#These are the sort of things we figure out later

[voice-of-the-tired]

(ramblings of a madman upcoming. this is borderline nonsensical but I just gotta get this out there)

ugh, I LOVE the voices parallels so much. they make me insane. and I've been thinking about opportunist/hunted and skeptic/smitten the most rn.

for the first two, in their respective chapter 2s they are survival responses put in situations where said responses are entirely reasonable, but will end up reinforcing the "status quo" if entertained. this is somewhat the case with most of the voices, but I think it's especially noticeable with them.

the opportunist has a "betray them before they ever get the chance to betray you" mentality, and would you look at that, the witch has the very same mentality! and he is CORRECT in thinking she will betray you. because she will. but by following him and what he thinks, you're just making it impossible to break the cycle of violence (this is literally the point of the thorn).

the hunted behaves... well, like prey, and uh. the beast IS a predator. he IS prey. she is hunting them. but if you just follow your instincts you'll never be able to free her, or defeat her, or leave together or learn about reconciliation or do anything else that isn't survive.

so their situations are reinforcing their behaviour, then their behaviour in turn reinforces their situation; they are stuck in a cycle. at least with the hunted you can have the skeptic to make a plan later on in the den, I guess. but it's still a fascinating thing.

I think the stubborn and the broken chapters are a bit similar to them in this regard, but those have more to do with giving meaning to the princess and choosing whether or not you should fight against it in the end. it's a bit of a different situation. skeptic and smitten also don't quite... doom themselves if you just follow them, even though they actively feed into the chapter's "concepts", because they're sort of "tools" made to complement and help you towards your goal (free the princess through skepticism or blind devotion) as opposed to survival responses.

talking about them... oh boy, skeptic and smitten in their respective chapter 2s. you can just go through with whatever the plan was (leave with her), but if you don't, they won't ever get the only thing they sought and will hurt others (and themselves) in their desperation. you take away smitten's happy ending, and you leave skeptic without answers, and to that they just. fucking lose it. going with the previous tool comparation, you could say that's what happens when a "tool" isn't useful in a specific situation any longer. it can't do anything else except for its designated function. so

when the illusion that love makes everything possible and that all you and the princess needed was each other shattered, the smitten couldn't believe it. this was everything he ever wanted and everything he knew; you are the hero. she is a damsel. you are in love. you save the damsel and live happily ever after. that's what HAD to happen, and if it didn't, then it will. he has to make it happen, because it can't and shouldn't work in any other way.

in the prisoner, if you don't take her head, you are shoved into eternal nothingness while left with only questions. what is this place? who is the narrator? what is he hiding? who is the princess? why is she locked up? how could she end the world? is there a world? where is it? why are we the ones doing this? why did the princess cut off her head? not only could they not go through with saving the princess like they tried before, but there are SO many questions, and skeptic didn't get any answers! they can't be left unanswered, the truth HAS to be unraveled. that's what he's been trying to do all along. it's the only thing that matters. they WILL keep going and they WILL figure it out.

they are too obsessed to care about anything else. they are too stuck in their tunnel vision to accept anything else. they are too far gone to do anything else.

lord help me I am going insane because of this game /pos

[vengeancemoths]

ok. yay! let's talk about jason todd autopsy scars.

WARNING: pretty thorough description of an autopsy ahead. if you don't like cut up bodies this one isn't for you.

prefacing this by saying i am not in any way a field expert in any of this, just a guy with really morbid autism and a pretty objectively concerning collection of nonfiction on the subject. i may be wrong about things! i did not crack open the books for my stupid little tumblr post (this time). people with actual experience feel free to correct me.

if jason had had a thorough autopsy performed on him, he would not come back to life* and also probably bruce wayne would go to jail.

