#True fae

[zal-cryptid]

Did you come up with more Changling the lost AU concepts for Misfits in Toyland

I have!

"Krampus" and "Santa Claus" are largely the same. They are a pair of True Fae (Gentry) with an interest in humanity. He Who Gives and He Who Takes. He Who Rewards and He Who Punishes. They are shadowbound to each other and share titles such as 'Hold Nickar', 'Joulupukki', and 'Toymaker'. They have multiple titles and forms. They are immortal, mighty, and remorseless inhabitants of the Icy Vastness region of Arcadia (Faerie).

The biggest difference is that Krampus makes fetches of his victims - fae-constructed replicas/duplicates of human beings left behind to take an abductee’s place.

[navsartyplace]

Nom nom she's here to make a hound or even a falcon out of you :) The true fae are so silly like that!

[erisacolyte]

Redrawing a Changeling: the Lost pic from 2010! The original: https://www.deviantart.com/joephilliactheblack/art/Directional-Court-165285377

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[thefaethatstoleyourname]

Unamused Gentry

2 Weeks and 1 day for this. Throw me.

[dymdrimluga]

A fae and her servants

[maybelacrimosa]

She loves music, she loves to dance, she especially loves to dance in her garden. Her garden must always be a place full of song, a place full of trees with golden branches and flowers with diamond petals, where courtiers dance and frolic and the revelry never stops. She collects talent, leaving junk in its place, all for the sake of keeping her garden beautiful and melodic. She is a princess, she is master of this place, she grants wishes but never for free. Once upon a time she was one of many but she could not stand sharing the spotlight for long...so now she is one and she is many. She is the princess with many faces and you should never make the mistake of inviting her near.

[corkinavoid]

DPxDC More Shit Fae!Danny Has Said While Living With Waynes

Dick, opening his arms wide and going for a hug: hey, Danny!

Danny, looking him in the eyes without blinking: did you know that centuries ago fae really liked to crawl inside human bodies and use them as nests? I heard human insides are really warm and squishy.

Dick, sweating, frozen in place: ...no?..

Danny, smiling and cheerfully jumping to hug Dick: I didn't either!

Jason, because he is feeling adventurous today: I have a question. Where do Fae come from?

Danny: Ah, so B hadn't had the Talk with you yet, what a shame. So when a woman and a man love each other very much-

Damian: Enough of your foolish jokes, I do not wish to hear the sex talk from you. To answer your question, Todd, Fae come from the dreams.

Jason, deadpan: ...really?

Danny, very awkwardly: Um. Dami. Brother to my soul. I'm so sorry.

Damian: What?

Danny: I told you we come from dreams only because you were four. That's not actually how it works. We just fuck.

Duke, narrowing his eyes at Danny suspiciously: So, for the past week and a half, I've been having this recurring dream about you eating my brain with a fork like spaghetti. I was wondering, is it, like, a you thing or a me thing?

Danny, very offended: Duke! Not every weird thing that happens in this house is my fault! That is very rude of you!

Cass, after Duke had apologized profusely and left: You.

Danny, rolling his eyes: Yeah, okay, I did do that. In my defense, his fear tastes like the perfect greasy cheeseburger, and I have to get my fair share of junk food somehow.

Cass: >:(

Danny: Okay, I'll stop. Eventually.

Bruce, in his nth attempt at gaining information from Danny: How do you know if someone is a Fae or not?

Danny: Throw a fish at them.

Bruce: ????

Danny, not even looking up from his phone: Fish are scared of the Fae. So if you throw a fish at someone and the fish gets scared, they are Fae.

Gotham Rogues a week later: We have no idea why Batman keeps throwing guppies at us, but we collectively suspect his new child is to blame.

Danny: Oh, I'm forbidden to enjoy caraoke nights.

Steph, who suggested he join: What? Why? Is it some kind of punishment for the pizza incident?

Tim: No, it's because if he starts singing, we all lose our grip on reality.

Damian: And our dignity.

Danny: They mean they start dancing whether they want it or not, and I have videos to prove it. Wanna see Jason twerking? Or I have one with Tim and Bruce waltzing through the manor.

Steph, as everyone else bemoans their fate: With great pleasure.

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@violet-foxe

[llamagoddessofficial]

Can we get some Horror fae headcannons? I'm twiddling my thumbs and waiting for the big boyo to appear while I lose myself in your fae realms

Goodness, do try not to get lost. Though if you do get lost, he's certainly the one for you.

Quite similar to his non-fae self, really. Quiet, large, wild, bloodthirsty when required but completely unafraid to show his soft side to those he loves.

He does have a bit of a... 'reputation', in both realms. A reputation for being a frightening beast that you do not want to encounter out in the wastes.

Apparently, he did something unspeakable in Summer - banished from that court, he found himself immediately warmly welcomed into Nightmare's fray. He was one of the first of the Winter court.

