#Why did I watch it so late

[hansoeii]

Trent Crimm!

[itzphynix]

Yeah, so while I was on my "I'm going to read into Vanny/Vanessa as much as possible" journey, I noticed an odd quirk in her animations in how she moves. At first, I thought it reminded me of a ballerina, 'cause she's kinda tip-toeing, & she has this way of keeping her head & chest in one place as she moves, but I looked again & realized --

That's not ballet! She's doing a tight-rope act. Like, look at this one:

This is like standing up on the wooden boards before you do the actual tight-rope walking, & the ring leader is hyping you up as you do some fun movement for the crowds. &, then, these:

These are all instances where she walks with one foot directly in front of the other. In that third, she's doing the "woaaah" wiggly-ass balance movements & everything, as if she's swaying up at the top of the tent, even though she's down on solid ground.

Idk, I feel like the way her feet are placed isn't accurate (pretty sure they should be pointed left & right, not both forwards...) doesn't make this 100% correct, but I like it. It also connects back with her first SB teaser, wherein she's up in the rafters.

[abovetherainandroses]

Pete & Patrick + Grand Theft Autumn/Where Is Your Boy, through the years

2007 / 2008 / 2009 / 2013 / 2014 / 2015 / 2016 / 2017 / 2018 / 2019 / 2021 / 2022 / 2023

bonus: so much for (tour) dust staging ver. (2023)

(1) my video / (2) x

[kaeyachi]

Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).

He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.

And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.

No one knows how he does it. No one has to know.

Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)

He needs to be quick.

Efficient.

Perfect.

And so he comes and goes like the wind.

Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.

Kaeya had only been late once his entire life.

He'd rather he never be late ever again.

It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...

.

.

.

" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.

"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.

Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.

He imagines hearing a clock ticking.

Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?

Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.

[transgender-daisuke]

evan hansen did bad things but not because he liked zoe if you’re going to criticize him at least get it right🙄

[himbohimhoe]

Holding out hope that the writing in veilguard will get more bearable but rook saying to lucanis that it's "not nice that Spite hurt him" and he "shouldn't accept that it’s fine bc it wouldn't be ok if a person did that" like. That is a demon. Built off a single emotion called SPITE. Rook I am finding it really hard to believe that u have lived in thedas for more than 30 seconds.

[high-voltage-rat]

Actually I'm still thinking about it. Another interesting way in which RvB is anti-war is the way that the Director fills the role of a villain and antagonist (especially in the Recollections trilogy, where he's a faceless villain we never see but is responsible for everything that happens).

In his memos to the Chairman, the Director emphasizes his sense of duty and obligation to the military- he becomes irate for the first time when he feels that it's being implied that he was derelict in his duty... or that the work he did out of that duty is being criticized for being against the military's interests. He also talks about Allison's death in a way I find... interesting.

"You see; I never had the chance to serve in battle. Nor did fate provide me the opportunity to sacrifice myself for humanity as it did for so many others in the Great War. Someone extremely dear to me was lost very early in my life. My mind has always plagued me with the question: If the choice had been placed in my hands, could I have saved her? [...] But, given the events of these past few weeks, I feel confident that had I been given the chance, I would have made those sacrifices myself... Had I only the chance."

The idea of sacrifice is central to the way he talks about his wife's loss, to the way he talks about the war in general. He talks of sacrifice with a sense of veneration- that it's something he aspires to do, that he longs for. There's a few ways we can interpret "I would have made those sacrifices myself"...

-That in Allison's place, he thinks he would have laid down his life too.

-That if given the chance, he would have given his life to save hers.

But most interestingly...

-That he would have sacrificed Allison's life for the continued survival of humanity, if that was what duty called for.

...And personally, I think all 3 are true.

In most war media, the Director's perspective on sacrifice is very common. Sacrifice is glorious and heroic- to die in battle is an honour- and it's the only way to ensure the group you serve survives. This is a tool of propaganda- nobody wants to go to war just for the sake of it, you have to give them a reason that the risk of dying or being permanently disabled isn't just acceptable, but desirable. Beyond that, most people don't want to do things they think are immoral- you have to convince them it's important, a necessary lesser evil. You teach them to sacrifice their morals, too.

The way they train soldiers to follow orders and to kill, is to convince them that they, and the people around them, and the people they care about, will all die if they don't. It's drilled into your head from day one. It's the way they ensure their commanding officers won't shy away from sending their men off to die. The message is constant- sacrifice is your duty, and duty ensures your people's survival.

In the Director's eyes, the damage Project Freelancer caused was his sacrifice. He never got the opportunity to sacrifice himself during the war- so he sacrificed others, as military brass do. The Freelancers- including his daughter. The countless sim troopers. Any people he considered "collateral damage" on missions. And when the opportunity to do so presented itself, he sacrificed a copy of himself- Alpha- and he sacrificed a copy of Allison- Tex.

