#Whit

[simon007]

[atlanteanhyperborareloaded]

Whyte Boy Summer is almost here

[scopophilic1997]

scopOphilic_micromessaging_1057 - scopOphilic1997 presents a new micro-messaging series: small, subtle, and often unintentional messages we send and receive verbally and non-verbally.

[ksjanes]

We look the same but see things very differently. Instead of fearing each other, may we find the grace to bring kindness to these differences and may we be greeted with respect. Things are not black and white. Listen to each other, not to prove yours is "THE VIEW" but to understand your view is "A VIEW."

K.S. Janes

[roughridingrednecks]

[rivka-kopelman]

[iconsumedmygoldfish]

i wwanna see whit cry

not like. maliciously. i just wanna see whit cry. preferably in front of charles. or the entire cast. or at the most dramatic moment possible. ok maybe its maliciously

[demodraws0606]

Why I am a die-hard believer that Whit is the mastermind

You know I was going to make an entire structured theory thread about it but Tumblr decided to be a little bitch and remove all my writing so I'll just kinda throw a messy list of evidence here.

Notice how Veronika's summary of Forever Dead is suspiciously similar to the secret dialogue

Notice how the main character's gender is pointed out

It's also interesting how the mysterious dialogue in the beginning who seems to be related to the hidden text (the idea of not being able to remember anymore link those two) seem to often mention the fact that they're grieving the loss of someone.

That someone most likely being Mai who seems to have suffered a tragic fate due to Teruko, which can explain the mastermind's hatred of her.

Guess who's character is linked with grief ?

(I know this is most likely about his mother but there is nothing contradicting the fact that he could be idolizing multiple dead people)

Wow it's interesting how these secret texts about Mai seem to be really idolizing her.

We can also add how the person who wrote the note to Xavier is very clearly the mastermind and how Whit's tool is a Stationery (it's spelled Stationary but i believe its a typo) which is commonly known as writing and other office materials.

Which includes paper, pens, ink, highlighters and other tools for writing

It's even made worse by the fact that the note seems to be written by a specific type of blue pen that we haven't seen anywhere in the series.

And even worse is that Charles, who knows Whit's handwriting, couldn't point out the writing is his as he couldn't access the scene of the crime due to his trauma therefore he couldn't see the note's handwriting.

It's really really interesting how the hidden text points out how they can predict everyone's behavior in a killing game and Whit's intuition is highlighted three times in this game.

Another suspicious thing is how the mastermind of the game talks about how they basically can predict anything that can happen. It's almost like how Whit jokingly predicted Arei's death.

Along with how Whit is the only one who has directly talked to the audience (him showing the papers) or how he's nudged the killing game into more interesting directions/avoided it from going off the rails.

Other exemples would be him defending Teruko/Charles in the first trial, him not revealing David's secret until the last minute (as well as the note that suspiciously pointed to Eden), him not trying to help with the fight in episode 4, him insisting that Charles and Teruko talk about their family life (aka nudging them to talk about their backstory which would entertain the audience) and other stuff i don't feel like adding.

It's also important add that Mono-TV and Whit also have similar personalities. They both don't take anything seriously and make constant jokes about the killing games, Mono-TV and Whit also act constantly incompetent and like they're a lot dumber than they actually are.

Another thing is that it's interesting how Whit opens up about his secret so easily, even though almost everyone's secrets are something they're at least flustered about and at worst completely ashamed by. If he was the mastermind, it would make sense that his secret wouldn't be anything that could ruin his character and that he could just admit easily.

Also another point, the mastermind character talks about a time when they cared so much about people and how it hurt them so much when they died. Which you can see that caring nature shine through a lot with Whit as it's possible that Whit's personnality is not actually a lie but more so a reflection of how he used to be before he went through all this alledged horrible stuff.

We can also note how the mastermind has to be one of the students and how there is an extreme likelyhood that Mono-TV saying it isn't bait because it's not actually told to the students but to us. Why would Mono-TV tell it to us and not to the students if it was a lie meant to make the game more interesting, wouldn't it be more entertaining to reveal to the students of a fake mastermind among them to get them to kill one another more easily. It's why I have no doubt someone in this class has to be the mastermind behind it.

