#Well that's basic and says the premise

[somerandomcryptid]

21 Loop!Cryptid: *Passionately singing breakup songs while Wilbur is around*

21 Loop!Wilbur: .....this feels strangely targeted towards me. Which is weird because we only started our situation like a week ago

[infinite-infinite-stars]

Literally everything that WKM might have been trying to say about choice and lack thereof, ISWM explores as well, but better. Fight me.

[itspileofgoodthings]

I really love one of the writers of while you were sleeping and I really hate the other one.

[todayisafridaynight]

Since you mentioned it, what did you think of Speak No Evil? I was thinking of watching it myself :0

i really liked it ............ my friend scoffed at me when i told her i was watchin it so take my opinion with a grain of salt tho </3

[stairset]

Watched the story for the new Suicide Squad game on Youtube and I gotta honest it was kinda complete dogshit. Like genuinely left a sour taste in my mouth when I was done.

[nondivisable]

I need to say something and I need y'all to be calm

if it isn't actively bad or harmful, no representation should be called "too simple" or "too surface level"

I have a whole argument for this about the barbie movie but today I wanna talk about a show called "the babysitters club" on Netflix

(obligatory disclaimer that I watched only two episodes of this show so if it's super problematic I'm sorry) (yes. I know it's based on a book, this is about the show)

this is a silly 8+ show that my 9 year old sister is watching and it manages to tackle so many complex topics in such an easy way. basic premise is these 13 year old girls have a babysitting agency.

in one episode, a girl babysits this transfem kid. the approach is super simple, with the kid saying stuff like "oh no, those are my old boy clothes, these are my girl clothes". they have to go to the doctor and everyone is calling the kid by her dead name and using he/him and this 13 year old snaps at like a group of doctors and they all listen to her. it's pure fantasy and any person versed in trans theory would point out a bunch of mistakes.

but after watching this episode, my little sister started switching to my name instead of my dead name and intercalating he/him pronouns when talking about me.

one of the 13 years old is a diabetic and sometimes her whole personality is taken over by that. but she has this episode where she pushes herself to her limit and passes out and talks about being in a coma for a while because of not recognizing the limits of her disability.

and this allowed my 9 year old sister to understand me better when I say "I really want to play with you but right now my body physically can't do that" (I'm disabled). she has even asked me why I'm pushing myself, why I'm not using my crutches when I complain about pain.

my mom is 50 years old and watching this show with my sister. she said the episode about the diabetic girl helped her understand me and my disability better. she grew up disabled as well, but she was taught to shut up and power through.

yes, silly simple representation can annoy you if you've read thousands of pages about queer liberation or disability radical thought, but sometimes things are not for you.

[thethingything]

I need to get ready for bed but I remembered the dentist appointment that's coming up in less than 2 weeks and ended up dissociating for over 2 hours (I'm honestly not sure how long it's been) and I do not feel good in the slightest after that

[usuallydyinginside]

"No One Mourns the Wicked" is about Glinda, not Elphaba

Okay, but hear me out. Wicked songs are so good at saying one thing and meaning something entirely different once you have more context. For instance, "I'm Not That Girl" is Elphaba singing about Glinda initially, then in Act 2 flips to Glinda singing about Elphaba. Because it turns out, Elphaba IS that girl and Glinda is not. When we meet the Wizard, he sings about how he always wanted to be a father. When you get to Act 2, you get the sad little reprise in the background music as he realizes that WHOOPS, he was one and he destroyed his only kid. "Defying Gravity" starts with "I hope you're happy" in the sarcastic sense and ends with them both using the same phrase to genuinely wish one another well.

"Thank Goodness" is set up as a cheerful engagement song where Glinda genuinely means "thank goodness for how great my life is" and ends in a place where she's insisting that she IS happy even as she realizes her engagement is a sham, her best friend is gone, and she's left with the Wizard and Madame M, who she doesn't even like.

You get the picture.

Basically, the whole musical is about subverting what you expect, starting with the base premise of "what if the Wicked Witch was the hero of the story" and digging in from there.

Honestly, I'd never paid much attention to the first song. It's a good opener, sets things up well, but it has some big competition with later songs. However, in the movie the staging and camera choices made me really notice it for the first time. Because you know what? Someone DID pay attention to that song, and you can really really tell.

For those who need a refresher, the lyrics to the chorus Glinda sings are: And Goodness knows The Wicked's lives are lonely Goodness knows The Wicked die alone It just shows when you're Wicked You're left only On your own I was always so busy noticing Glinda's grief over thinking Elphaba was genuinely dead that I failed to notice Glinda's grief over her OWN fate. The movie did such a good job with this because every time we get to the pink lines about being alone, Glinda IS alone. She is standing apart from the crowd who adores her. Standing above them. Standing at the center of a bunch of people yet still, isolated.

Because in the end, we know that Elphaba DIDN'T die alone. We know she wasn't on her own. We know her life WASN'T lonely ultimately. She had her flying monkey and animal friends. She had Fiyero.

And who does Glinda have?

Everyone, but realistically, no one. She is an ideal, not a person to most of Oz, just as much as Elphaba has become the token scapegoat. Where Elphaba is the "Wicked Witch," Glinda is "Glinda the Good Witch" - she is literally supposed to be the embodiment of goodness.

And what does Glinda have at the end of this whole thing (as of this song at least)? A disastrous end to her engagement, the death of her best friend, a sorceress who has hated her, demeaned her, and dismissed her from the start, and a con man who is also just a symbol more than a person.

I think it really hit me when Glinda throws the fire on the giant effigy of Elphaba. Ariana's acting was SO good there, because I'd expected us to see that private moment of horror or regret. What I didn't expect was the sort of determined and almost angry glare at the effigy.

But it makes sense. At this point, Glinda has realized that she lost everything and everyone she actually cared about.

As she so aptly puts it in "Thank Goodness"...

Though it is, I admit The tiniest bit Unlike I anticipated. But I couldn't be happier, Simply couldn't be happier, Well, not "simply" 'Cause getting your dreams It's strange, but it seems A little, well, complicated.