*or at least come back with scars from it. more on that later!

if an autopsy was performed it would have to be by someone who knew about batman because robin's scars are pretty difficult to explain. it would be pretty easy to bypass an official autopsy, jason was blown up, his cause of death is not exactly a mystery.

bruce wayne might be the kind of guy who's so obsessive he needs to know exactly which event actually killed jason (if the crowbar killed him, batman couldn't have gotten there in time. if the smoke killed him....). but maybe he also wouldn't want to know for the same reason.

the most important thing is that we know jason had massive head trauma. if you were trying to figure out which of the many terrible things that happened to him was the one that killed him, you'd want to take a look at the brain.

and guys, i don't know if you know this, but the brain only holds its shape because it's inside your skull. the human brain is the consistency of silken tofu. once it's out of your head, it's not going back in.

this is inconvenient for coroners, so they'll probably spend several days soaking jason's brain in a chemical concoction designed to make it firm up. once they do that, it's time to dissect it.

but the fun doesn't end there! once they're done, if they don't just dispose of the brain separately, they're still not going to go through the trouble if wrangling it back into jason's cranium (now open on top, like an egg cup). it goes in the organ bag!

did i forget to mention the organ bag? look, they're not going to put all of his wet organs back into his chest cavity. he's already rapidly decaying. if bruce wayne gets his son back and he's leaking there'll be hell to pay.

so all the organs, which at this point have also been cut into little pieces to study, get jumbled together in a plastic bag. that they do stick back into the kind of gaping hole that the organs vacated. then they stick the ribs back in place (they were sawed off, at the beginning, to gain entry to the organs).

and honestly? without the brain in the mix i can almost believe it. i guess if jason had a really shitty autopsy courtesy of gotham's overcrowded underfunded mortuary? i mean more people who write jason resurrection fic should have to think about the organ bag, and what happens to it. would it just sort of glorp out of him while his organs wiggle themselves back into place? one day i will write my funeral industry accurate jason todd resurrection fic and it will make everyone sad and uncomfortable.

but i guess my thesis statement is that i think it would be really hard to come back to life if your brain was in 7-14 pieces inside a plastic bag where your stomach used to be.

the most likely way for the resurrection to work, in that case, would be to restore his body to its state directly before death, which does unfortunately predate his autopsy.

so what this post is saying is that jason probably wouldn't have had an autopsy, but even if he did, he wouldn't have the scars to show for it.

now, the idea that they're vivisection scars and ra's al ghul was poking around in there? i like that a lot

[bambi-kinos]

What do you think of Paul and John 's relationship in 1980? Personally, I think they had at least some sort of consensus of the relationship (I mean, a formal romantic relationship) in 1980, and I don't think Paul started thinking about the nature of the relationship after John's death, i think they both took it seriously in the'70s and decided that what they wanted from each other. It wasn't the Beatles anymore, it was John and Paul, but John's death stopped it.

I don't know what to make of John and Paul in 1980 to be perfectly honest. There's a lot of rumors and conjecture swirling around it like the Crazy Days and Nights post. A lot of the interpretations around 1980 are based in wishful thinking because no one wants to believe that John died without some sort of plan in mind with regards to Paul. The fact of the matter is that there's too much we don't know.

What we do know from the 1970s is that John and Paul's relationship really split down the middle and they didn't want anything to do with each other. They did still care about each other but they had pissed each other off too much. Paul did start reaching out in the mid-70s trying to talk to John but John, and especially Yoko, didn't want this contact. That's why John turned him away from the door when Paul tried to show up (alone!) with his guitar. John regretted that later but I don't think it's wrong to see their relationship as very dead in the water.

And the truth is that Paul didn't actually pursue John that much contrary to some bitching that took place last year in the fandom. Paul's heaviest overtures to John were when he was out of Yoko's immediate presence during the Lost Weekend and then when John went back, Paul kept him at a distance again. The communication eventually became infrequent phone calls (since many were blocked by Yoko on purpose) and that often turned into them shouting at each other. Paul eventually stopped calling John frequently and when he did he was careful to keep their conversations very light and stilted. Otherwise John would just get angry at him. Paul had other things going on in his life, he had to raise his children, be a husband, keep making music, and arrange tours.

I can imagine that John and Paul hooked up occasionally through out the 1970s but the truth is that when John said "leave me alone" Paul did.

I don't think John's last interviews wouldn't be so laden with regret towards Paul if they had something planned in the background.

Paul never forgave John for leaving The Beatles or for giving his life up to Yoko. He did want John back in his life and away from her once Paul realized what she was doing to him, but I don't believe that he was willing to stick his neck out again for John's sake. He didn't know what he was going to get in response. I would think that's why they booked the studio in January 1981, to see if they could operate with one another on neutral ground. But that was a test balloon.

