#When it comes to fights that I'd like to see just because I think it's interesting I'd end up making a whole essay

[cvpidzcvrse]

Nah, I'm Better.

divider by @cafekitsune

✦A/N: OK! this took longer than expected but LISTEN! I'm here now and probably will be dropping more frequently (hopefully). Reader is also a slut I mean she could talk me through it and I'd let her. But I tried to eat down as much as possible for this fic so the girlies and the gays wouldn't starve. Gojo is driving my dream car, a girl can only imagine.

⋆.ೃ࿔*･Synopsis: You and Satoru have been best friends since elementary school. By the time you both made it to college he’s hated every single partner you’ve ever had. Your recent ex isn’t any different, but he’s doing something about it this time.

⋆.ೃ࿔*･wc: 2,886

⋆.ೃ࿔*Warnings: best friends to lovers, praise, car sex, arguments (ish), cowgirl, choking, handjob, p in v, no protection, finishing inside (practice safe sex)

(the reader is black)

If you had a dollar for every time you and Satoru got mistaken for a couple you’d be rich, not richer than him. He loves it when people mistake him for your boyfriend. It’s the ego boost he doesn’t need. He’s liked you for a while but you always shut him down. Either for another guy or because you see him as just a “friend”. You knew that was a lie, you didn’t want to ruin the friendship between you guys. So to buried your feelings for Satoru and used other men as a distraction. Fuck buddies, friends with benefits, sugar daddies, you name it. Nothing was ever successful; it always ended in heartbreak or fights. Satoru hated that you went for men who were lower than your standard.

He hated that you didn’t go for him. That’s part of the reason why he’s parked outside a fancy restaurant waiting for you to walk out.  

You thought this guy was the one, you’d been talking for a couple weeks, going on dates, even fucked a few times. But no people always have to ruin it, it was fun while it lasted. Mahito was a guy you met off of Tinder. He was nice, sweet, and probably the realest guy you’ve ever met. That was until date number four when he brought up his love for podcasts. Specifically a podcast by the name ‘Fresh and Fit’, you know the podcast that goes around and hates on women for a check. 

What a loser…

After learning that information you left the date immediately. Leaving him with a “Get a life, nigga.” before quickly walking out of the restaurant. The cold drizzle of rain calms your nerves as you heave out a soft sigh. Your eyes meet a familiar and sleek all-black Ford Bronco. An air of comfort travels throughout your body. You haven’t been this excited to see Satoru since…ever. He’s already looking in your direction with his cheeky smile, flashing you his pearly white teeth. He’s always been handsome, your whole life was spent watching girls and even guys swoon over him. You can’t even remember if he accepted any of the advances, you don’t even think he’s had a girlfriend that you know of.

His jagged blue eyes met your dark brown ones and it’s like a firework went off in front of you. Your waist-length knotless braids, glossy plump lips, and warm brown skin have him in a chokehold. The way your honey-glazed skin complimented your outfit made him want to rip it off right there. Luckily his windows are tinted enough to hide his very noticeable lustful gaze, but you felt his eyes burning holes into your head. With a visible frown on your face, you swiftly open the car door. You come face to face with Satoru’s fuck boy grin, you almost melt on the spot.

“When I said ‘call me for emergencies.’ It didn’t include shitty dates.”

You roll your eyes before playfully punching his arm. Satoru speeds out of the parking lot before you can even put your seatbelt on. Your back hits the seat roughly before you send a glare Satoru’s way.

“Chill out, nigga damn. You didn’t even hear how the date went and you’re already mad.”

“I’m mad because you didn’t listen to me. I told you not to trust that fucking loser, now look at where we are.”

You could hear his eyes rolling before you saw it. He’s the leader of the sassy man apocalypse and he never denies it. You grimaced at the undeniable truth that he was right, and you knew it. You cross your arms over your chest and gaze out at the widow districting yourself with the scenery. 

“Hey…look at me.”

His light-hearted voice quickly melted in your ears like honey. He softly gripped your chin and turned your face to his. He analyzed your expression for a moment. Admiring your features, planning your future, imagining his cock inside of you. He’s quickly brought out of his thoughts when you playfully push his hand away. 

“Hands off, this makeup took time.”

He scuffs at your statement before looking back at the busy road. You analyze him for a while, taking in his features. Your thoughts are more innocent than his, and you hope it stays that way. 

“Listen…I’m sorry I didn’t listen. But, niggas man you don’t understand. They’re all so annoying.”

The more you think about your past rendezvous the more it turned into torture. Satoru knew about every failed date. He was always there to be a shoulder to cry on and a dick to ride if you asked him. He knows very well about your tragic love life, he doesn’t remember a successful relationship you’ve been in. He lectured you every time he picked you up from a bad date or situationship ending in ‘So, what are we?’. He wasn’t upset with you, he was more upset that you refused to see his obvious feelings for you. 

“This is just starting to get repetitive. (✧), This is just...nevermind”

He smacked his lips at the end of his statement. A habit he picked up from you after all of the years you two have spent together. His mouth opens to say something else but nothing comes out. He huffs and runs his hand through his hair, he’s frustrated by the current events.

“Don’t get an attitude with me. You think I want to date guys like this?”

Your accusatory tone makes his attention shift slightly from the road. He scans his brain for what to say. He doesn’t want to upset you anymore but he also didn’t want to sugarcoat anything. As a wannabe lover, he wants nothing but the best for you even if it means telling you a harsh reality. 

Your taste in men is shit. 

He doesn’t have enough fingers or toes to list off the amount of guys that hurt you in the past. Nanami was too formal for you, Toji was a bum that leeched off of you, Sukuna was an asshole, and Satoru would’ve killed Suguru if he even attempted to flirt with you. 

“No, you know what I mean. You deserve better than these dumbasses you go after.”

The venom in his voice is very noticeable. Satoru’s carefree nature is cracking under the stress of your love life. Your stubborn nature refuses to let you back down to him, especially when he’s like this. 

“Toru’ I can date and fuck who I want! I don’t need to be lectured by you. I understand that you care, but let me live my life.”

Your response almost sent Satoru out of the car. His eyes twitched in annoyance and his knuckles turned white from gripping the steering wheel. You watch the way his jaw tightened and his muscles flexed. It turned you on, a lot. As much as you hate to admit it, you looove making him mad. It was just the way his relaxed facade melted away when you threw careless sentences at him. His foot softly pressed on the brake when coming to a red light. He slowly shifted his body to face you, if looks could fuck he’d be fucking you right now. Just the thought of him bending you over the center console had your clit aching. 

“Do not say that, I will crash this car right now and kill us both.”

He glanced at you with a smirk trying to lighten the melancholy-stricken mood. You scuff at his childish antics.

“Oh my god, be for real-”

Ring…

Your phone buzzed in your purse, and your soon-to-be lecture got cut short. Your eyes widened when you saw the caller I.D. read ‘Mahito’. You let it ring for a few seconds before finally answering it. 

“Why are you calling me? I told you we were over.”

Satoru's ears perked when he heard the hostility in your voice. There was a snarky voice on the other end and they were loudly throwing a fit. His eyes analyzed your expression and the way your calmness was replaced with annoyance. 

“You don’t think I can do better than you?…You’re one goofy ass nigga, you know that?…Whatever, fuck you!”

You harshly shoved your phone into your purse and groaned. The awkward silence was almost tangible; you would have to cut it with a chainsaw. Mahito’s words circled in your head and it pissed you off more and more. Who does he think he is? You hum slightly when a very filthy idea comes to your mind. 

“Satoru, I need you to take me somewhere.”

｡.｡:∞♡*

“Why the fuck are we here? Please don’t tell me you’re about to do something stupid.”

Satoru’s tone is laced with worry and confusion. He has no clue why he was parked outside of Mahito’s house right now and he didn’t know why you wanted to come here. You give him a cheeky smile before unbuckling your seatbelt and slowly leaning over the center console. You’re incredibly close to Satoru’s face, your nose practically touching his. All you can do is stare sensually into his ice-blue eyes, but the sense of longing is undeniably visible. 

“What are you doing?”

His voice spills out lowly like silk touching your ears. You take in a breath before crashing your lips into his. He’s caught by surprise but that’s quickly replaced with lust. His veiny hands quickly trace every curve on your body and tangle his fingers in your braids. You pull away taking in the wonderful scenery that Satoru was turned into. His cheeks are flushed and his hair is messy. You both stare at each other in awe and affection. It’s like something was unlocked in the middle of this little plan of revenge. 

“Get in the back.”

