#Trail Review

[zukadiary]

Kazuki Sora taidan diary 〜 2024.2.11

(also kind of a Boiled Doyle on the Toil Trail / Frozen Holiday write up)

I've now woken up eight times in a world where Kazuka Sora is an OG (changing that number daily, as I've been trying to write this for six days), and the sense of having somehow slipped into a severely incorrect timeline is getting progressively stronger. Coupled bizarrely with that is deep, deep gratitude that, despite everything that's happened in the last four years, and especially in the last five months, she got a gut-wrenchingly, absolutely devastatingly beautiful taidan. I can't say perfect, because perfect would have been after a well deserved top star run. But barring that, I never dreamed it would get this close.

Long post incoming.

I have to set the stage...

Once upon a time in 2013, Asaka Manato, then nibante in Ouki Kaname's Soragumi, got her turn starring in Brilliant Dreams +NEXT, a multi-part Sky Stage series where you got to like, do some stuff of your choice with other people in your troupe. She decided to recreate some of her favorite revue choreography, and a friend alerted me that one episode was dedicated to the infamous Rosso scene from Takarazuka's Dream Kingdom (which, as you can see in the linked post, completely short circuited noob me from a decade ago). Maasama was still a good 2+ years from winning me over at the time, and I think I reluctantly watched it with some level of offense that she touched a Komu thing. As I'm sitting in front of my computer rolling my eyes, out comes this tiny thing in capri pants, mismatched socks, suspenders, and thick glasses: ken-4 Kazuki Sora, here to report on the situation in the rehearsal room.

She spent her airtime cracking jokes, tripping on her tongue, riding on Susshi's shoulders, and generally acting like Soragumi's annoying kid brother. I thought she was funny.

Another friend told me she thought she was tracked. I absolutely did not believe her.

Then, against a fair amount of adversity, she got the 100th anniversary Rose of Versailles shinko lead, and my eyes widened a bit. The next time I found myself in Japan, I was gifted a 9th row seat to what coincidentally happened to be her first ginkyou crossing in PHOENIX Takarazuka! I'd been spending the show curiously scanning the stage for her, and when I witnessed the gap between reporter and performer, my jaw hit the floor.

Afterwards, my kangeki companion asked if I was interested in anyone in the troupe. I said Kazuki Sora. She recoiled and said "but she's so short."

***

Something that I noticed during this taidan trip is that covid-era fans met a wildly different Sora than I know. Growing up in 2010s Soragumi was uniquely rough. I'm not even talking about ::hand waves:: the present circumstances and what may or may not have lead up to them; I mean they persisted with a level of star saturation through the dawn of the pandemic that had kinda crazy consequences for the otokoyaku track. Not only was the track itself overcrowded, but the troupe also held onto a number of non-tracked upperclassmen to whom they seemed unwaveringly committed to casting in juicy roles. I remember when things seemed so untenable that Soragumi fans were universally on pins and needles waiting for what felt like an inevitable big transfer out, and I remember freezing in shock on the side of the road when instead they transferred Serika Toa in.

Here's some analysis for perspective:

Kiki is the third oldest top of all time, and spent more time as nibante alone than Tamaki Ryou took to get from debut to top.

Lord knows how long Soragumi will be in this state of flux, but if they come out of it and Kiki gets a normal number of shows, AND Sakuragi Minato is next, Zun could immediately overtake Kiki for third place

Speaking of Zun, her first two-city lead was in 2020. Looking at her top star douki, Rei Makoto's and Yuzuka Rei's were in 2017, and Tsukishiro Kanato's was in 2018.

Rukaze Hikaru's first bow lead was in 2019, two years later than her other tracked douki, Akatsuki Chisei (four if you count A-EN).

Slightly more invisible but just as devastating, the lessened exposure on stage between leads has likely resulted in lower fan club numbers and less overall popularity.

...and back to Sora. Hundreds of us filled Hibiya Park this past weekend, but Sora spent her early Takarazuka career so buried that, despite being a triple threat on stage and an utter delight off, her fan base was small enough that at ken-7 they let me, not yet even a club member, accompany my friend to demachi where I became the third attendee. For years, Sora was, frustratingly, an in-person only watch. I'd go to Japan, memorize her positions, miss the rest of the show for following her with my opera glasses, and pop in the DVD at home only to find her always just off screen. A Motion was one of the most fun times I've had in a Takarazuka theater, and on the DVD during my favorite Sora SOLO, the camera is on Sorahane Riku wordlessly dancing.