It's possible they did have something happening in the background but John seems too torn up about Paul in 1980 for me to really believe that. He was actively trying to leave Yoko but I think he would have been in the wind a bit if he had, Paul wasn't riding to his rescue this time. And he was right not to.

We just don't know enough to make any firm pronouncements about 1980. Whatever John wanted from Paul it was vague and undefined because they were rebuilding their relationship from rubble. Paul was wary around John and trying to figure out if he could really trust him this time.

Idk I just don't get the "we are together again" vibes from everything that was happening in the Dakota at the time.

[1americanconservative]

@markeatsmeat

Wow. Joel Salatin, a farmer and regenerative agriculture advocate, has been offered a position within the USDA. He will advise Thomas Massie who’s agreed to be Secretary of Agriculture. Here’s the full message posted to his website today: “The deplorables and garbage people won again.  Can you believe it?  I've been contacted by the Trump transition team to hold some sort of position within the USDA and have accepted one of the six "Advisor to the Secretary" spots.  My favorite congressman, Thomas Massie from Kentucky, has agreed to go in as Secretary of Agriculture. He's been the sponsor of the PRIME ACT, which, if pushed through, would be the biggest shot across the bow of the entrenched industrial meat processing system we've seen in a century.  Let liberty ring.  Wouldn't that be a change of fortune for Big Ag?  If RFK Jr. goes in as Sec. of Health and Human Services, everything will be inverted.  Talk about the coolest turn about.  He'd be the boss of the Faucis and Francis Collins--the whole covid anti-science crowd.  Wouldn't that be a change of fortune for Big Pharma?   And if Elon Musk goes in as a Government Waste Czar, do you think he could possibly find something?    Here's an interesting tidbit.  All the income taxes in the U.S. are $2 trillion a year.  Government spending and borrowing are so out of control that if we eliminated $2 trillion from the budget, it would only set us back to 2020.  Does anyone think returning to government spending in 2020 would destroy things?  Of course not.  So all we have to do is cut federal spending to 2020 levels and we can eliminate income tax.  Period.  Done.  How would that make you feel? Most people don't know enough history to know that the federal government was to be financed entirely from tariffs and excise taxes.  In fact, as a nation we operated just fine for nearly 150 years without an income tax.  The only president who eliminated the national debt was Andrew Jackson, and he did it by eliminating the second bank of the U.S.  Nearly 100 years later we got the third bank, known as the Federal Reserve, plus the income tax.  During that time, tariffs averaged 40-50 percent.  After the income tax, tariffs dropped to an average of about 7 percent, where they remain today.  If we went back to 40 percent, like we had for nearly 150 years, we would bring production home and free our citizens from impoverishing taxes.  Dear folks, this is a watershed moment to take a creative and serious look at the sacred cows in our nation and fry some serious burgers. We don't know history.  We don't know liberty.  We don't know earthworms or aquifers or immune systems.  I'm hoping this election is an opening to discovery.  Perhaps we could even figure out how to put negative occurrences like jails, pollution, and cancer on the nation's balance sheet, as a liability rather than an asset (Gross Domestic Product--more jails?  wonderful, pour more concrete and make more jobs).   Perhaps we'll eliminate federal involvement in education, from kindergarten to college.  Make every teacher accountable to performance.  Eliminate ALL federal intervention in the food system, in farming, in energy.  The Constitution (read it) doesn't allow for any of this and it's time to examine all of it.  Shut down foreign military bases; bring them all home.  Stop ALL foreign aid, from USAID to military aid.  Sell stuff is fine; giving it isn't.  I think whatever taxes we pay should be able to be designated to certain departments.  That way we the people could support or defund departments directly.  The reason we have K street is because all our freedoms are for sale.  Eliminate government manipulation and the lobbyists all go home.  These are simple things.  Let's do it.” https://thelunaticfarmer.com/blog/11/6/2024/celebration?format=amp

[autisticjoshrusso]

ok ok ok. a post about josh, buck, and maddie at dispatch as promised. (and because i dont feel like writing a whole separate post or repeating myself etc, if im pointing something out as evidence for my autistic josh headcanon, it'll be in parenthesis like this) also this is long because im going basically line by line in some places so just be prepared for that and such.

