#WOW this post got long

[wizardoftheloops]

Team Dragonstone would kill it as an alt rock act

Dang now I really want to draw that...don't know when and if i'd post that tho so here's some hcs instead:

The best band names i could come up with were The Fiery Hearts and Wake Dragons from Stone

Stannis is the moody kind of emo-looking lead singer. He has a wonderfully deep voice, wears dramatic dark capes and eyeliner and most certainly is some people's hear-me-out guy.

Mel sings too and is the lead guitarist. Her guitar is shaped like a flaming heart and definitely has a cool name, probably Lightbringer. She has the best style and is the band member lesbians have a crush on. Everyone think's she's Stannis' girlfriend but of course stavos and melyse are happening instead.

Davos plays the best bass riffs even though he's missing some fingertips. He has a kind of pirate punk style and, even though he's more in the background, is the friendly neighborhood bi icon of the group.

Selyse should let her feelings out on the drums. She also plays some obscure instruments and writes experimental songs. Maybe she has more of a norse-inspired witch/ viking priestess (don't really know how to describe that aesthetic) look?

(I don't actually know anything about music or alt rock, I just tried to go off vibes, but I found this band (Castle Rat) while looking for pics of alt rock bands and they kind of match what I imagined?

So here are Stan, Dave, Mel and Sel:

[bees-n-bones]

dungeonFebruary: a retrospective

here they are, all four maps edited together into a single dungeon over two floors!

it was a lot of fun to draw it, highlights (of both rooms and monsters) and further thoughts under the cut :D

first things first; some rooms

(you might need to click on each picture to read/see the whole thing)

just some personal favorites, rooms 15, 21, and 25 are stolen from references to stuff (if you recognize what: <3), 6 and 20 were both really fun to put together, and room 29 is the last possible trap of the dungeon :3

next up; monsters!

the first two are room spesific, the latter three random encounters, hence the numbers being written different, picking out just 5 to share was kinda hard, but im really happy with theese, yet again some of theese are stolen from inspired by stuff

now; for my thoughts on this whole thing

i had a lot of fun drawing and designing this, so much so that im kinda sad to be done, the ritual of sitting down to draw each day or to catch up on a few days was nice, and i really like designing silly little rooms and filling them with references i know my players wont pick up on

i might pick this format back up for a month or two this year and im Definetly doing dungeon25 next year, but im really happy i did this instead of trying to catch up on dungeon24 in full, doing it this way let me figure out stuff like how i want to format my notes for a larger dungeon, how many extra notebooks ill need (one for ideas and one beastiary, for now), and some general design rules for myself

all in all if you have read this far and think it looks kinda fun i say go for it! you dont need to follow a spesific month/year, thats just something i feel like doing, the point is to have a little creative challange to do each day for a set amount of days :D

[brandwhorestarscream]

Skywarp and Novastorm being the best aunts for the twins

Yes. YES

Skywarp literally falls to pieces when it comes to babies, change my mind. She finds out Starscream is in labor in the midst of the Dweller bullshit and she shrieks at pitches that rival her little brother's (you can pry my older sister Skywarp headcanon from my cold zombified hands). Just, "You're WHA-A-T?!" followed by demands of why he didn't say anything, she's gotta get to him asap, what the frag were you thinking Starscream hiding something like that?! Ik TFE Skywarp can't warp through solid objects (not. Crazy about that choice, but whatever) but she does her damn best. She unfortunately misses the actual emergence, as does Nova, but the second she's back with Starscream she's cuffing him over the helm for being so dumb and keeping that a secret from her ("And me too!" Nova pipes up in the background). She chews him out good once they're all safe, something she hasn't done since Vos was still standing, and as much as being scolded sucks, it makes Starscream feel kinda warm inside. Like... oh. Huh. She does actually still care about me.

