#WHO SHE HERSELF HELPED NAME?????

[monards]

sorry guys. I don’t talk about her a lot but I really love Barbeloth

[chloesimaginationthings]

Vanny finally meets FNAF tape girl in person...

[lucky-clover-gazette]

hi i love how rose is like 14-15 years old and idealistic and hopeful and makes stuffed animals on etsy and loves her mom and tries her best to be a good ally to the murderous alien, i love that she is a trans character so fiercely adored by her family and friends that even despite adversity she sees the best in people and the world. yeah maybe some of the girl power stuff felt a little tacky but goddamn i think a break in the cynicism is nice actually. rtd’s writing has always been steeped in loneliness and tragedy, but also in hope for the underdogs. i’m so excited to see what this new creative team does next :)

[choccy-milky]

Their kids are so cute omg i'm gonna dir of adorableness

lewis: then die LMFAOO NO BUT FRR THANK UU IM GLAD U THINK SO🥹🥹💖💖💖all the love for them (esp lewis) gave me the idea to draw him deflecting all the attention so ty for giving me the excuse to post it....we luv our aloof distant boi🥰

its funny bc i was JUST talking about this recently, but i dont like pet names at all BAHAH, hence why seb and clora dont call each other anything, not even nicknames.... seb calls her the light/princess/a bird sometimes as playful and teasing jokes, but doesnt actually address her like that. and clora always calls sebastian by his full name as well, bc i was basing her dialogue/my writing off the game dialogue...bc for as close as anne and ominis are to seb, both of THEM call him sebastian in full, so maybe it was a victorian thing that nicknames werent really common? plus clora's so proper that it just feels like its in her personality to always call seb "sebastian"... i feel like if she ever DID call him "seb" he'd do a double take and be like ...HUH? who are you???......are you polyjuiced? LMAO. i do imagine seb calling clora "love" when they get older tho (not in hogwarts) bc i like how simple it is, and imagining him saying stuff like 'careful, love' makes me🫠🫠🫠🫠

aw TYY💖💖 honestly i didnt give the victorian setting TOO much thought, other than making clora more modest/not used to wearing trousers etc. like the actual victorian courting process was that youd ALWAYS be chaperoned by at least 1 other person and you wouldnt be able to kiss or anything, so the fact that our mcs are in a co-ed school with free reign already ruins that, so i wouldnt worry too much about it. a lot of it you can just wave off with the excuse that wizard society is more advanced than muggle society, which is true anyway LOL. i just kept the parts that i thought were fun/made it feel victorian ENOUGH but got rid of the stuff that was too annoying (one big example being the amount of clothing they wear....i said it in the notes for one of my chapters, but i wasnt about to make seb go through like 5 different layers just to touch cloras titty LMFAO) and no i didnt have 1 specific website i used, id just google "blank in victorian times" and look through all the articles and resources i could on that subject, and take little bits of it. SO YEA i wouldnt worry about it too much, just take what you want if you think it could enrich your story, and leave stuff out if its annoying to deal with BHAHA. and GOOD LUCK WITH YOUR WRITING!!💖💖

BAHAHA yeah sebs bark was defs bigger than his bite when it came to actually having kids/getting clora pregnant LOL. he defs loves the pregnancy part, but i feel like seeing her go through the actual labour was super hard on him/made him feel guilty bc he hates to see her in pain, let alone bc of HIM. not to mention that i imagine he would still work even once they have kids, so to leave clora with like 6 kids by herself isnt something he would have wanted to do LOL. once both lewis and celeste are in hogwarts tho i actually imagine seb and clora still doing curse breaking as well (albeit less dangerous jobs/not as far away) BUT YES having a third kid that looks like seb and is sassy like anne would be SO CUTEEE...a happy accident is a good idea too, tho i kinda like the idea of it being cloras idea.....like, she gets baby fever again now that the kids are kinda growing up and sebs like no i dont wanna put u through that again... but obvs seb wouldnt be able to resist if clora was begging seb to put a baby in her LMFAOOO its already as good as done at that point😇😇 AND THANK YOU, and im glad you liked it!!!🥹💖💖💖