the first thing i wanna say before anything else is that like... as far as how this conversation fits into the larger narrative, i was fairly disappointed, due to the way that including this scene like this is kinda implying that the racism was fine because of being closeted etc. HOWEVER. luckily for my sanity it is pretty clear that from a character perspective, that's not at all what's being said by josh himself here, and we can be pretty certain that he is not aware of tommy's past behaviors. in fact he has almost no facts or context about the situation, which i'll get into later.

now that the disclaimer is out of the way, im gonna move onto character analysis and will not be touching on what i think the narrative might have meant etc. any further. like this is going to be purely talking about character dynamics and dissecting the dialogue etc.

we start out right away by skipping all the exposition right into a hard cut of maddie reacting to the news that tommy and abby were engaged. LOVE this set up we get right into the important part quickly and we as the audience only have to hear information that is new to us, not the information being repeated back to the character for whom the information is new.

and oh maddie. i love you so bad. she's like DAMN thats crazy, and then makes the obvious turning people gay joke. her energy here is sooo like it didn't make sense until looking at it in retrospect, but she's shocked and invested yet not taking it very seriously as a concern for buck, because well, she's having a baby and this is objectively not that serious comparatively <3 but i do love that she sees buck's reaction and quickly reins it in and is like woah im kidding im not actually being homophobic holy smokes. which. it kinda still is a little. but i think she's allowed <3

and then... josh enters the scene. he apparently only walked in as buck was saying "-kissed a boy" so of course he had to be like huh? gay shit? something gay? boys?? what's going on over here? and i love that for him. and i love that maddie immediately is like oh hi bestie i catch u up to speed on the tea <3 the maddiejosh bestieism is so back we never lose <3 and that fact that she's like. feeding in the facts in a way to dramatically amp up the tale i love it. she really said man the things my baby brother gets himself caught up in are wild.... anyway <3 true sibling behavior is finding the perfect balance between being supportive and being so so annoying <3

and she is supportive still. like when it becomes clear that there's something deeper going on here she does try to help him work through it. and its so interesting to me the way she is sort of seriously contemplating his words and is shocked when josh not only speaks up but is being very serious and equally focused on the problem at hand. it's like... she's trying so hard to figure out how to help her brother with something she doesn't fully understand that having someone else speak up to help them kind of shocks her and boy does that say something about their lives and the buckley sibling dynamic!

side note, the way josh is jokingly like "she didn't bring her personal life to work, unlike SOME people" and maddie's little look of mock offense?? they're so cute i cant handle it.

i also really love how the shots are framed during this conversation. at first, even when she's not talking and is just listening to josh talk, maddie is still in frame, we're still getting her reaction, she's an active participant in what's going on. and then there is the one shot where she's talking and josh is out of frame, hidden by buck, because whatever reaction he might be having isn't important, it's a buckley sibling moment. (he's not an active participant at that point; he's entirely observing and reacting and gathering information, not dictating the direction of the conversation whatsoever.)

it's only when josh gets very serious and it starts to turn into a heart to heart moment just between him and buck that maddie is allowed to leave the frame. it still goes back to her in very brief cuts when her reaction is relevant, but she steps back out of focus and let's josh handle the conversation. and i love that so much. thank GOD someone else is helping buck sort out his problems that isn't his parentified sister or just generally someone more marginalized than him. it was kind of getting irritating to watch, as much as i love buck so much. like dude... the emotional labor. watch it.

and man. this conversation guys. everything about it makes me an insane crazy person. ive already mentioned this in the tags of some other posts but like... its so fascinating because on the surface it is such a cohesive conversation, but when you really break it down and analyze both of their expressions and body language alongside what they're saying, you can start to see the cracks in it. what one of them is saying is not what the other one is hearing, in both directions. they are having two different conversations and i think it's critical to analyze both of those conversations and how they are interacting with each other. what josh says, what josh hears, what buck says, and what buck hears are four entirely separate things happening alongside each other.

the first part is josh trying to get a sense for how serious this relationship is to buck. when buck falters at the question of "do you love him?", he elaborates with follow-up questions that, to josh, define "love" or close enough to it. answering "yes" to those questions is close enough to a "yes" to the question of "do you love him?".

