#WHICH THATS SMTH I DIDNT MENTION

[starlooove]

Ok but Dana being like ‘you don’t get it you don’t get it you don’t get it’ and Jason can’t respond bc he DOES get it! And he reacted worse! Dana, if a bit irresponsible, is doing smth purely productive for her community. Despite her issues with her sister she’s not targeting her or being fueled purely by anger (eh..complicated but yknow) etc. Jason DOES get it and he doesn’t know how to approach Dana besides telling her to just relax bc for him he went 10000% and then hit rock bottom and THATS when he had to pause and step back. If he and dick had that convo when he was at HIS worse it would’ve ended in a fist fight at best. He gets what Dana’s going through but he doesn’t know how to approach her because she’s coping! She has her supportive loving community around her, there’s never a question of whether she’ll go to bat for her sister; unlike early RH Jason! He doesn’t know how to deal with her because she has that safety net and the worst part is that he knows she’s disregarding it to an extent bc she’s never been in that same position he’s been in; she can’t ever be because she’s good and he’s not and he needs her to keep that and if he has to hound her and be backup and the voice of reason; by god if he has to be the Batman to her red hood he will!

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[witchspeka]

I dont think Mob is naive as much as he's socially unaware, like the reason why he trusts Reigen so blindly is a bit more complex than just him being naive

Cause Mob reached out to Reigen because he was desperate to find someone like him, someone who understood his psychic specific issues, someone that could truly know what he's feeling and going through and give him guidance and support

Post incident Mob's thinking process was something along the lines of my powers hurt people -> my powers are bad -> my powers (my emotions, my instincts, myself) cannot be trusted

So he lost all confidence and trust in his own actions, resigning to being as passive as possible to avoid any further damage to anyone else, thus he started doubting his own perception of reality too

He's a kid already struggling with being ostracised for being socially inept, who just got traumatised and all of his insecurity increased by the tenfold, he doesn't know how to process what he's going through. He needs help.

And here comes Reigen, seemingly reliable, a responsible adult in a child's eyes, someone who claims he can understand him

Even tho Reigen doesnt. But it doesn't matter, because Mob finds comfort in his words and takes them to heart

Even if Reigen doesn't fully get it, even if he doesn't see the bigger picture, even if his advice isn't always the best

Eventually, Mob grows up, realises Reigen isn't as honest as he seemed through his 11 year old perspective, but like most things, he refuses to acknowledge it on a deeper level

Mob knows, but never tells Reigen, never thinks about what all those lies mean to him (ofc until he forces himself to face those doubts regarding Reigen, to properly acknowledge both of their flaws and accept them as they are, I should scream into the void about Confession Arc more God)

Due to his lack of trust in himself, Mob has relied on Reigen for years now to shape his moral compass, his thoughts, his decisions

Because well, Reigen lies, sure, but he isnt a bad person. When he hurts Mob, it isn't intentional or with ill intent, he still wants the best for him, what's the issue?

Except that it stunts Mob's growth. He doesn't develop as a person, doesn't have goals or wishes or ambitions, can't make choices on his own, he doesn't even let himself acknowledge his own emotions, he refuses to let himself exist

But Mob realises in time that he wants more than that, he wants to become better and be independent and feel again

Still, he puts the acknowledgement of the lies on hold for as long as he can, unwilling to question the way things are

This can make him feel a little naive, he constantly relies on Reigen and trusts his decisions and raises questions rarely until separation arc when he finally puts his foot down

And I do think that moment is the most resounding proof we have that Mob knows and allows himself to be used by Reigen, not wanting to shake the status quo, until he gets fed up

I mentioned the social ineptitude at the beggining but idk if I should even elaborate on that, you've watched the show, you know what I mean

He's blunt and can't read social cues or tonality that well and can't speak in front of crowds and is overall pretty awkward and I do think some people conflate that with naivety

Mob is still a child, he doesnt fully understand how the world works at the ripe age of 14 years old, but some folks take that as him being inherently naive/innocent/whatever which I don't find true

[arolesbianism]

Having Wickerbottom thoughts... She's so silly

[wheucto]

i think in ii, culture has no effect on what type of object an object is

[phagodyke]

fuck my stupid baka liiiife

[nomairuins]

we had fun tho the whole family hung out and we did some sporclee and chronophoto and then globle me n lamp nd father did globle bc mein mamma went to sleep. yay :]

[tiredcowboyy]

The treasures of my future

I cant stop thinking ab the idea of merlin one day post s5, where they all survived, becoming really secretive and protective of his room and not telling anyone at all whats inside. Not even gaius. He even gets a lock installed and whenever anybody asks he brushes it off with jokes like “its to stop arthur from finding me” or smth.

he also unrelatedly really hates any talk of destiny, going to war, and anytime morgana mentions her fear of her magic turning her merlin slightly freaks out.

