#They're soul siblings at this point

[renisfan]

Btw saw someone pointed out but look at these

They're literally the same picture

[batcavescolony]

I need a Tommy and Billy PLATONIC (I'm stressing that) soulmate!au fic where we get to see them acting like siblings.

[martinmynster]

idk what it is about run on that takes me 3h to watch a 1h episode but i'm loving every second of it.

[zosan-secondchances]

The Pirate King of the North

Main Themes: Villain Sanji, Alternate Universe, Zosan Ship

AU where Straw Hat Pirates meet old Sanji from a reality where Reiju didn't have emotions.

Warning: Long post ahead and some One Piece spoilers. Contains strong language.

Part 1 | 2 | 3

Young Zoro hates the fucker but those scars and piercings are doing a number to his soul.

Old Sanji's story goes like this:

He didn't experience compassion from anyone else aside from his mother, who--you know what happened.

Judge kept him locked away until he was 13. He had him released when he was deemed too broken to do anything, and he was apparently a waste of space. As far as the world was concerned, he was already dead. He gets left behind at some random pirate town in the North.

His swirly brows were recognized by the pirates who took him in--only for him to be enslaved because people would pay a lot to have their way with royalty.

He picked up some skills from the other slaves and became cunning af--because he had to be.

At 17 he started a revolt against the slaver pirates, effectively taking over as their new pirate captain.

He became the feared "Mr. Prince" and his words are as sharp as his bite.

He's underweight because he doesn't give two shits about good food.

"The All Blue? It's nothing but an old fishwive's tale," he says.

He used his cunning mind and new pirate crew to hunt down and kill his own father from the shadows.

He enslaved his own siblings and becomes the new ruler of Germa Kingdom. Over the years, he used them for warfare and expanded the territory of the North.

His heart is a bottomless pit for power and control.

He had a fling or two or several with is closely allied with Doflamingo because god damn they're both mad like that. The alliance eventually lead to direct connections with Celestial Dragons.

Sanji gains more power and becomes the notorious "Pirate King of the North"

Meanwhile at the other side of the world, Luffy didn't make it as far as he could have without a good cook.

Luffy would have recruited one from Baratie but the restaurant was absolutely destroyed before the smaller Straw Hat crew could make a difference. Some of the staff didn't make it.

Zoro left the crew when it fell apart at some point.

Due to Zoro's reputation and bounty that he had occurred during his limited time with Luffy, he was offered a position as a Warlord, ultimately taking over the late Jinbe's old role. He accepted and served for several years before he was assigned a job that he didn't know would be the most challenging one yet.

The Celestial Dragons didn't like the fact that Sanji had started to have more worldly control over their own, so Zoro was quietly assigned to hunt down the great Pirate King of the North. Zoro accepted because he felt that he needed more experience before he could take on Mihawk again.

Zoro quickly realised that this mission is not a walk in the park.

Sanji loves toying with the Demon Warlord so he insists on taking him on by himself.

It becomes an endless game of cat and mouse. Sometimes Sanji chases and sometimes he runs, sometimes he wins and sometimes he loses.

They're at each others' throats everywhere in the world. Any person, city or being of any kind that gets in the way usually gets torn apart in the chaos. The hunt goes on for a lifetime. They're currently in their 40's.

Zoro severs Sanji's left arm during one huge fight.

Because of this, Sanji relentlessly tries to get Zoro to marry him to use him in so many ways he can think of--both as an asset and under the sheets--oh the things that he wants the swordsman to do and beg for.

Sanji likes to refer to the tiniest scar on his lip as "Zoro's love bite"

He was about to get a nice fresh one on his chest when some fuckers teleported him away.

Hearing old Sanji's backstory was a bit much. It was young Zoro's turn to have a nosebleed that day.

----------

Oh yes I had fun drawing old silver fox, damaged Sanji. I wish I have the time to colour it up. I've also been very much into reading AU stories, especially soul brand ones. Keep them coming, you beautiful people.

Edit: Woo! I finally decided to make my own AO3 account. It's about time. Link here for the story: https://archiveofourown.org/works/60686077

[im-totally-not-an-alien-2]

Halloween prompts year 2 day 27

Danny watched on as Nightwing- his literal soulmate- did an amazing backflip off of a roof, spinning several times in the air before landing gracefully on the top of another building. Nightwing was so graceful and in control of himself and his movements. Danny found himself wondering how Nightwing would move as a ghost.

Heck, how would he look as a ghost? Would he have white hair like Phantom or blue hair like Ember? Maybe green hair like Kitty and Youngblood, but Ghostwriters hair was still black as a ghost so maybe he'd be like that?

Shaking his head he moved to get up from where he had been leaning up against an old chimney, Nightwing having long since left. How should he go about this anyway? He can't just go up to a famous vigilante and be like, "Hi I'm your soulmate. Wanna go out with a complete stranger who has no way of proving anything that they're saying?"

And there was the real issue. If Nightwing asked how he had seen his soulmark Danny could just tell the truth: he had seen it in that nasty fight last week where hoards of ninjas had attacked them and tore up Nightwings suit enough to see it from his vantage point.

But if he asked about Dannys soul mark...well that was harder to explain.

His own soulmark used to be on his torso before he died but after he stepped out of the portal it was gone. As in there wasn't a trace of it anywhere. It was one of the reasons he never went anywhere without a shirt anymore because he knew someone would eventually notice its absence.

He could probably explain it as Phantom to make it more believable but he would have to get Nightwing to know Phantom more for him to trust him.

Which lead back to "how do I introduce myself to him without earning an electrified stick to the face?"

After a phone call with Jazz, where she basically gave him the long winded version of "Just be yourself! You were made for eachother after all." He decided that yeah! He can use his ghostly instincts to guide him! Whats the worst that could happen?

Cue Nightwing and the other bats in the batcave a week later, crowded around a table covered in pictures of captured villians and thugs. All of them were the same. All of them showed a subject laying on thier bellys hog tied, and in a cage with the words "horny jail" etched into it.

The only real connection that all of these lowlifes had was them making crude threats, creepy unsolicited advances, catcalling or otherwise being a creep towards Nightwing.