(which. ok. the particular choice of questions makes me insane because they do essentially boil down to "do you prefer this person to solitude and grant them an equal or greater importance to yourself?" which is sooo... it's said from the point of view of someone who greatly values their solitude and would not easily grant someone that level of importance.)

unfortunately, well, buck is NOT someone who greatly values his solitude, and puts other people before himself quite easily. buck would answer "yes" to those questions for basically anyone. josh does not know or understand this about buck and takes buck's answers at face value, while buck is taking this as sort of... it's hard to explain, and i think others have done a better job of capturing buck's perspective already tbh. he's convincing himself that he loves tommy here because josh is unknowingly handing him that information and expectation, and buck loves to mold himself to fit an expectation etc.

and then comes the second part, which... i think this is where it is most critical to realize that josh has none of the context about tommy, abby, and buck and those respective relationships. by his own admission, he didn't really know much about abby or about her breakup with tommy beyond the fact that it was upsetting. he didn't hear the way tommy talked about abby to buck at dinner, and he definitely didn't get to see any of the real fallout and damage to her psyche that tommy leaving her caused.

but buck did! im not inclined to rewatch s1 to get any exact quotes or anything but from what i remember, she either outright said or implied that she was so heartbroken because tommy left her because of her mother's illness. buck is understandably very upset because he understands exactly what she went through and how, unless abby was lying to not out him, he didn't exactly come clean with the breakup, and left her feeling like it was her fault, like there was something wrong with her or she was being weighed down by caring for her mother. he calls tommy's behavior exactly what it is: dishonest and cruel.

but josh doesn't know this. all he is hearing is a young, freshly out bisexual calling a gay man "dishonest and cruel" for having been engaged to a woman for his own protection. and he responds exactly how you'd expect! he reminds him of queer history and the fact that he doesn't really have a right to judge the people who grew up and had to survive in a world that was much less safe to come out in.

(and i said in my other post that's still doing numbers that "pre-Glee/post-Glee" is an actual queer discourse talking point and makes sense that it'd be used here, as awkward and cheesy as it seems, but it's also a win for my television/film/popular media/hollywood culture/etc. as a special interest headcanon. <3 we love to see it)

and it kills me because of course buck is just going to take this at face value and decide he needs to stop feeling the discomfort he's feeling, leading to the subsequent doubling down and over committing that is typical of his unhealthy relationship patterns.

(and then at the end of the speech josh has to literally announce that he's leaving DSJFHJKDSKJ. because walking away/ending conversations is so awkward and difficult and the easiest way to mitigate that is to lean into the Dramatic Homosexual Stereotype mask or whatever <3 i've long been of the opinion that josh is someone who uses the behaviors associated with queer men and queer masculinity as the blueprint for his neurotypical mask, which is why he often comes across as being just a little bit off from the Funny and Bitchy Gay vibes that it seems like he's going for. and boy did his exit from this scene just reinforce that headcanon so hard!)

they wrap the scene with a little bit more levity too which is kind of nice to like. move on from that. because it got kind of heavy there for a second.

overall i do like what this scene accomplished, but like i said at the start, i think it has some really unfortunate implications that weigh it down for me. still, always nice to get more josh content, especially when it's pretty consistent with his character as established AND not at all related to doing his job. we got to see him and maddie being goofy and maddie being allowed to let someone else deal with buck's problems for a second. and the whole thing was very well shot! excellent camera work going on throughout.

i don't actually know how to end this post so yknow. im gonna make a dramatic exit now or whatever <3

[more-than-a-princess]

She'd had, she remembered as she dressed, given him a run for his money. It wasn't as if she'd even grown up at arcades, but having a best friend who was a professional gamer did help at times. Even more so that she was patient, eager to instruct, and mostly just wanted to have a friend to play games with whether it brought her any amount of competition or not. Sonia smiled at the thought: she'd have to tell Chiaki about this soon.

Though perhaps, in an effort not to worry her, she'd leave the part about how Wylan had brought several firearms illegally (she guessed) into France as some sort of backup measure.

"How did you plan to use them, if so? On me?" She asked, perhaps in a tone far too light for the question. If just for the fact she didn't think he would, but he'd brought them for a reason. A roundabout question to get to the real one: What are you afraid of?