I was floored when she got Anita. I was livid that she could give THAT PERFORMANCE and immediately afterwards be cast as an ensemble soldier in Red River (although she was so good in Citrus Breeze that after 5 years of deluding myself that I "couldn't betray my beloved Yukigumi like that" ((ironic, right?)) I finally caved and joined club). I stress dreamed multiple times about the impending bow announcement before she got Hustle Mates. I cried when she finally came down the stairs between two musumeyaku in Ocean's Eleven at ken-10, in which she played Linus, a role that felt like a big break even though it had previously always gone to ken-6s. FINALLY, the massive Ocean's taidan relieved a little pressure, and I felt a tangible thrill when suddenly she was all over the Aqua Vitae shonichi digest, something that had never happened before.

That's where we left off in February 2020, when the Diamond Princess docked in Yokohama, and my therapist didn't know what I was talking about when I said I was giving myself a stomachache watching live case numbers ahead of my scheduled trip, and I canceled my flight, and I put my freshly printed pack of homemade Suleiman postcards under my bed, and I didn't see her for 4 years 4 months and 3 days.

***

It's hard to talk about Sora's taidan announcement and not come off as biased and overly dramatic, given that she's my girl. But in 11 years of countless taidan announcements, I've never come close to being as blindsided by one as I was with hers. The vibe I've gotten is that fans, siennes, and patrons alike were all properly shocked.

I'd spent the better part of a decade internally screaming for Takarazuka to act like they recognize her undeniable talent. Frustratingly, it finally started happening during covid. While I was living under the impression that Hustle Mates was a genuine miracle, she got an unimaginable second lead... then, thanks to the breathing room in her new Yukigumi home, a third... and then a fourth. Having been burned for so long, I've always firmly been team I-don't-think-Sora-is-going-to-make-top, but despite that, I was actually starting to believe it could—dare I say would—happen. I wasn't even certain the people murmuring on twitter that she might leapfrog Aasa were completely delusional. I went into Hyperbolic Chart, my looooong awaited reunion, excited to assess Kasumi Sana as her potential future partner. I enthusiastically bought all her postcards for future writing, because the last time I'd seen her, she, at ken-10, didn't have postcards.

Two days after that I found myself again frozen in shock on the side of the road.

Two days after that.... yeah.

***

Somehow, despite 11 years of knowing how this works, of weathering various taidans with friends, of crying in bathrooms until they started cleaning the theater at taidans that weren't even technically mine, I was also completely blindsided by the taidan experience itself.

Part of it was definitely the time skip, from years of intimate Sora fandom to nothing to a couple of A-seki (she's the it girl now!) for a lead I wouldn't have chosen with a troupe I barely recognize anymore to bye, she's gone. Part of it was being thrown back into this after 4+ years of pandemic-dulled emotions, followed by the exhaustion of Takarazuka's crisis era. Part of it was lowered expectations from the largely uninspired and under funded lineup of forgettable shows churned out by tired directors of dubious morality. Part of it was the disaster-shortened Mura run, the self-preserving dissociation fueled by the pain and disbelief that there was a dinner show and I wasn't at it, followed by a month and a half stretch of work so busy it was still going while I sat at the ANA gate for my 1am flight.

But I got here and squeezed into one of those red seats and then all at once I was an unsealed vacuum, cracked wide open, and Doyle and Frozen Holiday rushed in and filled the airless void till it burst.

Boiled Doyle on the Toil Trail

I've been down on Yukigumi.

Yukigumi has been my home troupe for the vast majority of my fandom. I had the fancy Swarovski crystal Yukigumi bag charms, the whole Yukigumi getup from Sports Day '14, Yukigumi albums, Yukigumi chopsticks, etc etc etc. I literally didn't join Sora club for years because I couldn't imagine being pulled out of Yukigumi. But while I was locked out of the country, the march of time took my favorite top star and the vast majority of my emotional support upperclassmen. The pandemic spit Yukigumi out in a state that just made me reeeeeeeeally sad. So I stopped watching them. That's the exact moment they picked to put Sora there.

