#WHY DIDN'T HE TELL HER

[ellie-the-awesome-11]

so I listened to the new episode

[nelkcats]

Therapy needed

Danny needed therapy, that was pretty obvious. After the whole "my future self killed everyone because my family died" thing it became pretty obvious that he needed to acknowledge his traumas and deal with them properly before another Dan happened or his emotions just exploded. The fact that his parents wanted to kill him and no one would acknowledge his death was making things worse.

So he asked his sister for help, but Jazz being annoyingly responsible commented that he couldn't become her patient, something about how personal feelings could cloud her judgment and family can't give each other therapy. Danny thought it was a bit hypocritical considering she used him as a lab rat with her psychology books but decided not to say anything.

The fact that Jazz could not be his therapist made everything 10 times more complicated. First of all because Danny had a trauma with psychologists (and wasn't that ironic? He blamed Spectra for that), and secondly that no one would believe his whole life story or keep it a secret. It was unfortunate that the Yetis were general health doctors and not mental health doctors because that would have solved his problem.

Just as he was about to give up and continue to treat his traumas as a recurring joke, Jazz introduced him to someone. Her name was Harleen Frances Quinzel and she was completely crazy, but according to Jazz she was excellent at her job. Danny had his doubts but in the end he agreed to have an appointment with her.

Strangely, Harley Quinn lived up to his sister's expectations, not being upset when Danny asked to change the decor of the place (Spectra had done a number on his head, common offices became uncomfortable for him), nor when Danny almost froze her by accident. Harley was patient, attentive and considered all his suggestions, accepting or denying as needed. Danny liked it.

The only complaint the halfa had were about the stalkers on the roof who were always watching him on his way to and from Harley's house, it was getting very annoying. One of them panicked when Danny came out crying - couldn't a ghost face his traumas in peace!?

[llamagoddessofficial]

How would Farmer Sans handle hearing that MC was sick? Maybe they usually meet up a certain time while managing their morning chores and they’re just.. not there, only for him to later find that they’re bedridden

"hey, pumpkin."

The sound of Sans' voice, regardless of how soft it was, made you panic.

You sat bolt upright from your spot curled into the couch, jolting out of your strange fever dream. A cooling pack fell off your head, and a blanket you didn’t remember grabbing slipped from your shoulders to your lap.

Immediately, you could tell that you weren’t on your home couch. You didn’t recognise the blanket someone had tucked you under. You weren’t cold, you couldn’t smell the usual mix of dust and gradually fading damp - in fact, there were many wonderful scents mingling in the warm air, soup and tea and a sweet bread aroma that made your stomach rumble. 

It certainly wasn’t where you expected to wake up, after you fell asleep in front of the dodgy TV once the painkillers finally kicked in. This was someone else’s couch. And after a few bleary moments, you recognised it all. 

... It was Sans’ couch. You were in his house.

You looked up a little to see the man himself, as handsome as ever, leaning over the back of the sofa and looking at you. A gentle flicker of relief passed over his face. 

“rise and shine,” he said, voice as warm as the room. “how’re you feelin’?”

Huh? 

...

Your eyes widened. "S-Sans!?"

Bad decision. At such a sudden vocalisation, your body decided that was the perfect moment to send you into a horrendous coughing fit that made the inside of your throat feel like someone had gone at it with sandpaper.

Sans just put a big gentle hand on your back, letting you work through it, quiet as you hacked your lungs up.

Eventually the coughing eased off; once you had control of your body again, you turned your gaze back to him.

"Y-you...” Your cheeks were starting to burn. “why am I...?"

“you weren’t answerin’ the phone. i got worried.” As he spoke, you kept messing with your shirt, nervously pulling it down over yourself. “came to check on you, an’ you were totally out of it, could barely answer me. i had to go work, but figured i should bring you somewhere me an’ pap can keep an eye on you.”

... Oh no. You put your hands over your face, slowly getting quieter and quieter as the situation dawned on you. “Y-you really didn’t need to...”

“course we did. ain’t safe for you to be so sick all on yer own.”

