#They both grounded after this

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[the-girl-with-too-many-ideas]

The other day, I was scrolling through Tik Tok when I came across a video talking about a 6 week old kitten who was found trying to take care of a few other kittens who were 2 weeks. They were screenshots, and one of them had a quote saying, "Imagine you're small and cold and scared, but there's smaller ones that are smaller colder and more scared."

I haven't been okay since because it sounds like Yue Qi and Shen Jiu. Their only three years apart, so all I can imagine is a toddler taking care of an infant.

All I can imagine is Qi-ge, who is nothing more than three or four. His an orphan slave and his hungry and cold and scared. When he suddenly finds a baby. His smaller and crying and just like him. Hungry and cold and scared while not knowing why. Then, next thing he knows, his picking him up and trying to comfort the little infant. As Qi-ge holds this little boy who is younger and even more helpless than himself, he decides to care for him.

He is just three-year-old Qi-Ge who decides to take responsibility for an infant Xiao Jiu.

[forged-in-kaoss]

Episode 110 vs episode 1100

[julijbee]

girlbossing too close to the sun.

[bleepthegrawlix]

never come between a boy and his trivia

based on/edited from this classic:

[yuwuta]

honestly all of them are really bad at enduring the silent treatment/you wanting to be alone after an argument but satoru and megumi are the absolute worst like satoru cannot do it he cannot have you not talking to him he will do anything he will beg he will cry he will grovel he will buy food and presents and a house and a car and sing to you outside of your window and beg and beg and beg, and megumi cannot stand the idea of you going to bed angry at him

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[heartorbit]

HAPPY NEWONDERHOY YEAR 🍡

[somegrumpynerd]

Killer is the only one Nightmare can't track down easily, since he can feel the others by emotion but can't usually sense Killer's unless he's in stage 1.

This is a small part of why he and Color got off on the wrong foot, because the first time Color and Killer met was when he was helping Dream fight them and he managed to pull Killer away from the main fight to try and reason with him. While they were doing that, Nightmare decided to retreat but couldn't see Killer around and couldn't find him using emotions, so he had to leave without him. (He did return later to scour the place and found Killer waiting for him, since he'd refused Color's offer to go with them.)

This became a running theme, where sometimes after a battle Killer would be gone without a trace because he was off fighting/talking with Color and Nightmare would have to come back for him later. It's also what makes Nightmare a little uneasy in present day about Killer running off to hang out with Color sometimes, because if Color succeeds in convincing Killer not to return, Nightmare has no way of tracking him down anymore. He just has to trust that Killer will return at some point, and wait.

[deliriousblue]

THE HEART KILLERS (2024) episode five

[sometimesmaybespoof]

When she Half on my Life till I 2

[fagulaa]

Something I really love about the Silt Verses is how, in a world of gods and monsters, how grounded Faulkner's trauma [and relationship with his father] is. Especially as the season moves on, and the stakes amp up [and up] its so unexpectedly piercing to be presented with this exploration of childhood abandonment/negligence, inter-generational trauma, the indignities and stress that comes with unexpected elder care/early onset Alzheimer's. You're so locked in to these grander, more abstract concepts that your defenses are down! Mine were, anyway. TSV is so good at cutting its grand, complex plotlines with simpler [but not shallower] gutpunches, and it just grounds the whole thing.

[ganondoodle]

the golden dragon zelda she only does the transformation for the final fight in the sky, here she is just after doing it chasing after 'ganondorf' to save link, she tackles and bites gan to make him let go of link

design notes:

(notes written here again for better reading) - horns are vaguely shaped like the hyrule crest - she has feathers and markings on the nose to reference owls - green mouth to switch the colors around (and neat contrast), bc gan has a blue mouth, zelda now has green, and if link ever was a dragon hed have it red -markings on the head feathers are a reference to the lil things satori and rumi (blupee?) have on their head

(totk rewritten project)

[sysig]

So much experimenting to be done, where to even start (Patreon)

[banyanas]

hey wait listen to me. Consider Grime not knowing Sasha was an Actual Child until after she'd already earned her steel (and done so noticeably younger than your average toadlet did) and thus by toadish traditions was considered ready for adult combat and responsibilities

[kurthummeldeservesbetter]

the mischaracterizations of both Viktor and Jayce are killing me because:

They are both fucking nerds/geeks like those two believed in magic not only when it was banned and could get them exiled but also when 90% of the world didn't like. they were absolute geeks. canonically they spend 75% of their time together, and the other 25% is either them alone, Jayce with Mel/the Council, and Viktor with Sky (sort of) or talking to Singed.

Jayce is definitely as introverted/lonely as Viktor. He had no friends besides Caitlyn in S1A1 and only gained MAYBE 2 more after Viktor. He did not have a partner nor trusted anyone with what he was working on. No one else came to his defense at the trial. Boy was a loner, not a popular academy student with tons of friends.

VIKTOR IS GOOFY. Look at his face when Jayce asks him if he thinks their plans in act 1 will work! He's like "Crank it!" after seeing Jayce use it. He tries to use a bedroom lie when he gets caught breaking in. He steals keys TO break in just cause. He's excited explaining new creations to Jayce. He's excited (at first) when Jayce gives the speech!

Jayce is smart!!!!! Like yes he is very much a himbo in the sense of his energy, but he's not the "dumb one" of his and Viktor's pair, they're equals. just rewatch how he explains the arcane/hexcore/hextech to Ekko, or the whole scene in general. he keeps notes on Viktor while he's in the hexcore despite never having any prior experience with anything like it before. They understand each other easily. the braincell they share has an IQ of like 1000.

Viktor not only wears all his emotions on his face (in fact, he is very emotional) he also doesn't shy away from touch! His reciprocation is allowing the touch from Jayce (hands on back, shoulders, sides, hugs) because he also likes it! and he's not afraid TO show emotion! (that's why the whole machine herald thing was so intense, he went from having ALL the emotions to like 1 or 2 traumatically).

Viktor admires Jayce as much as the reverse: it's why he's mad/annoyed at him during the politics era: he knows the real Jayce, and not "his Jayce" but the real Jayce who is a scientist who wants to help people. It's why he's so open with him, why he's so betrayed and leaves when Jayce uses the hexcore on him, because his heart was broken. because the Jayce he knows is incredibly intelligent and focused and wants to actually help people.

JAYCE IS SELFISH. THEY BOTH ARE. From day one these assholes are only thinking about each other, they have each other on the top of their respective lists, but they don't know it. Viktor almost dooms an entire universe out of a selfish perspective to "cure" the world (forgetting choice is the upmost important thing) and after he got rejected from the one person he loved.

Jayce has always put Viktor first, even despite Viktor's wishes (the hexcore) and from the end of S2A2 on, his only main priority is Viktor, it just so happens saving Viktor also saves the world. this asshole tells Viktor in front of the whole hivemind that magic (which did improve everyone's lives basically until it got corrupted) wasn't worth it because he loses Viktor. because any other writing would have had Jayce be like "im letting him go to save the world" and Jayce is "I'll never let him go, even if it dooms the world".