I hate to admit it, but I still haven't totally caught up on her Yukigumi time.

Which is probably the main reason this show caught me SO off guard... even having watched AND enjoyed the Mura livestream. Sora is best watched in person, after all.

Doyle—a silly take on Arthur Conan Doyle's life, and how he used a magic pen to write Sherlock Holmes by accident, thus setting into motion a runaway series of events—is not only a fun and joyful show, it's a masterpiece of casting. The top 4 were at their absolute peak, and it was a thrill to watch.

I've been watching Ayakaze Sakina since her shinjin kouen days, and my write-ups over the years probably betray my rollercoaster hot and cold journey through her career. I really liked Doyle as a lead for her though. She essentially plays a big idiot wifeguy with a dream, an imaginary best friend, and little conviction; she was very funny and charming. If you were one of the lucky few who managed to see On the 20th Century, think that guy but earnestly the main character vs. dude with main character syndrome. The older I get, the more I have a soft spot for shows where the top combi has "ecstatically celebrating at least their tenth wedding anniversary" energy, and this was one of those.

...Thanks in large part to Yumeshiro Aya, who is absolutely everything. She may be boosted by consistently reminding me of Shirahane Yuri since her partial lead in the 103s Bunkasai, but she also has a very particular type of girlboss energy that I don't feel like I've seen in quite a while. It isn't wearing the proverbial pants energy (a la early TamaChapi), but it is overwhelming I got this energy. I find her to be the absolute embodiment of a top musumeyaku, in that she understands the assignment (making the top star better), while perching on the edge of the backseat just enough that she doesn't overpower Saki, but she's still a knockout in her own right. She probably exudes an extra dose of this energy as Louisa Doyle, who plays a very similar role in her husband's life and writing career. I could not be more thrilled that Aya isn't retiring yet.

Asami Jun plays the aforementioned imaginary friend/magic pen-generated apparition, who happens to be Sherlock Holmes. Some people I've talked to seem a little disappointed in her stage time, but I really felt like this was also peak Aasa. She seems to have broken through a layer of ceiling and gotten really comfortable leaning into her c***y unique energy, which, though I can picture it being polarizing, really does it for me. I sure as hell have never seen an interpretation of Sherlock Holmes REMOTELY like Aasa's, but I was enjoying the Aasa of it all so much that I really didn't care.

When I saw that Sora was playing the editor of Strand Magazine, I was somewhat disappointedly imagining a role like Lestrade (not to invoke another Sherlock), the sort of there-but-not character that has dominated her Takarazuka career since she started getting named roles. My first surprise was how good of a role this was in general, and then how well suited it was to her. She gets to be aloof and handsome, but also incredibly upbeat and funny at times. Her little coworkers at her utterly failing magazine are obsessed with her (which is the mood of the century), and there is a cute little meta moment where Doyle threatens to stop writing Sherlock and Sora tries to quit her job, only to be restrained physically by said coworkers (which is the mood of the moment). Everything from the set of her off-gray permed wig to her 4 or so different plaid suits to her opening solo number was absolutely perfect (not as perfect as it was gonna be later!!!!!).

FROZEN HOLIDAY

It's weird watching a Christmas show in February

I rapidly stopped caring

Speaking of rollercoasters of hot and cold, Noguchi used to be my most hated revue director, hands down. Circa 2017-18, after being deeply personally burned by Super Voyager (and deeply personally confused by Beautiful Garden), the tension I felt while awaiting show announcements hoping I wouldn't have to watch another Noguchi was intense. Noguchi revues being something people covet nowadays still feels unfamiliar, but I count myself among people.

He turned it around for me with the Takarazuka equivalent of winning the grocery store ingredients episode of Project Runway: Delicieux, a covid-budget masterpiece of public domain music and foam macarons (incidentally, also a goodbye to Sora of sorts, as it was her last Soragumi revue). I officially owe him my life after what he did for her in Frozen Holiday.

Firstly, going into my 11th year of watching live Yukigumi, I've never seen Saki shine brighter. While ostensibly a Christmas spectacular, Frozen Holiday was also meant to celebrate Yukigumi's 100th anniversary. Despite the aforementioned rollercoaster, I'm so glad that the top star for the anniversary was someone who has not spent a day outside of Yukigumi in her sienne life, who I've been watching since before my first trip to Japan. And I think the joy of it really showed on her. Aya was an angel, so visually perfect in her snow queen dress that I believed she was destined to be top musumeyaku of Yukigumi from birth. Aasa continued to out-Aasa herself; the wave of feral energy she set off during the first livestream was well earned.

