#When have I ever lied to you

[pastelaspirations]

I am not obsessed with this game. I'm n o t. Stop looking at me like that.

Made a mouthwashing animation yayyy

[ginkovskij]

i think you all should watch indagine su un cittadino al di sopra di ogni sospetto and then we will talk about it forever and be friends (:

[tagerrkix]

WHERE IS HE D:

(sorry for deleting and posting this again 🙇‍♂️🙇‍♂️ one tiny insignificant thing was bothering me and when I edited it it wouldn't show on reblogs and that kinda made me go 😠😠😠)

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[deliriousblue]

THE HEART KILLERS (2024) episode nine

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[iristial]

The fact that Shouma hid his heritage out of fear of being ostracized and hated on for being the same 'monster' as the ones partaking in human trafficking and drug dealing, because everyone he's met up until now gets terrified at the sight of him so it feeds into his poor self-image and insecurities, and Hanto's reaction basically 'proved' that Shouma was right to think no one would love him for who he was no matter where he goes...I'm gonna be sick

[wingedaches]

pain doesn't make people. . . it's love that makes people. the pain is inconsequential; it's love that saves them.

beloved, on hope & love

golden fool, robin hobb // catcrumb // another country, james baldwin // anna laura // golden fool, robin hobb // unknown // catchinglizards // assassin's fate, robin hobb // caduceus clay / taliesin jaffe, cr c2ep110

[grandcovenant]

who's pulling the strings of the puppet king?

[backpackingspace]

Hi yes more unhinged penelope pleaseeee.

[shithowdy]

realized a drawing i'm doing rn is almost identically posed to one i did 8.5 years ago of a different oc, except the old drawing was instantly tainted by one of the players featured messaging me asking if i could take it down because their abusive, possessive rp partner saw it and got jealous of them "roleplaying behind their back" and i said "nah" and it became a whole Thing that i should have walked away from at that exact moment but didn't and the 6 months that followed contained some of the most truly condensed batshit i have ever witnessed in an rp community already well-known for its batshittery.

... anyway i love my friends. so happy to accidentally redeem the pose.

[itz-pandora]

There's only one person I truly hate with all my being

[diamonds-at-y11]

Saw everyone talking about how Minecraft story mode is a better adaption than the literal MOVIE and it got me thinkin

Minecraft story mode is the game I vividly remember playing on our xbox in the little room connected to the attic with my sister beside me. I was a Minecraft obsessed kid and this game was so COOL to me at the time. Minecraft??? My beloved game??? But with a story???? That I get to be a part of and change??? Obviously a lot of people don’t like Minecraft story mode and that’s completely understandable, it’s pretty silly and hard to take seriously, but one thing it was was GENUINE. It had unique characters and a story that was new and exciting while still completely grounded in the world of Minecraft. You fought monsters and rode mine carts and interacted with cool red stone stuff and survived a fall from thousands of blocks up by falling into water and when that stupid fucking pig died a pork chop floated on the ground. It was so stupidly, unambiguously, completely, genuinely Minecraft. You were literally a character born and raised in the game. It even had beloved Minecraft YouTubers as guests in a silly murder mystery (that was actually the coolest thing ever ngl). It was for the fans, fully committed to the world the fans already loved. 

Who is this movie even for?? Why does it make this wishy-washy half commitment to the very game it’s adapting?? WHY IS IT ISEKAI?? Where’s the nostalgia?? The childhood experience of playing around in the silly block game with your siblings, not a care in the world?? Why is the sheep on sonic trailer levels of horrifically realistic?? This game is about BLOCKS thats its whole THING that’s why we love it you FOOLS. Why are there curves!? (That can’t happen without mods!!!) WHY IS JACK BLACK HERE?? 

You had such a beautiful, beloved, game with such genuine heart and meaning. The end poem literally makes me CRY and I don’t CARE how stupid that sounds. I don’t even want to try to describe it just go read it. And I just know the movie is going to have such a surface level depiction of what the game is, designed to be brainrot easily consumable for 7 year olds. Something tells me the people who made this movie would just skip past the credits anyways.

[zishuge]

Mysterious Lotus Casebook (2023) | Ep. 19

[hulloitsdani]

hi dani fire emblem :) do you happen to have any thoughts on book 6 "I'm going to kill you too" scene?

Please, Dani fire emblem was my father. Just call me HulloIts.

As for the scene in question, oh man. It’s the “I’m going to kill you too” scene, what more can I add! I got some tweaks and reads on Letizia, but I feel like that scene speaks for itself. You don’t need me to tell you why it’s good— It’s one of the moments where feh’s writing really works.

Instead, I think what I can offer to the conversation is an analysis on Alfonse’s three gambit scenes and how they relate to each other. Because taken as a package, I find it fascinating how these scenes are treated by the narrative over time. Alfonse’s ability to pull these off is such a massive boon, but it’s been steadily growing into a delightful character flaw over the years.

