#This is just my theories feel free to interpret as you like

[gracheeee]

I love FNaF, ever since practically the first year it came out, I love it, seriously. I remember I was the weird kid in 2014 and after because I loved FNaF so much.

When it came out I was like 7–8 years old, and now I'm 18, and it feels so good to have this wonderful game as something that impacted my life so much, it made me meet new people, that I don't talk to any more, but remembering all the class time we spent making theories and trying to analyse the games are just gold (pun intended).

Being able to see the game go from 0 to 100 was amazing, and I shall present you my interpretation of William and Michael Afton.

William is someone who doesn't look intimidating at all, always has a wide smile, I actually saw a Reddit post comparing three types of Williams (u/r0pp0p) the Babadook, the Tumblr sexy man and some kinda European toymaker, mine would be a mix of those three types, in the exterior he looks and acts like a wanky guy kinda silly, has some fascination with his furry suit (cof cof Springbonnie springlock suit cof cof), actually is a good father, so the turn out of his real personality is kinda more terrifying, he breaks when Dave (CC for me its Dave, well actually David, sorry guys) gets killed in the bite of 83' and that's when chaos unleashes, and well, you all know the story, right? Then Michael, our main character, is someone who actually I haven't actually thought why was he so mean to CC in the events of the fourth game, anyway, he used to be some wannabe rebellious teen, and he actually was, until he killed CC, and he entered a state of grief, he does everything, literally everything, worked in Freddy's (for the free pizza) two times, got fired two times for tampering with the animatronics and having bad odour (but if you believe he got scooped after being a security guard in the second, and first games, and presumably in the third game), got tricked into going into Circus Baby's Pizza World (CBPW) to find his sister, he got scooped, and his body was then used as a shell for a robot within his flesh, then supposedly was the guard of Fazbear frights, and later burned that restaurant down, did I mention the animatronic that tries to kill him in that game is his own dad? Then works in Freddy Fazbear's Pizza Place and then finally dies burnt after he and his dad ex business partner and old friend, decided to free the souls, what hasn't he done?

[asklesbianonceler]

I have not posted any of my analysis to reddit yet and I think I might just post it and ghost it. I've already spent too much time looking at other people's threads on there to feel any way good about interacting with folks.

I already went in an added the "I know you're going to bring this up let me save you the time" section which is exclusively touching on the frequent topics of:

"well what about the fingerprint nostrum and finger mimics? He is clearly just a crackpot"

And

"it's definitely some weird elaborate sacrifice to Metyr thing"

[draconic-desire]

🔹 Oculus Infinitum 🔹

Yandere Satoru Gojo x Reader

He’s infinity; in comparison, you’re nothing. So of course using your cursed technique on him backfires.

Warnings: 18+, MINORS DNI! Yandere behavior, unhealthy relationship, implied kidnapping, forced imprisonment, nsfw, non-con/dub-con, afab!reader, slight mindbreak

Infinity is often interpreted as the largest numerical magnitude to exist. And while that fact may be true in theory, infinity is better defined as the endless division of infinitesimally smaller and smaller values. One can be separated into half, half to a quarter, and so on, until the space between fractions almost ceases to exist.

Almost.

Gojo is a lot like infinity. Blame it on his technique, sure, but you suspect it runs much deeper than that. His actions never reach an end; instead, each one sinks further and further into your skin, fangs so small you barely feel them until it’s too late and the venom irreversibly invades your veins. He’s chipped away at you, piece by little piece, until you are the opposite of infinity; you are nothing.

On a surface level, most would say you have it pretty good. You (are trapped in) live in a huge home, filled with opulent furniture and all the luxuries you could ever want. You’re (expected to) allowed to cook meals for the two of you, including your favorite dishes. You still have (basic rights) privileges, such as free roam of the house, your own selection of clothes, access to the television and your phone (minus the ability to call or text, of course), even outdoor time with Satoru’s supervision. Why would you ever need to leave?

You had escaped, once.

Calling it an escape would be generous. Nothing ever happens without Gojo’s knowledge, without Gojo’s permission. How foolish you had been, to think you could evade his Six Eyes. Despite weeks of planning, he’d dragged you back home within the hour.

The chains hadn’t been removed for an entire month after that, and their lingering presence on each post of Satoru’s bed serves as a constant reminder that they’ll never rust.

Currently, you’re in the (not your, nothing is ever truly yours anymore) house’s lofty kitchen now, preparing dinner for his return home from work. Glancing up at the clock, you see it’s nearly time for him to arrive. You click the stovetop on and place a pot of water over the open flame, watching the blue fire flicker. Your thoughts immediately go to Gojo’s eyes, twin infernos of endless blue. Those eyes never seem to close, never seem to be too far from your own. They have the ability to lock you in place and throw away the key forever.

Moments later, the sound of the door opening and closing, along with the click of multiple locks, echoes from the hallway. Long, casual footsteps alert you to his presence behind you. His velvet voice, so languid and carefree, fans your ear as he settles his hands on your hips. “There’s my girl. Already making dinner for me?” He places a surprisingly chaste kiss to the top of your head. “Missed ya, baby.”

You add rice and a bit of salt and stir the pot in front of you in silence. When did you stop fighting him on that? On losing your full name to simple titles like girl and baby? The old you would have gagged at those pet names. The old you that kicked and bit the hand of your captor like a rabid animal, always fighting for freedom.

His grip tightens when you fail to immediately respond, though you hear him force a light tone to his voice. “What, curse got your tongue?”

Tension immediately floods your muscles. Gojo is a vain man; your silence maims his huge ego, something the most powerful jujutsu sorcerer will not stand for. You must react. “No, Gojo. I was just lost in thought, is all.”

You worry your lip when the quiet drags on. “I-I’m sorry?”

Gojo barks out a laugh, but his smile is strained and all fangs. “Back to Gojo again, huh?”

A mistake you notice too late. The spoon falls from your grip as you turn your head slowly. He’s still wearing his blindfold, but you know those infinite abyssal eyes are currently boring into your soul, daring you to speak. “Ah, no! Satoru, I mean—”

“Shh, baby. I get it.” His hands move to your shoulders, which he begins to massage. “Is it because you’re mad at me for neglecting you?”

To an outsider it may sound like he’s teasing, but you know all too well the creep of annoyance laced into his deepened, husky tone. “Or are you just being a brat?”

Swallowing, you place a hand on his toned forearm in an attempt to calm him. You feel him practically melt into the touch. “Truly, ‘Toru, I’m fine.” Your honeyed tone makes you sick, but you’ve learned it can subtly manipulate your captor in the right setting, usually this domestic fantasy world of his. “You’ve been so busy with work, and my mind has just been wandering. Why don’t you go sit while I finish up with the food?”

He hums absentmindedly, fingers swirling patterns across your abdomen. “I have a better idea…” Hot breath caresses your ear, eliciting a shiver. “Let me make it up to you.”

A deft hand snakes its way down the back of your bare thigh, barely ghosting across your skin. You can feel him, solid as a rock, yet you know there will always be space between you. He can touch you, but you’re powerless to do the same.

Just like in everything else, you can’t hold a candle to him. Your cursed energy is inconsequential, a tiny spark against his infinitive well of power.

Talk of your innate cursed ability is a topic you actively choose to avoid. Your technique, when activated, allows you to briefly control the thoughts and consequent actions of a single individual—but only after you’ve kissed them. And it often backfires tremendously, with the kiss causing overwhelming feelings of obsession or insanity in the receiver. From more than enough uses you’ve learned to see it as more of a curse in and of itself, and one you prefer to keep hidden.

Especially from the man behind you. Gojo—Satoru, you correct yourself—has enough twisted love that you wouldn’t dare try to possess his thoughts. The mere idea makes your throat tighten with panic.

Satoru’s technique, on the other hand, causes every nerve ending along your skin to explode as his hand falls beneath your skirt and skate across your barely clothed core.

“Been thinking about this all day,” he groans. “Are you wet for me, baby?” Before you can respond, Satoru easily moves your panties aside and spears you with his middle and ring fingers.

The invasion makes you jolt instantly. An involuntary gasp leaves you as he presses deeper, his fingers sheathed to the knuckle. You hate how your walls immediately tighten around him, slick with your arousal. No, you don’t want this, but Gojo gives you no choice in the matter but to practically ride his hand as he lifts your skirt with his other hand to get a better view.

“I’ll never get tired of this.” His thumb passes over your clit, pulling yet another shameful moan from your lips. Your tense demeanor only causes your pussy to accidentally squeeze him tighter, spurring him on. You try to pull your thighs together, but Satoru wrenches them apart easily with his other hand. “Oh, no, none of that. This pussy is mine.”

You squirm, grasping for something to get you out of this mess. “Satoru, stop, the food will burn—”

“Forget it,” he commands, ripping your skirt off. “We’ll order takeout after.”

Your heart drops. “After…?”

“Aw, you thought I’d stop here?” His condescension floods your ears. “No, babe, I’m only just getting started with you.”

His persistence, like infinity, has no end.

Without warning, Satoru removes his fingers from your core and swings you over his shoulder, smacking your bare ass and wrenching a yelp from you. You blanch when you realize he’s carrying you to the bedroom.

“Wait, Satoru—!”

You are unceremoniously thrown onto the bed, said white-haired sorcerer towering above you. He pounces immediately, locking your limbs in place. Satoru must see the fear, the readiness to engage in fight or flight, across your face, because he brushes a tender hand across your cheek to wipe away a tear you didn’t realize had fallen.

“Don’t tell me you’re scared,” he teases, but it somehow sounds like a threat. His fingers, still coated with your arousal, hook around your thong and slide it down your legs. “You’re acting like this is our first time or somethin'.”

Oh, it was far from the first time that he had touched you or been inside of you. But something about today, about this time, sends fear skittering across your whole being. Perhaps it’s all the reminiscence lately, or the fact that your thoughts drifted to your innate technique for the first time in weeks. Panic sinks its claws into you.

Breath ragged, heart pounding, you grab his face in both hands and react without thinking; for the first time since he kidnapped you, you willingly kiss Satoru Gojo and activate your technique.

Satoru immediately reacts, deepening the kiss and pressing you more firmly into the mattress until you feel as if you’re nearly suffocating.

Release me, you project into his mind, threading a hand through his white locks and squeezing hard.

The world suddenly goes very, very still.

Satoru freezes. Slowly, painfully, he parts his lips from your own and straightens his arms against the mattress to hover above you once more. His breath comes out in jagged huffs. The only sound that remains is the unending tick, tick, tick of the clock on the wall, bringing you closer to your doom.

For a second, you almost believe your technique worked.

That is, until he quickly sheds his blindfold, and you are meet with those stunning, terrifying, brilliant, paralyzing blues. He whispers your name with a foreign stillness that chills your bones to ice. “Do you…have a cursed technique?”

What an idiot you are to have thought you could sneak past Satoru Gojo’s barriers and Six Eyes. You can’t touch his physical form; why would his mind be any different?

