#Trust God Even When It Hurts

[secriden]

Absolutely heartrending because it just hit me that before Bison's phone call, Fadel was actually began to believe that he'd been wrong to suspect Style. Because despite the evidence stacked against Style -- and remember, it was Fadel that spells out the reasons they have to be suspicious of Kant and Style -- Style is so incredibly genuine here and Fadel, in truth, wanted to believe in him.

I think it's possible that Fadel actually saw Style through the window here, but pretended not to because he had to take a moment to prepare himself. But if you see where Style is standing and the way the patio is lit up, there's no reason why Fadel shouldn't have seen him from where he was by the tables before he turns to go behind the counter.

Fadel: I was thinking of going to your place. But you were more impatient than me, huh?

This would also explain how Fadel is able to say this before Style even has the chance to make a sound. I had expected Fadel to wait and see what Style would say, to play it safe and observe; but no, Fadel immediately sets their dynamic back to the assumption of familiarity that their relationship was on before he disappeared for a week. The assumption that he could show up at Style's house unannounced and Style would welcome him.

This feels incredibly intentional. Fadel wants to see how Style is going to react to Fadel acting as if nothing strange happened. If Style was an informant, he should be confused and Fadel may catch him out in a lie.

But Style's performance is flawless:

Style: Where have you been? You didn't reply any of my texts! (punctuation added for emphasis and to mimic Style's tone)

He says this and the whine in his tone is a clear affirmation of that same assumption of familiarity. This is the tone used by someone who is secure in the knowledge that they are owed an explanation; this is the tone of someone in an established relationship who feels justifiably wronged at being left out of the loop.

And I cry a little bit more at the thought of Fadel reading those texts -- Style by turns frantic and confused and worried -- and refusing to respond. Or worse, receiving them and refusing to even read them because Fadel doesn't trust himself to tell the lies from the truth anymore.

At this point, Fadel seems to waver a little bit in his resolve to "test" Style. I think he was a little taken aback that Style didn't seem to be even a little bit weird about his abrupt disappearance for a week. His reply takes on a quality of gentle pleading and the way he's speaking is exactly like a boyfriend who knows he messed up. But because these lines are a lie, Fadel cannot meet Style's eyes as he says them. It's only when he says "I was busy, too" (not a lie) that he's finally able to squarely meet Style's gaze again.

And Style continues to be so convincingly NORMAL because all of this is real for him. This is just genuinely Style, the boyfriend, who actually wants to know where his boyfriend disappeared to without notice for a whole week. Nothing about his body language or tone has even a hint of inauthenticity because there is none. Style means every single word and meets Fadel's gaze squarely as he says them.

It genuinely looks to me like Fadel thaws significantly at this point. He suddenly looks less stiff and the way he delivers this line contains so much more inflection, it becomes cajoling. He even begins to more consistently meet Style's eyes as Fadel begins to allow himself some honesty. Fadel's logical brain knows that the circumstances surrounding Style coming into his life are riddled with inconsistencies, but he both senses and WANTS to see Style's sincerity. The shields that Fadel had up are melting in the face of Style being present and unchanged from what Fadel remembers.

Stay, Fadel all but says, let me make it up to you. Fadel offering to make food for Style (@braceletofteeth please hold me as I cry about this!!) is also significant because the last time Fadel made food for Style (the burger) is when he was softening towards Style after Style helped out at the diner during the rush crowd. Fadel is a creature of habit and all that he's learned of late are the ways Style is easy to love.

They begin to fall back into their usual, playful banter and teasing dynamic. Style leans back against the table (and the way he's all unspoken surrender and submission -- throat arched up and bare and vulnerable -- truly makes me feral), turns up the flirt and Fadel responds in kind. And yes, Fadel means his question on some level but you don't get the sense that his heart is in the interrogation. Fadel may be going through the motions, but this is just Style being himself, exactly as Fadel has come to know (and love), so nothing is pinging as wrong to Fadel.

I mean, just LOOK AT FADEL'S EYES!! His expression is so so soft and tender and wistful. He wants this. He wants so desperately to believe that this is why Style was texting him throughout the week. He wants to have Style in all the ways that include and go beyond the physical; like Style offering his affection is everything Fadel didn't think he could wish for.