Conclusion: Nighting either has a fanboy following him around getting in over his head or he has a violent stalker staking a claim

Robin disagreed with his siblings. Clearly whoever is doing this is defending Graysons honor and Damian approves.

Danny thinks he's doing a good job in the "showing soulmate that you are capable of protecting him from weirdos" maybe he should get Nightwing an Anti-Creep Stick of his own...

[starful-emporium]

that finale made me so emotional. i cried at all of their scenes in Ankarna's realm. anyway, here's some bad kids senior year head canons.

Kristen: Her wish for a sister is filled by Bucky, crying in her room late at night and praying together. After talking to Jawbone they learn that there are grounds to remove Bricker and Cork from their parents' home. Kristen is the only one given the option of emancipation--instead, she asks Jawbone to adopt her as well.

She falls back onto old patterns with Tracker. But they're a little older and wiser, so they see it happening and take a step back. Not a break up, but a readjustment. With her academics finally not reliant on deadlines, Kristen dedicates herself to her pantheon. They work with Lucy to bring Ruvina back to her sister, and Kristen finds herself in awe of the dedication she sees.

Fig: She puts all her time into the Bottomless Pit, something it desperately needs. Often she tells Sandra-Lynn she's sleeping at Gilear's, and vice versa, and stays with Ayda instead. On her 18th birthday her parents sit her down and explain that she can live with Ayda officially, if she wants to. Just as long as she remembers she'll always have a room with both of them.

She brings Sandra-Lynn on Complicated Women, first to interview, and then as a permanent guest host. They talk about womanhood as something living and changing and queer and complicated. It's her mom who encourages her when Lola Embers drops Ruben. They rally all the rock-hating souls and cordon off part of the recording studio. Fig never goes in there, but from what she's heard, his music has gotten better in the absence of Kipperlilly's judgement.

Fabian: Somehow, he ends up being the one to train the new dog. The Hangman is jealous to a ridiculous degree, so he spends a lot of time managing that. He starts looking into a sea-worthy vessel for after graduation, spends hours at the Compass Points Library learning how to navigate. Learning sea shanties is part of all that, of course, and has nothing to do with the way his baby sibling stares at him while he practices.

Mazey teaches dance to kids while he finishes school. She's so kind it almost hurts, and Fabian has no choice but to learn to accept love. He "lets" Gorgug skip Bloodrush under the condition of weekly movie nights, which only sometimes are expanded to the rest of the Bad Kids. The radio in his room crackle to life sometimes, with little messages from Bill when he's close enough to the material plane.

Riz: Appointed as vice president, he quits all but the AV club. He makes a bedtime pact with Sklonda, and for the first time in a very long time, they are both getting enough sleep. Someone mentions ace and aro identities to him, and he's awake enough for it click.

He finds a new scholarship for Aguefort students, and it looks scam-y so he does some investigating. It easily traces right back to Seacaster gold and Fabian. He's thankful for the cover and accepts the money with an understanding that they won't talk about it. He doesn't check, but the scholarship is offered every year after that.

Adaine: She spends the summer with Aelwyn tracking down their mom. She doesn't need revenge, but she needs to know her mom will never hurt anyone ever again. She feels Ankarna in the hot sun and wonders if that's the difference between revenge and justice. They take the long way back to Solace, the Hand-van paddling across the ocean.

When school starts, she works with Kristen to turn her inheritance into resources. Student who can pay for some of their components still do, but everyone gets what they need to learn. On the first day of class, she's asked about her summer prophecies, and tells off Tiberia for relying on her for lessons.

Gorgug: His senior year MCAT is signed on the first day by Lydia, who's teaching barbarian classes for the year. She gives him permission for independent study, and Henry gives him a shop key so he can do classwork whenever he wants. The rest of his time is spent perfecting Barbificer skills and creating a program to run at Aguefort the next year.

Mary Ann offers her quokky pet skills to help remodel his homonculous. The result is much cuter and more functional than before. She still names her highest level pet Cloaca in honor of the original, much to Gorgug's chagrin.

After graduation, the Bad Kids move in trios and pairs, and they always reconvene on the Summer Solstice, the anniversary of Ankarna's resurrection.

Kristen splits her time between Solace and Fallinel and Mountains of Chaos, the places where temples to her pantheon stand. Adaine and Riz rent an apartment in Bastion City, where they both continue school. Gorgug stays in Elmville, teaching at Aguefort and working on the side to start his own school. Fabian takes to the sea, bringing Fig and Ayda and Mazey with him.

They save the world again, a few times, but only when they want to.

[runby2]

the gavin brothers are so fucking petty and funny like, yeah it's really tragic and they're doomed siblings but you know for a fucking fact that phoenix witnessed a heated argument at some point between klavier and kristoph, expecting it to end in tragedy if some sort, and klavier shouts "that's it! i'm telling herr wright! i'm telling the world your secret!" and kristoph reacts like the world is actually about to end and phoenix feels klavier grab his shoulder and klavier says "Sometimes, Kris puts ketchup on his steak!"

And phoenix, a man who eats steak with his bare hands, could not care less about this or about what social rule that breaks, but Klavier looks so triumphant like he won and Phoenix turns to see if Kristoph is going to ask why he's acting so high and mighty - but Kristoph looks like he's just had his goddamn soul ripped out.

and when he finally regains his footing he snaps back all haughty with "Klavier, I didn't want to do this to you in front of Wright. But, I know about how you don't use the proper utensils to eat crab." He idly keeps filing his nails.

and klavier is fucking . devastated. phoenix is still confused, hasn't reacted once. he's eating potato chips and didn't ask to witness this.

the siblings start slipping into arguing in german and phoenix is even more lost that he was before. He overhears one english word and it's "charcuterie" and pieces together some other words that sound similar to english. Klavier just told Kristoph that his charcuterie boards 'don't have enough cheese to compliment the meat.' kristoph flips his braid over his shoulder and lands the final blow of, "The potpourri you chose for the living room doesn't even smell warm and inviting."

Phoenix feels like the energy in the room got darker. Klavier is in tears, and runs away like Kristoph just insulted his entire existence.