It takes all of your willpower to withhold the panicked, hysterical laugh threatening to escape you. “Look, I can explain—”

Satoru leans back on his knees, one hand carding through his hair as he looks up to the ceiling. “God, babe, I knew you could see curses and harbored cursed energy, but here you go surprising me!” He laughs, a gleeful chuckle that has you reeling.

“You’re not…mad?” you dare to ask, inching your knees towards your chest. Maybe your technique failed, but you can still buy some time and get into a safer position.

Satoru gazes down at you, head tilted and a full grin on his lips. “Mad? Baby, why would I be upset when for the first time in our relationship, you were the one seducing me?”

Oh, no. No no no no no.

Grabbing your ankle, he drags you back to a supine position, your pussy on full display for him. He licks his lips at the sight. “Plus, you trying to get inside my head was cute and all. Weak, but you gave it your best!” He laughs again, and you realize that he never took you seriously, not even for a second.

The thought should enrage you—it would have infuriated the old you—but all you can manage now is a low whine as his hands go for his belt.

Satoru pulls himself free, his already hard cock pulsing in anticipation. Precum beads at the tip as he lines himself up with your entrance. “What was it you asked me for? Release, right?”

Your eyes bulge at his implication. “Wait, Satoru, I didn’t mean—!”

You barely have time to react as he buries himself in you completely. A choked sob bubbles up your throat as you breath through the stretch of him.

Satoru moans in ecstasy as he begins a steady pace, thrusting mercilessly into that squishy spot deep inside your core that has you seeing stars.

“Kiss me again.” It’s light and breathless, but it’s an order, not a request. Fear makes you comply immediately, though your kiss is a hesitant, timid thing compared to your earlier attempt to sway him.

He’s having none of that. No, Satoru had a taste of your affection, and now he’ll tolerate nothing less than your full reciprocation. If only you could truly peer into his mind and see that no amount of your cursed energy would change him; your being was already permanently imprinted on his brain. You were his perfect doll, held in the palm of his hand.

Nails rake down his back as you arch against the mattress. Every time he thrusts, he grinds against your clit, and you feel yourself chasing your finish. You hate this, you want it to stop, but you can’t help—

“Please, Satoru,” you plead without thinking, meeting his limitless eyes. You feel yourself drowning in them, a blue sky that never ceases.

For a split second, his rhythm hesitates. “…Say that again,” he whispers, almost reverently. “Beg for me.”

You’re not quite sure what you’re asking for. “P-please, I can’t take it anymore, please let me—!”

“Choose your next word carefully,” he warns, voice shifting to a low growl as his hand moves to your throat, adding ever so much pressure.

Tears streak your vision. The embarrassment of your technique failing and the lewd position he has you in all crash down upon you, and another piece of you breaks. “Please let me cum,” you concede.

To your dismay, his pace slows, and you cry out in protest as your orgasm fades. “I just need you to do one more thing for me, baby.” He leans into your neck, nipping and sucking at all your sensitive spots, torturing you even further. “Tell me you love me.”

Alarms should be blazing through your head, but the fog of your arousal clouds your judgement as you seek your climax.

That piece of your soul he took shatters into a million shards as you whisper, “I love you, Satoru.”

The two of you shatter simultaneously. You register all too late the warmth invading your core as Satoru pumps his cum deep inside you.

He’s never come in you before.

Your name is murmured over and over like a prayer against your neck—or maybe it’s a curse. You jolt in overstimulation when he pulls out and bends down to place a kiss against your puffy folds. “So good for me, baby. This perfect pussy belongs to me.”

He kisses you a final time, long and slow. When he pulls away, a languid smile sweeps across his features. “You’re all mine, (Y/n). Even your mind.”

With the use of your innate technique, you’ve dug your own grave for good. Satoru will never let you go now.

After all, infinity is indivisible.

[butteronabun]

diluc + EXES EXES EXES PLEASE (HIIII butter on a bun ^_^ i will Enable you because i have a playlist for him dedicated to this shit) + canon/modern au, etc — pick whatever YOU were thinking writing the request post + spin the wheel and pick a genre~ again, this request is an excuse to hear YOUR thoughts (i have some of my own)

extra: pick whether you want it to be she/her or g/n~ i’m fine with both 🫶

sincerely, 🥩 (who missed you and hasn’t caught up with recent posts bc i was busy </3)

wish that i had more of this borrowed time

a diluc ragnvindr x female reader exes au.

overview: diluc’s heart is his greatest foe.

wc: 3.2k

notes: originally this was 5k words but that was so much & i didn’t want to complicate this more so TAKE IT 😙 this is also a bit open-ended so feel free to interpret this however you like!! also, additional notes will be in the end, so better check that out too :)

“You’re going to break that glass, Master Diluc,” remarks Kaeya Alberich himself, who is this close to purchasing popcorn to watch the ‘drama’ that he has been observing for a while now. Weinlesefest truly has its wonders – fresh wine, good company, and a brother who definitely still isn’t over his ex, even if said brother continues to deny it. “You look under the weather. Why not take a breather and enjoy the sights? You have a loyal staff that’s willing to oversee the Angel’s Share stand for a while.”

Diluc’s cold, unwavering glare remains on that face of his. Kaeya’s almost certain that comparing his ice from his cryo vision with Diluc’s expression will have no difference at all. “I am doing fine, Master Kaeya.” He looks down at the glass he has wiped for—Kaeya guesses—the fifth time now, and picks up another one. 

“Really? But it’s becoming a little hot, Master Diluc. I’ve noticed that as the minutes pass by, the temperature of the stand has been concerningly rising as of late. Are you secretly heating up some tasty bar snacks, or is it something else?”

Kaeya suppresses a smirk when the warmth around them subdues momentarily. He has one theory that he’s sure is actually true—a theory where that ‘heat’ is coming from, and it’s definitely not the wind. 

It’s the ninth month of the calendar. Summer’s already over. So it’s safe to say that. . .

“Don’t you have other matters to tend to?” Diluc narrows his eyes at him. Oh, changing the subject now, aren’t we? “Surely, Cavalry Captains still have to scout the area for any potential threats during Weinlesefest, or have the knights really gone incompetent?”

“Oh, you. Everyone deserves to enjoy the festival every once in a while,” Kaeya raises his keg playfully. “And that includes even you.”

Diluc just grumbles at that. Still stubborn as always, but Kaeya remembers the day when the traveler told him a few years ago that Diluc, despite isolating himself during the previous festivals, reveled. (Reveled on his own, was what they clarified.) It’s a comforting thought that even such a busy man as himself can still enjoy these moments.

And Kaeya wishes he’d see it more. 

Diluc willingly taking charge of the Angel Share’s stand instead of Charles? How endearing. Is it really because he’s here for the celebration, or something else? 

(Kaeya—and he’s pretty sure, Diluc is, too—hears nearby footsteps. Familiar voices.)

Or someone else?

Whatever it is, Kaeya is fine with either. 

“Still baffles me that my suggested proposals got rejected— ah, we’re here. Oh, hi, Kaeya!” 

Kaeya sips his beer and smiles at you. “Hey.” And he watches it all unfold again. You smile back at him, before slowly turning to Diluc, who has never taken his eyes off of you ever since your arrival. 

You hide a lock of your hair behind your ear timidly. “Hi, Diluc.”

It’s really fascinating to see his brother still so soft with you. People may not notice this, but Kaeya knows Diluc best. “Good evening. What would you like tonight?”

“Ah – my company here—” you turn to the man beside you, a fellow colleague perhaps, and Kaeya seriously has to control himself from smirking. The area’s heating up again. “—would like to try some of the Fruits of the Festival that we’ve been hearing of. Is it still available?”

Diluc nods. “Yours?”

“I don’t want anything, actually—”

“Please, don’t do that,” The man calls out your name, and steps forward. The warmth’s growing. “If you think that you’re treating me tonight, then I’ll be treating you as well. Bartender, I’ll be ordering Wolfhook Juice for this lovely lady.”

The man winks at you, confident with himself, until Diluc breaks the flair by simply saying, “She’s allergic to that.”

Ah, this is great. Kaeya’s considering if he should bring Rosaria or even Lisa along for the drama. 

“W–wait, really? You’re allergic to Wolfhook?”

“Ah, D–Diluc—” As much as Kaeya relishes in dear Diluc’s jealousy, your expressions are also just as priceless. Speechless that his amazing brother still has one detail about you memorized? Pfft. Such is a man of great talent who has a knack for processing knowledge in such a short time. He’s a businessman, after all. It’s important to know a lot of things. “You still remember that?”

Diluc doesn’t reply to that question. Instead, he goes on preparing the drink with ease and in silence. Kaeya can feel the awkwardness in the air as they watch Diluc swiftly mix the ingredients, and the man accompanying you merely coughs to dissipate the tension.

“So, um,” The man starts, “I’ve heard that Starsnatch Cliff looks beautiful at this time of night. I was wondering if you’d like to stargaze with me?”

You seem sheepish. “Oh, I—”

There’s a loud thud, surprising everyone, except for Kaeya and Diluc themselves. Diluc has placed the glass in front of the man, face emotionless. “It’s late. Dangerous, even. I recommend that you postpone such a journey.” 

Kaeya hides his smile behind his keg. Oh, Diluc. Could you get even more obvious? He wishes to voice out that poor Klee and the other children might get scared because of his ‘grumpy face’ again, but it is late and they’re not here anymore, so it isn’t a valid reason to mention. 

Oh, the area’s hotter now. The man is visibly sweating under the intimidating man’s stare. “A–Ah, I see- t–thank you for that then, good sir—”

“Diluc, don’t scare him,” you scold him lightly, and take the glass. “And we’ll be fine, I have a vision.”

His stupid brother’s about to protest, and Kaeya readies himself for another session of ‘Diluc Facepalming Himself Because He Made A Fool of Himself In Front of his Ex’ when you add on:

“Though, Diluc’s right. It’s dangerous to go out right now since I’ve heard from the outriders that the concentration of hilichurl camps around that area is growing in size again. So we shouldn’t go.” You give the man his drink, and gesture him to an empty table. “And didn’t you tell me you’re tired already? Why not sit down for a while?”

Once you two are seated on a table that’s too far for Diluc’s liking, Kaeya sighs and shakes his head. Diluc glowers at him. “What?”

“Attentive as ever.”

“It’s the least I could do,” Diluc says as he crosses his arms.

“The least thing you could do is be attentive to her well–being, even though you’re not her lover anymore?” The temperature intensifies. Oops. Kaeya stepped on something he shouldn’t. But it’s always so fun to get on Diluc’s nerves. “Admit it, you still haven’t moved on.”

Diluc then retorts, “Is it so bad to care for an old friend?” “So that’s what you call her now?”

“Kaeya,” Diluc warns.

“Diluc~” Kaeya pleasantly sings. Then, his lips part into an ‘o.’ “My, I smell something burning. Are you really cooking something up?”

Kaeya doesn’t bat an eyelash on the slightly scorched bartop.

_

Diluc’s heart is his greatest foe.

He has too much love in his heart, and oftentimes, it causes him great anguish. 

He wanted to rip his heart out the night his father passed on. He wanted to stomp on it after causing Kaeya harm. 