You nod before watching him walk out and around as you climb in the back. He opens the back door and stares at you for a moment, taking in the way your skirt is hiked up and your shirt tousled around. He quickly gets in and closes the door, basically pouncing on you. His mouth attacks your neck quickly, leaving several bite marks and hickeys. Without breaking the kiss you roughly pushed him onto the car door behind him. He lets out a low groan and rests his hands on your waist. You reach down and fumble with his belt buckle before finally breaking the kiss and using your hands. 

“If you need help you could’ve just asked.”

“Shut up.”

He chokes out a gasp when you take his cock out of his boxers. You wrap your manicured hand around his big cock and slowly massage the length. You trace circles around his tip with your thumb. A low groan settles at the bottom of his throat as silence sighs escape his lips. He unscrewed his eyes to meet the brazen expression on your face. His chuckles and mixed moans are sending you over the edge. You reach down and caress your clit through your panties. Satoru doesn’t fall ignorant of this and quickly grabs your hand to stop the satisfying motion.

“Suck it, I want your mouth.”

He let out a low chuckle as you took his full length into your mouth. You let out a whine as the tip of his cock touched the back of your throat. Satoru’s head flew back in pleasure as his hand rested comfortably on top of your head. He can sense your greed from the way your tongue moves along his tip. He sighed out a moan and softly pushed your head down further. 

“F-fuck…you’re doing so well.”

He stifles a throaty moan with his free hand and laces his hands in your hair. You were quick to grab his wrist and yank his hand away. You trailed soft kisses up the length of his cock, from base to tip. 

“I wanna hear you, pretty boy. Let me hear you.”

Your voice was soothing and soft it probably could’ve put him to sleep if it weren’t for the current circumstances. He melted at your command and quickly left his hand to the side. You tease his leaking tip with your tongue before putting it all in your mouth again. His mouth goes agape as slutty moans spill out and his hands grip your hair tightly. The way your head is bobbing up and down on his cock has his mind going blank. His cock twitches in your mouth before he quickly shoves your head away.

“I don’t want to cum yet. C’mon get on top, ride what’s yours.”

You swiftly straddle his lap and he pushes your panties to the side. You wrap your arms around him as he slowly pushes you on his hard cock. You let a soft moan and tug at Satoru’s hair. He moans in response and pushes you down deeper.

“Shit…fuck me, c’mon.”

His mouth is hovering over your ear and his voice is low and seductive. You slowly start to rock your hips and grind on his cock. After adjusting to his size you messily start bouncing on his cock. Strings of curses spew out of his mouth and his grip on your waist gets tighter. 

“Like this baby? Mmph…you’re so big.”

The constant praise is making the blood rush to his face. He hides his blushing face in your shoulder and leaves several bite marks. The car windows turn foggy and the only thing illuminating the car is the moonlight. Satoru’s moans can probably be heard from blocks away. His hands are under your sweater groping and squeezing your plush breast. His fingers pull and twist at your nipples as your pace gets messy. 

“Give me your hand…”

His voice is carnal and vibrating in your ear. It makes your clit twitch and your tempo stagger. You untangle your hand from his hair and place your hand in his. He takes two of your fingers and places them in his mouth. He doesn’t break eye contact, he’s just looking at you like a meal waiting to be devoured. He slowly sucks them and swirls his tongue around them. The scene in front of you is so sensual and slow, you’ve never experienced something so intimate before. He slowly pulls your fingers out of his as a saliva trail is the only thing left behind.

“Play with your clit for me. I wanna watch while you bounce on my cock.”

His voice moves like velvet through your body. It’s like he’s talking right to your pussy and she’s answering very loudly. The moment your hand reaches your clit Satoru plunges his cock into you. His thrust gets more violent and his large cock attacks your cervix. Your head dips back in pleasure in the constant assault on your insides. 

He’s starting to unravel like a present. His strokes get messier, sweet liquid spilling everywhere, his moans getting louder and more frequent. His nail prints are embedded on your love handles and your thighs are a wet mess. 

“Fuck me, fuck me, fuck me, fuck me. C’mon baby you can do it.”

His pleading sends shivers down your spine. You’ve never seen him so desperate before, it was empowering that your pussy brought him down a few notches. His pussy drunk stare is intoxicating to look at. The way he’s looking at you with his eyes half-lidded with nothing but lust in them. There was something about the way he looked at you; it wasn't just lust. It was like you were a necessity to him, he needed you.

“Mmph…baby I’m ‘bouta cum!”

“Cum for me, you’d make me so proud. Cum on my cock princess.”

Satoru replaced your hand with his and traced circles on your clit. With his hand working its magic and his cock peppering kisses on your cervix sends you crazy. The car is rocking very noticeably but you could care less. Your climax crashes onto you like a brick. Your juices spill all over his thick cock and coat his length in a slippery mess. His warm and sticky ropes decorate your insides, leaving his pants soaked and a wet ring around the base of his cock.

“That’s it, I’m so proud of you baby.”

 He tenderly pulls out and holds you tight to him, taking in the moment. You rest your forehead on his shoulder, you both desperately trying to catch whatever air is left in your lungs. You hear Satoru chuckle slowly while tracing kisses on your neck. 

“What’s so funny? Did my pussy make you delirious or what?” 

He shakes his head and lifts your head softly and turns it towards the window. While swallowed by lust you didn’t notice Satoru rolled the window down. Mahito is staring in awe and anger; he looks like he is about to explode. Satoru’s chuckle turns into a full-blown cackle as he glances at Mahito, sending him that cheeky smile that you love so much. You join Satoru in his joyous laughter before reaching over and rolling up the window.

“At least my plan worked. Let’s do it again but this time with handcuffs.” 

[mirai-e-jump]

Animage October 2024 Issue Kamen Rider Gavv ft. Chinen Hidekazu & Sugihara Teruaki (translations below)

Publication: September 10, 2024

The Strange Sweets Kamen Rider

The 6th Reiwa Kamen Rider is the first ever to use a sweets motif! The cast and staff talk about the behind the scenes of the birth of the new hero who fascinates us with a gap between poppin visuals and its heavy filling!!

Having passed out due to hunger, Shouma, who comes from another world, was saved by a human boy named Hiroi Hajime. Shouma was in a difficult situation when he confronts the Granute, a monster who wants to kill Hajime, but when he "sets & eats" the familiar like creatures called Gochizo in the mouth on his stomach, he transforms into Kamen Rider Gavv and crushes the Granute. This was the beginning of Shouma's battle to protect humans.

The latest entry in the Kamen Rider series, "Kamen Rider Gavv" only just started in September. Despite the poppin imagery and visuals of sweets as its motif, this is a hard and serious drama that depicts the lonely battle of a young man named Shouma, who hides a grand past and mystery behind him.

This production features Takebe Naomi-san as the Producer, Sugihara-san as the pilot Director who determines the direction of the work, Komura Junko-san as Screenwriter, and Fujita Satoshi-san as Action Director, all of whom have worked on the Kamen Rider and Super Sentai series. In particular, Sugihara-san and Komura-san are the pair that gained attention for their work in "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" and the fans are expressing their expectations.

The story of a fierce battle between the sweets Kamen Rider and the Granute monsters has only just begun, so don't miss a moment of the birth of a new Kamen Rider legend! _

Chinen Hidekazu (Shouma)

The first transformation born from an extreme situation

-Supported by dependable friends and the Director-

"Please tell us your impression of the Kamen Rider series."

Chinen: For me, I've admired Kamen Riders since I was a child, and I love them so much that they're the first thing that comes to mind when people ask, "Who's your hero?" I've lived my whole life dreaming of becoming a Kamen Rider, so I was really happy when I was chosen to be Shouma.

"Are there any works that you find particularly memorable?"

Chinen: It's hard to pick a single work from my generation since I'm so attached to all of them, but……I think "Kamen Rider OOO" might be the one I was particularly enthusiastic about when watching. The dialogue between Hino Eiji and Ankh was interesting, and even as a child the ending made me think, so including its theme song, it's my favorite work. Lately however, I've been super into "Kamen Rider Den-O" (laughs). I'm watching it from the perspective of learning why it became so popular, but I also like Den-O because of Satoh Takeru's (who plays Nogami Ryotaro) amazing performance in which he plays multiple different personalities.

"What kind of person do you feel Shouma is?"

Chinen: I read the script so much that it felt like I was watching myself, as I thought that Shouma was so similar to me. We're very similar in the way that we're abit out of the loop, but also curious and get into the things that interest us. I was glued to the TV when I was a child, and I'd become so engrossed when watching it, that I couldn't even listen to what my mother was saying. However, I feel like I'm far removed from him in terms of his guts and inner strength, his desire to save people even at the risk of his own life, and his ability to fight the enemy. Playing the role of Shouma gives me energy and makes me aspire to be like him.