This was a nightmare. Now, on top of being sick, you were absolutely mortified at Sans seeing you in this state. Tired, achy, sweaty... you were dressed in a stained old shirt and pyjama pants, visibly unshowered and pretty much as ungroomed as one could get. You distinctly remembered throwing stuff on your floor before you fell asleep, too weak to get up and go put it in the garbage - empty blister packs and used, crumpled tissues. Did he see all your dirty trash when he came to find you?

You wanted to melt into the couch. He had seen you delirious and ill, at your absolute greasiest and grossest. Stars, what did he think of you now?

“I-I’ve been out for hours?” you asked.

“mhm.”

Your whole world was coming down around your ears. Why couldn’t Sans have just let you die at home, where no one would see your shame?

“you didn't tell me you were sick,” he said, so quietly you almost didn’t hear. There was a strangely... sullen edge to his tone? 

Your face was on fire. You had already intruded so much on him and his brother’s kindness over the last few weeks. Sans had repaired your stove and water pipes, bought you fresh food from the farm, helped fix a leak in the roof, not to mention when you asked him to stay the night like you were a frightened baby. Now here you were; being sick and disgusting right in the middle of his house. 

Before he could say anything else, you pushed the blanket off you, swinging your legs over the side of the couch and scrambling to your feet.

“I-I should get home,” you said, hoarse.

Immediately, Sans’ brows raised. You didn't look at him for long, walking unsteadily and trying your best to concentrate on not tipping over.

“I’m so sorry to intrude. I’ll just-”

... Your feet went out from underneath you. 

You squeaked, loudly - but Sans didn’t care, he scooped you up like you didn’t weigh a thing. To him, you probably didn’t weigh a thing. You could feel his massive strength through his clothes, and you immediately knew that if he wanted to, he could’ve thrown you straight into the air like a child.

You couldn’t tell if it was the height that was dizzying, how close your face was to his, or if you were just way weaker right now than you realised. But immediately your hands balled in his shirt.

"... easy," he murmured, one arm under your thighs. "i don't bite."

... Your face filled with so much heat it felt as if the tips of your ears were going to set alight. You tried to say something, but when you opened your mouth, literally nothing came out. Not a sound. All you could do was hold on to his shoulders.

Sans’ voice became normal again, jokingly stern. “sorry. not goin’ anywhere on my watch, pet. you need to rest. look at you - yer burnin' up.”

Your whole body had tensed up. But not out of fear. You just stared into his eyelights.

He very gently sat you back down onto the couch, putting the cold pack into your hands. “you stay right there, ok? i’ll getcha some soup. it should be ready by now.”

"O-ok," you helplessly replied.

Sans moved away, disappearing into the kitchen.

...

There wasn't much else you could do, but lay down and put the cooling pack back on your head... trying to figure out how to make your heart slow down.

[ineed-to-sleep]

So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again

[my-name-is-apollo]

Why is Hera so hostile to Leto in a manner that she isn't with the other lovers of Zeus? I can't think of any other woman who was targeted so much by Hera. One could say she didn't want Leto to give birth because her children would be a competition to Hera's children, but why bother her even after she had already given birth? Is it because Leto herself is also a threat to Hera?

Sort of I guess?

I don't think Leto would ever be a threat to Hera's role as the queen of the gods but Hera might see her as a competitor for Zeus' affection, even though I think Zeus would not marry someone else and replace Hera.

The twins are definitely a big reason why Hera begrudged Leto - it is outright stated in the Callimachus Hymn to Delos that the reason Hera especially targeted Leto was because she was told that Apollo would be dearer to Zeus than Ares is. Zeus is very proud of Artemis as well. As he himself puts it, he doesn't mind facing Hera's wrath for children like her.