It's almost cruel the way Style's touch so utterly disarms Fadel. Because, while it is part of the games they've been playing, so much of their interactions have also been grounded in genuine feelings and moments of intense vulnerability on both sides (although neither of them know this for sure!! T_T). Style's hands on Fadel's body literally removes the last stretch of distance between them and that odd unease lingered over the way Fadel spoke and held himself at the start of the scene finally disappears.

If we compare their expressions and the way they are holding themselves and, most importantly, touching each other by the end of the scene to what we see when Style first walks into the diner, it becomes apparent just how much ground Fadel has given in the span of those few minutes.

It's the way Fadel keeps holding onto Style's hand even as he's turning to leave, maintaining that point of contact until the very last second.

Because with Style in front of him -- warm and familiar and carelessly affectionate -- Fadel allows himself to slip back to the version of himself that woke up in Style's bed at the start of the episode, the version of himself that called Style's name for the first time and wanted to wake him up with the softest of touches. The version of himself that literally, physically couldn't let Style go.

Which is why, when the call comes and Fadel's heart gets broken anew, Fadel remains devastatingly empty of anger towards Style.

Because it was Fadel's own fault for choosing to believe the lie.

Because it was a decision he made to allow his heart to rule over his head.

Because Fadel understands that Style only succeeded in "fooling" him once again because Fadel let him.

So Fadel gives himself this truth, allows himself to finally take that step to bare his heart to Style, the way he promised himself he never would, but the way he so desperately wanted.

And Style kisses Fadel because he doesn't realise that this confession is not a reward, but a judgement.

For Fadel is paying penance for giving in to his own foolish heart, and in so doing renders Style's love to devastation.

[itsnobodysproblem]

Most Sherlock Holmes adaptations I've seen tend to place their Final Problem towards the mid point of the series (or even a bit earlier) - it's also in my opinion the best way of going about it, so you have time enough for the characters to adjust after the reunion but they know each other well enough for the events of Fina to be devastating.

Sherlock & Co is done with 20 of the adventures. How many are there? Fifty-something? Almost sixty? Let's say we'll be entering mid-point territory after the 25th story.

So let's pretend for a moment that we have 5 more stories until The Final Problem. Ok.

Estimating an adventure at 3 episodes each, that would mean little over 3 months - maybe 3 and a half? Starting, of course, from the end of Sign of Four, which will be somewhere in December.

So let's say 3, maybe 4 months into 2025. That would be, what? Late march, early april?

Early april?

John having to tell the listeners that Sherlock is dead, in early april?

Quick calendar search reveals what I was praying it would - the 1st of april will be on a Tuesday next year.

So what I'm saying

What I'm saying is Sherlock &Co has the opportunity to do the funniest fucking thing

[spacedlexi]

so often i see people try to downplay violet and minervas relationship like it wasnt Real enough or was some Inferior Romance that her relationship with clementine could Never compare to, and i find it so annoying and boring

she LOVED minerva!! and its okay that she did!! she was her first love!! childhood best friends turned girlfriends!! seeing her being so heartbroken and miserable about what happened to minnie, how deeply and desperately she missed her, hugging that bed frame so pathetically. but clementine makes her CARE again. makes her LOVE again. slowly violet becomes comfortable with the idea of opening her heart up to people again, after trying so hard not to because the pain of losing people she cared about was too much to bear (especially when she blamed herself for them being gone)

then she learns minnie didnt die. shes falling in love with clem while grappling with the fact that minnie might still be out there??

then she meets minnie in the woods. but minnie has changed just like she has. theyre both different people now. and slowly violet is forced to come to terms with the fact that the person she loved so deeply isnt that person anymore??

violet at the beginning mourning minerva and blaming herself, to shooting her to save clems life. she LOVED minerva once, but she doesnt like the person she is now. and shes not gonna let her hurt anyone else she cares about. shes done mourning her by the time they get to the bridge, only crying out for tenn

like idk i just find their relationship evolution to be so interesting and sad as shit. the fact that they once loved each other so much and it has now come to this?? but violet makes her choice and she Chooses clementine, because she admires and loves clementine, probably similar to the way she used to admire and love minerva if the way she talked about her is any indication

i just think "i never thought i would ever feel this way again" is way more interesting than "wow minnie Never made me feel like This"