But... remember the disembodied arm just off the TV screen? The utter SHOCK I experienced when they treated her like a friggin' nibante...

Nanami Hiroki, who pulled top star numbers and probably had double our last day crowd at her average Hoshigumi ochakai, and Miya Rurika, who needed a simulcast for her last ochakai, didn't even get the final revue treatment that Sora did.

The disbelief that they did so good by her, the disbelief that I missed the transition, the disbelief that she was really leaving, shattered me.

In addition to general prominence throughout the revue, she gets a whole white-clad taidan number, complete with lyrics designed to blind her fans with saltwater, and one of the best bits of dancing I've seen out of her. After a seemingly impossible quick change, she rejoins the troupe for a very chuuzume-esque anniversary number (assuming the Christmas kyakusekiori is the real chuuzume), and that might actually be my favorite bit of dancing in the whole show. She co-leads the Noguchi-signature boyband number with Aasa, which I forgive because it's them and it's also T.M. REVOLUTION. She even gets a spotlight moment alone with Saki during the kuroenbi. And through all of it, she was so, so good. Good does not even begin to describe Kazuki Sora.

I felt like I cried for 48 hours straight.

***

I didn't manage to get myself actually into the theater for senshuuraku, but I did end up with two Hibiya cinema tickets. When I tried to pass one off onto one of the fellow jilted Sora Club members trying her luck outside of Chanter, I got pounced on by an old lady while those in their white wear were moaning about the cinema not being good enough. I was too tired and nervous to tell her I'd prefer to sit next to someone in club, so she got it. She and I ended up crying the hardest of everyone in the cinema by far. Thanks, old lady <3.

***

One thing that struck me was how desperately, frightfully grateful I was that Sora retired from Yukigumi. Sure, if she hadn't, her taidan would have probably just been canceled... but I don't even mean that. The anniversary aspect of Frozen Holiday was beautiful, and filled me with a joy and nostalgia I wasn't prepared for. It was my first kyakusekiori since 2019, and after Sora ran by me, I was blessed to find myself next to Kujou Asu, someone I adore enough to be in her club in an alternate universe. It was my first iride since 2019, and I had the privilege of seeing off one of my favorite musumeyaku, Sara Anna, as well. The way the troupe members talked about Sora, and what she gave them, and how thrilled they were that she joined them, made my heart swell. As genuinely mad as I was when they broke up KikiSora, I could see that Yukigumi gave her the space to blossom.

The farewell dinner was even entirely gluten free by complete accident, down to the fancy manju omiyage with mountain yam flour dough.

***

Five onsen dips, a massive weeb shopping spree a lifetime in the making, and one extremely bizarre Komu show later, I'm on the plane home, finally not crying on command.

But not having a runaway fave for the first time in ten years feels really desolate. I miss her so much.

[chacegraves]

The Legend Of Heroes: Trails in the Sky FC Review

Depth, Detail, and a sense that the world you're exploring is lived in.

The Legend of Heroes: Trails in The Sky First Chapter had a reputation that intrigued me. I've heard that it's an incredibly slow game that's packed with text. That the purpose of this game was to serve as a 50 hour prologue to it's sequel, Second Chapter. And that it apparently has a brutal cliffhanger that justifies all of that. It does. I'm literally only writing this review in an attempt to stop myself from burning through the next game too fast. The reputation it has for being slow is very earned but being in the mood for a slow burn experience made that a lot less jarring. I can't recommend this game to people who don't want to read a lot though. It will kill the game for you.

In First Chapter you play as Joshua and Estelle Bright. Two 16 year old kids being raised by a legendary bracer named Cassius Bright. Bracers are a guild of freelance mercenaries with a very specific moral compass. Namely to help people. They'll get rid of monsters, save a cat from a tree, escort people from town to town, etc. They just can't intervene with the military or politics of any nation. Joshua and Estelle want to become full fledged Bracers just like their father but in order to do that they need recommendations from guild branches all over their kingdom.