The very thing that derailed his life- the loss of his wife- he made it happen again. He put her copy in dangerous situations, let her exist in the position of constant repeated failure, created the circumstances that would eventually lead to her death. He put their daughter in deadly situations that nearly killed her repeatedly, provided her with impossible expectations leading to self-destructive behaviours in the name of duty, implanted her with two AI knowing they could cause her permanent harm. He was confident he "would have made those sacrifices himself" because he did.

The Director is the embodiment of the military war machine. As an antagonist, he is a warning against buying into the glorification of sacrifice. He's a condemnation of the idea that one should be willing to do anything to win a war- that duty to the military is the thing that ensures survival... All the messages that are pushed to ensure recruitment and obedience of soldiers.

He's a reminder that swallowing the propaganda leads to you doing terrible things... and in the end, you're a broken man left mourning the losses that you suffered even as you repeated them, convinced that it was all necessary.

[boatcats]

Lying on a faked out line in the focsle straight up taking it. And by it I mean. Let's just say. A nap.

[love-songs-for-emma]

don't get me wrong,, i have Sobbed throughout my watch of buffy the vampire slayer. there are deaths that had me wrecked through entire episodes. but. even though i didn't cry for him in the moment,, the most upsetting death for me thus far is absolutely jonathan. my god. he was trying so hard. through and through to the end, he believed in the good of people, in helping and loving people,, even if they'd never think twice about him. he was beaten down on and alone and still,, still,, there are things he did that ultimately saved the world and i doubt the scoobies or anyone will ever know it :(

[xiakeponz]

for modern AU fics - what chinese media did diaspora consume?

making this post because some of us in the diaspora server were having a chat about what Chinese media "Diaspora Chinese" watched in the 90's - 2000's (and even sooner than that) while not having access to satellite chinese media or streaming services - this is in the context of writing modern AU fics based off Chinese media/novels (so your main character's grandpa or uncle is not, in fact, watching an episode of Friends or Shortland Street or something as flavour text because sorry what the hell-)

We generally watched a lot of stuff on VCDs, including bootlegged and non-bootlegged movies, shows, anime/donghua. My household had a whole VCD album of this, and a lot of VCDs (even if they were pirated editions) would have a fancy hardcover box with a magnetic clasp and some artwork representing the show on it.

All of this is Mandarin - so not TVB stuff, because I'm from Northern China and I don't know any cantonese - but Canto friends, please feel free to add to the list! This is mostly stuff my parents liked to watch, or I liked to watch with them, with the exception of a few which I mainly watched with friends/cousins when I was maybe (in most cases) eleven/twelve years old onwards. This is a pretty personal list, meant to give people general idea of a possible "ballpark" of sorts, and by no means exhaustive.

Now, for the list of shows which I can confirm I had or someone I know had on VCD or some kind of offline media format lol (I'll try add release year stamps and links to the EN wikipedia where possible):

Period dramas (mostly Qing Dynasty stuff):

Huan Zhu Gege 还珠格格 (1998, April-) This is a classic, so many memes come from this show; hugely popular series, basically cemented Zhang Tie Lin's face as the face of the Qing Emperor for about a decade. Tie Chi Tong Ya Ji Xiao Lan 铁齿铜牙纪晓岚 (2002-2010) - I loved this show as a kid and watched all four seasons on repeat with family... The "trio" in this show are well known and loved.

Amazing Detective Di Ren Jie / 神探狄仁杰 (2004) A very popular and addictive show. Ok now the Big Four:

Romance of 3 kingdoms 1994 / 三国演义 (1994) - a classic that has had many remakes, my older cousin would play this on repeat...

Hong Lou Meng/红楼梦 （1987） - another classic with many remakes, but I think the most recognised by the public one is the 1987 one.

Journey to the West / 西游记 live action (1986) - I think the 1986 version of the live action is the most recognised one. *Shui Hu Zhuan / 水浒传 (1998) - I am not too familliar with the live action of this one in my household tbh bc my mum doesn't like it lol (she keeps saying it's too depressing) but I'm sure it's up there with the rest of the big four, if anyone has an opinion on this one please let me know!

Modern setting shows:

My dad loved all the Sun Honglei (孙红雷 - actor name) stuff, iirc it was a lot of MinGuo period espionage stuff, your shanghai 1920's sxc aesthetic. This actor has been around since 1999? Qian Fu （潜伏）was very famous, and Ren Jian Zheng Dao Shi Cang Sang （人间正道是沧桑）。 These were around '08 and '09.

Chuang Guan Dong - 闯关东 (2008) (Baidu link, sorry - couldn't get an EN wikipedia one). This show was huge when it was airing, everyone was watching it. I was pretty young but even I watched it and got invested ... and I thought it was such an "old person" show at the time lmao. Xiao Bing Zhang Ga / 小兵张嘎 （2004） (sorry, again Baidu link) - yo, anti-japanese war movies set between 1937-1945 were crazy popular - this is one of them and was very popular):

Donghua/Anime (all the stuff kid me watched and some which I didn't but were popular):

喜羊羊与灰太狼 (2005-) Calabash Brothers / 葫芦兄弟 （1986-1987） Black Cat Detective / Hei Mao Jing Zhang 黑猫警长 （1984-2010） Lan Mao Tao Qi 3000 Wen 蓝蓝猫淘气3000问 AKA 蓝猫 (blue cat) (October 1999 - Present) Legend of Ne Zha 哪吒传奇 (2003) Journey to the West/Xi You Ji 西游记 This was truly the Donghua I grew up on from when I was a bb, the OP song and ED song are classic bangers all kids know. Slam Dunk/ 灌篮高手 - People truly watched a lot of anime that may or may not have been terribly dubbed into mando (possibly canto too). Late 80s and 90s kids were all over this, and Dragon Ball, Crayon Shinchan (labixiaoxin).