[ahalliance]

qsmp francophone cubitos and their dynamic drive me wild, they all know they’re mutually lying and obscuring the truth to one another, they all know they’re keeping each other at arm’s distance, they all know they’re not as open as they once were when it was just them and the aftermath of a plane crash, but the love is still there. the worry and the concern. they pry information out of one another in supposedly subtle ways that really just convey how much they still care about each other. what’s your stance on the federation. how’s your code arm doing. even if in the end you don’t turn to me, please call out to someone. maybe looking out for yourself is looking out for others as well. i don’t know you anymore but i will protect the unknown anyway

[butchnavi]

you know as a neurodivergent person I only have two fucking requests of anyone I consider a friend: 1) do not cold shoulder or get aggressively angry with me for something you didn't bother to communicate you had a problem with and 2) do not fucking infantalize me and treat me like a naive fragile broken child who is a burden on everyone in my life. shouldn't be too hard right??? insane how many neurotypicals are fucking incapable of doing the bare fucking minimum

[shima-draws]

Actually genuinely started crying when Luffy almost said he wanted Usopp off the ship and then Sanji interrupted and yelled at him. What the hell. This shit is so sad what the FUCK bro

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[fear-no-mort]

slams fists down on beautifully crafted oak desk

[jackass-jones]

Just the way Shin Tsukimi’s “mask off” moment is him becoming increasingly frustrated to the point of having a nervous breakdown where all he can do is laugh maniacally because he’s so done with everyone acting so incompetent and not seeing things “as they are” (aka how he sees them) is just. Mwah chefs kiss hes just like me fr 😰

[slippery-minghus]

oof

[anonyanonymouse]

I need a minute. to process the update

[windrunner]

soz for being emotional in tags on that post and here. i started clearing out my wow screenshots that had my ex and ex-roomie in them. you know how it is

[windupaidoneus]

i need to solidify my rook hes been a silly failguy but i think hes also very ruthless when his loved ones are hurt. Which is gonna be great when i do lucanis quests tell you what

[moe-broey]

"Return of THE KING" about Moe as if. I'm not CONSTANTLY on my bullshit about it. I need to forcemasc it though the situation is so dire. LIKE. Exclusive it/its/itself user but also fucks with masculine titles/language. As part of its identity, but also an elaborate parody. Guy who's doing it Wrong ON PURPOSE. WITH INTENT. TO KILL‼️‼️‼️‼️‼️‼️‼️

[quietwingsinthesky]

what if. Amy “fix-it” because hallucifer makes sam so paranoid about dean leaving for no reason that sam gives in and follows him and is witness to the whole thing

[acourtofquestions]

"I didn't break," she said quietly. His heart cracked at the words. "I didn't tell them anything."

She didn't say it for praise, to boast. But rather to tell him, her consort, of where they stood in this war. What their enemies might know.

"I knew you wouldn't," he managed to say.

"She ... she tried to convince me that this was the bad dream. When Cairn was done with me, or during it, I don't know, she'd try to worm her way into my mind." She glanced around the cave, as if she could see the world beyond it. "She spun fantasies that felt so real..." She bobbed under the surface. Perhaps she'd needed the cooling water of the lake to be able to hear her own voice again; perhaps she needed the distance between them so she could speak these words. She emerged, slicking back her hair with a hand. "They felt like this."

Half of him didn't want to know, but he asked, "What sort of illusions?"

A long pause. "It doesn't matter now."

Too soon to push—if ever.

Then she asked softly, "How long?"

It took the entirety of his three centuries of training to keep the devastation, the agony for her, from his face. "Two months, three days, and seven hours."

Her mouth tightened, either at the length of time, or the fact that he'd counted every single one of those hours apart.

She ran her fingers through her hair, its strands floating around her in the water. Still too long for two months to have passed. "They healed me after each ... session. So that I stopped knowing what had been done and what was in my mind and where the truth lay." Erase her scars, and Maeve stood a better chance at convincing her none of this was real. "But the healers couldn't remember how long my hair was, or Maeve wanted to confuse me further, so they grew it out." Her eyes darkened at the memory of why, perhaps, they had needed to regrow her hair in the first place.

"Do you want me to cut it back to the length it was when I last saw you?" His words were near-guttural.

"No." Ripples shivered around her. "I want it so I can remember."

What had been done to her, what she'd survived and what she had protected.

Even if the woman treading water before him didn't seem to have vengeance on her mind. Not so much as a hint of the burning rage that fueled her.

He didn't blame her. Knew it would take time, time and distance, to heal the internal wounds. If they could ever really heal at all.