But the continued hatred even after the birth of the twins (like sending Tityus to rape Leto) could have been for different reasons. This wasn't like one of those affairs Zeus would have with mortal women where he'd leave them behind once the child is conceived. Neither could Hera, despite her many attempts, get rid of Leto like she did with the other lovers. Not only did Leto give Zeus children that he loves dearly, she also stayed on Olympus despite Hera's hatred towards her (which isn't directed to any of Zeus' other divine mistresses, btw). It might have also been because Leto herself is dear to Zeus, if the way she's treated on Olympus is any proof. In the Homeric hymn to Apollo, Leto stands next to Zeus - in the Olympian assembly - to welcome their son. Hera is completely absent from the scene, as if Leto had taken her place even if temporarily. Now you could say this is because Apollo himself is such a powerful and glorious son in a way that no other son of Zeus is, so of course Leto would get such an honor (the hymn itself presents it this way).

But here's another instance - in the Iliad, when Hera goes to seduce Zeus, he is obviously very smitten but before getting into the action, he lists some of his lovers (I believe these were his favorite lovers, as a lot of others are not mentioned):

"for never has such desire for goddess or mortal woman so gripped and overwhelmed my heart, not even when I was seized by love for Ixion’s wife, who gave birth to Peirithous the gods’ rival in wisdom; or for Acrisius’ daughter, slim-ankled Danaë, who bore Perseus, greatest of warriors; or for the far-famed daughter of Phoenix, who gave me Minos and godlike Rhadamanthus; or for Semele mother of Dionysus, who brings men joy; or for Alcmene at Thebes, whose son was lion-hearted Heracles; or for Demeter of the lovely tresses; or for glorious Leto; or even for you yourself, as this love and sweet desire for you grips me now.’ (Book 14, trans. A. T. Murray)

Notice how when talking about most of them, he also mentions the children they bore to him but when Demeter and Leto are mentioned, he doesn't bring up their children at all despite them being some of the most accomplished kids of his. What's more, he takes Leto's name just before Hera's. I mean, this is an interpretation but it looks like not only did Zeus love Leto the most out of all his mistresses - giving her a place second to that of his wife, but also his love for her wasn't necessarily only because she gave him two amazing children.

Nonnus does something similar in the Dionysiaca (but this time Zeus is enamored with Persephone instead of Hera) but more notably, when Typhoeus attacks Olympus and Zeus is discouraged, Nike takes the form of Leto to encourage him and it's pretty telling of what Leto meant to Zeus.

One interesting similarity between Hera and Leto is that they both had a giant try to rape them. Porphyrion tried to violate Hera (Zeus inspired him to do this) and Tityus tried to violate Leto (upon Hera's order). Though both of them were killed, only Tityus got an eternal punishment in Tartarus of having his liver/heart eaten out by vultures so Zeus seems to have taken a greater offense at Tityus trying to assault Leto.

Again, I don't think Zeus would ever take anyone other than Hera as his permanent wife - she is irreplaceable to him. There's an entire myth about Hera leaving him and Zeus winning her back. Their relationship is obviously complex and involves all kinds of emotions including love and hate. But Leto is continually dear to him as well and that's something Hera can't do much about.

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[little-mouse-adventures]

Currently thinking about Artemis's will in the code at the bottom of TLG and how it really kinda shows how strained his relationship with his dad still is. Everyone else gets something they're interested in or that Arty thinks they'd like (sound system for Juliet, frozen chicken for Mulch, ethical investments for his mother, etc) and yet for his father he leaves only bearer bonds, despite Artemis I trying to move away from a money-focused enterprise and lifestyle as of TEC. Not to mention it's Butler who would know how to disengage all the booby traps protecting said bearer bonds, further highlighting the difference in trust & familiarity Artemis has with everyone but his father.

[astradyke]

so overwhelmed by everything in the stream that it was only after that i remembered phil being like "put on the catboy socks to cover up your modesty as sister daniel; i couldn't find tights." first of all why would socks help cover your dick and secondly, you can't... find tights...? is that like a particularly difficult thing to locate. i get your man's giant as hell but he can like rip it. not important but i just found that section funny like dude come off of it

[amelikos]

I wonder what Liko and Amethio will talk about in the cave. My current guess is that Liko could somehow bring up something that weighs on her mind and open up to Amethio. We've seen that she was aware that Roy and Dot were worrying about her and tried to cheer her up to not "inconvenience" them further (which is such a Liko thing to do), so maybe the things she cannot tell Roy or Dot and that she'd rather keep to herself, she would bring up around Amethio. In turn, Amethio could also tell her something that weighs on his mind because he doesn't really have anyone to share things with since he doesn't seem to have friends (outside Soublades). I think it would be neat if they had a talk that is exclusive to both characters and maybe realize it's actually easy to talk to one another when it comes down to it.