And he wanted to abandon it, just like how you did.

“Let’s end this,” you told him one dinner, with your head dipped down, not wanting to meet his eyes. You trembled as you anticipated his response, but you didn’t get one. Diluc was left aghast. “This isn’t working for the both of us, Diluc.”

Such was the fate of a Ragnvindr who dedicated his time to protecting the city and thwarting the enemies that threatened his nation. Such is the fate of a Ragnvindr who occupied himself with the winery’s business ventures. 

Such was the fate of a Ragnvindr, who, despite having a big heart, had failed his lover. 

He wanted to say—maybe we could try again. I will be better this time. He knew he could solve this, if he could think of strategies to counterattack the abyss, or even keep his competitors on their toes with his new business plans, surely, he could remedy this. 

“I have too much on my plate. You have too much on yours. Let us end this before we affect each other.”

When your tears cascaded down your cheeks, Diluc wanted to wipe them away. But he couldn’t even move. Not even an inch. How could he, when his heart was being shattered to pieces? 

You had too much on your plate? Why didn’t you say anything? You know he’d always be here for you.

So why?

He wanted to say — then let’s face them together.

But you had other plans.

It was over. 

And he understood.

_

“How fortunate that our dear cutie decided to visit this year’s Weinlesefest,” Lisa says as she touches the petals of the cecilias. She’s here in Diluc’s garden. Lisa, for some reason, has the tendency to make unannounced visits. She smiles up at Diluc who’s observing her from the gazebo. “Don’t you feel the same way too, Diluc? That she’s here again, after almost two and a half years.”

Diluc crosses his arms. “I fail to understand why I’d have to voice out my opinions on the matter.”

“Ah, but didn’t you say something to Kaeya? Supposedly, shouldn’t you be happy that an ‘old friend’ came back?”

Diluc averts his gaze, and Lisa smiles even wider before tending back to the flowers.

“She favors these, don't they? Cecilia flowers.” Lisa sniffs one. This one smells very fresh. It’s as if all the flowers here are greatly taken care of. “Oh, this takes me back. I still recall how you and her first met. You two were so adorable! She used to chase you around, desperate for your attention. And despite your attempts to push her away, she still managed to win you over. Her blushing face was the absolute best when you gifted her a bouquet of cecilias. Really, who knew that you could get so romantic?”

Lisa lifts her head and fixates on the clouds. “She’s your first love, right? And you treasured her so.” She checks to see if Diluc’s still there, and he is. 

He’s still sulking like the baby he is.

“Diluc?”

Lisa can hear him murmur, but it’s not too audible for her ears to pick up. “I beg your pardon?”

“. . .her favorite.”

Lisa tilts her head. “Favorite?” 

“Cecilia flowers.” Diluc says. “They’re not her favorite.”

“Oh, my. So what’s her favorite, then?”

Diluc is reluctant. But he answers anyway. “Small lamp grass flowers.”

Oh, Lisa knows.

She just wanted to hear him say it.

_

No one knows how much Diluc has struggled during the first months of your breakup with him. 

He got moody, at times. Even slept in too much, which was surprising, because he wasn’t the type of person to sleep, not at all, when he had errands to run. He was a business owner by day, and a vigilante by night—he shouldn’t coop himself up inside his quarters all the time just to let his broken heart weep.

So even if those days, those weeks, those months, were nothing but unimaginable suffering – Diluc had to rise. Someone still had to face the darkness for the dawn.

The overseeing of the winery and the scouting of adversaries were great distractions to someone like him.

But he couldn’t deny the fact that whenever he was resting, or even had one moment of leisure, those thoughts canw creeping in. How were you? Where were you? Are you faring well? Do you still yearn for him, as much as he yearns for you?

Are you as ruined as he is?

Diluc didn’t expect that breakups could get this hard. He thought the drunkards in his taverns were over exaggerating it a bit too much because of the alcohol, but now, he could understand.

( He didn’t resort to alcoholism, though. )

He really tried to get over you. He really did. He really tried to forget. 

But how could he, when he cherished you so?

How could he, when his heart continuously ached for you? How could he, when he longed for you desperately after you left Mondstadt.

_

( ”There are plenty of fish in the sea. There are lots of daughters from various nations wanting to be your wife! Why not choose any of them, to fill that hole in your chest?”

The last time a patron told Master Diluc those exact words, he nearly banished them from his tavern. )

_

Moving on was not an option here, it seemed, when everything reminded Diluc of you. 

He saw you everywhere. You liked talking a lot, and he liked listening to you, even before you two were dating. Every experience, every anecdote, every musing, and every vent — he remembered it all. 

Diluc knew what type of coffee you liked. At first, you weren’t such a big fan of them, but you found one that suited your taste. ( “Just one cup is enough, though. Two or more will make me palpitate!” ) Pepperoni became your favorite pizza topping when you ate with Jean when she invited you for lunch out of gratitude. ( “Cheesy spinach is a close second!” ) You liked reading books and seemed to get lost in them a lot; you even excitedly discussed your reviews to him of the novels or pieces of information you’ve read. ( “Like can you believe it?! He had a twin brother all along!” or “Now I understand why you have such a big chair in your office! It’s because it signifies your status! ” )

You were so endearing. Diluc really, really loved every bit of you and made sure to give you the love that you deserved. He tried his best as he could to provide you with the affection that you needed.

Yet it still wasn’t enough.

Because if it did, Diluc would still be here at his dining table, reading his documents and sipping coffee with you. If it did, you’d still offer Diluc one slice of pepperoni or cheesy spinach pizza after your lunch with Jean. If it did, you would still bother him underneath the sheets until late hours into the night regarding the mundane and the interesting.

Move on, they said. They were all growing concerned.

Move on, a rational part of him also said. It was for his own good.

But he had always been stubborn.

_

( 

“Master Diluc’s single?! Again?”

“The most eligible bachelor’s throne is his once more.”

“Back off, even if the Master’s single, he won’t give you no heed. Just give up.”

“Come on, support me a little! I just want to give him a good time. Don’t you think I have a chance?”

“Not one bit, lass. Not one bit.” )

_

Weinlesefest is in full swing—

“Yet here you are, moping.” A green bard sits on the pier beside Diluc, who’s currently throwing rocks onto the surface of the water. “Master Diluc, shouldn’t you be out there and celebrate? Or did you choose to stay here because you haven’t scored a date?”

Diluc narrows his eyes at him curtly, before throwing another stone into the water. 

“A silent treatment for me, I see,” The bard strings his lyre, “But I have no worry, for you’ll answer me eventually.”

Diluc sighs. “She’s occupied as of the moment.”

“Oh~? I see that the tables have turned, then?”

Diluc scoffs. Of course he also knows about what had happened before. “Really. What’s your purpose for being here? And stop with your rhyming. It’s annoying me.”

The bard snickers. Stroke a chord it seems. “It’s the second to the last day of this festive event, and I’ve yet to see you participate. Minus the fact of taking care of the Angel Share’s stall, but you must at least do something that’s not related to work.”

“It’s in my blood to dedicate myself when it comes to work.” Diluc throws another stone. “I have no other choice, Venti.”

“Yet here you are, skipping stones?”

“Here I am, skipping stones.”

The bard sighs sadly. As he kicks his legs back and forth, he says - “Do you remember the Thousand-Wind Wine Razor made with the Traveler?”

“Of course. The barrel they used belongs to my winery.”

There’s another silence. Then Venti speaks again. “The wind is many things, you know. It can bring back the soul, and especially, preserve memories—you know of the fact that dandelion seeds are added last as a way of capturing the wind at the very moment when the barrel is sealed. Meaning, the memory of that ‘moment’ is stored in the wine, for all eternity.”

“And your point is?”

“Let yourself be happy this once.”

_

After the citizens of Mondstadt welcomed the Anemo God, they all felt the gentle breeze kissing their skin as he graciously made himself present into the wind. The children cheered, and the adults raised their cups for a toast. Everyone was having a splendid time.

“To the Anemo Archon!”

You, however, have just finished preparing for your departure back to Sumeru. After packing your belongings and making sure you didn’t leave anything in the inn, you had to go find your companion — who’s still probably busy trying out new drinks. 

You sigh at that, a little amused. You also resign to this fate. The journey to Sumeru will have to wait until later. Plus, you haven’t even properly said your goodbyes to the others, so, there’s that. 

A polite cough echoes behind you. You turn around, and your heart flutters at the sight of a familiar man. Diluc.

“May I request a bit of your time?” He asks, always so gently.

You’re pleased and surprised, of course - because it’s Diluc. Diluc, who’s obviously seeking you, even if he’s made clear that he’s occupied with duties of the winery. 

You want to humor him a little bit, so you snicker. “But what if I don’t want to?” You gesture to your satchel. “I’m preparing for my departure, you see.”

Diluc already knows that, doesn’t he? He doesn’t even react. “If that’s the case, then I respect your decision.”

Oh, that’s a bit disappointing. You kind of want to slap yourself for that. You should’ve just accepted Diluc’s request instead of pulling stuff like this. Why play hard to get, when Diluc’s already—

“But I beg of you,” Diluc adds, and you blink. There’s determination in his eyes, and your heart skips a beat when you notice that there’s also something else. “Before you leave. . . please, spend time with me. All it takes is just a short moment with you, and I’ll be content. I won’t ask for anything more.”

—making initiative, huh.

How can you say no to that?

You smile at him—a little bit too tenderly. “Alright then, Diluc.” You lift a hand, gesturing for him to take it. “Lead the way.”

supposedly this was seriously longer, it had more plot ( i indulged on this way too much when i was writing this but had to omit a lot of stuff because i was getting overboard + wanted to more focus on how diluc interacts with his ex / what he feels about his ex / what he felt without his ex asfghjfk also, here's one screenshot before i deleted this part; i wasn't rlly kidding that it had more substance and it was originally angsty:

anw. shoutout to my bestie who brainstormed with me abt ex diluc hcs it was so fun. lemme share to y'all what we talked abt: 1) we thought that diluc is the type of person who’d date to marry, 2) his heart is so so freaking loyal he'd still pine for his first love, and 3) he falls hard and is stupidly sentimental plus. if he did have an ex, the breakup will def bother / ruin / devastate him, especially when he loved that person sm :(

[minsh0e]

mini astrology observations 2/?

hi hi ! i am back with another mini astrology observations. I want to thank you all for such an amazing reaction to my “work”, and for all your positive/negative comments that you left for me. these opinions make me realize a lot and will definitely make me grow further in the future… before you move on to the reading, i want to say, that I am not a professional, so take everything lightly. as always, have fun reading <3

p.s. - photos are mine :)

...

☆ people with empty 1st house may lack life guidance or be less aggressive while voicing their opinions. on the contrary though, they might judge people based on their personality and manners, not appearance or first impressions.