@the-kcm-muggleborn AWWW ur right thats so pretty.....ty for showing me!!🥹and im glad it make you think of clora...SHE WOULD APPROVE OF THESE STUDIES👌⭐🌙

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[velvet-games]

draft for an oc idea (I had a bunch of scrapped concepts for alastor that were too ooc so I'm just using them on her lmao)

[enhanced-operatives-division]

Head in hands. 'I Spy' with Pulp is such a banger for Zor. It's giving me the urge to finally think about designing them (+ redesigning a couple others..). There's something so good abt some of the lyrics like: "you see I spy for a living // and i specialise in revenge // on taking the things that i know will cause you pain". Like....likee.............

Theres earlier parts that also make my brain tick: "it may look like to the untrained eye // im sitting on my arse all day // I'm biding my time until i take you all on // my lords and ladies, i will not fail // i will prevail, cause i spy"

PLUS the name. That did not help the situation. Alas Different Class by Pulp 🤝 IEYTD Characters. Similar can be said about the Chicago soundtrack but thats a. Whole other ramble

[crescentfool]

@catnatch drew whiffy the squiffy for me for artfight! thank you for drawing my girl she is the best 🥺💙

[doubleedgemode]

*thinks abt the classic gg quotes where a.b.a calls herself an innocent little girl and has a weird little nobility complex* what does that mean

(Expanded on in this post's tags)

[misclogarts]

shuffle unit m

[mmikmmik2]

Even though it aired ages ago I'm still not over Yesterday's Lie being such a buck wild episode. Just imagine what it's like for Vee to have never met Luz, to have barely even seen Luz, and then suddenly to live within the negative space around Luz's existence. Hearing this stranger's name constantly, seeing her picture in every room of the house, haunting her room like a ghost, learning every intimate detail of how her mother talks to her and dotes on her when it's just the two of them, and trying to square it with the secret knowledge that Luz abandoned this life and no matter how long Vee waits on tenterhooks Luz keeps not coming back. Looking in the mirror every single day and meeting Luz's eyes and thinking "how dare you" and "please don't ever come home."

Eventually, she finally starts feeling like this could be permanent. She tries to change her style, make this face and body and life into something that's hers instead of a stranger's. This is her best possible outcome and the closest she can come to being loved for who she is - stealing Luz's life and identity, but remaking it how she likes. The idea of being cared about and accepted as basilisk number five, as Vee, is something she can't consciously want because she can't even imagine it as a possibility. (Really, she even likes getting to pretend not to be a basilisk - fourteen years of trauma who? She's an ordinary teenager with nothing to unpack.) She tries to destroy her guilt by destroying every reminder of Luz - everything that's undeniably Luz's, that she can't steal and make her own, has to go. (The way she pauses at the picture of Luz as a child, before sweeping it into the trash box with everything else. Ice cold.)

And like some divine punishment or cosmic joke, Luz immediately returns. Vee looks into the mirror and sees a stranger again, and this time it's literal.

[ai-higurashi]

Dropping my Undergu Empire OC before tomorrow, when it's revealed the whole empire was just those five weirdoes all along or something.

Anyways, her name is Caprikon and she's a recruiter and an instructor for the Undergu Empire's army.

She doesn't usually directly attack weaklings but, unlike Minoton, it's not out of some sense of honor or anything like that. She simply doesn't feel like they're worth going all out if they can't put up an interesting challenge.

Regardless, she finds amusing to humour them, pretending to be more on par with their abilities, just so she can watch them build themselves up and then inevitably crash once they get way too over their heads. This makes her appear kind and friendly, especially to younger recruits, even though she's usually condescending and deep down doesn't really respect them much.

When she finds strong opponents she's more than thrilled to actually throw hands herself though, and you know she actually respects someone when she doesn't hold herself back.

