#This story is really worth it!!!!!

[anrisimps]

You're slowly convincing me of reading Dungeon Meshi Menshi idk I keep misspelling the last word JSHDJDND

READ IT!!!! IT WAS SO AKAJSHHSBD,, I WAS SO HYPERFIXATED ON IT THAT I BINGED READ IT WHOLE IN 2 DAYSSSSS!!! *live reacting (screaming incoherently) in my frnd's dm the whole time😭😭😭😭😭*

Anyways really happy to pull someone else down the same rabbit hole too hehe >:)

[poorly-drawn-mdzs]

License to Kitty.

[s0fter-sin]

people are acting like we’re saying creators shouldn’t be paid for their work; they absolutely should. and watcher already is. they have a patreon, they get sponsors, their videos regularly get millions of views which gives them ad revenue, they sell merch; they are getting paid. feeling indignant and disappointed that they’re asking us to pay for content we were already getting for free isn’t entitlement, it’s expected. ​they wanted to make bigger produced shows and now their budget can’t sustain it, that’s not on the viewer to make up for

[remma-demma]

Thinking about people not liking what happened at the end of dawntrail like… hmm.

Did you not remember the stuff with the Yok Huy. Nobody is gone if you remember them. The phrase that’s been with us for nearly the entire game, “For those we have lost….” Emet Selch entrusting us not only with the legacy of humanity in general but specifically with the memories of the Ancients and Elpis.

Just because people are gone doesn’t mean they aren’t still with us.

But the people of Neo-Alexandria are kept from that. They can’t remember anyone they’ve lost because their memories were stolen and locked away in an eternal purgatory, unable to move on or be reincarnated. The quest where you go to the graves in Heritage Found was a big moment where I was like. Huh. This fucking sucks actually.

The endless are just computer simulations, and they exist because Sphene can’t bear to let them go. Can’t even let her living citizens mourn or carry on legacies.

And that’s not even mentioning the fact that she needs the souls of innocent *living* people to power this all.

I think it’s a really good metaphor for the digital age, becoming disconnected from our irl communities, uploading your entire life on social media. Profiles of loved ones who have passed on. AI chat bots providing temporary comfort but no real human connection. All of that technology requiring enough energy to slowly but surely contribute to the destruction of our planet.

It all seems pretty clear to me as an allegory but like, I guess some people just didn’t make that connection? Or maybe they just don’t think about all the AI stuff in the same way I do.

[skitskatdacat63]

2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)

[poorly-drawn-mdzs]

Penelope's final gambit, you will always be famous, no matter the subtext.

[russellius]

the story behind George signing the dad's shirt twice:

and the final result:

[hellooobees]

I can't stop thinking about how the show sets up selfishness and selflessness as two sides of the same coin. How do you walk the line between making sure your loved ones can achieve their own dreams even if it means hurting yourself, and hurting your loved ones because you're hurting yourself for their sake?

It all goes back to Thame putting up his wish on the orange tree that he'll make all of the other members' dreams come true. Thame, who agrees to a shitty contract and works himself to the bone and makes it completely his burden to prove that Mars is a good investment for the company. Thame, who is made to believe that that very act of love and sacrifice is only debilitating his friends' dreams and the only way to keep his original promise is to leave.

We see Thame essentially being back at square one in this episode. He has to leave and go to Korea alone so the people he loves can achieve their dreams. But so much has changed since then. Thame had found hope, that he could simultaneously keep his promise and be selfish to want both his band and his partner. He's once again been working himself to the bone, giving up all of his time and attention between the band and Po, because his tiredness is such a small price to pay to turn that dream into reality. Why wouldn't he gladly take on all of that tiredness and more?

But despite all of the groundbreaking things he's achieved and everything he's given of himself, it doesn't work. His friends break down around him possibly reigniting the same insecurities from earlier that he worked so hard to ensure wouldn't come to pass. His boyfriend breaks up with him despite Thame promising to take on all of the burden and tiredness to make it work. He's being forced to leave everyone behind and he's being left behind too.