Liko is going through similar steps as Amethio right now (Amethio also went through losses that made him stronger after facing Friede, Rayquaza and Hamber). So maybe the events that will unfold with Amethio are going to motivate Liko even further, which would fit since Amethio is connected to her growth as a trainer. Explicitly shown through the writing this time too since they brought up the battle on Roy's island back in HZ006 and had Amethio highlight and directly comment on Liko's progress (which also means he was paying close attention and remembered the events from back then). And he is the one showing up after Liko's confrontation with Grusha, to challenge everything she's been through up until that moment. Maybe Amethio's involvement will be key in Liko eventually passing her course somehow and making her stronger. Which is interesting, because by directly opposing Liko, Amethio is contributing to her growth, which will eventually serve as fuel for her to stand against the Explorers.

Also wondering if we'll get another "thank you" this time, just like towards the end of HZ045.. Maybe Liko thanking Amethio at the end after they manage to get out from the cave, and his reply would be different from the previous time and he would be more honest in his words. Or Liko thanking Soublades. Since they are shown sitting next to a fire to keep warm, maybe Soublades is the one who lit it, so I could see Liko saying thanks. I think they could use this opportunity to interact with each other's Pokemon.

I'm also curious whether Friede will show up to the cave or not. We know he's heading out to look for her while Grusha will help Roy and Dot, so will he show up once she is out or before that? Mostly because I wonder if Liko and Amethio's moment will remain their "secret" and something that remains between the two of them, or if Friede will be there and see Amethio. Next episode will mark twenty episodes since Friede and Amethio teamed up against Rayquaza together, so I wonder if they'll have an opportunity to interact before the current chapter ends. Amethio's connections to Liko and Friede are his most prominent ones out of the main group and they kind of grow together, so I wonder how things could change going forward.

[mintjeru]

is it such a sin to want to live?

open for better quality | no reposts

my shop is open!!

[sealrock]

tell me, what makes a human?

[grinchwrapsupreme]

i think i need to go outside more because this is actually getting to me

[nelkcats]

Distant family

Danny didn't quite know how to feel when his mother asked him if he wanted to go visit his aunt for a few days. He assumed it was his Aunt Alicia but apparently not, which didn't leave him with much of a choice as to who it might be. He wondered if it was safe to leave Amity for so long.

Later, his mother rectified herself by saying she was more of a distant aunt of sorts, which didn't help the halfa's confusion in the least but he ended up agreeing to it. Mainly because Jazz asked him to take a vacation.

That's how he found out his aunt was Wonder Woman, because sure, why not, Aunt Diana seemed to be just as curious about his existence but didn't tie him up in her shiny golden bow so Danny considered it a win.

Apparently his grandmother was an Amazon that left Themyscira after falling in love. His mom had met Diana when she was separated from her homeland as a sort of united group of exiled Amazons.

Danny wondered what that meant for Jazz's future, at least he had a story to tell Pandora, she would be proud of his origins...probably.

[macbethisms]

underrated thing about wang baoxiang is how utterly pathetic he is. intentionally provokes his brother every time they interact because having esen be mad at him for something he did on purpose is easier than being vulnerable and then is like how could esen think i hate him :(( goes around rolling his eyes at all these Idiots who don't consider the Needs of the Common Folk and then gets grossed out whenever a servant dares to speak to him. constantly thinking about Hot Men Exercising and how much they all want to fuck each other probably. hasn't emotionally matured past the age of fifteen (he is twenty-three). thinks of himself as a Character instead of a person so much that he gets surprised whenever the things he did for their narrative significance have actual real consequences. while being quite literally haunted by a specter of his own guilt is like hm what could this mean. well time to not sleep for another 36 hours. kills people and then throws up about it and then goes off to kill more people because surely this is the one that will fix everything right. wants to be punished for what he's done because it's the closest he can get to admitting he feels remorse. looks for his brother everywhere but only ever finds himself.

