#They do get better though <3< /div> Explore tagged Tumblr posts

[soft-serve-soymilk]

More random head children musings (aside from the really sad one because that deserves better than a throwaway post):

Honestly I think it’s very fortunate that Dism’s team isn’t *entirely* comprised of lucid dreamers.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[starflungwaddledee]

did you remember to leave space for all your phantom limbs?

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☀︎｡ ⋆｡ ﾟ ┊ ┊ ┊ ┊ ┊ ┊ ┊ ˚★⋆｡˚ ┊ ┊ ⋆ ┊ ★⋆ ┊ ◦ kirbytober 2024 #03 ★⋆ miracle // phantom // magic

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[artkaninchenbau]

Wanted to make an Egghead-themed sticker sheet for a looong time, and once I got to it I noticed had enough room for a few more extras after the Strawhats were done... So here's some Cross Guild chibs for you

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[lovlidollie]

https://youtu.be/QI6D1Mekwbc?si=9D-ySHn9nHiwapbS

idek if you’ve watched euphoria but this scene makes me think of toxic!rafe like he does crazy shit on impulse for no reason and reader will still take him back at the end of the day 😵

(link)

i have watched euphoria ! but omg this is literally toxic!rafe, especially coked up season one rafe. he’s almost always high, beyond unstable and completely volatile. he gets mad easily, is impulsive to a new degree, and doesn’t understand that you’re not the thing he should be getting mad at. more often than not you find yourself in front of the gun, barrel pressed up against your forehead or under your chin or between your ribs. he’d be snarling such mean words, threatening n gaslighting you. you’d be sobbing — like actually ugly sobbing, scared for your life sobbing. you’d be telling him how much you loved him, how much you cared for him, hoping that it would get him to stop. he was so scary when he got like this.

but he was so sweet after. he was so nice. he’d apologise, beg for forgiveness over n over. get you so many presents, expensive jewellery, new clothes, name it and it was yours. he’d tell you he’d change, that he’d be better, that he’d get help. you love him so much that you believe him. n for a while it’s true. it’s good between you two, he’s being the best boyfriend he can be. rafe takes care of you, makes you feel special n safe.

until of course he relapses.

[theswedishpajas]

Based on my favorite gif lately

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[pidgydraws]

heheh~ yeah @kotikaleo i do have unnecessarily specific thoughts about the ring designs i did for this piece! lol firstly, these are ABSOLUTELY fidget rings. cuz i'd have done a more mechanical/gear specific design but any human who's worn a ring on the reg knows that having a bunch of little notches in it is HELL, so cute spinny rings it is. secondly, Viktor's has "in all timeliness" engraved inside of his and Jayce's has "in all possibilities". and thirdly, they HAD to have to round blue sapphires in them because every time i rewatch Arcane i get this gut wrenching feeling during episode 4 where i - very viscerally - feel like maybe the last beautiful thing they accomplished together, before anyone or anything truly started tearing their world apart, was fortifying the hex gems. in that moment, it must have felt like they were about to finally take the next big step towards everything they dreamed about~ but... we all know how that turned out. so! YEAH~! (O W O) those are my thoughts on my, Science Husbands, ring designs heheh~

[devilsskettle]

The X trilogy + "psycho-biddy" influences

[ind1c0lite]

(Basic context is that AU of Duel Desinties where the phantom impersonates Phoenix to get him found guilty of Clay's murder, I talk more under the cut abt it jkhlj)

-Basically meant to be a parallel to turnabout trump, cause if you can have ONE boss get found guilty of murder, why not a second one?

-OK basically: everything in DD happens normally until like- a day before clays murder, Phoenix gets yoinked by the phantom somehow (he is still alive, just being held captive), Phantom is still Fulbright, but they've decided to be silly goofy (target Phoenix and get him found guilty of murder, escape police custody and then murder phoenix and make it seem like Phoenix accidentally died while on the run, thats why they didn't kill phoenix right away unlike the real Fulbright) there is an imposter amo-

-I dont have the logistics as to how this affects solving Metis's murder, and how it effects what evidence is used n whatnot and turnabout for tomorrow as a whole, so im just going nuts HGJKHLJ

-Originally I was actually imagining this taking place during turnabout for tomorrow and I wanted that case to be apollo v klavier instead of phoenix and edgeworth and thats why klav is in here instead of Simon (I decided that Simon got badly injured and couldn't stand in court for the retrial, so klavier was asked to step in)

-The courtroom bombing still happens the same way it does normally, but Apollo decides to take up the case again instead of taking a leave, instead of like, you know, healing from the traumatic event that just happened, turnabout countdown still happens as well

-Apollo and Athena do not find out about the phantom's existence until well after this trial, so they have no idea that Phoenix could've possibly been replaced, though simon, after hearing about the trial, might be suspicious about whether or not that was the real Phoenix

-The Phantom had been not only keeping an eye on Simon for a while, but was also stalking Phoenix and Edgeworth after they both started looking into UR-1, so they were able to impersonate phoenix so well that not even his own daughter thought that anything was up (though while Trucy did find him a *little* bit off, but she figured that it might've been the bombing that caused him to act ever so slightly weird, so she didn't pay much mind to it until she heard about his confession in court and realized it might've been because he possibly, ya know, killed someone)

-it's pretty much just switching Athena being framed for murder with Phoenix, and instead of the trial ending on a cliffhanger, it continues on (probably with Klavier insisting on it) ending with soloman being found innocent and Phoenix being declared guilty

-There's a couple days inbetween the end of the cosmic turnabout and the start of turnabout for tomorrow, so Athena, Apollo and Trucy all get a little bit to process the fact that "oh god my boss/my dad killed someone" (simons execution date is pushed back a bit in this au) and they probably get to talk with Klavier and eventually a lil bit with Simon after he gets out

-Im not sure how it all winds down in turnabout for tomorrow (Phoenix escaping and being at large is basically the perfect cover for the phantom to resume being fulbright for that trial) but they do eventually realize that the phoenix who confessed wasn't the real one and now there's a search on going to find out where the real one is being held captive, hes fineeee just ready to take a week long nap and a good vacation (along with every other waa member)

-I dont have anything else to add on rn but if you want to add something or just throw in a scenario feel free to!! this idea has been bouncing around my head for like a month now and Im very happy to finally show yall it

[monotone-artist]

[id in alt]

some idw redraws

[correctproseka]

Kamiyama is so funny

This kid (Mizuki) is failing bc of attendance, her work is fine. Instead of asking her whats wrong and how can they help with attendance nope. We're making her come 5 days in a roll (a miracle) to study (she doesn't need it) so she can do a test (she'll totally pass it easily).

Like if the test will make up for the absences... Then just. Make her do the test straight on? The classes are unnecessary for the poor kid😭

[shepscapades]

shep I was talking to my brother about dbhc xisuma as one does and mentioned that ask about not being able to puzzle xisuma's face together mentally and my brother joked that the reason you put the spoiler bars and such on his face is cause you cant draw his whole face yet 😂

anyway I might have talked his ear off about dbhc idk tho lmao

LMAOO NOOOO!!! MY SECRET FINALLY IS OUT!!! /silly

[sariphantom]

How to color Rise April O'Neil for new fans, beginner digital artists, or those trying to draw and color black people respectfully