Phoenix is still eating potato chips and licking the salt off his fingers.

He doesn't know what potpourri is.

[yanderes-galore]

hey can I request a yandere alastor (platonic - friend or family) with another deer demon reader

I feel the idea that you're related would be interesting to mess around with. Especially since your similar demon types.

Yandere! Platonic! Alastor with Deer Demon! Darling

Pairing: Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Overprotective behavior, Murder, Blood, Violence, Cannibalism, Gore, Possessive behavior, Dark/Mature themes, Forced companionship.

Oh you bet I have a backstory for this one.

Alastor's demon form is no doubt based on folklore more than an actual deer.

So here's the thing, when I think of deer darling for his obsession... I think you'd be different from him.

I feel you'd take on more deer characteristics rather than folklore, a much more "innocent" take on a deer compared to Alastor.

For this concept I imagine when you were alive you were related.

You were either siblings or a kid he had, up to you, but you're most likely siblings based on his canon sexuality.

In terms of backstory, I imagine Alastor manipulated you into going along with what he does.

He taught you how to kill, he made you commit to cannibalism, he made you his accomplice.

Due to being manipulated into committing sin, your demon form is a much more innocent form compared to Alastor.

While Alastor takes the form of and acts like a hunter... you look like a fawn compared to him.

When you died, it was with Alastor.

In fact, imagine if he was always protective of you.

Always jealous... always possessive to the point his targets were often those of your friends.

By the end of your life he was insistent you die together.

You could barely react before your blood trickled onto the ground.

Truthfully, in a different environment, you could've gone to Heaven.

But sins never go unpunished, bringing you here with Alastor.

You're an accomplice, that's reflected in your appearance and behavior.

For example, perhaps you were still forced into compliance when Alastor began killing Overlords.

Despite the violent nature he displays, he's always been fond of you.

Poor you, younger than him yet still a young adult.

So easily threatened and manipulated, always kept isolated even now so the radio demon can keep you in his grasp.

Imagine when Alastor disappears for a bit he doesn't take you.

He wants to, in fact, he dreads you not being around him.

But... orders are orders, right?

That's how deals work....

Yet you know he's racing back to track you once he's summoned to help the Hotel.

Another idea could be Alastor already has your soul due to your past together.

Intimidated by him, you gave him your soul, binding you to him indefinitely.

The first soul under his belt.

If that's the case, you're just summoned to the Hotel instead of him searching for you.

Other Sinners and demons no doubt fear you by association.

Alastor keeps you dressed in similar attire to himself, yet with some differences that reflect how you used to dress.

People fear the radio demon and his fawn.

You're not as bad as Alastor, but demons know if they're too close... it pisses off the radio demon to put it in simple terms.

Alastor is affectionate with you due to your bond.

He has your soul and you're family.

He towers over you and never feels the need to pull your chain too tight.

After all, you're used to listening to him.

Always the adorable and obedient fawn for him....

Alastor is naturally fierce when it comes to his behavior.

You're barely able to make conversation with other demons and Sinners without Alastor lurking behind you.

He always acts so charming around those you talk to, just like how he did when you were both human.

The only people he doesn't monitor you too heavily with are those in the Hotel.

Charlie always seems so invested in you, you're one of the better candidates to be redeemed.

But as we all know, Alastor won't let you be redeemed.

Husk originally keeps his distance, but can't help but feel a sense of companionship due to you both being owned by Alastor.

Angel Dust no doubt is flirty with you, commenting how odd it is how someone so small and "cute" can be related to the radio demon.

In reality, you're not fully innocent, but no sadist either. You got to Hell somehow, after all.

Alastor really does hate it when Angel flirts with you.

Vaggie pities you for being dragged into Alastor's crimes.

Meanwhile Nifty is obsessive with the fact Alastor even has a relative down here.

Alastor is patient when it comes to the Hotel STAFF speaking with you.

You're definitely kept away from The Vees, not that you'd want to be near them anyways.

You are important to the radio demon, someone he can't lose.

You two have been beside one another since being alive.

Now you two are Sinners, even if you shouldn't belong.

Alastor no doubt still influences you, offering you more cannibalism as though he's showing the power he has over you.

The taste is still nauseating, the blood too familiar in your mind.

Yet Alastor only coos, speaking about what you two would do together as though it was nostalgic.

All while your lips are tainted in blood.

Alastor finds joy in killing other Sinners who get too close.

All so he can pick you up and drag you around.

You two have always been an infamous duo.

While you may want redemption... Alastor will always drag you back to him.

There's no saving you... ever since he made you commit your first crime, there was no chance of saving you...

You were always meant to be Alastor's darling little fawn....

[gallusrostromegalus]

Since you're at the doctor's, medical headcanons. Who's afraid of needles, who's the biggest baby when sick, who insists that everyone just let them die, etc. etc.

Short answer before long one bc I have to drive but:

They're all deep, deep into the morass of the horrors and miracles of The Flesh.

---

The Karakura kids are weird because Ichigo's dad is an emergency trauma doctor and Ichigo's family loves above the clinic. Any time his friends come over there's a round of "so what wild shit happened in the ER since last time?"

(continued under the cut)

Uryuu's dad is also a surgeon, and the thing that gets him and Ichigo back on speaking terms again is more or less second-hand shop talk.

Orihime has been obsessed with emergency medicine since her brother died. She wanted to know what she should have done, and can do so it won't happen again.

Keigo has been carrying a first aid kit in his backpack since he became friends with Ichigo and Tatsuki in middle school. He's got an exceptional talent for patching someone up enough to get through English class without the teacher noticing the injuries after a lunchtime brawl.

Tatsuki started peeking over Orihime's shoulder at her notes on joint trauma and developed a talent for targeting her kicks and punches to deal maximum damage in karate tournaments.

Mizurio knows a suspicious amount about neurology and how pain works because his "uncles" keep telling him about techniques used by enforcers to extract payment or information.

Chad got heavily into Oxacan folk medicine because once he stopped getting in fights, he needed something else to occupy him, and his abuela decided to teach him how to cook. There is not a huge difference between good food and good medicine. He has an encyclopedic knowledge of chemoreactive plants and chemistry you can do on a stove.