Going forward the seekers have a lot of work to do, relationship wise... it's pretty heavily implied that no one, not even his fellow flyers, was willing to help when or even cared that Starscream was being ao horrifically abused. Intimate trust won't come easy, but they all make an effort, and the newborn twins make great peacemakers. Starscream is exhausted in the aftermath, so Nova and Skywarp eagerly volunteer to watch over them while their carrier gets some desperately needed recharge. They're so teeny tiny, so painfully cute, and the two of them are S-tier aunties. It feels like they have an aerie again 🥰 Starscream is rather protective and strongly dislikes letting anyone else hold them at first, but the two femmes are trying. They're trying so hard, and the twins love them, so he can try to. Try to trust them, try to let his guard down, try his best to give his bitties a good life. Said life starts with letting them have a family in his sister and cousin (yes Nova Storm is their cousin on their second sire's side, younger than both of them, fight me)

[spearxwind]

I think it's sad that most people always think of bottlenoses as the "classic dolphin" since its the one that's always used for shows, and always think of dolphins as just straight grey when in reality there's so many varieties with so many different amazing patterns

Look at the common dolphin! They have a gorgeous X pattern and even some dull yellow/gold!!

Hourglass dolphins have gorgeous white streaks

Spinner dolphins have really pretty banding as well, AND they have a really sleek cute silhouette!

The atlantic spotted dolphin!!! Theyre spotted!!!!!!

and the pantropical spotted too!!

Dusky dolphins have a gorgeous airbrush look going on like straight out of a 2000s fantasy illustration

Striped dolphins sure have stripes!! How cool!!

And these I've shown you aren't even all of them at all, there are so many of them:

There's so so so many different types of dolphins people dont know about this isnt even all of them and some are SO gorgeous and underrated because people just dont know they exist so I'm here to fix that

[unicornpopcorn14]

Dazai and his (dis)association with Guns

It's interesting to me how Dazai conically wields no firearms on him, neither in the PM nor in the ADA.

I mean, taking how dangerous both jobs are into consideration, and how he isn't as physically capable as the strongest ability users out there, you'd think he'd at least ensure a safety measure with him at all times.

But every gun he wields in the series is someone else's.

Every. single. one.

Even the handgun he wields in the Azure messanger arc, despite belonging to the agency, he doesn't constantly use:

While in Stormbringer, Dazai uses a tazer gun before meeting Adam and relying on him:

I've had many speculations regarding this pattern (feel free to add onto them), one of them being that Dazai thinks he doesn't even need guns, since strategies are his weapons, his hands alone are his weapons. In a world of crazy abilities, and users completely relying on said abilitis, being a nullifier might be considered the biggest threat, and a pretty sturdy weapon to rely on.

After some thinking, however, I found that while this might be part of the reason, it isn't enough to just disregard firearms as weapons entirely. Dazai's plans/predictions aren't foolproof, and as he'd explained, they are full of uncertanties, contrary to Fyodor's plans.

And Dazai's ability can't be relied on all the time. Having to touch the enemies/maintain proximity in order to activate it is definitely a hindrance. Besides, some enemies can be physically competent without their abilities, some might not even have abilities, but are formidable. Firearms in these situations would be extremely useful, given their range, and a good precaution.

Aside from combat, tw: suicide Let's not forget that a shooting oneself is subjectively the most painless way to die. So if anything, Dazai should be eager to have one on him and even attempt with it. But he doesn't, he never even seems interested in using guns at all in his suicide methods, hence he would have succeeded long ago...

So if it isn't out of unnecessity, then what might be the reason? I mean, having to count on your enemies to have guns in order to use one is rather inconveniet, right? Why can't he just carry the agency's gun or, before that, any of the countless PM's firearms? Well...

Here is what I think: Killing with guns is triggering for Dazai

Let's rewind a little...

15!Dazai is the earliest we see him using a firearm, and one of the few times he does shoot with said firearm, resulting in this fiasco:

He's clearly having a mental breakdown, spiraling, can't stop, and most importantly: can't think straight. This is Dazai's lowest moment in the whole series.

Thing worth mentioning: in the manga/lightnovel, Dazai does stop after shooting the man one time (basically killing him) and pauses, before he continues again and again and agian...

So I believe the triggering factor is either the death/corpse itself, or how the recoil felt.

We can't exactly determine what it might be, since remember, this is before Dazai even joins the Mafia. He's known Mori for mere weeks at this point. Whatever Dazai's going through in this moment has to related to his past prior to the mafia that we have yet to (or might never) see.