☆ libra risings literally don’t have to wear makeup as they look/feel better without it

☆ in my first/last observations, i talked about the mars and/trine venus synastry and how it can be the first thing that pulls you in. in this case, mars represents the man and venus represents the woman. last time, i talked about how i got attracted to the men, who have mars in the same element as my venus but i haven´t mentioned, that all of them had virgo mars...

i have a theory of mine (that i observed on me and others) in which venus mostly gets attracted to the mars sign of same element that is positioned clockwise (e.g. scorpio -> cancer) and mars mostly gets attracted to the venus that is positioned anti-clockwise (cancer -> scorpio)…i have, however, observed this on people who are attracted to the opposite gender not the same gender, therefore, i can’t really tell you nothing about how this works for homosexuals.

-> please let me know what you think about this/what are your experiences if you have time :)

☆ this is a very random observation that you can skip if you want to…our dog it considered to be beautiful by most of the people we met/meet. he has shiny, colorful fur, symmetrical face and body color placements. i decided to check out his natal chart for fun and found out, that he has libra venus in 5th house…interpret this as you want, but i guess, that you can really apply astrology to anything :)

☆ people with sagittarius mars are the ones, who love the sports/movement the most. they are amazing at doing anything physical, so you can literally see them being great at any sport…even if they do it for the first time. they may be interested in a lot different kinds too.

☆ those with lilith in 8th house get sexualized/objectified a lot. if you have lilith (or any other lilith) in this house, you were most likely introduced to the “sexual” more early in your life and matured more faster then your other peers. also, you might be randomly called/shouted at by other disrespectful people on the streets…i was really surprised to find out, that this is not really talked about that much, so here i am…

☆ another observation i talked about in past were pisces/12th house placements. i talked about how sleepy and tired they can get without any specific reason but let me tell you…all the water signs/house placements get like this and it's mostly because of said no reason or when they get tired just by thinking about working on something/having to describe something to the other person. they treasure their energy and how they spend it.

☆ degrees are a very important part of reading an astrology…if you have time, please learn/read about them

…

the end.

these observations were slightly shorter, so i am sorry about that :(

again, feel free to leave your feedback :)

[singingcicadas]

Megatron's Opposite Day

"I free slaves"

This is Soundwave binding Ratbat but seeing as Megatron did the same thing to Pentius by putting his spark into Trypticon and reformatted Rumble and Frenzy into cassettes against their will I think he approves a lot of this practice

Megatron on Optimus and humans, after his defeat in All Hail Megatron ⬇️

he really salty

"I implant ideology" aka brainwashing

Decepticon cause = Megatron. nuff said.

"I liberate cities" says the person who let Nyon burn to make a point

Cities are too small, think bigger

Holding New York hostage.

"Like Autobots, they believe in the sanctity of life" which he doesn't. Kudos for being honest.

Allowing troops to do free-rein massacre is a reward for conquest. Nothing like some easy murder for de-stressing.

The Simanzi massacre which halved the Cybertronian population is off-screen so it doesn't deserve its own pic

"The revolution"

"We only feel good when we stand with a blade in one hand and a throat in another" "Let's make the entire face of the planet into our new gladiator arena"

What nice, confidence-inspiring revolutionaries. I'm sure they'll rule the population with benevolence after they've killed all the Necessary People with Necessary Violence. Final interpretation of what constitutes as Necessary is reserved for the sole discretion of Megatron, ofc.

Good goals.

Sentinel might be an absolute asshole but at least he's got one thing right: they're literally a gang of thugs who gets high off murder.

"The people are my utmost concern"

'The people': ................

"Battling for freedom"

Freedom of what? Function? Autonomy?

Religion?

the ability to choose whether to fight? on which side to fight?

Idk why they used the word "pogrom" for this, it's way too specific

Anyways it doesn't matter, they won't be missed.

Good for Bumblebee for calling him out. Screenshotted this just to appreciate Megatron's bitchy face ⬇️

Other urban legends:

"Megatron loves Cybertron" let's just burrrrn it

He did fight to save Cybertron in Chaos Theory but also made it pretty clear why he did it. It's not out of the goodness of his heart or any sentimental reasons like that. It's an ego/dominance thing.

Plus his wording when he's trying to convince Optimus to let him go with the Lost Light: "I broke the planet. And that, Optimus, is why I owe it to you - to everyone - to find a replacement."

Replacement.

In other words: I made a mess and can't be bothered to clean it up, so I want to get away from it and find somewhere new to start clean.

I don't think Optimus appreciates the favour.

"Megatron tore down a corrupt government" which is true, just too bad that he's worse

He's also, um, a closeted Zeta admirer?

"Megatron advocates equality" ???

Megatron x dictatorship is literally his OTP. They were inseparable for four million years. A lot of people died trying.

"Megatron cares about the Decepticons" no he doesn't. Not his troops nor its cause.

Like for one thing he treats them with complete scorn

Admits that the most useful thing about keeping Starscream around is that he can bully underlings into line

Wants to use the humans' nuke to get rid of his troops and reformat them into peaceful drones after they outlive their use because they were "too ruthless" for his perfect peaceful society

Has zero scruples about fighting Deceptigod, just affronted that his own soldiers are being used against him

And basically just drops the Decepticons like a bag of vermin after he surrenders. He never once mentions them of his own accord, other than to insist he has nothing to do with them. Even his surrender speech is something Optimus makes him do as exchange b/c he wants to go on parole. He wasn't planning on making a public address otherwise, he was just going to leave them hanging.

Looking at the publication timeline, Megatron started out as an established Evil McEvilson-type villain similar to how he is in G1 and it's not until Chaos Theory in 2011 that JRo really gave him a sympathetic backstory that drew his characterization away from the bloodthirsty pugno ergo sum warlord into someone who once held ideals about societal reform and remains convinced of his own moral supremacy throughout the 4 mill years of death and war, adding worldbuilding such as Functionism/oppression/government corruption as justification for the beginning of the Decepticon movement. But because the start of the Decepticons was already written in Megatron Origins and every evil thing he'd done up till Chaos Theory can't be retracted and they had to keep Megatron as a villain until his story was no longer central to the Autobot-Decepticon war line, and JRo didn't try to downplay the atrocities he'd committed (some of the most sadistically disturbing things Megatron did were exclusively in MTMTE flashbacks), but rather tried to distance him from them and placed the focus on the juxtapositions to emphasize change, this as a whole just resulted in Evil McEvilson getting turned into Hyper McHypocrite.

[wamo]

Idk if this has been done b4 but some stuff I noticed in the fiddauthor Sorry pic (aka overnalayzing it)

fidds took this photo is taken with his camera propped on a tripod stand, hence his writing on the back

ngl I think that's grass since bmu is hella poor + a goat being there already, meaning their dorm is located on the ground floor (or it's just a shag carpet. shrug)

judging by the ragged curtains, there used to be a window but was replaced with a whiteboard (from staff or prev freshmen?) maybe to stop the grass from growing with lack of sunlight? another option is that it is a window, but it doesn’t reflect anything outside. might be a white wall blocking it

fidds only drank a cup of coffee whilst ford drank at least 5 cups of coffee & 1 pitt cola (fidds putting the word coffee in quotation marks ("coffee") means he has never tried it/drunk it before, and is first introduced to the drink by ford. he's also possibly restricted from foreign drinks/was warned about coffee by his grandma)

upon ford arriving at their dorm they bonded immediately for 9 hours, them being outcasted by others, sharing similarities

other than proving their theory, they stacked the empty red paper cups to throw a ping pong ball (?) at, like bowling

on ford's bed, his blanket is askew & he has a horrendous pillow (maybe it's fidds?) also love how ford had the time to nail his guy crush carl sagan poster on his side of the room

there's no reason for the blankets to be askew like that (if they've been solely theory solving the entire time) + ford in his socks & green boxers, while fidds still kept his JEANS ON & cowboy boots ... they're not beating the queer allegaytions

they're both possibly each other's first friend (and best friend)

I don't think ford would be comfortable with taking off his shoes & pants like that with someone in the room unless they're someone he trusts (like fidds lmao)

this is ford's usual attire minus his signature trenchcoat, navy blue slacks, and his black dress shoes, also his sleeves are rolled up. girl atp just strip it all down

notice how only ford has sticky notes on him, this could mean: the original theory came from fidds so he wrote down the equation & put them on ford OR they both wrote down the equation & ford insists he put them on him to help figure it out OR he put the sticky notes on ford first then wrote the equations down (2 of which are on his tits. awesome.)

non-queer (aka boring) interpretation of ford's state: he accidentally spilled coffee & it left a stain on his pants & shoes, hence he took them off. or he just needed to piss! too much coffee. do whatever you want pines

feel free to make your own interpretation of this! these are mostly my headcanons anyway

[uriekukistan]

JJK 261 ANALYSIS: What happened, how, why Yuuta made the choice he did, and a discussion of tragedy & major themes of JJK

MAJOR spoilers below the cut so please read at your risk.

i wanted to dissect what happened a bit, and address a few points i saw floating around since the leaks dropped. of course, these are all my interpretations, so feel free to disagree, i just had a lot of thoughts floating around that i wanted to put out for discussion.

I. Gojo was never coming back

first of all, i don't know how you guys expected him to survive bisection. i said this earlier in the day as my justification for why i didn't think gojo was coming back, prior to leaks, and i don't think i can say it any better now.

and this is just my interpretation of reverse curse technique, but if anything, yuuta in this chapter supports my theory. in the scene where he's on shoko's table and arata nitta says that he's used rct to keep the wounds from getting worse, but it might be too late for yuuta to recover. in that case, gojo wasn't coming back from being sliced in half. it's just not possible.

additionally, and this is another thing that i've said for a long time. he says right in episode 6 (i forgot the chapter) that his dream is to reset the jujutsu world raise up a generation of strong students that work together. that is why he became a teacher. this very clearly comes from his relationship with suguru, and it's one of gojo's clearest motivations from the beginning.

the problem is, in order to achieve this, he has to die. so long as satoru gojo is alive, he will have to carry the burden of being the strongest alone. his students won't have to work together, because gojo will just take care of everything. this is already in the works, with how many people have come together to stand against sukuna. if gojo lived and defeated sukuna on his own, this wouldn't have happened, and bringing him back would, again, reduce the need for his students work together.

unfortunately, gojo has been doomed by the narrative from the start, and his primary goal as a character basically requires his death to be realized in its entirety.

II. They're not heroes, they're jujutsu sorcerers.

yeah, i'm stealing megumi's line because it's true. he literally said it twice for a reason, and then yuuta said a repackaged version of it in this chapter ("we're about to fight history's strongest jujutsu sorcerer. if we can win by throwing away our humanity, we shouldn't even be arguing about this").

trust, all the characters are well aware of the ethical issues with taking gojo's body after he's dead, both with what it means for gojo, and with what it means for yuuta. but this isn't a story about heroism, this isn't a story about the power of friendship. if it was, yuuji would have saved junpei all the way back at the beginning of the series. it was pretty clear from the start that this wasn't going to be the typical shounen manga like that.

in fact, expecting it to be is unrealistic. it's unrealistic in real life too, if i'm being so honest. everyone wants to think they'd take the moral high road in this type of situation, but the reality is, when you're fighting tooth and nail against an opponent that is fighting dirty, you have to fight dirty too if you want to win, and i think that's what yuuta is trying to point out in this chapter.

this happens in real life wars which im not gonna get into examples because i dont want to start that kind of discourse, but like...it's so great to be idealistic and hope that virtue will triumph simply because it is virtuous, but i think if you take a look around, you'll realize it's true that good people do not get what they deserve simply because they're good (that's so megumi of me to say...). or if you think of it like a board game, if a player is cheating, it is infinitely harder to win without cheating yourself.

maybe this is a bit pessimistic of me to say, but you will not win a dirty fight without getting dirty yourself, and i think it's pretty clear that sukuna fights dirty.

additionally, it's shitty to see gojo be weaponized, and i understand that, but it plays into the themes about strength in jjk, which i will get into.