That is until one day gaius manages to catch merlin off guard while hes rushing between the main room and his bedroom and walks in.

Only to see a whole bunch of stuff that hes never seen before.

Merlin freaks out, tries to play it off as some weird experiments and stuff hes been collecting but gaius can feel it, somethings different about these items, not wrong but not right. Not really magic either.

It takes 3 weeks of gaius pestering him before merlin breaks and explains to him that he IS A TIME TRAVELER. after the battle of camlan as we know it that lead to arthurs death, merlin did wait, he really did, but in the year 2020 when arthur didnt return for yet another global crisis, merlin broke and did spell upon spell until he figured out how throw himself back in time.

And holy shit did it work well. He managed to come back just at the perfect time to change everything that needed to be done to assure that everyone lives happily and safely, and when he realises hes done it, he decides to stay in this time. See his friends and family grow old as they should have. See arthur rule as he should have. Live the life he has been craving to go back to for centuries now.

Until a month in he realises how old everything is. Sure merlin can survive without his phone and stuff but theres a few things he really misses. Like his slippers, his potato peeler, his favourite hoodie, and especially his favourite tea flavours.

So once in a while he allowed himself to go back to the modern day and bring one thing back. He started with a scented candle, because candles exist in camelot and having one here shouldn’t mess up time right? Then moved onto a herbal tea that he knows if he traveled past the boarders he may be able to find similar ingredients.

Then he brings a new release of his favourite book series because he cant help it and realises small things like that dont change time.

And so thats what he’s been hiding away in his room, all of his modern day stuff. Ranging from trinkets hes collected over his life to his favourite scarf to his stuffed lion that he won at a fair in the 80s. He doesn’t go back often, only when his tea runs out or he really needs something, he tries to limit it he really does.

It takes gaius another 4 weeks to wrap his head around it all. Another 2 weeks after that to touch merlins stuffed lion thinking it may attack him at any moment.

He makes gaius promise to not tell a soul, offering him tea bags as payment. They have a nice system from then on, gaius would try a new flavour of tea everytime merlin returned, once in a while he would also bring a modern day snack (gaius yelled when he first tried salt and vinegar crisps).

A yell which led to leon finding out. And so a cycle began.

[conanssummerchild]

okay hear me out, in get schwifty when morty goes to birdperson's house and theres photos of rick on the wall and theres that one photo of rick holding a baby and morty says "who's that baby" when it quite obviously seems to be him (bcs of the yellow t-shirt)

what if this is more than a joke or whatever its meant to be and that baby actually ISNT morty and it's actually KYLE, ricks old sidekick that mr nimbus mentions in mort dinner rick andre,

which is why morty doesnt recognise him bcs im sure he's seen pictures of himself as a baby, also rick looks like too young for morty to be born already tbh it would also make more sense because it doesnt really look like the morty baby we see in close rick-counters of the rick kind

which is actually an earlier episode than get schwifty and if not WHO THE FUCK IS KYLE and why is he on ricks stupid goddamn crow wheel,

if hes not relevant why bring him up again, i always thought that whos that baby joke was kinda weird anyway like it wasnt funny idk it just felt like it didnt add anything, why doesnt morty recognise himself as a baby? has he never seen a baby picture of himself?? he probably has, so that baby is not him its kyle ricks other grandkid (somehow?) and ex sidekick maybe thats even why morty wears a yellow t shirt now, bcs something tragic happened to kyle like he died or smth and so rick gave morty a yellow t shirt to like idk replace him

I DONT KNOW OK this makes less and less sense to me as i go on im sorry

[prosciuttoon]

Anyway, Shuro isn't the only character with problems, he isn't even the only Japanese/ Eastern Archipelago character, so not the only one with that specific background. And yet, he sure is the only one who acted out the way he did.