There's a kind of a sort of cost. There's a couple of things get lost. There are bridges you cross You didn't know you crossed Until you've crossed!

And if that joy, that thrill Doesn't thrill like you think it will Still-- With this perfect finale, The cheers and the ballyhoo! Who wouldn't be happier? So I couldn't be happier, Because happy is what happens When all your dreams come true.

Well, isn't it?

Happy is what happens when you're dreams come true.

It's not Elphaba's fault that Glinda has ended up this way. Glinda chose it every step of the way. Yet, if Glinda had never met Elphaba, (if she'd never known her, you could say), she might have stayed shallow and vain. She might never have been challenged to look deeper and realize how empty it all felt.

So as Glinda sings "No One Mourns the Wicked," she realizes that even if the Munchkins are singing about the "Wicked Witch," she's not.

She's singing about herself.

The one who traded her morals, friendship, and love for a taste of the admiration and power over those who don't really know her. The one who was so worried about being likable that she herself doesn't like who she's become.

Even after she makes things better for Oz and herself by sending the wizard away and getting rid of Madame M, it just leaves Glinda by herself as the leader and source of goodness in Oz. It leaves her on a pedestal she can never step off of.

It leaves her lonely.

Entirely alone.

[monsterblogging]

"I know JK Rowing is a terrible person but her books are so good-"

You sure about that?

I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.

Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?

And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?

Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.

Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?

Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.

Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.

"But the characters are so good!"

Are you kidding me?

Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")

"But the rest of the worldbuilding!"

Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.

I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.

Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.

The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!

But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.

Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.

If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.

Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.

[prokopetz]

Something I love about The Far Roofs is how much of a swerve its premise is if you're coming to it uninitiated.

Okay, so there's these talking rats with a culture of swashbuckling heroism – basic Redwall/Reepicheep stuff.

Also, there's a magical realm called the Far Roofs which exists above every human community, and that's where the rats go adventuring; a little weird, but you can see the precedents in popular fiction. It's like wainscot fantasy taken to its logical-yet-absurd conclusion.

By default, the game wants you to play as a fictionalised version of your (presumably human!) self and go up onto the Far Roofs to have adventures with the rats. All right, now it's coming together: it's like isekai fantasy meets The Muppet Show, with you as the obligatory human character, right?

Then we get to the nature of those adventures: the rats have this whole culture built around questing against beings they call "the Mysteries" – beasties with names like Harpy and Goblin and Unicorn. So basically it's a bunch of muppety rats on the roofs fighting Dungeons & Dragons monsters, and you go up and help them do it. Great.

And then you get to what the Mysteries are actually like, and... well, I'm going to let the following excerpt carry the weight here. (This particular bit of text also appears in a previously published work by the same author, so I'm not giving anything away that's still under wraps.)

Unicorn, which is named Numinous, dwells three steps away and beyond the world, but most often in the Farthest Roofs, where the Steppes of the Sky come down to touch the Vast and Earthen Court. There it is stepping upwards from the world, as it has always been stepping upwards from the world, caught in a moment of transcendent glory that does not complete. It simply is. Melanthios heard the footsteps of Unicorn. Melanthios heard the ringing of Unicorn’s bells. So Melanthios chased Unicorn off to the Farthest Roofs, and Melanthios did not return. Anton and Karel, who were his sons, were wiser than their father. They heard the bells but they did not follow. Instead, they memorized the scent. They gathered swords, and ropes, and nets, and they went out. They brought food and water and all manner of gear. They clung to the roofs with all four feet wheresoever after Unicorn they went. It proved no good. Anton looked up, and Karel to his brother. The world came down— That’s what Karel said. He had time to look away. He had time to bury his head in his paws. He did not see the fullness of Unicorn’s presence. He only saw Anton his brother become unreal. In the light of the moment of the Unicorn, Anton became as a paper figure in the fire. His reality burned out. His shadow seared into the roofs behind him. Where he’d stood, for just a moment, the Steppes of the Sky came down to touch the Vast and Earthen Court; and Anton was gone away. So Karel ran and Karel ran and Karel ran from the Unicorn; and all his life, he envied but was more fortunate than his brother.

These are gods. You're going up there to kill God.

Like, it's still silly wainscot fantasy with funny talking rats, but there's that tension. It's like if Fraggle Rock occasionally took a hard turn to serious cosmic horror – Lord Dunsany by way of Jim Henson – and that tonal juxtaposition was treated as something unremarkable.

Basically what I'm saying is go back The Far Roofs.

[fairuzfan]

This post is for the anon who sent me that video asking me to debunk it's claims so they can be better equipped against accusations of antisemitism.

Sorry, I won't post the video since I refuse to have that man on my blog but I can give you common Zionist talking points and the illogicality behind it.

To preface: most of the questions Zionists will ask you are a trap, and will make you fall into a "rabbit hole" (as I was once told when I was younger), as we try to apply their reasoning. My advice is to ALWAYS center the humanity of Palestinians. For example, when a Zionist says:

"Don't Jews deserve a homeland to be safe?"

It fundamentally ignores the core issue: Palestinians are being raped, murdered, and expelled from their homes so that the establishment of this so called "homeland" may exist. When people ask this to you, I personally advise saying something like:

Why must Palestinians suffer for the establishment of this homeland?

Always recenter to the issue at hand—the inhumane removal and treatment of Palestinians.

"Palestine belongs to the Jews and Not Muslims"

The whole premise of this claim is flawed—there is a weird tendency to equate Arab/Palestinian=Muslim when it just is like. Completely untrue. There are Palestinian Christians, Bethlehem is famously a Christian city, who have been there for centuries. There are Palestinian Jews, who have been there for centuries. There are Palestinian Muslims, who have been there for centuries. My grandpa told me stories of how he would turn on lamps for his Jewish neighbors in Al-Khalil (or Hebron) during Shabbat.

To claim that Palestine is EITHER Islamic or Jewish doesn't make any sense and completely neglects the fact that dissemination of culture has occurred for centuries, as well as the intermingling of people throughout generations. To somehow assert that for some reason, Jews and Muslims did not have ANYTHING to do with each other—did not create together, did not build families together, did not build culture together, all while being PALESTINIAN—is incredibly racist and nonsensical. "Palestinian" is not a religious identity—it's a cultural and ethnic one.