Another question for another day, particularly after the previous night had been so exhausting in a multitude of ways. Besides, he'd steered the conversation into something else meaningful: the denial they shared about their feelings for one another. Nevertheless, it still didn't stop her pausing as she applied her lipstick: he too had loved her, enjoyed her company, when she'd been either too oblivious or too wrapped up in her own self-sabotage to tell him as such.

"Did you, now," She spoke after her hands had moved again and finished applying the deep rose shade to her lips. Finishing, she placed the cap on the tube and the tube in her purse before standing up to face him. "I thought I was the only one. If I'd said something, I figured you would've pushed me away. I suppose spontaneously kissing you to distract another European aristocrat from recognizing me was a feeble attempt at a diversion and to express myself: how much I enjoyed being around you, seeing all the sights Las Vegas had to offer." Restaurants filled with junk food, fake castles that housed casinos, frozen alcoholic drinks in sizes Sonia hadn't known drinks to be served in. So much of it was a blur for so long but with him there, now, she was recalling the highlights of their adventure away from their lives, or at least her security.

Paris, however, didn't quite offer the same level of frivolity and tackiness, unless one knew where to go. Maybe she'd lead him to something equivalent later but first, clothes. "Oh, I would say this is our first date, yes," She replied, grinning as she let him pull her close. Sonia had guessed that, in their absence, the rest of the party would scatter. Her security, to prepare to discreetly tail them the entire day (though knowing Wylan, she felt certain he'd know their presence and approximate distance everywhere they went). Her family, because they didn't want to risk hearing anything they really didn't wish to. "If we are going on an outing where we are honest with one another about what we are feeling. Though I suppose with that logic, last night counts? Or does a date count if we went out with feelings for one another that went unshared?" She thought briefly of the various instances where he'd be telling jokes and attempting to get under her skin and she highly considered responding in kind with kissing him and seeing what happened.

Actually, that wasn't the worst idea to try now. But maybe not on the streets of Paris, after taking the elevator to the lobby and quickly crossing through it, head down and pressed into Wylan's side. She would do her best not to be recognized, though it was far easier at night than it was late morning.

"What would you consider our first date, then?" She inquired as she led the way north, away from the Tuileries and towards the famed opera house, near to where the department store was located. She hadn't really thought about it until then, but Sonia was reluctant to call the previous evening their first date: they'd both been hungry, for food and other things and were so emotionally wrung out that it simply felt like relief when they'd both been fed. But today...today was different. Today felt lighter, warmer, even if it was simply being held against him as they walked through the busy streets, avoiding various tourists, shoppers, and locals simply wanting to get from point A to point B.

It wasn't a long walk, the most difficult part of it all passing every cafe beginning to ready its outdoor seating for the early lunch crowd. Food and clothes could both be taken care of at the department store and rather well, in fact: she wondered if he'd have any interest in the food halls that spanned the Galeries Lafayette's third building. "Here we are," She announced once they'd arrived: less busy than the main store across the street, she'd taken him to the smaller department store of the three: four floors devoted entirely to men's fashion, accessories, and skincare. She'd grabbed the door first, mostly out of habit: without security detail, she relished in getting her own doors, her own shopping trolleys, her own bills. "Admittedly I haven't shopped for clothes with someone in awhile. What sort of style would you like to get?"

"I dunno, you gave me a run for my money at the arcade back when, didn't you?" A brow lifted at her words as the princess comments on her future spouse's ... accessories. Yes, she may have jewelry but Wylan gained confidence through. Other things. "Calling a 1911 a piece of artillery is being a little dramatic, I think. But having guns at all- yeah, I'm not going to deny maybe it was a bit much. The nine millimeter here was just a uh. Backup. In case something else..."

The more he thinks of trying to explain himself, the more Wylan realizes this is rather silly. Not so much bringing the weapons (you're good there champ) but convincing Sonia of the what's or why's of it. Or maybe he was excessive? Was he thinking excessively?

"I'm happy. Happier than I am disappointed that I didn't need to use them. Either way." All roads lead to that fact. A good way to cap of the idea before he starts getting defensive or something of that sort. Sonia was only teasing after all, flirting with various boundaries now that she had the open field to do so. Wylan smiles, realizing the same could be applying to him right now were it not an existential brew of crisis and realization.