Now, let’s back up. What do I mean by Alfonse’s gambit scenes? This is in reference to three scenes that have occurred throughout heroes: Alfonse calling Hel’s bluff in book 3, threatening Letizia in book 6, and his plot to cover for Ratatoskr in book 8. Also known as “Because it means that it is your life that will end in nine days’ time,” “I’m going to kill you too,” and “My saviors have arrived.” These scenes are defined by Alfonse risking everything on a charisma roll. There might not actually be any dice rolling, but that is certainly what it feels like. If he’s wrong about Hel’s curse, he’s dead. If he can’t convince Letizia of his ruthlessness, then he’s super dead and everyone’s screwed. If he doesn’t perfectly sell Hraesvelgr’s assassination attempt, then him AND Ratatoskr are, you guessed it, dead.

These are gambits— major risks with massive rewards. And what’s unique about Alfonse’s brand of it is that they occur on a social level. He’s not, for example, tactically sacrificing a hero for the chance of inflicting enough damage/debuffs so another can to land the kill. He’s not a tactician at the end of the day and has not been shown to be able to crunch those numbers that fast. Instead, he’s weaponizing everything he has gleaned about his enemies as people and staking his life on it.

Now, he does not do that without motive. For all of these scenes, he’s attempting to protect people while backed up into a corner. Using his encounter with Letizia as an example, she’s rather successfully forcing the Order’s hand into surrendering by sending innocent people to the Shadow Realm— I mean Embla’s domain. She’s working under the assumption that the Order, you know, cares about that type of thing. If Alfonse can successfully menace her into believing the opposite, even if for just a short time, it can give them the wiggle room to better position themselves and lessen the use of human shields as it would not longer be a tactical option. He’s protecting his friends and his people in one swoop at the expense of himself. Pulling that stunt with the lady who specializes in weaponizing information is a recipe for his future disaster, but that’s a loss he’d take in a heartbeat in order to keep everyone safe.

The same can be said about his encounter with Hel. He openly invites her to curse him, because in that nine day timeframe, he can ensure he drags Hel down with him. This is an infinitely better option for him than Hel slowly picking everyone off with her curse. Now, out of the three scenes, this one is notedly the most heroically coded and the most corned our protagonists are. We just spent an entire opening act witnessing the lethality and unavoidability of this curse. Of death herself. Alfonse, having had to spend that time accepting his own mortality, successfully weaponizes that acceptance against a cruel and power hungry death. That’s signifying a growth and change of his character. The success of that gambit permanently puts his own life on the gambling table. Which, in accordance to book 3’s themes of death, is a positive thing. But, as time goes on, this idea gains more nuance.

Which brings us back to Letizia. We are not narratively in Alfonse’s head when he pulls off this gambit. We understand the boy smiling in the face of death, because we have seen everything leading up to that point. We, comparably, do not initially understand the boy smiling as he says “I’m going to kill you too.” He has to explain himself afterwards. It’s very jarring as a result. Against a cruel god blinded by hubris, this gambit feels like overcoming against all odds. Against a mortal woman who successfully outsmarted him? It’s concerning to see that he has the capacity for that malice, even if it was not real. We didn’t have the context of Líf when Alfonse initially had that confrontation with Hel, but we do now. It colors all these more morally complex actions whether we want it to or not.

This brings me to the scene in book 8, which is by far the most interesting in my opinion. For the entire first half of that book, we are seeing the social manipulation game Alfonse excels at. He’s not the most friendly or personable, but he’s smart and good at pattern recognition. He knows the information his enemies have and successfully predicts their actions based on that. And he, unfortunately, correctly recognizes that Ratatoskr is coming under greater risk of being found out and getting potentially murdered on their behalf. If there is a mole, it’s going to be her. So he comes up with a scheme to ensure her safety via the best tool in his arsenal. Ole reliable, gambling his own life.

But, interestingly, this time he’s not simply trying to convince his enemies of his deception. No, the charisma check he has to pass here is deceiving his own allies. Against Letizia, keeping his friends out of the loop made a bit more sense. The narrative he was selling was that HE was the farce within the Order. His sister looking surprised at his “true nature” helped. That is not the case here. He kept his friends out of the loop to partially help sell the illusion that this assassination attempt was not planned, but mostly because they would not have allowed him to do this. They would not have approved of this overly dangerous plan, if the serious convincing required for Anna to let him go meet Veronica by himself is anything to go by. But this was the only way to ensure Ratatoskr’s safety, so he did it anyway. That is a fascinating character choice and I wish it caused more character conflict, but I suppose that’s what fanfiction and fanart are for.

Nonetheless, it’s fascinating how this behavior went from inciting a downright celebratory feeling to a more “what the hell is wrong with you?” reaction over time. The acceptance of his mortality in book three has straddled and then passed the line of overfamiliarity in book eight. This then pairs itself with his innate desire to protect those he cares about in ways that feel inevitable. If he doesn’t make that choice to put his life on the line, then it’s characters like Kiran experiencing the fallout. Or at least, that is how he perceives it after the events of seasons like book 5 and book 7. If their enemies are constantly trying to separate them, then maybe if he manually triggers it and puts the enemy focus on him instead, things will be better. The people he cares about won’t get hurt. It’s totally fine, he swears. He can take a hit.

[ithinkdogshouldvote]

Dndads sketch dump

(this goes without saying but i do not support the batterwitch herself. i was just watching the starkid musical and started doodling. trans lives matter. jewish lives matter. reclaim what she made into something inclusive.)