III. This was not an "ass pull."

i don't really have much to say to this. did you think yuuta wouldn't take kenjaku's technique? plus, kenjaku being eaten by rika is probably the only surefire way to ensure that they're dead and won't just hop to another body. i've already said why gojo wouldn't come back, but it makes sense that if yuuta were to copy kenjaku's technique, who else would he body hop into, if not gojo? there's already narrative evidence to support this action, from the guidelines of yuuta's technique, kenjaku's technique, and gojo's technique, to the character of yuuta okkotsu, which i want to do an analysis in a separate post for him, so i won't get into that right now.

idk...to me, all the threads connect, plus i felt like yuuta's return was foreshadowed pretty heavily in 259 & 260, with the mention of yuuta's plan that yuuji couldn't know, and then on the last page of 260, the comparison of sukuna and yuuta, so for me, i always thought that it was not actually gojo, but yuuta at the end of 260.

IV. Themes of JJK: The burden of being "the strongest," or even just strong

even many jjk fans see gojo as "the strongest," and nothing more, doing exactly what the narrative sets up as one of the chief problems of jjk. a lot of gojo's actions are spurred on by the burden he feels from being the strongest modern sorcerer. his entire character is built around this problem of the responsibility and burden that falls on someone who's considered to be "the best" at anything.

in fact, this is also a driving point for geto too, and the conflicts geto and gojo come into with each other, as well as geto's inevitable fall from grace. it all comes from this issue that's at the core of jujutsu society. gojo recognizes that, and, as i mentioned, that is why he became a teacher. so that no young sorcerers will feel the burden of being the strongest alone.

the problem is this is easier said than done. after gojo dies, this burden gets passed down to yuuta, and he feels that immense pressure, which is why he decides to do what he does. he says "haven’t we been pushing the burden of being a monster onto gojo-sensei alone? if gojo-sensei is gone, then who else will be the monster? If no one intends to become one, then I will!" and i think this really powerful evidence of the pressure and burden of being the strongest, and i think the word monster is really important here. the burden pushes people to be something they're not, a shadow of their true self.

it distorts morality, like with geto. it isolates people, like with gojo. it forces people to go to unspeakable lengths to uphold their burden, like with yuuta. it leads people with immense power to doubt themselves, like with megumi. it leads people to feel like a cog in the machine, not a human, like with yuuji.

this is sooo so important and a key theme of jjk, and this chapter in particular, and the driving force behind yuuta's actions.

V. Themes in JJK: Loneliness and Isolation

this one has, in my opinion, a bigger role in the story overall than just in this chapter.

as i mentioned before, gojo is lonely. the only person who could understand him was geto, and he turned away from him, and then died. he seems like a silly guy or whatever, but it's just a mask.

but geto also felt alone and isolated, and that's why he turned away. between gojo and geto, neither of them were able to put share the burden of carrying their strength alone, and it's what kept them apart and made their relationship so tragic.

arguably, and though he would never admit it, sukuna is also lonely, though it's buried deep within him and something he will likely never acknowledge, despite it, and his lack of understanding of love (arguably a symptom of his loneliness), are major reasons for the way he acts.

yuuta, though supported by maki, inumaki, and panda in a way that the previously mentioned characters are not, is still isolated. he alone carries the burden of his strength. he was also alone his whole life after rika died, and then again when he was shipped off to africa, away from his friends (yeah he had miguel, maybe i'm missing something, but i dont see them having that type of relationship.

not only that, but yuuta recognizes gojo's loneliness, and reaches out to tell him not to try to stand by himself once again, and gojo admits that's something he can't do, the reason being his relationship with geto.

even further, yuuji and megumi, the parallel to satosugu, are both deeply lonely, except for when they have each other. i mentioned in this analysis that the reason megumi can't just get up and keep going is because he's alone and has been for over a month. i want to get into this more in my next point.

VI. Where I think (hope) this leads for JJK

a satisfying ending for jjk, in my opinion, would be the resolution to this loneliness and burden of strength issue that has been present throughout the narrative. something like yuuji being able to save megumi and them being able to correct what went wrong with satosugu in their own relationship.

personally would like to see satosugu reach the ending they should have had through the itafushi parallels - let them save each other! but i do know gege said only one of them (the trio + gojo) will die, or only one will live....that was years ago maybe he changed his mind :D

we all want to see yuuji take down sukuna himself, but i think it would be a great resolution to see everyone take down sukuna as a team. no one person is alone, no one person has the burden of the strongest. i know i said this wasn't a "power of friendship" manga, and i stand by that, but i think this would be the perfect ending. yuuta throws his humanity away to do what he did in 261 because he felt like it was the only choice and it was something he alone could do, but yuuji represents unwavering humanity (literally his name), and i think to preserve that, they all need to share that burden. let them realize they need each other.

this is what gojo died for, and this is what he lived for. this is why he became a teacher in the first place- to raise a generation that can be strong together, that can support one another.

VII. "It's poorly written torture porn!" "There's no point if there's no happy ending!" etc

i said this in a separate post but tragedies have existed in literature since the 6th century BCE, 2600 years ago. many of the most popular stories throughout history have been tragedies, for example, orpheus & eurydice, romeo & juliet, even things like the fault in our stars and the titanic movie. here's a quick explanation of what it means for a story to be a tragedy (yeah it's from wikipedia but they want me to pay to access the original source and im not doing that for a jjk analysis)

one of things i like most about this definition is the use of the word "catharsis," which is to say that the expression of strong emotions is a way of bringing about renewal and relief. in literature, it's used to say that with the arousal and following release of negative emotions relieves suppressed emotions for the viewer. im not gonna get too personal with it, but i know i've experienced this with jjk.

additionally all of the aforementioned tragedies, they have a message, no matter how sad they are. orpheus & eurydice inspires perseverance and faith in the gods. even something like titanic has messages about everlasting love that overcomes all boundaries. jjk has its message too, and it's long underway. we just have to wait for it to reach its conclusion.

it's easy to lose sight of the bigger picture when we only get one chapter a week, and the fact that the pain is so dragged out is a bit tiring, i'll admit. but that doesn't mean it's bad. having negative emotions stirred by a story doesn't mean bad writing. i mean, i would hope you feel sad. i would hope you feel angry. i would be concerned if you didn't. but given that jjk is a tragedy, that just indicates good writing. especially these last two chapters, i've felt moved in a way nothing else has done for me in a long time.

as always, these are just my thoughts!!! im happy to hear from anyone what they think :D

[bigshotautos]

I really like your theory about Spamton basically haunting a mannequin after death. Have you ever touched upon the reaction from Jevil (or anyone, really) upon seeing the new Spamton? Especially considering Spamton isn't even aware he 'died'.

^ how i think jevil's first sight of Spamton would go. i love this ask. this is referring to some headcanons I made a while back, I'll link it here for the one post and the general ghost spamton theory is linked in that one as well. Going to elaborate on it more under the cut for those interested + more art.

In general I think that people from Spamton's past wouldn't really care if they notice at all, since he wasn't in the business of making close friends with anyone. With the Addisons, in my interpretation he had a "weird co-worker" relationship with them, and while Addisons in general treated each other like potential business competitors that they had to make-nice with, Spamton is especially easy to single out for being visibly and temperamentally different. His altered, current state is something they'd feel at least uncomfortable by, but many wouldn't have been too close with him to begin with for them to talk about it with him directly. Would get whispered about between each other for sure, like we saw with them talking about Spamton after the NEO fight. It moves him from the "disgraced guy I used to know" category to the "actually unpleasant to look at or think about" territory. This goes for Swatch, Queen, and Seam (less so), who seem to buy heavily into the Lightner and Darkner dynamic, with Spamton corrupting the Lightner's dream being a strong taboo against what it means to be a Darkner.

As for what Jevil thinks, Spamton during the NEO fight is both a beautiful and horrifying display. Jevil at this point hasn't seen him in years since his imprisonment, and in their time apart Jevil has grown to find novelty in the cage that everyone else besides him is in since he's created huge emotional distance between him and the reality he lives in. Seeing the fact that Spamton had corrupted an abandoned dream of a Lightner and was causing so much chaos to the established order of the world would be exhilarating, but at the same time seeing that Spamton had accomplished this and still had his strings visible (and changed to a marionette puppet with no symbolic agency), it'd be a painful confirmation of his worldview that even Spamton, who deep down he still cares for, could never have been free.

Jevil would think at first he'd just gone through some nebulous situation to change what he looks like, since ofc he himself has toy-like traits (arguable if that happened with Gasterfication or not), Seam is a plushie cat, and other Card Castle Darkners are based on toys, but feeling the lack of life combined with the symbolic body of Spamton would mean to him something bigger had went wrong. He wouldn't dare to bring it up in an empathetic way, stuck in his mindset that it doesn't matter, but it'd still hit a part of him he doesn't like to think still exists. It's something he gets over quickly, almost performatively going back to fucking with him and taking advantage of his fear for entertainment, but it didn't sit well at first.

To me, the fact Spamton "died" isn't really a huge deal, kind of like with the ghosts in Undertale where no one really cares they're just ghosts. They're just doing their thing. To me it'd be fine if neither of them find out what happened for certain, but it's something that adds Flavor to his character.

[cartoonartistpng]

Mephiles the Mind, Iblis the Heart

Basically a breakdown of how I interpreted 06 but also a foundation I use for all my AUs.

Mephiles is highly intelligent and apathetic while Iblis relies on emotion and is more like a wild animal. Mephiles does not have full access to Solaris' time powers, but Iblis does. However, Iblis does not have the mental capacity to actually use them.

Things that are less “interpretive” and more “theory”:

This is why Iblis needed a powerful emotion to be released

In the original timeline, the one which led to Silver’s future, it was Elise’s death which released Iblis. Because the seal was broken improperly, Mephiles could not recombine with Iblis. Therefore, he would need to look for a different way, but he can’t with Sonic being there and being an obstacle (not while Mephiles is still weak). Hence why he brought in Silver—a powerful hedgehog determined to save his future no matter the cost—who is also a completely new factor to change the timeline. Silver would keep Sonic busy while Mephiles figured out how to properly release Iblis… Since letting her die didn’t work last time. When Silver began figuring out the charade, Mephiles didn’t care enough to try hard with his manipulations, especially if it meant Silver would help keep Elise alive. However, once Mephiles realized the way to release Iblis was via an extreme emotion from Elise well… how convenient that the Princess grew attached to a certain blue hedgehog. Turns out killing Sonic really was the key all along. And if you want something done right… you gotta do it yourself.