"We think another feature of this production is that right now, Shouma doesn't have a fixed place to stay, and that he comes into contact with a variety of people wherever he goes."

Chinen: I think alot of people are curious to see what happens next, as so far in Gavv, the story continues to be dominated by Shouma's easygoingness and the fact that we don't know what he's thinking. He seems to have a connection with Sachika-san, who he met in episode 2, so what happens to them in the future is a big point to watch out for!

"Please tell us your impressions of Sachika and the person who plays her, Miyabe Nozomi-san."

Chinen: Miyabe-san is a very refined person, so when we first met at script reading, I was shocked and said, "This person's gonna be a gyaru?!" (laughs). One of the things I like about Miyabe-san is that her mannerisms show the quality of her upbringing, but the more we talked, she really started to look like a gyaru, and I felt that performing together with her was amazing. Sachika-san leaves a strong impression of being a gyaru, but on the inside, she's a stable girl who's able to understand the feelings of others. Seeing her say with a refreshing smile, "I think it's good for everyone to be happy," Shouma respects her and thinks, "She's such a wonderful person" and "I want to be like her," almost like she's the embodiment of peace. When I read the script, I always feel supported and say, "Sachika-san, thank you."

"Shouma's brother sister like relationship with her is also very interesting."

Chinen: Director Sugihara Teruaki said to me, "It's like a dog and his owner" (laughs). Still, I think that Sachika-san's all encompassing kindness, and Shouma's simple mindedness are a great combination, and we're also playing the roles with confidence.

"He's yet to interact with Shouma, but we think the role Hanto plays will also be another highlight to look forward to."

Chinen: In some ways, Hanto is also easygoing, but he's the compassionate, hot blooded type, and he too lives by carrying something on his back. I hope you'll look forward to seeing how Shouma and Hanto, who are completely different types of people, interact with each other and what they'll think of each other in their first meeting. Hino Yusuke-kun, who plays Hanto, is the mood maker who makes the set feel relaxed, which is a gap between him and Hanto, but I feel that we're similar in our passion for the production and performance, and the way we put our all into something. To me, Hino-kun is a rival but also like a reliable big brother, and we often consult with each other and visit each other's houses (laughs).

"What were your impressions of Director Sugihara, who also directed the first two episodes as the pilot Director?"

Chinen: As I had no experience in acting, Director Sugihara is a respected teacher who taught me how to perform from the ground up, including how to read the script, and he's like a father figure from Tokyo. He understands each actor's personality and gives them advice accordingly, and he's an amazing person who draws out our potential, so every time I'm on set, I feel happy to film under Director Sugihara. He's a Director I really love.

"Before filming, it seems that you and the Director practiced vocalization together."

Chinen: Yes, even before I could act, my voice wouldn't come out (laughs). I'm really grateful that he took time out of his busy schedule to watch me one on one, and it was an important turning point that led to something changing in me. I want to grow so that people will feel that I'll have changed over the coming year, and one of my goals is to give an inspiring performance that'll be recognized by Director Sugihara with, "You gave it your all."

-Aiming to be as cool as Nawata-san-

"Kamen Rider Gavv, who Shouma transforms into, has a motif based on gummies and other sweets."

Chinen: When I saw the illustration depicted in the proposal, I thought it was incredibly simple, however, my opinion changed when I saw it in person. The armor on the chest and shoulders have a gradient so that it shines beautifully when light hits it, and there's a playful gimmick where a squishy dent will form when it's pressed, so a bunch of detail has been carefully put into it. I'm now so attached to it, that I can't think of anyone else but Gavv. Personally, what I want you to pay attention to the most are the feet. The feet are actually clawed, and this slightly animal like aspect is an important element of the show, so I'd be happy if you make sure to pay attention to the feet as well.

"What's your impression of Nawata Yuya-san, Gavv's Suit Actor?"

Chinen: Nawata-san is an actor who I shape Shouma together with, and he's an indispensable person to me, as I'm able to talk to him about problems that I can't talk about with the other cast members or the Director. He also taught me about acting, like how to create the mood and how to read the script. I'm grateful to Nawata-san's action, as I think Gavv's appeal has tripled, and I feel like the show itself has also become more brilliant.

"Does that also get you enthusiastic about the post transformation dub recording?"

Chinen: That's right. The recording process is more difficult than normal acting because you have to use only your voice to express your emotions and fight scenes in accordance with the footage. In episodes 1 and 2, I had to rerecord so many times that I lost the strength in my voice, and it took twice as long as the planned time (bitter smile). As well as the performances of my seniors in the Kamen Rider series, I also studied the game "Street Fighter" based on the advice of Director Sugihara, and now I feel like I'm getting by. I'll work more diligently to make Nawata-san's performance 120% more appealing with my voice performance, and to become a Shouma who's just as cool after his transformation into Gavv.

"One of the real thrills of the Kamen Rider series are the transformation scenes, but how did you create the pose?"

Chinen: The transformation pose was decided through a discussion between myself, Action Director Fujita Satoshi, Director Sugihara, and Nawata-san. It's a movement that involves rotating your arm, but the final version, which we created after discussing the angles and timing with everyone to make sure it looked cool and appealing, is the transformation pose used in episode 2. Depending on the story, he could transform quickly, so I hope people watch the way he changes based on the situation.

"In the episodes up to this point, the action leading up to the first transformation in the first episode is a scene that can't be ignored when talking about Shouma. There was some action involving wires, and we were also impressed by his performance as he was gradually being cornered by the Granute."

Chinen: That scene was prepared weeks before the shoot, as Director Sugihara and Action Director Fujita came up with a really cool direction. The scene where Shouma is beaten was especially important to give depth to the reason for his transformation, as it took two days to film. In the end, it was in the most extreme situation I had ever experienced in my life, my performance came out unconsciously, and I was complemented with, "Your facial expressions were very good." I could've never done it on my own, the scene was made possible by the advice of Director Sugihara and Nawata-san, who worked beside me, and by all the staff members who created an environment that allowed me to concentrate on my performance.

"It makes us want to go back and pay attention to the expressions on your face. Finally, please tell us your goals throughout filming of Kamen Rider Gavv."

Chinen: I'd like to learn alot about action from Action Director Fujita, Nawata-san and everyone else on the Action Team, and I'd like to improve my acting skills. I've never been in an environment where I could spend an entire year with people who are so good at captivating others, and I don't think it'll ever happen again in the future. I hope to make full use of this experience so that in the next year, I can be an actor who can do it all, from acting to action and recording, so I'll do my best to do what's in front me!

Director Sugihara Teruaki

The vibrant world Shouma comes across

-A dark story with colorful visuals-

"When did you first hear that you'd be the pilot Director?"

Sugihara: I'm pretty sure it was around last Fall, when I was working on the drama, "Tokyo MPD: From Zero to Hero," I received a phone call from Producer Takebe Naomi-san who said, "I'd like to meet and talk with you at once." I heard from a separate matter that Takebe-san would be in charge of the next Kamen Rider, and at the time, I thought I was going to be the second Director, but when I met her, she said, "You're the pilot Director." (laughs).

"At the stage when Director Sugihara joined, how much of the content in the show was decided on?"

Sugihara: Aside from the sweets and monsters motif, we'd yet to decide on the content of the story and the personalities and relationships of the characters. In the beginning, we were a small group consisting of the Producer team's Takebe-san and Takishima Minami-san, Screenwriter Komura Junko-san, and myself. Our three parties worked out the content by sharing ideas from our respective perspectives.

"What specific ideas did Director Sugihara have in mind? Personally, we felt that the visuals of the characters, including their costumes, incorporated the Director's ideas."

Sugihara: You can assume that I'm basically in charge of visual aspects like the impression and fashion. For Shouma's fashion in particular, during the rather early stages, I'd draw an illustration and say, "How about something like this?," and I'd have them look at it while I created his character.

"Not just Shouma's clothes, but also the interior of Hapipare is rich in color, so much so that it's unusual for the Kamen Rider series."

Sugihara: I told artist Fukuzawa Katsuhiro that I wanted to make the visuals as bright and pop as much as possible. Kamen Rider Gavv itself isn't meant to be a continuation of the "ism" seen in the first generation of Kamen Rider, but it includes themes like family conflict and Shouma's sad separation from his mother, so the content is heavy. Because of this, we made the impression of the colors vivid, and were careful to not make them too dark. Moreover, being in the human world for the first time, Shouma's a kid who's impressed by everything he sees, so I was conscious of the world captured from Shouma's point of view and to use rather flashy colors. Conversely, the Granute World and Stomach Family use muted colors, or to just say it outright, they have dirty colors.