[my-thoughts-and-junk]

thinking about nora again

[avocado-frog]

Month old writing share game

Thanks for the tag from @elsie-writes i procrastinated hard on this one but I think that the rules are just to share a bit of writing. So here's a little chunk from something I just wrote:

One time, a few years back, when Logan was nineteen, Lily was twelve, Jaxon was just about eleven, and Dylan was eight, they went to the park. He took them to the park to distract them, sometimes, but he didn't remember the specific reason that time around. Dylan had wandered off a little while after helping Logan pack sandwiches at home- after Lily and Jaxon already left- to go to the garden. Two older men, fifties or sixties, one in blue overalls and the other in a plain, grey shirt were teaching them how to use a rake. A woman a bit younger, dirty blonde hair in a bun behind her head, had a pocket of seeds for Dylan to plant. Logan sat on the bench to watch them, a bit warily. But they seemed friendly enough. Jaxon, usually, would run off to go find people to play with. He was sociable, he liked making friends, but even that day, as sunny as it was, it was still too early for kids his age to start coming over. Mostly, it was the parents of toddlers who wanted their kids to run off some energy. Sometimes, the toddlers would try and get him to play, too, and Jaxon obliged every time, but he seemed content with just his sister today. He didn't have any interest in gardening with Dylan. Lily was by the monkey bars, standing on top of the black platform underneath them. Jaxon sat on the ground, digging a hole in the bark with his hands. Lily jumped up to grab the bars, but she was getting tall enough that she didn't need to jump as high now. Once she had a grip on the yellow metal, she pulled herself up to sit on the top. She sat there for a while, talking to Jaxon about something Logan couldn't hear at the distance he was, and given his attention was split between them and Dylan.  Lily had swung her legs over the bars and leaned down in between the gaps to hang upside down, and of course Jaxon wanted to try.  He jumped up, just like Lily did, grabbed onto the bars, and it should've been a forewarning when his hand slipped before he regained his hold. He jumped up to sit on the top bars, and then his leg got caught in between, and he fell backwards trying to untangle himself.  He had picked the bar closest to the platform. Hanging upside down, right above the edge of the black platform, with his leg stuck in between the bars. He must not have been really thinking past getting his leg unstuck. Logan heard a woah, are you okay, that caught his attention just as he managed to free himself. And then he fell. And hit his head on the edge of the platform and hit it again as the rest of him landed in the bark. Jaxon hadn't even cried, which was astonishing to Logan, who had shot up like a rocket and rushed over to check on him. Because Logan would've cried hard if he hit his head like that. Twice. Lily had scrambled down to see if he was okay, too, but Jaxon only sat in the bark, moved to sit with his legs outstretched, one hand making a circle in the wood bits, blinking like he was confused. There was a steady stream of blood gushing from his nose, too. His eyes weren't quite uneven yet, but Logan didn't think for a second that Jaxon got away without a concussion. He instructed Lily to go watch Dylan, tell them where he went, while he took their brother home to check on him. Jaxon blinked again. Logan grabbed him by the arm, dragged him to his feet, and dragged him home, having to hold his own sleeve against his nose because Jaxon wasn't doing it himself.

Open tag since this is a month and a half old sorry lmao

[theres-whump-in-that-nebula]

”I don’t want to give Jehovah’s organization a black eye so I have to suffer in silence. Oh the pain! The pain!”

Mhm. Have you ever considered that Jehovah’s organization has given you not one, but two proverbial black eyes, broken ribs, and a concussion over the years; and maybe you should expose them for the abusers they are, if only enough to get yourself help to heal from the abuse you’ve experienced? You’ve got Stockholm syndrome bad, and you’re making it everyone else’s problem. You cared about your abusers so much that you abused me in their name, just because I wanted no part of their organization. Even if I didn’t seek out apostate resources, I wouldn’t have needed them to make my decision to leave because of how much you vented about them to me since I was about five years old. Did you just expect me to stay here and take the abuse like you did? I’m better than that; I’m better than you.

[bluejaybytes]

@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO

Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later

So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.

The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something! ...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.

And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that

Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.

I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.

When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3

And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3