Every single one of the Karakura kids has had something medical happen to them or a loved one, and every single one is now peering into the mysteries of the flesh about it.

---

The shinigami are worse.

Shinigami broadly have better physical resistance, esp because they're reaping the injury stabilizing benefits Senjumaru wove into the Shinigami Shushako.

But they live in a feudal society that has only SOME of the benefits of modern medicine, and the few instances of disease-mitigating infrastructure are far between. It's COMMON for the souls of the rukongai and Seireitei alike to have a sibling who died in infancy or a parent who died in child birth or of an infection.

Societally, they are still in the very earliest phases of the war against pestilence and it gives one a very warped perspective on all things medical. Especially if you happen to be in the immediate sphere of influence of soul society's greatest warrior against death:

Retsu Unohana.

I cannot overstate the impact this woman has had, and you don't do things like "decimate the nationwide infant mortality rate" or "pioneer organ transplant surgery" without being a bit mad, and she has lived so long and done so much that the madness has clarified into a single extremely dense point of determination and she warps the reality of those around her. Woe and Blessings alike to those within her event horizon.

---

The Arrancar are even worse.

Hollow resilience to injury allows them to body much, much worse injuries than the humans and it has an impact on etiquette. Biting off a hand because someone won't stop bothering you is a normal way to establish a boundary. Limb loss and regrowth is common, and disembowelment about as serious as a bad cold.

The food situation is even more dire. Smaller hollows, ones that used to be plants or animals or human-hollows who have a modicum of self control are weak, but lucky. They can survive off the ambient reiatsu in the atmosphere of Hueco Mundo, or the naturally cleaving fragments of soul that fall off the living.

Everyone else needs to hunt. And the more powerful a hollow becomes, the more it needs to consume, and the richer it's prey must be. The only really rich souls are other sapient beings. Any hollow at the level of Shrieker or Grand Fisher or higher is trapped in a hellish metabolic cycle of cannibalism, and the only way out is through.

The primary killer of hollows is other hollows. They know what they're doing. They're looking their fellow beings in the eye, the ones who understand them best, and deciding that their own life is worth their friend's. For all their ability to handle the slings and arrows of physical trauma, hollows are worse at handling the emotional consequences of this cycle. Monstrous Egotism is a best case scenario for them.

In practice, this means that while it's perfectly acceptable to bite someone's hand off for annoying you, it would be rude of you to spit it back at them. At least eat it!

I realize this last bit is not, strictly speaking, medical, but you can see how the ability to survive being turned into an anatomical Venus and having to live on a diet of the flesh of others would completely recontextualize how hollows think about Illness.

---

I will do the fun individual headcanons when I get home, but this is a good broader framework to consider for now.

[youremyheaven]

A Basic Guide to Vedic Astrology

I think many of you are new to Vedic astrology, so I thought I'd give a little intro to some of the concepts, terminology etc

First and foremost, Vedic astrology dates back to 5000 BC - 10,000BC, which means it only takes into account Sun, Moon, Mercury, Venus, Mars, Jupiter, Saturn and the 2 nodes of the Moon, Rahu & Ketu along with your Ascendant. Outer planets like Uranus, Neptune, Pluto along with asteroids are NOT calculated as most of them were discovered only in the last 2-3 centuries.

A conjunction takes place when two planets are placed in the same nakshatra within 5 degrees of each other. Even if they are placed more than 5 degrees apart, so long as they are in the same nakshatra, they can to some extent be considered as conjunct (the effect will be less potent than an exact conjunction basically) BUT if you have Sun in Ashwini and Venus in Bharani, you DO NOT have Sun conjunct Venus in Aries, that is NOT how it works. Those two nakshatras have entirely different themes, mythologies, purposes, deities, planetary influences and lessons, how on earth can they be considered "conjunct"???

That said, wherever you have a conjunction in your chart will have a major influence on you. It is a very potent energy. Dont ask me if having Saturn conjunct Ketu in Ashwini makes you a Saturnian or a Ketuvian because that's not the point, its that those two planets have a specific relationship with each other in your context and to understand the functioning of one, you must look at the other (along with its placement, aspects etc etc)

There are 12 rashis, corresponding to zodiac signs and each rashi is divided into 2 or more lunar mansions called "nakshatras". If you've wondered why say Arieses all act so different, its because they're either UBPs or Revatis in their Vedic chart, contributing to vastly different personalities.

In Vedic astrology, we have the concept of 7 charakarakas all of which indicate a different purpose:

Atmakaraka aka the soul indicator. it is the planet at the highest degree and represents your soul/being. its your compass and points towards the calling of your soul

2. Amatyakaraka, it typically points to your career/profession and works alongside your atmakaraka. it is the planet at the second highest degree

3. Bhratrukaraka (planet at 3rd highest degree) points to relationships with siblings

4. Matrukaraka ( planet at fourth-highest degree in your chart) signifies your relationship with your mother or maternal figures. It represents the nurturing qualities within you and helps illuminate your connection to your mother or motherly figures in your life.

5. Putrakaraka (planet with the fifth-highest degree in your chart) reveals your approach to parenting and your potential for creativity. It provides insights into your connection with your children and your capacity for artistic expression.

6. Gnatikaraka (the planet with the sixth-highest degree in your chart) indicates obstacles and adversaries in your life. It reflects your ability to overcome challenges and confrontations, making it a valuable guide for navigating life’s hurdles.

7. Darakaraka (the planet at the lowest degree) it is associated with your spouse and romantic relationships. It uncovers the qualities you seek in a partner and offers insights into how you relate to your significant other. Understanding the Darakaraka can provide clarity on your love life and partnerships.

HOW TO STUDY NAKSHATRAS:

Read about the mythology behind your nakshatras. This helps shed light on its nature.