"What do you value in your expression of Shouma, the main character?"

Sugihara: I wanted to depict Shouma as a pure kid, someone who suddenly comes to the human world and finds everything he sees as fresh. On the inside, he's not much different from Hajime, who he first meets in the human world, in fact, he's much more of a child than that kid. So he ponders over what he's been told, hurt by the casual mention of "monster" and afraid of hurting others, he's unable to be together with someone else, so he leaves Hajime and Sachika and goes elsewhere. However, I didn't want to make it too dark, so it was hard to depict (laughs). While he carries a dark side, I want him to be a kid who's always smiling when he's with someone, even if he has to force himself to smile.

"This Shouma is beautifully embodied by Chinen Hidekazu-san."

Sugihara: The best thing about Chinen-kun is that he looks great on camera. That's the kind of talent an actor has. Also, the expressions on his face when he eats are really good. Even though he's eating food he usually sees all the time, he eats it like it's a delicacy, looking as if he's eating something he's never seen before and is impressed. In that sense, I think he was the right choice to play Shouma. Still, since this is roughly his first performance, he had to start from a place where he couldn't express his emotions properly, and to begin with, he couldn't even vocalize. I had Chinen-kun stand on one end of Toei's rooftop, and I stood on the opposite end and had him deliver his lines. I gave him relentless acting instruction from the very beginning (laughs). Filming started earlier than usual, so we've already shot several episodes, and I feel that he can now stand proudly in front of the camera as Shouma. With each episode his performance and facial expressions are getting better and better. I have high expectations for his growth over the next year.

-Dedicated action that make the most of the motif-

"We felt that the vibes of Gavv's everyday scenes were different from that of previous Kamen Rider series, but was there anything you were conscious of in your direction?"

Sugihara: In my mind, I had a bright, pop like feeling, but during filming, Chinen-kun……it was important to me how to capture Shouma and the human world from his point of view. I may have only been thinking, "How can I get a good shot of him?"

"In that sense, it's interesting to think that the entire production is being pulled along by Shouma and Chinen-san."

Sugihara: That's right. This is especially true for the first episode, as the story unfolds from Shouma's point of view, so I was conscious of the fact that I wanted to bring the viewers perspective as close as possible to Shouma's.

"Despite the battle scenes also having a fancy sweets motif, from the very first episode, we were taken back by the intense physical battle depicted between Gavv and the Granute."

Sugihara: I'm pretty sure it was Action Director Fujita Satoshi who put out the idea of a serious fistfight at a container warehouse, and with sword fighting in a narrow space. We specified the colors and placement of the containers, and asked the people on location to arrange them accordingly. From there, Fujita and I talked in detail about the composition of the action, and we put it together by discussing the angles while adding in our own ideas as we filmed on site.

"We heard that you and Fujita-san worked closely together to create this."

Sugihara: I also like action quite abit, so I tell Fujita various things like, "Do this sort of thing." Naturally, Fujita has alot of things he wants to do as well, so the two of us are working together to come up with ideas for action sequences and angles.

"Including Gavv's own actions, the way he fights while "eating" the Gochizo is unique."

Sugihara: It was decided in advance that the transformation items Gochizo would appear alot like that of "Pikmin" and "Minions," so I thought it'd be better to use alot of them. Because of that, when Gavv takes damage, his armor breaks and he'll eat the Gochizo one after another……we're calling it "follow up sweets," and I think it'd be interesting to keep changing sweets and repair them as he fights.

"The standard Poppingummy Form has flexible armor, while Zakuzakuchips Form's sword weapon can easily break depending on how it's used, and the use of sweets as a motif was also visually enjoyable."

Sugihara: Inspiration for the action comes from discussions that are almost like casual conversations. I thought about how things like thin baked snacks such as potato chips might be weak to side attacks (laughs). Also, unlike other Kamen Riders, we don't use bullet impacts on Gavv when we depict him being hit (mechanism that detonates gunpowder that's attached to the performer). In his setup, the armor is derived from sweets generated by his own body, so we tried to create the effect of small bead like things flying around him. During filming, we've been throwing beads into the air from the side of the camera. In that sense, it may have a new visual feel.

"What scenes from episodes 1 and 2 were particularly powerful?"

Sugihara: In terms of taking the most time, I'd say it was before the transformation in the first episode. When I was thinking about Shouma's human image, Takebe-san said, "I don't want him to be a hero who fights just because he has powers." You don't fight just because you have the power to become a Kamen Rider, there's a will to fight, and that's where the power comes in. I wanted to create an image of a hero who's able to transform into Gavv because it's Shouma. Since the time of the script meeting, we had talked about how we wanted to portray a different kind of strength from that of the everyday Shouma, who keeps going despite being beaten up by someone he can't even stand up to. On set, Chinen-kun and I worked together to find out why Shouma was feeling that way, and we worked on his facial expressions and gestures one by one, and I was quite persistent throughout filming. We were supposed to film the transformation scene in one day, but we took too long and didn't get to the transformation, so I had to apologize to the staff (laughs).

"Finally, please tell us your enthusiasm for the future."

Sugihara: Honestly, I have no idea how Kamen Rider Gavv will conclude a year from now, but I want to make a show that'll make people who watched it think, "Gavv was interesting." For this reason, I'd also like to delve deeper into Shouma and Hanto, and Sachika and the others characters, and to make each of them appealing. I'm sure that Komura-san will come up with some great developments (laughs), and for my part, I hope that I can take advantage of that, and as the pilot Director for the first time in a long time, to create images that people watching in their living rooms have never seen before.

[gloveslut]

oda died. chuuya has no idea.

babe, i'm back. ... hey, what's going on?

i'm leaving.

you're what? 'samu, did something happen?

stop fucking using that tone. or my name.

what the fuck? can you explain?

explain what?

everything?!

you knew it was only a matter of time. i don't know why you act surprised.

you don't wanna talk about it?

no.

...where to?

none of your business.

but osa- listen, you swore you wouldn't- ever-

i didn't swear shit to mafia.

...fuck no. that's not how you talk to me, you fucking piece of shit.

get off of me.

you're leaving me too! you swore shit to me!

you're nothing more than one of my mistakes.

i know you're lying, fuck, what's gotten into you?

i'm not lying, i can't bear even looking at you now.

but why? dazai, it's unfair to-

oh, and you're always fair to me? i know you're seeing someone else.

...who? tell me who told you that and i'll rip them apart, because it's fucking bullshit.

you're bullshit. all of you. it's your nature. quit playing the victim.

this is ridiculous-

and what are you gonna do about it? beg for me to stay? again? aren't you tired?

you know what? i am. because saying shit like that out of blue is too low, even for you.

i need to pack my things, get out of my-

who's blood is that? the hell is-

mine! it's mine cause i felt uneasy! stop sniffing around, you're not helping!

this doesn't look like- like- you know, there's too much of it, dazai, i don't understand-

you don't need to understand, chuuya, please, stop trying to get closer. you're not special. i'm not gonna take you with me so we can run off into the sunset.

but you can't do it completely on your own, god, are you even here with me?

i'm the one thinking critically right now. i can get killed otherwise, and i'm not gonna be alone.

...you can't just throw it at me like that. can i at least know when it started?

when what started?

well, your falling out? i guess i should've seen it coming with the way you hated introducing me to literally anyone.

i'm not here to fight about it with you.

but you accused me of cheating first thing i came in, idiot!-

i'm not- i was talking about him.

who? ...odasaku? ... fuck, i'm sorry for assuming- whatever, you do realise he's not gonna be here for you forever?

...chuuya, please.

i'm not trying to scare you off and obviously i'm not any better but-

please stop. some... people were here, but they left, and it's not so bad. it's gonna be fine and we're gonna find the best place to hide, i don't care what you think of it, we're gonna be- fine-

honey... i didn't mean to make it worse, it's o-

no it's not! you know nothing about me or my friends, i'm begging you- just- fuck off-

i know it's hard and-

don't touch me! ... god, just go away.

...so you mean it.

yes. i fucking do. now leave. you can get suicidal and stick around this burnt house as long as you want later.