Essentially (to explain Mephiles’ weird planning in canon), Mephiles did not know the seal was reliant on Elise’s emotions in the beginning, so he sends Silver to distract Sonic while he figures out how to actually free his other half. How ironic that killing Sonic is indeed what needs to happen. Mephiles basically has a “wait, it’s actually that simple?” moment

The strong emotion can be anything—grief, anger, joy, fear—it just has to be strong. Like a “consuming your mind” kind of strong.

The original explosion which killed Elise was too sudden for any strong emotion to pop up. (Even in her last moments, she had faith Sonic would save her.)

Mephiles is the mind while Iblis is the heart. Only once combined does Mephiles—or Solaris now—actually feel feelings. However, Solaris is still adjusting after the disoriented episode of being literally split in two and so acts completely on his anger toward mortals for taking advantage of him.

At the end of 06, Solaris isn’t destroyed but rather is scattered/subdued, and everyone will already be long gone by the time Solaris’ pieces are reunited. Like “after Dark Gaia and Light Gaia have restarted the planet” kind of long time. They are gods after all. Time is different for them.

The rest of this is sparked from my “Trinity Gods” fanon. Aka, Gaia, the Master Emerald, and Solaris are the three gods who created Earth, as well as any planets prior to Earth. The Master Emerald is also called “Mother Chaos”.

While Gaia slumbers, Mother Chaos and Solaris watch over the planet to protect it. During Earth’s creation, Mother Chaos took on a physical form (ie. The Master Emerald) to live on Earth amongst its creatures. Curious about all Mother Chaos learned whilst living amongst mortals, Solaris decided to also take on a physical form and live amongst them. However, this meant limiting his ability to see the future—or rather which future would come true. Thus, Solaris did not see what the humans planned on doing with him until it was too late.

Gaia and Mother Chaos are A-Okay with Solaris destroying the planet. I mean, it wouldn’t be the first time one of them has, after all. It’d be a bummer for it to end so soon, but they can just make another one. It’s because of this that they don’t interfere with Solaris’ plot… as well as the fact that their creations had hurt their friend.

It’s also this familiarity that means the Chaos Emeralds will so easily obey Mephiles. Doesn’t matter who posses them or if they’re on the other side of the planet, if the gods call, they answer.

[violetasteracademic]

The Glass Coffin: HOFAS x Elriel

Many HOFAS spoilers ahead!! This is an INTENSIVE post on all the Elriel coding in HOFAS, so strap in! This is largely a theory post and my personal interpretations, so take it or leave it! It's all in good fun.

Let's start with The Glass Coffin. When it comes to the analysis of the songs Bryce played for Azriel and Nesta in the much beloved and much dissected bonus chapter, I have seen a lot of conversation around Stone Mother and significantly less (if any?) around The Glass Coffin!

The Glass Coffin is played next after the Stone Mother. And it is a ballet.

What is the The Glass Coffin?

My friends, it is Sleeping Beauty.

Now we all know that many suspect Elriel to be a Sleeping Beauty retelling. And I'll be honest, I take a lot of the mythology or "retellings" with a grain of salt when it comes to SJM, because she doesn't do incredibly loyal retellings but takes bits and pieces of inspiration. I suppose it's up to you where you draw the line of a retelling, or free IP inspiration. But one thing to understand about IP is that Sarah J. Maas would have to get Disney's permission to call her work a retelling of Disney's Sleeping Beauty. Much like Beauty and The Beast, she did not "retell" the Disney princess movie, but the original La Belle et la Bête by Gabrielle-Suzanne Barbot de Villeneuve published in 1740. So with that little lesson in intellectual property, lets look at the story of The Glass Coffin, because it is actually quite interesting:

A magician forces a proposal on a Maiden using his magic. The Maiden is repulsed by the use of magic in the proposal and rejects him. The Magician turns her brother into a stag, traps her in the glass coffin, and enchants the land around them.

There is a LOT to unpack here. I do not think Lucien is "The Magician" in this story. Instead, I think the Cauldron is, and I do think that the use of magic to force a proposal is a very close parallel to what Azriel discovered in HOFAS: That the Cauldron had been corrupted by the Asteri to serve their will. If you have read all of the books in the multiverse, you know that there is no other SJM universe where mating bond rejections happen. There is no other universe in which there are unhappily mated pairs forced together because the function of the mating bond, at a base level, is simply to produce the most powerful offspring. Mates in other worlds are true soulmates, and they fall in love before discovering they are mates.

In HOFAS, Azriel listened to a song from The Glass Coffin. He also listened to the story of Silene, and learned that the Cauldron was corrupted by the Asteri. It is not a theory or interpretation that the Asteri curate powerful bloodlines to ensure they have the strongest food from the souls that they eat. It is a fact. So it is not a jump to interpret that the Cauldron's corruption by the Asteri, and mates that are not a good fit on a soul level but forced together to produce powerful offspring, are one and the same. At this time, both Azriel and Elain have discussed feelings of repulsion or discomfort regarding E/ucien's bond. There are also negative consequences to a female rejecting the bond, as there were for the Maiden in The Glass Coffin. Rejecting a bond can lead to madness on the males end in Prythian because he believes he is entitled to her, just as the Maiden rejecting the Magician's proposal led to him trapping her in glass and enchanting the lands so no one else could have her.

This is already quite interesting, but it gets even more powerful as you continue to breakdown the Elain coding in HOFAS.

This line basically started a war:

"I can hear your heart beating through the stone." She angled her head, as if the city view held some answer, "Can you hear mine?" (ACOWAR, chpt. 24)

Now many people have used this to claim she is Lucien's mate, because she can hear his heartbeat. Though only a few pages earlier, we had this moment:

Elain can hear Feyre's heartbeat. She says if she listens carefully, she can hear hers too. At the time, we all assumed she was talking about Nesta. And yet we've discovered that Vesperus, an Asteri, (or Valg, depending on which theory you vibe with) was also a beating heart under the stone.

Inside a glass coffin.

More than that, we have this passage:

We now know that the Prison was once the Dusk Court, and just like UTM, The Hewn City, and Ramiel, it is encapsulated in stone beneath the mountain. Within the stone of the Prison lies the long buried heart of the Dusk Court. When you look back at Elain's line to Lucien, and see that she is staring out at the city, looking for answers at the heart she can hear beating beneath the stone, and not Lucien, this all starts to click together in a brilliant way. And the imagery, the island having a soul nurtured and blossoming under her care, has Elain written all over it.

Now, the reason I bring up the Hewn City here is because I believe there is a reason for Elain's lifelessness and distress in the Hewn City that has nothing to do with her wearing the color black.

In HOFAS, we discover a few important things about Earth Fae. Lidia discovers in her time on Team Archives what the Earth Fae did, and what their powers were used for:

Earth Fae were used on Midgard to discover ley lines of power to create powerful strongholds. One important thing I have noticed is that all Fae on Midgard are said to come from either Erilea or Prythian (at least that is all that is mentioned) and yet there is no indicator of where the Earth Fae come from. it is my personal belief the Earth Fae are from Prythian. Yet the entire Dusk Court disappeared, and their story continued on Midgard. It is my belief that Elain is not only a Seer, but that she has also been gifted with the Earth powers that have since been lost on Prythian, priming her to both restore Earth powers on Prythian as well as the Dusk Court.

What does this have to do with the Hewn City?

Earth Fae experience distress when they are in places where the magic is dead or warped, and they are the only ones that can feel it:

Bryce mentions she forgets the Earth Fae even have magic, because what they can do is often unseen.

If Elain is in possession of the lost Earth power, she would have been able to feel her power literally shriveling up and dying anywhere that has been warped by that magic.

And then of course we have the fact that the cave on Prythian is an exact match to the Cave of Princes on Avallen. We end HOFAS with all the weapons in the possession of the IC, the knowledge that there are cache's of magic hidden in the lands, and that there are places where the magic has been twisted and must be freed, one being the Prison/Dusk Court.

This was the imagery used once the magic was freed on Avallen, and it took its true, lush, blossoming form:

If what is true on Avallen will also be true once the Dusk Court is freed on Prythian, answer this question honestly: When you read this imagery- blooming vines and roses, beautiful and surreal, the land seeming to know her, small blooming flowers nestling around her body and in her hair- who do you think of? Who could this possibly be alluding to back in Prythian?

Elain's coding was all over HOFAS, and Azriel's "what if the Cauldron was wrong storyline" continued. These statements are true, even if none of my theories about her being an Earth Fae are right, though I know I'm not the only one who believes that is where we are headed!

The fact that The Glass Coffin is Sleeping Beauty, and that Azriel listened to it, may not be a powerful statement on its own (though I think it is). But the fact that the Cauldron corruption was revealed, and The Glass Coffin is a story of a woman who was entrapped due to her rejecting a proposal forced by magic, and Sarah used the Glass Coffin again with Vesperus, potentially tying her back to the heartbeat Elain can hear if she listens closely, it's all just too much to ignore.

I was personally overwhelmed by all of the Elain and Azriel nods in HOFAS. I think they get buried under all of the criticism in the book. I am so excited to see where everything goes, and I hope you had fun going down this rabbit hole with me!

[skyenish]

Have you played Jamils ceremonial robes vignette? What did you think about him getting seemingly flustered/shy when Kalim praised him?

I think it’s cute! I always love it when Jamil acts all embarrassed. If you want to know my thoughts on a deeper level, I think that it says a lot about Jamil. Obviously we can see that even though he’s desperate for praise, he still gets flustered when he gets it and tends to shy away from attention. This could be a deeply ingrained habit he has from always having to redirect any attention and praise towards Kalim, or it could be a sign that he doesn’t truly want praise and attention as much as we think.

Now, I believe it’s a mix of both. Most of us already understand why this would be an ingrained habit, so I want to instead explore the other possibility now!

Jamil doesn’t really want to be the best or be worshipped, we know that what he truly wants is to be free, to travel the world. What makes Jamil truly happy, what he truly wants, is that, traveling the world and being free. What he thinks he wants is attention and praise and recognition, because that’s what’s always been taken from him.

We know Jamil is very aware of how he’s perceived, and I’m sure he doesn’t like being perceived as weak or dumb or incapable, so letting Kalim always be better at him stings. But Jamil, who is only 17 and increasingly emotionally constipated (like half the twst characters), immediately swung the other way, overcorrecting. I think Jamil in some cases tends to see really black and white, and since he doesn’t like dumbing himself down for Kalim and Kalim getting all the praise that he doesn’t deserve, that must surely mean that what he wants is that exact praise, right?

I’m not saying he doesn’t want praise, we’ve seen how he shines in the VDC and how he loves being appreciated, but my theory is that he doesn’t want it as much as we’re lead to believe due to his overblot acting the way it did. Being praised like that brings attention to yourself, it puts the spotlights on you, and Jamil doesn’t like being out on the spot (he’s more of a planning ahead guy). I think when his overblot demanded praise and worship, it was more for the powertrip and not as much just for the praise, if you get what I mean? Jamil loves controlling things and being in control and tends to be pretty paranoid when he isn’t in control, and having his hypnotized servants praise him and worship him must feel like the ultimate sign of control. Plus, them saying all these nice things is a fun little ego boost I’d imagine.