Look at your nakshatra's yoni consort. Read about what the yoni animal symbolically represents

Similarly, read about your nakshatra's deity, ruling planet, other naks under the same planetary influence etc

There are 4 purusharthas (aka motivations) in vedic astrology according to which nakshatras are classified. understanding the different classifications behind each nak helps us understand its nature better

similarly naks can also be classified by their ganas which describe the nature of these naks:

Deva = godly, Manushya = humane, Rakshasa = demonic

if you have a rakshasa gana nak, it does not mean you're a demon. it just points towards traits like selfishness, lack of generosity etc AND the person you are is sum of your whole chart, not just the gana of one nak, so don't beat yourself up

Naks are also classified on the basis of their qualities of which there are 7

they can also be classified on the basis of caste:

(all tables, pyramid etc by me so any mistake is mine oopsies)

4. Chart Ruler

The ruling planet of your ascendant sign is your lagna lord. If you're Mrigashira Rising, then your lagna lord is Mercury/Venus (based on whether your nak falls into the Taurus portion or the Gemini portion).

5. Navamsa or D9 chart

Look at your D9 after you've studied your D1 otherwise it'll feel like too much info you don't fully understand. Navamsa is consulted along with your D1/Birth chart. you can think of it as D1 promises certain things and D9 is if/how those things materialise. its like part 1 and part 2 of a story

I can't think of anything else that should be covered🤡but if you have doubts you can ask!!

I hope this was helpful!!

[nocreativityfornames]

The funniest thing about Teen!MC is that you just have these incredibly powerful ancient beings who rebelled against God, started a massive war with their own kind, killed their siblings and made a name for themselves in hell as feared and respected high-ranking demons who probably killed thousands of humans, corrupted countless souls, and for centuries never even saw a mortal as being worthy of their time but within MONTHS of living with a random human kid completely changed their minds to the point where they accepted to make pacts with them.

"Who are those? They're the Seven Rulers of Hell, some of the most powerful beings in all three realms. Beings who have terrorized the lives of many and whose names are known in all corners of the three worlds. Their presences alone are enough to drive one to insanity, to make entire societies crumble--"

"And who's that?"

"Oh, that's the human child they adopted who's in control of all of them."

[loveafterdeath-if]

DEMO | EXTRAS | DISCORD | KO-FI Wordcount ~120k (Prologue + Chap1) Last updated: 11/08/2024

Your past is in the past. And your future is with your lover.

Life has been kind to you these past few years. After everything you've been through, after building yourself stronger both mentally and physically, after crawling out of what seemed to be a dead end, this peace is… nice. Very nice. A lover who adores you, a best friend who has your back, a cozy house to call home, hell, even a cat you didn't ask for.

No more stress. No more tears, rage, helplessness, or feeling powerless. Everything is going smoothly.

But isn't it going a bit too smoothly?

Content warning: Please note that "Love After Death" is rated 18+ due to sexually suggestive scenes, optional sexual content, themes of child abuse, violence, death (duh), and more. If you find yourself uncomfortable at any point while playing, please prioritize your well-being and stop playing.

This game is a slice-of-life with heavy romance elements. If romance isn't your cup of tea, this might definitely not be the game for you (sorry!)

Customization: Shape your journey by choosing your gender, appearance, personality, and your love after death. Meet other people than your bestie. Suffer... from stuff. Get along with kids or their parents. Have a new job as assistant. And more...

Elias/Ellie Winter (m/f), 26:

Your lover and a rising star in the modeling world, someone you trust and love. They've always been your rock in whatever situations you found yourself in, no matter how hard it was to pull you out of your past. You're all they always wanted, and you're all they'll always want. That's just fate for them. You are their fate. But here's a tip: don't get too attached. No, seriously. Don't.

Luna/Leon Melth (f/m), 43: Your neighbor and CEO of a prestigious cosmetics corporation. They're mature, but not exactly ancient. Their good looks and charm turn heads wherever they go, and they love every second of it. They live for it. It's been ages since their last serious relationship. Maybe they miss love, maybe that's why they make sure their bed's never cold, or maybe they're just having fun. Who knows?

Tracee/Travis Melth(f/m), 27:

Your neighbor's son/daughter and CFO of their parent's corporation. You never know what they think or what they might feel. They're like a locked diary, impossible to read. While most people struggle to get more than two words out of them, you've noticed they act differently around you. Not as stoic or cold with you as they are with others. Maybe you're special, or maybe you're delusional.

Athiel Winter (m/f), 24: Your lover's sibling and fellow model. An annoying and arrogant person who can't seem to stop antagonizing you. You two mix like oil and water. Even when things seem peaceful, Athiel makes it their personal mission to remind you that you're nothing more than an annoying bug beneath their designer boots. That's all you are. Charming, right?

Ekissa Jones (m/f), 28:

Your best friend and a passionate artist. How you managed to befriend this grumpy soul remains a mystery, but beneath that prickly exterior lies… well, still someone pretty grumpy, but in an cute and adorable way….. You're probably their only friend and you know what? They don't care, because that's enough for Ekissa. You've always been enough.

[fataldrum]

Dorian Gray is queer art, period.

Apparently Netflix has decided to make an adaption of The Picture of Dorian Gray with Dorian and Basil as siblings. Unless they're planning to go the gothic horror incest route, they've completely missed the point of the relationship between these characters.

If you haven't read the book, Basil is a painter who becomes infatuated with a beautiful young man, pouring his feelings into a painting. Dorian becomes jealous of the painting's beauty, realizing that he will never be as young and unspoiled as the version of himself on the canvas. He finds himself wishing that the painting could age instead of him. His wish is granted, allowing him to stay young and beautiful until the end, with his moral and spiritual decline reflected only in the painting.

I cannot overstate how queer this book is. Dorian is so beautiful that their first meeting inspires a wave of existential terror in Basil. Dorian changes Basil's entire understanding of art and beauty. This book is so queer it was used as evidence at Wilde's sodomy trial.

The existence of the portrait itself is tantamount to a confession of queer desire. Basil tells his friend, Lord Henry, that he can't exhibit the painting because "I have put too much of myself into it.”

Lord Henry (who will later lead Dorian into a life of vice) laughs, but Basil explains:

“[E]very portrait that is painted with feeling is a portrait of the artist, not of the sitter. [...] It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my own soul.”