If you like him for .. whatever reason (narcissism? Based on your posts, I guess), that's fine, but like. There's extremely valid reasons for not liking him that aren't just "ur racist" or "you just don't understand!!!!"

hes the only one that acted out bc he was the only one that laios was interacting with that was the reason they fought?? laios wasnt talking to hien or benchidori or maizuru like that he didnt even meet them until he reunited w shuro in the dungeon

and when did i ever say “you’re racist if you hate him” all i did was talk abt the cultural context of his upbringing that would make him a terrible communicator. also, narcissism is such a weird word for liking a character a lot? and its not like im making him look innocent and flawless bc im literally explaining his flaws and where they come from. if someone doesnt like him bc he reminds them of someone that hurt them im not gonna try to change their mind, wouldnt hurt to know Why he acts like that but if theyre informed and still dont like him thats perfectly fine!!!

since i think u sent 2 asks ill just put the first one here and answer it too:

in the post abt him leaving izutsumi in the dungeon to come back “if she wants to” the “nuance” i was talking abt was the fact that he said “if she wants to” i.e giving her a choice to return (which she didnt do because she hated that place obv). also sorry hes not powerful enough to abolish slavery in his country, hes not even the heir to the family. dont think the eastern archipelago is strictly based on a specific time or reality in japan, probably just inspired by reality but not based on it, so shuros family is likely one of many families serving their “feudal lord” who rules a province of the country. in history, feudal lords were also under shogun and the emperor, but neither are mentioned in the manga iirc so i will guess that wasnt the case.

my aim w my posts isnt to force ppl to change their minds on whether or not they like a fictional character. im just giving an extra perspective w stuff from extra content plus my own experience (i.e being asian too) that some people may not know about. what they do w the info is up to them im not trying to tell people how to think. if they learn smth that changes their opinion fine if they dont also fine its not that serious. im just talking about my interpretations of the character.

if i see a critique i may think “wait but do they know about [insert notable info]”. if they dont know, would maybe be good to know bc its important to the character, if they do know and thats the conclusion they came to, thats it! i dont do any more than that n ur acting like im forcing everyone to like him.

tldr; just cuz i am explaining the root of his flaws doesnt mean im ignoring them. i still call him what he is! a loner who cant set boundaries and it only makes problems for himself and people around him, but i also happen to be interested in Where the behaviour comes from! (which happens to be heavily due to culture). doesnt mean im calling u racist if u dont like him wut

[k4shixe]

Barou, Karasu and rin (seperate) with an insecure chubby reader?

(if you don't take multiple characters, you can just pick👍)

Take care💗

Blue Lock Men with a Cubby Insecure Reader

Staring; Shoei Barou, Tabito Karasu & Rin Itoshi

Pairings; fem!reader x Shoei Barou, fem!reader x Tabito Karasu, fem!reader x Rin Itoshi - fluff/comfort

Word count; 550+ - headcanonns/hc

CW; insecurities, reader is chubby, not proof read, mentions of not eating (kinda ed), physical touching, kisses, mentions of hurting others, characters might not be portrayed right (personality wise) :,|

Shoei Barou

* He loved the way you were. Kind, caring and confident

* He absolutely adores you

* So when you started looking into the mirror more he knew what he had to do

* Next time you were looking at yourself again he automatically picked himself up and warped his arms around you

* He began saying the sweetest words that ever came out of his mouth just for you

* Made sure you knew how beautiful you are even if you couldn't see it

* Showed you off to everyone and kept a close on anyone who looks even towards your direction

* He just wants you to know he loves you more then anything in the world

Tabito Karasu

* When he notices you wearing more baggy clothes then usual, he couldn't lie he did feel concerned.

* He understood that 'they were much comfier' then the dresses you always lived to wear but you just suddenly stopped

* You always asked if you "looked good" or "look fat" and thats when everything clicked in his mind.

* Karasu would give you lots of small pecks on your neck and cheeks and he'd find that ticklish spot just to see you smile

* Giving you a big smirk as he wraps his arms around your shoulders from the back

* "Babe you always look amazing" he always reassures making sure you know your his queen

* And if you want to wear makeup this man will ruin it and say something like "guess you'll have to show your beautiful face to everyone now"

* If you get the slightest bit uncomfortable and insecure because "he's out of your league" which is complete nonsense to him, he will not hesitate to hold hands with you or put his arm around you and pull you closer to him.

* He absolutely loves how shy you get and that just makes him love you so much more

* If you want to exercise more he will give up whatever he's doing to be with you and help you but will always make sure you know he loves you no matter how you look.

* If you get tired he'll carry you anywhere and if you say something dumb like "im too heavy" he will just shush you

* "Babe you are the amazing, wait no. Your perfect. Actually more then perfect. Now lets go get some food, im starving."

* And when you giggle, he knows he won.