Also, it does not negate the core issue—Palestinians are being killed, removed, and tortured so that others can live on that land.

"Well what about [something about partitioning land]?"

Honestly like, who cares about the partitioning throughout the 1900 and early 2000s. Sorry, I'm not going to list the whole "partitioning" history nonsense. The whole reason "Israel" exists is because of a Mass Exodus, murder, and rape of Palestinians. Everything after that is rendered obsolete.

"Well, I heard Palestinians allied with Hitler"

I don't know how to tell you this but Palestine was under British Control. No they didn't.

"Israel withdrew from the Gaza and left them to themselves and they put Hammas in charge"

Oh yeah, Israel totally left Gaza, that's why Gazans' water, electricity, internet, and food is completely controlled by Israel (this is sarcasm, Israel still controls basic life in Gaza).

Go back to centering the idea that no human deserves to be shoved into an open-air prison, starved, and controlled. Did you know that the Zionist Entity controls the amount of water Gazans receive, as well as counting their calories to ensure they don't have enough energy on a day to day basis?

"I heard Israel asked Arabs to stay"

Show them these papers and videos when they say this:

If you can't show them these videos, check in the next point what to say.

"Well the Palestinians left of their own will in 1948"

Palestinians in 1948 didn't "leave." They had heard of how the Zionist Entity was slaughtering Palestinians en masse. Women especially heard stories of rape and sexual violence. They fled from *violence*. Again, from an earlier post, that this was a calculated effort on the Zionist Entity's part to try and get them to "leave" on their own and "abandon" their houses so that they can come in and say "hey, they left on their own so, we can come in and take their houses now."

Anyways, the idea that once you leave your house you can't ever come back to it is incredibly odd to me as an argument on Zionists' part. Like if you leave your house right now to go to the grocery store and you come back and see someone in your house and they're like "sorry dude, this is my house now, you left so that means you can't come back," you'd be like, "what the hell!" It would be even weirder if everyone agreed with the guy who took your house, which is what happened to Palestinians.

In Al-Khalil, or Hebron, Palestinians always have to have someone stay in their house or else a Settler will come in and take it from them. So it still goes on today as well.

This is not a point, but when that one person in the video said "Arabs lived under Israeli rule" and showed a clip of a bustling city with mountains, I'm pretty sure that was Amman, Jordan, not Palestine lol. Those buildings in the mountains look like how downtown Amman builds the residential areas. Could be wrong tho.

"There are no Jews living under Palestinian rule in Palestine"

What is this, some sort of gotcha argument? What are they trying to prove, the racist (obviously false) notion that Palestinians hate Jews as a whole? How do they know no Palestinian Jew lives in Gaza? Also, Settlers in Palestinian Territory exist??? I had never heard this claim before, its incredibly stupid lol. You're automatically a citizen of "Israel" if you're Jewish, whether or not you live in or outside of Palestinian Territories. So of course technically they don't live under Palestinian rule, they're granted full rights as an "Israeli" citizen automatically!

Go back to talking about the inhumane treatment of Palestinians, I wouldn't bring up the above counterpoint unless they really won't let it go since the main point is mistreatment.

"Why are Christians supporting Israel then, if it's a secular issue rather than a religious one?"

Well actually for a couple reasons:

Oil interests and regional control of goods (White People Supporting White People).

Weird fundamentalist ideology where they want to enact the second coming of Christ.

And finally because they are racist and don't think Arab Christians deserve to live. They literally bombed a 1500+ year church the other day. Why would (White) Christians cosign that.

Anyways, its a stupid argument again, because it forgets the core issue of Palestinians dying and being displaced.

In summary, always go back to the point of centering the Palestinians being displaced, tortured, and murdered, no matter the argument a Zionist gives you.

[chesthighwater]

i think the most religious martin ive ever written (or i guess am writing) is for a "healing via breaking the seven strictures intentionally" type thing (which may get absorbed into something else im not sure). and even then its not very tortured or guilt ridden its just slowly realising that youre allowed to like Enjoy Food and Want Sex and Be Idle and its okay. and then you do those things

[euphoricimagination]

𝓗𝓪𝓲𝓴𝔂𝓾𝓾 𝓫𝓸𝔂𝓼 𝓶𝓮𝓮𝓽𝓲𝓷𝓰 𝓪 𝓹𝓲𝓬𝓴-𝓶𝓮 𝓰𝓲𝓻𝓵

Feat. Nekoma & Inarizaki -> Part 2 [Aoba Johsai & Fukurodani]

Premise: You had to do something else for a week and a half, leaving the boys alone for that period. Although they told the coaches that they could survive without you, the coaches ask a girl to help them out instead. They weren’t particularly excited, which got worse the more they spent time with her

Nekoma

You arrived later than you expected, just on time for the club, So you didn’t get to see your dear team until much later

When you enter the gym, you see a…strange view

No one in the team was happy

Yaku and Kai didn’t have any expressions on them, Lev was pouting aggressively, Fukunaga had a frown, Yamamoto was mumbling words and Kenma was nowhere to be seen.

The girl that was supposed to replace you for the week was walking besides a very annoyed Kuroo, who was pushing the cart with the balls

Weird, considering that doing that was the basics for being a manager

They were so out of it that none notice the sound of your shoes, weird considering how attentive they are

“Ah Kuroo senpai, thank God you helped me! I’m so small and weak that I wasn’t able to push it over” you heard her say, making you cringe at the sentence

“Yeah, whatever” said a disinteresting Kuroo

And that’s when you confirm that something was really wrong, Kuroo was never this dismissive

“What’s happening? Everything ok?” you asked making Kuroo turn around with a relief smile on

“Oh hi, Kuroo senpai was just helping me since you know, I’m so small and weak” says fluttering her eyes at him

“It’s just pushing the cart. It has wheels on it…” You gave a disbelief look to Kuroo, who just rolls his eyes “it’s not that hard”

“Maybe for someone as big as you it wouldn’t be so difficult!”