This is how he describes meeting Dorian:

When our eyes met, I felt that I was growing pale. A curious sensation of terror came over me. I knew that I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself. [...] I have always been my own master; had at least always been so, till I met Dorian Gray. Then—but I don’t know how to explain it to you. Something seemed to tell me that I was on the verge of a terrible crisis in my life. I had a strange feeling that fate had in store for me exquisite joys and exquisite sorrows. I grew afraid and turned to quit the room. It was not conscience that made me do so: it was a sort of cowardice. I take no credit to myself for trying to escape.”

Notice that turn of phrase--it was not conscience but cowardice that made him attempt to flee. Why would conscience factor into his decision? Because he felt shame at his reaction to Dorian's perfect, beautiful face.

Lord Henry is shocked to discover Basil cares for something besides his art.

“He is all my art to me now,” said the painter gravely. “I sometimes think, Harry, that there are only two eras of any importance in the world’s history. The first is the appearance of a new medium for art, and the second is the appearance of a new personality for art also. What the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me.

Basil goes on to confess, "I see everything in him. He is never more present in my work than when no image of him is there."

Lord Henry still doesn't understand why there is too much of Basil in the painting, so Basil explains:

“Because, without intending it, I have put into it some expression of all this curious artistic idolatry, of which, of course, I have never cared to speak to him. He knows nothing about it. He shall never know anything about it. But the world might guess it, and I will not bare my soul to their shallow prying eyes. My heart shall never be put under their microscope. There is too much of myself in the thing, Harry—too much of myself!”

Lord Henry asks how Dorian feels about Basil, and his response is absolutely tragic.

The painter considered for a few moments. “He likes me,” he answered after a pause; “I know he likes me. Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I shall be sorry for having said. As a rule, he is charming to me, and we sit in the studio and talk of a thousand things. Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.”

Any adaptation that ignores the way Dorian's existence and beauty utterly destroyed Basil is doomed to be shallow and insipid. This is not just a book about a magic painting. It's a monument to queer longing.

[anneapocalypse]

On Wuk Lamat's Role in the Back Half of Dawntrail

(Note: You do not have to like Wuk Lamat, you do not have to like any character, that is your business; however this post is not an invitation to expound to me on why you hate her, so if you aren't open to discussing her positively, please move along.)

Wuk Lamat is vital to the back half of Dawntrail. Her presence in the story there is both narratively and thematically important and its lack would render her character arc incomplete.

For context, I have seen some comments that there should have been less Wuk Lamat in the back half of Dawntrail. I truly don't see how that would have been possible or made sense without throwing out most of what was set up in the first half, or simply writing an entirely different story. Regardless of whether you personally vibe with her, Wuk Lamat is the main character of Dawntrail; this is her story, and it's themes and narrative beats are inextricably interwoven with her character arc.

First of all, can you imagine what people (in-universe and out) would say about her if after the attack on her people and the appearance of the dome she just... stayed in Tuliyollal with Koana and let other people do all the work? She's the Vow of Resolve. Of course she's going to be at the forefront of the action. The whole point of her choosing Koana to rule with her in a new interpretation of the tradition of blessed siblings is that they have complementary strengths, and they have a benefit that blessed siblings don't: they can be in two places at once!

Second, a big part of Wuk Lamat's journey is learning about the cultures of Tural so that she can fairly preside over them all, and in Alexandria we get to see her bring that lesson to bear in a big way when she learns about the regulators and the processing of souls. She's rattled by it but pushes past that personal reaction to say, as the Dawnservant, "Please teach me of your history and culture so that I can understand the importance of this practice." In doing so she learns critical information about the situation. This is a culture so far removed from the Turali peoples Wuk Lamat knows, and they're also a separate kingdom not technically under her rule at all, but that doesn't actually change her response. She still reaches out with curiosity and compassion, always seeking to learn and understand.

As she comes to understand Alexandria's history, she also learns the context she'll need to understand Sphene when her true motivations are revealed later. Moreover, Sphene is a very clear foil for Wuk Lamat. The Dawnservant characterized by her love for her people and her desire for their peace and happiness vs. the Endless Queen whose love for her people has been twisted into something destructive and terrible.

And then there's the narrative beats about family, and particularly the loss of parents in different ways: Wuk Lamat earning the trust of her brother's abandoned son and taking him in as family, and her being there for Erenville as he struggles to come to terms with the death of a parent (something Wuk Lamat has also experienced very recently).

And that's to say nothing of how personal Zoraal Ja's betrayal is to Wuk Lamat; of course she has confront him personally. It couldn't be anyone else (except maybe Koana, and they both seem to agree that it should be her).

The Rite of Succession is not Wuk Lamat's whole character arc; it's only the first half. It's after Wuk Lamat comes into her own as Dawnservant alongside her brother that she truly shines. It is in the back half of the story, when the stakes are dramatically raised, that all the lessons she's learned in her journey will be tested, when the peace she seeks to preserve is so brutally disrupted. We get to see her struggle emotionally with the shock of that in Tuliyollal, then rise to the challenge of leadership. How she responds to all of that is her character. It is the culmination of everything the first half of the story has set up. This is still her story.

And personally, I think it's wonderful to see a female character not only featured so prominently in the story but getting so much character development and such a complete character arc.

[tadc-harlequin-au]

If this was a game, I think a fun gameplay mechanic would be like a friendship meter. The friendship meter is affected by how you interacted with others. And if you have a higher friendship meter with people, they'd be more willing to help you. For example, companions with higher friendship do more damage when pomni takes them with her. Or another example is because ragathas kinda like the shopkeeper if she has a higher friendship her prices will be cheaper but if her friendship level is low they'll be really expensive. You can raise the friendship meter by going on side quests with the others or using positive dialog, and negative dialog makes the meter go down. Idk I just thought that it might be fun.

I like this idea. And you know what, FUCK IT.

AN AU OF AN AU!!!!!!! WHICH IS ALSO CANON-DIVERGENT FROM THE HARLEQUIN AU LMAO I TRULY AM AMAZING /j

THE AMAZING DIGITAL SOULS-LIKE!