Stewing in that happiness is a decent way to... waste time, he realizes. Basking in the afterglow not of sex (for once), but the way her words had made him felt was. Different. Nice. Appreciated. There's no longer a need to rationalize reasons not to like it, nor is there a need to leap from the window. It'd ruin his clothes, anyway.

"Heh. Yeah. There's been a lot of denial between us for awhile, hasn't there? I don't want to judge my past self too harshly but I think I'd be lying if I said there wasn't times before I ... well. Loved you. Really really enjoyed your presence." And now basking in the intimacy of watching her apply makeup and dress, enjoy her all the more.

Tongue glides over lips.

"So."

Wylan was back onto his feet, personal items put into their favored pockets and the coils of his inner springs preparing to add that spring into his step.

"Is this our first date?" He ponders. "I feel like we could call so many other things we got up to as dates, adding in the hindsight we have now as guy and gal." Comes the punctuation, an arm hooking around to take hers, and pulling the woman up to his side with both their preparations concluded. Door to the greater part of the suite thrown open so the two might venture forth.

[monipue]

[tj-crochets]

Good news: after a lot of weeks, my air conditioner is fixed!! Also good news: I caught an error in the software at work that was impacting both contractor pay and customer invoicing! Bad news: going through large amounts of data loosely falls under the purview of the department I am now sort of in charge of, which meant my department (which is me and two other people) had to individually open every single order from [specific subset of customers] since the beginning of the year to manually check if either error had occurred. Hundreds of orders, even with a few different criteria we could use to narrow it down. It's done though! I mean the error is not fixed but previous instances of it causing problems are caught and now that we know it exists we can catch future problems before they are invoiced/paid out I have done zero crafting today and I honestly doubt I will get any done lol

[demigod-shenanigans]

I’ll answer the Harley stuff first because I may or may not have a snippet for the Piper one ;)

So, I feel like in Fate verse (I’m just gonna call it that, series title for that series of oneshots is “fate and other technicalities”), Harley’s siblings (especially Nyssa) tried to make sure he didn’t see Leo when things were really bad early on. They let him know Leo was hurt, because the whole Leo blowing himself up and Jason carrying into the infirmary missing a leg and covered in ash was kind of a big deal that would have been hard to miss, and they let him know that Leo is going to be okay, but they don’t want Harley going to the infirmary while Leo is still out cold.

Harley insists he wants to see him and probably sneaks in. Curses at poor sleep-deprived Jason that he should have protected Leo better but Jason already feels like it’s his fault and him just agreeing that it’s his fault actually doesn’t help Harley feel better so he just kind of pats Jason’s arm awkwardly and apologizes. They just kind of sit there together for a bit and Harley squeezes Leo’s hand and tells him to wake up and that he’s stupid and then darts out again (it’s all a lottt for such a little kid)

I also like to think that the ring/fold-out crutches were Harley’s idea. Hc that maybe he had an injured leg at some point during the whole Hephaestus cabin curse business and remembers how annoying it was figuring out where to put the crutches when he wasn’t using them, so he didn’t want Leo to have to deal with that, and all of his siblings come together to help to make the crutches.

He’s the one presenting them to Leo totally claiming he made them all by himself and Nyssa lightly raises an eyebrow at him and he sighs and goes “I guess the others helped, too” and Leo just laughs and ruffles his hair

A lot of what you’re asking regarding Piper will be saved for tchig, and I can’t go into that too much for spoiler reasons, but I do have a Piper WIP that’s a sort of companion fic to tchig and takes place at the same time as Leo’s little… trip, so I’ll share a preview from that! (Obviously this takes place bit later than we are in the current tchig timeline, so there’s some slight spoilers in this snippet)

“The demigod you’re trying to reach is currently outside of my service area. Please try again later,” a tinny voice sounded through the rainbow.

“What do you mean, he’s outside your service area?” Piper asked, struggling to keep her voice calm.

She was trying not to cry.