That was it for Kuroo, who quickly move to your side giving you a hug

“Well, guess you can leave now that our manager is back. Bye”

"Kuroo-senpai!! Stooop! I can stay here too!” says stomping her feet

The whole commotion cause everyone to look at you, and you swear you heard a collective sigh full of relief

Quickly enough you felt a bunch of arms around you, a bunch of head pats and a ton of screams of your name

Which quickly was interrupted by a loud scream by the girl “KYANMA!!”

You look at the stairs where Kenma was standing shaking slightly with big eyes. The girl tried to get close to him, yelling “They are being mean, Kyanma!” but he just runs away towards you

Yes. Run. He hated her, she was so loud and desperate, Kenma literally couldn’t stand her.

“You’re back” says Kenma hiding behind you, showing more happiness that you ever have seen from him

So happy that he went to hug you tightly, he really missed you

“Anyways, now that our team is finally complete you can leave. Please go out” says Kuroo

“Agh! Fine! I’m way too good for you anyways!”

She sends you a look full of venom, but you didn’t really notice it

After all, you had a clingy Kenma hugging you tightly and the rest of the team waiting for one

Inarizaki

After your small break reached an end you finally were ready to go back to your boys

They were having a small hangout in the Miya household

They tried to be sneaky about it, not wanting to invite the girl that was replacing you

But sadly for them, she somehow knew and crash into them before you could arrive

She’s the first person you see when you enter their house with the spare key they gave you

“Who are you?” she asks with her eyebrow raising

“Ehh…I’m Yn, their manager. You helped them while i was out?” You ask back, confused at her sudden presence

“Yes…I actually think I should be the new manager! After all I play like 17 sports and definitely know more than you about sports. What do you think this is? Cheer? Not like it’s a sport, but whatever” she says with a overconfident smirk

In the meantime the guys that were already in the house starting to appear into the hall, confused at how loud her voice was being

“Anyways! Why don’t you leave? A girl like you probably doesn’t even know a thing about sports! We’re gonna play videogames while you probably just want to paint your nails or whatever!”

“Who says you’re staying?” Atsumu says, frowning

“Ha Ha, you’re so funny Atsumu! Of course I’m staying” she says nervous

“No, you’re not” Osamu adds

“I’m sure we can all hang out tog-” you try to say

“You shut it! I bet you don’t know anything about the sport!” She says to you despite you trying to help her

“Really? You barely even know what we play, you just join because you wanted to see hot guys” a voice behind you says, Suna entering the house as he passes his arm through your shoulders

The girl immediately went pale, stammering the next sentence “well…well, I mean, of course I know!”

“Sure, that's why you asked 'if we knew' the rules of basketball yesterday. Just leave, nobody wants you here anyway”

She scoffs annoyed, looking at the rest of the team as if asking for help, which she doesn’t receive. She scoffs one more time, walking towards the door and leaving as she shoots a glare towards you

“You guys are so mean” you say, receiving a chuckle

“She deserved it, if anything she just hinder our practice” Osamu adds

“Besides, nobody talks about our beautiful manager like that” Atsumu hugs you along side Suna

The rest of the team also comes to hug you, and while they were a bit rude, you knew that they only had good intentions

You love this foxes too much

----

Note: a little something about my boys, also, I cringed way too much while writing this

[ozzgin]

Yandere! Android x Reader (I)

It is the future and you have been tasked to solve a mysterious murder that could jeopardize political ties. Your assigned partner is the newest android model meant to assimilate human customs. You must keep his identity a secret and teach him the ways of earthlings, although his curiosity seems to be reaching inappropriate extents.

Yes, this is based on Asimov’s “Caves of Steel” because Daneel Olivaw was my first ever robot crush. I also wanted a protagonist that embraces technology. :)

Content: female reader, AI yandere, 50's futurism

[Part 2] | [More original works]

You follow after the little assistant robot, a rudimentary machine invested with basic dialogue and spatial navigation. It had caused quite the ruckus when first introduced. One intern - well liked despite being somewhat clumsy at his job - was sadly let go as a result. Not even the Police is safe from the threat of AI, is what they chanted outside the premises.

"The Commissioner has summoned you, (Y/N)." 

That's how it greeted you earlier, clacking its appendage against the open door in an attempt to simulate a knock. 

"Do you know why my presence is needed?" You inquire and wait for the miniature AI to scan the audio message. 

"I am not allowed to mention anything right now." It finally responds after agonizing seconds.

 It's an alright performance. You might've been more impressed by it, had you not witnessed first hand the Spacer technology that could put any modern invention here on Earth to shame. Sadly the people down here are very much against artificial intelligence. There have been multiple protests recently, like the one in front of your building, condemning the latest government suggestion regarding automation. People fear for their jobs and safety and you don't necessarily blame them for having self preservation. On the other hand, you've always been a supporter of progress. As a child you devoured any science fiction book you could get your hands on, and now, as a high ranked police detective you still manage to sneak away and scan over articles and news involving the race for a most efficient computer.

You close the door behind you and the Commissioner puts his fat cigarette out, twisting the remains into the ashtray with monotonous movements as if searching for the right words.

 "There's been a murder." Is all he settles on saying, throwing a heavy folder in your direction. A hologram or tablet might've been easier to catch, but the man, like many of his coworkers, shares a deep nostalgia for the old days. 

 You flip through the pages and eventually furrow your eyebrows. 

"This would be a disaster if it made it to the news." You mumble and look up at the older man. "Shouldn't this go to someone more experienced?" 

He twiddles with his grey mustache and glances out the fake window. 

"It's a sensitive case. The Spacers are sending their own agent to collaborate with us. What stands out to you?" 

You narrow your eyes and focus on the personnel sheet. What's there to cause such controversy? Right before giving up, departing from the page, you finally notice it: next to the Spacer officer's name, printed clearly in black ink, is a little "R." which is a commonly used abbreviation to indicate something is a robot. The chief must've noticed your startled reaction and continues, satisfied: 

"You understand, yes? They're sending an android. Supposedly it replicates a human perfectly in terms of appearance, but it does not possess enough observational data. Their request is that whoever partners up with him will also house him and let him follow along for the entirety of the mission. You're the only one here openly supporting those tin boxes. I can't possibly ask one of your higher ups, men with wives and children, to...you know...bring that thing in their house."