Rin Itoshi

* Rin would always complement you, on your looks, personality, everything.

* You were so perfect in his eyes

* So you must understand how confused he was when you 'didnt feel hungry' for a few days

* He sat you down and asked you what's wrong and you immediately told him because why wouldn't you?

* He already knew but it hurt more when you told him you feel insecure

* So the first thing he done was promise you that you are the most perfect person ever and gave you a kiss

* The second thing he done was take you out to your favourite restaurant and he let you buy as much as everything and everything

* Basically whatever you heart desired

* On the way home he had his arm around your waist and pulled you so very close to him so you know he isn't joking

* If anyone comments on you they better count their days

* Rin will give you extra complements,kisses, affection so your 110% sure he is certain that your his everything

* He'll also plan some cooking dates just to make sure your still eating

A/n; Super duper sorry if the characters personalities and what they would and wouldn't do dont match up or if they are the wrong ones or smth. I wanted to write a fic but it was just better in head cannons. Anyways I hope you enjoy it!

[multidimensional-trashcan]

hamlet but i haven't seen it (yet)

there's this guy named hamlet who's the prince of denmark

somethings foul in the state of denmark or something

hamlet's dad, the king, got killed before the play and hamlet suspects his uncle claudius (is that his name?)

claudius marries hamlet's mother and is now king (bit weird but okay)

hamlet doesnt like that

the ghost of hamlet's father appears to hamlet and tells him to kill his uncle in revenge

hamlet the master of indecisiveness™

to be or not to be

thats like about whether to act or not i think

hamlet is a college student so actually quite young (i think boy started to go to college at age 14 and hamlets probably around 16 but nobody's sure)

a phrase stuck in my brain is "hamlet the frat boy" but im pretty sure he's more of a theater kid

instead of killing his uncle hamlet stages a play similar to what he thinks transpired to watch how his uncle reacts to it

the lady doth protest too much, methinks

shakepeare does love to make his protagonists spiral into insanity

i heard hamlet is a story about grief and i also heard that it's like a mirror, what you see about hamlet says more about you that hamlet himself (but dont ask me to elaborate i am realising my brain retains information i have no clue how i got)

in the end almost everyone dies because of hamlet

hamlet stabs someone through the curtain i think its the father of ophelia (polonius or smth i dunno) cause he thinks is his uncle

im not sure why his uncle should be behind a curtain tho

hamlet randomly gets kidnapped by pirates but we never see it because shakespeare already new how expensive special effects are

i bet the pirates let hamlet go because he's a little bitch

hamlet is A LITTLE BITCH

i think in one scene he just tries to fluster ophelia (his not-quite-girlfriend) by turning everything she says into sexual innuendo (may i lay my head in your lap so on so on)

there's one scene with a grave digger whom hamlet asks for whom the grave is the man is digging and the man responds it is his own to which hamlet answers something along the lines of

one would thinks so for thou dost lie in it

great pun

ophelia actually manages to drown in a brook which is characterised by it's shallowness

its unclear whether she did it intentionally

there are some guys named rosencrantz und guildenstern (probably didnt spell that right) and i know nothing about them except that they die because of hamlet and for some reason they always get mentioned together which makes me think they are an item

many people die because of hamlet

also there's a skull

is that yorrick?

hamlet talks to it

david tennant got the role of hamlet because he randomly picked up a real human skull

hamlet dies (big surprise!)

there's a duel? and one of the sword's is poisoned and hamlet picks up the wrong one? is that with laertes? i know he dies, too

also there's horatio, everybody seems to like him so i tried to not mention him for as long as possible to annoy them (not really i just dont know much about him)

people think hes gay for hamlet

hes not nobility but wellspoken

something something sweet prince?

horatio does not die

he lives to tell the tale

which is somehow worse

while i know (claudius?) hamlet's uncle dies and thats kinda the point of hamlet's whole actions i do not actually know when or how he dies (but i know about the curtain stabbing, the brook and the duel, weird)

or is he the one in the duel?

i bet hamlet's mother dies too

i also dont know how hamlet dies, something with the duel and the poisoned sword i guess, i know he picked up the wrong sword but im not sure if the wrong one was that with poison or not

WHAT DOES THE PIRATE KIDNAPPING HAVE TO DO WITH EVERYTHING?