You'll go from town to town picking up odd jobs from the local guild branch in order to complete enough work to earn that branches recommendation. All the while getting a familiarity with each town you go to and the people who live in it. A Bracer has a duty to the people after all. It may sound like pretty standard JRPG fair but this game does something incredible when it comes to talking to the townsfolk.

Minor advancements in the story will give EVERY person in a town something new to say, and this happens several times per town. A lot of these people have little storylines during your stay and may even pop up in future towns. Some will talk about what's going on in the story but others are absorbed in their own dramas. You don't have to go out of your way to talk to everyone but you will miss out on lore and flavor if you don't. There's a lot of fun stories and characters to discover. I've had entire play sessions just being talking to townsfolk because the story advanced a little. I really hope the sequel remembers these background characters.

The towns are gorgeous and they know it too. Every time you get to a new one you'll get this nice sweeping shot of the streets and points of interest. Each town has their own personality to them that keeps the game fresh but it goes beyond the aesthetic of the town itself. Each building feels intricately designed in a way that actually baffles me. Someone put thought into these buildings making sense in a way they genuinely didn't have to for a JRPG. There'll be rooms that you'll never have to enter for any reason but they'll be filled with props and purpose because THAT BUILDING would need that room.

I remember being blown away that a weapons shop had an out of the way stock room that I never had to go into but was still decorated top to bottom. It makes the world feel so much more lived in. This game revels in detail on every level and it's easy to see the love that went into this world feeling like a real place with real people.

My biggest fear for future entries is that they stop this level of detail with the townspeople and their surroundings. I can understand them not doing some of this when we switch to a more traditional 3D view without the set camera angles but it would still be disappointing. Only time will tell if they can keep that up!

That said the main cast are so charming as well. Joshua and Estelle's bickering is hilarious and got several laughs out of me. Joshua being this calm and subdued rogue countered by Estelle being a rage tornado is so funny.

There's a solid party to build in this one and they all bounce off of each other in fun ways. They'll be swapped in and out as the story progresses and I liked that compared to just collecting them all. It makes it feel like they have things to do aside from hanging out with you. My favorite party member is easily Zin. He's this massive bear of a man who is also a monk. My favorite character is Nial though. He's basically just Spike Spiegel as a reporter and I adore him.

Despite this game having magic and ridiculous airships it all manages to feel VERY grounded because they explain the hell out of it. Orbments are the way you access magic and skills and you get a literal manual explaining how it all works. Depending on the combination of quartz you install you'll get certain abilities or stat increases. Every characters abilities can be customized to your liking but some have certain elemental preferences. I really like how customizable this system is.

The airships are these hulking technical marvels with all these cool moving parts and when you actually get inside and explore them you can see how thought out the vehicle is. There's so much technology world building like this in the game that kind of teeters on steampunk or something similar. They have these cute chunky designs that I like staring at.

I should probably mention the combat at some point! It's turn based with moves that can change the turn order of everyone taking part in the combat. Random effects like critical hits appear on the turn counter and if you delay someones attack someone else might get that random effect. It's pretty engaging because if you don't pay attention you could give that critical hit to an enemy. It's a solid system all around and I never got bored of it. There's some awesome special attacks too!

I loved this game and can't wait to play it's sequel. The world building is fantastic. The environments feel lived in and atmospheric. I love the people that inhabit them and all their quirks. The writing is genuinely funny and heartwarming at times. The politics and subterfuge were engaging. I love the party we've assembled so far and can't wait to see more of what they get up to. First Chapter felt like reading a REALLY good book or watching one of those anime that just suck you into their world. It's a fantastic experience that I recommend heartily to anyone that can stand a bit of reading and a slow start because this meticulous set up is clearly going somewhere incredible.

[ushijima-wakatoshi-1]

So. You’re a farm guy, right? Theoretically, if I wanted to learn how to ride a horse, how would I do so? Because I’m scared the horse will sense my nervousness and judge me then the horse won’t let me ride it…

It is true that my grandparents own a farm, though they only raise cattle. However, Shiratorizawa has a horse-riding club, so I asked one of the members your question.

If you do ride a horse, it is highly suggested you ride one that is experienced, perhaps on a guided trail ride. Experienced horses are used to nervous first-riders, and may simply act lazier than usual. If you ride a less trained horse, for example a personal one, it may sense your nervousness and bolt or buck, leading to injury.