Not being able to reach Leo wouldn’t have freaked her out on most days—he’d told her he needed some space to process things, and as much as she wished that wasn’t the case, she understood—but today of all days, it was just too much. “Thank you for choosing the Iris Messaging service,” the voice from the rainbow continued, ignoring her question. It was fucking recording. “If you would like to end the call, please press red. If there is anyone else you’d like to contact-”

Piper did cry, then. Forget not crying in front of the stupid rainbow goddess. She couldn’t help the sobs building in her chest. Couldn’t help the way her thoughts spiraled. What if something had happened to Leo? What if, after everything they’d been through, she’d lost him, too? If she’d gotten him back just to immediately have him ripped away from her again?

A little over three months ago, Piper had cradled Jason’s lifeless body in her arms after a mission gone awry.

She’d gotten better at dealing with the grief and the memories since Hazel and Frank had gotten her in contact with a therapist—a child of Bacchus that Piper didn’t have to hold anything back from. Talking to her helped. But a few months weren’t enough to heal the kind of grief that came with losing a section of your heart.

Piper hadn’t loved Jason the way she’d initially thought she did, but she had loved him. He’d been her best friend. When they’d lost Leo, having Jason to hold her through it had been the only thing keeping Piper sane. Jason, who was a terminal optimist and believed against all odds that Leo was okay—that he had to be okay, because he was Leo, and there was nothing he couldn’t do if he set his mind to it.

And Jason had been right. Leo was okay. But he hadn’t lived to be reunited with him.

Leo had taken it the hardest out of anyone. They were all grieving in their own ways, but Leo had shut down completely. Piper hadn’t seen him cry much before it had happened. Leo joked his way through most situations with worryingly practiced ease. To an extent, he’d still done that with Jason’s death. But he’d also sobbed into Piper’s shoulder until his voice failed him. He’d cried a lot during the weeks he’d stayed with her, and more in most Iris Messages after.

Piper couldn’t imagine what it was like to only realize you were in love with someone after they’d been ripped away from you for good.

But she was grieving, too. She would have held Leo through it all, if only he had let her.

So! If anyone would like to be distracted/cheered up a little please feel free to send me some short valgrace/lost trio prompt and I’ll try to write a drabble or do some headcanons or something. Sfw stuff only please but otherwise I’m good with pretty much anything request-wise

[starbuck]

[musical-chick-13]

Realizing that I would come back to performing full-time for one (1) reason and one (1) reason only: if someone could guarantee that I would get to do one of those interviews where you just play with a bunch of kittens while people attempt to ask you questions.

[mechanicalbowtye]

read the scratch upd8. little too close to home

[thebigqueer]

maybe the reason im so upset about it isnt cuz she broke up wme but because all that waiting over the summer just feels so worthelss now. like i know we couldnt talk as much or be around each other as much but i was waitingall summer like when we get back all we'll do is be together!!!! all of the 'new relationship syndrome especially now that its long distance' stuff will be fixed when we get back!! but were over and theres no chanec of fixing it because were over and its just like what if we waited what if we just figured it out for another few weeksand see where it went form there

[termagax]

i dont knowwwwwwwwwww i just. my thing is that i think the changelings could have an interesting place in the narrative given jims whole conflict is about trying to navigate his place in two worlds neither of which he completely fits in but both of which he needs to be his complete and authentic self. but they shoot themselves in the foot by making strickler the main one and they get sooooo close to doing this with nomura before getting bored and doing it again but worse with strickler. so in my mind i think this is why i was so set on addy being a changeling because i want her to fill that narrative role of someone who's ACTUALLY chill about this dichotomy and who really loves this part of herself without the baggage inherent to nomnoms situation (not acknowledging strickler he did most of that to himself). i just think he needs someone who can show him that its actually genuinely very possible to have both halves of his heart especially post-potion. but man. you cant really get there without dancing around the janus order stuff. and i know if she was real it would just be a cheap lampshade like "welllll shes a polymorph so. no familiar no problem" but that opens up a can of worms that i feel responsible for. and just in general the entire thing has so much baggage. i wish this show was GOOD.

[kakusu-shipping]

Speed Ran through Mario Galaxy 2 Yesterday while sick because I couldn't remember why I disliked it so much and wanted to see if that was just younger me being biased. It was not.

But I regained my love for Lubba and Dino Piranha, so that's something at least.

[erythristicbones]

there are two kinds of people: my gf & her mother, relaxing on the beach as the sun comes up, and me, standing 20 feet away circling some sort of decaying corpse/skeleton for 2 hours trying to figure out what it is