and clearly unfitting parallel to Sizzy. I mean, Simon lost his glasses back in S1 and even before that Izzy noticed he was hot in like ep 2. She's been appreciating him as a friend since at least 2B if not sooner. So please don't pretend that she just didn't notice what a great guy he is, because she did. She knows he's someone you can count on, who's there when you need him, with advice or a joke or just to listen to you. She knows all this, and has for seasons. But, surprise surprise, you don't fall in love with everyone who's a great guy and a good friend. That is a thing. Friendships are a thing. Anyway, at least I can wholeheartedly agree that in any possible scenario Izzy is the hot girl XD

HAHAHA JACE THAT'S PAYBACK FOR ALL THOSE TIMES YOU INTERRUPTED MALEC HAHA KARMA IS A BITCH RIGHT

.......or just use glamors to look like Downworlders. Just saying.

Jonathan using the cuts to get a secretive chest grab in on Jace, but I know all those sleazy tricks and you can't slip that feel-up past me #busted

*weeping tears* yeah, and he'll never get the real deal. what a tragedy.

“...the Downworlder club. I think the runes front and center on my neck make a compelling argument, don't you agree?” Also the foreboding background music totally spoiled this 'twist.' (I'm using ''s because it was totally obvious this wouldn't work.)

Look I just love Alec, okay. I LOVE ALEC.

*waves hand* elite guard *waves hand some more* blue mark on his neck *smacks self in the face with waving hand* look i'm pretty sure Meliorn doesn't have a mark like this and he's like, the only Seelie that gets regular screen and talking time with the queen. But I'm way too behind schedule to start looking into it, I might edit something in here later (or never ahahaha).

OH DEAR THE MOMENT OF TRUTH

YES YES YES PLEASE

DUUUUDE WHY ARE YOU GIVING HIM IDEAS WHAT THE HELL

Also, remembering that short sequence of Magnus shooting red magic at his temples from the promo doesn't bode too well for the rest of the episode. Dammit.

You had one job, Lindsay. One. Job. (Yes, please imagine the Loki Gif here. I just love him a lot, okay. Loki <3<3<3)

(^pls imagine her little disenchanted headshake because any screen caps I tried to take made her look drugged out of her mind lol.)

Yep, this is it. This is it.

Sooooo.... how exactly did they persuade the bouncer? Just curious.

HAHAHAAHAH duuuuuude hahahhaa.

........when exactly did Jonathan spy all that? I mean, I've been having questions about the pacing since that ep with the Baby Jonathan Flashbacks, because that manibus whatever demon? Referring to 2x05. So Jonathan only got to earth after that? Howwww? Not thanks to Valentine, right, since he didn't even know Jonathan existed until 2x15 where Jonathan intercepted him from his portal to Idris? And didn't they say Sebastian Verlac disappeared half a year ago?? How does that all match up?

In any case, I feel like the seelie queen suddenly having a warlock boy toy who she can't order into her realm and who she has monthly scheduled appointments with that the whole shadow world knows about is a) totally absurd b) pretty ooc for her and c) reeking of plot convenience. They just couldn't find a better excuse for her to be at a certain place at a certain time. They should have made her attend a fashion show, or hell, a gardening contest. Would have been more credible than whatever this is.

“I grab the queen. Clary portals the three of us away.” “The four of us, including the queen.”

HAHAHHAHAHHA I CAN'T XD XD XD #slightly consoled

WHEN THE HELL DID JONATHAN READ / WATCH THE SHINING ARE YOU SERIOUS RIGHT NOW WTF!!!!!

1) This doesn't work in real life. Do you have any idea how much time it takes to catch a snow flake or a raindrop this way? I know because I've tried, and the anwer is ages. 2) Seems a very uneconomical way to distrubute drugs. Whoever invented that business model must be in deep depts by now. 3) What kind of shitty plan was that on Jonathan's part? Get Jace on drugs, he'll surely expose himself to be a traitor? I hate the fact that it works. I hate that everyone's shitty plans always work (re: Sizzy's dilettantish prison infiltration) because that's why they all keep making shitty plans. Positive reinforcement and all that. The only one who always gets punched in the face for making okay-to-good plans is Alec, and that's why he's the overthinker. So unfair.

“Well this is awkward because I just stole it for you.”

So frakkin predictable. Also, how did he steal it from the table when Izzy and Simon where guarding it?? It clearly was still there when Maia left and like

Did Jordan just grab it and run? So many questions.

Don't get me wrong, that whole forging the sword sequence was super badass, but like, if you're wielding scorching hot metal it seems a little impractical to just wear security goggles and a leather apron. There were freaking sparks flying and Izzy ducked. What the hell. What about, idk, unconventional but, a protective suit?? And Simon isn't any better. “Oh, I could die from this sword? Just lemme hide behind this doorway real quick.” *sigh* One of these days a character should die because of dumbass behavior, maybe that'd teach them all a lesson.

Also, this is totally logic. They had a splinter from the original sword that they then made tons of serum from, which they saved 3 vials of..... and somehow this was still enough to forge a whole new frikking sword that's apparently just as powerful as the original one. I don't even know where to start with this bullshit.

.................dude, if you wanted to persuade her you should have pointed out the ring to her. But maybe this isn't about logic at all, this is about wanting to know if he is Clary's first choice without logic or reason, and that would make sense for his character, even if it's not the most sensible or productive course of action.

Me, during the fight scene: “Wow, I believe all that Seelie guard slaughtering is not going to end up in a Downworlder vs Shadowhunter war again..... ha..... hahahaha.”

Arguing with a possessed person. Again. Honestly this is the, uhhh, fifth time this happens on this show? And people just seem to never learn. SIGH

Yeah, by not following the plan and acting stupid, so my sympathy is pretty limited aka non-existent. Btw his slide across the Institute floor was hilarious. And also, pretty nice of Clary not to just kill him. This is the second time she's spared him. Interesting.

ISTG IF THIS SCENE ENDS WITH A CLIFFHANGER IF HE GOES THROUGH WITH IT OR NOT IMMA FLIP MY SHIT

*manic laughter* I love that this makes so much sense. Asmodeus needs Magnus's heartbreak so he'll be susceptible to Asmodeus's influence. So his motives are shitty. On the other hand it's not as if what Asmodeus says to Magnus isn't the truth. Fighting through this will make Magnus stronger, no doubt. Knowing he can be this low and still get back on his feet without running away and succumbing to the pain. And I'm glad, for obvious reasons, that Magnus didn't go through with the memory removal because ain't nobody got time for those issues. Mending the breakup in a satisfying was will be hard enough as is. Back to the scene at hand, I gotta say I love this about Asmodeus: He doesn't lie outright, he mostly lies by omission, and he speaks enough truth to really screw with everyone's perception. It's awesome. He is such a great antagonist and his dynamic with Magnus is highly fascinating.

Conclusion: Not enough Malec (seriously, their only scenes together are flashbacks? the frakkin audacity) but tbh I'm still too high on endorphines since the memory removal didn't happen that I'm mostly okay with it. And the Jonathan-Jace comedy was nice.

#shadowhunters #3x19 #magnus bane #alec lightwood #isabelle lightwood #clary fray #jace wayland #asmodeus #simon lewis #jonathan morgenstern #maia roberts #kyle #luke garroway #raphael santiago #reaction

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