You'd get why Dazai, a person whose greatest ability is his mind above all else, would never wish to go through a moment where he can't keep his thoughts in check. Where he'd lose control.

And you know what's crazy? Dazai seems to avoid that outcome since then, as This is the only moment we see him actively kill someone with a gun in the series.

18!Dazai, through his (abusive) teaching moment with Akutagawa, shoots three times in hopes the other finally uses his ability defensively. There is a cause, and a motif, that a gun has to be involved in. And he knows Akutagawa is going to succeed in repelling them, he knows that won't kill him. Which is why wielding a gun is safe along with shooting it.

While in the ADA, in the instances Dazai wields a gun, he doesn't even shoot:

And that checks. Each one of these example were mere empty threats, but now I see that, as much as it's a threat to whoever he's pointing the barrel at, he's also under the mercy of it. Which means that every time he's used a gun since fifteen was a means to scare and not kill, if only to avoid the worst outcome which is losing control.

Dazai's sanity is on the line whenever the trigger is at the tip of his finger...

So why would he carry guns when he never even plans to shoot? When properly putting them to use threatens to send him into a breakdown, to overthrow his entire line of thinking?

One moment out of control might cost him his plans, his objectives, his subordinates, the lives he wishes to protect. And unless there is a motif for the gun (other than of course, killing) using it is a threat looming over him.

[thankstothe]

Some notes on Wilson's marriages/divorces, and how he met House:

• House didn't just meet a freshly divorced Wilson. He met barely married Wilson, who just got notified about his #1 divorce by a lawyer, not his wife

• Wilson walked around with papers on hand, long enough to give House a chance to sneak a peek. The same day he received the news. (there's a chance it was some sort of middle step in the divorce procedure, but "just served", checkmate your honor)

• House 100% knew that when he bailed him out. No, I don't have any concrete evidence besides "it's fucking House"

• House had Wilson observed the entire time to know he didn't open the papers. The divorce lawyer prob gave him an idea of what it is, and he was just marinating in the suffering juice

• House had to be nosy and stealthy when he checked the package Wilson clung to, he saw what's written on it

• They didn't actually talk at the conference itself, so House did it silently too

• There was a law firm address on the papers, and you couldn't just google shit then. House's had to remember it to investigate it further, or he already knew of the firm (or it said "BLAH LAW FIRM BLAH HERE'S YOUR DIVORCE PAPERS, LOSER", which is possible)

• Wilson likely opened them in a hotel room (or he looked at the package sadly/angrily there too), needed a drink, and House was at the bar

• House was watching Wilson at that conference, then at the bar, then meltdown over the song, then the whole fight and the mess, then the detention, and was like yeah I'll bail that

• "First words you ever said to me." This is when they first talked, Wilson was in jail and the one in need

• Ok alright, hear me out, if House didn't know what the papers were at the time of bailing. There are 2 paths for him to find out

• Wilson STILL had them on hand in jail

• Or Housey saw them at Wilson's hotel room. Yeah

• It's been over the decade since they've met and they both vividly remember the details of that drunk night (I get why for storytelling purposes. Still... Much to think about)

• That conference is either the last one, or one of the lasts, House attended. And that one was already boring to House without Wilson. 15 years prior to s06e06 "Known Unknowns", can't do the timeline magic I just eyeball it

• House also introduced Wilson to Cuddy pretty soon, since she was a witness to the levels of despair he was apparently in

• House might've pestered Cuddy to hire him, or she chose to do so herself (whenever she was dean). Maybe House chased away some poor oncologist to make an opening. Even if House isn't as obsessed with Wilson at the start of season 1, he's always plotting

• There's the brother thing too. Wilson still fresh out of med school, still divorcing, still guilty af and looking for the brother in Princeton, so he was happy to work there

• Prior to that, Wilson was working 2 jobs to support himself and Sam and was ready to follow her to Baltimore

• The divorce and meeting House happened in 1991, the same year USSR completely fell apart. Just thought I'll throw that in #educational

