#WE BECOME THE THING WE HATE OR WHATEVER

[infectiouspiss]

priest kink for sure

true

[umblrspectrum]

another failed sneaking attempt

[rouge-fauna]

Normally, I wouldn't really say anything about the drama and stuff, because that's not what I'm here for and honestly I feel like a lot of it is just none of my business. But, it just feels so close to home for me that I can't help but say something. Because here's the thing people aren't going to talk about and probably don't even realize, but I think so much of this drama actually has to do with Dream being autistic.

Just notice the themes of what Tubbo said about Dream being weird, inappropriate, not considering the social boundaries, not communicating, coming across wrong… etc these are all things that can be attributed to Dream literally not knowing better because of neurodivergence. That’s not an excuse but an explanation to know the difference between Dream texting Tommy’s mom out of being manipulative versus not understanding how that breaks a social boundary. That’s not to say Dream should get a free pass to do whatever but I think in the same way we take into consideration other people’s ages and their naivety and obliviousness and inexperience into consideration, Dream’s neurodivergence should be considered too. It is valid. It makes a difference between manipulative and malicious intent versus simply not seeing it the same way.

And really the sad thing is, that I think people will always dislike Dream. At the end of the day, I think that will never change, because even if he was the most perfect person people would still dislike him because of an underlying subconscious response to him not being like the rest. I don’t think it’s a coincidence that he is made the villain in real life and in the dsmp, because it is simply a psychological fact that people inherently dislike autistic people. It’s not because they are ableist it’s just we don’t act like they do so that makes us weird and therefore unlikeable. And it’s hard to understand us because our brains our literally different and as has been said throughout history what we don’t understand we hate, we fear, we see as evil, we attack. Why does Dream get canceled and attacked over and over again? Not because they are true and it proves a pattern that he’s shitty, but because society is so desperate to find a more tangible reason to hate him other than the fact that they just do. Because his behavior breaks social rules he didn’t realize existed. Because he’s easy pickings. Because in my opinion it all comes down to autism and honestly until that piece is actually taken into consideration nothing will probably resolve.

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[crimescrimson]

The Main House in Resident Evil 7 (2017)

[mantisgodsdomain]

More notes for Roach conlanging. Roach has grammatical gender, in which only Male, Female, and Object are grammatical genders, whereas Worker uses feminine grammar, Queen and King use a slight variant on feminine grammar, and Drone, and Queen-Alate use masculine grammar. This is because King is derived from Queen, due to their similar positions in a colony, and Queen-Alate is derived from Drone, as both are forms of alate.

Queen is an alteration of feminine grammar that functionally just adds a handful of extra syllables to it, and King is an offsprout of Queen that uses the same grammar with different pronouns. Queen-Alate, despite the name, is derived from Drone, as they are both for referring to different types of alate ant.

Most Roach dialects are intelligible to speakers of Snakemouth Den Cordyceps Roach, but Snakemouth Den Cordyceps Roach is not entirely intelligable to speakers of Roach dialects due to a mix of the excessively specialized vocabulary caused by the specific needs of its speakers, the fact that its speakers do not necessarily have Roach mouthparts and thus may not pronounce syllables in a similar way, and due to the fact that Inanimate Object is a full grammatical gender that does not exist in any other dialect of roach and replaces a decent chunk of terminology for things that previously had Other Words For Them.

[mylove-thresher]

I keep trying to post shit I been drawing lately BUT I CANT. I CANNOT BRING MYSELF TO. THE WORMS INSIDE MY HEAD DO NOT APPROVE OF THEM. I CANNOT FUCKING DRAW. PUT ME DOWN. I DONT FEEL THE SILLY IN ME.

[pekodaiz]

twitter is actually insufferable for the first time in months im forced to see the same opinions over and over again it’s kinda amazing but not really it’s just exhausting

[loveguts]

i’m not a transandrophobia truther in the slightest don’t get me wrong, but i think some people on here really need to realize and comprehend the fact that cis women, way WAY more often than not, hold extremely significant social and political power over trans men the vast majority of the time in our day to day lives

[kindahoping4forever]

my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.

Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.

- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.

- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.

- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.

[everysongineverykey]

begging people to realize that the back warehouse of a grocery store is not a second, secret grocery store that has everything you need plus some extra secret items the first grocery store does not have

[mad-hunts]

this is a very specific scenario, i know, but barton trauma-bonding with a hero and vice versa because they got stuck in the middle of the desert together due to the fact that they were both simultaneously betrayed / LEFT TO DIE there, but they managed to survive after they spent some time vehemently refusing to help each other in the beginning. though, they soon began to help each other (albeit reluctantly) because they realized that would be the ONLY way that they would survive this. and barton tries to kickstart their bastardization arc™ by telling the hero to kill the people who dumped them there. and this is because, in his mind, they don't deserve to live. then barton goes on to tell them that he's planning on killing the person who betrayed him so it's fineee if the hero does it,, because he ain't a snitch + won't tell anyone they killed anyone (,: now whether or not the hero actually starts their bastardization arc is up to them, of course, but if anyone is interested in a plot like this... HMU because i think this would be such an interesting dynamic to roleplay 👀

[sonknuxadow]

just got a blazed sonadow post on my dash that was actually such a jumpscare

[mbat]

red flag: someone says that copper in minecraft is useless

[thesearchforbluejello]

Okay what the actual everlasting fuck? This is certainly a Direction™ and this is quite literally my least favorite horror trope of all time ever

Not even being dramatic, I hate it with every single fiber of my being, no joke.

How did we get from one of my favorite tropes (groundhog day) to here -100/10 wish I could skip this arc entirely

[blackvahana]

i am really never going to understand why people post "shifting antis dni" in the astral projection tag. "here practice that constantly gets appropriated by us and used as a weird justification for a new set of beliefs that aren't really based in the same reality you work with, and that also gets completely misunderstood by our community because we don't care to understand what you do and just pretend we know it's what we do like christians saying other religions worship the christian god, have a post! Also dni if you don't like our practice that has nothing to do with the one whose tag we just shoved this into"

if you're not astral projecting don't put shit in the ap tag. if you don't even know the difference between AP and RS I dont think your opinion holds enough weight to counter the pushback against flooding a separate practice's tag with "if you dont like the practice I'm talking about in your tags dni"