...fuck you. i can't stand you anymore.

oh yeah? news to me.

yeah, cause i fucking loved you! i put everything i had eating me from inside away and stayed with you up untill this point. i made my whole life evolve around you. jesus, i even grew my hair for you!

uh-huh.

and guess what! i never fucking liked it this way. i barely got anything out of whatever we had going on. you didn't even wanna give it a name. cause i'd eat it up. and i did.

right.

fuck, dazai, can't you have a heart for a minute?

yeah no, not around someone who thinks of me as crazy, but thanks.

i don't- what the fuck are you talking about?

all the... nice treatment you gave me was always based purely on the fact that i'm fucking broken and that you should fix me. not only it's incredibly fucked up, you also just can't. you always play god here and there but you don't carry the power of one, not even close.

now, i didn't even-

chuuya, please. i'm asking kindly. i can easily get it over with, but i don't think it'd be either rational or pleasant for you.

...just like this?

yeah. just like this. if you can't accept that you're not needed, then you earn all the hostility. i'm done with all this shit. let us both finally have peace. ... that look doesn't exactly evoke peaceful feelings in me.

i... i have so much to say, to- to ask before- and there's not enough time- huh, it seems like it's never the time. i don't know if i should waste my chance, though.

i mean, if you realise how useless all of our conversations ever were...

...

woah. okay. ... one last question.

if you promise to never talk to me again, go on.

...did you- it's hard not to- ...well, i know someone died. i just have to know, are you the cause?

yes and no. unfortunately, i didn't get to kill anyone this time. but i'm also at fault. great one. i'm at hurry. so may i be excused? ... you better not show up in my life later on. not necessarily because you're so distractive, it's just the way it- it has to be. have fun around here, but be cautious. you never know where your line's gonna end. or when you're gonna lose someone. i guess it would be even more heartbreaking to you, 'normal people'.

wait, are you saying-

i thought you stopped bothering me. ...nevermind. do whatever you want.

i can't believe you're doing this to me.

please, move.

dazai- baby, i was only trying to-

now, you shut it and let me go or i'll slit your throat with this shiny thing. ... cool. oh, and... your letters or anything like that will never reach me. we have nothing to discuss. nothing that is worth the effort. i also think you said everything you wanted to. ...thank you- for, uh, not whining too much. see you in hell.

[missmonsters2]

Heya, i was wondering if i could ask a question about Under the light/you found me?

I'm assuming after under the light yn started her physio again and got better since it seemed she didn't have a limp. But I was wondering if it left any permanent scars? As I was wondering after their first time having sex after the break, wanda might have asked about it while they were in bed? Or when yn was undressed at some point had her back to wanda, she noticed the scars and delicately touched them?

I'd like to think she def had yns body memorised so seeing all the new marks made her want to etch them into her mind. But she also felt guilty, not being there in her time of need (even tho yn didn't want her to see anyway).

So yeah I was just curious whether wanda talked or focused her touch of them after she made love to yn?

Under the Light || You Found Me

Hiii!! This is a mix between explaning and partially written behind the scenes!!

Yes, Reader finished her weekly physio in california and keeps up with her regular stretches and exercises to prevent her legs from getting bad. She still goes to physio monthly.

As for scars, there are definitely some on her legs. Particularly, there's one that starts mid-calf and goes up her thigh to her hip. It's completely healed over but the the scar healed as whatever lighter skin-tonned raised bump.

Reader typically never feels self-conscious about it, but the way Wanda gazes upon her skin, her fingers tracing over the scar can make Reader feel slightly uncomfortable in an insecure way.

"I love you. You're beautiful. You're mine and I'm yours." Is all Wanda ever says when she notices you're uncomfortable.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

They've talked about it a few times late at night when the world is sleeping but they're just basking in each other's presence in bed. The sheets rest just below their shoulders.

"I don't know," you say quietly. "I don't hate the scars, per se. I don't love them either. They're a reminder that I survived." The implied words that your best friend didn't hung in the silence.

Wanda nods because she feels the same way. "I understand. I feel the same way. Not because I think they're gruesome or anything. I love them because they are a reminder you survived and I'm so, so thankful. But they're also a reminder that I was a bad girlfriend—that I was a coward and neglected to notice."

You brush a stray strand of hair behind Wanda's ear.

"I think the way you look and touch them every day has more than made up for it."

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

There are times when you are in a mood, one that can't quite be explained.

It's your own fault really. Sometimes you neglect your daily streches and miss your monthly physio appointments.

Your legs hurt and you're cranky, and you just don't want Wanda to know.

"Why do you insist on hiding it from me?" Wanda scowls at you.

"Why are you always in my business?" you scowl at her back.

Wanda doesn't engage further, knowing that it'll only lead down to a horrid fight with you that ends up with the two of you feeling guilty.

"Lay down on the couch," Wanda jerks her head towards the couch and walks off to grab some icy-hot lotion.

"It's fin—"

"JUST LAY DOWN!" Wanda yells from the kitchen and you purse your lips before doing as she says.

"Just lay down," you mockingly whisper to yourself as you lay on your stomach.

Wanda comes with the lotion and hovers of you. She debates taking off your shorts but decides to leave it be since they're short enough.

Once Wanda's hands start working in slow motions, massaging your calf and slowly making her way up, and the lotion slowly warming up your muslces, you relax.

It's only about 10 minutes into the massage that you turn your head and watch Wanda's focused face but her eyes filled with concern and love that guilt wracks you.

"Sorry," you mumble. "Thank you."

Wanda eyes merely moves to look at you while she continues working. She looks back at your legs, her eyes trailing the long rasied scar. "I love you. You're beautiful. You're mine and I'm yours."

[luvvyouforever]

headcanons : matt murdock x mutant/superpowered!reader

content: fluff, some plot, smut at the very end.

a/n: i didn't mean to write this much, oops! i tried not to be very specific when describing powers, but it's a little hard not to! you can imagine anything you want to though!!! enjoy <3

ꫂৎ the first time he meets you is entirely accidental. there's fighting, he hears it on patrol, and runs to it. just a few feet before turning the corner, he pauses because he smells, he feels something different in the air. it's not the usual smell of blood and concrete and sweat. it's electric, or perhaps sweet, or something else entirely that doesn't usually come from fighting.

ꫂৎ he comes closer and notices that one person is fighting off three people and winning. in his fiery, blurred vision, he can make out an unnatural force pushing people back that's coming out of someone's hands. a hero, a mutant, a vigilante like him.

ꫂৎ without thinking, he runs forward and takes down someone who was attempting to grab you from behind. shocked, you turn and almost knock him back with whatever your power is. when you see that he helped you, you whisper a thanks.

"you have powers," he says matter-of-factly.

you nod then flex your hands which shake from the after-effects of your power flowing through you. "thanks for uh...," you gesture to the unconscious body behind you.

"don't worry about it."

before you can edge in another word, he runs off, leaving you to stand awestruck in an alleyway.

ꫂৎ the next time you meet him, he's out of daredevil form and in his charming, red glasses, lawyer form. it's something so simple like a coffee shop meet-cute or bumping into each other on the street, but he recognizes you immediately. you, of course, have no idea who he is.

ꫂৎ it feels surreal to him to see you so normal when he knows that your veins flow with some kind of power that he's dying to learn more about. quite shamelessly, he flirts with you, invites you to get a drink with him, or get lunch together. he has to know more.

ꫂৎ you definitely start going on dates more often and he certainly makes it a point to "bump" into you quite regularly. as for his night time activities, he's always searching for that same feeling of electricity in the air that comes from you. however, he doesn't find it anymore and assumes that it was a one-time thing, that you don't frequently go out searching for trouble like him.

ꫂৎ if you're an x-man or avenger or a part of another some kind of group, i'd like to think that on one of these dates you're going on, you get a call requesting your immediate presence for a mission. you'd rather quickly stand up, knocking the table into his middle, apologize, and ask for another date later. of course, he heard the call and he'd be searching for you later, knowing you were off doing some dangerous task. he worried, but when you eventually went on another date, he could tell you were bruised and that one of your ribs seemed to be just a little out of place.

ꫂৎ matt eventually asks you to be his partner not necessarily because he wants to know more about your powers, but because he genuinely likes you a lot now. he's such a gentleman to you, drops flowers off at your apartment before he goes into the office, and offers to pay for your dinners when he's busy with "work" at night.

ꫂৎ i think you would figure out he's the daredevil before he knows the extent of your powers. i imagine that one night you stay the night in his apartment while he says he's stuck at work with foggy and karen, but then he comes stumbling in, half-conscious and in dire need of medical assistance.

matt's satin sheets envelop you in his bed as you wait late into the night for him to come home. he promised you that it was okay for you to spend the night and wait around for him rather than asking you to walk back late at night.

suddenly, you hear the door open, a coat rack fall, and a cup fall to the ground, shattering loudly. with panicked movements, you jump out of bed and enter the living room. matt fell to the couch, groaning and clutching his side. he was dressed in a dark black outfit with a bandana wrapped around his eyes and despite him looking attractive, you can't ignore his bleeding wounds and obvious agony.