• Wilson was married, non-fraudulently, for 12 years total

• Marriage #1 has only lasted 1 year

• That means every marriage House was present for has lasted longer #math

• Wilson found a way to get fulfilled while in the marriage

• Now he's got a needy bitch with infinite problems and who will slurp any poison he has to siphon

• I'd argue House is what made Wilson bearable at home

• At the same time, House is what kept Wilson away from home, ultimately contributing to the divorce

• Wilson himself describes his marriages as crappy - he doesn't really need help destroying them. House still helps~✨

• Timeline gets wonky, but there couldn't have been much of a downtime between marriages, a couple of years max

• "Fell in love at the wedding" - whatever the fuck that means for Wilson

• Either Wilson met Sam through that wedding, and she also aimed to work in medicine - how they've connected. Or they went there as a couple, both being med students? Got high on emotions and jumped into marriage

• Wilson speedruns relationships once he's in them, so it could've gone "hey that was a nice wedding, how about we have our own?"

• He fucking sucks at proposals, his looks and general air of niceness carried him all 3 times, I will not be hearing any objections on the matter

• When Wilson talks to Cameron about cheating. He says, "I have (cheated). I always told them"

• "Them"

• It's could've been every marriage (#1, #2 and #3). If boy managed to sneak in cheating in his 1-year lightning marriage #1, while he was studying + 2 jobs (now I don't doubt his time management skills, but it's still a hassle. On the other hand, all that stress couldn't have been helping)

• Or it could be #1 and #2, or #1 and #3. But #3 is pretty much a certainty (he flirts with nurses on screen, House is also there), and it's "them", so why would he randomly stop in the middle? Don't think so

• What's most likely is - #2 and #3. When arguing with Sam (#1) again she didn't mention or allude to the cheating, her problem was that Wilson didn't communicate ANY emotions to her, she even admitted to House she made the most mistakes in that marriage, let's say there's some truth in that

• Wilson either didn't tell Sam about cheating, she didn't have a problem with it, or he lied to Cameron

• OR he didn't cheat on Sam

• He started to cheat after the first divorce AND his marriages started to last longer, which is funnier too

• He could've started cheating prior to House entering the picture, but much more likely - after. Divorce and/or House are the cause

• Speaking of. Meeting House is very tightly linked to the #1 divorce. Every time Wilson would think back on it, he would have to think about all the turmoil and getting bailed by House. And vice versa - every time he'd think back on meeting House...

• "I met someone who made me feel funny. And I didn't want to let that feeling go." Another Cameron talk. Ur honor, there's something on that wall

• btw, he is STILL married while meeting House, so if you hilson 1st-night-fuck truther, that meeting is his cheater origin story in a more practical sense. He then could've really meant all the marriages, but then he lied about telling Sam/Cameron, he might not count it since he's divorcing to tell Sam

• Ultimately, he's a huge liar, and I'm wasting my time. What I'm saying - nothing is really off the table with this guy in terms of hcs

• Aftermaths of #2 and #3 aren't really talked about like #1. It must've been really nuclear

• House says neither of them recovered from (#1) divorce to Wilson's face, Wilson doesn't contest that in any way. Even tho House didn't know Wilson before the divorce he usually right on the money with these things

• After the divorce #2 Wilson got 3 legged cat

• After failing to secure marriage #4 (#1 part 2) he got a diabetic cat

• Just like the thing he has with missing phone calls, after every divorce, consciously or not, he might expect a savior to bail him out

• After and during #3 he crashed at House's, then surfed hotels, then moved in with a dying patient, then Amber's, then House moved in with him (still Amber's)

• Maybe his wives kept taking properties in the divorce, and he just stopped getting them

• Man frankly didn't have a home for a while (HOMELESS BUT NOT HOUSELESS)

• Then Wilson finally commits and gets the place for himself and House, from Bonnie (#2)

• Wilson adamantly remains on good terms with his ex-wives (but not random exes. One helps House with a prank, House kept tabs bc of course)

• But Wilson thinks they hate him. Did he ever pay attention to them?