You're still not sure whether to be offended by the fact that your comfort seems to be of less priority compared to other officers. Regardless of the semantics, you're presently standing at the border between Earth and the Spacer colony, awaiting your case partner. A man emerges from behind a security gate. He's tall, with handsome features and an elegant walk. He approaches you and you reach for a handshake. 

"Is the android with you?" You ask, a little confused. 

"Is this your first time seeing a Spacer model?" He responds, relaxed. "I am the agent in your care. There is no one else." 

You take a moment to process the information, similar to the primitive machine back at your office. Could it be? You've always known that Spacer technology is years ahead, but this surpasses your wildest dreams. There is not a single detail hinting at his mechanical fundament. The movement is fluid, the speech is natural, the design is impenetrable. He lifts the warm hand he'd used for the handshake and gently presses a finger against your chin in an upwards motion. You find yourself involuntarily blushing. 

"Your mouth was open. I assumed you'd want it discreetly corrected." He states, factually, with a faint smile on his lips. Is he amused? Is such a feeling even possible? You try your best to regain some composure, adjusting the collar of your shirt and clearing your throat. 

"Thank you and please excuse my rudeness. I was not expecting such a flawless replica. Our assistants are...easily recognizable as AI."

"So I've been told." His smile widens and he checks his watch. You follow his gesture, still mesmerized, trying to find a single indicator that the man standing before you is indeed a machine, a synthetic product.

Nothing.

"Shall we?" He eyes the exit path and you quickly lead him outside and towards public transport. 

He patiently waits for your fingerprint scan to be complete. You almost turn around and apologize for the old, lagging device. As a senior detective, you have the privilege of living in the more spacious, secured quarters of the city. And, since you don't have a family, the apartment intended for multiple people looks more like a luxury adobe. Still, compared to the advanced way of the Spacers, this must feel like poverty to the android.

At last, the scanner beeps and the door unlocks. 

"Heh...It's a finicky model." You mumble and invite him in.

"Yes, I'm familiar with these systems." He agrees with you and steps inside, unbuttoning his coat.

"Oh, you've seen this before?"

"In history books."

You scratch your cheek and laugh awkwardly, wondering how much of his knowledge about the current life on Earth is presented as a museum exhibit when compared to Spacer society. 

"I'm going to need a coffee. I guess you don't...?" Your words trail as you await confirmation. 

"I would enjoy one as well, if it is not too much to ask. I've been told it's a social custom to 'get coffee' as a way to have small talk." The synthetic straightens his shirt and looks at you expectantly. 

"Of course. I somehow assumed you can't drink, but if you're meant to blend in with humans...it does make sense you'd have all the obvious requirements built in."

He drags a chair out and sits at the small table, legs crossed.

"Indeed. I have been constructed to have all the functions of a human, down to every detail." 

You chuckle lightly. Well, not like you can verify it firsthand. The engineers back at the Spacer colony most likely didn't prepare him for matters considered unnecessary. 

"I do mean every detail." He adds, as if reading your mind. "You are free to see for yourself."

You nearly drop the cup in your flustered state. You hurry to wipe the coffee that spilled onto the counter and glance back at the android, noticing a smirk on his face. What the hell? Are they playing a prank on you and this is actually a regular guy? Some sort of social experiment? 

"I can see they included a sense of humor." You manage to blurt out, glaring at him suspiciously. 

"I apologize if I offended you in any way. I'm still adjusting to different contexts." The android concludes, a hint of mischief remaining on his face. "Aren't rowdy jokes common in your field of work?"

"Uh huh. Spot on." You hesitantly place the hot drink before him.

Robots on Earth have always been built for the purpose of efficiency. Whether or not a computer passes the Turing Test is irrelevant as long as it performs its task in the most optimal, rational way. There have been attempts, naturally, to create something indistinguishable from a human, but utility has always taken precedence. It seems that Spacers think differently. Or perhaps they have reached their desired level of performance a long time ago, and all that was left was fiddling with aesthetics. Whatever the case is, you're struggling not to gawk in amazement at the man sitting in your kitchen, stirring his coffee with a bored expression.

"I always thought - if you don't mind my honesty - that human emotions would be something to avoid when building AI. Hard to implement, even harder to control and it doesn't bring much use."

"I can understand your concerns. However, let me reassure you, I have a strict code of ethics installed in my neural networks and thus my emotions will never lead to any destructive behavior. All safety concerns have been taken into consideration.

As for why...How familiar are you with our colony?" The android takes a sip of his coffee and nods, expressing his satisfaction. "Perhaps you might be aware, Spacers have a declining population. Automated assistants have been part of our society for a long time now. What's lacking is humans. If the issue isn't fixed, artificial humans will have to do."

You scoff.

"What, us Earth men aren't good enough to fix the birth rates? They need robots?"

You suddenly remember the recipient of your complaint and mutter an apology. 

"Well, I'm sure you'd make a fine contender. Sadly I can't speak for everyone else on Earth." The man smiles in amusement upon seeing the pale red that's now dusting your cheeks, then continues: "But the issue lies somewhere else. Spacers have left Earth a long time ago and lived in isolation until now. Once an organism has lost its immune responses to otherwise common pathogens, it cannot be reintegrated."

True. Very few Earth citizens are allowed to enter the colony, and only do so after thorough disinfection stages, proving they are disease free as to not endanger the fragile health of the Spacers living in a sterile environment. You can only imagine the disastrous outcome if the two species were to abruptly mingle. In that case, equally sterile machinery might be their only hope.

Your mind wanders to the idea. Dating a robot...How's that? You sheepishly gaze at the android and study his features. His neatly combed copper hair, the washed out blue eyes, the pale skin. Probably meant to resemble the Spacers. You shake your head.

"A-anyways, I'll go and gather all the case files I have. Then we can discuss our first steps. Do feel at home."

You rush out and head for your office. Focus, you tell yourself mildly annoyed.