"what the fuck, matt?" you whisper-yell. he tears off the bandana and his eyes meet yours with shock. he tries to turn away and deny your help, but the movement causes far too much pain in his side.

"first-aid kit," he manages to get out. "bathroom."

hurriedly, you grab the kit and come back. he's trying to peel his shirt away from his chest but he can't. his hands grope around for the scissors in the kit and when he finds them, he places them in your shaking palm.

"i'll walk you through it."

ꫂৎ after he's safe and patched up, you interrogate him about everything. his senses, his vigilante behaviors, his past, his inner-workings. he openly tells you anything you want to know. after a few beats of silence between you in which you help him into bed, he asks you a question about your powers.

ꫂৎ you hadn't even known that he was the one to save you that night and you had an even fainter idea that he knew about your powers. you asked the questions he had as well and offered to show him what all you could do. he sat up on the bed, looking vaguely in your direction, as you showed off the abilities you had that coarsed through your body. he was in awe and the familiar smell from so long ago invaded his nose again. after that, nothing was kept hidden from either of you.

ꫂৎ you're totally a crime-fighting badass duo. he's all strength and physicality and senses while you are mystical and powerful, though not as stealthy. you spar together regularly so matt can gain experience fighting against powers and you can improve your physical fighting skills.

ꫂৎ matt never doubts your abilities or strength. if anything, he's your biggest fan. he knows you can take on big bads and robbers alike, but he's too much of a gentleman to let you fight people on your own. he will, however, step in and take someone down if they're being disrespectful to you in any way.

ꫂৎ if you are a part of some hero group, he would be secretly so nervous to meet them for the first time. on the outside, he's his usual witty and charming self, but inside he's worried that they won't like him or accept it which will create complications in your relationship.

below are some more niche/specific headcanons for different powers that reader might have:

ꫂৎ super strength: is always a little shocked when you pick up something extremely heavy. once, you two were out roaming the city as heros/vigilantes and when you two needed a quick exit, there happened to be a large dumpster blocking the way. he quickly tried to pivot but stopped once he could tell the dumpster was now 40 feet down the alleyway.

ꫂৎ elemental: oh my goodness, loves when you show it off outside of an actual need to use it. like, for example, taking a warm bath together and shaping the water into little creatures or creating beautiful flower beds or just playing with it while laying in bed late at night.

ꫂৎ magic wielding: has the most questions about this one. wants to know the full extent of your powers and if you don't even know, he finds it that much cooler. if you imagine having powers that are easily corruptible, matt will always be there to bring you back to earth and remind you of the good things in life.

bonus! small nsfw headcanons mdni

ꫂৎ. is most certainly not above using each other's abilities on the other. he's constantly listening to your heart rate to tease you, to bring you just close enough to the edge, and then pull away. he can tell when you're feeling the best and just knows what you need that night based on his senses. it's a little unfair to say you can't use your ability on him.

ꫂৎ if anything, he likes it! a lot. he's the more dominant person in the bedroom, but he enjoys a fight for it and certainly doesn't mind needing to manage a stronger person when he's in the mood for it. push him down onto the bed and don't let him get up. use some magical manipulation to tie him down. speed around him while he's trying to pin you down. he lives for it.

ꫂৎ. if you have some kind of suit, he likes running his hands along the material, feeling your body underneath, and expertly imagining the shape in his head. he especially enjoys suits if they're the tight spandex that's been molded to your body. if you're not hurt, when you come back that night, the suit will be on the floor, or perhaps left on.

[fractualized]

Could you give me any Batman comic(/series) recommendations? Or Joker ones?

(You can pretend I’ve never read any Batman comics)

Man, this got me thinking about (1) the number of extended storylines I still haven't fully read myself and (2) of the ones I have, would I recommend that people read them?? Tough question! Thinking about it in terms of a Batman newbie changes things too... 🤔

Ultimately, my list is mostly one-offs apart from the mainline series, but there's a few multi-issue mainline stories in there. From oldest to newest:

Batman (1940) #1, "The Joker" and "The Joker Returns" — Early comics can feel inaccessible because of their age, but I would still recommend checking out the start of Batman and Joker's relationship for a sense of the longevity and evolution of these characters (You could also read Batman's first appearance in Detective Comics [1937] #27.)

Batman (1940) #251, "The Joker's Five-Way Revenge" — Jumping ahead thirty years! After a 4-year absence from comics, Joker returns, and I just love how his dynamic with Batman picks up where they left off like it was yesterday.

Detective Comics (1937) #475, "The Laughing Fish" — The infamous story in which Joker's mad scheme is to… copyright fish.

The Dark Knight Returns #1-4 — TBH, I'm not a fan of TDKR for various reasons. However, it had a huge influence on Batman and you should read it at least once.

Batman (1940) #404-407, "Batman: Year One" — More required reading (but I do enjoy it more than TDKR). Frank Miller's problematique is more acknowledged today, but as I said, modern Batman stems from his work.

The Killing Joke — Controversial-ish recommendation nowadays, considering the much-maligned choice to fridge Barbara Gordon, but I still enjoy the nuance it gives Joker and the meta element of the ending, with Bruce and Joker trapped in their cycle by choices that are informed by the needs of the franchise. Alan Moore may no longer care for it, but I do! (Also, I'd say read it with the original coloring.)

Batman (1940) #426-429, "A Death in the Family" — Another big event in Batman lore: the death of Jason Todd. It's one of those moments that gets flattened in various ways today, so I think it's important to see how everything actually played out. In particular, it's striking to see that Joker is initially nervous about Batman finding out what he did, and just how Bruce struggles with his no-kill principle.

Batman #450-451, "Wildcard!" and "Judgements!" — Joker's big return after Jason's murder, in which we see he's still not all that giddy about it.

Batman: Legends of the Dark Knight #65-68, "Going Sane" — This story takes place earlier in Batman's career, before Robin. When Joker seemingly kills Batman, he tries to start a new life without his instability breaking through. Meanwhile, Bruce recovers from his near-death in a little town in the middle of nowhere and thinks he might actually stay there… but he's plagued by restlessness too.

Joker: Devil's Advocate — Joker winds up on death row, but for a crime he didn't commit! Bruce is set on proving Joker's innocence despite the clown's other sins, and Joker is too captivated by all the media attention to help save his own hide.

Deathstroke (1991) #58, "Bad Blood" — A story in which Joker causes plenty of chaos, but in service of doing something… nice?

Batman: Ego — As Bruce contemplates giving up his crusade, he falls into an argument with… Batman.

Batman (1940) #648-650, "All They Do Is Watch Us Kill" — Part of Under the Red Hood. Jason Todd's reappearance in Gotham City comes to a head when he kidnaps Joker and draws Batman in for a dire confrontation.

Detective Comics (1937) #826, "Slayride" — Paul Dini is one of the writers who consistently remembers Joker has a personality and makes him funny, and this Christmas-time story featuring Tim Drake is a great example.

Batman Confidential #7-12, "Lovers and Madmen" — An alternative origin for Joker. Bruce has been fighting crime for about a year when he encounters a bloody crime scene that he can't make sense of. Meanwhile, the culprit, Jack, is growing bored with his criminal life, until he comes face to face with a vigilante bat.

Batman 80-Page Giant 2010 (Volume 2), "Reality Check" — Is Joker really crazy? Does Joker himself even know?

Batman (2011) #13-17, "Death of the Family" — Not to be confused with "A Death in the Family." Joker tries to convince Batman that all his sidekicks make him weak.

Batman (2011) #23.1, "Time to Monkey Shine" — Joker infamously adopts a gorilla. (It ends badly.)

Batman (2011) #35-40, "Endgame" — After Joker's failure in DOTF, he decides to bring his conflict with Batman to a close.

The Joker Presents: A Puzzlebox #1-7 — The Riddler is dead, but what really happened? A heist story in which the point of view is passed around multiple rogues, but Joker is the ringleader.

Catwoman: Lonely City #1-4 — Alright, this one does revolve around Selina, but the story is deeply tied to her relationship with Bruce and what she comes to understand about him in the end. (And Joker plays a brief but key part!)

Batman & The Joker: The Deadly Duo #1-7 — A recent team-up that calls back to everything I've personally enjoyed about Batman and Joker's dynamic.

Batman: City of Madness #1-3 — Beneath Gotham lies Gotham Below, from which a monstrous mirror of Batman escapes in search of a Robin. In his pursuit, Bruce confronts not only alternative versions of his rogues but his personal demons.