• While spending all the time with House, then cheating, telling his wives about it, Wilson gave them more attention and emotions to delay the divorce

• He also learned how not to get attached in marriage, to not get destroyed by the divorce (excellent gambit if you expect your marriage to fail)

• He has a better support system now too. Can't believe House is your support system, fucking lmao and ouch. Cuddy is his only other friend we see, maybe Stacy at some point (he kept in touch with after the incident)

• All his other friends and family we hear next to nothing about, at best they're surface level

• In season 5 he's only visited by the coworkers/House's team + Cuddy <- all that is pretty much House's tolerance circle

• House is pathetic, but Wilson is something else entirely

[front-facing-pokemon]

[calmbigdipper]

What you mean to me

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[galactic-rhea]

Do you guys ever think about how the generational cycles of abuse slowly crumble in The Simpsons? Do you ever think about it?

I love The Simpsons, and by no means it's supposed to be taken as a show that takes itself seriously, because it doesn't. But yet it handles heavy themes, it does handle strong subjects, particularly first seasons had certain, strong character's driven episodes meant to actually make you take it seriously. Even later seasons, albeit it becomes less and less of a thing (it becomes a bit heartless), has certain episodes like that. And is what makes The Simpsons a bit unique on the adult shows landmine.

Not to say it's completely original on this, because The Simpsons come from an era where sitcoms were everywhere, and sitcoms tend to be 70% comedy and then a few strong, heart-felt moments. This is because to keep you laughing, you need downs, otherwise, joke after joke after joke, you get a monotone story were there's no stakes nor pauses between a punchline and another. Comedy needs a tiny bit of seriousness, so you feel your feet on the ground, and then they will throw at you a joke, that, if is well written, is meant to surprise you, you don't see it coming. In the Simpsons, many of the classic jokes you remember best? You don't see them coming, not really, because the way they wrote the jokes in the simpsons is actually very clever, if I were to graph them, there would be several curves and points because they're jokes within jokes within jokes.

And then is a bit of dark humour, that is meant to reasonate with the audience somehow. So you laugh a bit at the fact that Homer's dad let him drink beer just so he would stop bothering him, but then the show makes you care, sometimes, about Homer being extremely hostile with his very old dad. But then you also laugh at the fact Homer's mom was a hippie, a rebel hippie, at that, that took him to Woodstock and is one of Homer's happiest memories of his childhood, and then you don't expect her literally dying.

And returning, in a way, just because she wants Homer and his family to continue what she started, and the show makes you care, the show makes you feel for the characters. Because Abe is a war veteran, he was awful to Homer and to his wife, but you also know he cared, and you also feel bad because he lives in a retirement home and wants to live with Homer and his family, but Homer will literally start the engine and leave him there, and at his age, he doesn't deserve that, but what does he deserve? Should Homer forgive him for everything? No, not really, you don't have to forgive abusers, but then it gets messy and complex because abusers don't deserve to be abused.

Homer, however, does forgive Abe, sometimes (and because of the nature of the show, it gets retconned, or forgotten, or brushed away, and etc). But more interestingly, he forgives his mom. Homer's mom was a much nicer parent, she was kind and Homer's refuge for happiness, so it's easy to forgive her, despite the fact that leaving Homer with someone like Abe was certainly, not a good choice, and we know that many, MANY of Homer's problems, all come rooted from either trauma or behaviours he learned from his childhood. And he's rightfully angry about it, he acts a bit like a rebellious teenager, because Homer is fairly inmature and this is because a extremely troubled youth.

But he forgives her right when she's literally a corpse in a chair, and then the closure comes from finishing what she started years ago as a radical environmentalist advocate.

So Homer knows, extremely well from first hand, his parents' flaws, and he is, to some degree, aware of how these affected him, which is more than most of the audience he represents realizes. But he's still an awful parent. He is abusive, towards Bart, but he also cares and tries deeply. He does an incredible much better job as a parent and as a partner than his parents.

And that's still not enough. That's not enough because trying doesn't mean sucess. The nature of the show makes it a bit harder, because sometimes it can be uqite inconsistent. There's a whole episode focused on how Homer decided to give up a lot and to stay under the awful working conditions from Mr. Burns because of Maggie, and then there are episodes where he literally forgets he has a third child.