AND WAS HE REALLY SIXTEEN?

i am very confused about how much there is in my brain about the guy

i do think there must be more to horatio except 'gay for hamlet' but i dont know anything

rosencrantz und guildenstern sound like a comic relief duo who dont know what they're doing

something about mother and knowing about playing with her drapes... (is that from hamlet?)

im sure this is enough for now

please do tell me how wrong i am

also tell me if you know why i seem to know so much about this (even if it's not true)

yes, this was inspired by @weirdly-specific-but-ok 's good omens post and @hello-ello-ello 's post about macbeth

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[imab00kwh0r3]

babel, and why i love it (SPOILERS!!!!)

ok im terribly late to reading it, for its not sold in many places where i live, so i found the pdf luckily.

babel is a book about colonialism and racism and oppression, it is about revolution and battling your inner conscience (in my opinion at least, i'll elaborate later). it tells the story of robin swift coming to the prestigious royal institute of translation or better known as babel, where during his yrs there he discovers that the glamourous oxford university isnt such a righteous place. his loyalty is tested, blood is shed and tears fall which leads up to a revolution to stop an incoming war.

there are many reviews regarding how its racist to white ppl (which is astounding to even think about) and that its not accurate as women werent allowed to go to university in the 1830s but im not going to talk about that, that much. i wanted to speak on the actual translation/language aspect of it.

throughout the book, translation and language r some of the main themes (obviously) but the impact it has on the people, both in the book and irl is smth i havent seen anyone mention. language isnt just a form of communication but it is part of our culture, it is part of our identity, and during colonial times many languages suffered, they were being erased as they were "barbaric" or "strange" they were banned and anyone who spoke them was punished like in victoires chapter. robin, ramy and victoire all can barely speak their native languages, robin has almost fogotten cantonese, ramy has very basic knowledge of bengali and victoire is never given a chance or is permitted to speak in haitian creole. they lost one of the main things that connects them to their motherland, they only have their appearance left. they will never be able to talk to their ppl properly.

victoire was frustrated that haitian creole isnt recognised as a proper language like how in their exams, her match-pair wouldnt be counted properly as haitian creole wouldnt be used much hence its "useless" in the eyes of prof. leblanc. she was beaten when she would speak haitian croele in her house in france. when she first came to babel she was correcting herself from "kreyol" to "haitian creole" and was unsure if she could even study it.

robin realised that prof.lovell actually knew more than him about his own language, his mother tongue. he could barely stand being back in canton and he felt isolated in a way as everything changed and was new and so was the language even though he was born hearing and speaking it.

not much is talked about this with ramy except that he barely knows bengali, even though hes fluent in english, latin, greek, arabic, persian and urdu. he knows 6 languages and in his chapter he is sed to "absorb languages like a sponge" and that he recited poems or writing in other languages he didnt know perfectly, even down to tone, only after having it read to him once but he barely knows his mother tongue.

this relates to modern times as many languages of previously colonised countries rely on english words like in india u will barely hear the word pathshala, instead u will hear school. in mauritian creole when people speak they will slip in english words, like "netwai whiteboard la" which means clean the whiteboard.

we dont know our language fully because of the erasure of them.

theres also 1st gen immigrant children where their mother tongue is smth they barely hear or they forgot after a while, they feel so incredibly disconnected once they realise. this is how robin is and this is how i am too, i was born in europe, then at 7 i moved to england and now im somewhere entirely different, i dont remember my mother tongue, i dont dream in it. which ultimately makes u lose ur voice in a metaphorical way.

u cant speak because u dont know how.

another important thing is the purposeful mistranslations and burning of books, thats not fully discussed in the book although it would have been a nice touch. colonisers purposefully mistranslated things to control the masses because when they burnt our books, they burnt our language, knowledge and people. and the exploitation of our languages like the statue at univ of william jones sitting at desk and 3 hindu sages on the floor infront of him exists, and how missionaries were taught our languages to help in conversion.

now onto the 1830s inaccuracies and racism:

its the fucking 1830s do u think white ppl were nice to poc at this time, like slavery just ended in the eyes of the law for britain but still continued in other places like america. reverse racism doesnt exist, white ppl can be prejudiced against but u lot r not oppressed and never will be, u lot wont be killed for being white, so stop crying. and about the women wouldnt be at university in the 1830s thing its fiction, r.f. kuang took some liberties.

and that is all i have to say, dont start an argument, anyways babel is great, go read it!!

[phagodyke]

really horribly anxious this morning and can't seem to shake it off :-(

[cleromancy]

Something has been bugging me recently. Do you ever notice how people (particularly Jason stans) go on about how Tim victim blame's Jason for his own death, but fail to mention how Alfred and Bruce are guilty of doing the same thing in the past? Why do these two (especially Alfred) get a pass?