But he'd work with her, help in whatever way he could. And if she never returned to who she had been before this, he would not love her any less.

Aelin dunked her head, and when she emerged, she said, "Maeve was about to put a Valg collar around my neck. She left to retrieve it." The scent of her lingering fear drifted toward him, and Rowan lurched a step closer to the water's edge. "It's why I—why I got away. She had me moved to the army camp for safekeeping, and I ..." Her voice stalled, yet she met his stare. Let him read the words she could not say, in that silent way they'd always been able to communicate. Escape wasn't my intention.

"No, Fireheart," he breathed, shaking his head, horror creeping over him. "There ... there was no collar."

She blinked, head angling. "That was a dream, too?"

His heart cracked as he struggled for the words. Made himself voice them. "No—it was real. Or Maeve thought it was. But the collars, the Valg presence ... It was a lie that we crafted. To draw Maeve out, hopefully away from you and Doranelle."

Only the faint lapping of water sounded. "There was no collar?"

Rowan lowered himself to his knees and shook his head. "I—Aelin, if I'd known what she'd do with the knowledge, what you'd decide to do-"

He might have lost her. Not from Maeve or the gods or the Lock, but from his own damned choices. The lie he'd spun.

Aelin drifted beneath the surface again. So deep that when the flare happened, it was little more than a flutter. The light burst from her, rippling across the lake, illumining the stones, the slick ceiling above. A silent eruption. His breathing turned ragged. But she swam toward the surface again, light streaming off her body like tendrils of clouds. It had nearly vanished when she emerged.

"I'm sorry," he managed to say. Again, that angle of the head. "You have nothing to be sorry for." He did, though. He'd added to her terror, her desperation. He'd— "If you had not planted that lie for Maeve, if she had not told me, I don't think we'd be here right now," she said.

He tried to rein in the twisting in his gut, the urge to reach for her, to beg for her forgiveness. Tried and tried.

She only asked, "What of the others?" She didn't know-couldn't know how and why and where they'd all parted ways. So Rowan told her, as succinctly and calmly as he could.

When he finished, Aelin was quiet for long minutes.

She stared out into the blackness, the rippling of her treading water the only sound. Her body had nearly lost that freshly forged glow.

Then she pivoted back toward him. "Maeve said you and the others were in the North. That you'd been spotted by her spies there. Did you plant that deception for her, too?"

He shook his head. "Lysandra has been thorough, it seems."

Aelin's throat bobbed. "I believed her." It sounded like a confession, somehow.

So Rowan found himself saying, "I told you once that even if death separated us, I would rip apart every world until I found you." He gave her a slash of a smile. "Did you really believe this would stop me?'

She pursed her mouth, and at last, those agonizing emotions began to surface in her eyes. "You were supposed to save Terrasen."

"Considering that the sun shines, I'd say Erawan hasn't won yet. So we'll save it together."

He didn't let himself think of the final cost of destroying Erawan. And Aelin seemed in no hurry to discuss it, either, as she said, "You should have gone to Terrasen. It needs you."

"I need you more." He didn't balk from the stark honesty roughening his voice. "And Terrasen will need you, too. Not Lysandra masquerading as you, but you."

A shallow nod. "Maeve raised her army. I doubt it was only to guard me while she was away."

He'd put the thought aside, to consider later. "It might just be to shore up her defenses, should Erawan win across the sea."

"Do you truly think that's what she plans to do with it?"

"No," he admitted. "I don't."

And if Maeve meant to bring that army to Terrasen, to either unite with Erawan or simply be another force battering their kingdom, to strike when they were weakest, they had to hurry. Had to get back. Immediately. His mate's eyes shone with the same understanding and dread.

Aelin's throat bobbed as she whispered, "I'm so tired, Rowan."

His heart strained again. "I know, Fireheart."

He opened his mouth to say more, to coax her onto land so he might at least hold her if words couldn't ease her burden, but that's when he saw it.

A boat, ancient and every inch of it carved, drifted out of the gloom.

"Get back to shore." The boat wasn't drifting—it was being tugged. He could just barely make out two dark forms slithering beneath the surface.

Aelin didn't hesitate, yet her strokes remained steady as she swam for him. She didn��t balk at the hand he extended, and he wrapped his cloak around her while the boat ambled past.

But Aelin turned toward them, hair dripping onto the stone at her bare feet. Half a thought from her could have had her dry, yet she made no move to do so. "We're being hunted."