I CAN"T seem to avoid the concept of "What if the Harlequin AU was a game instead", THE UNIVERSE KEEPS PUSHING IT TO MY FACE LIKE MY YOUNGER SIBLINGS WHEN THEY SEE A COLORFUL THUMBNAIL sighs....... back to my Shadow of the Colossus boss osts bullshit..... (affectionate)

The Amazing Digital Souls-like is a Non-canon compliant Alternate Universe (that's also a game rather than an actual fantasy world) of the Harlequin AU, where a stylized souls-like VR game called "The Marvelous Mechanical Harlequin" came out at some point during the rise of souls-like gaming.

Waking up in a well-lit main lounge of a manor, the new, amnesiac Harlequin player is met by "Bubble", a Butler Blimp, and "Caine" The Puppetmaster (whom is VERY VERY LOUD btw), claiming to be the only one who can "help her" in her current predicament.

As to be expected, she's very much on the verge of a mental breakdown, barely keeping it together while attempting to make sense of the world around her. (seriously, who thought pitching this game who sucks people inside of it to the public was a good idea??)

The Puppetmaster then proceeds to infodump everything the Harlequin player should know:

That this is a souls-like game;

she is a Harlequin Puppet in the middle of a TERRIFYING ROBOT apocalypse!!!!!!!!!!!!!! SCARYYYYY!!!!!!!!!!!!!!

and that she has to go on a boss-rush type of playthrough IF she EVER wanted to have a chance at getting out!

He'll also be the game's official guide, to which the player is having trouble digesting all this information (not surprising at all.)

When asked what's her name, she can't remember and begins crying onto the floor again (lmao skill issue). The Puppetmaster then picks one at the top of his head; "Pomni", which she reluctantly takes because it's better than having nothing.

From there on out, Pomni undergoes through a series of hardships as she dies (in a video game!!!!!!!!!!!!! MIND YOU, SHE DOES NOT DIE IN REAL LIFE!!!!) over and over again, attempting to defeat various bosses, who are the NPCs. She gains more and more confidence in the battles, but she's still quite the nervous wreck otherwise.

But hey, at least she's getting quite close to Caine, right? He's so nice, and sweet, and very caring of her, careful to reassure her that she's doing a great job with the tasks. There's also a deja vu in her head that's telling her this is somehow familiar, and his presence is a comfort to her.

Surely, everything's all fine and dandy, right?

... right?

Little did this Harlequin know, there is a DARK secret to all this.

And that is the fact that the late bosses aren't just regular boss AIs, they're OTHER PLAYERS trapped in a boss's body, for some goddamn reason. She finds this out when she accidentally does a good chunk of damage to a boss's heart, making them able to speak to her for a bit before going back to being hostile.

With that in mind, Pomni has to DELIBERATELY hit their very durable hearts, if she wants them to be reform as normal players as the hearts imprisoned the ACTUAL avatars of the players.

The Puppetmaster is taken aback, but seems to let Pomni do her way reluctantly.

Once they are freed however, they become Pomni's allies, but they seem... unnerved by the Puppetmaster and tend to avoid him. Every time Pomni asks them why, they're just quiet and looking away. Otherwise, they seem to be grateful and helpful to Pomni about anything else.

This of course, raises Pomni's suspicions of the game's advisor, but she still needs to comply with the rules of this world and thus, has to keep throwing herself to the wolves over and over again.

By the time Pomni frees the Maddened Princess of the Theater, The Puppetmaster declares her ready to face with THE FINAL BIG BAD HIMSELF, The Patriarch of Puppets, an "evil entity who transformed everyone into horrible Puppet monsters". Everyone scoffs silently.

Pomni, according to him, must defeat the Patriarch as the final step to video game freedom.

But by the time Pomni arrives to the final arena, The Patriarch attempts to have a conversation, and seems to be struggling with himself.

The Patriarch explains that his boss body contains "Able", someone who was close to Pomni in real life, who entered in the hopes of making his brother leave the confines of the game. He was able to remember details due to his admin access. Caine only agreed to leave IF he was capable of defeating all the bosses without using his admin abilities, "just like old times".

It was only until his late game run when he figured out (after a heated argument) that the original AI gamemaster, the very heart piece on Caine's chest, took over Caine and was making him act like a manipulative monster. When he tried to pry the heart piece away, he got sealed in the Patriarch's body as punishment.

The Puppetmaster may be unable to revoke his admin access, but it can be sealed off.

Able's been stuck ever since, but still secretly had a bit of access to the game codes if he did it on the low, an oversight by The Puppetmaster, and thus, managed to gain some semblance of control over the Patriarch's otherwise very hostile and bloodthirsty AI just in time for him to talk to Pomni.

The Puppetmaster denies these accusations, and advises Pomni not to believe the boss's manipulative words.

Pomni now has two choices.

>Kill The Patriarch of Puppets, or >face The Puppetmaster.

"Kill the Patriarch of Puppets" ending:

if Pomni decided to not believe Able, he loses his control over The Patriarch and the final boss fight begins. Once Pomni is victorious, The Puppetmaster then congratulates Pomni, but reveals a secret: That there was never an exit.

Pomni simply passed the final test, and now, she's ready to become a boss herself. Try as she might, she cannot escape this and she becomes "The Mechanical Jester of the Circus", the new final boss of the game. All her movesets are reconfigured to become the boss' attacks.

Able resets to normal, now forever trapped to be The Patriarch as The Puppetmaster corrects the previous oversight. The others are reset to become bosses again.

A new player joins, unaware of the horrors that awaits them.

Sad ending :((( How very tragic....

"Face the Puppetmaster" ending:

if Pomni decided to believe Able, a boss fight still ensues but this time, The Patriarch of Puppets is only the Penultimate boss instead of the final stretch. Pomni frees Able, who reforms into his original 'card deck' avatar and regains administrative access to the game.

The Puppetmaster accuses Pomni of breaking his heart and breaking game rules, and thus, has to battle with him IN ONE GO. There is no more reset button for her.

But Able comes in clutch and ensures her that HE will be the one to make sure Pomni can come back as many times as possible to finish the fight and free Caine.

Once Pomni is victorious, The gamemaster heart piece breaks, and Caine is knocked out. All the blocked out memories return to the players.

(Able's design belongs to sm-baby btw!!!!)