While you search for the required paperwork - what a funny thing to say in this day and age - he will certainly take up on your generous offer to make himself comfortable. The redhaired man enters the living room, scanning everything with curious eyes. He stops in front of a digital frame and slides through the photos. Ah, this must be your Police Academy graduation. The year matches with the data he's received on you. Data files he might've read one too many times in his unexplained enthusiasm. This should be you and the Commissioner; Doesn't match the description of your father, and he seems too old to be a spouse or boyfriend. Additionally, the android distinctly recalls the empty 'Relationship' field.

"Old photos are always a tad embarrassing. I suppose you skipped that stage."

He jolts almost imperceptibly and faces you. You have returned with a thin stack of papers and a hologram projector.

"I've digitalized most files I received, so you don't have to shuffle a bunch of paper around." You explain.

"That is very useful, thank you." He gently retrieves the small device from your hand, but takes a moment before removing his fingers from yours. "I predict this will be a successful partnership."

You flash him a friendly smile and gesture towards the seating area.

"Let's get to work, then. Unless you want to go through more boring albums." You joke as you lower yourself onto the plush sofa. 

The synthetic human joins you at an unexpectedly close proximity. You wonder if proper distance differs among Spacers or if he has received slightly erroneous information about what makes a comfortable rapport. 

"Nothing boring about it. In fact, I'd say you and I are very similar from this point of view." He tells you, placing the projector on the table.

"Oh?"

"Your interest in technology and artificial intelligence is rather easy to infer." The man continues, pointing vaguely towards the opposing library. "Aside from the briefing I've already received about you, that is."

"And that is similar to...the interest in humans you've been programmed to have?" You interject, unsure where this conversation is meant to lead. 

"Almost."

His head turns fully towards you and you stare back into his eyes. From this distance you can finally discern the first hints of his nature: the thin disks shading the iris - possibly CCD sensors - are moving in a jagged, mechanical manner. Actively analyzing and processing the environment. 

"I wouldn't go as far as to generalize it to all humans. 

Just you."

[reiderwriter]

So obviously Spencer is iconic for his wide range of haircuts over the show, and I have this vision of a Spencer x hairdresser fic where he goes to the same hairdresser all the time because he likes the routine and it’s what he’s used to. So like they’re low-key friends bc he’s been her client so long, but then she notices he can’t come as usual and he tells her it’s because he’s always away or working late. So because they’re close she gives him private late appointments after she closes bc they’re more accessible for him, and then they’re always together late at night, and eventually they fall for each other!! And like she loves his curls and cringed when he wanted it cut short but loves it regardless AHH I JUST LOVE IT. Bonus points if Spencer gets to recommend his hairdresser girlfriend to his teammates just to brag about the fact he has a hot girlfriend lmao. I get it’s kinda long lol, if it’s too long a premise then no worries, just sharing it is nice :)

A/N: Hi! I love the idea of hair stylist reader, so I had a lot of fun writing this~♡ Thank you for your request, I hope you enjoy it!

W/C: 2.1k

Warnings: implied Autistic Reid, brief mentions of sensory issues, writer does not care for the shows Canon hair continuity and does basically whatever she wants.

Masterlist

The first time you'd met Spencer Reid, you hadn't been able to cut his hair. Which was a damn shame because it really did need cutting. 

Sweeping up the floors of the hair salon you worked at, you had noticed the man lingering outside, wringing his hands together and pushing them awkwardly through his hair, approaching and retreating every few seconds. 

You watched him through the mirrors, and let him dance around like that for five minutes before deciding that the evening breeze would be a boon during the hot summer night that was about to set in on you. 

Opening the salon door, you stepped outside and soaked in the fresh air before turning to the now frozen, slightly awkward man. 

“Can I help you?” You tried to put a welcoming smile on your face, but the salon was past closing and empty beside you. You should've been heading home by now, but something in the man's posture had you dawdling.

“The barber shop down the road closed down,” he said quickly, as if the words were practised on his to guess moments before. 

“Yes, that's true. It's been six months now.”

“Six months?” he squeaked out, running a hand through his hair as he turned inwards. 

“Do you… need a haircut?” 

“Yes. Yes, are there any other barber shops in the area?” 

You rolled your eyes and walked back into the salon, picking up a robe and a shoulder cover and spinning around the closest chair to welcome him. 

“Well, are you coming in?” 

“But you're closed. Your sign says you're closed.” 

“And I'm still here, aren't I?” 

He didn't argue any further and hesitantly stepped into the salon. 

You helped him out of his bag and put it away before helping him into the robe and shoulder pad. 

He awkwardly stood around as you prepared your scissors and station again, switching on the mirror light so you could fully see his face and hair. 

And damn was he attractive. As you smoothed his hair out of his face, you were met with warm brown eyes, open and anxious, like a deer caught in headlights. Or, more accurately, a dear caught in a hair salon. 

You had to blink and look away as you remembered what you were about, standing up and leading him over to the sink. 

“I'm… I'm a little bit sensitive about my hair,” he admitted quite meekly as you tested the temperature of the water. 

“Okay. Is there anything specific?” 

He sat himself in the chair but didn't lower his head to the bowl, so you waited. 

After a minute or two, he gently lowered his head to the bowl, and you helped his progress, making sure he was comfortably settled. He didn't speak, just let his shoulders relax and closed his eyes as you turned the water on his locks. 

You enjoyed the simple repetitions of your job. Everyone's hair was different, that was true, but there were really only so many ways to wash hair. 

You rinsed his hair thoroughly, keeping the water away from his face and ears with a face guard before beginning to lather it up. 

For a man who hadn't seen the inside of a salon in six months and likely a hairbrush in the same length of time, his hair was healthy. 

De-tangling as you went, you ran your hands through the lengths of his hair, taking note of how it fell, which parts were healthy, and which had developed split ends. Then you began massaging his head, working the shampoo into his roots, making sure his scalp was free from any possible dirt or dry skin. 

This was the best part of the haircut for you, and you knew your regular clients enjoyed it greatly as well. Which is why you probably shouldn't have been too surprised when the man fell asleep. 