"We know that," Lorcan shot back, and were it not for the fact that Aelin was currently allowing him to rest a hand upon her shoulder, Rowan would have thrown the male into the lake.

But Aelin's features didn't shift from that graveness, that unruffled calm. "The only way to the sea is through these caves." It was an outrageous claim.

"And I suppose they told you that?" Lorcan's face was hard as granite.

"Watch it," Rowan snarled. Fenrys indeed bared his teeth at the dark-haired warrior, fur bristling. But Aelin said simply, "Yes." Her chin didn't dip an inch. "The land above is crawling with soldiers and spies. Going beneath them is the only way."

Elide stepped forward. "I will go." She cut a cold glance toward Lorcan. "You can take your chances above, if you're so disbelieving." Lorcan's jaw tightened, and a small part of Rowan relished seeing the delicate Lady of Perranth fillet the centuries-hardened warrior with a few words. "Considering the potential pitfalls of the situation is wise."

"We don't have time to consider," Rowan cut in before Elide could voice the retort on her tongue. "We need to keep moving. Gavriel stalked forward to study the moored boat and what seemed to be bundles of supplies on its sturdy planks. "How will we navigate our way, though?"

"We'll be escorted," Aelin answered.

"And if they abandon us?" Lorcan challenged. Aelin leveled unfazed eyes upon him.

"Then you'll have to find a way out, I suppose." A hint-just a spark-of temper belied those calm words. There was nothing else to debate after that.

And they had little to pack. The others gave Aelin privacy to dress by the fire while they inspected the boat, and when his mate emerged again, clad in boots, pants, and various layers beneath her gray surcoat, the sight of her in clothes from Mistward was enough to make his gut clench.

No longer a naked, escaped captive. Yet none of that wickedness, that joy and unchecked wildness illuminated her face.

The rest of their party waited on the boat, seated on the benches built into its high-lipped sides. Fenrys and Elide both sat as seemingly far from Lorcan as they could get, Gavriel a golden, long-suffering buffer between them.

Rowan lingered at the shore's edge, a hand extended for Aelin while she approached. Each of her steps seemed considered—as if she still marveled at being able to move freely. As if still adjusting to her legs without the burden of chains.

"Why?" Lorcan mused aloud, more to himself. "Why go to these lengths for us?"

He got his answer—they all did—a heartbeat later. Aelin halted a few feet away from the boat and Rowan's outstretched hand. She turned back toward the cave itself. The Little Folk peeked from those birch branches, from the rocks, from behind stalagmites. Slowly, deeply, Aelin bowed to them. Rowan could have sworn all those tiny heads lowered in answer.

A pair of bony grayish hands rose above a nearby rock, something glittering held between them, and set the object on the stone.

Rowan went still. A crown of silver and pearl and diamond gleamed there, fashioned into upswept swan's wings

"The Crown of Mab," Gavriel breathed. But Fenrys looked away, toward the looming dark, his tail curling around him.

Aelin staggered a step closer to the crown. "It—it fell into the river."

Rowan didn't want to know how she'd encountered it, why she'd seen it fall into a river. Maeve had kept her sisters' two crowns under constant guard, only bringing them out to be displayed in her throne room on state occasions. In memory of her siblings, she'd intoned. Rowan had sometimes wondered if it was a reminder that she had outlasted them, had kept the throne for herself in the end.

The grayish hand slipped over the rock's edge again and nudged the crown in silent gesture. Take it.

"You want to know why?" Gavriel softly asked Lorcan as Aelin strode for the rock. Nothing but solemn reverence on her face. "Because she is not only Brannon's Heir, but Mab's, too."

A throwback to her great-great-grandmother, Maeve had taunted her. Who had inherited her strength, her immortal lifespan.

Aelin's fingers closed around the crown, lifting it gently. It sparkled like living moonlight between her hands.

My sister Mab's line ran true, Elide claimed Maeve had said on the beach. In every way, it seemed.

But Aelin made no move to don the crown while she approached him once more, her gait steadier this time. Trying not to dwell on the unbearable smoothness of her hand as it wrapped around his, Rowan helped her aboard, then climbed in himself before freeing the ropes tethering them to the shore.

Gavriel went on, awe in every word, "And that makes her their queen, too."

Aelin met Gavriel's gaze, the crown near-glowing in her hands. "Yes," was all she said as the boat sailed into the darkness.