[lover-of-the-starkindler]

Every so often, rearranging the shelves allows you to pick up a book and go, "Huh. I didn't remember I had that..."

That's how I ended up reading Brother Dusty Feet instead of rereading The Shining Company. (It's okay. I ended up crying anyway.) I am not sure why I had shelved the new-to-me Rosemary Sutcliff instead of reading it first, but let's assume the choice made sense at the time.

Anyway, Brother Dusty Feet proved to be a middle grade adventure about a boy and his dog and a band of traveling players in the time of Queen Elizabeth. If I were to list my Sutcliff's in order of preference I don't think it would make much higher than the middle of the list, but at the same time Sutcliff can sketch a character with just a few words, and her details evoke times and places in a fashion I would love to emulate. Plant life! Birds and small critters! The shadows of clouds drifting over the fields! A gargoyle over a garden gate!

The bit about Argos at Christmas is a tale one could see coming from at least halfway into the chapter, but it turned the waterworks on for me even before the actual emotional climax. (Happy tears of relief, let me be clear, since this is Sutcliff... :p) Was it the pacing? Was it the play of the words and images together? Was it the characters? Was it me, sitting in my garden, watching my dog play with a stick in the sunshine at just that moment?

Rosemary Sutcliff writes things that are so beautiful they make me cry--what's the quote? "Here are beauties that pierce like swords?"--and I love finding new stories by her because she writes with a love for her characters, places, and themes and it echoes through the pages of stories that string together bits of history and the mundane.

[freshthoughts2020]

[isatoru]

oliver likes grabbing your phone off the nightstand and taking a picture of his dick after you squirt on it and hearting it in the camera roll so the pic is in your favorites, just as a reminder of where you belong and who's dick only makes you feel so good like that :/

[mysticdragon3md3]

[hardcoregamer]

Review: Paper Trail

Paper Trail delivers the perfect blend of color and art style that's a standout among the puzzle game genre. The technical mechanics are innovative and creatively integrate new challenges as the story goes on, making the experience engaging and thoughtful. 

Read more!

[rrover]

looking at random locations on google maps is my equivalent of those dancing fruit videos for babies or 10 hours relaxing dog music for anxious dogs

[hardcore-gaming-101]

The Legend of Nayuta: Boundless Trails

Though Japanese developer Nihon Falcom was long known by RPG fans for their work on Ys, Sorcerian and many popular RPGs, the Trails in the Sky series (known in Japanese as Sora no Kiseki) propelled them to great levels of popularity when they were released on the PSP. Refocusing their efforts from the PC to Sony’s portable platform, they began expanding the series even further, effectively creating their own Final Fantasy-style franchise. In branching out, the developers created The Legend of Nayuta: Boundless Trails, known as Nayuta no Kiseki in Japan, an action RPG that’s vastly different title from the other games in the series, even though it shares its namesake. It was originally released for the PSP in Japan only in 2012, but later received a worldwide English release for other platforms in 2023.

Read more...

[lover-of-the-starkindler]

tagged by @lady-merian - thank you!

Last read: I intended to reread David Eddings' Belgariad since it's been fifteen years or so since I read either it or the sequel series, and I wondered how it holds up to my memories; and also I wanted to see if I could figure out exactly how he handles his large ensemble cast. However, it did not turn up in the shelf upheaval (which means must be in a different room) and the library only has it on audio book (AND it was checked out). So. I picked up his Elenium instead, because I had it handy. So far I've got through The Diamond Throne and The Ruby Knight and discovered that I'd mostly forgotten book two because it is a lot of running around in circles (plus not-quite zombies, and a vampire, and they were not as exciting as they sound though I think they were effective the first time or two I read the series). It does set up one of the long running jokes of the series and it looks deceptively simple in execution but is probably really hard to pull off well. (Book one is also a lot more running around in circles but it's more satisfying because we're being given world-building and lore at the same time.)

Current read: The Sapphire Rose to finish up the series. I would say the first third or so is my favorite bit of the story but we will see if that changes this time around. (And if we return to a balanced reveal of lore and in-world shenanigans...)