That flip from Thame being convinced that the best thing for him to do would be to leave for everyone else's sake, to the rest of Mars and Po being convinced that the best thing for them to do is to step back for Thame's sake is so so important to me. It's not just Thame who made making his friends' dreams come true into his own dream. The rest of Mars and Po did the same thing with Thame's dream. But how does it all work when the sacrifices you're willing to make for the dreams of your loved ones are at the cost of their happiness because they're at the cost of your own?

Thame's effort didn't go to waste. We see all of that effort manifesting in how it opens doors for the other members and Po so much more easily now. But it's also true that at the base of those new successes lie the shattered hopes of that shared dream between them.

The show sets up the question of whether the person who's leaving others behind feels hurt, and we see so many iterations of it. We see Earn leaving behind the person who was an instrumental part of his success without a second thought. We see Thame giving himself up and leaving for the band's sake. We see Jun leave twice, the first so that his friend would for once think of himself and his own success instead of letting the others drag him away from it, and the second when he's sure that his friend can be what the person that he cares for deserves. We see Pepper being completely willing to leave if the two biggest parts of his life cannot exist together and we see Gam actually leaving when it proves to be true. And we see Po leave because he cannot let himself become an obstacle in Thame's path and make all of their efforts come to waste. If that's the price to pay so that the people they love can have what they want then so be it, right? Their sacrifices are insignificant in the face of that.

But what happens when all those sacrifices still aren't enough? When the cost becomes too huge to bear?

[deedala]

art for shameless big bang fic:

Last Night at the Verona Grand Hotel by @the-rat-wins

special thanks to @whaticameherefor for taking over the organizing!

[spongebobs-dirty-dish]

tumblr i would absolutely hate to yell at you but WHAT ARE YOU DOING IF YOU ARE NOT WATCHING DEADBOY DETECTIVES?!?!!???!??? ITS QUEER ITS FANTASTIC ITS SCARY ITS FUNNY ITS ADORABLE AND ITS AT RISK OF BEING CANCELLED FROM LOW VIEWERSHIP!!!!!!!!!! GO WATCH IT NOW NOW NOW NOW NOWWWWWWWWWWWW

[fatedtime]

I know there’s a lot of people talking about the culture conflict between Toshiro and Laios, but I think it’s important to acknowledge the class conflict between them too. Mayor’s child or not, Laios is still from the boonies, while Toshiro is waited on hand and foot by a flock of women his family employs to serve his needs. This has 100% stifled Toshiro’s ability to communicate with others, to the point where acknowledging his retainers and thanking them for their efforts is shown as a huge point of growth.

Meanwhile, Laios’s bumbling nature towards Toshiro’s boundaries is very much informed by his lack of knowledge of other people and places. He knows how much it hurt him to see his sister rejected by people whose insular attitudes made her powers frightening to them, so he tries to express overtures of friendship towards Toshiro by being so interested in him that it comes off as frightening instead. While he means well, his lack of knowledge on how to interact with people who are different from him puts Toshiro in a weird spot, and this lack of knowledge isn’t just the autism — it’s where he was born and raised. And it’s something real kids from rural areas go through when they enter more urban spaces. The sorts of social manners that are appropriate there aren’t appropriate elsewhere, and they get seen as… well. Inelegant. Pushy.

If Laios had gotten Hien’s name wrong, she would have decked him. But because it was Toshiro, whose upbringing didn’t give him any conflict resolution skills (because he’s around people who have to bend to his needs*) he doesn’t know how to sort things out with Laios, and grows to resent him. It’s not just the culture, it’s the place he occupies class-wise.

That’s part of why I love Toshiro’s arc — if this was just a culture conflict where Laios commits microagressions against him, as I’ve mostly seen it put, him ultimately learning a lesson would be pretty weird. But it’s not. His upbringing as a noble lord’s son in a BONKERS family has given him certain issues… and Laios helps him confront that, so he can live without regrets.