But that's still better, somehow, than his upbringing. The bar was low, quite low, but he doesn't know anything else, and yet tries to be something different. And that's, from a narrative sense, interesting.

The cycle is breaking, is not completely over, is not a good job, but it is an attempt, it is watering down the abuse, it is making it less awful. Is like trying to purify a river, you're starting to remove the trash bags, you blocked the wastes tubes, the water is still contaminated, there's no grass and the ground is infertile. But it's a start, you need to start somewhere.

And then, in the futures episodes with Bart (and Lisa, and Maggie, even) we learn that, he isn't doing that much better either. Bart is divorced, his ex hates him because he's inmature and his children aren't very fond of him. Lisa's marriage is a bit of a mess, and her relationship with her daughter echoes a bit the one she had with Marge and Homer: She can't understand her, there's a lack of cummunication.

But it's still incredible, much better, than what they knew while growing up. Bart tries to be more responsible, he isn't abusive, his problem is that he's inmature and therefore can't connect with his children. But he doesn't quite yell at them, or tries to choke them (at least in the future episodes I remember, there are several). And unsurprisingly, he resents Homer a lot, which is logical, given everything, but he's also baffled that his children love Homer, and as a grandparent, he actually does quite a good job.

And the cycle is almost completely broken. Perhaps you can't absolutely clean it all, at least not in so few years, but it's happening and the change and evolution is logical, despite it being a sitcom, it is quite well written and sadly realistic. Bart and Lisa and Maggie don't have perfect lives as adults, and they struggle and the narrative shows you that a lot of these struggles come from their toxic enviroment.

And they're still doing better, because Homer and Marge chose to do slightly better than their parents. And so the cycle is near to the end.

I could talk about Marge, but sadly, in terms of her upbringing, there isn't much, besides the fact that she grew in a conservative home. We know her mother told her to held back tears and always pretend to be happy and force a smile, which is how she carried out in her life in many facets. And then we see she tries, at first, to teach the same to Lisa, and then decides to break that rule, to break what she forced herself to do and let Lisa be sad and express her emotions fully.

We also know she was quite bullied by her older sisters, and she's the one to always try to stop fights between Lisa and Bart, and the first one to try to stop rivalry between them when Homer tried to make them fight the other for attention.

Marge is flawed in a sense that she internalized a lot of misoginy and conservative ideals and then, sometimes, she tries to spread it, unwillingly, because is what she knows. Despite this, we know she supports Lisa's interests in studying and artistic skills. We know her mother was cold, and a bit detached, but Marge tries to be as warm and supportative as possible.

The Simpsons reasonates, mostly, with a generation that came from similar home enviroments, and, to some degree, some people in the audience could realize of their own flawed origins or how they carried those flaws, because I think the creators and writers had this in mind, the change and the struggle with trauma, the "not being good, but being better than what I remember".

So there's that. Deeply, deeeply flawed people that were raised in awful enviroments, and ultimately fail at being "good" parents, but they tried to change, and they tried to be better, and trying does matter in the end , because it's a start. They didn't end the cycle, but they planted the seeds for it. And to me, that's extremely interesting, and more so because this is the fricking Simpsons, a comedy, but like the context and narrative it generates, reasonates deeply with me despite not being for any of the generations the Simpsons represent, I'm a queer person in their 20s that was raised and still lives with an awful, awful family, but that I know their upbrinding was just so so so so much worse. And I know they try, and is not enough, and I can't quite forgive that, but I can see they try. And I know the cycle ends with me, at the very least.

[madbard]

“Hunger is so heavy.”

I want to take a moment to rant about the role of hunger in Epic - specifically, the way nearly ever single saga is, at its core, a story about hunger and the way it affects us.

Let’s start with the Troy Saga. Odysseus’ men have won the war and are finally headed home when they run out of food. Upon discovering an island, Eurylochus immediately suggests they attack and take what they can. Right off the bat, the story associates hunger with violence. As we all know, Odysseus resists, and travels with Polites to the island of the lotus eaters - a society that has sacrificed their free will to slake their hunger for the glowing lotus fruits. If not for Odysseus recognizing the fruit, the crew could very well have met the same fate. Their hunger would have led to them losing their freedom forever.