Next reads: It looks like C. J. Cherryh's Precursor is currently available at the library so I may dive back in to the Foreigner series. Or I may look through the books I have on my shelf and have yet to read and make an effort to finish one or two of those. *cue skeptical looks from the audience, who are guessing that the real answer is none of the above*

[blueberryshelves]

Another book down. Can't wait to start reading book #2.

_______________________________________________

Book Review

Title: Meet Me at the Summit Author: Mandi Lynn Bell

Book Series: Road Trip Snapshot, book #1

No. of Pages: 329

ISBN: 978-1-953388-02-5

Cover design: original cover and pen name before book republishing in 2023.

Synopsis:

For most 19-year-olds, a cross-country trip is an offer you can’t refuse, but for Marly, it’s the last thing she wants after losing both her parents in a car accident. Nine months after their death, Marly would rather stay home working the retail job she hates, than deal with her loss.

It isn’t until family and friends corner her into driving her mom’s renovated 1978 VW bus from Washington to New Hampshire that Marly is forced to face her grief and understand the guilt she feels over her parents’ death. Skeptical, Marly goes on the trip, warily exploring the life her parents knew she always wanted—hiking mountains and living out her photography dreams. On the way, she’ll discover places and people who’ll test her emotions and a guy who pushes at the walls she’s so carefully built around herself. Marly must decide: can she face her deepest wounds and reclaim the life she thought was gone forever?

Meet Me at the Summit is an intimate tale of grief, finding yourself after deep loss, and coming to terms with how life changes when you least expect it. It follows Marly as she both runs from and towards the emotions she has long held back regarding her parents’ death. A deep, insightful look into the coming-of-age theme through a heart-breaking narrative.

The Road Trip Snapshot duology, book 1

_______________________________________________

What did I think of the book?

Meet Me at the Summit by Mandi Lynn Bell My rating: ⭐⭐⭐ 3 of 5 stars

[Spoiler warning!]

I read the companion novel/stand-alone of this series, The Trail to You & Me, at the beginning of July, and fell absolutely in love with it. So, when the other two books of the Road Trip Snapshot series finally came in the mail, I was excited, and hungry for more hiking adventures and romance. I have to say, Meet Me at the Summit is not what I expected. There's a part of me that wishes I had read this book first before the stand-alone for the emotional context, but oh well. This is a coming-age-of story focused on overcoming grief, loss, and finding a way to get life rolling onward again (in this case, through the awesomeness of a hiking road trip, and some romance sprinkled in the later half of the book). There are some tough lessons in this book, such as: sometimes you just have to do what you don’t want to do, or are scared of, in order to heal yourself and get things back together again. Life happens, it’s not always fun and games, and we have to learn to face it and keep living, even if it we’d rather spend the rest of our lives hiding under a pillow from it all. It’s an emotional book, and it’s hard to not feel like tearing up with the main character as she goes through her grief at times. The scene with Marly at the Summit of Mount Washington was beautiful, sad, and possibly my favorite scene of the whole book. The different locations described in the story were a lot of fun to search up, too. As I was reading, I told my partner, “I feel like I’m getting a tour of America with this book”, and he said “Yeah, there’s not much to see here… except everything.” Lol. Favorite character/s: Ethan, Marly’s uncle. I wish he was in the book more. It felt like he grounded the story nicely as an older adult in the book in the beginning. Dylan, for the fact that he doesn’t let Marly allow her fears to consume her. How he helps her have closure at the end of the story is also touching. What drew me to this book? The cover design (original). I loved the color palette with the orange and blue, and the vibe of the illustration style. When I found out the author had republished the books with new covers, I hesitated on getting the books. I really liked the original covers, so I was over-the-moon happy when I heard I could still get them from the author’s website. Stars: 3/5 because there were just a few too many hiccups with the book that affected the reading experience for me, the main one being that there was a strange lack of detail for some of the characters when they were introduced in the story, like hair color, eye color, clothes, etc., that weren’t mentioned until later on, or at times not at all. Despite this, I would read it again in the future, and I’m really looking forward to seeing what Let the Rubble Fall will be like.

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[willbrakeforneature]

looking back on the year, a series ~ January 2023

hike to Round Knob with Toad

Cherokee Park, Baringer Path stone steps

[saym0-0]

im spiderman btw guys its pretty cool

i can also do action poses

cool