(*please note, this is a massive oversimplification of what the hell is going on with Toshiro Nakamoto. i just didn't want to write a book.)

[somegrumpynerd]

Do you think when Cross is sad or just holed up in his room all day for any reason, Killer uses his cats as an excuse to see him?

Like, he knocks the door and comes in holding a cat like “sorry but Freddie’s been looking for you all day, she wouldn’t stop screaming til I brought her in” and goes to sit on the bed with him. Sometimes the cat is eager to see Cross and plays along by purring all over him and curling up in his lap. Other times the cat shows absolutely no interest and it becomes pretty clear it was just a flimsy excuse for Killer to see him.

Either way it makes Cross feel a little better

[lgbtlunaverse]

"Nie Mingjue would still have died young even if Jin Guangyao hadn't killed him" Not as in "So it's fine to kill him because people who won't live for much longer have obviously already forfeit their lives" (what) But as in "If you don't get that Nie Mingjue has had an inevitable young and violent death hanging over him since he was a young teenager and has embraced it you can't fully understand his character"

[redge]

Things I read on the internet that's a declaration of hate for Kana and my reaction (hoping I feel better after typing them all out)

"Kana makes everything about herself"

Did she want to be an idol? Did she want to be a center girl? (Girlie don't even know what a center girl is hahahaha). In Tokyo Blade, did she want the spotlight? That one time Kana wanted anything for herself is when she told Aqua her new dream. She did not even have a graduation concert. She did not have that movie that director told her about. In 137, she was praised for being a handy actor that can uplift others and improve herself and was described as "lacks opportunity" and many chapters after that, she still did not have an opportunity for herself. Kaburagi said they'd sell her as genius actor but that was not addressed anymore. So where is that she makes everything about herself when nothing was sbout her anyway? Not the idol career. Not as an actress. Not as a human loved back by the one she loves. She did not become anything she ever wanted so really how was this all about her? No I really want to know, how did Kana make everything about herself? Like I am really curious where this is coming from ah why do you hate Kana so much? 🥺

"___ best girl compared to Kana who only cries all the time"

Why can't we just go with the "____ best girl." period. Why do you need to put down a character to praise another character I am genuinely curious. I mean my favourite character has always been Kana but not ever did I hate on Akane or Ruby or anyone because why would I when all these characters have different stories of their own? And why do these girls need to compete with each other anyway?! Who's giving out the crown and sash? What's the point??? Your favourite is the best girl for you. Okay! Other's favourite is best girl for them. Okay, too! That's perfectly normal so why are you fighting each other I do not understand 😭

"despicable for slapping a corpse"

Kana slapping Aqua was something that belonged to them. No one knows that conversation except Aqua and Kana (and us, the readers). Miyako's reaction was very valid because she does not know anything about that conversation. Which is why when Kana told that to the dead Aqua, Miyako's reaction wasn't angry anymore. Miyako was in tears. I honestly would have killed Aqua twice if I were Kana really so a slap is nothing compared to the emotional wreck being in their lives brought her. Kana deserves to be slapped for hurting a corpse yes I agree but Aqua deserves that slap too for thinking that him dying is the great solution to whatever problem they're trying to solve.

"Kana is useless"

And what a heartbreak that is. Kana is perservering, patiently working on all the things she want to happen and absolutely nothing went her way. Kana is a representation of someone that tried and tried patiently but everything she did just made her feel useless. She grabs every opportunity, creates opportunity for herself but she is never enough. If killing one's self was a contest, I'd definitely compete Arima Kana as candidate. I would even forgive her if she just goes feral all of a sudden with all of the things that happened to her. She's useless, you say, but was that her fault?

"Kana does not deserve to be happy"

and why not? I say everyone in Oshi no Ko deserves to be happy. So why deny that to Kana?

But really. Why is she getting so much hate?

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[xxplastic-cubexx]

im forcing you all to look shady-car-salesman erik

[What If Magneto Had Formed The X-Men With Professor X?]