Moving onto the Cyclops saga, the events of the Odyssey begin in earnest when Odysseus’ men slaughter Polyphemus’ sheep because they are starving. In response, Polyphemus decides to slaughter the entire crew and eat them instead - suddenly, theirs is not the only hunger that threatens their lives. The only reason they are able to escape is because Odysseus tempts Polyphemus with the “world’s best-tasting wine,” thus defeating the cyclops with his own thirst (I’m not going to differentiate between hunger and thirst here, as they are both intense physical cravings). Here, hunger is both a weakness and a threat. Giving in to hunger can lead to death and destruction, but hunger can also be used as a weapon, if you are clever.

Next up is the Ocean Saga. (This is where I start to seriously bend the definition of “hunger.”) This is the first saga in which food or lack thereof does not play a direct role. Here, Odysseus faces a new form of desire: exhaustion. Going back a bit, I described hunger as an intense physical craving for food. Well, what is exhaustion if not an intense physical craving for sleep? In this saga, Odysseus is given the chance to make it home. All he has to do is keep the storm trapped, and in order to do that, he has to stay awake. Odysseus resists his exhaustion for nine days, fighting off his desperate desire for sleep. But eventually, he relents and drifts off - which is when Eurylochus releases the storm and Poseidon kills all but 43 members of Odysseus’ crew. Once more, yielding to ‘hunger’ leads to tragedy.

Moving on to the Circe Saga, literal hunger plays a role yet again as Circe’s first move is to offer Odysseus’ men “something to eat.” The men soon discover that Circe enchanted their meal; upon eating, they are transformed into pigs - animals infamous for devouring anything in front of them. Here, hunger is portrayed as something animalistic, something which reduces the men from thinking, civilized beings to creatures, little better than livestock. Just a song later, though, Odysseus becomes powerful enough to face Circe when he consumes moly root. Notably, his consumption of this root was based on strategy, not hunger - a small but important distinction as it separates his consumption of the moly from his crew’s consumption of Circe’s meal. Wrapping up the Circe Saga, we have an entirely different kind of hunger as Circe offers to let Odysseus’ men go free if he shows his true colors in “acts of lust.” He refuses the promise of physical satisfaction because of his loyalty to Penelope, and in doing so, he earns Circe’s respect and assistance. Earlier in Epic, we were shown the power of hunger to inspire violence, tragedy and destruction. Here, we see it as an animalistic urge - the distinction between animals and men, then, is their capacity to resist such desires.

Writing this, the Underworld Saga was very frustrating for me because I could not find any significant references to hunger in any of the songs. Thinking back on it though, I wonder if that in itself is significant. The saga that takes place entirely in the world of the dead is the first saga not to heavily involve hunger or other forms of physical desire. Resisting hunger may be what distinguishes men from animals, but feeling hunger is what distinguishes the living from the dead.

Finally, we reach the Thunder Saga. The crew has run out of food for a final time, and in the grips of hunger, Eurylochus closes the cycle begun in the Cyclops saga when he slaughters the sun god’s cattle. At this point in the story, Eurylochus no longer believes they can return home. Eurylochus is exhausted, starving - he cannot bear to suffer any longer. Though Odysseus protests, Eurylochus insists that the crew cannot go on like this. They cannot survive much longer on these seas. His final defense as he slaughters the cattle? “I’m just a man.” The only person begging him to stop renounced his humanity in the Underworld.

Throughout Epic, hunger is a constant force. It inspires violence, steals free will. Submitting to it leads to tragedy, but it can also prove a powerful weapon. To resist it for a time is to be more than an animal. To feel it is to be alive. We cannot escape it forever, can’t fight it forever. In the end, we are bound by the needs of our fragile, ephemeral bodies. In the end, we must give in. And maybe, just maybe, that is what makes us human.