Mono-TV also seems to not have any contact with the person controlling him which would make sense if it was someone in the killing game as they would have a hard time communicating without being caught.

(It's a stretch but it would make more sense if Mono-TV didn't know if the mastermind was one of them as if the mastermind was behind the scenes there would be no reason why it wouldn't interact with Mono-TV, although take this with a grain of salt as he could be lying)

And just really there aren't a lot of other options for the mastermind that would be compelling unless they introduce a mysterious new character.

It could be the mysterious red haired girl but everything hints towards her being dead or hurt and it being the cause for the killing game rather than her being the one behind it. There is some decent evidence that it could be her but I genuinely don't think so considering it again feels a little too obvious and doesn't work with how the story/secrets present her.

(It's just not very compelling to make your ONE mystery character the mastermind and again it would be weird considering Mono-TV telling the audience the mastermind is in cast doesn't make sense logically as he would have no reason to try and trick the audience)

Not a lot of characters in this cast can be really put into the mastermind category as they are either too obvious (teruko, veronika) or too farfetched (eden, hu etc...).

I honestly am a die hard believer that Whit is the mastermind however what's interesting to me is not If Whit is the mastermind but more so the Why ?

Which honestly might be a question for another time...

But yeah this is why I 95 pourcent believe Whit is the mastermind

If anyone has anything more to add I would be really interesting in seeing what other people have in terms of evidence.

[morelanaxu]

[gameo-archive]

"As promised, my second gameo from George!

This one was about Edwin’s clothes, and if he’d ever change them or if there were any clothes George would want Edwin to try. Which George says Edwin and Charles swapping clothes would be fun. And I agree!"

Starts with a Scottish accent, which George seems to be dipping into more and more as the week progresses, and a lot of popping noises as he thinks. :)

I wanted to ask about Edwin and changing clothes. He changed his clothes a bit in one episode but do you think there are other moments when Edwin might change his clothes? Do you think Edwin would try new outfits now that he's figuring himself out more? And what kind of clothes would you like to see Edwin try?

[villasbathroom]

[deaddoberman]

[meadow-roses]

poor man

[superman86to99]

Superman: The Man of Steel #36 (August 1994)

"WORLDS COLLIDE" continues! Somewhat out of order, due to the way we're covering this crossover, but let's face it: if you were reading this in the '90s, you probably would have read the issues in some weird order, too (or, more likely, skipped some and been just as confused). So, in a way, we're being faithful to the original reading experience.

Previously in Worlds Collide #1: Rift, a god-like being who thinks the DC Universe and Milestone Media's Dakotaverse are parts of his imagination (meaning he's taking credit for the work of Siegel/Shuster/McDuffie/etc.), grabbed an island populated by thousands of people and just dropped it into the ocean, causing a tsunami that threatened Metropolis. The tsunami has been dealt with (spoilers for Superboy #7, which we haven't covered yet), but now Superman has to break it to his new allies at Milestone's Blood Syndicate that everyone they loved drowned pretty gruesomely. Luckily, Rift emerges from the ocean and saves Superman from that awkward conversation... while musing about destroying Metropolis, too. Well, destroying it even more.

Superman doesn't like that idea, obviously, so he tries to fight Rift, but Rift thinks that a fight scene between a god-like being and a mere superpowered mortal would be pretty boring. So, he summons Superman's closest analogue in the Dakotaverse, Icon, and tells him and Superman they have to fight each other if they don't want Metropolis to go down the toilet too. Rift even blows up the midtown part of Metropolis to prove he means business (but I'm not sure anyone there noticed, considering Metropolis' current state).

So, Superman and Icon start punching each other as hard as they can...

...while trying to direct the fight towards Rift without him realizing it. Meanwhile, Rift sees Lois Lane on a boat and grabs her to tell her he used to be her mailman, Fred Bentson, and compliment himself on doing such a great job creating her. Superman attacks Rift, causing him to drop Lois from a dangerous height (nothing she isn't used to by now, though). Lois is saved by Icon, but Rift realizes he was worried about her, which means she must be real.