He and Nightmare aren't exactly "friends", in the way Nightmare and Killer almost seem to be. But there's a certain degree of trust between Horror and Nightmare that just isn't there with anyone else. A level of mutual, unspoken understanding. They rarely talk to one another, but somehow, they seem to know each other very well.

(There seems to be some truth to the Summer rumours, given his absolute visceral hatred of even the word.)

Living in Nightmare's court means Horror has ample food. People are still scared of him, though.

Big fuzzy guy!! His wings are the biggest and softest out of anyone's; cuddling him will be like hiding in the thickest blanket imaginable. If you sit on his lap, you can pull his wings over you and fall asleep snuggled up like that. Rest assured, if you do that, you will never meet a happier skeleton.

Tricking you simply does not cross his mind. He's too slow with words for that kind of nonsense. If he wants to keep you forever, why does he need to steal your name? He'll just bake you the best pie you've ever had, that'll do it.

Or chase you down when you run. That works too.

Not good at telling you he likes you. He can show love just fine - gestures of devotion are part and parcel of who he is. But when it comes to the talking side of romance? An absolute wreck.

Killer helps. "hey, my buddy over there thinks you're cute," [points to the enormous shaking & sweating anxious monster who's unsuccessfully trying to hide behind a candelabra]

He tends to disappear for several days in a row, to go on long treks through the snow. They clear his mind. He probably knows the realm better than anyone alive. He would really like it if you came with, making you the first person to ever be invited along, but he doesn't mind if you don't want to go. He doesn't expect everyone to be interested in multi-day snow hikes.

(You could sit on his shoulders the whole way, though. In case that changes your mind. He'd also show you untouched natural wonders beyond comprehension. And he packs snacks)

His love language is bringing food back for you from his 'trips'. Baked salmon from the ice rivers, steaks of venison from the winter forests, slow-cooked rabbit from the plains, and on rare occasions bear stew from the mountains. If you're vegetarian it'd be good to tell him immediately because this will become a pattern.

He also likes making furs into clothes for you. For someone who struggles with shaking hands, he's surprisingly good with a needle and thread.

You'll never be cold, when he's around. And you'll never sleep alone.

[fictionadventurer]

Of course Catherine Morland falls in love with the charming, kind Henry Tilney who's unlike any man she's ever met and who's the kind of person who she didn't think existed outside of books. But the great thing is that Henry's equally enchanted by the completely ordinary Catherine, because she's something that's totally unfamiliar to his world. They're equally mythical to each other, and in finding each other they upend their ideas of what they thought the world was, and they build a new world together, and that is peak romance.

[anim-ttrpgs]

why exactly is true loves kiss more likely to work if the kisser is female

(This is in reference to the fairy PC rules)

It’s like that because it’s referencing myths and fairytales where the deliverer is usually a woman, and it opens up interesting opportunities to explore what a “woman” is, especially in the context of monsters, same with references to things like “true love” and “true name” in the same ruleset. The end result, however this ends up being interpretted by your group and happening in your adventure, doesn’t say anything about human biology, but it may say something about fairy society, or our society.

Plus, it makes it matter if a character is a woman or not, which is not a factor for anything else in the game, and I like it when things that would just be “fluff” elements of the character in any other rpg come into play and make some sort of small difference - Eureka is all about that honestly. So this is a way to make that matter without like really discouraging female or male characters in particular or it being like a big thing in the game, and especially without doing any “women have -2 Strength” type shit.

[ryllen]

maybe i do want us to kiss a little more

[mothiepixie]

Is Fae Motti close with any of the other skellies, or any humans turned Fae? If Dreams been more busy, who does she spend her time with? c:

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Mazarine belongs to @valrayne-faeu

Faucet belongs to @nosebleed-inglishera

Lucas belongs to @thisblogtofur

Fae Motti belongs to me

[emahriel]

*twirls hair* so, bastian huh...

[thefaethatstoleyourname]

True Fae time!

Mild nsft

Took me a long time but was super interested in finishing this. (1 week & 2 days of work lol)

[partfae]

endlessly funny to me how galadriel was pursuing sauron relentlessly through the north roughly at the same time as he was a half-frozen pile of evil spaghetti

[laurasimonsdaughter]

A fairy's true name

Earlier I wrote about how much trouble I had finding even one example of a fairy trying to learn a human’s name to use it against them, but folktales where it is the other way round do exist!

Until recently the best example I had for this “use a fairy’s true name against them” plot, was Rumpelstiltskin (and all its variants, for there are many). But technically the Rumpelstiltskin plot itself is not enough to claim that knowing a fairy’s true name gives you power over them. After all, a specific deal was struck between the fairy (or dwarf, or imp, etc.) and the human, with the finding out of the name releasing the human from their debt to the fairy. (Best examples including a fairy: Peerie Fool, Tríopla Trúpla, Titty Tod).