It took you a few minutes to realize that was what happened, the face guard obscuring his face from your vision. When you squeezed the water from his hair, patted it dry, and twisted it into a towel so the water wouldn't run down his back, you had no clue that he was away with the fairies. 

It wasn't until you asked him to stand, and he didn't even move that you moved around the sink and lifted the face guard. 

If he seemed anxious awake, it had melted away now. He looked younger asleep, more calm and confident somehow. His eyelashes were long, a fact you only noticed when you leaned in to get a better look at him. 

It was your hand unconsciously tracing a hand along his jaw that woke him back up, and for a second, you just stared at each other, faces inches apart. 

“I'm.. I'm so sorry, I should go. Thank you for… I should go,” he said hurriedly, pulling the robes and towels off and snatching his bag up, running out the door. 

“Wait, your hair,” you called after him, but he was gone. 

And he hadn't paid. 

It took a week for you to collect the payment, though you couldn't care less about the money anyway. 

But a week thinking about the man's delicate features, his shy smile and stutter, and you were very distracted. 

Thinking about him had become your full-time job, as much as cutting hair had, and you'd had a few close encounters with the scissors when you were lost in thought. 

You'd been thinking up back stories for the man ranging from the romantic to the obscure to the downright realistic. So, a week later, you found yourself behind on work and needing to stay late, just as he stepped into the shop a second time. 

“Hello?” You shouted from the backroom, hearing the doorbell jingle as it opened. “We're actually closed right now, so- oh.” 

He stood awkwardly in the door, his face already flushed slightly. 

“Hi.” 

“Hi,” you said, trying to stop the grin spreading across your face. You didn't want to scare him off a second time. 

“Last time, I… kinda ran away. I was… I'm not the best with-” 

“With haircuts?” 

“With change.” You both nodded at that, awkwardly staring at each other. 

“So…?” You lead, trying to encourage him to introduce himself, hoping he would reveal something you didn't already know. 

“You're closed again, but could you cut my hair?” He asked, pushing the long locks back on his head as he stood a little taller. 

“It would be my pleasure…” you trailed off as a question, needing to know his name. 

“Spencer. Spencer Reid. Doctor… just Spencer is fine if you'd prefer.” 

“I'm Y/N. Come and take a seat.” 

You slid him into the robes once again and got through a hair wash without any accidental naps this time. Though you did notice that he seemed to be enjoying it just as much. 

His sighs left you feeling hot, your heart beating as you focused on his hair to draw your gaze from his lips. 

When he was back I'm front of the mirror, he again looked like a scared cat that had been backed into the corner. 

“So, what'll it be, Spencer?” You asked cheerily, combing your hand through his locks to detangle them. 

“Hmm? Oh, a water would be nice.” 

“For your hair, Spencer. What haircut do you want?” 

“Oh! Oh, um, just a…just a haircut.” 

Your face scrunched up in confusion as he doubled down. 

“But what kind of haircut?” 

“What kind?” 

You pulled away from his chair for a minute and went to grab a cut reference book. 

“Okay, so we've got undercuts, or trims, I can do pompadour or bowl cut or-” 

You looked at Spencer's face again and saw that he looked more than confused. 

“How about I just cut your hair and after you tell me if you like it or not?” 

He nodded and gave you a weak smile as you grabbed your scissors. 

Twenty minutes of silence later, and you felt Spencer exhale in relief as you dusted off the back of his neck and pulled the robes off of his clothes. 

You'd gone for a shorter cut, but his curly hair had such a nice natural texture that you left it a bit longer on top. Without his hair in his face, his jawline was sharper, his eyes brighter, and you were somehow more infatuated. 

He stood up shyly and you smiled at how good he looked. 

“Okay, perfect! Let me just-” You lifted your hand and smoothed out some of his hair, picking up some strands and pushing them back and forth until it was just right. 

He caught your hand just as you were about to pull away, and you suddenly realized how close he was. Or more accurately how close you had gotten. It was like you were breathing the same air. 

“D-Do you like it?” You asked, voice small and high as it battled your heartbeat to be heard. 

“Yeah. I like it. It looks… it looks like a haircut.” 

You giggled as his grip became gentler, and your hand fell down to your side, brushing his chest gently as it descended. 

“How much do I owe you?” He asked, and you led him over to the register to complete the payment. 

“Thank you,” he said as he grabbed his bags to head out the door. 

“Just doing my job. I'll see you in six weeks,” you said, waving him off. 

“What for?” He asked, voice confused but bright. He sounded almost hopeful. 

“For your next haircut, Spencer.” 

He smiled and waved back as he walked back into the dark and disappeared down the street. 

No one could ever accuse Spencer Reid of being forgetful, and six weeks later, he was back in your chair. 

Except he didn't arrive at 11pm this time, but instead 11am. 

The other customers and stylists gawked at the man as he walked in, and you thanked the gods that your seat was free as he met your eyes. 

“Hi.” 

“Spencer! You're back.” 

He nodded shyly, head hanging a little as he ignored the many looks from the women in the room and the eruption of whispers and loud glances in his direction. 

“It's been six weeks. You said that's when I'd need another haircut.” 

You laughed a little as you pulled the robe around him. 

“You know, I say that every time, but most people ignore me. I love a man who can follow directions.” 

The eruption of red on his cheeks left you feeling suddenly tongue tied, and you carefully redirected the conversation back to the task at hand. 

“Same again, Doc?” You asked, readying your spray bottle and supplies. 

“Actually, could we, ah, go shorter this time?” Hesmiled sheepishly and watched as you ran your fingers through his tangled hair. 

“My boss, last time, said I looked like I joined a boyband, so…” 

“Your boss at the hospital?” You asked, clinging to every detail you could get from him. 

“The hospital?” 

“You said you were a Doctor, do you work in a lab instead or-”

“Oh. No, I work at the FBI. I'm not a medical doctor, I have a PhD. I have three, Chemistry, Engineering, and Mathematics.” 

You whistled. “Impressive. You can't be older than 30.” 

“I'm 29.” He said, smiling at you in the mirror, and you smiled back, hands still running through his hair. 

“So, no boy band haircuts, okay. For what it's worth, though, you look totally hot.” 