Taiwanese Dramas:

This is mid-late 2000's, I would be remiss to not talk about the Taiwanese dramas of this era. Mike He, Rainie Yang, Wu Zun (amongst many, many others) were huge. Stuff like Dou Niu Yao Bu Yao, it started with a kiss, Hua Yang Shao Nv (Taiwanese version of Hana Kimi) were all pretty popular. Not sure if these shows all hold up in 2023, but boy were they popular at the time.

Note about CNY:

For CNY, people would try to tune into 春节联欢晚会 (the CCTV official CNY show) at that One Friend Who Had China Satellite TV's house. Zhao Ben Shan / 赵本山 was a comedy staple, and the show would often feature people from the music industry to perform. Eventually these people became more and more relevant to my gen and Jay Chou etc started appearing.

Last but not least Xian Jiaaaan 仙剑:

In 2005 I was all over 仙剑奇侠传 (Chinese Paladin), based off the video game. This show was crazy popular and probably sent me and a whole lot of other kids into Xianxia / Wuxia hell (and Hu Ge hell, and later I came back to love Liu Yifei). Thank you. The OST is a true banger.

[milkbreadtoast]

random but rewatched this tangled song to take notes on how to draw golden hair (for prince jesse ofc🤧) and it p much confirms what I thought before... the look of shininess is created when there's lots of contrast...

u can see in these stills her hair is not just a medium yellow/blonde the entire time but has (fairly big!) areas of dark brown as well as super bright highlights when in direct light... im gonna make a note to be more liberal with the darker sections when drawing golden blonde hair🤔 bc we(or at least I) normally just think of blonde hair as being yellow so we might not consider there to also be dark brown in it...

[hellaverse-critical-confessions]

Watched a Glitz n Glam compilation on YT because they seem neat, Klown Bitch is a banger and I wanna redesign them for fun

Misogynistic-ass writing shines in that dialogue like a pile of glitter on dung

Look how they castrated my boy Fizz :((

not the twins. the writing once again

[hermitw]

Watching JJK again and

1) Idk if I said this here but ik I have said like, :( in the manga Sukuna's finger (the first one we see) has 2 faces on it, but it doesn't in the anime :///

... so that was a lie apparently I just couldn't see it before? It's harder to notice, it blends in and is constantly moving but it IS definitely there smh

2) Sukuna and Gojo's first encounter. Ughhhhh

Someone said that it seemed like Gojo saw Sukuna's true form when he was looking at Yuuji "it did combine" - and then Gojo immediately asks for Sukuna to come out 😭 saying "don't worry, I'm like you the strongest".

Before I thought Gojo was just trying to comfort Yuuji (ngl on my first watch I did NOT believe Gojo and did not expect him to survive anything lmfaooooo at least not until the shibuya incident maybe) BUT now it rly seems like Gojo was talking mostly for Sukuna's sake.

Gojo rambling about kikufuku, trying to impress the foodie? Idk manfhajjxmsm but they're so funny (could you imagine sukugo dates though. Like. They would eat So Much, all the high school art w Geto and Nanami giving Gojo disgusted looks when he's eating.... Sukuna would never).

Sukuna first staring down Fushiguro (who was going to execute them 2 minutes ago)...

Gojo and Sukuna were immediately obsessed with each other (I sometimes wonder if Gojo were ever assigned to destroy the fingers, and never attempted to hollow purple them bc he just didn't have the heart to lmfao. Also that hc where Gojo had a poster of Sukuna on his wall and had to draw it himself, that has my whole heart I fear).

3) WASUKE'S FRAMED PHOTO was out when Sukuna (kind of, for a second) appeared after Yuuji ate the second (or third, if that counts) finger. Sukuna in the room with his twin's ashes.

Qkcjchqjxkskmamxjwn

4) yk when they're describing Sukuna and in thr manga he has the second mouth (teeth showing) but in thr anime it's just the kimono belt thing? I used to be like 😐😐😐 why have they done this

But it feels intentional? Like, that's their visualization of Sukuna, based on what they've heard. They don't rly know that much.

And all the times that characters have been wrong, idk I like the incorrect details now amcjajcjajxka ok bye

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[cressthebest]

i don’t care how tired i am, nighttime is me time and i will do anything to avoid sleeping.

[apriicrotch]

another day, another show to hyper fixate on, one that has deeply embedded into my soul, consumes my every thoughts and waking hours, and making it my whole personality