[brainmuncher]

So I've been thinking about DC heroes and what ghosts from Danny Phantom would be the worst ones for them to fight. (Or maybe just someone that would give them a hard time.) Like if there were a ghost that they were fighting, who would be the worst one for them?

For Cyborg I immediately thought of Technus. Technus is the ghost of technology, so surely he would have some kind of control over Cyborg, right? Depending on the origin, Cyborg was either made entirely of machines from Earth or has alien technology in him. Would Technus be able to manipulate alien tech? Would Cyborg end up adding Fenton tech to what he already has? It's interesting to think about.

For Flash, I was thinking about one of the cold ghosts since he'd have a hard time with the cold. Honestly, I was thinking of Klemper. Klemper is used as comic relief in DP, always shown desperately wanting a friend. I feel like Flash (And I'm going to leave it up to interpretation of which one.) would be sympathetic to it but would also realize that Klemper is harming him, no matter that it's not on purpose. That dynamic is something I'd love to see explored sometime.

For Green Lanterns I was thinking of Spectra. At first, I considered Fright Knight since he's the ghost of Halloween and has the soul shredder. But then I realized that unless GL got stabbed by the sword and was sent to the dimension that shows them their greatest fears, it really wouldn't be much of a fight. Spectra though, she is a pretty emotion based villain. She purposefully tries to bring out the pain and suffering within a person to feed on their misery. She would try to get into their minds and break their willpower from the inside out... and isn't that a terrifying thought?

Despite not knowing too much about Shazam yet, I'd really enjoy a battle between him and Youngblood. Youngblood is a ghost that looks and acts like a child and can only be seen by other kids. He's a prankster who gets really into different roleplays (Like pretending to be a cowboy or pirate.) but tends to take it too far. I just think the idea of Billy trying to take down someone he can only see when he is Billy Batson, and not Shazam, to be intriguing. How would he handle that?

I'm not sure if this one counts really but another one is Poison Ivy and Undergrowth. A lot of people think of them and think that they'd get along really well but I feel like that would end up being short lived. Eventually, Ivy finds out that Undergrowth is a lot more into plants than even she is and recognizes that those she cares about would be killed. Undergrowth only cares about the lives of plants, nothing else. (And unfortunately, people like Harley don't fall into that category.) I think she'd become a begrudging hero at that point. And how is she supposed to fight with plants against a ghost that controls plants?

I'm sure there's more that I haven't thought of, and if I have any I'll be sure to share. If y'all have an idea don't be afraid to add on. Even if it's just a pairing that seems intriguing I'm all ears.

[dont-offend-the-bees]

Fuck I hate being an adult. I need a more adult adult to help with the volatile emotional situation.

[0809sysblings]

the council has spoken

[camellia-thea]

i'm still thinking about the conversation i witnessed last night :/

[fettery-fetterie]

(10pm) I wonder if it's too late for me to course correct my behavior towards Him. I feel it is

[rayveneyed]

nanami kento is the kind of man that makes people swoon without even realising it.

he's the kind of man to walk into a luxury store after work, suit jacket folded over one arm and a bouquet of flowers in the other -- his blonde hair still mostly perfect from the high-end pomade he uses. he scours the shelves, frowning to himself, while the attendants whisper and giggle amongst themselves near the tills -- an argument over who will be the one to talk to him, because he's intimidatingly pretty.

("just look at him," one whispers. "he's definitely buying something for a girlfriend."

"a wife," another disagrees. "c'mon. he's giving husband vibes."

someone hums. "but i can't see a wedding band."

"his mother, maybe?" says one other. "oh, i love when guys come in shopping for their mother."

"nobody's mother is getting a bouquet of a hundred red roses--")

eventually, one of them is volunteered as a sacrifice -- smiling and sweet as all attendants should be, she clears her throat. the others, crowded around the till, watch the exchange closely. "excuse me, sir. is there anything we could help you with today?"

her mouth is dry and her hands are clammy -- and when he fixes her with those narrow, burning eyes, her throat bobs.

"ah, yes." and his voice is deep and gravelly and drawling, and her stomach turns. she can only imagine what her coworkers are thinking -- hell, she can only imagine what she's thinking. her mind has stopped short. "my girlfriend likes this brand quite a bit. i thought i'd pick her up something..."

disappointment brews in her stomach -- and it's stupid, she knows it's stupid, because obviously a guy like that is taken. and -- she glances down at the roses -- obviously he treats her super fucking well. of course he does, because why wouldn't he? "oh, perfect! do you have anything in mind?"

"well, actually..."

he ends up buying one of the priciest gift boxes available -- fancy body care and perfume laid out in their signature boxes, decorated with ribbon and dried lavender -- no argument, no fight. he doesn't look for something cheaper, doesn't try to haggle or remove something to decrease the price. he adds, and adds, and adds -- and when she mentions a special offer at the till, a little add on for an extra 2000 yen, he accepts it readily. he inserts a black card into the card machine (of course, a black card), takes the beautifully wrapped bag, and thanks the girls for their services -- and just as he's leaving, his phone rings.

of course he answers the phone with hello, darling. of course he begins to ask his girlfriend about her day, the girls think with some amount of annoyance -- of course. maybe the curse of retail isn't entitled assholes expecting you to wait on hand and foot for them -- maybe it's the handsome men coming in to splurge on their girlfriends while you're painfully single and working for pennies.

[apollo-zero-one]

Listening to stories of people who survived situations like being trapped in collapsed buildings and it kinda sounds like the human response to being trapped in a bad situation is to just keep going back to sleep until death comes. Thinking about depressive avoidant sleeping. Brain doesn't know you aren't trapped under rubble it can't see out of his bone prison brain just knows everything is bad and everything hurts and we can't handle this stress we need to divert all power to life support, night night.

[lina-lovebug]

I'd Fight The Devil

Pairing: Alastor x fem! reader

Background: reader is Lilith and Lucifers oldest, and resembles Lilith more. Lucifer has a hard time bonding with her because of this, and Alastor decides to step in.

Part 1, Part 2, Part 3

_ _ _ _ _ _ _ _

"DAD'S COMING?!"

(Y/N) Morningstar, firstborn daughter of Lilith and Lucifer, was currently having a breakdown over the fact that her father was on his way to the hotel.

She'd have no issue leaving, of course, but Charlie tricked her dear old sister into staying by saying she needed help with the hotel. . .and told her their dad was coming when he was two minutes away.

It's not like she didn't miss him, but things became different once their mother disappeared. Lucifer threw himself into his ideas, and (Y/N) tried maintaining their relationship but he couldn't even stand the look of her.

"I'm sorry! But I thought maybe you guys could talk while he's here?" Charlie suggested with a gulp, twiddling her fingers.

"I'm done trying with dad. If he wants to talk, he can come to me," (Y/N) crossed her arms, firm on her stance.

"I never thought I'd meet someone with worse daddy issues, but here you are, cher," Alastor, with his famous grin, looked down at the Princess of Hell. She huffed, not in the mood for his side comments.

"Alastor, please-"

"He's here!"

"-please fucking hide me!" She ran behind him, despite the mass amount of blonde hair making it obvious.

He chuckled.

Honestly, since meeting the eldest Morningstar, Alastor deemed himself her Protector. Not that the girl wasn't capable or needed him persay, but he cared for her. Being on the aroace spectrum, he wasn't plagued by a selfish desire to fuck her, but it was a sweet concern that slowly turned into a need to be near her.

A need to make her his.

"Hopefully he doesn't-"

"Pumpkin?"

"Fuck," (Y/N) silently cursed under her breath before Alastor stepped aside.

"Hey dad," Lucifer felt a pang in his sinister heart at her tone. She sounded uncomfortable and wouldn't even look at him, but he also remembered that he couldn't look at her at times.

It reminded him of happier times.

Times he didn't want to be reminded of anymore.

"So how've you been? Heard you've got a fancy job now. Probably making loads of money, huh?" He chuckled nervously.

"Dad, it's my company. I made it."

And he couldn't even remember that she did that?

Any dad would remember that his child created her own business.

"Ouch."

"And it's got a fucking duck on the logo. God, dad," She rose her voice, "you can't even remember that?"

"I've been busy, pumpkin-"

"Too busy to call? Too busy to even fucking call?!"

Charlie flinched at the harshness in her voice. She's always been a firecracker but she's never seen her so angry.

"I'm not fighting with you, (Y/N)," Lucifer stepped towards her, "why do you insist on fighting? Especially when I'm here for Charlie."

"Oh, you're here for Charlie?" Her horns started to come up through her skin, rolling back like a rams.

Just like her mom.