Also add in the fact that Jamil himself tends to use flattery and stuff quite often when he wants something from other characters (he’s even been called out on it), so Jamil might sometimes be distrustful when people praise him (projecting much)

I think Jamil doesn’t just want praise for praise’s sake, I think Jamil wants also praise as a way to feel control. This doesn’t mean that he doesn’t want praise for praise’s sake at all of course, he’s still got quite the ego he needs to feed, and he still likes praise and recognition quite a bit I think, just not as much as you’d think at first glance. Im sorry if I’m not explaining it well, but my thoughts are hard to put into words!

——

I’m sorry if this ramble is all over the place, but I love sharing my thoughts on Jamil! Remember, my interpretations are just my interpretations, and it’s just my thoughts! If you disagree with me, that’s completely fine! Thank you for the question anon, and sorry for making the answer so long <3

[danswideslit]

slime video analysed thru horror with a queer pov

kay it gets its own post because im stil aaa bout it

This is just what I remember/was able to brush up on, since I studied this in 2019, so if anything is outdated I apologise, feel free to correct me, I love to learn!!

also I realized it has all become a lil rambly as I couldn’t contain my excitement soz

So this is my essay on the parallels of queerness in the horror genre and how DanAndPhilCRAFTS - Slime (2024) could be analysed in this light, especially given the creators’ personal history with the topic.

Among the classic tropes of the horror genre, is the topic of losing ones innocence.

Most emphasised is the loss of ones virginity, as a synonym for the innocence, although the innocence as such has many forms. As mentioned in Scream (1996), you may not survive if you have sex, if you drink/do drugs, or if you claim to “be right back” or in other ways investigate to satisfy your own curiosity.

The parallels to the christian church and societal norms are already obvious. If you deviate from the path of purity, it will lead to death and suffering. The only way to survive the night, is to stay pure. Do not be tempted by mere curiosities, for they will be the death of you, essentially.

In the same light, Baphomet is most often portrayed with characteristics from both the male and female human anatomy, and can be used as a metaphor for the inherent evil of gender expressions beyond the societal norm.

In the same light, monsters in various movies are often shown with a deviance in gender and/or sexuality. This role of ‘sexual outsider’ has, for years, been a symbolism that queer people have connected with. The has only further skewed the ‘stay pure’ narrative, as it brings on an ambience of kill or be killed. An either/or of sorts. But it has also made monsters and villains walk the line between sexy and terrifying, which naturally leads people to be enticed. We are sexual creatures afterall.

Often the monsters have an aura of masculine energy, as they make people cower, and the stereotypical jocks abandon their hardcore exterior. This, on one hand birthed the “the boyfriend is the killer” trope, but it also gave way for diving into morality, how many crimes can a villain get away with, as long as the character resonates with the audience.

This is demonstrated in Jennifers Body (2009) which was, at first, marketed to the male audience, making the monster Jennifer an attractive young woman, essentially getting the film marked as “Twilight for boys” by film critic Robert Ebert.

The ratings, however, were lackluster and claimed the movie was neither funny nor scary and thus was unsuccessful. Jennifer wasn’t “as hot as you’d hope she’d be” and essentially the “lesbians-for-the-male-gaze” marketing to boys 17+ failed. 

However, many women and young girls between 17-25 saw the character of Jennifer as empowering and resonated with the film. My theory is that the men did not like being the victim, being killed my something that they are supposed to be worse than. But the women saw a strength in the conflict between what is essentially two sides of the same existence - on one hand the rage of the injustice and gender inequality, and on the other hand Needy, who follows every character trope connected to the “last girl standing.” Except even she is tainted in the end, killing Jennifer and losing her innocence. (more talk about innocence, murder/virginity bla bla bla, okay but this essay aint about that)

All this plays a role in how the queerness of DanAndPhilCRAFTS - slime (2024) can be interpreted. Throughout all four installments of the narrative, Dan is seen being guided by Phil and scolded when he doesn’t do it right. Phil seems not at all surprised when Dans glitter face turns satanic, and by the third video, Phil hands the control over as he gives himself away.

Essentially, the indoctrination of Dans role in Phils devotion is cult-like. Cults are often hidden behind a facade of “found family” before the true behind-the-scenes terror is revealed. Dan is evidently comfortable in letting a more experienced person guide the way, despite his own hesitance. He knows that he cant do this halfway.

also the idea of Phil rising from the dead, during Easter… Jesus Christ, where would we even begin (lol)

But beyond that symbolism, It is the hesitance in Dans nature that seems to point to the “purity being tainted” horror trope. Phils devotion to Him is evident, but Dan seems more so to be devoted to Phil. A follower. Believing whatever Phil believes to be true. A Billy and Stu, Scream situation, if you will. The subtext of two lovers and the blurred lines of love and death, which has been analysed and discussed a whole while by smarter people than me. 

Dans hesitance to follow Phil guiding him to the other (queer) side. The penetrative stab and the menacing disarray of emotions on Dans face afterwards. This was anything but a selfish act, but he gave into the curiosity, he is not the last survivor, he has joined Him. This ritual was giving into love, without trying to contain, rationalise, or diminish any part of it. 

(Kind of how like dan, selfproclaimidly, would still be a ‘Daniel in denial’ if Phil hadn’t come into his life, because Phil ‘led him astray’ but he’s very okay with it and he has embraced it, and he’s happier giving in instead of fighting it?? Too far??)

[lukolabrainrot]

Calm theory anon here.. I've been busy with life but I checked in and I want to share some thoughts I have been having. Pictures are just a moment in time. I can look at a picture and think wow this couple really looks happy and you can look at a picture and say 0h wow there is sadness in their eyes I wonder what happened. People interpret differently and that's the beauty of everybody having their own mind. So you've seen a lot of photos, right with Nicola and Luke this summer. And we've seen twice now where people have misinterpreted situations. One pate gate people assumed that Luke didn't mind the photos, and that was due to the pictures we got. Later on someone put the photos together and a different story was told. Another circumstance the Nicola and JD picture we didn't get the photos in order and what happened assumed that she was just hugging him. As More pictures dropped we seen that they were actually taking a photo together. That's two times now that we've misinterpreted a photo. And that's fine because we all say this is theory. No one knows what actively going on. Not any of these big creators on Tumblr not any of these big creators on TikTok not any of these big creators on Instagram not any of these creators on Twitter. Not one of these people actively know Luke or Nic. All they're doing is taking a set of photos and likes and assuming situations. But as we've already established, there is something called misinterpretation. so anything you see or read can be a product of misinterpretation. Guys feelings and love aren't easy things to understand. Think about the last time you were in love. I was so confused and the feelings were scary. It was the best and hardest thing I ever dealt with. But imagine someone from the outside that doesn't know you trying to understand your feelings for each other. That's just impossible. Luke and Nic are people. They are dealing with feelings most of us have never dealt with seeing as I believe they are soul mates. I truly feel they will find their way.

💯

Ok I am going to say a few things, and I know my comments are going to blow up probably, but I need to get this off my chest:

Me, and NONE of the other creators on SM, actually know L and N, or any of the people in their lives. We are all coming to our own interpretation based on PUBLICLY AVAILABLE INFORMATION. None of us have some special inside scoop into L or N's life, and no one should take our word as gospel! I share my opinions on what I am seeing, but I can't definitively say what is going on BTS, or predict the future. I think because we have a lot more questions than answers, we just want to know what is going on BTS. But we are never going to know that full story, and we have to be okay with that. We need to just let them cook, and see what happens.

I have mentioned this multiple times, but my background is in psychology and studying human behavior. I have also mentioned how ~70%-90% of human communication is non verbal. And L/N's non verbal cues speak VOLUMES and is the reason a lot of us are still here. I've talked about this a LOT on here, so feel free to scroll through my page and see my thoughts.

But it was all PR, right?? It wasn't. IMPOSSIBLE. The end.

I try to look at the FULL picture of ALL the publicly available information I have before coming to my interpretation. Yes, I have had a few little freak out moments, but I try not to fixate on a single moment in time, or a single post or interaction on SM. I try to look at everything in context of the bigger picture. And if you look at the larger picture, a lot of the information is pointing to L/N being a lot closer to getting together and going public at some point in the near future. This is my opinion though of course, and it is alright if some of you don't share my opinion.

I think a major reason I decided to start this blog is because I was having a lot of thoughts that I wanted to share around L/N and try and put a psychological lens on what might be going on BTS and what we saw during the PR tour. Another reason I started the blog though is because I have NEVER seen a connection like L/N, or seen people respond so positively to two people just interacting with each other. I am a VERY jaded person, and do not think super highly of the human species. I also have never believed in soulmates, but L/N are the closest example I have ever seen in my life. Yes I don't know them. And yes, I KNOW it sounds sappy. Trust me. I NEVER thought I would end up here today shipping two celebrities I have never met. But watching the way these two publicly interact almost felt like I had run into a unicorn or fairy in the wild. And by THAT I mean this. It is SO rare to see two people publicly show their affection and love for each other the way L/N do. Humans aren't great at it. Period. So I think we fell in love with the way they love each other (at least I know I did) because it is so rare to see, and makes us a little more hopeful. And that, and ALL the other publicly available information I have seen, is why I am firmly sat. I want to see how this movie ends, because I feel like when the PR tour ended, the movie stopped partway.

