#This was kinda fun to do though

[jellyjamheadobb]

e-enis nose….

[puppppppppy]

filipina miku!! my mom helped me with her outfit ^_^

[melonsharks]

like a thing, make a character lineup to figure out how i would draw them. thats the way my brain works! you can find close-ups under the cut!

these were fun :] theres a lot of characters in this show that would be fun to draw, is there anyone you guys wanna see next? 🤔

[murmurmurl]

I'm back on my bullshit I guess

that redraw I was talking about.. previous versions under the cut

I like how it's less stiff now

[cadenzarose]

Beach date shenanigans!

aka I never imagined we'd get a relationship pre-reveal and now there are so many Scenarios in my head

bonus:

(Also, special thanks to @ittybittytatertot for helping me brainstorm!)

[raticalshoez]

Professional Coward

[stealingyourbones]

I keep seeing the “Constantine is a soul whore” fanon interpretation. It’s fun and enjoyable to read but I do think it’s important to also know the canon and WHY he sold his soul.

he’s only sold his soul to three demons. All of which he did in rapid succession (same night) to trick them into curing his lung cancer because they didn’t want to deal with Satan being mad at them + causing a civil war in hell just because of this fuckers soul being claimed. The message more being that he’s the worlds best conman and less that he sells his soul all the time.

[acetrappolad]

warm up doodle azul

[junislqve]

𝑓 : get him back!

nini 𝓼peaks ˊᗜˋ hi! just a small silly little fic idea ive had for a while now !! smau anyone?

jaeyun x f!r ╱ in which, you’re still undoubtedly hung up on your ex so you try to find someone else — and perhaps make him jealous too — but when the plan goes astray you find yourself stuck in a mess that can’t undo itself. ( ex!heeseung x reader side plot )

[rin-sith]

Ages ago, I promised a sequel to my Ruthlessness sketches with my new Poseidon design, and well... See, I had a very specific vision for this, my beloved 🫶 favorite song in the whole entire musical. And I guess I was finally brave en- I mean, found the time to bring it to life. Enjoy 🙈🌊🔱

@glisten-inthedark look at what I've done now

[ricky-mortis]

Curtwen Week Day 7: First Meeting/Last Words

[gummi-ships]

Kingdom Hearts 3 - Kingdom of Corona

[puppppppppy]

I can teach you how to be just like me

crying all night, sleeping till three

[w1f1n1ghtm4r3]

rewatched last life yesterday and was having some fun ideas about the direction i wanted to go with the designs for it so. have some critters

individual pieces because i spent way too long on pearls wings to have them mostly hidden

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[sashimew-the-cat]

The Folly of an Unnecessary, Unwanted, Unfortunate Obligation

(Click for better quality, close ups under the cut)