which of course culminates with him stalking miserably through the hallways looking for someone to be mad at because there needs to be someone else responsible for making his life suck but there isn't anymore because no one has power over him anymore. and he can't go back but tries to convince himself that he doesn't want to because he also needs to see himself as being In Control of Everything That's Ever Happened to Him. he wanted it all along and he likes it here actually. and he won fratricide chicken and got himself tortured and tried to show mercy and did every evil dishonorable thing and now he just has to live with it all forever. loser!!!!

[childrenofthesun77]

...okay, so I'm probably not the first person to notice this.

But gear's earing that he points towards when he says that he did the same ritual he wanted to help kuro with already on himself before:

actually looks pretty similar to the pieces of the necklace the count used to create the servamps:

The different pieces of the necklace seem to contain one demon each and the count used them to create the servamps.

So...did the count either learn this technique from the werewolves or is he possible even originally a werewolf himself? It would explain why he's immortal, that's why I'm wondering about this.

Gear says that the ritual is used to remove spirits, could it be that the count removed his own sins using the werewolf ritual and created the demons this way? But he went too far and removed too much unlike gear who only removed one part of himself? Him removing the sins from himself would also explain why he's so weird and doesn't understand other beings. As the sin demons say, they are a natural part of being a human and we have seen multiple times that denying their existence is harmful, removing them all from you would probably lead to you not being able to relate to other people anymore.

Maybe removing all these parts of himself is also why he has no appearance. Without his demons he's not a person anymore.

The count originally being a werewolf would also explain why he has magical abilities (gear can also use magic) before other magicians existed and why he's so anxious about certain people dying. Gear talks about how his immortality makes him sad because human friends do die, but unlike the count gear seems to accept death, grieves in a heathier way than the count and is able to move on and make new friends. Could also explain why his magic and creations are all strongly tied to the (full) moon.

Another similarity is that while werewolves apparently can't reproduce gear was able to have descendants by sharing his life force (it's mentioned in chapter 135 which isn't translated yet) with a woman and through her human children tsurugi is related to gear. Sigurd explained to nicco that the magicians came to be because the count let humans drink his blood, three survived, got magical ablities and became the ancestors of all human magicians:

Maybe the count is more of a werecat though. He and the sloth demon do seem to have a closer connection, even though the count's appearance changes depending on the person looking at him he does usually keep his tail and the tip looks exactly like the one of kuro's cat/lion form and similar to the the one of inner sloth's non-human form.

It was also stated multiple times that the sloth demon is the strongest. I wonder why that is. Servamp comments on the fact that being lazy is often actually a sign of depression/anxiety through kuro's arc, so maybe the count was depressed and that's why the sloth demon is the strongest? Basically the demons strength depends on how much the count suffered from the different sins? It would also explain why melancholy is so strong, I assume kuro refusing to see him no matter how many siblings he sent his way to tell him to come looking for the count made him extremely sad and probably even made him come up with the plan to have himself be killed and then put in the same body as kuro through the ritual.

I assume he was behind C3 ordering the servamps to kill him because he's the one who created the magicians and thus C3 and lily who is kind of working for him was probably the one who put the idea that the count needed to be killed into the head of his eve (aka a member of the alicein family who hold a lot of power in C3 basically since the beginning. I explained this in more detail in another post). The people from C3 even said that the count can only be killed if he wants to and yeah, kuro didn't truly kill him, but he did destroy his body and kuro seems to have met little resistance when he attacked the count. Which probably means the count wanted this to happen.

[memoriamp4]

I hate that we never heard Astrid tell Hiccup 'I love you'. I was fully expecting her to tell him she loved him back in rtte 6x06 after he told her he loved her... but she didn't. Like they really made an entire episode about Astrid wanting a more lovely dovey relationship but then she never even said 'I love you' in the episode?? And Astrid has so many inspiring and loving speeches to Hiccup but I wish there was an 'I love you' included in at least one of them