Rift reasons that Superman has to be real too... but he doesn't give a crap about who's real or fake anymore. They're all his puppets anyway, and he announces he's gonna "up the ante" on their fight as he transports Superman and Icon to the latter's city, Dakota. TO BE CONTINUED! IN ANOTHER UNIVERSE!

Plotline-Watch:

This issue also features appearances by Superboy, Static, Rocket, Steel, and Hardware. We'll go into more detail on their storylines once we cover their issues, but I want you to know three important things: 1) turns out some scientific knowledge did rub off on Superboy while he was growing up (or being grown) at Cadmus...

...2) Static's full name is Virgil "Electromagnetic" Hawkins, and 3) Steel, like his main inspiration, is also a boxers man (you'll have to wait until another post to find out why he's in his boxers, sorry).

Rift forcing Superman and Icon to fight so their cities don't get destroyed is like a lower-stakes version of the main plot from the DC vs. Marvel crossover (though the stakes are about to get higher). More evidence that they should have included Rift in that crossover, as we were saying in another post's comments.

Jeb-Watch: Rift isn't the biggest villain in this issue, since it also features the return of Jeb Friedman, the ponytailed douchebag who kissed Lois when everyone thought Clark Kent was dead. Don Sparrow says: "God bless Jimmy for giving Jeb the side-eye all readers want to give that loathsome character."

Jeb says he's organizing a charity concert for the homeless people of Metropolis (so, pretty much everyone in Metropolis right now), featuring Jimmy's old would-be rocker friend Babe, whose band Shredding Metal apparently hit the big time. Last time we saw Babe, she had a centuries-old vampire living inside of her. That must have done wonders for her metal singing voice.

The Daily Planet's publisher, Franklin Stern, thinks they should suspend publication because of the "everyone's homeless" thing (plus, their building blew up and stuff), but Perry White refuses to stop putting out the dang paper. Don says: "I like seeing Perry’s commitment to informing the people of Metropolis, even at the risk of financial profit, but it might also explain why the Planet always seems to be on the brink of bankruptcy. Weird to see Lois swearing in that scene."

Whit cameo up there! Also: wonder if that's Alice the intern sleeping in the temporary office, for old time's sake.

Speaking of which, the other Alice in Perry's life (his wife) is volunteering at a medical center in Metropolis. There, she meets Superman's pal Keith the Unlucky (Probably) Orphan, who's trying to reunite another kid with his mom. Keith recently lost his second mother figure, Myra the Orphanage Lady, while Mrs. White lost her son Jerry Luth-- uhh, White some years ago. Hmmm...

The fact that Rift blows up part of Metropolis isn't really acknowledged by the other characters, probably because we all know that, like Paris Island's gruesome fate, it's gonna be undone by the end of the crossover. That makes me think they might as well have gone ahead and made Rift undo Luthor's damage on Metropolis, while at it -- it'd still be kind of a cop out, but I think it would have been a bit more organic than what we actually got.

Shout Outs-Watch:

Rift-sized shout outs to our supporters, Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, Bol, Dave Shevlin, and welcome aboard Dave Blosser! Join them (and get extra articles; we have a Byrne Superman-related one coming next week) via Patreon or our newsletter’s “pay what you want” mode!

Also, have you checked out our friends at @fortressofbaileytude recently? They haven't updated their Tumblr in a bit (9 years) but there's some seriously awesome stuff going on at their other sites, like a whole week of fascinating articles about Superman/Doomsday: Hunter/Prey (including the action figures) and holy crap a podcast interview with Mike Carlin! Like us, they're also in BlueSky.

And now, more from the great @donsparrow.bsky.social...

Art-Watch (by @donsparrow):

We start with the cover, and it’s a good one, another piece in the puzzle that makes up this crossover with the Milestone characters.  Our heroes are slightly crowded by all the trade dress graphics, but not excessively so, as the DC and Milestone heroes fly out of a rift.  I always love yellow rim lighting, so it’s a winner for me.