The words cut the conversation short, and you tried your best to take the words back as you went off to the sides to grab your sheers. 

Half an hour later, and you could swear that half the salon had given up pretending to be doing their jobs and were just awkwardly ogling the man. If the shorter “boyband” hair was good, the undercut you'd done for him was even better. 

You turned him around to get a closer look, using the excuse of making sure his hair was symmetrical enough to stare at him some more as you got closer to finishing. 

“Okay,” you said with a sad sigh. “You're all finished, Spencer. Let's get you rung up.” 

He nodded and followed you quickly, pulling out his wallet as he paid quietly. 

“Okay. And I'll see you tomorrow,” you said, as he picked up his bags to leave. 

“Tomorrow? I thought you said it was six weeks between haircuts.” 

“It is. But it's also my day off tomorrow, so I was wondering if you'd like to have dinner. With me.” 

He blinked at you once. Then twice, and another time before smiling and looking away. 

“Okay. See you tomorrow, Y/N.” 

He ran a hand through his hair and nearly walked into the door he was trying to walk through, but your heart still fluttered as you waved him out. 

[dalliancekay]

Aziraphale, misogyny and the female character treatment

I don't know if anyone wrote a post about this but I see from time to time comments to this end - that Aziraphale is treated like the female leads in films often are, obviously especially romantic films. So I'm gonna try to point how I see this. I welcome further insights of course.

Say we take a basic premise of a romantic film: A girl is wooed by a bad boy for example. And she is a good girl, from a good, proper family and everything so she refuses his advances. This goes on through his various ploys to entertain and romance her, do things for her etc etc and frustrates us as the audience because we can see the bad boy is actually good, her family is oppressive and holding her back and that she (deep down) cares for him (if only she was brave enough to admit it to herself) and so we want her to open her eyes and say she is actually in love with him cos her life will be so much better should she (finally) give in and run away with him.

Familiar? Reasons Aziraphale is not her and the analogy does not fit (but that I so often see in metas and takes about her):

Aziraphale always knew her family is shit. Or at least longer than Crowley did. She was already anxious in Before the Beginning about what she thought Angel!Crowley could and could not say or do without getting into trouble.

She knows Crowley is good. She never doubted him. Whatever he says or does or pretends to do or must do for his job. Aziraphale knows he's inherently good and would always do good if he can.

She knows she's in love - I mean we can argue about when each realised this and also when each realised the other loves them back just as fiercely, but they both know. And they both love. And they both long to be together. Aziraphale is not ashamed of her feelings nor hiding or suppressing them for fear they are wrong or immoral or other BS like that.

Aziraphale doesn't need to overcome her love for her family/employer and finally make the leap to be with Crowley. They simply can't leave their bosses without punishment. Neither of them. They live in a dictatorship with nowhere to go. And just because Crowley experienced both sides, doesn't give him some huge insight that Aziraphale completely lacks. Both places are awful. Their separation isn’t about fear of societal judgment (or Aziraphale's unwillingness to give up Heaven, being seen as good, being an angel - and to what end, to Fall? I really don't know what takes like this want from her, it would not work anyway), it’s about survival in a system that won’t let them be together.

Aziraphale doesn't want to change Crowley. She never did. She asked for Crowley to come to Heaven as an angel because that was THE ONLY option she had for them to be together in any capacity at that point. It was NOT an attempt to “fix” him—it was a desperate bid for a way they could be together at all.

One thing I don't see as much anymore is the call for Aziraphale to change. Obviously she's pretty but she would be prettier if she lost those century old clothes maybe and started listening to something made after 1950? Be more cool to match Crowley? Less stuffy?

These kind of film premises are already pointless, offensive and make me roll my eyes, but to stick them all over Aziraphale and huff cos she doesn't do what the clever sexy man in dark clothes and sunglasses says she should - well that makes me angry.

And so do takes and mischaracterisations that ignore Aziraphale as silly, her worries as pointless, sometimes excessive - maybe she's just hysterical, you know? The one time she shows more emotion, in F15, she is so often completely ignored in her obvious distress just because Crowley is trying to confess his love at the same time and seemingly 'not getting through,' because Aziraphale is not reacting the way everyone expects. So many takes that always assume Crowley is right, no matter what. Even when he calls Aziraphale an idiot. If Crowley says that, it must be true. No matter that the book spells out in Terry's voice that the angel is extremely clever.

Aziraphale’s charm lies in her kindness, her love for books and knowledge, her whimsy, and her quiet courage. These qualities don’t make her naive—they make her resilient. She often hides how she truly feels, hides her grief, her pain, her true desires, hides what she really thinks; always always to protect herself and her beloved. She is often forced to say stuff she doesn't mean. Again. To keep the one she loves and their fragile relationship safe. But where people seem to catch on with that on Crowley's side, they don't with Aziraphale. She is fierce when pushed and will defend the defenceless (humans) and the ones she loves (Crowley) to her last breath (whether she needs to breathe is irrelevant right now okay).

She loves her bookshop. She built this home, full of knowledge for herself and her demon and you can take this HC from my cold hands. That she was forced to leave it, only emphasises how little choice she had in Final 15. Good Omens has two main, equal characters; who are both gorgeous and complex and deep and neither is right or wrong or in need of saving or learning some huge lesson to get to their goal and be together. What needs to change is the world, the system they live in. And they will change it.

Just look at her!! Anyway. I love her. P.S. Just to add, many, many (if not all) bad takes on Aziraphale are also bad takes on Crowley. They mischaracterise and misunderstand just how deeply and unconditionally he loves Aziraphale. How he adores her and understands and accepts her just as she is. He does not expect or want Aziraphale to change in any way. He knows why they are not together. And it's not Aziraphale's fault, it's because of circumstances, not because of her choices. Crowley would never ever want Aziraphale to suffer, he wouldn't expect her to come back from Heaven saying how sorry she is for what happened, how stupid and blind she was and how he was always right. That's just not going to happen. ------------------------------------------ @tenok I simply must highlight the awesomeness you put in hashtags!! EVERYBODY please read:

Thank you sm for this!!