Apparently, the VR game was revolutionary. Players could physically enter the world and be immersed in the game's astounding graphics, creative boss rushes and open world exploration aspect. It did VERY well initially, but not well enough to stand the test of time.

Player numbers eventually dissipated when the brothers moved on to greener pastures (so the game didn't have updates), and the AI gamemaster was heartbroken for essentially being abandoned. As a result, any new players that entered the game could not escape, simply because they all forgot they had access to the menu from the very beginning. lmfao

When Caine rediscovered the game and wanted to replay it for old time's sake, the same fate befell him. The gamemaster recognized one of his creators, and took over his entirety, becoming The Puppetmaster.

Able followed suit, wanting to let Caine out but he was sealed into the Patriarch's body before he could succeed.

Pomni, who's actual name is "Penelope", was Caine's significant other in real life and got worried that Caine wasn't responding to her calls while she was on a business trip. She tried contacting Able, no response either.

When she finally arrived to their apartment, The Marvelous Mechanical Harlequin game was on, and recognizing it to be the brothers' old souls-like game, she put on the headset. And from there on out, the story begins.

The other players are able to forgive Caine's actions, and not pass lawsuits once they are able to go back to the real world. Now, with the gamemaster gone, the game has become somewhat active again, though this time, it was the others (and additional new people) hopping in back into the game just to hang out and maybe do some DLC boss rushes implemented by the brothers.

It's pretty epic, y'all. Happy ending yippie!!!!!!!!!

Now if you'll all excuse me... OWIEEEEEEEEEEEEE MY ARM AAAAAAAAAAAAAAAAAAAAAAAAA-

[gentrychild]

BNHA 407 : AFO is a lying liar who lies

Today is a very sad day because I am about to do something I genuinely dislike: I am about to defend All for One. In order to cope, I shall make fun of him the whole time.

AFO and Yoichi's backstory is finally out, with AFO narrating it, and there are two possibilities: he is either completely lying about it (boring) or he is lying a little about it (very in-character for him) because he is also lying to himself.

Lie number 1: AFO was born evil.

The narrator (AFO, seriously, it's AFO) says things such as "The baby drained the lifeforce of both his mom and his brother.", "It was born an arrogant baby." and such but it really reads at AFO villifying himself to add to his own legend.

That's what babies do. Children, before they're born, kinda have to take their strength from their mother. That's why pregnant people aren't supposed to do anything taxing.

AFO and Yoichi's mother didn't die because baby AFO drained her like a vampire. She died because she was a homeless woman who had access to nothing and had to go in labor alone.

Same thing here: during twin birth, a twin is often bigger than the other (well, probably not to extent of Yoichi and AFO, but you get my point).

Lie number 2: AFO, as a demon baby, is shown killing for no reason, just because he can.

(First slaughter by Baby AFO shown in that chapter.)

There are two things that are strange in this scene (apart from... you know.... a baby murdering people...)

AFO had no reason to go after them because they don't have any quirks to steal.

It makes no sense for someone to attack a group of people with nothing to gain. I doubt that's the kind of behavior you have when you're in survival mode as you're barely surviving in the street.

However, a previous panel points at some context we might be missing.

The same panel that indicates that those guys don't have a quirk to steal also shows that they are wiling to do some "preventive attack" on a bunch of quirked people who might or might not be those who assaulted a protest group (reminder that in this context, that protest group are protesting the rights for quirked people to exist).

I could be wrong but odds are that they did something to be qualified as a threat to All for One and we are missing the additional context.

(Second slaughter by Baby AFO shown in that chapter.)

Now, the poor souls who just got absolutely wrecked by a toddler wearing what I suspect to be a garbage bag have quirks, which makes more sense than the previous scene.

However (and thank you for @aimportantdragoncollector for pointing that out to me), we also have this panel.)

Yoichi is shown with bruises on his face and might be broken teeth.

Probably because those same people AFO is shown killing attacked him.

Lie number 3: AFO never loved Yoichi because he can't love, he just considered that he was his. That's all. Nothing more.

(Just... Just ignore the rats.)

AFO didn't care about Yoichi so much that the very conscious first act of his life might have been to swim a river upstream while dragging his brother above the surface with what must have been the deathgrip of all deathgrip.

AFO didn't care about his brother so much that Yoichi was fed and clothed by an AFO who was malnourished enough for his ribs to show and who wore what's basically an improvised toga.

But he just keeps sacrificing what little he has for someone he doesn't care about one bit, that's just his first possession. Nothing more.

Okay, I am going to be clear: anyone who sees that panel and thinks that it's the proof AFO didn't like his brother... You just outed yourself as an only child.

Siblings punt each other for no reason. (There is a reason why the first recorded murderer was an older sibling.) In this case, the reason was Yoichi throwing a can at him.

AFO: "You're not inviting me to a fun activity? You're leaving me out, in the cold, unable to partake in brother bonding activity? Oh, vault for Little Brother! Vault for Little Brother for one thousand years!"

AFO: "Nevermind, we're reading together. All is well, I guess."

Lie number 3: AFO killed the glowing baby for power, because he could, or because the Glowing Baby didn't deserve it

Still laughing about AFO's flawless reasoning... "Comic books heroes' life suck. Better to be a villain. I already did the whole struggle thing, I want an easy life."

AFO killed the glowing baby because he was jealous. It's as simple as that. The glowing baby was considered the first official quirked individual (even though it's not true), was protected by his family (if I remember correctly, the mother of quirks was his mom) while AFO and Yoichi had no one but each other (EDIT: I was wrong, the Mother of Quirks was Destro's mother. thanks to the people in the tags), and had a ton of people following him (while, for some strange reason, people start running away screaming when AFO shows his quirk... What a mystery...).

The last panel was basically AFO saying "I want to be loved' but not having the frame of reference to even know what love is.

In conclusion...

While AFO is definitely a bad guy and a monster, he didn't begin his existence as one. He just wants people to believe that. Because his pride and his ego can't allow him to admit that he lived a childhood full of horrible trauma where he was a victim abandoned by society (to an even greater extent than the LOV) or he would probably combust out of rage and mortification.

Ergo facto, AFO is a lying liar who lies, especially to himself.