[livingthedragonlife]

i want to talk about the mimic chapter!!!!

kui is a genius at weaving overarching story themes and character themes and arcs and details into every chapter, but i love the way it happens in the mimic chapter the most.

the first thing that happens is chilchuck noticing the possibility of a mimic. he notices it instantly, because he remembers what the room looked like the last time the party was there. it's a great demonstration of how perceptive he is, and how seriously he takes his job... but he doesn't tell anybody.

the party could be in danger, there's a monster right around the corner, but he assumes (rightly, but still) that laios and senshi would only want to eat it and marcille would be mad at him for bringing it up. so he says nothing. out of sight, out of mind, ignoring the problem will have Zero lasting consequences. his emotional unavailability demonstrated right after, in a way that feels so seamless!!!

later, he wakes up marcille before he goes to refill his waterskin, but when he gets trapped in the mimic room, he assumes she fell asleep right after he left and therefore can't help him. he finds out later that he's wrong. marcille stayed awake to wait for him and woke up laios and senshi when he didn't come back. they were a little bit late, but chilchuck could have relied on his party members to be there for him, but assumed they wouldn't. he thinks quick on his feet, he figures out the puzzle in the room really fast, but he doesn't come out of it unscathed. he relies only on himself, and it almost got him killed.

obviously getting killed isn't too big a deal in the dungeon, but the point is that chilchuck put himself through unnecessary strife that could have been solved easily if they had just taken out the mimic right when they got into the room together—if he had told them there was danger in the first place. and the mimic turned out to be delicious anyway!!!!

BUT. THEN. when he finally DOES decide to be vulnerable, having learned this lesson, and tells everyone how old he is... they laugh. they still treat him like a child. they don't understand, they assume he's just as young as they did before.

this gets solved too, when he tells them about his family after the griffon/hippogriff fight. and sure, if he had been more open and vulnerable about having a family from the start, he wouldn't have to keep explaining that he's not a child only for them not to listen. but no wonder he doesn't!! no wonder he kept quiet when the one time he tried to open up, he got laughed at anyway! and that's just THIS PARTY, we know he's been through some shit with other parties—he formed a whole union about it

just!!!!!! all the actions from all the characters make sense if you look at it from their perspective, and it's all weaved so delicately into the storytelling you don't even realize how much you're absorbing about the world and the characters. chef's kiss.

[frobby]

Nothing is stronger than the bond between a girl and a piece of media they brushed off 10 years ago that they now realized is the greatest thing ever made

[sapphojennyhumphrey]

This isn’t based on anything and this post isn’t new/original/revolutionary but I miss Shannon Keene. I know she was never used as anything more than a plot device and there’ll always be the hundred unanswered questions, but she was so interesting as a character in ways other than being useful for driving the Robby-Johnny relationship! Whether ‘her and Johnny both made mistakes’ (BARF) or ‘we really see not only Robby’s unstable home life - that Johnny left him in and very much contributed too as well - but we also see what’s happened to this women, certainly having agency and responsibility as a mother and a adult, yet knowing there’s something deeper and complex.

But I mean. Of course she’s not going to come back now. We won’t see or hear her for the remaining five episodes and if so it’ll be a off-handed Robby or Johnny line or maybe she’ll be cheering or waving Robby off right at the end. And they’ll certainly not care for their other women characters like Aisha or Carmen (not ignoring that these two are WOC which is for another full post) or Amanda, or even Sam and Tory at this point - so why care for Shannon? But season 4 and season 5 the role of Shannon, compared to season 1 and 2 and arguably 3 Shannon’s character? The point is she’s Robby’s mom - and Johnny’s ex fling if the writers even allow her that - so when Robby’s arc falls off then so does Shannon’s, because that’s what she’s useful for. Which is one thing in an array of problems, but we’ll never get that glimpse again. We’ll never get that glimpse of Shannon as a complex character, or a character with any story worth telling, or anything that makes Shannon Keene the character feel like a human, at all.

[jaggybot3000]

mind cries guys trust, his ego is so big he will cry whenever its even slightly bruised but his ego also hates when other people see him cry, he gets super embarrassed so he does all he can to avoid crying in front of others, such as fleeing to the nearest corner of privacy to shed tears all alone lest anyone see him as weak or feeble like his pathetic heart, saying shit like fuck my stupid baka chungus life the entire time

[vsgigan]

things tarantula DNA makes you good at