But it turns out that the tale type “The name of the helper ATU 500” contains stories in which I would argue it is made clear that knowing a fairy’s name holds power:

In these stories a the supernatural creature in question is a helpful house spirit or neighbour to the human, but immediately leave them forever as soon as they (sometimes through trickery) find out their name, after they refused to tell them:

Hoppetînken, a mountain dwarf (German, Kuhn, 1859)

Gwarwyn-a-throt, a spirit/elf/bogie (Welsh, Rhys, 1901)

Silly go Dwt, a fairy (Welsh, Rhys, 1901)

And these stories contain what I would call “strong circumstantial evidence”:

In Winterkölbl (German Hungarian, Vernaleken, 1896) a grey dwarf who lives in a tree makes a young king guess his name before he will (somewhat reluctantly) consent to let him marry his human foster daughter (she was abandoned, he did not steal her!).

In The Rival Kempers (Irish, Yeats, 1892) an old fairy woman sets a young woman the task of guessing her name, but then gives it to her freely (with some extra help to win her good fortune), because she was polite and generous to her.

Conversely, in The Lazy Beauty and her Aunts (Irish, Kennedy, 1870) the three fairy women who help the protagonist with her spinning, weaving and sewing, actually introduce themselves by name, but they are clearly nicknames: Colliagh Cushmōr (Old Woman Big Foot), Colliach Cromanmōr (Old Woman Big Hips), Colliach Shron Mor Rua (Old Woman Big Red Nose).

But my two favourite examples are Whuppity Stoorie (Scottish, Chambers, 1858; reprinted by Rhys, 1901) and The heir of Ystrad (Welsh, Rhys, 1888, reprinted in 1901). I'll summarise them below the cut:

Whuppity Stoorie (Scottish, Chambers, 1858; quotes from Rhys, 1901)

A woman is left by her husband. She has a baby boy to feed and her only hope is that her sow will have a big litter of piglets. However the sow gets ill and as the woman weeps with the fear that the pig will die, she sees an old woman coming up the road. “She was dressed in green, all but a short white apron and a black velvet hood, and a steeple-crowned beaver hat on her head. She had a long walking staff, as long as herself, in her hand --” This “green gentlewoman” tells her that she knows the woman’s husband is gone and that the sow is sick and asks what she’ll give her if she cures the pig. The woman heedlessly promises her anything she likes. So the green woman cures the pig with a spell and some oil and then reveals that she wants to have the woman’s baby in return, thereby revealing to the poor woman that she is a fairy. The fairy is unmoved by the woman’s sorrow, but does reveal that: “I cannot, by the law we live under, take your bairn till the third day; and not then, if you can tell me my right name.” Luckily the woman overhears the fairy woman singing her own name and gets to keep her child by addressing her as such, after which: “If a flash of gunpowder had come out of the ground it couldn't have made the fairy leap higher than she did. Then down she came again plump on her shoe-heels; and whirling round, she ran down the brae, screeching for rage, like an owl chased by the witches.”

The heir of Ystrad

A young gentleman hides in the bushes to see “the fair family” dance on the river bank. There he sees the most beautiful girl he has ever seen and wants more than anything to win her for his own. He jumps in the middle of the circle of fairies and grabs her by force, while all the others flee. He is kind to her, but keeps her captive, and eventually she agrees to become his servant. She steadfastly refuses to tell him her name though, no matter how often he asks. One night he once again hides near where the fairies play and he hears one fairy lament to another that last time they were there, their sister Penelope (Pénĕlôp) was stolen by a man. He returns home joyfully, calling is favourite maid by her name, which greatly astonishes her. The young man finds her so beautiful, industrious, skilled and fortunate, that he wishes to marry her. “At first she would in no wise consent, but she rather gave way to grief at his having found her name out. However, his importunity at length brought her to consent, but on the condition that he should not strike her with iron; if that should happen, she would quit him never to return.” They marry and they lived “in happiness and comfort”. She bears him a beautiful son and a daughter and through her skill and fairy fortune they grow richer and richer. But one day while trying to bridle an unruly horse the husband accidentally hits his wife with the iron bridle. As soon as the iron touches her, she vanishes. But one cold night she comes to his bedroom window one more time, telling him that if ever her son should be cold, he should be placed on his father’s coat, and that if her daughter should be cold, she should be placed on her petticoat. Then she disappears forever.

I adore both of these stories. Whuppity Stoorie is probably the clearest example of the power of a fairy's name. But The heir of Ystrad is as good a fairy bride story as The Shepherd of Myddvai and that has been a beloved favourite of mine for as long as I can remember. Either way they're both wonderful takes on the power it grants to know a fairy's name.