For the most part I’ve found this crossover a bit hard to follow, especially since it has, in certain chapters, barely touched on the already seismic events of the destruction of Metropolis, so it can be hard to know how much we’re supposed to care about it.  While the story has been something of a letdown for me, the art in this issue is not, as Bogdanove and Janke are bringing their best work to this chapter.  Right from the opening splash, with Superman running ahead of various Milestone heroes, we’re off to a dynamic start.

We are so used to seeing Superman flying, it’s a pleasing change to see him running, especially when he’s drawn so well, in all his Shuster/Fleischer studios looking glory.  Only a couple pages later, we get another poster-worthy image, also a full page splash, of Superman soaring through the clouds toward the reader.  I especially like the white halo effect around Superman’s edges, defining his torso in front of his cape.  It may not be realistic, but man, does it pop.  As Superman surveys the damage on Paris Island, there’s a treasure trove of Easter eggs, that are worth the research.  Under the water, Superman finds himself at the cross-streets of Vesey Avenue and Prosser Boulevard.  These are references to real-life former slaves Denmark Vesey, and Gabriel Prosser, who both separately raised insurrections against slavery with deadly consequences.  [Max: I did not know that! In my ignorance, I kinda wondered if they were the names for Milestone creators...]

There’s also a reference to “Big Otto’s”, a Polish soul food restaurant.  At first I thought this was a shout out to famed comic writer Otto Binder, but Wikipedia informs me Binder was of Austrian descent, not Polish.  So maybe it’s just a gag, as it’s hard to imagine the Polish form of Soul Food.

Our first look at Rift, the villain of the piece, is a real showcase for the colouring techniques of this age, with very little of his form defined by the black lines of the rest of these pages, giving a bright, glowing look to his shape.

With Icon’s flowing cape, Bogdanove seems born to draw the character, and it’s hard to think of a time the character looked better.  Hardware also looks great in these pages, but he’s overshadowed artwise by the great penumbra image of Steel on page 16, which is just a terrific drawing.

The image of Superman and Icon speeding toward Rift, who is menacing Lois Lane is a good one, and it’s fun to see her caught by someone other than Superman for a change as Icon is the one who makes the grab here.

SPEEDING BULLETS:

Nice to hear Babe Tanaka and Shredding Metal mentioned, if not shown here.

Speaking of “shown here” it’s odd that they have Ron Troupe in this scene without him speaking at any time. [Max: He hates Jeb so much that he can't even speak. I sympathize.]

Is Jimmy being sarcastic, or does he think that a concert is really a good idea?  I’m betting on the latter, but I’d say a concert would be pretty low on the priority list at that present moment.

Static and Superboy make a very dynamic teen team, and wouldn’t be out of place on a Saturday morning cartoon together.  [Max: Superboy and His Amazing Friends, co-starring Static and Rocket! I believe they did appear together in Young Justice, but that show doesn't sound very Saturday morning-ish...]

It’s interesting that Superman’s Milestone counterpart is named Icon, since, many years later, Ra’s Al Ghul adopts that nickname for Superman himself, the Man of Steel version of Ra’s’ insistence on calling Batman exclusively “Detective”.  “Icon” is an absolutely terrible fit to describe Superman, essentially meaningless, but that issue is beyond the '86 to '99 timeline, and handled by a writer whose work on Superman I hated, so the less said the better. 

Is the Alice who is washing dishes, and who meets Keith and Lucan the same Alice that works at the Planet?  It’s hard to tell without her glasses, but she has a similar body shape. [Max: C'mon, Don, that's Alice White! How could you forget such a memorable character... who, based on our tags, hasn't appeared since 1992?]

I can’t find much information on Lucan.  His name seems so unusual that I wondered if he’s a regular character or something from the Milestone stories, but I haven’t unearthed much.  His design looks similar to a character from the cartoon, Richie Foley, but under the name Lucan I can only find references to Shining Knight or a character in Image’s Invincible. [Max: The DC wiki doesn't even list him in this issue, so I'm gonna assume he was a one-time character and an excuse for Keith to talk to Alice... but then again, the wiki doesn't list Keith or Alice either.]

I still can’t believe the cosmic power behind this storyline is a nebbishy mailman.  

[rivka-kopelman]

[dress-this-way]

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