Lastly, if you do not ship Lukola, MY BLOG IS NOT FOR YOU. Also, if you find yourself spiraling over every new piece of information, this shipping space is probably not the healthiest thing for you. I feel like ultimately, shipping should be fun and not taken too seriously since we're just fans and we don't actually know these people. If you find that you are getting really stressed and not having a lot of fun anymore, it is definitely valid to take a step back. And it is fine if you have a different opinion than me or someone in the comments, BUT PLEASE BE RESPECTFUL. I am going to start blocking more people who are trolling in the comments. Ya ain't slick, people can see you 👀

[transmutationisms]

Feel free not to answer this ask so you dont have to step into this particular hornet's nest but do you have any thoughts about people sharing inaccurate science about COVID in order to push for more COVID regulations? I agree that COVID is being neglected and we need better policies but I'm also a biochemist so it pisses me off to see people cite research in a way that makes exaggerated and terrifying claims. Two years ago, I was warning my colleagues against this condescending "just trust the science" approach but now the same crowd pushing that has shifted to pushing "don't trust any of the positive science, only my catastrophic interpretations of it". Can't we mask without also trying to convince each other that COVID is a guaranteed one way ticket to death and permanent disability?

you must be new here haha i swing bats at this hornet's nest like once a month. yeah i think the current state of covid communication sucks a lot. i mean the truth is that "follow the science" is always a disingenuous sentiment; Science doesn't speak, and scientists disagree with one another. and it's naïve to pretend majority consensus is a reliable mechanism to identify truth—anyone who has followed the covid aerosolisation about-face will recall that although linsey marr was not the first researcher to challenge medical orthodoxy on airborne disease transmission, even well into the covid pandemic the idea of aerosol transmission was marginalised by global health authorities because it was politically inconvenient, out of favour with powerful established academics, and reminiscent to some of pre-pasteurian miasma theories of disease. those who would "follow the science" were not presented with a convenient dichotomy between reasonable evidence-backed expert consensus and fringe peddlers of heterodoxy; to evaluate these positions required actually, yknow, reading and evaluating the arguments and evidence from multiple competing positions, and deciding which had the greater explanatory power. which is good epistemological advice only insofar as it's so obvious as to be trite.

fundamentally a huge driving force of this situation is the social, political, and institutional forces that make expert knowledge (a generally good thing) all too often synonymous with inaccessible knowledge. i don't mean inaccessibility caused by knowledge being specialised; obviously this is inevitable to some extent simply as a result of the fact that no one person will grasp the entirety of human knowledge. but the fact that knowledge is specialised, specific, highly technical, and so forth doesn't automatically mean, for example, that it has to be monetarily gatekept from all but a select few with the resources to persevere through a highly punishing, nepotistic, hegemonic university system; this is a political problem, and one that additionally has the effect of enabling and sheltering low-quality work (see: replication crisis) behind the opaque walls of university bureaucracy and the imprimateur of the credentials it grants. in lieu of an ability to actually engage with, read, or challenge much of the academic research being generated on any given topic, the lay public is supposed to rely on signs of reliability like possession of a degree, or institutional reputation. what we in fact see again and again, and with particularly high stakes in the case of something like a pandemic, is that these measures are instruments of class stratification and professional jockeying that don't inherently ensure quality information: MDs can and do peddle anti-vaxx lies and covid / long-covid denialism; the CDC and WHO can and do perpetrate bad and outdated scientific advice, like that masks are unnecessary and isolation periods can be shortened for convenience. many of these are just blatant cases of kowtowing to political pressure, which arises from the capitalist logic that counterposes disease prevention to economic growth.

this all leaves us in a position where it is, in fact, smart and correct to evaluate the information coming from 'official' and credentialled sources with scepticism. the problem is that in its place, we get information coming out of the same capitalist state-sponsored scientific institutions, and the same colonialist universities; the idea that some chucklefuck on twitter is telling you the secret truth just because they correctly identified that the government sucks is plainly absurd. where covid specifically is concerned, the liberalism of academic and scientific institutions is on display in numerous ways, including the idealist assumption, which many 'covid communicators' make, that public health policy is primarily a matter of swaying public opinion, and therefore that it is always morally imperative to form and propagate the most alarmist possible interpretation of any study or empirical observation. this is not an attitude that encourages thoughtful or measured evaluation of The Science (eg, study methodology), nor is it one that actually produces the kind of political change that would be required to protect the populace writ large from what is, indeed, a dangerous and still rampant virus. instead, this form of communication mostly winds up generating social media Engagement and screenshots of headlines of summaries of studies.

meanwhile, actual public health policy (which is by and large determined at the mercy of capitalist state interests, and which by and large shapes public opinion of what mitigation measures are 'reasonable', despite the CDC repeatedly pretending this works the other way round), remains on its trajectory toward lax, open exposure of anyone and everyone to each new strain of covid, perpetuating a society that is profoundly hostile to disabled people and careless with everyone's life and health. this fucking sucks. it sucked that we have treated the flu like this for years, and it sucks that we are now doing it with a virus that we are still relatively immunologically naïve to, and that produces, statistically, even more death and disability than the flu. and it sucks that the predominating explanations of this state of affairs from the 'cautious' emphasise not the structural forces that shape knowledge production under capitalism, but instead invoke a psychological narrative whereby individuals simply need to be sufficiently terrified into producing mass action.

[rmgold-blog]

I posted this in a reblog but I worked really hard on it so I wanted to make it into its own post.

Tarot in Episode 7

Before I begin: how Tarot is read in the show is a very watered down version of how Tarot is read irl, so I'm gonna try and keep it within the simplistic bounds of the show.

My thought was when Billy and Agatha were doing pulls - they weren't doing it right.

Billy was pulling with intention - but he was the one pulling the cards, and he wasn't answering any questions. So he was just "reading vibes".

As for Agatha's pulls - she wasn't using intention. To her it was a numbers game. Therefore the cards may not mean anything. But I did attempt to read them since set dressing is important to read.

Billy's Tarot Reading for Agatha

The Chariot

Direction/Control/Willpower

I feel like Agatha has been pretty aimless up until this point. In combination with some of the cards in Agatha's reading. I think this is a message of what Agatha needs - but not necessarily what she wants.

Agatha has been falling to this perpetual cycle of hurt - people say she's a bad person, so she is a bad person, so people say she's a bad person... and Agatha needs to break free from that cycle in order to grow. Take control of her own narrative.

The Seven of Swords Reversed

Deception/Trickery/Tactics and Strategy

Telling the Truth/No Deception

Billy describes it as trickery and deception - but it's reversed so it's the opposite ("but that can't be right"). To me this is the more important one to the story. It's more than just talking about "the truth coming to light" it's saying: Billy thinks Agatha is deceiving him. He looked up to her until Alice died, then he felt betrayed, because he believed she could control what she was doing and she killed her on purpose. That she's been deceiving him this whole time. But this card is telling him she's not.

Before we get to the cards Agatha pulled in the beginning of the episode, let's look at what Lilia read for Billy first, because Agatha's pull has a lot more cards and leaves a lot more things up to interpretation, so it's a bit lengthy

Lilia's Tarot Reading for Billy

Perhaps the most important thing to come out of this part of the episode is this conversation about who you need to have a question - not just on how to get out of here, but something that's important to Billy's journey on earth.

Now - later when Lilia does her own reading we don't see her ask a question. In fact she pretty much already knows the answers. So that means this question was solely important (plot wise) for this reading for Billy.

Billy asks: "Am I William or am I Billy?"

Essentially - Who am I?

The Traveler: The Magician

Willpower/Desire/Creation/Manifestation

Lilia describes this card to Billy as him having enormous potential and the ability to turn all his goals into a reality.

This card is very literal - the question is "who am I?" and the card slot is basically the arrow on a map saying "you are here".

Wiccan's powers deal not just with telepathy, but with Willpower. We see this a little bit in the episode when Billy says "I wish Lilia were here". (Now this could just be a nod to this power, since it's not like they just appeared, we know they had been making their way there before Billy said this. But we also know from Lilia that time isn't linear so idk).

What's Missing: The Sun

Joy/Success/Celebration/Positivity

Now this is obviously the interesting one. Lilia brings up "Reunion", which perks Billy's interest.

Obviously we are made to believe that it references Tommy. However the question wasn't about Billy's journey on the road, or even about his life. The question was "Who am I?" "Am I William or am I Billy"

So this reunion has something go do with Billy's identity. It could be the reunion between Billy and William, as many people have speculated that these two identities - William Kaplan or Billy Maximoff - become one Billy Kaplan.

Or - if my theory about the origin of Billy's soul is correct - it could be a reunion between Nicholas Scratch and Agatha, as I believe that Nicky is the original holder of the soul and is the secret third part of Billy's identity...

Agatha's Tarot Reading

A (Vertical): The Traveler

B: What's Missing

C: The Path Behind

D: The Path Ahead

E: Obstacles

F: Potential Windfall

A (Horizontal): Final Destination

The Traveler: Five of Wands

Competition/Rivalry/Conflict

So right off the bat my thoughts are that this relates to the coven as a whole - or Agatha's relationship with Rio. Therefore I'm going to attempt to read both. Alternatively it could just be referencing Agatha as a whole - as she is someone who likes to stir conflict as her means of survival.

Warning: I am not Agathario fan, and I honestly think they're going to come to head to head in the finale.

What's Missing: The Two of Wands

Planning/Making Decisions/Leaving Home

Agatha: this card really marks the beginning of a journey - so I'm interpreting this as taking the first step. She needs to take the first step away from the life she's leading now. Leaving the familiar.

The Coven: was missing in this group is their ability to work together. Consistently, they're always fighting and they don't trust one another.

Agathario: what's missing is making the decision to leave. Leaving this relationship behind. To stop holding on.

The Path Behind: The World

Fulfillment/Harmony/Completion

Agatha: from my perspective Agatha chose this life because it's what everyone told her she was. They said she was evil, so that's what she became. This was her harmonizing with how the world saw her.

The Coven: after Alice's trial things had seemed to be looking up for the coven - before everything went to shit. They had worked together - literally harmonizing - and around the fire they were bonding. But that's in the past now.

Agathario: their relationship in the past was fulfilling - they both felt loved, Agatha got someone who believed in her, and Rio got someone who wasn't scared of her.

Obstacles: The Wheel of Fortune

Change/Cycles/Inevitable Fate

Agatha: using the mental energy, allowing herself to be curious - what more can she be, who can she become? Restlessness, breaking free from the mold she's been made to fit.

The Coven: they need to learn more about one another - break out of their past perceptions of each other, and think critically. What have they heard that could be lies? Biases? Do they believe that?

Agathario: to move forward Agatha needs to be inquisitive, critical. I feel that Rio is reeling Agatha in - she's trying to simultaneously make Agatha look bad to the rest of the coven, make the coven look like they don't trust her despite how much Agatha is frying, and make herself look better in Agatha's eyes for continuing to be so caring for her. The message Rio wants Agatha to receive is: no one will ever love you like I do. Agatha needs to be critical of that claim.

Windfall: The Hanged Man

Sacrifice/Release/Martyrdom

Agatha: falling into old habits, throwing up her defenses whenever she feels threatened. See: when Billy stopped believing in her, she didn't push being genuine, she decided to play the role again - not show weakness. She needs to be vulnerable to grow.

The Coven: cycles of falling back on assumptions - Jen especially always brings up that Agatha is dangerous, not to be trusted. I'm sure she may feel similarly about Billy, knowing who he is too, and what he did to her. They need to overcome this.

Agathario: Agatha is falling into the same trap - this toxic cycle they existed in. "You kill every Witch around you and I get my bodies" They have a working relationship, and it can be easy to fall into those same patterns.

Destination: Ten of Swords

Failure/Collapse/Defeat

...seems kind of final doesn't it. No matter what way I read it seems like the end of the Road leads to complete and tragic failure.

But that's not the only possible outcome.

Agatha keeps going - it's a numbers game after all - and we see her put down another card on top of the Ten of Swords.

Destination: The Chariot

Direction/Control/Willpower

Hang on... we've seen this before. This is the first card Billy pulled for Agatha. It all comes full circle.

As I said earlier - the Chariot here may reference Agatha breaking free from this cycle of selfishness, hurt, and hunger of power. She can put aside people's assumptions of her and do what she wants, instead of filling the role others have cast her for.

Not a hero by any means - but not a villain.

I think by having two cards here, it references there are two ways this can end for Agatha. She's at a crossroads. Will she lower her guard, accept help and understanding, or will her walls stay up, not allowing for input and change?