"I'm not making this about me. I just wish you'd make the effort instead of it having to be me," She missed who he was.

And during this, Alastor could see the pain on her face. She was furious, and rightfully so.

But he let her fight her own battles.

"I'm sorry that I look like mom. Is that what you want me to say?!"

"Yes!"

He didn't mean it. Of fucking course he didn't mean it, but it slipped out.

"Dad! That's enough!" Charlie ran to her, seeing tears well up in her sisters eyes. "How could you say that?"

"Pumpkin, I-"

"Don't," She sniffled, holding Charlie close, "don't come near me."

But he didn't listen.

He hated being the fact that his little girl was crying because of him.

"I think you've come far enough," Alastor spoke, getting infront of Charlie and (Y/N). He is excellent at saving face, so his pure unadulterated rage was hidden beneath his smile.

She hiccuped behind him, sobbing into Charlie's shoulder.

"Don't make me move you," Lucifer glared.

"And don't make me fucking kill you for hurting what's mine."

His voice turned more static-like than before, his eyes a burning red and his horns outstretched. He was a fucking shield for his Princess, and not even the King of Hell could get through. Lucifer recognized this and humbly backed away, retreating with his tail between his legs.

_ _ ☆ _ _

(Y/N) spent the next hour crying in her room. Over the years, she had started to hate herself for looking like her mom, and Lucifers' confirmation only reaffirmed it.

"Need anything else?" Charlie asked her. Although her sister wasn't searching for redemption, she had her own personal room in the hotel.

"Can you get Alasto-?"

A knock sounded at the door.

"Was he there the whole time?" She sniffled, and a muffled "maybe" came through the door.

Her bed was surrounded by napkins that she quickly placed on her bedside as Charlie allowed Alastor inside.

Alone.

The two of them.

Might as well just throw them condoms and say get to it, is what (Y/N) was thinking. She's known about her crush on The Radio Demon for a few months now, having a fantasy dream here and there, but wasn't much of an active person herself.

"Thank you. I know he tried to fix it, but I couldn't stand to look at him," Her puffy eyes made Alastors eye twitch, still a small spout of anger for her father.

"Of course, my dear," He sat himself next to her on the bed.

"Because your father, although the King of Hell, is a fucking coward", is what he wanted to say but kept those words for himself.

"Did you mean it? That I'm yours?" She asked, her hand inching closer to his.

"I never say anything I don't mean, cher," He grabbed her hand, kissed it, and made the she-demon gasp.

"I thought you hated touch."

He chuckled, "Oh, I do, but not if it's you. Your skin is warm, and it brings me comfort. You bring me comfort."

"You'd have me, even if I want to be glued to your side? Even having petty fights with my dad?"

"Darling, I'd wear your skin if you asked."

"Oh, how romantic," She blushed before both his hands came up to her face, bringing her into a needy kiss. With her, he needed to feel her.

Someday, even all of her.

"And I'd eat demons with you," She whispered against his lips.

"Oh my heart may burst, my dear."

Taglist: @lorkai @droopingdatura @tr1coo @randomuser-89 @abbiedail @evelin1o1 @sseleniaa

[zosanbrainrot]

part 05!!

01 02 03 04 05 06

It's been a while since I last worked on this comic, I've been busy

☘️🦋☀️ experiencing summer ☀️🦋☘️

which was and still is a lot of fun!

ANYHOW, I feel like when I stop drawing for a while it usually does me good, like, I'm very happy with my art quality in these panels and I didn't change much since the first draft (I still overthink some of the decisions but not as much as with the last part lmao).

It's like when in games you have a separate bar for running/stamina and it can only fill back up fully once you go slow and just walk for a while, but if you insist on running all the time it's never really at full capacity. Can't think of a better analogy, but lmk if you feel the same!

One of the things I maybe would have done differently is to have Yonji take the spear out of Zoro's shoulder, maybe?? It was so good when I first saw people draw a parallel between Zoro and Yonji because of their hair color and that maybe Sanji subconsciously has thought about this too ever since he and Zoro met. Not a meaningful thing for their relationship but more of an offhand thought that would surface from time to time. Him carrying the memories of his childhood all the time with him.

But! The upside of me not picking Yonji is that both Ichiji and Niji have the goggles so without their eyes visible they feel kinda distant emotionally and that works both bcs of who they are and also bcs the comic is not about them, in that panel where Niji has Sanji in a headlock the emotional focus is solely on Sanji.

And also Yonji just turned out so good there that I didn't wanna go back and change him lmao

I admit, when I was coming up with the plot of this comic in a frenzy right after watching these eps I kinda forgot about Nami slapping Sanji lmao I only recently remembered :' ) Don't wanna dwell on it too much though.

This part feels maybe more distant overall - I don't have any closeup shots (except the spear!) and the last moment you see Sanji's face fully is when he looks at Zoro. Zoro who got hurt. Again. Because of him.

I can't remember what I'd been thinking while boarding these, it'd been mostly vibes based, but I think the function of this part ended up being about showing a sequence of events rather than focusing on the emotions. It's pushing the plot forward and I think if I added closeups to the Vinsmokes then it'd be derailing a bit, again, it's not about them.

On the other hand it also works for Sanji shutting his emotions off, once his brothers and Judge enter the scene he has no leeway, he can't let his true feelings show. He's already shown too much. And what did it lead to? Everyone getting even more hurt. He let himself slip up during his fight with Zoro and Judge quickly put him back in his place. As long as the Strawhats were on the island they weren't truly safe. So he turns on his heel and walks back to the carriage, not looking back, he can only hope that Zoro's gonna pull through. He always does, he's been through worse, right? Right? They've never fought like this before though... The burn marks will take long to heal... And Luffy, has he woken up yet? No, no, no, he can't look back. And Nami...

So that's that! I got part 06 half finished already, so that should be out soon <333

as a bonus thing - some of the refs I've used for this part

3D models posed in Magicposer!

[starlightbright]

RIP Ricky September they had to kill you because it would have been unrealistic to not keep you on as a companion 😔

EDIT: I've noticed some people taking this post really seriously, so to clarify: no, I don't think Ricky was literally a perfect uwu anti-racist angel. This post was mostly a joke about how he was running around doing companion shit and, most of all, how the Doctor and Ruby both thought he was a hottie. My actual feelings about Ricky are that he's a complacent white liberal. Character reading under the cut if you want an explanation.

I do think the implications of making him unplugged from the racism bubble, paralleling him with the Doctor (man who shows up with knowledge about history and technology and guides the other character through dangerous situations), and directly contrasting to Lindy (including being open to trust the Doctor without second guessing him the same way Lindy and all her friends did) are supposed to be that he wasn't like the other people there and is thus LESS racist since racism comes to be what defines their society. I've seen some people basically ask "then why'd he move to White People City?" but within the text it's actually Rich People City; the reason everyone there is white is because systemic racism financially benefits white people. Making him LESS racist is NECESSARY to giving his death any meaning - because if he definitively would have called the Doctor a slur and walked away, then the Dot killing him quickly was a mercy kill because we KNOW all the other residents are going to die in the wilderness.

THAT SAID, I also don't think he was a progressive anti-racist. Do you know what Ricky actually is? A white liberal. He might disengage from the White People Bubble, he might not be outwardly cruel to black people, but he's still surrounded by people who are and benefits from a system where ONLY WHITE PEOPLE ARE RICH. The culture might be fucked, but he still benefits from it without doing anything to actually fight it. It's like how many a white liberal will read about the history of slavery, feel sad about it, and then be uncritical of prison labor. If Ricky was meant to be progressive, there'd be something, ANYTHING in the text about how he's tried to educate his followers on their society's problems, but it got deleted. He is COMPLACENT.

That's sort of the point, I'd say, since the theme is about how priviledged white people put themselves in a bubble of people like them and choose to look away from what's wrong in society. Those people become complacent at best with no effort to actually speak out or change things. Hell, even within the text, Ricky SEES a problem others are looking away from (the slugs eating people), but only tries to fight it by making a TikTok about it and becomes complacent again, accepting that people are just going to be eaten.

So tl;dr: no, I don't think the white liberal kid literally would have been a companion. I think if you stuck him in the Ood episode, for example, he'd have shaken his head when he found out about their plight, maybe made a TikTok with sad music playing over footage of them, and then said "welp, nothing else can be done." I think it's FUNNY to imagine another companion that the Doctor and Ruby both are giggling like schoolgirls over.

Also I kind of thought he was ugly - no offense to the actor but the makeup they had him in combined with the lighting and closeups made him look way older than 27 so he gave off this uncanny "how do you do fellow kids?" look.