LMAO LIKE... EVERYONES DONE IT. BRUCE ALFRED DICK BABS *SELINA* OF ALL PEOPLE ONE TIME... actually id have to double check that one idr exactly what she said about jason it might have just been that hes unhinged (<- also a thing everyones said at some point) but like. everyones freakin done it. or at least *implied* it.

tim is a special case for a reason though--and ill come back to bruce and alfred later--and its not just bc fandom wants a scapegoat to pin All The Victim-Blaming on. on a meta level tim was specifically created to be jasons opposite, and to ~rehabilitate the robin role and make robin palatable again to modern readers. (and to be clear this wasnt bc readers didn't like jason specifically--it was the idea of robin at all, and to a lesser extent just replacing the orig. jason just took on the mantle at a really unfortunate period in comics culture.) so the comparisons to jason are baked in right off the bat. and tim has to be "better". tim had to prove that a robin was necessary so that dc could keep having one, he had to justify it so that the blame didnt fall on bruce for getting a child killed (or yk even just out there fighting crime at all). theres also an element of class dynamics thats. i mean. jason was a homeless street kid and tims this fancy little distinctly upper middle class kid who replaces him, without derailing to get too deep into that the optics already arent fucking great.

but tims creation aside, just as far as how often it comes up... tim also takes the role of robin really seriously, and its everything to him, so he spends a lot of time thinking about it, what it means to wear the uniform & fulfil the role. so hes the one whos most frequently in the position to be thinking about jason, after bruce. so tim winds up being the one pushing the bulk of the bad/angry/impulsive robin narrative retcon dc wanted to push bc... its the most directly relevant to him. bruce doesnt have much narrative need to think about jason "failing" or not being good enough until under the red hood... except to be like "i dont have to worry about tim bc hes not like jason." lmao. and then you have tim who does not want to get killed, like jason did, so he spends time thinking about how to not end up like jason. which is a fundamental misunderstanding of how being a victim of murder works but i think understandable thing for a child replacement of another dead child to latch onto (particularly one as prone to arrogance & god-complex-itude as Our Timmy, lol). and both on a meta level and in-universe this is about shifting the blame off of bruce and onto the victim because tim needs to keep filling the role hes filling without it being bruces fault that jason died in the first place, bc reckoning with batman and child endangerment is not smth the comics had ever really planned on doing in a serious way.

but as for why singling tim out over bruce and alfred-- the kind of ppl who do this already generally think bruce sucks past the point of being interested in ~holding him accountable~ for absolutely anything... like "bruce sucks, everyone knows he sucks, enough said." i think the logic is generally like "if tims not a total shithead like bruce, then why is he doing shithead stuff like bruce does :/" and then pinning it all on tim as opposed to considering like "hey uhhh do you think maybe hearing stories about jason from bruce influences how tim thinks of jason over the years." if that makes sense

as for alfred. people do not want alfred to have any interiority or to ever have been mean or wrong bc then theyd have to actually think about the fact that bruce has a 24/7 domestic servant in his employ, which is just the. tip of the iceberg when you start thinking about alfred as a full character and not a convenient cardboard cutout to prop up whoever the narrative needs him to. also alfreds role in almost every batman narrative is strictly as support, almost no agency within the story to have a meaningful impact, and people generally respond to the character in kind.

finally i think tim mmmmight be the only character at least as of the reboot who ever talked *to jason* outloud style about certain things relating to jasons death... this answer is already getting too long so i dont want to get into depth about titans tower. but tt 2003 #29 is a great example of the comics pitting tim and jason against each other to make Jason look worse by comparison--for all that tim doesn't actually *say* anything victim blaming jason for his death, *and* for all that jason totally kicks tims ass in the fight and its not even close, on a meta level the story is 100% presenting jason as the bad robin, the robin who failed, Unlike Tim Drake, A *Good* Robin. (i accidentally reread the issue ... im going to make a post about it later probably. god i wish this fucking issue had been good)

but yeah i could probably go on and on even further but yeah, i think thats where people are coming from when they single timmy out. tim only exists at all bc of jason n would be fundamentally unrecognizable without having been crafted to be the anti-jason. and on top of that he has repeatedly been used by dc to make jason look worse (or rather jason was used to make tim look better), and a lot of my fellow jason stans understandably resent tim for it. i however am built different, and want them to kiss.